Podcasts about Love Will Tear Us Apart

The Horror Short Film Director Roundtable is one of the most important things that we did at the Portland Horror Film Festival. It provided an elevated platform for horror short filmmakers. Oftentimes, this is ground zero for original horror ideas. Unless you are a Hollywood nepo-director, short film creation is where you learn your chops. I wanted to give these creatives an opportunity to share their experiences in making movies, both good and bad, so that we can all learn a little more about the craft. Life as a short filmmaker can be an experience in the shadows. Your films are rarely seen outside of film festivals, but that’s not necessarily a bad thing. This is where most creative minds hone their crafts. Take a simple concept and do it well. Do you have something scary or funny to tell? Is there an idea that has been lurking in the back of your brain that you have to give life to? A short film will give you the opportunity to learn production, editing, budgeting, and team management. It also places you in a community of people who are open to sharing their work with one another. That’s where the round table fits in. After our discussion, I told the group that, even though I wanted this discussion to be a forum for them to share their wins and losses with each other, I selfishly set up this talk so I could learn more about horror moviemaking. Nine years in on being a small horror press journalist, and I still feel like I am only scratching the surface about what a director has to do. Just how do you do it? These discussions give me more talking points and access to better questions to ask. The Portland Horror Film Festival is one of the best curated horror film festivals in the country. Not only do Gwen and Brian Callahan select some of the best horror short films for their festivals, but they also provide opportunities for short film alumni to showcase their feature films. One of the questions I asked in our roundtable discussion was, “How many of you are looking to be feature film directors?” All of them raised their hands (with the exception of Patrick Hogan, who has already directed a feature film). For these directors, here is some encouraging data. This year alone had FIVE directors who previously presented short films at either PHFF or the H.P. Lovecraft Film Festival and later had their feature films shown at these festivals. Here are the PHFF Alumni filmmakers who presented a short film and then a feature: Anthony Cousins: Short Films – “The Bloody Ballad of Squirt Reynolds” and “Every Time We Meet for Ice Cream Your Whole Fucking Face Explodes” to Feature Films – Frogman (2023) and Frogman Returns (2026) Jeff Ferrell: Short Film – “Morella” to Feature Film – The Demonatrix (2026) Levi Buchannan: Short Film – “We Said Forever” to Feature Film Sitra Achra (2026) Krsy Fox: Short Film – “What the Spell” to Feature Film – Big Baby (2026) Masaki Nishiyama: Short Film “Smahorror” to Feature Film “The Invisible Half” (2026) Zack Ogle: Short Film “We Got a Monkey’s Paw” to Feature Film – It Needs Eyes (2025) Craig Ouellette: “Str$p” to Feature Film – Straight on Til Morning (2025) Andrew Bowser: Short Film – “Little Willy” to Feature Film – Onyx the Fortuitous and the Talisman of Evil (2022) Izzy Lee: “My Monster”, “Dark Signals”, “Rehomed” to Feature Film – House of Ashes (2024) Kenichi Ugana: Short Film – “Visitors” to Feature Film – Love Will Tear Us Apart (2023) Alice Maio Mackay: Short Film – “The Serpent’s Skin” to Feature Film T-Blockers (2023) Matthew John Lawrence: Short Film “Larry Gone Demon” to Feature Film – Uncle Peckerhead (2020) Justin Harding: Short Film “Kookie” to Feature Film – Making Monsters (2019) The PHFF Horror Short Film Director Roundtable Recording: Here is the roundtable discussion. It’s all about the lessons learned. The good, the bad, and the ridiculous. My past experience doing these round tables sometimes put the filmmakers on the spot, and I didn’t want this to be a “stump the directors” exercise. I prepared them with the following questions: Apart from financing, what was the biggest challenge in making your movie? What was the most interesting thing you learned while making this film? How many of you are filmmakers as a second career? What remains a mystery to you as a filmmaker that you think might be answered by one of your peers in this discussion? What piece of advice do you have for your fellow directors? This group really got into the discussion, and had the festival not started up, we could have gone on for quite a while longer. I had a great time, and I believe they did as well. The Horror Short Film Director Roundtable Films: Blindsided Directed by P. Patrick HoganStarring Crystal LoverroPortland Horror Film Festival: Winner of the Devil’s Discord (Best Sound Design) A blind schoolteacher struggles to survive through a nightmarish night when an alien spaceship crashes and unleashes a monstrous predator. This unique horror short film features an all-low-vision cast and places the audience in the POV of a blind protagonist who is only able to hear what happens around her. Director Statements: “Blindsided is a riveting short horror film that takes a unique narrative approach, providing audiences with an immersive glimpse into the harrowing experience of Maria, a blind woman confronting the most terrifying ordeal of her life. The horror remains unseen, both to her and the audience, heightening the suspense and reminding us that sometimes, the most terrifying things are the ones we don’t see coming… This is an innovative short film that ventures into uncharted territory within the horror genre. The narrative unfolds in a tranquil neighborhood, abruptly disrupted by a crashing alien spacecraft and the horrifying monster it unleashes into the night. However, what sets this film apart is the unique perspective from which the story is told – the POV of Maria, a blind schoolteacher living alone. Maria’s desperate struggle to evade the otherworldly predator, guided solely by what she hears, will provide an experience unlike any other horror short. Additionally, to promote diversity and inclusivity, in conjunction with our Disability Authenticity Consultant Vanni Le and Casting Director Danielle Pretsfelder Demchick, all the characters in the film are played by low-vision actors, placing the spotlight on the often-overlooked talent within the low-vision community. We are very proud of Blindsided and look forward to enjoying it in theaters with an audience who doesn’t know what they are about to experience.” Scullion Written and Directed by Trevor GracianoStarring: Whitney Garner as “Samantha”, Cody Parr as “Greg”, and Jim Close as “The Maid” A playful couple test their household chore habits and unknowingly summon a vengeful presence. Director Statements: “We all carry habits inherited from our parents into adulthood. I grew up in a religious household where some of those habits were helpful, but many were not—and they've lingered in ways I don't welcome. Some habits fade with time, while others remain, quietly shaping us in the background. This film explores the struggle to break free from those ingrained patterns, and the imaginative consequences of what happens when they refuse to let go. *It's really just about how to load the communal dishwasher correctly.” Worst Thing You’ve Ever Done Directed by PJ GermainWritten by Autumn Palen and PJ GermainStarring: Brady Gentry, Benjamin Nowak, Bix Krieger, Charlie N. Townsend, Cailyn Rice, Ethan Ahn, Emma Smith Watts, and Erin Rae Kykendall HIGH SCHOOL REALLY SUCKS… and no one knows that better than best friends Aaron and Keith. So when they set out to crash the last graduation party of the summer, emotions fly high, and the culture clash of teenagers finds them playing a simple game that has dire consequences. Director’s Statement: “Before he passed, screenwriter Gil Dennis told me during my time at AFI, “Write what hurts.” That idea has stayed with me; it's the compass I use when choosing the stories I want to tell. When I first read Autumn Palen's original draft of Worst Thing You've Ever Done, it hurt. It transported me back to moments in my own adolescence; memories filled with shame, ridicule, and isolation. But what floored me was its third-act twist. It was something I'd never felt so viscerally in a short script. I knew I had to direct it. What began as a contained character piece evolved into something more personal. I rewrote the script to reflect my own lived experiences, with every character, every event drawn from real moments that left a mark. I wanted to take a character that I felt so intertwined with, and make him someone that the audience would really relate to before reaching the moment where everything changes; the blood-drenched punchline to the twisted joke these high school kids played on each other. I set it during the 90’s, as it was a period of transition for me as an 80’s kid, being on the cusp of the old and new world. I needed the film to be an exploration of adolescent loneliness which dealt with the complexity of the friendships and social hierarchies that often defined who we were at that fragile age. We weren’t quite kids anymore, but we weren’t adults yet either, so how did we approach the consequences of reckless behavior? My team and I knew that casting would make or break the film. To capture that truth, casting was everything. I reviewed over 6,000 submissions, narrowing it down to a callback of who I thought could embody the characters. I needed authenticity, so at that callback, I ditched the script and asked actors, in character, to describe moments like first dates or getting asked to prom. It revealed who leaped from the page and became real. A week before we were to start shooting, my original cinematographer had to back out due to a conflict with the TV series he was currently shooting, and months of planning began to crumble. In the days leading up to whether or not we were going to cancel the project entirely, my long-time collaborator and cinematographer Jeff Billings took on the task. We shot the film over 3 tireless days, and as any director knows, you plan as much as you can; however, the plan eventually goes out the window. So I played a game of pivoting and being malleable myself in order to get what we needed to tell the story. The film is a testament to all the parts working together for a singular goal, and my hope is that when that first music cue drops, the audience is strapped in and ready to ride the roller coaster to that final frame.” https://vimeo.com/1071562836/377ba7d361?fl=pl&fe=cm Cat and Mouse Written and Directed by Brady CatesStarring: Halima Kamara as “Michelle”, Collan Simmons as “Felix, and Ron LaprechtEdited by Luke Oleen Junk, and Hayley Frederick Michelle is caught in a killer’s sadistic and carefully orchestrated game. With danger closing in at every turn, Michelle must outwit and outlast her relentless pursuer. But as the night goes on, unsettling clues reveal that all may not be what it seems. This time, it's the mouse's turn to catch the cat. My Severed Arm Written and Directed by Casey de FremeryStarring: Olivia Rose Prince as “Sidney”, Ryan Romine as “Mason”, and Julia Linger as “Commercial Model”Portland Horror Film Festival: Funny Bone Award for Exceptional Horror Comedy A woman tries to escape a serial killer using DIY videos, but the internet won't stop trying to sell her things first. Director’s Statement: “My Severed Arm is a horror-comedy about a “final girl” who, after fleeing into a cabin in the woods, discovers that her greatest threat isn't the machete-wielding slasher outside—it's the barrage of unskippable ads and paywalls blocking her access to life-saving information. Trapped, bleeding, and desperate to repair the tools around her, she turns to YouTube—but instead of help, she's ambushed by holographic tutorials and polished commercial spokespeople invading the cabin like digital ghosts. The film began with a thought I couldn't shake: what if you had to listen to ads when calling 911? It was a joke at first, but one that felt eerily plausible five minutes into the future. I've learned so many practical things through platforms like YouTube, but over time, that access has been buried beneath monetization schemes, misinformation, and endless self-promotional detours. This story is my response to that frustration—exaggerated into a literal life-or-death scenario. Stylistically, I wanted to evoke the stark, grim energy of Evil Dead or Cabin in the Woods, but undercut it with the absurdity of consumer culture leaking into every moment. That blend of horror and comedy, physical space and digital intrusion, is what drives the tone. At its core, My Severed Arm is about survival—both in the horror-movie and digital sense. It's about what happens when urgency meets algorithm, when access to knowledge is shaped by incentive structures that don't care if you bleed out. The film asks: what good is information if it's hidden behind paywalls, pop-ups, and promo codes? But more than anything, I want the audience to laugh, cringe, and feel that creeping recognition that this isn't the future – it's the now.” Into The Stand Directed by Mackenzie Hamilton and Taylor FuchsWritten by Mackenzie HamiltonStarring: Sarah Rich as “Quinn”, Ariana Raygoza as “Rosa”, and Nick Dietrich Tree planters Quinn and Rosa return to camp for another summer in the wilderness. Rosa is newly sober, and Quinn is quietly anxious about how she'll handle the camp's hard-partying culture. At the welcome-back party, Rosa is tempted to drink, prompting Quinn to intervene. Shaken, Rosa heads into the forest to clear her head, but doesn't come back. When Quinn goes after her, she's met with eerie signs: strange noises, a mangled deer, and an odd light deep in the woods. As the forest closes in, Quinn questions if there is something else out there. Director’s Statement: The woods have always haunted me. Growing up in rural Vancouver Island, I would often cut through forest trails to reach friends’ houses. When it was night, we would meet in the middle of the trail to keep each other safe. Thankfully, we always found each other, but I frequently wondered what if we didn't? What if something else was out there, waiting in the darkness of the woods? Into the Stand is inspired by the many times I scared myself on those trails, letting my imagination run wild. Now that I'm older, my fears are centered around more tangible things, like navigating how to let go of people you love when you can't control what they're going through. This story is deeply informed by themes of sobriety, codependency, and how the urge to help someone can sometimes lead you somewhere dark. Ultimately, Into the Stand is a fun horror made in the community I grew up in with friends who helped bring it to life. My husband and I co-directed this short film, transforming the woods on my parents' farm into a tree-planting camp, and had a blast turning a familiar place into something eerie and cinematic. It's a scary film that is personal and full of heart, and I'm overjoyed to be telling stories in the places that shaped me. –Mackenzie Hamilton and Taylor Fuchs Nurture Written and Directed by Nick SnyderProduced by Sam SnyderStarring: Travis Bilenski as “Ren, and Kailey Rhodes as “Rose”Portland Horror Film Festival: Winner – Goule D’or Best Short On a remote Oregon farm, a couple grieving from a miscarriage finds hope in a mysterious flower. But as it heals her, the flower takes root in him. Nurture is a dialogue-free folk-horror fable about love, grief, and the consequences of taking too much from nature. Director’s Statement: NURTURE marks my return to narrative filmmaking after years of honing my craft in visual effects, motion design, and commercial work. Inspired by the Pacific Northwest and the quiet mythology of its forests, this dialogue-free folk horror short explores grief through the lens of a nature curse. Where grief deepens love and a curse demands sacrifice, NURTURE examines the dangerous hope that something broken can be restored without cost. Other Notable Horror Shorts from the Festival: There were 48 short films shown at the Festival, selected from over 500 submissions. Here are a few notable and favorite films that were also showing at the festival. Famous Directed by Rosita Lama MuvdiWritten by Jordan MonaghanStarring Jordan Monaghan “A young woman desperate for social media fame exploits her father's death to go viral. But the volatile world of internet stardom pushes her to the edge.” Punchy and poignant. Famous taps into the darkest desires of influencers desperate to get likes. Just how far will you go for a few more “likes and subscribes”? Jordan Monaghan chases likes the wrong way in “Famous” (2026) Favela Amarela (Brazil) Written and Directed by Nicolas Lobato and Tiago TuchuStarring Richard Abelha, Giselle Batista, and Sai “A student from the favelas of Rio de Janeiro joins the local drug militia to pay for college and uncovers an NGO linked to powerful politicians that hides dark rituals devoted to the King in Yellow.” I won’t be surprised if this stunning short film also plays at the H.P. Lovecraft Film Festival. It is saturated in Brazilian culture, mixed with a heavy application of Cosmic Horror. Favela Amarela (2026) Wall Udder Written and Directed by Alexandra HaydenStarring Kevin Grady, Sawyer Fuller, and Bries Vannon “A dissatisfied woman confronts repressed feelings of malaise after her partner comes home smelling like milk.” Hysterically gag-inducingly funny! There is a double-punchline gag that brought the house down. Part of the Shorts Gone Wild block at PHFF, where the festival screens the zaniest submitted shorts. This did not disappoint. Ewwww! Who wants some milk? “Wall Udder” (2026) Tooth-Hurty! Directed by Jude MadonnaWritten by Katie SmallStarring Katie Small, Jude Madonna, Brook Hogan, and Tommy HardenPortland Horror Film Festival Winner: Abby Normal Award: For the exceptionally weird and disturbing “Lucy is a people-pleasing writer-photographer whose dream of being an artist remains just out of reach. A comment from her boyfriend about her teeth triggers Lucy to make an appointment for a dental checkup for the first time in years with the mysterious yet heavily advertised Big Smiles Dentistry.” Super clever! There should be more horror movies about trips to the dentist. This made my toes curl and had me in stitches, as well. Say Ahhh! Katie Small in “Tooth-Hurty!” (2026) CHÄIR Directed by Chris McInroyWritten by Chris McInroy and Carlos La RottaStarring Carlos LaRotta, Kim Lowery, and Chloe McInroy “Carl just wanted to sit down. The chair had other plans.” I am always a fan of Chris McInroy. He and Carlos do a crazy short film every year. I am in awe of how these guys make deadpan, silly, and super-gory original content. It won’t be long before they release a greatest-hits compilation, and I will be in line to buy it. This spoof on Ikea furniture assembly is a tribute to all of us who have struggled to assemble the Scandinavian furniture at home. Carlos LaRotta contemplates his struggles putting a chair together in “CHÄIR” (2026) The Bones Exist Directed by Kelsey Bollig and Matthew DuVallWritten by Matthew DuVallStarring: Alex Pena as “Manny”, Siya Maleki as “Diego”, Jack Campbell as “Don Rob”, Michael Manzako as “The Boy”, and Alex Bankler as the Utah Raptor.Portland Horror Film Festival Winner: Tompe L’oiel Award for Best Special Effects In the unforgiving wilderness of 1850s Alta California, a dwindling group of gold prospectors encounters a feral boy who forces the men to confront the horrors lurking in the woods and the sins of their past. This combines two of my favorite genres: Dinosaurs and Westerns. Perhaps not done since The Valley of Gwanji, The Bones Exists shows plenty of raptors hunting cowboys and does so convincingly. Bonus points for showing the most current understanding of raptors as feathered dinos. Munch Munch! “The Bones Exist” (2026) Flush (France) Written and Directed by Raphaël TreinerStarring Eléonore Gurrey as “Marianne” and Christophe Ntakabenura as “Ben” Abominable plumbing and violent deaths. MARIANNE, extremely pregnant, and BEN, a plumber and one-night stand, team up to survive an epic night and face the monsters of a building beset by an unknown evil. I am a sucker for the Trapped in a Bathroom trope, even going so far as to host a Crypticon horror panel on the topic. This film goes to the top (plumbing) shelf. This is Cosmic horror that brings all the icky, goopy, nasty elements you might expect from this theme is on full display. To think that an effective little romance element managed to sneak into the plot, and you have something unusually effective. I love it when the French go weird. Eléonore Gurrey and Christophe Ntakabenura are unlikely allies in “Flush” (2026)

Peter Hook reflects on 50 years of music, the emotional weight of performing Joy Division and New Order live, and the many memories and ghosts of his past. Tickets for Peter Hook & The Light, Australia 2026 Topics Include: New Order toured Australia as early as 1982, helped by Factory Australasia's local support. Hooky calls Australia the only place he never wants to leave — he still suffers leaving every time. Peter Hook and the Light played their seventh-ever gig in Melbourne on their first Australian tour. He is now working through every New Order and Joy Division album ever recorded live. Get Ready features songs never played live as New Order, with Steve Morris largely absent during recording. The band's Grammy came from Orgy's heavy metal cover of Blue Monday — Hook loves the weird covers most. He revealed a plan to stage a full New Order classical concert, eyeing the Sydney Opera House. Ian Curtis performed with absolute conviction every single night — something Bernard Sumner couldn't match early on. Hook recalls first seeing Ian smash up a venue at 2:30am, dancing through broken tables — terrifying and electrifying. That chaotic Stiff/Chiswick talent show led directly to Rob Gretton becoming Joy Division's manager. Ian's lyrics, Hook says, are heartbreaking up close — Love Will Tear Us Apart masks devastating words in euphoric music. Singing Ian's words himself has given Hook a profound new insight into what Curtis was actually expressing. Tony Wilson signed them with a handshake — no contracts — while other labels arrived with thick legal documents. Bernard Sumner found the Unknown Pleasures pulsar image in a textbook; nobody planned the iconic sleeve. Hooky was actually sued for bootlegging the Unknown Pleasures artwork — which Factory themselves had originally stolen. Ian Curtis reportedly wrote a letter complaining about how Closer sounded — a detail Hook only learned years later. During Closer sessions, Curtis was being torn apart: marriage collapsing, new love, epilepsy worsening, the band pushing forward. Hook deeply regrets not seeing Ian before his cremation — but a gravedigger privately told him where Curtis is actually buried. The inquest into Ian's death so disgusted the band they decided on the spot to continue as New Order. Joy Division was deliberately boxed away for 30 years; Bernard called playing those songs "miserable" and refused to continue. Bobby Gillespie suggested the album playback concept so Hook could faithfully recreate Martin Hannett's studio sound live. Watching his son learn Joy Division bass lines at the same age Hook was then felt like staring into the past. Performing these songs, Hook says he is "living surrounded by ghosts" of collaborators now gone. The K-93 sessions saw Killing Joke's Geordie Walker move into Hook's Manchester home for six weeks, causing complete chaos. Those lost K-93 tapes mysteriously surfaced after the label went bankrupt — and Jaz Coleman promptly went silent again. High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Cette semaine dans "La Cover" du #LeDriveRTL2, Margaux Lassalle revient sur un titre culte et poignant de l'histoire du rock : "Love Will Tear Us Apart" de Joy Division. Sorti en 1980, ce classique post-punk puise son intensité dramatique dans l'histoire personnelle de son chanteur, Ian Curtis, qui y raconte l'effritement inéluctable et douloureux de son propre mariage. C'est la parution surprise vendredi dernier de "L'Embardée", le nouvel album de reprises du groupe breton Matmatah, qui a donné l'occasion à la chroniqueuse du #DriveRTL2 de se replonger dans ce chef-d'œuvre et ses multiples réinterprétations à travers les décennies. Bien avant l'hommage de Matmatah, ce classique au thème universel a inspiré de nombreux artistes d'horizons très divers. Dès 1983, le Britannique Paul Young s'en empare pour livrer une relecture beaucoup plus douce, s'éloignant de la tension originelle. En 2004, le morceau connaît deux adaptations diamétralement opposées : une étonnante version bossa nova signée par le groupe français Nouvelle Vague, et une lecture résolument emo, typique des années 2000, par les Américains de Fall Out Boy. Plus tard, le titre est sublimé dans une formule acoustique très épurée par Passenger en 2017, avant de prendre une dimension atmosphérique et cinématographique en 2024 sous l'impulsion de PJ Harvey et Tim Phillips pour la série "Bad Sisters". Cette riche rétrospective musicale s'achève naturellement sur la toute nouvelle interprétation de Matmatah. Très loin de l'énergie festive et entraînante de leurs débuts ou d'un titre comme "Lambé An Dro", la formation bretonne surprend ici son public en dévoilant une reprise à l'atmosphère particulièrement grave et solennelle, parfaitement en accord avec le texte intemporel de Joy Division.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Manchester in the late 1970s is a city in retreat. Industry is collapsing and jobs are disappearing. Whole neighbourhoods feel abandoned. Out of that stillness comes a stark, unsettling new sound. Joy Division capture the mood of a city that has lost its rhythm. Their music is tense, mechanical and unflinching. When Ian Curtis dies in May 1980, just as the band stand on the brink of America, it feels like the end of something fragile and important. A month later, Love Will Tear Us Apart is released. But this story does not end there.Tony Wilson, television presenter and cultural instigator, has already opened a club night called The Factory. Within two years, the surviving members of Joy Division return as New Order and take a huge gamble to open a cavernous nightclub by the canal. On opening night at The Haçienda, a white grand piano sits in the middle of a vast, echoing room. Almost nobody dances.Episode 1 of The Rise and Fall of Madchester tells the story of how a broken industrial city began to rebuild itself through sound. From the Russell Club in Hulme to the birth of Factory Records, from the stark poetry of Joy Division to the uncertain promise of the Haçienda, this is where Manchester finds a room… and the faintest hint of a new pulse.Featuring archive interviews from Tony Wilson, Peter Hook, Bernard Sumner, Ian Curtis and Stephen Morris and a new interview with Mike Pickering.A BBC Audio Production.

Mardi, Margaux Lassalle poursuit la semaine aux commandes de Pop-Rock Station sur RTL2 pendant les vacances de Marjorie Hache. L'émission s'ouvre avec Joy Division et "Love Will Tear Us Apart", avant un enchaînement mêlant figures du rock et découvertes avec Kim Gordon, Depeche Mode, Thin Lizzy, Hard-Fi ou Fleetwood Mac. Parmi les nouveautés diffusées dans la soirée figurent notamment "Bad Wolf" de Puscifer, "You Got To Lose" des Black Keys, "Out Of Control" de Ghinzu, ainsi que le nouveau titre de Foo Fighters "Your Favorite Toy". La reprise du soir met à l'honneur The Presidents of the USA qui revisite "Video Killed The Radio Star" des Buggles. La recommandation de Francis Zégut met en lumière Sofia and the Antoinettes avec "Hi My Love". La perle du jour est "Just Breathe" de Pearl Jam, tirée de l'album "Backspacer" sorti en 2009. La programmation convoque également Radiohead, The Beatles, Joan Jett, Pantera, Phoenix ou Lana Del Rey avant de conclure avec le long format de la soirée : "Roundabout" de Yes, extrait de l'album "Fragile" paru en 1971. Joy Division - Love Will Tear Us Apart Kim Gordon - Not Today Depeche Mode - Heaven Thin Lizzy - Whiskey In The Jar Hard-Fi - Cash Machine Gary Glitter - I'm The Leader Of The Gang (I Am!) The Hives - Come On ! Puscifer - Bad Wolf Fleetwood Mac - Big Love Radiohead - Paranoid Android Steely Dan - Pretzel Logic The Black Keys - You Got To Lose Eugene Mcguinness - Shotgun Presidents Of The USA - Video Killed The Radio Star Santigold - Say Aha The Beatles - Helter Skelter Foo Fighters - Your Favorite Toy Slade - Cum On Feel The Noize Sofia And The Antoinettes - Hi My Love Joan Jett - Bad Reputation Green Day - Oh Yeah Ghinzu - Out Of Control T.Rex - Children Of The Revolution Pantera - This Love Pearl Jam - Just Breathe Phoenix - Everything Is Everything Lana Del Rey - White Feather Hawk Tail Deer Hunter Yes - RoundaboutHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Hacemos match entre el Día de la Radio y el de San Valentín para celebrar esta emoción que nos une y nos conecta a través de la música. Gracias hacer la radio bidireccional por un día con vuestras historias de amor y canciones bonitas. Nos encanta que tengáis taaan buen gusto, pero claro, si habéis elegido Radio 3 cómo va a ser de otra forma.Además, Russian Red se confiesa sobre amor y otras cosas en nuestros cuestionario cultural en FAQ!Playlist:The Delgados - All You Need Is HateThe Pains of Being Pure at Heart - Heart in Your HeartbreakMitski - NobodyC. Tangana, Ed Maverick - Párteme La CaraRomeo Santos - Cancioncitas de Amorpablopablo, Ralphie Choo, Carín León - Eso Que Tú Llamas AmorJosé González - Love Will Tear Us ApartSufjan Stevens - Will Anybody Ever Love Me?Ultralágrima - Nunca Estuviste Tan LejosAiko el grupo, Mujeres - Soy una fracasada estúpidashego - oh boiCarolina Durante - Probablemente Tengas RazónLos Planetas - Santos que yo te pinteAdrianne Lenker - RuinedJulia Jacklin - Don’t Know How To Keep Loving YouGilbert O’Sullivan - Alone Again (Naturally)JoséLuis - FortunaToldos Verdes - Regalarte FloresCala Vento - Isla DesiertaMaria Arnal, Marcel Bagés - Tú Que Vienes a RondarmeMaria Rodés, Paco Pecado - Pienso en TiKali Uchis - TelepatíaPulp - Got To Have LoveTriángulo de Amor Bizarro - ASMR para tiSmerz - You got time and I got moneySen Senra - R O M E ODepresión Sonora - Dos Adolescentes y su Primer AmorBarry B, Carolina Durante - Yo pensaba que me había tocado DiosThe Postal Service - Such Great HeightsCariño - Canción De Pop De AmorDora Band - VOL. 3Cupido - Te hago un resumenvvv [trippin'you] - Dos GusanosDanny L Harle, Dua Lipa - Two HeartsCharli xcx - Dying for YouRomy - LoveherVera Fauna, Ángeles Toledano - Me DestruyeCaribou - Can’t Do Without YouTeo Planell - RadioParcels - SorryBad Bunny - BAILE INoLVIDABLEEscuchar audio

En este episodio hablamos de Control, la película de Anton Corbijn que retrata la historia de Joy Division y la vida (y la tragedia) de su cantante, Ian Curtis. En Cine de barra no todo van a ser explosiones, fantasmas y señores dándose palos en un ring. A veces bajamos las luces, ponemos cara intensa y nos adentramos en territorios donde el blanco y negro no es una opción estética, sino un estado de ánimo. Sí, es un episodio serio… pero no demasiado. Porque aunque Control es una película sobria, elegante y emocionalmente devastadora, en Cine de barra somos incapaces de hablar de nada sin desviarnos, bromear o acabar comentando cosas que no vienen del todo a cuento. Aun así, hay respeto: Joy Division no es cualquier grupo, e Ian Curtis no es cualquier figura. Aquí se habla de música, de juventud, de creatividad, de enfermedades mentales (además de las nuestras) y de cómo alguien puede cambiar la historia de la música con canciones que parecen escritas a las tres de la mañana mirando al techo. La película sirve como excusa perfecta para repasar el impacto del grupo, su estética, su legado y ese magnetismo extraño que sigue atrapando a generaciones que no habían nacido cuando Joy Division ya se había convertido en leyenda. También se comenta la mirada casi documental de Corbijn, la contención emocional y esa sensación constante de que nadie en pantalla está disfrutando demasiado de la vida… salvo cuando suena la música. En la charla participan Luigi, Plissken y Benalmadelman, aportando reflexiones, datos, opiniones más o menos atinadas y alguna que otra chuminada campestre. Pero si hay alguien que juega en casa en este episodio es Valdis, auténtico creyente del templo Joy Division y declarado fan desde la infancia. Cuando él habla, los demás escuchan… o al menos lo intentan. Un episodio diferente, melancólico pero entretenido, ideal para escuchar con auriculares, mirando por la ventana aunque no esté lloviendo. Porque a veces apetece ponerse intensito, hablar de música triste y recordarnos que incluso desde la oscuridad se pueden crear cosas absolutamente brillantes. Dale al play. La barra está en penumbra y Love Will Tear Us Apart ya está sonando.

Mary Coughlan – aka “Ireland's Billie Holiday”, adored by Nick Cave, Shane MacGowan and Elvis Costello - is on tour again in 2026. This warm, funny and circuitous conversation looks back from her home in Wicklow at the first shows she ever saw and played and various milestones along the road, among them … … singing Two Little Orphans (aged 5) at a Christmas party: “The adrenaline rush! Applause and lemonade!” … escaping down ladders from school to see Rory Gallagher in Galway and the nuns waiting when she returned … seeing Donovan on the Aran Islands in 1969, a trip from the mainland by currach … meeting Mike Stoller and re-recording Peggy Lee's savaged Mirrors album: “more relevant now than ever”… Elton John (dressed as a hornet) at Watford Stadium and the embroidered floral skirt she'd made to watch him … her love of cabaret and old 78s and the songs she and Erik Visser chose to launch her career … her transformative slot on the Late Late Show in 1984: “I played to four people the night before; a week later they were queuing round the block” … Frank Sinatra's mysterious autocue and sitting next to Roger Moore in his audience (“very orange”) … “I adored St Dominic's Preview and 15 years later Van Morrison was in my dressing-room” … her cure for insomnia … why Joe Strummer meant so much to her … and her 200-song live repertoire – from Meet Me Where They Play The Blues and Don't Smoke In Bed to Love Will Tear Us Apart. Order Mary Coughlan tickets here: https://www.marycoughlan.ie/upcoming-showsHelp us keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mary Coughlan – aka “Ireland's Billie Holiday”, adored by Nick Cave, Shane MacGowan and Elvis Costello - is on tour again in 2026. This warm, funny and circuitous conversation looks back from her home in Wicklow at the first shows she ever saw and played and various milestones along the road, among them … … singing Two Little Orphans (aged 5) at a Christmas party: “The adrenaline rush! Applause and lemonade!” … escaping down ladders from school to see Rory Gallagher in Galway and the nuns waiting when she returned … seeing Donovan on the Aran Islands in 1969, a trip from the mainland by currach … meeting Mike Stoller and re-recording Peggy Lee's savaged Mirrors album: “more relevant now than ever”… Elton John (dressed as a hornet) at Watford Stadium and the embroidered floral skirt she'd made to watch him … her love of cabaret and old 78s and the songs she and Erik Visser chose to launch her career … her transformative slot on the Late Late Show in 1984: “I played to four people the night before; a week later they were queuing round the block” … Frank Sinatra's mysterious autocue and sitting next to Roger Moore in his audience (“very orange”) … “I adored St Dominic's Preview and 15 years later Van Morrison was in my dressing-room” … her cure for insomnia … why Joe Strummer meant so much to her … and her 200-song live repertoire – from Meet Me Where They Play The Blues and Don't Smoke In Bed to Love Will Tear Us Apart. Order Mary Coughlan tickets here: https://www.marycoughlan.ie/upcoming-showsHelp us keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Mary Coughlan – aka “Ireland's Billie Holiday”, adored by Nick Cave, Shane MacGowan and Elvis Costello - is on tour again in 2026. This warm, funny and circuitous conversation looks back from her home in Wicklow at the first shows she ever saw and played and various milestones along the road, among them … … singing Two Little Orphans (aged 5) at a Christmas party: “The adrenaline rush! Applause and lemonade!” … escaping down ladders from school to see Rory Gallagher in Galway and the nuns waiting when she returned … seeing Donovan on the Aran Islands in 1969, a trip from the mainland by currach … meeting Mike Stoller and re-recording Peggy Lee's savaged Mirrors album: “more relevant now than ever”… Elton John (dressed as a hornet) at Watford Stadium and the embroidered floral skirt she'd made to watch him … her love of cabaret and old 78s and the songs she and Erik Visser chose to launch her career … her transformative slot on the Late Late Show in 1984: “I played to four people the night before; a week later they were queuing round the block” … Frank Sinatra's mysterious autocue and sitting next to Roger Moore in his audience (“very orange”) … “I adored St Dominic's Preview and 15 years later Van Morrison was in my dressing-room” … her cure for insomnia … why Joe Strummer meant so much to her … and her 200-song live repertoire – from Meet Me Where They Play The Blues and Don't Smoke In Bed to Love Will Tear Us Apart. Order Mary Coughlan tickets here: https://www.marycoughlan.ie/upcoming-showsHelp us keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

(00:00:00) The Great Environmental Backflip and the Joy Division (00:01:09) Green Light, Red Flags: Labor's Environmental Backdown (00:16:40) Nuclear Déjà Vu: The Coalition's Broken Record (00:29:26) Between Beijing and Washington: Albanese at ASEAN (00:41:10) Culture Wars on Vinyl: The Joy Division Distraction We examine one of the biggest environmental retreats in years as the Albanese government prepares to hand decision-making powers on coal, gas and water projects back to the states, gutting environmental protection and empowering the fossil-fuel lobby. It's supposedly about “cutting red tape,” but critics say it's a green light for mining giants and a betrayal of Labor's climate promises. We also assess the new “national interest” override, the anger from NT Aboriginal land councils, and the government's growing resemblance to the Morrison era. Meanwhile, the Coalition revives its nuclear energy obsession as Senator Jane Hume pushes to lift Australia's nuclear ban, reigniting divisions between Barnaby Joyce and the moderates. Plus, Anthony Albanese's balancing act at the ASEAN summit – caught between China and the US – and Sussan Ley's bizarre attack on the Prime Minister for wearing a Joy Division T-shirt. Sharp analysis, politics without spin, and all the week's contradictions in Australian politics.Support New Politics, just $5 per month:Patreon: https://www.patreon.com/newpoliticsSubstack: https://newpolitics.substack.comSong listing: ‘Bonnie And Clyde', Serge Gainsbourg (French Accent remix).‘Satellite Anthem Icarus, Boards of Canada.‘Love Will Tear Us Apart', Joy Division.‘Sign O' The Times', Prince, remix by Michael Saxom.

De los incentivos al orden espontáneo que fijan los precios y las fuerzas del mercado. Miramos la realidad económica desde otro ángulo. De los incentivos al orden espontáneo que fijan los precios y las fuerzas del mercado. Esta semana, en Economía Para Quedarnos Sin Amigos, miramos la realidad económica desde otro ángulo. En primer lugar, nos preguntamos cómo puede ser que lo no ordenado ni centralizado funcione mejor. Estamos acostumbrados a lo contrario: las familias, las empresas, las asociaciones bien dirigidas funcionan mejor que las que son un caos. Sin embargo, en el mercado, el orden es espontáneo: no hay un jefe o un directivo. Y sin embargo, todo encaja, como si alguien lo hubiera diseñado. ¿Magia? No, información dispersa y un proceso continuo de prueba y error alrededor de los precios. Como segunda lección, analizamos el papel de los incentivos. Con un principio básico: si pagas por algo, tendrás más de ese algo; si penalizas otra cosa, tendrás menos. El ejemplo clásico son los impuestos y subvenciones. Lo vemos con los bienes de consumo (tabaco, gasolina…). Pero nos cuesta más con el empleo, las inversiones… En realidad, éste es uno de los grandes problemas del Estado del Bienestar: la cara que nunca vemos. Qué actividades penalizamos; qué actividades subvencionamos. También pensamos en el papel del empresario: descubrir necesidades no cubiertas, formas más eficientes de producir bienes y servicios. Si le castigamos, descubrirá menos. Y un recordatorio: los incentivos NO son sólo monetarios. Nuestro tercer capítulo gira en torno a lo que se ve y lo que no se ve. O la distancia que hay del decreto a la realidad. El impulso del político es regular, pensando que en la ley se acaba todo. Pero no es así. Lo normal es que los agentes reaccionen a esa regulación. Lo vemos, por ejemplo, con los precios máximos: es muy difícil luchar contra las "fuerzas" del mercado. Y no hablamos de los poderosos empresarios, sino de cada uno de nosotros (consumidores) con sus prioridades y objetivos. Por último, nos preguntaremos si es posible crecer sin límite. Un tema muy de actualidad. Porque sabemos que lo hemos conseguido en los últimos 200 años. La pregunta es si podremos mantener la tendencia. De nuevo, otra respuesta muy contraintuitiva: sí, no sólo es posible sino que nuestra riqueza actual es la mejor prueba.Música Esta semana, el protagonista de nuestra selección musical es el grupo inglés Joy Division. Y estos son los temas que hemos escuchado: "Love Will Tear Us Apart" "Disorder" "Shadowplay" "Transmission"

Sofía Kourtesis, productora y DJ peruana radicada en Berlín, conversa con Albina Cabrera sobre su nuevo EP Volver en un recorrido track by track que revela su motor creativo y su compromiso social. El episodio explora la conexión entre Madres y Volver, su activismo por la comunidad LGBTQ+, y cómo su madre sigue siendo su brújula emocional y política. Su cancionero personal une clásicos de unidad latinoamericana con pilares de la música moderna: desde “Panalivio” de Susana Baca y “Latinoamérica” de Calle 13, hasta el refugio emocional que encontró en “Love Will Tear Us Apart” de Joy Division durante su adolescencia en Lima, el espíritu experimental de Kraftwerk en “Computer Liebe” y el latido profundo de “Corazón”, pieza central de Volver. Escucha este episodio en español en el feed del podcast El Sonido: Cancioneros y con subtítulos en inglés en el canal de YouTube de KEXP. Una producción original de KEXP. Cancionero curado por Sofía Kourtesis:• “Panalivio” – Susana Baca• “Latinoamérica” – Calle 13• “Love Will Tear Us Apart” – Joy Division• “Computer Liebe” – Kraftwerk• “Corazón” – Sofía Kourtesis Créditos:Producción y conducción: Albina CabreraAsistencia de producción: Dev Vasquez GonzalezEdición editorial: Dusty HenryDirección editorial: Larry Mizell Jr.Mastering: Matt OgazMúsica original del podcast: Roberto Carlos Lange (Helado Negro) Apoya El Sonido: kexp.org/el-sonido Una producción original de KEXP. Donde la música importa. Peruvian producer and DJ Sofía Kourtesis joins Albina Cabrera for a track-by-track journey through her new EP Volver, revealing her creative “motor” and her deep social commitment. The episode explores the connection between Madres and Volver, her activism for the LGBTQ+ community, and how her mother remains her emotional and political compass. Her personal songbook bridges Latin American unity classics with pillars of modern music: from Susana Baca’s “Panalivio” and Calle 13’s “Latinoamérica,” to the emotional refuge she found in Joy Division’s “Love Will Tear Us Apart” during her youth in Lima, Kraftwerk’s “Computer Liebe,” and the deep house heartbeat of “Corazón,” the centerpiece of Volver. Listen to this episode in Spanish on the El Sonido: Cancioneros podcast feed and with English subtitles on KEXP’s YouTube channel. An original KEXP production. Songbook curated by Sofía Kourtesis:• “Panalivio” – Susana Baca• “Latinoamérica” – Calle 13• “Love Will Tear Us Apart” – Joy Division• “Computer Liebe” – Kraftwerk• “Corazón” – Sofía Kourtesis Credits:Host & Producer: Albina CabreraProduction Assistant: Dev Vasquez GonzalezEditorial Editing: Dusty HenryEditorial Director: Larry Mizell Jr.Audio Mastering: Matt OgazOriginal Podcast Music: Roberto Carlos Lange (Helado Negro) Support El Sonido: kexp.org/el-sonido An original KEXP production.Support the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

On episode 423 of Friends Talking Nerdy, Professor Aubrey and Tim the Nerd dive into the sonic world of keyboards — not the clacky kind you're typing on, but the kind that can make a rock anthem soar or turn a groove into pure magic. Each host shares their personal top five tracks that showcase the power of keys.Professor Aubrey's picks span from Billy Preston's legendary turn on The Beatles' “Get Back”, to Stevie Wonder's funk-defining “Superstition”, the haunting post-punk of Joy Division's “Love Will Tear Us Apart”, MGMT's psychedelic anthem “Kids”, and the shimmering dance beat of Arcade Fire's “Sprawl II.”Tim the Nerd counters with his own heavy-hitting lineup: The Who's stadium-shaking “Baba O'Riley”, Van Halen's synth-laden “I'll Wait”, Ray Charles' groundbreaking “What'd I Say”, Queen's operatic masterpiece “Bohemian Rhapsody”, and The Doors' moody classic “Riders On The Storm.”Listeners can head over to the Friends Talking Nerdy website and cast their vote for whose playlist reigns supreme.But the episode doesn't stop there. Professor Aubrey shares her firsthand impressions of the 2025 Oregon Country Fair, bringing listeners along for the sights, sounds, and eccentricities of Oregon's most beloved countercultural gathering.Then, buckle up, because Tim the Nerd closes the show with a spoiler-packed deep dive into James Gunn's new film Superman — his take on the story, characters, surprises, and what it means for the future of DC films.From keyboards to country fairs to Krypton's last son, this episode covers it all with the trademark mix of nerdy passion and playful banter that makes Friends Talking Nerdy a must-listen.As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for information on how to purchase his EP, Here's To You, which is available on all digital platforms.Head to Friends Talking Nerdy's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠for more information on where to find us online.

Nos gustan las versiones. Ver cómo cómo bandas y artistas se ponen en la piel de otras y otros y hacen suyas sus canciones. Los últimos meses nos están trayendo una colección de interesantes covers que nos apetecía recopilar en las mejores versiones del momento. Los discos tributo no paran de suceder aquí y allí, músicos como Paul Weller o grupos como The Raveonettes han dedicado sus últimos trabajos a revisar canciones ajenas, por no hablar del constante goteo de versiones que nos ha sorprendido últimamente, como Suede cantando "Hungry Heart" de Bruce Springsteen, Paul Banks de Interpol apropiándose de "Sister Midnight" de Iggy Pop, Pj Harvey cantando "Love Will Tear Us Apart" de Joy Division o Lola Young acercando a su universo el "Close To Me" de The Cure. Hay muchas y muy variadas y hemos querido recopilarlas en una playlist con nuestras 20 versiones favoritas. Puedes escucharlas en Conexiones MZK, el podcast de Muzikalia que se difunde a través de Ivoox, Amazon Music y Apple Podcasts. Dirige Manuel Pinazo. Suenan: Suede - Hungry Heart (Bruce Springsteen) Magdalena Bay - Ashes To Ashes (David Bowie) Brigitte Calls Me Baby - Careless Whisper (George Michael) León Benavente - Fukushima (Triángulo de Amor Bizarro) Paul Banks - Sister Midnight (Iggy Pop) Lola Young - Close To Me (The Cure) Cigarettes After Sex - Motion Picture Soundtrack (Radiohead) Fino Oyonarte - Estrella Distante (Los Punsetes) Paul Weller - I Started A Joke (Bee Gees) Robert Plant - Everybody's Song (Low) Johnny Marr (feat. Neil Tennant) - Rebel Rebel (David Bowie) The Raveonettes - Venus In Furs (The Velvet Underground) Triángulo de Amor Bizarro - La caja del diablo (Los Planetas) Pj Harvey - Love Will Tear Us Apart (Joy Division) Pixies - Crystal Closet Queen (Leon Russell) Nouvelle Vague - Night Shift (Siouxsie & The Banshees) Fontaines D.C. - Just Like Heaven (The Cure) Arctic Monkeys - Red Right Hand (Nick Cave & The Bad Seeds) Christine and the Queens - Stayin' Alive (Bee Gees) Jordana B. - Mujer Esponja (Lori Meyers)

Everyone needs a Beach Boy break every now and then, and I'm happy as a clam to announce this sharp left turn with Mogwai's Stuart Braithwaite, as we take a mutual descent into the heart of darkness.  Our examination of every last triumphantly bleak release by post-punk progenitors Joy Division is a dependably in-depth celebration of this great band's “eerie spatially.”Here's just a few of the many things that Stuart discusses with Discograffiti in this podcast:The avalanche of crazily top-shelf singles Joy Division released between their two LPs, including “Love Will Tear Us Apart”;The obscure song from which Joy Division cribbed the riff for “Love Will Tear Us Apart”;The super-cool but maddening-at-the-time decision to do an exclusive release of Stuart's all-time favorite Joy Division 45 through a French fanzine;The unfortunate inverse ratio of the band's success to Ian Curtis's worsening epilepsy and suicidal urges;The crucial role that mundane conversation held in Joy Division's band rehearsals;The details surrounding Ian Curtis's tragic suicide;Stuart's favorite album of all time;And a track-by-track rundown of Joy Division's posthumous classic Closer.Listen: linktr.ee/discograffitiI support a wife and a six-year-old son with Discograffiti as my sole source of income. If you're a Joy Division & Mogwai superfan like me, you'll want The Director's Cut of this episode. It's ad-free and features 13 additional minutes of essential material. Purchase it as a one-off, get the entire Season 1 & 2 Series as a bundle (listed under Collections), or better yet…Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. And now with our 2025 Patreon Membership Drive, you'll also get an episode all about YOU and a FREE copy of Metal Machine Muzak at the Lieutenant Tier or higher: Patreon.com/DiscograffitiCONNECTJoin our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153Patreon: www.Patreon.com/DiscograffitiPodfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhwInstagram: https://www.instagram.com/discograffitipod/Facebook: https://www.facebook.com/Discograffiti/Twitter: https://twitter.com/DiscograffitiOrder the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): www.patreon.com/discograffiti/shop/197404Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzakOrder the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954Merch Shop: https://discograffitipod.myspreadshop.com/allVenmo Dave A Tip: @David-GebroeWeb site: http://discograffiti.com/CONTACT DAVEEmail: dave@discograffiti.comFacebook: https://www.facebook.com/hooligandaveInstagram:  https://www.instagram.com/davidgebroe/Twitter: https://twitter.com/DaveGebroeThere is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.  If you're already a member, please comment below about your experience.  www.Patreon.com/discograffiti#joydivision #mogwai #stuartbraithwaite #iancurtis #unknownpleasures #thebigfire #postpunk #neworder #thecure #newwave #manchester #lovewilltearusapart #thesmiths #factoryrecords #bernardsumner #stephenmorris #depechemode #closer#discograffiti #metalmachinemuzak #soldiersofsound #andyourdreamscometrue

Hallooo, thanks for tuning in for another episode of Podcast Sonsloo! On this episode:Blindfold хамтлагийн дуучин Төөгөө, хамтлагийн басс гитарчин мөн Blancwhite Media founder, videographer Гүнээ нар багадаа ямар хөгжим сонсдог байсан, сүүлийн үед юу сонсож байгаа, анх яаж хамтлаг болсон гэх мэт дурсамжуудаасаа хуваалцсан байгаа. Бид 3 хөгжим, кино гээд олон зүйлсийн талаар яриа өрнүүллээ :)P.S. Хагас сайн өдөр болгон Soundcheck Saturday with Tugu-тэй нандин уран бүтээлүүдтэй танилцах боломжтой шүү, мөн удахгүй 2/14-нд Love Will Tear Us Apart эвент дээр очиж хамт Valinetine's aa тэмдэглээрэй!https://www.instagram.com/blindblindfoldfold/https://www.instagram.com/blancwhitemedia/Shout out to Tin Can Podcast Room.

                                          BLACK SHIRT MIXTAPE                                              **Episode 90**                                           Tryptophan Special   Join host Jesse Karassik aka @heyyyyy_jesse as he takes you on a 2 hour sonic journey playing mixtape inspired tracks in a variety of genres- all for your listening (dis)pleasure!   Tracklisting: 1. Feel The Pain...Dinosaur Jr. 2. No.1 Party Anthem...Arctic Monkeys 3. Let's Go To Bed (Extended Mix)...The Cure 4. The Beautiful Ones...Prince & The Revolution 5. Set Out Running...Neko Case 6. Wicked Game (live)...The Last Dinner Party 7. The Ghost in You...Robyn Hitchcock 8. Suddenly I See...Aaron Espe 9. House of the Rising Sun...River Matthews 10. Mad World...James Gillespie 11. Love Will Tear Us Apart...PJ Harvey & Tim Phillips 12. Let's Stay Together...Joesef 13. Whir...Smashing Pumpkins 14. Lost Cause...Beck 15. Glamorous Glue...Morrissey 16. The Love Parade (remix)...The Dream Academy 17. Six Months In A Leaky Boat..Split Enz 18. Sail To The Moon...Radiohead 19. Wait by the River...Lord Huron 20. Blue for You...Men at Work 21. Dirty Work...Remy Reilly 22. Yoke...Medium Build and Julien Baker 23. Indoor Fireworks (2024 remaster)...Elvis Costello 24. We Need You...Duran Duran  

Ce 20 novembre, Marjorie Hache propose deux heures mêlant classiques et nouveautés. Au programme des légendes, Prince, Alice Cooper, Pink Floyd, ainsi que "Comanché" de The Revels et "Sure Shot" des Beastie Boys pour célébrer les 59 ans de Mike D. Quant aux nouveautés, The Cure ouvre le bal avec "A Fragile Thing" tiré de leur quatorzième album "Song of a Lost World". On découvre également Orla Gartland en duo avec Declan McKenna sur "Late to the Party", Amyl and the Sniffers avec "Big Dreams", et Within Temptation feat. Alex Yarmak avec "A Fool's Parade". L'album de la semaine est "From Zero" de Linkin Park, dont on écoute "Overflow". La reprise du jour est signée PJ Harvey et Tim Phillips qui revisitent "Love Will Tear Us Apart" de Joy Division. Le live est assuré par Jamiroquai avec "Cosmic Girl". Enfin, on s'évade au Mali avec Songhoy Blues et leur titre "Gara" extrait de leur album à venir "Héritage". La playlist de l'émission : The Cure - A Fragile Thing The Revels - Comanche Beastie Boys - Sure Shot Prince - Raspberry Beret Orla Gartland - Late To The Party (Feat. Declan Mckenna) Alice Cooper - School's Out The Afghan Whigs - Algiers Linkin Park - Overflow Gwen Stefani - Hollaback Girl The Picturebooks - Lifer The Beatles - Hey Jude Amyl And The Sniffers - Big Dreams PJ Harvey & Tim Phillips - Love Will Tear Us Apart Vampire Weekend - A-Punk Placebo - This Picture Villagers - Mountain Out Of A Molehill Dire Straits - Calling Elvis The Cardigans - Erase And Rewind Jamiroquai - Cosmic Girl (Live In Verona) Pink Floyd - Wish You Were Here Within Temptation - A Fool's Parade (Feat. Alex Yarmak) Songhoy Blues - Gara R.E.M. - Leaving New-York Bobbie Gentry - Mississipi Delta The Hives - Come On ! The Doors - When The Music Is Over

Noel Gallagher's High Flying Birds reprend "Love Will Tear Us Apart"

The Euros 2024 finals are taking place this week and EE, the lead commercial partner of the home nations teams, demonstrates how it aims to emphasise 'proud' in 'proud supporters'.EE's film ad "Hate. Not in my shirt" by Saatchi & Saatchi calls on the nation to challenge hate in football and make people proud to wear the shirt, while highlighting the behaviour not fit for it. It is set to the soundtrack of Joy Division's Love Will Tear Us Apart. Ben Mooge, chief creative officer at Publicis Groupe UK, joins the podcast to take us through how to make ads during huge cultural moments, selecting iconic music and how EE goes beyond the sponsorship.Further reading:Adidas borrows the Beatles' Hey Jude to put Bellingham at centre of Euros adPaddy Power plays on England's reputation in Danny Dyer-led Euros spot Hosted on Acast. See acast.com/privacy for more information.

Tom Mazawey can't change a lightbulb, explosion in Clinton Township, Nick Swardson's alcohol poisoning, Nick Saban v. college football, Amanda Bynes update, Octopus Murders, Gisele v. Tom Brady, and Drew visited urgent care. Things are moving slow and it's an internet-free show today, as the World Wide Web is nowhere-to-be-found. Drew was sent to Urgent Care with tummy troubles & back pain. Nick Swardson is sorry for his disaster performance in Colorado. This isn't his first go-a-round with substance problems. Spaceman on Netflix is dumb. Marc completed The Octopus Murders, but won't fall for any of the conspiracies. Something is fishy with The Truth About Jim on Max. We observe The DUI Bingo Card. There was a massive explosion in Clinton Twp. that left one dead, flattened a building, and left shrapnel all over the place. Tom Mazawey needs a handyman. Was Braylon Edwards nude when he saved that 80-year-old at the YMCA? Remember that cop cam we teased? It's buffered now, so we check it out. Sports: Nick Saban retired because of players demands… or because players can make demands now. Russell Wilson has been BLOWN OUT of Denver. Michigan has a ‘General Manager' now. What is going on with Mike Hart? Usher and Russell Simmons had a great time in Bali. Don Henley's case about the stolen lyrics to the Eagle's Hotel California was dismissed. Prince Harry had a great time in Las Vegas and we may see him in the nude from his adventures there on OnlyFans. Noel Gallagher covered Love Will Tear Us Apart on the BBC. Gisele Bündchen is telling-all to Robin Robert. Tom is enjoying his new home. Samantha Hudson is Doritos' version of Dylan Mulvaney. Amanda Bynes is on a mission… to pass a test. Cam Newton welcomed his 8th child into the world, but his first with his girlfriend. The Titan Sub is still providing us with content. Politics: Joe Biden is gearing up for his State of the Union speech on Thursday. Election 2024: Abortion vs The Border. Hillary Clinton backs Joe Biden & admits that he's super old, but still better than Donald Trump. The Fani Willis and Nathan Wade debacle is a disaster. Iowa's Caitlin Clark is a ratings star. Hannah Gutierrez-Reed is found guilty for her role in the Rust death of Halyna Hutchins. Drew Crime: Robert Reagan, the Hugo Boss hunk. Visit Our Presenting Sponsor Hall Financial – Michigan's highest rated mortgage company If you'd like to help support the show… consider subscribing to our YouTube Page, Facebook, Instagram and Twitter (Drew and Mike Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

This week on the show, Desmond and Duane talk about the erotic neo-giallo that doesn't quite hit the mark: Knife + Heart. Then Desmond delivers a Dread Medias Top 5 Erotic Horror Films that do hit the mark. Of course, there's tunes: "Homophobes Are Just Mad Cuz They Can't Get Laid" by Propagandhi, "Satan Is a Gay Porno Star" by Zimmer's Hole, "Erotic Nights of the Living Dead" by Gost, and "Love Will Tear Us Apart" by Nouvelle Vague. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

This week on the show, Desmond and Duane talk about the erotic neo-giallo that doesn't quite hit the mark: Knife + Heart. Then Desmond delivers a Dread Medias Top 5 Erotic Horror Films that do hit the mark. Of course, there's tunes: "Homophobes Are Just Mad Cuz They Can't Get Laid" by Propagandhi, "Satan Is a Gay Porno Star" by Zimmer's Hole, "Erotic Nights of the Living Dead" by Gost, and "Love Will Tear Us Apart" by Nouvelle Vague. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

Full episode at patreon.com/thicklinespod. Katie and Sally discuss romance comics live at Partners and Son on February 16 in Philadelphia, PA, with a look at Young Romance, Heart Throbs, Young Love, My Love, Archie's Joke Book, Hollywood Superstars, and lots more. Plus a chat with artist Cait McCormack, whose work is featured in Partners and Son's Love Will Tear Us Apart exhibition up now.  Enormous thanks to Partners and Son for having us, and to Cait McCormack for the interview! Thank you to our Patreon subscribers for making this episode possible. Follow us on Instagram at @thicklinespod.

Helen and Gavin chat about Nandor Fodor & The Talking Mongoose, The Long Shadow, and Dumb Money, and it's Week 92 from the list of Rolling Stone's 500 Best Songs Ever, numbers 45 to 41; Alright by Kendrick Lamar, Billie Jean by Michael Jackson, My Girl by The Temptations, Redemption Song by Bob Marley, and Love Will Tear Us Apart by Joy Division.

Love Will Tear Us Apart by Pet Bee

This week's rock and roll gumbo includes the following spicy and nutritious ingredients … … “the internet is designed to let middle-aged men think they've had the last word”. … will the Royal Blood storm-in-a-teacup do them more good than harm? … Barry Gibbs' beard. … what ‘Three Lions' did to the Lightning Seeds' Scottish, Welsh and Irish fanbase. … old memories of Kevin Coyne and Marjory Razorblade. … why no band is ever “forgotten”. … what's so sacred about Love Will Tear Us Apart? … can AI music ever work if you don't feel a connection with the person making it?   … why are the Doors fading from view? … there are only two degrees of adulation: too little or too much. Plus Birthdays guests Ray Roscoe and Paul Thompson.Subscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week's rock and roll gumbo includes the following spicy and nutritious ingredients … … “the internet is designed to let middle-aged men think they've had the last word”. … will the Royal Blood storm-in-a-teacup do them more good than harm? … Barry Gibbs' beard. … what ‘Three Lions' did to the Lightning Seeds' Scottish, Welsh and Irish fanbase. … old memories of Kevin Coyne and Marjory Razorblade. … why no band is ever “forgotten”. … what's so sacred about Love Will Tear Us Apart? … can AI music ever work if you don't feel a connection with the person making it?   … why are the Doors fading from view? … there are only two degrees of adulation: too little or too much. Plus Birthdays guests Ray Roscoe and Paul Thompson.Subscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week's rock and roll gumbo includes the following spicy and nutritious ingredients … … “the internet is designed to let middle-aged men think they've had the last word”. … will the Royal Blood storm-in-a-teacup do them more good than harm? … Barry Gibbs' beard. … what ‘Three Lions' did to the Lightning Seeds' Scottish, Welsh and Irish fanbase. … old memories of Kevin Coyne and Marjory Razorblade. … why no band is ever “forgotten”. … what's so sacred about Love Will Tear Us Apart? … can AI music ever work if you don't feel a connection with the person making it?   … why are the Doors fading from view? … there are only two degrees of adulation: too little or too much. Plus Birthdays guests Ray Roscoe and Paul Thompson.Subscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week, hosts Greg Kot and Jim DeRogatis talk with the director of the documentary, Jimmy Carter: Rock and Roll President about how Carter changed the way politicians interact with musicians. Plus, poet and music critic Hanif Abdurraqib talks about hosting a season of the Lost Notes podcast on 1980. Then, Jim and Greg share their thoughts on the first new album in 24 years by the British duo, Everything but the Girl.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: Bob Dylan, "It's Alright, Ma (I'm Only Bleeding)," Bringing It All Back Home, Columbia, 1965The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967Everything but the Girl, "Nothing Left To Lose," Fuse, Buzzin' Fly, Virgin, 2023Everything but the Girl, "When You Mess Up," Fuse, Buzzin' Fly, Virgin, 2023Everything but the Girl, "Lost," Fuse, Buzzin' Fly, Virgin, 2023The Allman Brothers Band, "Ramblin' Man," Brothers and Sisters, Capricorn, 1973Bob Dylan, "Maggie's Farm," Bringing It All Back Home, Columbia, 1965Bob Dylan, "Gotta Serve Somebody," Slow Train Coming, Columbia, 1979Joy Division, "Love Will Tear Us Apart," Closer, Factory, 1980Grace Jones, "On Your Knees," Muse, Island, 1979Grace Jones, "Warm Leatherette," Warm Leatherette, Island, 1980The Normal, "Warm Leatherette," Warm Leatherette (Single), Mute, 1978Ceremony, "New Order," Movement, Factory, 1981The Germs, "Forming," Forming (Single), What, 1977Yoko Ono, "Walking on Thin Ice," Walking on Thin Ice (Single), Geffen, 1981Phil Collins, "Sussudio," No Jacket Required, Atlantic, 1985Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

Show Notes Tara Altebrando is a scripted audio creator and author who was part of the Harvard and Radcliffe class of 1992. She spoke to Will Bachman about her journey since graduation. As a senior, she had been the arts editor of The Independent and had interviewed various artists passing through Boston. She met the editor of a magazine based in Dublin at a New Music Seminar in New York and expressed her interest in working for him. After this conversation, Tara went to Dublin and was given an internship at a magazine called Hot Press. She also worked at a bar-restaurant, music venue called the Rock Garden and wrote a column for the magazine reviewing demos by unsigned Irish bands. After a few years, she decided to move back to New York and tried to pursue rock journalism, but ended up cobbling together a bunch of weird jobs in writing-adjacent fields. She eventually worked at the Museum of Television and Radio in New York, where she watched TV with a headset and summarized programs for their database. She went on to work as a proofreader and copy editor for Romantic Times Magazine. While there, she noticed one of her classmates was already writing novels, and this led to her trying her hand at writing a romance novel. From Romance Writer to Published Author  Tara wrote two thirds of a contemporary romantic suspense novel, and a novel about a 20 something working at a music magazine, but neither were successful. She decided to take fiction workshops to learn the ropes as a fiction writer,  and ended up finding a job in publishing houses as a proofreader, copy editor, and copywriter. She found the books she read varied in quality, and decided to write her own. She was working at Simon and Schuster at the time, and they published women's fiction at a time when Chick Lit was popular.  Will and Tara mention how 80% of literary fiction is bought by women, and more than 50% of paperbacks are romance novels. From Copywriting to a Young Adult Author She wrote a novel called Love, Love Will Tear Us Apart about a celebrity journalist hired to write the biography of a pair of conjoined twins. The book flopped in the market, but it led to her success as a novelist. However, when she was given an assignment to read a Young Adult novel, it inspired an idea for a Young Adult novel, and decided to explore writing in this genre. She had a book come out in June 2020, but due to the pandemic, it didn't find an audience. This made her reevaluate what she wanted to do with her time and creativity and led her to explore the world of scripted audio dramas. This was a new direction for Tara, and it was exciting to explore the possibilities and potential of audio drama writing. From YA Fiction to Scripted Radio Dramas During the pandemic, there was an influx of interest in this kind of screen-free entertainment because families needed something to keep them occupied during quarantines and lockdowns. She pitched an idea for a series called Dream Breachers which was picked up and is now in its third season. Tara describes the process of creating a scripted drama, from scripting and finding actors to recording and producing. They discussed differences between writing for audio dramas and audiobooks. Tara noted that for audio dramas, the writer needs to convey everything through dialogue and sound effects, which can be a challenge. She revealed that she often plays a game with herself to figure out how to convey information without being too obvious. Tara also shared her pet peeves when it comes to audio dramas and  talked about moving into producing her own show, and building an audience for these shows.   Chasing Creative Projects Tara followed a pattern of chasing creative projects throughout her career. She explains how the creative process differs when writing for a series over writing for a novel and shares how writing for Dream Bleachers required going deeply into world building and setting rules which cannot be broken. When writing both YA and middle grade fiction, Tara draws upon her own life experiences and memories, and finds talking to her children a source of both information and inspiration when creating her stories. She also does research on topics relevant to her work, such as memory science for her YA book The Leaving and artificial intelligence for her most recent book.  Courses that resonated with Tara are Creative Writing with Verlyn Klinkenborg, The Sociology of Peace, EthnoMusicology with Graeme Boone, and a professor whom she particularly enjoyed listening to was John Stilgo.  Timestamps 03:29 From Rock Journalism in Dublin to Writing Adjacent Jobs in New York  05:04 On Romance Writing and Editing  08:14 Writing a Contemporary Romantic Suspense Novel  14:24 The Personality of a YA Writer  16:22 Staying Current in the YA Market  20:12 Scripted Radio Dramas  28:29 Exploring Audio Production and Building an Audience  33:48 Incorporating Reader Feedback into a Series  35:02 Exploring Creative Pivots and Entrepreneurial Initiatives  Links: Tara's Books on Amazon Dream Breachers https://pinna.fm/blog/a-sit-down-with-tara-altebrando-by-amy-thetford CONTACT INFO: https://www.facebook.com/TaraAltebrandoBooks/ https://www.linkedin.com/in/tara-altebrando-0831b3201/  

Miles Grindey Guitarist I am talking to Miles about guitar playing, recording and  his collection of Tokai guitars. Miles Grindey was born and raised in Warsash, a small village in South Hampshire, UK. In 2016 he joined The Bones And Arrows where the band recorded the Bones and Arrows EP, writing solos for “Slow Light” and writing the chorus riff and solo for “Muddy Sunshine“. Later that year, he left the band and pursued a solo career and over the course of 2017 he wrote, recorded, produced and composed his debut album, Caught in a Storm, released in 2018. The album features tracks such as a cover of Joy Division‘s hit “Love Will Tear Us Apart” and fan favourites such as “Caught in the Act“, “Staring Competition and “It Gets Better“. Miles also wrote, composed and produced “Ethereal Bollocks” which was released on May 4th 2018. Miles went to Atlanta, and during his time met vocalist Ian Michael Bruh (Bumpin' The Mango, Backroad To Brooklyn), drummer Wayne Viar and was put in touch with bassist Enrico Galetta (based in Bolonga, Italy). Working on “Make Up Your Mind” and “Stride” , Make Up Your Mind was released a little while after Miles' return to the UK on May 31st 2019. For further details visit https://linktr.ee/milesgrindey   To support the podcast and get access to features about guitar playing and song writing visit https://www.patreon.com/vichyland and also news for all the creative music that we do at Bluescamp UK and France visit www.bluescampuk.co.uk   For details of the Ikaro music charity visit www.ikaromusic.com   Big thanks to Josh Ferrara for the music

CAIMH 'CK'McDONNELL chats to Paul Burke about LOVE WILL TEAR US APART, the Stranger Times series, comedy writing, having.p a fecund imagination.LOVE WILL TEAR US APART: Love can be a truly terrible thing.Marriages are tricky at the best of times, especially when one of you is dead.Vincent Banecroft, the irascible editor of The Stranger Times, has never believed his wife died despite emphatic evidence to the contrary. Now, against all odds, it seems he may actually be proved right; but what lengths will he go to in an attempt to rescue her?With Banecroft distracted, the shock resignation of assistant editor, Hannah Willis, couldn't have come at a worse time. It speaks volumes that her decision to reconcile with her philandering ex-husband is only marginally less surprising than Banecroft and his wife getting back together. In this time of crisis, is her decision to swan off to a fancy new-age retreat run by a celebrity cult really the best thing for anyone?As if that wasn't enough, one of the paper's ex-columnists has disappeared, a particularly impressive trick seeing as he never existed in the first place.Floating statues, hijacked ghosts, homicidal cherubs, irate starlings, Reliant Robins and quite possibly several deeply sinister conspiracies; all-in-all, a typical week for the staff of The Stranger Times.CK McDonnell: Born in Limerick and raised in Dublin, C K (Caimh) McDonnell is a former stand-up comedian and TV writer. He performed all around the world, had several well-received Edinburgh shows and supported acts such as Sarah Millican on tour before hanging up his clowning shoes to concentrate on writing. He has also written for numerous TV shows and been nominated for a Kid's TV BAFTA.His debut novel, A Man With One of Those Faces - a comic crime novel - was published in 2016 and spawned The Dublin Trilogy books and the spin-off McGarry Stateside series. They have been Amazon bestsellers on both sides of the Atlantic. As C. K. McDonnell, he is the author of The Stranger Times series contemporary comic fantasy series.Caimh lives in Manchester. To find out more, visit whitehairedirishman.comThe Stranger Times podcast & infoRecommendations Chris BrookmyreBen AaronovitchTerry PratchettSally Green - Half Bad seriesMick Herron - Slough House seriesMark Stay - The Witches of Woodville seriesProduced by Junkyard DogMusic courtesy of Southgate and LeighCrime TimePaul Burke writes for Crime Time, Crime Fiction Lover and the European Literature Network. He is also a CWA Historical Dagger Judge 2022 .Produced by Junkyard DogMusic courtesy of Southgate and LeighCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023CrimeFest 2023&CWA Daggers 2023

EPISODE 78 | Khazar Love Triangle An obscure 10th century confederation of Turkic-speaking peoples between the Caspian and Black Seas gets transformed through the power of imagination into anything and everything. The Khazars become symbols for a number of claims, including being the origin of the Cossacks (or at least some of them), the real Jews, fake Jews and more. Today, the Khazar Myth is often used to bolster antisemitic tropes, support pseudohistorical narratives and even justify invading another country. Like what we do? Then buy us a beer or three via our page on Buy Me a Coffee. #ConspiracyClearinghouse #sharingiscaring #donations #support #buymeacoffee You can also SUBSCRIBE to this podcast. Review us here or on IMDb! SECTIONS 02:13 - Round and Round - The basic story, Dictionary of the Khazars 04:26 - Sub-culture - The Zaporozhian Cossacks, Kurgans, PIE 07:44 - State of the Nation - A thumbnail sketch of Jewish history, Ashkenazi Jews as Khazars, Zionism, Nazis 17:31 - Love Will Tear Us Apart, Again - Arthur Koestler and The Thirteenth Tribe, pseudoscience runs amok  20:11 - True Faith - Christian Identity and the Serpent Seed 24:39 - Touched By the Hand of God - Black Hebrew Israelites and more 29:45 - Shellshock - Black anti-Semitism and violence 39:45 - World in Motion - Don't paint everyone with the same brush 41:44 - Power, Corruption & Lies - Putin says Ukraine is full of Nazis Music by Fanette Ronjat More Info Entry on Khazars in Encyclopaedia Iranica Online So, Who Were the Khazars? The Story of the Medieval European Jewish State – The Khazar Khaganate Dictionary of the Khazars: A Lexicon Novel in 100,000 Words by Milorad Pavic Did the Khazars convert to Judaism? New research says 'no' The Myth of the Khazar Conversion  Terra Incognita: The return of the Khazar myth The “Khazarian Myth”: The National Identity of the Crimean Karaites The Story of a Euphemism: The Khazars in Russian Nationalist Literature  The «Khazar myth» as perceived by the Eurasians and L.N. Gumilyov (in Russian) Ukrainian-Jewish Voices: The “Khazarian Myth" The Conspiracy of the Origin of Ashkenazi Jews The Origins of Ashkenaz, Ashkenazic Jews, and Yiddish Ashkenazi Jews Are Not Khazars. Here's The Proof. No evidence from genome-wide data of a Khazar origin for the Ashkenazi Jews Jews Are Not Descended From Khazars, Hebrew University Historian Says "Khazar Origin" Myth Attempts to Deploy Erroneous History to Push Antisemitism Are We All Khazars Now? African-American Anti-Semitism From the archive, 1 July 1974: Martin Luther King's mother slain in church A chance encounter with Jersey City shooters left a hardworking cab driver dead, friends say Racist Black Hebrew Israelites Becoming More Militant Deep roots in history: The Russia–Ukraine clash The Art of Shifting Contexts An Antisemitic Conspiracy Theory is Being Shared on Telegram to Justify Russia's Invasion of Ukraine Follow us on social for extra goodies: Facebook Twitter Other Podcasts by Derek DeWitt DIGITAL SIGNAGE DONE RIGHT - Winner of a 2022 Gold Quill Award, 2022 Gold MarCom Award, 2021 AVA Digital Award Gold, 2021 Silver Davey Award, 2020 Communicator Award of Excellence, and on numerous top 10 podcast lists.  PRAGUE TIMES - A city is more than just a location - it's a kaleidoscope of history, places, people and trends. This podcast looks at Prague, in the center of Europe, from a number of perspectives, including what it is now, what is has been and where it's going. It's Prague THEN, Prague NOW, Prague LATER

The Truth Shall Make Ye Fret is a podcast in which your hosts, Joanna Hagan and Francine Carrel, usually read and recap every book from Sir Terry Pratchett's Discworld series in chronological order. This week, a marvelous bonus episode! We sat down with the wonderful writer C.K. McDonnell to talk about The Stranger Times series and, of course, all things Pratchett!Find C.K. McDonnell on the internet:https://whitehairedirishman.com/https://thestrangertimes.co.uk/Love Will Tear Us Apart - the latest book in the Stranger Times series, is available in hardback on the 9th of February from all good bookshops! Pre-order here.See C.K. live in conversation here.Want more? Listen to The Bunny Cast and The Stranger Times Podcast here: The Bunny Cast - Apple PodcastsThe Bunny Cast - SpotifyThe Stranger Times - Apple PodcastsThe Stranger Times - SpotifyFollow C.K. on Twitter: @CaimhFind us on the internet:Twitter: @MakeYeFretPodInstagram: @TheTruthShallMakeYeFretFacebook: @TheTruthShallMakeYeFretEmail: thetruthshallmakeyefretpod@gmail.comPatreon: www.patreon.com/thetruthshallmakeyefretWant to follow your hosts and their internet doings? Follow Joanna on twitter @joannahagan and follow Francine @francibambi Music: Chris Collins, indiemusicbox.com 

Bestselling author Peter May returns to the podcast with his gripping new novel A Winter Grave, a near future thriller where climate change has changed the landscape. Peter talks about coming out of retirement to write without a contract or a deadline, but with passion and a sense of urgency. Mark Stay is joined this week by guest presenter Caimh McDonnell, bestselling author of the Bunny McGarry series and the Stranger Times books, including Love Will Tear Us Apart.

Caimh presents another preview of Love Will Tear Us Apart, explains how you can help out authors and then Brendan McDonald (no relation) takes it home! 

Arquetipos del post-punk y el rock gótico. Con tan solo dos álbumes de estudio y varios sencillos durante su corta existencia de menos de 4 años pero que dejaron una huella lo suficientemente profunda para influenciar a cientos de bandas. Originarios de la ciudad de Salford en Manchester, Inglaterra, ellos son JOY DIVISION.Lista de reproducción:Dead SoulsAtrocity Exhibition (fragmento)ShadowplaySex Pistols - Pretty Vacant (fragmento)David Bowie - Warszawa (fragmento)Atmosphere1969 (fragmento)Neu! - Hallogallo (fragmento)WarsawCandidate (fragmento)No Love Lost (fragmento)DisorderWilderness (fragmento)She's Lost Control New Dawn Fades (fragmento)DigitalA Means To An End (fragmento)TransmissionInsight (fragmento)Twenty Four HoursThe Eternal (fragmento)New Order - The Him (fragmento)IsolationFrom Safety To Where (fragmento)Love Will Tear Us Apart

The Stranger Times podcast returns with a preview of Love Will Tear Us Apart, book three of the series is out on 9th February. No animals or Brendan McDonald's were harmed in the making of this podcast.

NEW FOR DECEMBER 15, 2022 But to try try again . . . Missed Again - The Best Radio You Have Never Heard Vol. 449 1. Spirits In The Material World (live) - The Police 2. Never Let Me Down Again (live) - Smashing Pumpkins 3. My Sister - The Juliana Hatfield Three 4. Love WIll Tear Us Apart (live) - Paul Young 5. Who's Gonna Ride Your Wild Horses (live) - U2 6. Over My Head / Spare Me A Little Of Your Love (live) - Fleetwood Mac 7. 1974 / Déjà Vu (live) - David Crosby 8. Almost Cut My Hair (live) - Crosby, Stills and Nash 9. Possession (live) - Sarah McLachlan 10. Bedbugs and Ballyhoo (live) - Echo and The Bunnymen 11. How Many More Times (live) - Alabama Shakes 12. Goldfinger - Tom Petty and The Heartbreakers 13. Oh! You Pretty Thing (early) - David Bowie 14. Martha My Dear - The Beatles 15. The Bravery of Being Out of Range (alt) - Roger Waters 16. Alabama - Neil Young 17. Sugar Magnolia (live) - The Grateful Dead 18. Barrytown - Steely Dan 19. Like A Rolling Stone (live) - The Rolling Stones 20. Knocking On Heaven's Door (live) - Bryan Ferry 21. One Big Holiday (live) - My Morning Jacket The Best Radio You Have Never Heard. Always in the center ring. Accept No Substitute. Click to join the conversation on the Facebook page.

[Content/trigger warning: Talk of suicide.] Joy Division's story is a fascinating one, and the path they took to become who they are -- and who they became after the tragic loss of their lead singer Ian Curtis -- is a story for the history books. In this episode, we talk about the creation of their iconic song "Love Will Tear Us Apart," the grueling recording process, U2's Bono's surprising connection to the song, and Ian Curtis' legacy. We also talk about our memories and stories related to Joy Division, including our obsession with the movie "Control." On the way, we talk about the Swedish metal band Ghost and where they've popped up lately. Enjoying the show? Tell us what you think on the socials at @stephaniestalktunes/@stephaniestalk, or give us a 5-star rating on Apple Podcasts or Goodpods! Proud member of Pantheon Podcasts. 

[Content/trigger warning: Talk of suicide.] Joy Division's story is a fascinating one, and the path they took to become who they are -- and who they became after the tragic loss of their lead singer Ian Curtis -- is a story for the history books. In this episode, we talk about the creation of their iconic song "Love Will Tear Us Apart," the grueling recording process, U2's Bono's surprising connection to the song, and Ian Curtis' legacy. We also talk about our memories and stories related to Joy Division, including our obsession with the movie "Control." On the way, we talk about the Swedish metal band Ghost and where they've popped up lately. Enjoying the show? Tell us what you think on the socials at @stephaniestalktunes/@stephaniestalk, or give us a 5-star rating on Apple Podcasts or Goodpods! Proud member of Pantheon Podcasts. 

Today, listeners are still captivated by “Love Will Tear Us Apart,” its dark authenticity seemingly inseparable from the tragedy that preceded its release. As Len Brown observed for NME in 1990: “Ian Curtis was no more by the time Closer and ‘Love Will Tear Us Apart' reached us, which makes it more difficult to measure their true merit objectively. During his lifetime, Joy Division colonised only the Independent charts. After he'd hanged himself, in the early hours of Sunday May 18, 1980, ‘Love Will Tear Us Apart' reached number 13 in the UK singles charts, selling 160,000 copies; Closer reached six in the album charts.” However, the song's legacy extends far beyond that of a dark voyeurism. Its lasting influence has been recounted time and again by both musicians (The Cure, U2, Radiohead, Nine Inch Nails) and music critics. NME even named the song the greatest single of all time in 2002. In the earliest moments of the post-punk era, “Love Will Tear Us Apart” and Joy Division offered a radical new sound which enveloped Curtis' groundbreaking, brutally honest, lyrical writing and would influence generations of musicians to come. Check out the series here: https://www.youtube.com/playlist?list=PLnLOmVwRMCqSQn4II8mF-VFiIujzkyQRE Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com  Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/  Check out all other services here: https://linktr.ee/producelikeapro

Today, listeners are still captivated by “Love Will Tear Us Apart,” its dark authenticity seemingly inseparable from the tragedy that preceded its release. As Len Brown observed for NME in 1990: “Ian Curtis was no more by the time Closer and ‘Love Will Tear Us Apart' reached us, which makes it more difficult to measure their true merit objectively. During his lifetime, Joy Division colonised only the Independent charts. After he'd hanged himself, in the early hours of Sunday May 18, 1980, ‘Love Will Tear Us Apart' reached number 13 in the UK singles charts, selling 160,000 copies; Closer reached six in the album charts.” However, the song's legacy extends far beyond that of a dark voyeurism. Its lasting influence has been recounted time and again by both musicians (The Cure, U2, Radiohead, Nine Inch Nails) and music critics. NME even named the song the greatest single of all time in 2002. In the earliest moments of the post-punk era, “Love Will Tear Us Apart” and Joy Division offered a radical new sound which enveloped Curtis' groundbreaking, brutally honest, lyrical writing and would influence generations of musicians to come. Check out the series here: https://www.youtube.com/playlist?list=PLnLOmVwRMCqSQn4II8mF-VFiIujzkyQRE Subscribe to the email list and get yourself some free goodies: https://producelikeapro.com  Want to create radio ready mixes from the comfort of your home? Go check out https://promixacademy.com/courses/  Check out all other services here: https://linktr.ee/producelikeapro

Get more at www.patreon.com/podsematary! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1564105932811825152 CW: Suicide, Sexual Harassment It's Splintered Reality Week on Pod Sematary! Chris & Kelsey awaken their inner mall goths and get freaky with time and space. The Classic Film: Donnie Darko (2001) "After narrowly escaping a bizarre accident, a troubled teenager is plagued by visions of a man in a large rabbit suit who manipulates him to commit a series of crimes” (IMDb.com). Donnie Darko is one of Kelsey's all-time faves from her youth, but does it hold up? And should you watch the Theatrical or Director's Cut? The Modern Film: Coherence (2013) "Strange things begin to happen when a group of friends gather for a dinner party on an evening when a comet is passing overhead” (IMDb.com). Filmed in the director's house on a micro-budget of $50,000, Coherence shows you can still do big things if you have the right big idea. Audio Sources: "Birthday" written by Lennon–McCartney and performed by The Beatles "Bitch" (Key and Peele S01E01) produced by Monkeypaw Productions, et al. "Coherence" produced by Bellanova Films & Ugly Duckling Films "Donnie Darko" produced by Flower Films, et al. "Head over Heels" written by Roland Orzabal & Curt Smith and performed by Tears for Fears "The Killing Moon" written by Will Sergeant, et al., and performed by Echo and the Bunnymen "Love Will Tear Us Apart" written by Ian Curtis, et al., and performed by Joy Division "Notorious" written by Simon Le Bon, et al., and performed by Duran Duran "Serious Night Live - SNL" via Saturday Night Live @ https://www.youtube.com/watch?v=2ED1I3yIoz0 "When the Lights Go Out" written by Eliot Kennedy, et al., and performed by Five "Wonderboy" written by Jack Black & Kyle Gass and performed by Tenacious D "Zack Snyder's Justice League" produced by Warner Bros., et al.

Este podcast incluye nuestra playlist para celebrar el Orgullo 2022. Para ser quienes queramos ser, amar a quien queramos amar, desear a quien queramos desear. Por un mundo con libertad, tolerancia, respeto, empatía y mejores personas, ¡feliz Orgullo LGTBI +! THE 1975 – Love It If We Made It PET SHOP BOYS ft YEARS & YEARS - Dreamland BLONDIE – Call Me JOY DIVISION – Love Will Tear Us Apart PTAZETA BZRP – Music Session LAS DIANAS – No controles CINDY LAUPER – Girls Just Want To Have Fun MISS CAFFEINA ft JAVIERA MENA & LA CASA AZUL– Cola de Pez (Fuego) PLACEBO – Daddy Cool MANESKIN – Zitti e Buoni HOT 8 BRASS BAND – Sexual Healing EZRA FURMAN – Love Me So Bad THE OSMONDS – Having a Party THE SONICS – Shot Down WISEMEN PROJECT ft SUU – I Feel Love MIKA – Love Today BLUR – Girls & Boys REM – Everybody Hurt Escuchar audio

#15-11Intro/Outro: P.Y.T. (Pretty Young Thing) by Michael Jackson15. You Shook Me All Night Long by AC/DC14. Kiss by Prince & the Revolution13. Every Breath You Take by The Police *12. Just Like Heaven by The Cure11. Love Will Tear Us Apart by Joy DivisionVote on your favorite song from today's episodeVote on your favorite song from Week 3* - Previously played on the podcast

In this episode I explore a couple that wasn't complicated at all. In fact, they were in a perfectly happy and healthy relationship. They had an enviable love story. I had been wanting to share their story for some time, and now seemed like a good time. The couple is Ruth Bader Ginsburg and Martin Ginsburg. I'm writing this episode three hours after hearing the news that Justice Ginsburg had passed away. Like many of you, I'm devasted. I've spent the past three hours in a daze and I thought bumping up their love story might help me work through some of those emotions. I first became interested in their relationship when I heard an NPR story where Ruth read the letter her husband wrote to her before he passed away in 2010. I'll save the letter for later in the podcast, but it's quite moving. Shortly thereafter, I watched the doc RBG which shed more light on their remarkable relationship. While this podcast tends to focus more on tragic or hot mess relationships—hence the name Love Will Tear Us Apart—at its core, it's a podcast about epic relationships, and Ruth and Martin's relationship was epic.