Podcasts about pitchfork media

Subscriber-only episodeUnsound Heads is a new WCN TV series. True noise nerd talk. This first episode features friend of WCN Joel Shanahan, who records electronic music as AUSCULTATION and GOLDEN DONNA, and is an absolute maniac noise collector. Pitchfork Media gave AUSCULTATION's most recent album "III" an 8.0 rating when it was released in 2020 - check out Joel's music and support him at https://auscultation.bandcamp.com/

Full episode in both video and audio format at 18:00 CET at https://www.patreon.com/whitecentipedenoiseUnsound Heads is a new WCN TV series. True noise nerd talk. This first episode features friend of WCN Joel Shanahan, who records electronic music as AUSCULTATION and GOLDEN DONNA, and is an absolute maniac noise collector. Pitchfork Media gave AUSCULTATION's most recent album "III" an 8.0 rating when it was released in 2020 - check out Joel's music and support him at https://auscultation.bandcamp.com/Support the show

Mythic co-founder/cosmic wendigo/mid-wifery doula figure of the podcast, Jason Newland, returns as Tim's tending to highly classified, kinetic-style subterfuge-type affairs. The White House pharmacy is handing out all manner of psychotropics like so many sugary delights on All Hallows' Eve.  The more or less death of Pitchfork Media, which once gave Music, a mode of creative expression consisting of sound and silence expressed through time, a 6.8 out of 10 rating. Opioids keep wreaking havoc, but at least were getting some solid dramatic streaming series out of it. Lex Friedman and Ted Cruz propose totally realistic ways to choose between our two favorite and deranged presidential candidates. USA shatters more fun records (beyond opioids) like homelessness, mass shootings, inability to pay rent and just plain ol' 'suffering' in the abstract. Prince Andrew's puppet fetish revealed. AI errors in naming products online: next step in the evolution of the comedic arts? Gas station heroin: good or great? AI generated hallucinogens: key to Jason's dream job? Apex of homosapienkind reached: a person beats Tetris for the first time ever. This is all to say, we should still feel uplifted by a young kid being cured of their deafness through a new gene therapy. Until next time, keep on avoiding the void—as well as The Noid, naturally. Commiserate on Discord: discord.gg/aDf4Yv9PrYSupport: patreon / buzzsproutNever Forget: standwithdanielhale.orgGeneral RecommendationsJason's Recommendations:  1) Slow Horses 2) A Shop For KillersJosh's Recommendation: Double Feature: Nice Guys / Kiss Kiss Bang BangMore From Timothy Robert BuechnerViolent PeopleWe Don't Know WrestlingWDKW Ko-fiLocationless Locationsheatdeathpod.comEvery show-related link is corralled and available here.Twitter: @heatdeathpodPlease send all Letters of Derision, Indifference, Inquiry, Mild Elation, et cetera to: heatdeathoftheuniversepodcast@gmail.comSupport the show

We discuss the slow but steady downfall of Pitchfork, the seminal music publication of our generation. The closing track is by Cyann & Ben, the kind of strange and moving indie rock that was only on anyone's radar because it was the featured review on the site.

"Jamming with Legends: Derek Trucks & Remembering James Casey"Larry Mishkin begin with a discussion about a recent Phish concert featuring a special guest appearance by Derek Trucks, during which they performed songs like "Golden Age," "First Tube," and "Possum." They reflect on the unique chemistry between Derek Trucks and Trey Anastasio and how it elevated the performance.The second part of the episode is a tribute to James Casey, a talented saxophonist who recently passed away at the age of 40 due to colon cancer. They mention his contributions to the jam band community and his ability to harmonize and play alongside iconic musicians like Trey Anastasio and Phil Lesh. Larry share heartfelt messages from Trey Anastasio, Bill Kreutzmann, and Billy Strings, highlighting James Casey's remarkable musical talents and the impact he had on those who worked with him..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast  Derek Trucks walked out on stage at Saratoga Springs Performing Arts Center (“SSPAC”) on August 26th and that is just too good to ignore.  So three songs from that show with Derek Trucks playing along. Also, James Casey died at 40 from colon cancer.  Amazing musician, tremendous Sax player and great singer.  Played as part of the “brass” section for Trey Anastasio Band along with Jennifer Hartwick and Natalie Cressman.  The same brass section also toured with Phil Lesh and Friends - I just saw them with James this past March at the Salt Shed in Chicago (I did not know he was sick).  Second set of songs from three of his performances, two vocal and one playing sax. Phish with Derek Trucks8/26/2023                Saratoga Springs Performing Arts Center (“SPAC”) INTRO:                  Golden Age3:14 – 4:31Phish w Derek Trucks Live - YouTube                 Song was written and first performed by TV On The Radio, first single from their album Dear Science, released on August 26, 2008. SPIN magazine rated it the 8th best song of the year.                 Phish began covering the song in 2009                First played on November 27, 2009 at Times Union Center (Pepsi Arena/MVP Arena) in Albany, NY                To date played 70 times, with this performance being the most recent (Dick's is still to come so by Monday, this may be incorrect)                 TV on the Radio (TVOTR[2][3]) is an American rock band from Brooklyn, New York, formed in 2001. The band consists of Tunde Adebimpe (vocals, loops), David Andrew Sitek (guitars, keyboards, loops), Kyp Malone (vocals, guitars, bass, loops), and Jaleel Bunton (drums, bass, vocals, loops, guitars). Gerard Smith (bass, keyboards, loops) was a member of the band from 2005 until his death in 2011.TVOTR has released five studio albums: Desperate Youth, Blood Thirsty Babes (2004), Return to Cookie Mountain (2006), Dear Science (2008), Nine Types of Light (2011), and Seeds (2014), alongside several EPs.                 The band's third album, Dear Science, was released on September 23, 2008, on Interscope. It was made available for streaming on their Myspace page and subsequently leaked onto the internet on September 6, 2008. The album was named the best album of 2008 by Rolling Stone,[8]The Guardian,[9]Spin,[10]The A.V. Club,[11]MTV,[12]Entertainment Weekly,[13]Pitchfork Media's readers' poll,[14] as well as the Pazz and Jop critic's poll.[15] It was also named the second best album of 2008 by NME and the fourth best by Planet Sound. SHOW #1:           First Tube:20 – 1:38Phish with Derek Trucks - First Tube. Saratoga Springs 8/26/23 #phish #derektrucks - YouTube  “First Tube,” is the 12th and final track on the band's 2000 album, Farmhouse Anastasio led a performance by a one-off band called 8 Foot Fluorescent Tubes on April 17, 1998, at the original Higher Ground in Winooski, just outside Burlington, Vermont. The show was the first time Anastasio performed in public with Lawton and Markellis, who were joined by guitarist/vocalist Tom Lawson of The Pants, saxophonist Dave Grippo, trombonist James Harvey and vocalist Heloise Williams of Viperhouse.“First Tube” was seemingly named for its placement as the first song played at the 8 Foot Fluorescent Tubes show, which also saw the premieres of future Phish/TAB songs “Sand,” “Mozambique” and “Last Tube.” Trey, Tony and Russ would go on to form the first incarnation of the Trey Anastasio Band which made its debut — back at the Higher Ground — in February 1999. That concert again featured “First Tube” as part of the setlist.The same TAB trio was also the lineup on Trey's first solo tour in May 1999. By the end of that acoustic/electric tour, “First Tube” was a full-on show-stopper that highlighted many electric second sets. Along with fellow 8 Foot Fluorescent Tubes original “Mozambique,” “First Tube” made its Phish debut on September 9, 1999, in Vancouver, British Columbia.One of two instrumentals on Farmhouse — along with “The Inlaw Josie Wales” — “First Tube” earned Phish a Grammy Award Nomination for Best Rock Instrumental Performance in 2001. Nominated alongside Peter Frampton, Kenny Wayne Shepherd and Joe Satriani, Phish lost to Metallica, Michael Kamen and the San Francisco Symphony's “The Call of Ktulu” First Tube” was played by Phish four times when they returned in 2003 but not at all in 2004, the year that began a second break lasting until 2009. Since coming back from the second hiatus, “First Tube” has remained a staple of both Phish concerts and Trey solo shows  SHOW #2:           Possum53:40 – 55:09Phish w Derek Trucks Live - YouTube The Man Who Stepped into Yesterday (often abbreviated as TMWSIY) is a 1987 concept album written by Trey Anastasio, the guitarist and lead vocalist of the American rock band Phish, as his senior thesis while attending Goddard College. Composed in 1987, the thesis included an essay piece and collection of songs (recorded by Phish) relating an epic tale from the band's fictional land of Gamehendge. On the album, the story of Gamehendge is told in nine parts, with short spoken narration in between. The saga can be compared to rock concept album projects like The Doors' Celebration of the Lizard or Rush's 2112 suite.The story's primary protagonist is Colonel Forbin. Other major characters include Tela, the "jewel of Wilson's foul domain" and the "evil" Wilson himself. Several of the album's spoken narrative sections are accompanied by background music borrowed from sections of the Phish songs "Esther" and "McGrupp and the Watchful Hosemasters". The final track, "Possum", is the only song on the album not written by Anastasio, having been written by former Phish member Jeff Holdsworth and later added to the Gamehendge cycle.Jeff Holdsworth is a musician who was a founding member of the rock band Phish.[1] Founded at the Redstone campus dormitories of the University of Vermont (UVM) in the fall of 1983, the band originally featured Holdsworth and Trey Anastasio sharing lead vocal and guitar duties, Jon Fishman on drums, and Mike Gordon on bass guitar. Holdsworth left the band in 1986 after graduating from UVM to pursue a career in electrical engineering, shortly before the band recorded their debut self-produced album, The White Tape, though he had played on some of the demo recordings (done in a dorm room) that would later be re-recorded for that album. His songs "Possum" and "Camel Walk" continue to be Phish live show favorites.  James Casey                       ARTICLE Show #3:             Dear PrudencePhil & Friends (Casey singing)  Rick Mitarotonda (Goose), John Medeski, Grahame Lesh, Nicki Bluhm, James Casey, Katie Jacoby, John MoloMarch 17 2023Capitol Theater3:12 – 4:36Phil Lesh & Friends - Dear Prudence - Feat. Rick Mitarotonda (Goose) + James Casey (TAB) - 3/17/23 - YouTube Dear Prudence" is a song by the English rock band the Beatles from their 1968 double album The Beatles (also known as "the White Album"). The song was written by John Lennon and credited to the Lennon–McCartneypartnership. Written in Rishikesh during the group's trip to India in early 1968, it was inspired by actress Mia Farrow's sister, Prudence Farrow, who became obsessive about meditating while practising with Maharishi Mahesh Yogi.[2] Her designated partners on the meditation course, Lennon and George Harrison, attempted to coax Farrow out of her seclusion, which led to Lennon writing the song. Lennon wrote "Dear Prudence" using a finger-picking guitar technique that he learned from singer-songwriter Donovan. Its lyrics are simple and innocent and celebrate the beauty of nature. The Beatles recorded the song at Trident Studios in late August 1968 as a three-piece after Ringo Starr temporarily left the group out of protest at McCartney's criticism of his drumming on "Back in the U.S.S.R." and the tensions that typified the sessions for the White Album. Dear Prudence" has received praise from music critics, with many praising its lyrics and the band's performance. Lennon later selected it as one of his favourite songs by the Beatles. The song has been covered by many artists, including the Jerry Garcia Band, Ramsey Lewis and Siouxsie and the Banshees, whose version was a top-five hit in the UK in 1983. SHOW #4:           No Men In No Man'sTAB (Casey Sax solo)11.19.2022Reading PA:55 – 2:03TAB's James Casey…Smokin Sax Solo. NMINML. 11/19/2022. Reading, PA - YouTube Written by Trey and Tom Marshall (American lyricist, keyboardist and singer-songwriter best known for his association with Trey Anastasio from Princeton Day School in New Jersey and the rock band Phish.[1] He has been the primary external lyricist for Phish during their career (1983–2004, 2009–present), with songwriting credits for more than 95 originals. In addition to his songwriting work, Marshall also fronts the rock band Amfibian and hosts the Phish podcast Under the Scales.[2] Marshall is the co-founder of Osiris, a podcast network in partnership with Jambase.) From Phish album Big Boat, released October 7, 2016 First played by Phish on July 21, 2015 at Les Schwab Amphitheater in Bend, Oregon (debuted with Blaze On and Shade, next they broke out Mercury)Last played (excluding Dick's) July 30, 2023 at MSG67 times OUTRO:                Touch of GreyPhil & Friends (Casey singing) Grahame Lesh, John Medeski, Rick Mitarotonda, John Molo, James Casey, Natalie Cressman, Jennifer Hartswick10.22.2022Capitol Theater3:44 – 5:16James Casey, Touch of Grey, Phil Lesh & Friends 10/22/22 - YouTube Written by Jerry and Robert Hunter,First played in September 15, 1982 at the Cap Center, Landover MarylandLast on July 9, 1995 at Soldier Field, ChicagoPlayed 211 times 

Født i Zimbabwe, oppdratt i Norge, Sør-Afrika og Zambia, Ole Vuyo Småge hadde sett store deler av verden allerede før han nådde skolealder. Med en far sentral i frigjøringskampen fra apartheid i Sør-Afrika, og en mor som kjempet samme sak i nabolandet Namibia, var det tidlig klart at Vuyo ville ende opp som en verdensborger. I fjor fikk den Oslo-baserte rapperen godkjentstemplet fra statene: nemlig 7,3 av 10 i Pitchfork Media for sitt andre album med produsenten Ol' Burger Beats. 

Mike D and Coop talk about Kool Moe Dee's Emcee report card resurfacing. The Team also discusses Pitchfork trashing yet another Nas album.Support the show (https://cash.app/$according2hiphop)

Wattz up! is produced by Yollocalli Arts Reach youth and broadcast through Lumpen Radio, WLPN 105.5FM Chicago. In this episode, Wattz Up! /La Mesita presents a recap of the most exciting moments, performances, festival experiences, as well as interviews with attendees and vendors like Feel Trip Records. **Feat music of Ela Minus, Thundercat, Yaeji, Kelechi Agwuncha, Erykah Badu. Enjoy!!

Salve internauta, edição nova do Stay Suave falando sobre as alterações que o famoso site musical Pitchfork faria em suas resenhas.

RockerMike and Rob discuss Gang of Four. Gang of Four is an English post-punk band, formed in 1976 in Leeds.The original members were singer Jon King, guitarist Andy Gill, bass guitarist Dave Allen and drummer Hugo Burnham. There have been many different line-ups including, among other notable musicians, Sara Lee, Mark Heaney and Gail Ann Dorsey. After a brief lull in the 1980s, different constellations of the band recorded two studio albums in the 1990s. Between 2004 and 2006 the original line-up was reunited; Gill toured using the name between 2012 and his death in 2020. The band played a stripped-down mix of punk rock, funk and dub, with a lyrical emphasis on the social and political ills of society. Gang of Four are widely considered one of the leading bands of the late 1970s/early 1980s post-punk movement. Their debut album, Entertainment!, was ranked as fifth greatest punk album of all time and at Number 483 in Rolling Stone's 500 Greatest Albums of All Time. In 2004, the album was listed by Pitchfork Media as the 8th best album of the 1970s and, in 2020, by Pop Matters as "Best Post Punk album ever". Their early 80s albums (Songs of the Free and Hard) found them softening some of their more jarring qualities, and drifting towards dance-punk and disco. David Fricke of Rolling Stone described Gang of Four as "probably the best politically motivated band in rock & roll.". https://www.gangoffour.uk/ https://www.facebook.com/gangoffourofficial?__cmr=1&refsrc=deprecated&_rdr https://pitchfork.com/thepitch/remembering-gang-of-fours-andy-gill-who-ripped-punk-to-shreds/amp/ https://mobile.twitter.com/gangof4official?lang=en https://music.apple.com/us/artist/gang-of-four/16629682 https://www.instagram.com/gangoffourofficial/?hl=en Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com https://linktr.ee/RobRossi Get your T-shirt at https://www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ https://app.hashtag.expert/?fpr=roberto-rossi80 https://dc2bfnt-peyeewd4slt50d2x1b.hop.clickbank.net https://8bcded2xph1jdsb8mqp8th3y0n.hop.clickbank.net/?cbpage=nb Subscribe to the channel and hit the like button --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://itunes.apple.com/us/podcast/getting-lumped-up-with-rob-rossi/id1448899708 https://open.spotify.com/show/00ZWLZaYqQlJji1QSoEz7a https://www.patreon.com/Gettinglumpedup #punkforever #punkrock #punkrockart #punkfashion #punkrockmusic #punk #punkhardcore #punkgirl #punkrockers #music #Musician --- Support this podcast: https://anchor.fm/rob-rossi/support

Legendary West Coast Rapper Ras Kass takes a moment out of his day to share encouraging words with the Sober is Dope Podcast. Please enjoy and listen to Ras Kass on Spotify: https://open.spotify.com/artist/0OiS4KHxViIFnJooFTXl7V?si=nlGYmjiyTJO6ciaXq10Mug Ras Kass: John Austin IV (born September 25, 1973), better known by his stage name Ras Kass, is an American rapper. He returned as a member of the hip hop supergroup The HRSMN along with Canibus, Killah Priest, and Kurupt in 2014. Ras is a member of the group Golden State Warriors with Xzibit and Saafir. Editors of About.com ranked him No. 30 on their list of the Top 50 MCs of Our Time (1987–2007). Pitchfork Media called him "one of the best rappers of all time." Thank you Ras Kass for supporting the Sober is Dope Podcast community. Learn more about Sober is Dope World ➡️ https://linktr.ee/Soberisdope --- Send in a voice message: https://anchor.fm/soberisdope/message Support this podcast: https://anchor.fm/soberisdope/support

Plus/Minus, is an American band formed in 2001 out of New York, NY. I first heard their 2008 album You Are Here, which I loved. Pitchfork Media gave it a stellar review at the time and compared Plus/Minus to one of my favorite bands of all time, The Dismemberment Plan.MembersJames Baluyut (vocals, guitar, keyboard, producer)Patrick Ramos (vocals, guitar, keyboard, drums)Chris Deaner (drums, sampler, banjo, clarinet, vibraphone, video production)

This week on Rounding Down we talk about Pink Floyd's masterpiece, "Animals" and how it relates to current politics and much more. Plus, Sigh reveals his belief that therapists must have couches large enough for the therapist to lie down on, a strange idea that makes no sense! We brush off the dust and rust, and Chid is told he smells bad by his son. Sigh also explains that he eats pizza in the shower. This is canon. Follow us on Twitter: @CHIDSPIN / @SighFieri / @RoundingDownRate and review us on iTunes. Send us MONEYYYYYY. Support the show (https://cash.app/$roundingdown)

Born in the coldest city in Japan and raised in the sweltering heat of Arizona, Isaac Rentz's highly stylized pop videos for artists like Katy Perry, Nick Jonas, Jason Derulo, OneRepublic, Paramore, Cage The Elephant, Bleachers, Tegan & Sara, blink 182, and Eminem have earned acclaim and heavy airplay on music channels in the U.S. and abroad. His commercial spots for clients like Honda, The Gap, TOMS, Taylormade, and Red Stripe have been viewed by millions, and his short films have been screened at festivals on both coasts. His quirky, detailed work has been honored with multiple nominations at the MTV Video Music Awards, Much Music Awards, Supertoon Festival, ReelWorld Festival, LA Film Festival, Vimeo Festival and in a wide variety of publications, including Pitchfork Media, Creative Review, Spin Magazine, 'Boards, and TV Guide. In 2015, Isaac began production on Opening Night, his feature film debut starring Topher Grace, Taye Diggs, Anne Heche, Rob Riggle, Alona Tal and Paul Scheer. The film debuted in summer 2016 at the Los Angeles Film Festival, and was released to Netflix in summer of 2017. Instagram: @isaacrentz Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music from Electric Fruit Produced by Tom Dalby Composed by Toby Wright

In Music Hell's first "very special" episode and our first look at a non-music medium, Mack and August read the funniest segments from Pitchfork Media's review of the 2001 album "Kid A" by Radiohead, examine how the author's bizarre fixation on Radiohead led to his own falling out with the company, and dive into some of Pitchfork's lowest reviews that effectively ended the careers of some independent artists. Now that's edu-tainment! Rate, review, and subscribe if you like the way we 'cast. Tell a friend, make a post about us, send an email to MusicHellPod@gmail.com, call your mom. EDIT: In the time between our recording of this episode and its release, it was been reported that Mark Kozelek of Sun Kil Moon has done some heinous things and is 100% deserving of being cancelled. He's a bad person who doesn't deserve to be defended at all. --- Send in a voice message: https://podcasters.spotify.com/pod/show/music-hell/message

There's no middle ground with Michigan-based hard rock quartet Greta Van Fleet. You either think they're the savior messiahs of rock & roll music, or you think they're a pale cloying imitation of a bad Led Zeppelin cover band, or you haven't been paying attention. For such a fledgling band to have popped up from out of nowhere and inspire such concentrated amounts of equal parts praise and vitriol is a remarkable feat in these modern times, when rock music is increasingly less relevant.Their studio debut Anthem Of The Peaceful Army was no exception. Upon its release in 2018 they were treated to a wealth of criticism, a sizeable chunk of which was overwhelmingly negative; including a particularly infamous 1.6 out of 10 review from Pitchfork Media, and declared of Greta Van Fleet: "They make music that sounds exactly like Led Zeppelin and demand very little other than forgetting how good Led Zeppelin often were."Harsh words from a typically harsh publication, but are they deserved? Are Greta Van Fleet here to save rock music or just another cynical ploy towards nostalgia-fetishism? That's what we intend to find out on this new episode of Jukebox Zeroes, in which Lilz & Patrick are joined by Clinton Degan of Body English to peel the retro-onion that is Anthem Of The Peaceful Army.Local Music Feature: "Torchbear" by Knock Over City

Dibiase released his debut album, Machines Hate Me, on Alpha Pup Records in 2010. Pitchfork Media gave it 5.8 out of 10, while Resident Advisor gave it 4 out of 5. Before doing music, he made a living as a graphic artist. Unlike most hip-hop producers who use the Akai MPC and SP-1200, he primarily utilizes the SP-303 and SP-404 installments, for they provide a gritty lo-fi sound.

Brian Koch is a musician, artist and founding member of Blitzen Trapper and Dead Lee. Blitzen Trapper is a Portland, Oregon-based experimental country/folk/rock band associated with Sub Pop Records, Vagrant Records and Lojinx. Formed in 2000, the band currently operates as a quintet, with Eric Earley, Erik Menteer , Brian Adrian Koch, Michael Van Pelt, and Marty Marquis. Blitzen Trapper self-released its first three albums. "Wild Mountain Nation" was No. 98 on Rolling Stone's list of the 100 Best Songs of 2007. Blitzen Trapper released its third album, Wild Mountain Nation, in 2007 to much critical acclaim from critics such as Pitchfork Media, The Nerve, and Spin Magazine. The group signed to Sub Pop Records in the summer of 2007. The release of Furr in 2008 was a high-water mark for the group as their eclectic new songs received a two-page feature in Rolling Stone. The album was ranked No. 13 on Rolling Stone's Best Albums of 2008 while the title track was ranked No. 4 on the magazine's Best Singles of 2008. The albums Destroyer of the Void and American Goldwing followed, to similarly high acclaim. On October 1, 2013, the band released VII, their first on Vagrant Records in the US; the album also appeared on British indie label Lojinx in Europe on September 30. In mid-December 2014, the band self-published their first live album, Live In Portland, followed by the Record Store Day exclusive, a live cover album of Neil Young's Harvest record titled Live Harvest. Their eighth studio album, All Across This Land, was released on October 2, 2015. Their ninth studio release - marking a return to the band's own label LidKerCow - is titled Wild and Reckless and was released on November 3, 2017. deadlee.bandcamp.com blitzentrapper.com

Selena mania is too mainstream man!!! Who discovered weed? Some angry Latinxers on twitter got mad at La Llorona. Jesus is in China for work again. He made his house smart AF before he left. Sammy frequents Pitchfork Media often, in case you didn’t know. Last but not least, remember to join our patreon for exclusive podcasts. We’re uploading a colonoscopy Vlog on there soon, we hope you can join us! Thanks! https://www.patreon.com/Desmadre

Tuning Fork is a show about music and the Pitchfork Media hype machine. David and Matt, and sometimes guests, will dive into an album that Pitchfork loved or hated, go through the review, listen to the album, and decide whether or not they agree with the ‘fork on this one. This week’s album is The […]

Tuning Fork is a show about music and the Pitchfork Media hype machine. David and Matt, and sometimes guests, will dive into an album that Pitchfork loved or hated, go through the review, listen to the album, and decide whether or not they agree with the ‘fork on this one.This week’s album is The Age of Adz by Sufjan Stevens, well-known as a departure from his established style of acoustic allegorical indie pop. Our guest is Stephanie from City Girls Make Do.

A discussion with ex-music writer Chris Ott about his history with Pitchfork Media, and Condé Nast's recent acquisition of the notorious music website.

Guest DJ: Marc Masters (Plums, Pitchfork Media, author, No Wave) |Playlist:...James Chance and the Contortions - I Can't Stand Myself |Mars - Puerto Rican Ghost |Teenage Jesus and the Jerks - My Eyes |DNA - New Fast |Red Transistor - Not Bite |Ut - Sham Shack |Ursula Bogner - Trabant |Matrix Metals - Flamingo Breeze 1 |Black Bananas - Do It |Psychedelic Horseshit - Laced |The Psychic Paramount - N5 |Plums - Clamourous |Sightings - A Rest |Eat Skull - Heaven's Stranger |Feedtime - Rock and Roll |Fang Wizard - Shorts Illustrated |B.A.L.L. - Bird |Ducktails - Art Vandelay |

In the summer of 2002, Steven came up with the idea to do an art experiment by adding bass tracks to 2 White Stripes songs and sharing them with Redd Kross fans via the internet. The overwhelmingly positive response inspired him to cover the entire "White Blood Cells" record. Word spread quickly over the internet and soon press such as Entertainment Weekly, Pitchfork Media, the NY Times, BB Gun to name but a few ran articles about "Redd Blood Cells." The original intent was to post 2 songs per week, and it would all be over within a 2 month span of time; however the popularity of this art project has made us decide to archive at least part of it on www.ReddKross.com since so many people still come to the site looking for it."Besides it's the coolest thing in the world ... I'm playing bass in the White Stripes ... I am Steven White ... that is unless they kick me out." - Steven McDonald / Redd KrossI hope you enjoy this digital time-capsule.