Podcasts about wildbirds

We got songs of all sorts tonight and non-songs for most sorts too. Take your pick! LISTEN AGAIN – you can stream on demand @ fbi.radio or podcast here. Abigail Snail – Good Grief [Romac Puncture Repairs] Abigail Snail – Attach Bayonets [Romac Puncture Repairs] You can get an idea of the experimental roots background of London guitarist Stef Ketteringham, usually known as Stef Kett, from his 10-year-old Guitar Arrangements (2016) and its sequel More Guitar Arrangements from the following year – a loose, free jazz approach to bluesy guitar, the outer limits of American Primitive. It’s not that far from there to punk rock, but nor is it far from the swamp. Garage rock is more the touchstone with Abigail Snail though, when Kett, on vox, guitar & bass, teams up with the incredibly versatile drummer Will Glaser, who’s played with the likes of Sly & the Family Drone, Yazz Ahmad, Ruth Goller and many other luminaries of the London jazz scene, and released an incredible solo album last year. The music’s a kind of hysterical, broken-down form of garage rock, dragged into swampy blues-jazz with the addition of James Allsopp on tenor sax & bass clarinet, a fixture of London’s jazz & experimental scenes for the last 2 decades. The album bio describes them as “London spray band Abigail Snail”, and the raucous-yet-vulnerable music here could well suit this new genre (as you know, we at Utility Fog love ridiculous new genres). Anyway, stick this on your boombox and scare pedestrians as you cycle to work next week. Jungstötter – Overturn [Unguarded/Bandcamp] Fabian Altstötter founded his solo project Jungstötter some years after his postpunk band Sizarr went on hiatus. Solo, his music draws from the dramatic experimental songwriting of Scott Walker & David Sylvian – on 2023’s One Star, his rich vocals were offset by industrial rumblings and shifting electronics, muddled in pitch-shifted shadows of themselves, mashed beats interrupting the flow, horn and string arrangements that grow raucous. New album Sustained is now announced, and single “Overturn” is very pared down – just that voice, some percussion, sparse electric piano, field recordings of children’s voices and occasional single note hits from horns. Oh, and the scrabbling guitar at the end, all suggesting something creepy around the corner. No doubt this will be an excellent album. Massive Attack x Tom Waits – Boots on the Ground [PIAS Records/Bandcamp] The most unexpected release of the century? Given that Tom Waits‘ last solo album Bad As Me came out in 2011, we could have been forgiven for expecting that was the end, but Massive Attack (who have stuck to random singles with feature artists for the last decade) convinced him to create this anti-war anthem, clattering percussion straight out of Tom’s Bone Machine, piano straight out of many of 3D’s productions, and Tom’s barked vocals which could refer to ICE or US troops in Venezuela, Iran, or heck, Vietnam. It’s proper chilling stuff. Loraine James – Flatline ft. Miho Hatori [Hyperdub/Bandcamp] From her soon-forthcoming album Detached From The Rest OF You, Loraine James here works with Miho Hatori of Cibo Matto on absolute thriller of a song, the beats a Loraine glitch-bass special and Hatori’s vocals spoken and sung but always cut-up. This is her “pop” album lol… Well, it’s full of great singers and James herself sings on more than a few tracks, but it’s still super experimental. Naavikaran & Simo Soo – For You Page (FYP) [Naavikaran Bandcamp] On her new EP MYSTIQ DISCOTHEQ, Naarm-based rapper Naavikaran puts a South Asian spin on her EDM-influenced rap & pop, enlisting Simo Soo to help bring out the deconstructed club vibes. Across the EP, Naavikaran raps and sings in Tamil, Marathi, Hindi and English, covering life as a disabled, LGBTQI+ refugee. Impressive and entertaining. deafkids – REFLEXO [Neurot Recordings/Bandcamp] Brazilian band deafkids may nominally be classed as “punk”, but hardcore punk mixes with industrial and noise in their sound, along with electronic music of all shapes. They released the incredible uncategorizable Metaprogramação on Neurosis‘ Neurot Recordings in 2019, and then when the pandemic hit, they put out a series of EPs that mixed Latin rhythmic complexity with guitar pedal and software experimentation, collected now on the album Ritos do Colapso. Except before that in 2020 came their collaboration DEAFBRICK with cross-continental noise-metal-industrial-electronic duo PETBRICK. So with various collabs and oddities in the interim, their forthcoming CICATRIZES DO FUTURO (Scars of the Future) is their first album proper since Metaprogramação. It looks to be more electronic, more intense, more angry than ever, a visceral reaction to the state of the world. Highly rhythmic and danceable, it shifts between hardcore punk, industrial, Latin American and club sounds with abandon. I can’t wait to hear the whole thing. james K – Doom Bikini (Hesaitix Remix) [AD93/Bandcamp] Following her vaporwave-trip-hop album Friend from last year, james K now reaches out for some heavy-duty Friends to remix the album. Hesaitix is the alias of James Whipple, better known as M.E.S.H, pioneer of “deconstructed club”. Here, though, he’s taking james K’s “Doom Bikini” and adding accelerated breakbeats in a lightweight jungle style. Very nice. Zoë Mc Pherson – Bang Bang (Nziria remix) [SFX/Bandcamp] Zoë Mc Pherson – Ambient Snake (Yushh remix) [SFX/Bandcamp] One of the leading lights of deconstructed club music (as we probably don’t call it anymore), Zoë Mc Pherson, releases the remix collection from last year’s Upside Down album, via their own SFX label. A great collection of various sorts of experimental bass music, including here some frenetic jungle/breakcore from Italian DJ & producer Nziria, and some ambient technoid lushness from Bristol’s Yushh, who will be playing here soon – at the Sydney Opera House, no less – for DUNJ’s Vivid Live event, also featuring Carrier and our own gi and Autogenesis. ARTISOMA – Boraq [YUKU/Bandcamp] Ravensburg, Germany-based producer Sarah Rendle ARTISOMA, debuting on YUKU with the Mobilya EP, exploring various configurations of UK bass and percussive techno. Quality production, as expected from anything on YUKU. OD Bongo – crystallinoron [Carton Records/Bandcamp] It’s almost inevitable that whatever is next released by French label Carton Records will be unlike whatever you’ve previously heard. Amédée de Murcia (aka Somaticae) on synths and Édouard Ribouillault aka C_C on drum machines, samplers & fx make up OD Bongo, whose second album Bongoville is technically co-released by Carton, zamzamrec, Prix Libre Record and basalte (whoever they are). This multiplicity of co-presentations is quite common in France it seems. Whoever you’re encountering it via, you’re in for a treat: hardware samplers, synths & drum machines produce a psychedelic cacophany of dance music styles, drawing in trap, juke and gqom with their bass-heavy techno – and a dub sensibility is ever-present. That’s got to hit the spot if you’re a Utility Fog listener! Haydn Douet Lukies – Amolador [Colectivo Casa Amarela/Bandcamp] Colectivo Casa Amarela are one of those Portuguese labels that you know will come through with the goods, even if you’re not sure what those goods will be. In the case of Old Dark Champagne, percussionist Haydn Douet Lukies uses his environment as his instruments – in this case the watery soundscape of Cacilhas, an industrial area in the estuary of Tagus River (Lisbon is built around that estuary), along with rusting chains, architectural surfaces and so on. But from these ingredients he makes music whose rhythms and sounds are linked to the beats of jungle, UK drill, industrial dub and other bass musics, as well as Arabic percussion and the Lisbon-centred, Afro-diasporic sounds of batida. It’s only an EP, and leaves us wanting more. Tristan Arp – Forking Paths [Kapsela/Bandcamp] Objekt‘s label Kapsela continues to be essential, now releasing an EP, Re-Weave, from the brilliant percussive techno sound-artist Tristan Arp. Case in point, tonight’s track “Forking Paths” starts with blissful synth arpeggios, but a minute and a bit in, rolling snares and a light but prominent “tok” on the 2nd & 4th beats drop in, switching into a syncopated bassline, and these various parts undulate and shuffle through the course of the track. The title is a reference to Borges’ classic story “The Garden of Forking Paths”, but also to the EP’s dedication to weaving mycelial networks and labyrinths. Beautiful. Yunzero – Cool Skunk [Yunzero Bandcamp] Naarm’s Jim Sellars makes some of the most weirdly crunchy, alternate-reality sample-based music of the last decade or so, under the name Yunzero. As the quote says on this new 2-tracker, “there’s something off”. If you wanted a summary of Utility Fog’s favourite kinds of music, “there’s something off” is a pretty good one, and it’s not a bad description of the jittery, rhythmic pieces on show here. Hora Lunga – Hearing through the Wall ft. Junge Eko [Hora Lunga Bandcamp] One album I loved from last year came from Argentinian cellist Violeta García working with the Swiss composer/producer Hora Lunga. The two musicians melded sound-art and noise with acoustic gestures, post-club sub-bass and glitched ambiences. Now Hora Lunga presents his New Age Music Vol. 2-3, which couches new agey soundscapes in post-modern irony (check the CD-R edition, which comes enclosed in repurposed pop album packaging). Deliberately awkward edits cultivate a sense of unease, only emphasised with guest vocals from the likes of Junge Eko aka Catia Lanfranchi, whispering over stop-start breaks. García appears with a vocal performance that pairs with industrial beats reminiscent of Atari Teenage Riot; meanwhile there’s angelic voice and distortion on “Doom Metal”, which is actually more like shoegaze, while Sam Portugal brings something more like black metal vocals to the dubbed-out “When I”. The double-album lurches from one genre to the next, never alighting on “new age” as such, but embodying the new, the post-, at all times. Joseph Branciforte & Jozef Dumoulin – ⊐ [greyfade/Bandcamp] With his greyfade label, NY composer, sound-artist & designer Joseph Branciforte presents music at the crossroads of contemporary classical, contemporary jazz and experimental electronic, especially where they meet in minimalism. This has led to some remarkable ideas, like the Folio edition of an acoustic reconstruction of Taylor Deupree‘s ambient-glitch classic Stil. Glitch, though, is a hallmark of the label, especially with Branciforte’s own works like the label’s debut release LP1 and its follow-up, which paired Branciforte with brilliant jazz singer Theo Bleckmann, with Branciforte on electronics and Fender Rhodes. That instrument brings us to this new collaboration, with Belgian Rhodes player Jozef Dumoulin. Both artists play their own Fender Rhodes, re-sampling and processing in realtime, and the music is (re)constructed from small fragments – but don’t think this is austere studio deconstruction; Joseph & Jozef are seasoned improvisers, and their intuitive connection is found throughout. In addition, a lot of the “editing” was done live in Branciforte’s realtime editing software. The album is released in a special deluxe edition with the whole 70 minute work on one CD, and an additional 4 CDs which contain the tracks spread out across them, to be re-sequenced or even layered if the listener wishes. Jonas Cambien – Tre – RADIO EDIT [Sonic Transmissions Records/Bandcamp] Rhythmic sounds here which hint at glitch-edits but are purely prepared piano, from Oslo-based Belgian pianist Jonas Cambien, whose Man Eating Tree is released by Norwegian label Sonic Transmissions Records. The release consists of four pieces, I believe part improvised and part composed, of rhythmic movement and minimalist gestures on prepared & unprepared piano and electric organ. Lovely stuff. Microfiche – Number 7 [Earshift Music/Bandcamp] One of Eora/Sydney’s best jazz bands, Microfiche, have their third album With Time coming out on June 12th. The album marks 10 years together as a band, and bids farewell to pianist/keyboardist Novak Manojlovic – replaced live now by the brilliant guitarist Hilary Geddes, although Novak still plays on the album, along with clarinettist/violist Phillippa Murphy-Haste, bassist Max Alduca, trumpeter Nick Calligeros, saxophonist Sam Gill (recently awarded the 2025 Freedman Jazz Fellowship) and drummer Holly Conner (who you’ve heard filling in on this show on a number of occasions). All of them are interested in music across genre, all are composers and improvisers and producers one way or other. The first single from the album is composed by Novak, and it’s a beautifully restrained piece with subtle details, clusters of virtuosity inside small musical gestures. The whole album’s special, stay tuned for more! Mariam Wallentin & Vestnorsk Jazzensemble – Basel [Hubro] Here’s a new single from an album that’s coming… sometime… from the great Norwegian label Hubro. Mariam Wallentin is one of the most extraordinary singers of our age – known for her postrock/pop/experimental duo Wildbirds & Peacedrums with her husband, drummer Andreas Werliin, and for her immense, emotive vocals with Fire! Orchestra, the Nordic free jazz big band centred around the Swedish trio Fire! formed by Werliin along with bassist Johan Berthlin and saxophonist Mats Gustafsson. Wallentin also has a solo project as Mariam The Believer which is perhaps more pop but still involves many experimental/jazz musicians. Here she is working with the Vestnorsk Jazzensemble, a jazz ensemble based in Bergen in the west of Norway, who commissioned a collaboration with Wallentin which reworks material from Mariam The Believer and even going back to Wildbirds & Peacedrums. However, “Basel” is a new song, a slow jazz groove with a pensive melody. Can’t wait to hear the rest. Claire Dickson – Waterfeel [New Amsterdam Records/Bandcamp] New York’s New Amsterdam Records are notionally a classical label, who tend to put out contemporary classical-adjacent pop, indie and experimental music as much as full-blown orchestral/ensemble work such as Sarah Kirkland Snider‘s compositions. On her second NewAm album Balance, Berlin-based Claire Dickson writes beautiful, laid-back songs around patient synth & piano patterns, fluttering strings, twinkling harp… Even when Lesley Mok‘s drums and Zoh Amba‘s sax are in the picture, it’s the slow-paced ostinati that call the shots. Dreamy & lovely stuff. Freda D’Souza – unravel (when ya comin back?) [Freda D’Souza Bandcamp] Speaking of low-key… Freda D’Souza is a London-based singer/songwriter/multi-instrumentalist who you may have heard me bugging you about before – or not, because she is the exact opposite of prolific. Her Windowledge EP from 2023 is small but perfectly formed and “The Love Song of J Alfreda D’Souza” speaks to me both on the pun level and also just as a wondrous song & performance. Anyway, how lucky are we then that she’s just pushed out a tiny single, with the lovely “lullabye” as the lead but backed up with a blissful Björk cover! The glitched, twinkling electronics of Vespertine (still my favourite Björk era) are replaced by layers of her voice and strings. Then again, if you like doom & post-metal, Freda’s band Wēven have just released their Wychelm EP, which is highly worth your time too. Listen again — ~214MB

Conversation avec la musicienne, autrice/compositrice, productrice et chanteuse Armelle Pioline qui s'est fait connaître avec le groupe Holden de 1998 à 2012 et qui a formé depuis le groupe Superbravo. L'occasion d'évoquer ses différentes apparitions au festival sur 4 décennies de 1999 à 2023, de son lien aux artistes femmes et de l'évolution de leur place dans la musique. Un podcast produit par Les Femmes S'en Mêlent et réalisé par Inbar dans le studio d'enregistrement de La Gaîté Lyrique. À écouter chaque mardi, du 5 novembre au 26 novembre à 11h, sur Tsugi Radio et sur toutes les plateformes. Écrit par Stéphane Amiel Directrice de création : Marine Rivollet Montage, Sound Design et Mixage : Valentin Lavoillotte Voix off : Marine Rivollet Remerciements particuliers aux personnes ayant témoigné Nicolas d'Aprigny (Directeur et programmateur du Normandy à Saint-Lô), Christine Lidon (Artiste, autrice-compositrice-interprète, présidente de la SACEM), Cléa Vincent (Artiste et musicienne), Marion Gabbaï (Agent artistique chez Vedettes Agency), Vale Poher (Artiste et musicienne), Corinne Sadki (Présidente de la commission égalité femmes/hommes CNM), Cécil Mathieu (Photographe), Emmanuelle Jeanne (Spectatrice). Archives Thierry Ardisson – "Le casting de potiches pour 'Ardimat'" (INA, 1993) YouTube Flore Benguigui – "Cherchez la femme | Carte Blanche" (YouTube, 2020) INA – "L'histoire du féminisme et du MLF" (YouTube, 1982) Archive Les Femmes S'en Mêlent Elysian Fields – Live LFSM Café de la Danse (Enregistrement en direct, 2002) Shannon Wright – Café de la Danse 2002 Live LFSM (Enregistrement en direct, 2002) Musique Holden – "La Machine" Holden – "C'est Plus Pareil" Edith Frost – "Temporary Loan" Holden – "Ce Que Je Suis" Sheila & B. Devotion – "Spacer" Élisa Point – "Toi Mon Toit" The Dixie Cups – "Iko Iko" The Velvet Underground – "I'm Waiting for the Man" Eszter Balint – "Un Poison Violent" Cat Power – "The Greatest" Holden – "Dans la Glace" Lonelady – "Nerve Up" Sonic Youth – "Incinerate" Sonic Youth – "Bull in the Heater" Gina Birch – "Feminist Song" Ela Orleans – "Neverend" Scott Buckley – "Petrichor" Au Revoir Simone – "Hurricane" Micachu – "Just in Case" Wildbirds & Peacedrums – "Bleed Like There Was No Other Flood"

Conversation avec la musicienne, autrice/compositrice, productrice et chanteuse Armelle Pioline qui s'est fait connaître avec le groupe Holden de 1998 à 2012 et qui a formé depuis le groupe Superbravo. L'occasion d'évoquer ses différentes apparitions au festival sur 4 décennies de 1999 à 2023, de son lien aux artistes femmes et de l'évolution de leur place dans la musique.Un podcast produit par Les Femmes S'en Mêlent et réalisé par Inbar dans le studio d'enregistrement de La Gaîté Lyrique. À écouter chaque mardi, du 5 novembre au 26 novembre à 11h, sur Tsugi Radio et sur toutes les plateformes. Écrit par Stéphane AmielDirectrice de création : Marine RivolletMontage, Sound Design et Mixage : Valentin LavoillotteVoix off : Marine RivolletRemerciements particuliers aux personnes ayant témoignéNicolas d'Aprigny (Directeur et programmateur du Normandy à Saint-Lô), Christine Lidon (Artiste, autrice-compositrice-interprète, présidente de la SACEM), Cléa Vincent (Artiste et musicienne), Marion Gabbaï (Agent artistique chez Vedettes Agency), Vale Poher (Artiste et musicienne), Corinne Sadki (Présidente de la commission égalité femmes/hommes CNM), Cécil Mathieu (Photographe), Emmanuelle Jeanne (Spectatrice).ArchivesThierry Ardisson – "Le casting de potiches pour 'Ardimat'" (INA, 1993) YouTubeFlore Benguigui – "Cherchez la femme | Carte Blanche" (YouTube, 2020)INA – "L'histoire du féminisme et du MLF" (YouTube, 1982)Archive Les Femmes S'en MêlentElysian Fields – Live LFSM Café de la Danse (Enregistrement en direct, 2002)Shannon Wright – Café de la Danse 2002 Live LFSM (Enregistrement en direct, 2002)MusiqueHolden – "La Machine" Holden – "C'est Plus Pareil" Edith Frost – "Temporary Loan"Holden – "Ce Que Je Suis" Sheila & B. Devotion – "Spacer" Élisa Point – "Toi Mon Toit"The Dixie Cups – "Iko Iko" The Velvet Underground – "I'm Waiting for the Man" Eszter Balint – "Un Poison Violent" Cat Power – "The Greatest" Holden – "Dans la Glace" Lonelady – "Nerve Up" Sonic Youth – "Incinerate" Sonic Youth – "Bull in the Heater" Gina Birch – "Feminist Song" Ela Orleans – "Neverend" Scott Buckley – "Petrichor" Au Revoir Simone – "Hurricane" Micachu – "Just in Case" . Wildbirds & Peacedrums – "Bleed Like There Was No Other Flood" Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Ruthy Doolittle looks at the birds and the bees from a spiritual perspective. Learn ways to support them and receive more guidance from them.Presented by Ruthy Doolittle:Instagram: instagram.com/ruthydoolittleFacebook Group: facebook.com/groups/animalchatandnaturalwellnessBusiness page: facebook.com/ruthydoolittleCatch Animal Chat on Wednesdays at 10:00 UK on KindaSound Radio: KindaSound.orgListen to all the episodes at kindasound.org/animalchatThe music we play on the radio is removed from podcast episodes due to copyright limitations.Follow KindaSound on Instagram and Facebook.Connect with the KindaSound team on Telegram: https://t.me/ksradioNew podcast episodes on the Tuesday after they air.

“Time's up! Please turn in your exam,” announced my Biology 101 professor. Are you kidding me? There are time limits on tests? Did I even use the right study guide? Feelings of bewilderment and dejection swelled in me as I sheepishly handed over my first big test failure during my freshman year of college. It was a wake-up call to the fact that I wasn't in high school anymore. Eventually, I figured out what it took to be successful, and I made my way through the course. Just like a high schooler entering the real world, an accomplished dog in its testing doesn't necessarily mean it'll be an accomplished dog on wild game. In fact, I can almost guarantee that there will be an adjustment period. Until the dog bridges the gap from training birds to wild ones, they'll flounder. This begs the question: why do dogs sometimes struggle to make this transition? Also, what is our part as handlers in helping our dog make the transition? Here's my reasoning behind why many dogs struggle finding and pointing birds during hunting season and some suggestions to help them transition.

Pluck your game birds whenever possible. Not only does flavor reside in their skin, but keeping the skin on your birds helps retain moisture when cooking. Your birds will taste better and juicier if you make an effort to add this to your bird butchering routine. I covered how to pluck your birds in an earlier piece. This article will help you avoid and fix mistakes when plucking and cleaning. Mistakes or mishaps simply happen, but how can we correct them and salvage as much skin as possible?

1. In our 1st segment we're going to do some Spring Dreaming! Julio & I will be discussing Top Garden Trends for 2023!! 2. Nothing is more stunning then a Red Cardinal against a white snow background. We'll discuss the best way to attract Cardinals 3. Pantone has announced the color of the year! Viva Magenta! We'll discuss the impact of Pantone's influence on everything from fashion to gardening 4. Leaf shine is always available in the house plant area at your local Garden Center… but does it really do anything? We'll explain why a little shine can help your houseplants 5. This week's "House Plant Rant" we're talking about Dieffenbachia.

Matt Mehlan of Skeletons, The Mehlans and the supergroup Congotronics International joins Dwyer to talk about suburban life, the the community in the experimental music scene in New York, the records he discovered in college, and the incredible evolution of Congotronics International. If you are unaware Congotronics International is a super group consisting of Deerhoof, Skeletons, Juana Molina, Wildbirds & Peacedrums, Kasai Allstars and Konono No 1. It's a magical album.Part 2 of the Patreon Exclusive part of the conversation HEREOpening Song Where's The One? from the album Where's The one by Congotronics InternationalMatt Mehlan's Bandcamp/Label HEREMatt Mehlans recent album Slow DancesCongotronics International's BandcampMatt's Instagram HERE See acast.com/privacy for privacy and opt-out information.

Adamah is a new project based out of Appleton, WI that is made up of members from past bands The Wildbirds, Vindicated and Number One Fan. You might have seen them recently opening shows for "My One in Only" and "Tae & the Neighborly". "My Town" is the name of their latest single. --- Send in a voice message: https://anchor.fm/foxcitiescore/message

Congotronics International - "Where's The One?," a 2022 single on Crammed Discs. Congotronics International is truly a global affair: this supergroup comprises members of Konono Nº1, Kasai Allstars, Deerhoof, Juana Molina, Wildbirds & Peacedrums, and Skeletons' Matt Mehlan. Their forthcoming full-length, Where's The One (due April 29th via Crammed Discs), was crafted over ten years, with files being emailed across four continents, sent from Kinshasa DRC, Buenos Aires, New Mexico, New York, Stockholm and Brooklyn.  “There was no rational explanation behind what was going on, it was just direct, immediate experience on both sides. Things you think are impossible just happen,” Vincent Kenis of Crammed Discs said in a press release (Kenis is the co-founder of Kasai Allstars and curator/producer of the Congotronics series). Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.

Good things come to wait, and we've been waiting a long time for the debut LP from the long-standing collaboration between Switzerland's Simon Grab and Togo's Yao Bobby, whose new single is an abrasive slice of forward-thinking experimentation. We have another superb collaboration this week with the emergence of Congotronics International, a supergroup from the long-running Congotronics series on Crammed Discs. The new group, including Deerhoof, Juana Molina, Kasai Allstars, Konono No.1, Skeletons, and Wildbirds & Peacedrums, is as good as the sum of its parts. Elsewhere this week we have metal from Cannibal Corpse vocalist Corpsegrinder, goth drum and bass from VHS¥DEATH, a Russian doubleheader of grime from Champion Sound and techno from Wulffluw XCIV, modern classical from Noir et Blanc and much more. Tracklisting Corpsegrinder – On Wings of Carnage (Perseverance Media Group, USA) Congotronics International – Banza Banza (Crammed Discs, Belgium) VHS¥DEATH – Falsehood of Man (Dystopian Mix) (Cruel Nature Records, UK) Baron Saturday – 999 Deaths (self-release, UK) Wulffluw XCIV feat. Chrisman & Lord Spikeheart – No Escape (self-release, Russia) Scrounge – This Summer's Been Lethal (Fierce Panda, UK) Noir et Blanc – [footsteps waltz] (4000 Records, Australia) Société Étrange – La Rue Principale de Grandif (Les Disques Bongo Joe, Switzerland) Champion Sound – Gunfinga (Nice Up! Records, UK) Yao Bobby & Simon Grab – Lekeo (LavaLava Records, UK) Produced and edited by Nick McCorriston. This week's episode is sponsored by The state51 Conspiracy, a creative hub for music. Head to state51.com to find releases by JK Flesh vs Gnod, Steve Jansen, MrUnderwSood, Wire, Ghost Box, Lo Recordings, Subtext Records and many more

I'm a birder. I feed the birds at several feeders and have my favorites, one in particular. I even feed them mealworms (which is part of this story). This last week we had a storm, a big one. Thirteen inches of snow. And it changed the life of the wild things. It changed me, too.

a cura di Alessandro Achilli. Musiche di Cassiber, Beach Boys, Wildbirds and Peacedrums, Stewart-Gaskin, Hubert Parry, Anthony Adverse, André Duchesne, Ant Orange, Sylvie Courvoisier, Massimo Giuntoli - Gertrude Stein, Sofie Livebrant ecc.

a cura di Alessandro Achilli. Musiche di Cassiber, Beach Boys, Wildbirds and Peacedrums, Stewart-Gaskin, Hubert Parry, Anthony Adverse, André Duchesne, Ant Orange, Sylvie Courvoisier, Massimo Giuntoli - Gertrude Stein, Sofie Livebrant ecc.

a cura di Alessandro Achilli. Musiche di Cassiber, Beach Boys, Wildbirds and Peacedrums, Stewart-Gaskin, Hubert Parry, Anthony Adverse, André Duchesne, Ant Orange, Sylvie Courvoisier, Massimo Giuntoli - Gertrude Stein, Sofie Livebrant ecc.

Before GGOOLLDD formed and made its rapid ascent to Midwestern music supremacy, members of Milwaukee's — and now Baton Rouge, Louisiana's — premier party-pop project had significantly different artistic aspirations. During the band's return to Milwaukee prior to their June 28 headlining set at Summerfest, singer Margaret Butler and bassist Nick Ziemann met up with host Tyler Maas at Milwaukee Record headquarters to talk about the group's unlikely start as a one-off Halloween party act that turned into much, much more. As they took down a few Boulevard beers apiece, the trio talked about Ziemann's obsession with guitar as a home-schooled kid in Northeast Wisconsin, which he put to use in Number One Fan — a band that played shows with Maas' high school group and signed a deal with a Universal Records subsidiary — as well as The Wildbirds and Hugh Bob & The Hustle. At that same time, Butler was living in a trailer in Louisiana and teaching herself to play guitar (in exactly the wrong way) by listening to Death Cab For Cutie before the pair forged a long-distance relationship. Once united and settled into life in Milwaukee, Butler formed GGOOLLDD and ... eventually let Ziemann join her venture. The rest was history. My First Band is sponsored by Boulevard Brewing and Kesslers Diamonds. The show is edited by Jared Blohm. You can listen to My First Band on iTunes, Stitcher, Spotify and wherever else you get podcasts. Music used in this show comes courtesy of Devils Teeth (“The Junction Street Eight Tigers”), Number One Fan ("Come On"), and GGOOLLDD ("GGOOLLDD").

With an infectious personality and a flashy style behind the drums, Jon Phillip has laid down beats for nearly a dozen different bands since he first picked up the sticks in the early '90s. Phillip's first bands — Tralfez and Spank Child — were based in the rural town of Grafton, Wisconsin, where he grew up. He then joined the up-and-coming power-pop group the Benjamins, who would go on to sign with Drive-Thru Records and tour the country several times over. Following the Benjamins, Phillip briefly played in the Nice Outfit before forming the roots rock band the Obsoletes with Justin Perkins and Tim Schweiger, who previously played together in Yesterday's Kids. Phillip went on to drum for the alt-country band Limbeck, of Doghouse Records. And the prolific drummer has since played with a string of other nationally known acts, including Berwanger, the Wildbirds, Screeching Weasel, Paul Collins Beat, Trapper Schoepp and Tommy Stinson. Stinson, of course, is known for being a member of both the Replacements and Guns & Roses.     Phillip is now fronting the punk group Mini Meltdowns, which features Scott Schoenbeck (Promise Ring, Dashboard Confessional and Rx Drugs) on bass. Phillip also runs Good Land Records, an independent record label, from his Nashville home.

For the 36th episode of the DC House Grooves Meet the Locals podcast we've got an exclusive deep tech mix from DC local Steve Kirn: "A mix of a lot of tunes I've enjoyed over the last 2 months, that I had a lot of fun mixing and really like the progression/flow of the songs. More of a peak time mix vs a warm of mix since at some points it's a little dark and rollie but it still has it's fun cheerful tracks as well. Some of the artist include Mr Deka, Detroites Wohnen, Mainro, Lindahl, Wildbirds & Peacedrums, Robin & The Sidekick, XYZ, Bicep, Akase, Habischman, Thirdson, & Kaiserdisco.​" You can catch Steve out and about as follows: July 22nd: Blueprint at Jimmy Valentine's July 30th: Baltotroit at Flash August 21st: Sunglass Sundays at Public Bar SoundCloud: https://soundcloud.com/steven-kirn Facebook: https://www.facebook.com/kirnie

Hit the [↻ Repost] button if you like it! #64 of our podcast row by @hartmutkiss! ➟ https://www.facebook.com/hartmut.kiss ➟ https://twitter.com/Hartmut_Kiss ➟ https://www.youtube.com/channel/UCSZK4hiQQYlVlYdic_bf3vA ➟ https://plus.google.com/116214618046399082259/about ➟ http://www.songkick.com/artists/6348054-hartmut-kiss Tracklist: 1. Mario & Vidis - When Doves Cry Ft. Barbarossa (Original Mix) 2. The Veils - Vicious Traditions (Daniel Bortz) 3. Wildbirds & Peacedrums - Fight For Me (Manuel Tur Edit) 4. Jamie XX - Loud Places feat. Romy (John Talabot's Higher Dub) 5. Downtown Party Network, Egle Sirvydyte - Space Me Out (Mario Basanov Remix) 6. Roisin Murphy - Unputdownable (Tom Demac Remix) 7. The Chemical Brothers - Wide Open (Kölsch Remix) 8. Kölsch & Michael Mayer - Dogma 1 9. Marc Romboy - Counting Comets (Ruede Hagelstein Remix) Download for free on The Artist Union

Dark goth-tinged cold wave meets postpunk on a beach with a beer in your hand.   1. Villagers - Hot Scary Summer 2. The Mountain Goats - Heel Turn 2 3. The Very Best - Makes A King 4. Honeyblood - No Big Deal 5. Waxahatchee - La Loose 6. The Dø - Miracles (Back In Time) 7. Doldrums - HOTFOOT 8. The Soft Moon - Desertion 9. A Place to Bury Strangers - We've Come So Far 10. Thee Oh Sees - Web 11. Nadine Shah - Fool 12. Wildbirds & Peacedrums - Who I WasSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

With tracks from Masomenos, Larry Heard, Reverso 68, Lazydisco, The Mole, Agoria, Jazzanova, Shep N Wily Aka Jay Shepheard & Tad Wily, Fallout, No Regular Play, Battles, Logo, Darabi/Tim Paris, Gabi Delgado, Snuff Crew, Headman, Daniel Bortz & Sascha Silber, Simon Baker, Makossa & Megablast, Gesaffelstein, Runaway, Wildbirds & Peacedrums and Argy. Contact: dj@ribeaud.ch.

Ruth Catlow, Irini Papdimitriou and Jonathan Munro interview Ellie Harrison and Simon Poulter for Furtherfield Radio on Resonance FM (featuring music by Wildbirds & Peacedrums, Sarah Kirkland Snider, Karen Dalton and Xploding Plastix and other artists)

Ruth Catlow, Irini Papdimitriou and Jonathan Munro interview Ellie Harrison and Simon Poulter for Furtherfield Radio on Resonance FM (featuring music by Wildbirds & Peacedrums, Sarah Kirkland Snider, Karen Dalton and Xploding Plastix and other artists)