Podcast appearances and mentions of Simon Baker

In this week's episode, we dissect Something New, a film released on February 3, 2006, starring Sanaa Lathan and Simon Baker. Join us as we discuss the Ideal Black Man, blind dates, beige decor, ashy babies, white (romantic) saviors, the Black tax, weave, landscaping, and more!Notable Mentions + References in This Episode:Sanaa Hamri | Director SpotlightCrash CNN Presents: Black in AmericaMarried at First Sight (Is Tom Ready to Give Up Life on the Bus? (Season 4, Episode 13)Family Reunion - Jill ScottTed LassoBlack LoveBrink! Pt. 1 (Episode 007)Why Did I Get Married? (Episode 090)Last Holiday (Episode 132)Connect with us:Instagram: @in_hindsight_podTwitter: @in_hindsightpod Thanks for listening!

In this week's news roundup, the team unpacks Zillow's antitrust lawsuit against Compass and MRED, plus Q3 financial results from REA Group, Realtor.com and Rightmove.Chapters:00:00 Intro01:17 Zillow Sues Compass & MRED22:13 REA Group Q3 2026 Results30:28 Realtor.com Q1 Renaissance41:04 Rightmove Market UpdateZillow Sues Compass & MREDZillow has filed an antitrust lawsuit against Compass and Midwest Real Estate Data (MRED), alleging the two conspired to threaten Zillow's access to listings in Chicagoland if it enforced its listing standards. Harvey, Simon and Ed dig into the philosophical seller-choice vs buyer-information divide, Zillow's spiralling legal costs ($20m incremental in Q2 alone), and why this is the latest sign that agents and brokerages worldwide are starting to push back against portal power.REA Group Q3 2026 ResultsREA Group posted $398m AUD revenue (+6% YoY) and $220m EBITDA (+11% YoY) at a 55.3% margin. But REA India had a disappointing quarter and is starting to look like a soft exit. The team discusses whether owning multiple portals across multiple countries is anything more than a PowerPoint dream, and what Australia's new tax regime around negative gearing means for transaction volumes.Realtor.com - Renaissance Or PE Sale?News Corp CEO Robert Thompson hailed a "renaissance" at Realtor.com - revenues up 10% to $148m USD, 261m monthly visits, 31% portal visit share. Ed wonders whether the unusually effusive CEO commentary is a signal News Corp is teeing the asset up for a private-equity sale.Rightmove Market UpdateRightmove held 8-10% revenue growth guidance and pointed to 2,500 technology releases, 43 live AI initiatives, and LLM referral traffic still under 0.5% (flat since end of 2025). Simon and Harvey debate whether the AI doom narrative is overcooked, or whether traffic is leaking to smaller agents instead of the portals.Presented by:Edmund Keith - https://www.linkedin.com/in/edmund-keith/Harvey Hancock - https://www.linkedin.com/in/harvey-hancock/Simon Baker - https://www.linkedin.com/in/stbaker/

In this week's news roundup, Edmund Keith and Simon Baker break down four of the biggest stories from the world of real estate portals.Zillow & Realtor.com Pre-Market PartnershipZillow and Realtor.com — long-time competitors — have announced a deal to share pre-market "preview" listings, forming a rival to the Compass-Redfin pre-market network. Unlike the Compass-Redfin arrangement (which is closed to outside brokerages), the Zillow-Realtor.com network is open to any brokerage that wants to participate, with a revenue share on offer. Ed and Simon debate whether pre-market listings are genuinely different from regular listings, who really benefits, and whether this is a stepping stone toward Zillow entering the brokerage space with its own agents.Square Yards FY2026 Results & IPO SpeculationIndian proptech platform Square Yards reported strong FY2026 results: revenue of approximately $223 million (up 48% year-on-year), gross profit of $51 million at a 23% margin, with Indian revenue growing 57% and now representing 88% of the group total. IPO speculation is growing. Ed and Simon discuss what makes Square Yards' multi-business-unit model compelling, and the long-running consolidation question in India's portal market.Vend Launches New AI UnitVend (formerly Schibsted Marketplaces, operating Finn.no and other Nordic classifieds) posted Q1 real estate revenue of $36.6 million — up 13% — with EBITDA of $17.6 million at a 48% margin. Alongside the numbers, Vend announced a new AI unit: a small, agile, independent team tasked with rapidly experimenting with fundamentally different marketplace offerings.Why Aren't Portals Talking About What They Do?Ed shares findings from a new OMP data project cataloguing five years of product innovation coverage: just five portals accounted for 32% of all coverage, Zillow alone at 12%, and 88% of the portals OMP tracks had zero coverage. He and Simon debate why so many portals stay silent about their product work, even as their market caps decline.Presented by:• Edmund Keith — https://www.linkedin.com/in/edmund-keith/• Simon Baker — https://www.linkedin.com/in/stbaker/

“I think the first time I watched it, I kept expecting Meryl Streep to be the Devil!” - SteveOn this week's episode, the gang welcomes back Chelsea Jupin to chat about the totally enjoyable, perfect-to-watch-on-an-airplane sensation, The Devil Wears Prada!   Just on the heels of the sequel releasing, we look back at the film that paved the way for the next act of Meryl's career, features one of the best Stanley Tucci performances of all time, gave the Mentalist something to do, introduced a larger audience to the coffee house vibes of KT Tunstall, and even tried to pull the old Hollywood “isn't Anne Hathaway a dog?” trick—fooling absolutely no one, by the way. PLUS: Miranda Priestley gifts Bane a stylish new breathing apparatus! The Devil Wears Prada stars Anne Hathaway, Stanley Tucci, Emily Blunt, Simon Baker, Adrien Grenier, Tracie Toms, Rich Sommer, Daniel Sunjata, David Marshall Grant, Tibor Feldman, James Naughton, Gisele Bündchen, Stephanie Szostak, John Rothman, and Meryl Streep as Miranda Priestly; directed by David Frankel.This episode is sponsored by Rocket Money! Let Rocket Money help you reach your financial goals faster. Join at RocketMoney dot com slash WHM! That's RocketMoney dot com slash WHM. Come hang out in Vegas with us this summer as we do a three-night stand at ST:LV to celebrate 60 years of Star Trek and 10 years of The Nexus! We'll be at the convention Thursday, Friday and Saturday night doing three Nexus shows on Wrath of Kahn, Generations, and First Contact! Best part is, you don't need to have a convention pass to attend, each show is ticketed separately. Click through to snag your tix now!Be sure to visit the WHM Merch shop over on Dashery and check out all the latest show-related designs you can slap on t-shirts, hats, coffee mugs, stickers, whatever! Make your friends jealous by flaunting some WHM merch today! Original cover art by Felipe Sobreiro.

It's all Harry Styles’ fault that the 'taxi cab theory' is everywhere you look. His engagement has everyone debating whether finding 'the one' is a matter of fate, or as Sex And The City’s Miranda Hobbes told us, all about timing? We do not agree. The Devil Wears Prada 2 is officially massive. So, is it good? Why did it almost make Amelia Lester cry and why do some Americans just not 'get' our Aussie love interest Patrick Brammall? REMEMBER: We drop segments just for subscribers on Tuesdays and Thursdays, hosted by Mia Freedman, with Emily Vernem and Holly Wainwright. Become a subscriber, HERE. Why is there a Sperm Olympics? How is Australia performing in it? And… again, why the hell is there one? Clare Stephens explains spermmaxxing. Are you super-stylish, or are you just thin? Lena Dunham is heading back to the Met Gala this week, and a new essay from her about the reaction to her past appearances reveal who’s considered cool enough to go. VOTE FOR US PLS & THX: We’ve been nominated for Best Society & Culture Podcast and Best Producer (go Ruth!) at the The Australian Audio Awards. Vote for us RIGHT HERESUBSCRIBE here: Support independent women's media What To Listen To Next: Listen to our latest episode: She Opened The Fridge. What She Found Ended Her Friendship. Listen: The Real Reason You Resent Your Friends Listen: The One Minute Of Live TV That Undid A Noughties Icon Listen: Scurrilous Gossip: An Engagement, An Affair & A Royal F-You Listen: The Family Ritual That Has Us Divided Listen: The Most Honest Dating Questionnaire We've Ever Seen Listen: Is WFH Bad For Women? Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: 'My commitment-phobic ex is married with kids. This viral theory explains everything.' The 10 defining moments that made Sex and the City perfect television. 'The 5 types of Met Gala guests I look forward to seeing every year.' A brutally honest review of The Devil Wears Prada 2, a movie that breaks everything. 'I spent a day with Meryl Streep and Anne Hathaway. One moment changed my view on The Devil Wears Prada 2.' THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.- - - - - AUTO GENERATED TRANSCRIPT:Speaker 1: Hello, and welcome to Mama Mia. Out loud, It's what women are actually talking about on Monday, May the fourth. I'm Hollywayen right, I'm Clays Stephen, I'm Amelia Lester, and here's what's on our agenda for today. The taxiicab relationship theory gets an update thanks to my close personal friend Harry Styles. Speaker 2: Plus dispatches from the Worst Dressed list ahead of the met Gala tomorrow, and a lister shares what it was like to be mocked over her fashion choices for a decade. Speaker 3: And the Devil West product is absolutely everywhere right now, so we unpack why, and we also talk about the fact that Meryl Streep, who must be the most celebrated actress of all time, apparently didn't discover her worth until she was fifty six. Speaker 1: In case she missed it, though out loud as speaking of knowing your worth, we are pulling on our big girl pants and asking you for a favor. Speaker 3: You have to know, if you're listening to this, that Holly is so uncomfortable right now to just go with us. Speaker 1: To still like asking for this. I don't like asking, okay, But there's this thing called the Australian Audio Awards. It's like like the Oscars or the Emmys of the logos, except it's not but for people who speak into microphones like us, right, and we're up for some awards this year and we need your help to win them. So if you love love, love out loud, and we know that lots of out louders do, and you listen all the time, and you think you know what those those women need. They need some public accolades, Yeah, some affirmation. Speaker 2: Think you think you know what I'd like to see. I'd like to see them dress up in some frocks, you get on a stage and make a speech. Speaker 1: Yeah, but particularly you class evens, I would like to see you do that. The very pregnantness you will be when this event occurs, very high heel, great, and you're in your flop here you keep telling us, so maybe you'll be really indiscreet and just get up there and say something rude. Yeah, anyway, we digress. Tell the out louders how they can help. Speaker 2: Okay, So basically these Audio Awards, you go there's a link that will put in the show notes and you can vote for There's two things and sorry, you can vote anyway that you got. Speaker 1: We're not voting, you know, we've got suggestions. Speaker 2: In our interests. We like you to vote for best Podcast Producer Ruth to Vine, Mummy are Out Loud, and Best Society and Culture Podcast Mummy. Speaker 4: Because we are society high society, and we are very we're so cultured. Speaker 2: And we do. The thing is we pretend to be cool, but we really like awards. Speaker 4: And I think that's what people think of when they think of you and me. They're just like, we're. Speaker 1: Too cool for school. Speaker 2: And meanwhile we're like, we rely on achievement for something. But it would be funny. I think. So the podcast Awards the end of this month, right the twenty eight. I believe I would like to win this award. While Jesse's on Matt lead, I think. Speaker 1: You want to just wade right into that weird Steven's Sister dynamic. Just get into the weird Twin stuff. Come in and help. I think there's a people's choice too, So anyway, like just vote for us, vote for wherever you get to vote for us, and we would love it. We can't bribe you with anything except our affection. Yeah, yeah, anyway, shall we get on with the friends over to you, Amelia Lester, I'm up. Speaker 3: Well, it's been hard to escape the Devil Wears prior to of, like, really has it has been everywhere? Speaker 4: I kind of felt like bullied into going to see it. Speaker 1: I feel like Merril's chasing us down with that red pitchfork. She's like, literally, go theater on and look. Speaker 4: It's done really well. Speaker 3: It's done better than anyone expected at the box office over the weekend. I'm going to tell you what the critics said. They basically liked it, and then I want to know what you thought, Holly Claire. I know you haven't seen it yet. Yeah, the critics praised it. They said it was glamorous, they said it was wishy, They said it was the fun we need right now. They called it a millennial nostalgia bath. I love a millennial nostalgia brath. Look, some did question the whole premise of updating a movie that came out twenty years ago. Someone wrote it's less a follow up than a tribute at the satire apparently didn't bite so hard. Speaker 4: Holy. What I want to know. Speaker 3: Is did this movie live up to the marketing height machine for you? Speaker 1: I don't want to be a debbie down of it. No, I went to see it with my sixteen year old daughter, and that was really interesting because the absolute enormous generation gap there in terms of so this is a magazine. Once upon a time, magazine editors were considered very important and influential. She's like, this was a job everybody wanted. That was a lot of groundwork being laid there with my daughter. And look, I'm not allergic to a nostalgia bath. I like that. I mean I back in the day, I was first in line for the Sex and the City movie like I was. Speaker 4: And the vibes were similar. Speaker 1: And even though as we know, that run of movies ended up disappointing us bitterly, in that first movie, I remember the excitement of seeing those women on screen again and being in the movie theater and seeing them walk down the street and like the audience was kind of like, yeah, there's a girl, and we're back in that world. And I think the Devil Wears Prada nostalgia is similar in that these were great characters who've entered, you know, our culture in lots of different ways. Miranda Priestley and Andy Sex and Emily Blunt's character Emily is just heaven. So I understand that wanting to jump back into that, but they've had to give it quite a cynical update to reflect where media culture is now, and so it ends up to me feeling like quite a negative, like it's not and to be honest, the Sex and the City movie was a bit like this too. I remember they were grappling at the time of the financial crisis and so they were like, this cushion costs two hundred and fifty dollars, and lots of the critics were like, who are these women and why are they spending that money? And this feels a bit like that, and that we're supposed to all be lolling and laughing along while they're telling us our media has been hollowed out, billionaires run everything. Speaker 4: I don't know. Speaker 1: Am I being a bit too cynical? No? Speaker 4: I think you're right. Speaker 3: When I went to see it, I went to see it with two friends and they both turned to me at the end and said, are you all right? Because I kind of feel on the verge of tears and didn't Nicki Gammel, Yes. Speaker 1: I saw a review from Nicki Gammel in The Australian where she said, she cried, And she didn't cry because the plot line was really touching it. She cried because of what it was saying. Yea journalism, which is obviously not everybody's industry and they don't care. But if it is yours, you have this kind of affection for it, and this does not dress that up. Speaker 5: No. Speaker 3: And what's interesting is Lauren Weisberger, who wrote who wrote the book, The Devil was Prida a piece for Vogue dot Com on the occasion of this movie coming out about what her life has been like after that book came out. Now, that book was not seen particularly favorably when it came out. People criticize the bad writing. It was kind of seen as a little bit mean, a little bit throwaway, and then that first movie kind of gave the book a bit more of a sheene than it had on first publication. Now, Lauren Weisberger has done great for herself. She apparently announces in this article that she now lives on a boat in a remote part of the Bahamas, which is good for me. Absolutely sounds difficult to get your mail there, but other than that sounds delightful. But her article reminded me that her book was first and foremost about a bad boss. Yes, that's what people loved about it because everyone, practically everyone has been in a work situation where they felt oppressed underappreciated, and everyone could relate to that kind of idea that when you're young, you want to make your mark on the world, but older people kind of are trying to push you down, or that's what it feels like. So everyone knows what it feels like to be young and underappreciated, but the new movie is so far removed from that idea of bad bosses and bad workplaces as it feels alien to. Speaker 1: It's also funny because the bad Boss, Miranda Priestley, obviously became a cultural hero, so much so that Anna Wintour, who she's famously based on, kind of kept her distance very much from the first movie, but now is entirely in on it. She's appearing in all the promo. There's a lot of partnerships between Vogue and this movie, so she's accepted that. But there are a couple of nods in the movie to how times have changed in that now Miranda Priestley isn't allowed to just throw her coat at people anymore, and she has someone who sits next to on the meetings and says things like you can't say that all the time, as if there has been like a woke update, if you like. And that feels a bit funny, But you're right, it was everybody related to this idea that these people are monsters like glamour. Speaker 6: Like. Speaker 1: The idea was that, you know, the Miranda Priestley was kind of a glamorous monster who you got to see a little bit of the humanity of. But by this movie, we're all supposed to be rooting for her, unquestionably. Speaker 2: Because I think even if that was the kind of premise of the book, in the first movie, you're very much you're looking at Miranda Priestley, but you're also it's obvious that she's an icon and that it's Andy's character arc to kind of fight against that, not that there's something inherently wrong with Miranda. So so I'm interested to see in the second in the second one, whether, yeah, what the stakes are then if there's none of that tension. But as much as you say it was depressing, am I like because I'm going to go see it. I like a film that isn't good. Speaker 1: I don't know what you mean, but for me it felt and look, I'm not no spoilers here. And you do get lots of fashion montages, you get lots of a fashion show montages. You get you know, they're walking in a different coat every two minutes, there's music, there's celebrities everywhere like this. It delivers all that, okay, but it just for me, it felt kind of a bit empty. And basically the steaks are which billionaire is going to get to own this business? Which was kind of the stakes the first time around two is like will Miranda get to keep a job? And it kind of feels like I don't know if I care about that. But Patrick Brammel, isn't it Remember last Wednesday we were all giddy on the show because he was here and we bumped into him in the offices. He wasn't here to see us, sadly, he was here to be interviewed by the amazing Kate Langbrook for No Filter, and that episode's out today. Speaker 2: I have purely been absorbed being vibes so far online and I think you guys are pretty spot on with the vibe of people. People I've seen they're like, yeah, yep, fun But Patrick Brammel. I'm obsessed. I'm obsessed with him and Harriet Dyer, who's his wife. They co wrote, co starred in Colin from Accounts, and now he's. Speaker 4: Maybe one of the funniest TV shows ever. Speaker 2: Yeah, and now he's in a bloody Hollywood movie with Anne Hathaway. Is he hot? Is he car like? What's the what's the go? Is there? Is there? Speaker 4: Bare? So I want to. Speaker 3: Say the outset that I love Patrick Bramore and I think he's so good in this movie. And to me he was a highlight. He was he was just so he gets to play an Australian. So you might remember in the first movie, Andy Sack's love interest is also played by an Australian, Simon Baker, my personal friend has discussed on the show, but he has to put on an American accent, whereas in this one, in recognition of the fact that there are a lot of Australians in New York these days, he gets to play an Australian. So I loved it, But then I started to hear the rumors that his part has really been cut down. People observed that it felt a little underdeveloped, and I. Speaker 4: Was surprised to read that. Speaker 3: A lot of the reviews felt there was zero chemistry between him and Anne Hathaway. Oh. Speaker 1: I didn't feel that necessarily, But what I did fit I knew that his part had been cut. And the reason I knew this is because when we first found out about Patrick Brammle, there lots of pap of him and Anne Hathwayne. She's wearing this particularly incredible sort of bluey purple sequin slithery dress that's just like oh, and she was like spinning around a lamp post and it looked like she was tipsy, and he was holding her back and this kind of stuff. That whole sequence is not in the film, so it obviously has been cut back a lot. Speaker 3: Boy, I love your forensic knowledge of this so bad. Speaker 1: I did spy on that. But I think one of the reasons why he plays such a small part because basically he's the love interesting Again, no spoilers about whether or not that works out, But this movie is about girl bosses. Even though girl bosses are out of fashion now, this movie is ultimately about that. It's about Andy's ambition, It's about Miranda's ambition. They sort of talk a lot about how much they love work, and they're the partners are all a bit beta and a bit like not relevant. Speaker 3: Including by the way, Meryl Streeps, who was played by Kenneth Branner. Yes, and the reviews also commented that that didn't work for them either. So maybe just the writing around these boyfriends and husbands felt hollow because that's not where the interests lay. Speaker 1: But isn't it funny because we used to critique girlfriend roles, you know in movies. We'd be like, oh, the so and so actress, she just has to play the girlfriend. Not no character development, right, no particular complex characteristics or backstory. They're just the girlfriend. And I feel like this and so maybe this is progress. This is one of those movies where there are just the boyfriend roles. Speaker 4: So it's just like true sort of. Speaker 1: Middle aged guy. Well, I don't know whether Patrick Brewmle will qualify as middle age whatever, like nice enough age appropriate guy of name recognition is in this person's life, but we don't really care about them. Speaker 2: There is one person who is pretty convinced that there was chemistry between Anne Hathaway and Patrick Brammel, and it is Patrick Brammle's wife, Harriet Dyer. She I lulled so hard at this. She has uploaded this Instagram video where the caption is trust No One, and she is filming her TV as her daughter stands in front of it, and Patrick's on a red carpet and he is asked by the interviewer about Anne Hathaway, and he says, playing someone who falls in love with Anne Hathaway. Tough gig, tough gig, and he looks straight at the camera, and then the interviewer says, the world's most beautiful person according to People Magazine and everybody in here, and he says, and me too. Andy rewinds it and plays that again and then switches a camera to her and she's like what, And she's got her glasses on and just sitting at home, and then she interspersed it with all this footage of like when you propose to her their wedding. Speaker 4: Apparently they got engaged five days after he proposed. Speaker 2: Yeah, yea, yeah, they got married five days up. Speaker 3: Yeah. Speaker 2: It was like, so they've had this beautiful love story in him reading Newborn books and being miscored and hath the way talking about how gorgeous and joyful he is, and it's just so good But a great part that Amelia directed me to is that so ninety nine percent of the comments from Australians absolutely get it. That they're like, yeah, this is funny because like whose husband ends. Speaker 4: Up in Hollywood? Speaker 2: Blod faster. But there are a few Americans who are like, oh no, this is this isn't right. Speaker 5: Yeah. Speaker 3: No, there's a distinct portion of the comments that are like I don't understand what's happening here, or like check on your husband, or like just completely missing the point. And I have reason to believe, in part from the spelling of said comments that they may be from Americans. There's a suspicious lack of us in words like coloring. And that got me thinking as to why Patrick Bramle, who I thought worked so well in the movie, had evidently been cut down. And I wonder if it's just because he is allowed to play such a quintessentially Australian part in it. He is very laconic, he's very understated, he's got that very kind of irony seeped Australian wit about him, and maybe it just didn't play very well in a movie that's actually not very irony drench. Speaker 1: That's true. I just have to mention one more thing, because I think Mia would throw something at my head if I didn't. Twenty years have passed between these movies. Twenty years has not passed on these ladies' faces. Yeah, it's just be very clear about that. Speaker 2: I could have told you that without saying any Yeah. Speaker 1: That doesn't matter because in lots of ways, I think particularly Emily Brunt Blunt's character she plays, she's obviously still Emily, you know, the former assistant, but she's got a villain arc in this and she is meant to be again, this isn't a spoiler, the hot new girlfriend of a billionaire character. So they're like commenting. The script is commenting on the fact that the tech bros run the world now, and there's kind of a Bezosi character who's had a glow up in her hot new girlfriend, and she would have done all that stuff to her face. Question so perfectly character, you know, in character, and appropriate for the industry, for the vibe and all those things. But it is astounding to think it was twenty years ago. Because Anne Hathaway, Meryl Streep, who is just one of them. Speaker 2: She seventy, She is incincredible. Speaker 1: To look at her Jita performance and this is great. You're just like, Wow, my twenty years and your twenty is not the same. Maybe I live in doggy well, Meryl. Speaker 3: I did want to also say that Meryl had a great moment in her interviews for this She was being interviewed on the American Today Show by Jenna Bush Hager, who was incidentally George W. Bush's daughter, and Jenna was talking to her about the fact that she initially turned down the. Speaker 4: Role on the Devil Wes product Let's Have a Listen called me up and they made an offer and I said, no, I'm not going to do it. Why because I. Speaker 1: Wanted to see. I knew it was going to be a hit, and I wanted to see if I doubled my ask. Wow, And they went. Speaker 4: Right away and said sure, And I thought, I'm fifty six year It took me this long to understand that. Speaker 1: I could do that, that you can ask for what you want. Yes, and I wanted it. But you know, if they didn't want to do that, I was okay, because I'm old. I'm ready to fifty six. Speaker 4: I was ready to retire. Speaker 1: But you know, I love that story. I also love that story because, as she says at the end, there she was fifty six, and she thought, well, I'm winding down, you know, like good years. Her career has been unbelievably amazing in the last twenty years. Speaker 3: I know. Speaker 2: And it's also quite inspiring to think you can have that lightning rod moment at fifty six, because I beat myself up thinking, oh goodness, maybe it's too late for me. I should have had it backbone before. Now I've got some time. Speaker 4: We've got time time to develop it. Speaker 1: Merril's shown us all that after the break. What Harry Styles can teach us about love? I don't think so what Harry Styles can teach us about taxicabs, which I also have to explain to my daughter what they are as well. God help me. But while we're on a roll of things from another time, A TV show that ended in two thousand and four has provided some of the most enduring relationship theories of several eras. I think there was He's just not that into you, which can also be She's not just not that into you. It's fine, And the other is everywhere in the news this week because of my close personal friend Harry Styles. I think we touched on it last week that Harry and Harry is engaged to Zoe Kravitz. Now, he hasn't said that because he never says anything about his personal life, but sources close to have confirmed. Speaker 4: Oh good, old sources. Speaker 1: The woman is wearing a golf ball sized diamond on her finger. It's on. It's definitely on. And this has started a lot of headlines like this one. Harry Styles and Zoe Kravitz are reportedly engaged after less than a year, and fans think this wild theory explains why, and they mean the theory I'm about to explain to you. Harry Styles proposing after eight months is further proof that taxi cab theory is real and none of us are safe. Okay, are you across what taxi cab theory is? Speaker 2: Yes, I'm across it from Sex and the City. As you say, I believe it was a bit of Miranda Wisdom. Speaker 1: Oh no, it was Miranda brand I'm about to play it to you. Yeah, Season three, episode eight. This iconic statement the wait. Speaker 2: Hedge, it's fate. Speaker 4: It's not fate. Speaker 5: His light is on, that's all what lights. Men are like cabs. When they're available, their life goes on. They wake up one day and they decide they're ready to settle down, have babies, whatever, and they turn their light on the next woman they pick up them. Speaker 2: That's the one, Mary. Speaker 5: It's not fake. It's dumb luck. Speaker 1: It's not fake, it's dumb luck, so says Miranda Hobbs. Now, obviously none of us, not even me with my close relationship to missus Steals, knows whether or not there's any truth to this in terms of their relationship. But the reason that it's being applied to him is because it has one of the classic characteristics of taxi cab theory, which is that he has had quite a lot of high profile relationships. And when I say high profile again, he's never mentioned any of them ever, but there are photographic evidence. Speaker 4: Is that right? Speaker 1: He doesn't talk. Speaker 2: About his was his most recent one before. Speaker 1: So he was with Taylor Russell, who's a British actress, for quite a long time. He obviously famously dated Taylor Swift. Yeah, he was with Olivia Wilde for quite a long time. He's dated Kendall Jenna, He's dated Caroline Flack, He's dated a lot of people. Speaker 3: Can I just interrupt Holly and ask do you think he's going to come to the tailor swift wedding now that he's engaged to no should wedding guests. Speaker 1: I we really hope so that wedding is going to be the best. The reason why they're applying this theory to him is they're saying that a trademark of a taxi cab the taxi cab theory, And I don't think this is just a men thing. I think this is men and women. Is that you know, you date lots of people and you try them all on and whatever, and the theory is that one of them is right for you. But taxi cab theory says it's not that one of them is right for you, it's that the timing is right for you. And they're saying that's why Zoe and another trademark of it is quick. So you've been dating, dating, dating, dating quite long relationships a year here, two years here, three years there, whatever, But then eight months he has been dating Zoe that we know of, he puts a ring on it. Taxi cab theory thoughts. Speaker 2: From the outside, he's looking ready to settle down, and so we all then assume that he's gone, Okay, who am I? Who am I next to right now? Who do I happen to be at dinner with? Speaker 1: Oh? Speaker 2: I happen to be with Zoe kra which is Bloody Convey, which. Speaker 1: Is a very good dinner because, as I discussed, absolutely amazing. Speaker 2: She's incredible. But the way at least this article was constructed was very much that it was about him and his readiness. And the thing I worry about is that do we start thinking if we use this theory, do we start thinking that someone is only with somebody because of timing, that it's interchangeable, it could have been anyone. It's not real, it's not a real life. Speaker 1: I don't think that's the correct way to view taxi cab theory. I think it's not about you'll do, it's that the timing is right. And the reason they're not applying it to Zoe Kravitz is because she's been married before and she's been engaged before, so it doesn't apply to her in the same way, do you know what I mean? So my theory on this, and the reason why I think it's true not for everybody, like everything isn't for everybody, is that we like to have a romantic narrative that there's one right person for us, and whether we meet them when we're nineteen or fifty nine, we will just know that's the right person for us. That's it. And what taxicab theory says is that's not true. There could be lots of right people for you, but in order for you to to get together and settle down in verted commas, you have to it has to be the right timing. So other examples for this might be Taylor and Travis. Right if they'd have met at twenty two, because at the same age, would we not have any of these beautiful songs that we have for Taylor, Or if they'd have met when they're twenty two, would the timing not have been right for them both to commit in the way that they are now ready to commit. So in my mind, taxicab theory doesn't mean you're settling or it's the wrong person. It just means timing is everything. So the people I dated before I met my guy, if you're a serial monogamist, and many of us are, we like to go, well, none of those people were right, This one's right. But the truth of it is is probably like that one probably would have been fine, but if we weren't ready, I don't. Speaker 2: Know it's by romantic sensibility. Speaker 3: I think I sort of agree with both of you a little bit, and agree with both of you a little bit because I think what the taxicab theory misses is it makes it very one sided, now, whether that side is a man or a woman. I take your point, Holly that even though sex and city talks about men are like cabs, we could equally apply to women. But a relationship is about a dynamic between two people. And what I think this theory overstates is that it's just about one person picking another person. And I don't think that's how relationships work. I don't think a relationship works or like ends in marriage. And I'm using air quotes here for anyone listening, just because one person decided, Yes, this is the person I'm going to make it work. It's about two people meeting and deciding together. And that's what's different about when you get in a cab. It's not about a mutual decision. Speaker 4: It's about one person deciding. Speaker 1: I agree. But the way that I've always thought of taxi cab theories, you both have to have your lights on, do you know what I mean, like, you have to both have your lights on for the timing to work. If one of you has the light on and the other one doesn't, it's not going to work. You both have to have your lights on. Speaker 3: I feel like that was what was really You know, we've been talking on this show about what happens over twenty years, and I think that that line from Sex and the City, they weren't talking about both people having their lights on. I think back then we had an idea of relationships which was that men in heteronormative heterosexual relationships men picked women. Yes, I think, and you're trying to update it, which is good. Speaker 6: Yeah. Speaker 1: Although I think I always that was always my understanding of that quote, because I think in later in the show, Carrie's talking about my lights not on, his lights not on, Like I always sort of understand it to mean it's all about timing. And I genuinely do believe that a great deal of whether or not a relationship will work or not is about time. Speaker 2: I think you only have to watch one to eight seasons I've Married at First Sight to see that it is not oh that much about time, because you've got two people who's lights could not be more on who are matched by very clever, non manipulative psychologist and they go in and you can have your light on as bright as it can possibly be, and it still doesn't vibe. Speaker 1: I don't buy that because I don't think their lights are on for that at all. Speaker 2: Oh holy just because they're getting Instagram followers. I am not looking for real love. But the other thing is, I don't know. I think you hear so many stories of people who may be met at a time that wasn't on paper a particularly good time. Speaker 4: Oh that's a good point to people. Speaker 2: To meet, and it's still and it still happens. Speaker 3: Yeah. Speaker 1: But I think, like any theory, it doesn't apply to everybody. One person's going to meet. Some people are going to football in love of their childhood sweetheart stay with them forever, right. But in the dating world, in the world where you are trying people on, if you are serial and anogamizing, I think that's where this comes in, because sometimes your lights on even when it shouldn't be. Like if you heard of the getaway car theory of like you find a relationship to get you out of the relationship you're in, so you could be married and one person's light is on and the other one doesn't know. Like I think the point of it is that for a lot of people, the one true love theory isn't necessarily it. It's more like, is this the right moment? Clooney and a mile? Very good, very good advertising for that. Speaker 2: No, hard because I'm also like A miles A mile. Speaker 3: Zoey, like, I don't know for a proving any extraordinarily Well, no, but I don't like that theory right because I bet that. Speaker 1: I mean, of course a mile is extraordinary, and of course so is extraordinary. But that theory buys into the idea that everybody who didn't get picked there was something wrong with that and we're waiting for like. So my point about A mile and George is he was married when he was young, but through all his big rise he was single, and he was known as the most eligible bachelor in Hollywood. And I think that he made a bet with Nicole Kidman comes to mind, I will never get married again? Speaker 3: Is that during that period, as people may remember, I had a long phone conversation with him. She went for about an hour in a work context, and I guess he's light his life just wasn't. Speaker 2: Why. Speaker 1: But the thing is is that of course these women are amazing, because of course they are. But if you believe that it just takes the right woman, then that's like a model of exceptionalism that I'm not that into. Was more likely getting to a point in his life where it's like, I don't want. Speaker 3: To be a six I don't want the pot belly pig as my life, and. Speaker 1: Then he meets an extraordinary woman, and he would have met other extraordinary women in Amma would have met a million extraordinary men who wanted to tie her down like she's a catch and a half in a million ways, intellect, beauty, human rights, like savior. She's incredible, but her light probably was not. Speaker 3: I feel like you just out sexist argument to know. I thought the taxi like theory was sexist, which turns out I was carrying. Speaker 2: Around the sexes I think. I think that there are I think the taxi light theory does make us feel better about ourselves, but that doesn't necessarily mean that it's true, because because I think it's really convenient to be like, oh, that man like George Clooney. The reason he didn't end up with all those women was because of timing, not because he wasn't compatible, it wasn't right whatever, Whereas I think I lean towards Amal and George were always destined? Speaker 4: Is that do I? Speaker 1: Did we just say the word destined? Speaker 2: I think romantic you. Speaker 4: Are because you met the love of your life quite young. Speaker 2: Yes, I think maybe I'm trying to justify my own choices, which is. Speaker 1: And maybe I'm trying to just always because I don't. I don't buy the theory necessarily that everybody before was wrong and it was the right fit. Speaker 4: Oh, you haven't met my ex boyfriend, fair cool. Speaker 1: I'd love to know what we think about the taxi light theory, and also if there's an update, because I've heard a couple like some people say it's musical chairs, who are you with when the music stops? Some people say it's coughing season. EMM has said that, like there's times of years, seasons in your life where you're just like, Okay, let's do it. Speaker 2: I need someone. Speaker 1: But I was wondering because my daughter wouldn't even know about taxis and lights on. Speaker 4: No, no, we need to fit into this. Speaker 2: But yeah, yeah, it's like the ubers available and empty. Speaker 6: The. Speaker 1: Waiting time on this No, I can't ten minutes too long. Tell us out louder. Speaker 2: We're really in an era of maxing, which we've touched on on this podcast. Not me personally. I'm not maxing anything. Speaker 1: I'm just everything is maxim but everything. Speaker 4: Other people very optimi everything. Speaker 2: Yes, so looks maxing, sleep maxing, fun maxing, which sounds gross. But here's one I hadn't heard of until this weekend. Sperm maxing. I like it because it's not something I can personally participate in. I feel excused from sperm maxing. Speaker 1: What how does? Speaker 6: What? Speaker 4: How do you? Speaker 1: Maxis swem? I'm not I don't need to know. I'm just curious. Speaker 2: Headline in Sydney Morning heralds red iced testicles and abandoned underwear. This is the world of sperm maxing. And it begins by telling us about a lovely man named Mick and his partner Holly, and oh there you go, Holly, I'm in. So they were discussing their plans to have a family, and Holly was and Holly was saying she had fears about her fertility, and Mick said, you leave that to me, love, And so what he did was he stopped wearing underwear because most underwear is made of polyester, and that's apparently and a crime disruptor. Come on, and lowers testosterone. Speaker 1: I believe many babies have been born to polyester wearing people. Speaker 2: And then he would ice spark at least once a week, not that shrunk, No, no, no, Heat's the bad thing. Because then another guy called Tom was explaining that he goes in the sauna, but don't worry because he takes an ice pack with him. Speaker 1: And puts it on this necessary that would be a very confusing sensory experience. Speaker 2: Because apparently excessive heat is damaging to sperm. So apparently there is some evidence about heat and sperm. But the rest of this is complete. You won't believe it, but it's complete bullshit. But Brian Johnson, who's that tech entrepreneur who's obsessed with longevity, claims to have the one who has his sons. Speaker 1: Yes, the one who has his son's blood injected into He's done so many and measure time erections. He doesn't need food after eleven am. Speaker 4: Like that guy. Speaker 1: He's living a long but very boring life. Speaker 2: Yeah, well, he claims to have sperm quality to rival a twenty year old. He's got no basis that claim, but that's what he says, which brings me to the Sperm Racing World Cup. Are we aware of the Sperm Racing World Cup? Speaker 1: Totally? Speaker 2: I discovered this and it is the funnest thing I've discovered as of late. It's founded by tech entrepreneurs. Speaker 1: They have too much money, too much money that they should come to my We did frog racing, peak racing, like good. Speaker 2: Sperm race should be doing some sperm racing. It's a race that's going to be held in San Francisco next month. Speaker 4: I think what they're saying is that their cab light is on. Speaker 2: Yeah, I'll show you with my literal sperm. And it's one hundred and twenty eight men, each representing a different country, and they submit semen samples which then compete in a microscopic race for a one hundred thousand dollars prize. Now here's the ad for it, because I know you guys are interested. Speaker 6: The Sperm Racing World Cup one hundred and twenty eight countries, one hundred thousand dollars grand rights, the highest stakes competition elequancy. We are searching for the healthiest man alive. This race will immortalized a nation to your country is watching, the world is ready. Speaker 3: I don't want to know what images are currently playing. Speaker 2: It's sperm racing. Speaker 1: This brings a whole new meaning to the term wanking. Frustrating one hundred thousand dollars price. Speaker 2: Yeah, but I as much as trust the tech bros To make a literal tournament out of sperm racing, which I have to say I'd love to attend. I mean, how do you make it exciting? I don't know. This is interesting in the sense that fertility has traditionally been in something that women have seen as their soul responsibility and burdens. And it's nice that men are starting to recognize that. You won't believe it, but fifty percent of fertility is down to the man. Speaker 4: This feels like Elon Musky to me. It feels musky. Speaker 3: Yeah, and I imagine, yeah, and. Speaker 4: You got the That was the joke I needed. Speaker 2: And obviously the problem is that not every fertility issue is has a cause or like it's it's not your fault. Speaker 3: I'm sorry you're trying to what's problematic about the spermilm? Speaker 4: So I think we get a crash and it's. Speaker 2: Literally not a race. Do you reckon? Speaker 3: You can do a little bit of a race. Are you familiar with the facts of life? It is literally a race. Speaker 2: But do you reckon? You can tell when a man has very fast spur? Speaker 4: Oh my god. Oh interesting. Speaker 1: But do you think he's putting it on his dating profile like one this it would definitely be on that. Speaker 3: It's going to immortalize his nation. Yeah, for Australia, I need an update on this. Speaker 2: When it happens, we'll have to keep everybody updated on the tournament and Australia's participation. We need to find who's representing Australia. Oh my god, sorry, I've got another contact. Speaker 4: So clear, like you asked, you posed a question to the group. Can you tell first sperm? Speaker 2: Yeah, something tells me like you kind of know who would have fast sperm. But I don't think it's necessarily a good thing. Speaker 4: No, it's not always. Speaker 2: No, I think it's it's aggressive and it's like congrats Elon musk. But like you're releasing a lot of sperm and you're not like hanging out with that sperm very much? Speaker 1: Are you may not taking the sperm to soccer again. Speaker 2: No, you're not taking a sperm to sport on the weekend, and I think that's very sad. Oh my god, after the break, we get you across everything you need to know about the Met Gala before tomorrow. Tomorrow on the evening of the first Monday of May, which is always confusing. But America exists in a different time to us. Speaker 1: There are one day behind us. Speaker 2: They're one day behind us, and I always have to google time in New York. As is tradition, four hundred and fifty very glamorous guests are going to start arriving at the Met Gala. The dress code for this year is Fashion is Art and the theme is Costume Art and I don't understand the difference between dress code and a theme. Speaker 1: And also always yeah, the Met Gala is about a costume institute in an eye museum. Speaker 2: Yeah, okay, I'm glad I'm not the only one who was feeling like because I was like, I think it's just me not understanding fashion. But no, it's weird. So guests are invited to explore their relationship to fashion as an embodied art form. That might mean that there are references to literal art, literal paintings, literal kind of art, moments like whether it's the Renaissance or whatever. But it's the Met Gala, so I think everybody just goes bat it crazy and we don't really understand the tide of the theme. Most of her time, Anna Wintur is still the chair despite having handed the rains reluctantly. Speaker 1: Streep is still the chair. Speaker 4: Yes she is. Speaker 2: And she's enlisted Beyonce, Nicole Kidman and Venus Williams to serve as their evening's. Speaker 1: Co chair, so they have to go. Speaker 2: Yes they do. Holly, there's a little bit of gossip about Anna Wintour and whether we can expect to see Harry and Meghan at the met Gala. Speaker 1: You see, the thing is about the Met Gala, and we'll get to this in a minute too, but whether this is is particularly fraught with who will accept an int because of the involvement of one aforementioned Jeff Bezos and his wife Lauren Sanchez Bezos, because they are bankrolling it. So in the past, big companies bankrolled it. I think Apple's bankrolled it before, TikTok's bankrolled it before. Now it's Lauren and Jeff, and some people are like, I don't think we want to be part of that, So we're not going. Speaker 3: And there have been protests. People have been putting bottles of urine or a liquid that appears to be urine, scattering them around the Metropolitan Museum of Art in the lead up to the gala to protest the fact that the alleged fact that Amazon warehouse workers are not provided with toilet breaks. Speaker 1: Wow, that's a protest. And for the last few years they have been to kind of eat the rich vibe boiling away about the met gala for good reason, but this year it's overt, right, So I reckon that Harry and Meghan might use that as the excuse for why they weren't invited. You I didn't want to go any who wants to go and hang out with Jeff and Lauren. Those people are bad, evil, naughty. But actually it's that Anna wouldn't invite them, And why would Anna not invite them? So the word on the street is that Anna because it used to be Anna. Winter's relationship with celebrities evolved a lot over the years, and if you watch The Devil We was Proud of Too, you'll know that was a matter of survival. There was a time when she was like Kim Kardashian, I don't think so she's not vogue, and then she literally is exceptionally vogue these days. But she apparently doesn't like Harry and Meghan because she's a royalist, a staunch royalist. She's a dame after all. This might be overregged a bit, but she's a royalist, so she doesn't approve of what happened there and the way that Harry treated the late queen allegedly, and also that Meghan chose to do her first ever Vogue cover with Edward Ennafel in Britain and Anna was not happy about that and sees her as a bit. Speaker 2: So I wonder if eventually they'll be considered. Speaker 1: I think Anna's backtracked on enough things and in fact, you know, but as I say, I think that Harry and Megs, if they're not there, which I don't think they will be, well, could definitely use a social justice excuse. But there are a lot of very famous people who are going to be there, of course, including as you've said, the afore mentioned Nicole. Lena Dunham's going, which I find amazing because I've just read a memoir and she talks about the Metgala and not glowing terms, but she was on one of the committees as well. I think we've got Sabrina Carpenter, We've got Zoe Kravitz, so we might get Harry. We've got a lot of very famous people who are going. But this year, more than ever, it's kind of political. Speaker 3: There's a bit of a tipping point being reached about it. Amy O'Dell, who writes a fashion subject called The back Row, wrote last week a piece that I've seen a lot being quoted and circulated which basically argues that the met Gala is in danger of becoming uncool. Speaker 4: And the whole point of the met. Speaker 3: Gala was that it was cool, right, It was like the ultimate and fashion. And the problem is that by allowing the Bezoses to bankroll the whole thing and a winter, risks turning the whole thing into this very craven exercise that no one will want to be a part of. So it's interesting. I'm going to be watching the Red Cup very carefully this year to see if it does feel like the star wattage has been slightly dimmed. Speaker 2: Yeah, and if the people who make it cool because Ndaya is not going Zendaya makes things cool. Speaker 4: She does. Speaker 2: So what I found interesting in all the kind of stuff I've seen about the Met Gala coming up, there was a great piece on Lena Dunham's substack called and her subtacks called good Thing Going, and she wrote a piece called Dispatches from the Worst Dressed List, and I clicked straight away because having been a huge fan of girls, having been a huge fan of her, I remember years and years and years of seeing her constantly mocked for her fashion choices, and I remember wanting to scream at my computer and be like, it's not the fashion, you're talking about her body, And I was so frustrated. And she has now kind of processed that. And as you say, Holly, she's going to be at the Metgala, which is a bit of a surprise. But she writes at the beginning that she's in the process of getting ready for the Met Gala, which she loves to watch but tends to wobble through. And she talks about some of the things that were written about her and how it destroyed her relationship to fashion, and she had loved it when she was little, she had found it really really fun, but it got confusing. She writes when dressing became a bit more of a public affair. Basically, she quotes a bit that Joan Rivers said about her, where she said, it's okay stay fat, but don't say it's okay that other girls can look like this. Try to look better, and Lena Dunham Wrights, I was trying. We just have a different definition of what better meant. And do you guys remember those years? Oh yeah, her just being made fun of. Speaker 1: But also because as I said, I've just read the book, or nearly at the end, it's very clear that she's got like she went through years where she was conventionally skinny, and if you correlate this in the book, that coincides with time when she was really struggling with her health and her addiction issues and with mental health and all those things. Since she'd be super skinny and people would celebrate her for that. She made the cover of Vogue famously once in one of those eras, and then there were other times where she was encouraged. There's a part at the beginning about girls where she was told put more weight on the fact that your body looks the way it does is the thing that makes this show Edgy get bigger. So like her body has obviously been objectified to send different messages at different times about all kinds of things. But it's also clear in her book that she does love clothes and style and fashion and that her mind did does and so it was part of her world. But that's not the case for everybody. Right, If you go to the Met Gala, especially these days, you're generally paid to be there by a brand. They will dress you, they will style you, they will do your duels, they will do your put you up at the hotel, and you'll do all these things and it will cost them millions. But I was reading about how it's seen as the best possible advertise, which is be interesting. If the coolness factor wears off, as you're talking about Amelia, that is the best marketing spender brand can have. Because apparently the media impact of the Metgala is bigger than the Super Bowl in terms of how Father's pictures travel, how much coverage it gets, the fact it's televised, it will be on every news side, it will be on every social media feed forever. That not only the brands who are actively involved, like Vogue and whichever are actually sponsoring it will be the ones who cover it, so it is seen as money well spent, and the event itself costs about six million to put on. Speaker 3: Yeah, I mean, it's obviously at a level that few of us can relate to the met Gala, But that Lena Dunham piece gave me a lot of feelings. Speaker 4: I loved it. Speaker 3: I read it as a companion piece to the love Story discourse. This whole idea of Carolyn Bessett Kennedy, who was lauded for her fashion sense. Speaker 4: People ask the question, is this fashion or is she just thin? Speaker 3: And this was kind of the flip side to that argument, which is can I not be fashionable if I am not thin? And I loved the fact that she asked that question. This really hit home to me because I have never felt like someone who knows how to dress. I am surrounded by very stylish people, and I grew up with like friends. And I interrupt, Please don't I think of myself as I feel like I've struggled with what to wear my whole life. And I do enjoy clothes. But it's interesting that when I was at my skinniest and probably at a pretty unhealthy relationship with my body. I was lauded much more for my clothes and for my supposed style than at other points in my life. And I love that Lena's teasing out that connection. And just recently I saw some comments online that said that I don't dress very well, and it hurt my feelings because I was like, I try, and I do try with my clothes, and I meant to not try. I mean, as as Miranda Priestley reminds us in The Devil wes Prata, we all have to get dressed in the morning, so you may as well put some thought into it. But I do wonder how much of what we perceive of as stylish is actually connected to bodies. Speaker 1: Oh so much of it is. And I mean this last night literally, I was packing for the week because I always come up to Sydney on a Monday morning. I usually stay for a couple of nights, so I've got to think on Sunday when I'm in my most harried, like what am I wearing? Obviously we're on camera, but and I was in my huffing around in my bedroom, going I hate all my clothes. I hate all my clothes, and my kids could hear me, and obviously because I am aware, you know, feminist mother, I do not huff around my bedroom going I hate my body, nothing fits me. But the code is I hate all my clothes. I've got nothing to wear, and my son it's like, what do you mean, why have you even got those clothes if you hate them? You know, But there is no question that these things are so connected, and that fashion world, particularly the high fashion world, they say we like to imagine that they've made a lot of progress on that in the ten years. But I don't think in Anna Wintour's world that progress. Speaker 4: I'm just not talking about it as much. I think that's what it is. Speaker 2: I remember it still sticks with me. Speaker 3: Now. Speaker 2: Remember when Kim Kardashian went on a red carpet wearing a It was kind of like a high neck dress. There's a lot of fabric, and she was very, very pregnant. Speaker 1: I was working gossip mags and I'm not proud of this at all, but everybody says she looked like a couch. I think we printed that. I think we took the piss out of that overtly, and she was trying very hard to be high. Speaker 2: Fashion exactly and I think about that all the time. As a pregnant person. I'm like, I the idea of being mocked and being so embarrassed because you're like, I didn't choose for my body to grow, Like, like it just grows in the direction and grows when you're pregnant, and it can grow in weird direction. And to be totally honest, this this move now, and I'm sure people have the total opposite perspective to me, But the move now of people having really cool maternity, you know, people make it look really really cool and sexy, having a bump like the Sienna Millers of the world with their like little top that will open and it looks really sexy. I'm like, God, you can't even be pregnant and be able to give up for just a few months. Speaker 1: No, we're not allowed hot at all times. Okay, I just need to ask, right, Because as we said, this mat Gala has got this political weight to it. I feel like for the last few years it has, and there's been a sort of oh but it's fun and we all need the distraction. Are we going to be looking at that red carpet tomorrow? Because I know I will, Yeah, I will. I will I will. Speaker 3: Yeah, I will too, And I think that why I will be looking is because fashion is fun. It should be fun, it should be something that we enjoy looking at. And I love how Lena ties up her piece because it's not a hopeless piece. Speaker 4: She ultimately concludes. Speaker 3: By saying, what I realize now is I was making choices that maybe made people feel uncomfortable, whether it was because I was wearing clothes that that type of body should not have been wearing, for instance, or she was wearing clothes that weren't regarded as as exactly mattering me. She talks about how she spoke to a very well known fashion critic about this sort of debate recently, and the fashion critics said to her, you just have a point of view that's called taste. And I love the idea that just because you're wearing something that might not be universally regarded as flattering or fashionable, you can still have a point of view about it. And I guess that's ideally what these kind of red carpet events are meant to showcase is a unique point of view. Speaker 4: So yeah, I'll be watching. Speaker 1: We will rope in our absolute fashion expert May who used to love the met Gala. As she said, people take more risks there than they do when they're you know, at the Oscars or whatever, because it is the whole point of it is to be quite bad shit. So we will be doing a met Gala wrap up for subscribers tomorrow afternoon, and I'm sure that Maya will have many thoughts. That's all we've got time for this Monday. I hope everybody's week starts well. We will be back in your ears tomorrow for subscribers, and the three of us will be here on Wednesday. Thank you to our team. We'll see you then, Bye bye. Speaker 2: Mummy acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Gird your loins, folks! We've accepted the low-paying position of assistant to Miranda Priestly, the legendary editor-in-chief at Runway Magazine, the fashion crown jewel of the Elias Clarke publishing empire. A million other people would kill to have this job, but it's sure to open up big doors for us in the future. Ms. Priestly's a little demanding, and doesn't like us to ask questions, and doesn't like when we don't understand things, and calls us fat, but all things require a learning curve. On an unrelated note: The podcast is covering The Devil Wears Prada (2006), the millennial classic about a hard-working striver who doesn't think she can please her boss, before wouldn't you know it, she pleases her damn boss? It might end up being the role Meryl Streep will be best remembered for, and she's truly electric in this movie. But Emily Blunt and Stanley Tucci are also incredible! And Anne Hathaway's doing her thing. Now, about that: During the history segment, we really try to unpack why people don't like Anne Hathaway. Including one of the people who hosts this podcast. Also in the history segment: The life and times of Vogue editor Anna Wintour; Lauren Weisberger working for Wintour and then writing a thinly veiled novel about it; how that novel was adapted into a movie; and how playing Priestly catapulted Meryl Streep into being a box office sensation for the first time in her career. Watch the history segment in full: https://youtu.be/iF8YfSnisqw  Next week (May 8, 2026): Bride of Chucky (1998)!   Time stamps: 00:06:33 — History segment: Anna Wintour; author Lauren Weisberger works as Wintour's assistant for 10 months, writes a novel about it; the novel gets adapated as a movie by director David Frankel; casting Meryl Streep and Anne Hathaway; why do people hate Anne Hathaway? 00:51:55 — Movie discussion 02:05:15 — Final thoughts & star ratings   The Devil Wears Prada was directed by David Frankel and written by Aline Brosh McKenna, based on Lauren Weisberger's novel. Starring Anne Hathaway, Meryl Streep, Emily Blunt, Stanley Tucci, Simon Baker, Tracie Thoms, Rich Sommer, Gisele Bundchen, and Adrian Grenier as "Nate."    Sources: "Anna Wintour's legacy and who might replace her as Vogue editor" by Steven McIntosh | BBC (2025) - https://bit.ly/4vZ8Zof "Anna Wintour Embraces a New Era At Vogue" by David Remnick | The New Yorker (2025) - https://bit.ly/48JrpQb  "What's Wrong With Vogue?" by Cathy Horyn | The New York Times (2008) - https://bit.ly/424AcIw  "The White Issue: Has Anna Wintour's Diversity Push Come Too Late?" by Edmund Lee | The New York Times (2020) - https://bit.ly/4cFPslf  "When personal assistants attack!" by Elizabeth Spiers | Salon (2003) - https://bit.ly/4n0Y1uv  "'Every minute at Vogue felt like an emergency': Devil Wears Prada author Lauren Weisberger on igniting a scandal" by Jess Cartner-Morley | The Guardian (2024) - https://bit.ly/4vRpl2f  "'It was a year of being yelled at': How much of The Devil Wears Prada really happened?" by Megan Agnew | The Sydney Morning Herald (2026) - https://bit.ly/4cDk5rG  "The Devil Wears Prada oral history: Cast reunites to dish on making the best-dressed hit" by Joey Nolfi | Entertainment Weekly (2021) - https://bit.ly/3QK5PVi  "'The Devil Wears Prada' Turns 10: Meryl Streep, Anne Hathaway and Emily Blunt Tell All" by Ramin Setoodeh | Variety (2016) - https://bit.ly/4u3ztDs  "Anne Hathaway on Tuning Out the Haters and Embracing Her True Self" by Julie Miller | Vanity Fair (2024) - https://bit.ly/4u5uJgo  "Anne Hathaway Can't Win" by Anne Helen Petersen | BuzzFeed (2015) - https://bzfd.it/4cHqMZC  "A Tale of Two Oscar-Winning Actresses: Why Has Jennifer Lawrence Become a Media Darling by Breaking All the Rules, While Well-Behaved Anne Hathaway Is Getting Flack?" by Julie Miller | Vanity Fair (2013) - https://bit.ly/4tm4aDf "How Annoying Is Anne Hathaway: A Scientific Inquiry" by Billy Kimball | HuffPost (2013) - https://bit.ly/4mZqVLl  "The Cult of Hathahaters: Will It Hurt Anne Hathaway's Oscar Chances?" by Kevin Fallon | The Daily Beast (2013) - https://bit.ly/3OMV302    Artwork by Laci Roth.   Check out Laci's coloring videos on YouTube! https://www.youtube.com/channel/UC-kKLhWb2g0bKA-RrvvLh0Q/  Matt has a monthly spin-off podcast covering the James Bond films! Check out PodJob: A James Bond Podcast on Apple Podcast (https://bit.ly/4jRL2K1), Spotify (https://bit.ly/4a8jM6E), and YouTube (https://youtube.com/@podjob007).   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: "Winston-Salem" - https://youtu.be/-acMutUf8IM "Snake Drama" - https://youtu.be/xrzz8_2Mqkg "The Bible Towers of Bluebonnet" - https://youtu.be/k7wlxTGGEIQ    Follow the show!  Twitter: @1weekrental | @MattStokes9 | @LRothConcepts Facebook: @1weekrental Instagram: @1weekrental TikTok: @1weekrental | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @1weekrental.bsky.social   1-Week Rental used to be Load Bearing Beams.

The cast: Meryl Streep, Stanley Tucci, Anne Hathaway. The brands: ALL of them. The result: The Devil Wears Prada 2, of course. But is the most anticipated movie event of the year more than the sum of its parts? The answer from our film critic Nikki Gemmell is a resounding yes, who laughed and cried during this “delicious” comedy. Find out more about The Front podcast here. You can read about this story and more on The Australian's website or on The Australian’s app. The weekend edition of The Front is co-produced by Claire Harvey and Jasper Leak. The host is Claire Harvey. Audio production and editing by Jasper Leak who also composed our theme.See omnystudio.com/listener for privacy information.

Q&A on the Prime Video series Scarpetta with actor Simon Baker. A brilliant forensic pathologist uses forensic technology to solve crimes.

From buzzy book recommendations to pop culture headlines, this episode covers it all — including new reads The Storm by Rachel Hawkins, Crooks and Whiplash River by Lou Berney, plus The Art of a Lie by Laura Shepherd-Robinson. Julia shares why she loved The Madison, while we unpack rumors surrounding Nicole Kidman and Simon Baker, preview Netflix's upcoming thriller Something Very Bad Is Going to Happen to You, and check in on the buzz around Project Hail Mary. There's life talk too — a mother-of-the-groom dress update, a Spider Solitaire obsession, and wedding excitement — alongside sports headlines including Travis Kelce's new deal and a thrilling buzzer-beater by the Minnesota Golden Gophers women's basketball team. Pop culture runs deep with updates on Justin Timberlake, Gwyneth Paltrow vs. Cher energy, BTS's return, and Celine Dion eyeing Paris. We also dive into Liza Minnelli's memoir, ABC canceling The Bachelorette featuring Taylor Frankie Paul, the greatest female-friendship TV shows ever, and a post-Oscars style check-in on Timothée Chalamet.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Actors & actresses that are "box office poison," Nicole Kidman & Simon Baker are sparking romance rumors and we find out the Soup of the Day!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Desperate for a new series to binge-watch or heading to the cinema for date-night? Gayle Edmunds shares her top picks of things to watch on the big and small screen with CapeTalk’s Sara-Jayne Makwala King on Weekend Breakfast. This week we’re watching: Scarpetta Cast:  Nicole Kidman Jamie Lee Curtis, Bobby Cannavale, Simon Baker, Ariana DeBose, Rosy McEwen, Amanda Righetti, Jake Cannavale, and Hunter Parrish Plot: `Scarpetta brings Patricia Cornwell's iconic literary character to life in a gripping series starring Nicole Kidman as “Dr. Kay Scarpetta.” With skilled hands and an unnerving eye, this unrelenting medical examiner is determined to serve as the voice of the victims, unmask a serial killer, and prove that her career-making case from 28 years prior isn't also her undoing. Set against the backdrop of modern forensic investigation, the series delves beyond the crime scene to explore the psychological complexities of both perpetrators and investigators, creating a multi-layered thriller that examines the toll of pursuing justice at all costs.’ - press.amazonmgmstudios.com) Weekend Breakfast with Sara-Jayne Makwala King is the weekend breakfast show on CapeTalk. This 3-hour morning programme is the perfect (and perky!) way to kickstart your weekend. Author and journalist Sara-Jayne Makwala-King spends 3 hours interviewing a variety of guests about all things cultural and entertaining. The team keeps an eye on weekend news stories, but the focus remains on relaxation and restoration. Favourites include the weekly wellness check-in on Saturdays at 7:35am and heartfelt chats during the Sunday 9am profile interview. Listen live on Primedia+ Saturdays and Sundays between 07:00 and 10:00am (SA Time) to Weekend Breakfast with Sara-Jayne Makwala-King broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/AgPbZi9 or find all the catch-up podcasts here https://buff.ly/j1EhEkZ Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! It's March, so that means it's time for our “Get Your Ass to March” series! Where we cover movies that relate to the planet Mars and/or the 1990 sci-fi classic, Total Recall! In this week's episode, Alex, Tim, and returning guest Chrissy Kurpeski discuss the other Mars exploration movie from the year 2000, Red Planet! Cool space suits! Early thousand's internet culture! Forced acronyms! Some of the most explosions you've ever seen on Mars! Low gravity bathroom breaks! Fiery, homicidal bugs! Charmingly outdated VFX! An out of place trip hop soundtrack! One of the same writers as Virus and Barb Wire! Fun miniature effects! Zero gravity fire! Life-saving algebra! A flexi-screen IBM tablet! A whimsical Russian space mascot! Extreme efforts to terraform a dead planet when they could be fixing Earth! A behind-the-scenes feud between two actors! A great cast that includes Benjamin Bratt, a wasted Terence Stamp, Carrie-Anne Moss relegated to a single filming location, Val Kilmer playing a character (possibly) named after a prop comic, Tom Sizemore as a scientist who might not know what he's doing, and Simon Baker is there too! All that and more in this movie that may deserve its fairly negative reputation! In addition, Chrissy shares her spoiler-free thoughts on Mickey 17, while Alex does the same for Expend4bles, the new Milla Jovovich action thriller Protector, and Scream 7! You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends! The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris and Tim Gardiner, the show gives you a peek behind the scenes from two filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. This episode's guest, Chrissy Kurpeski, can be found on Instagram @absolutelyicebox or Letterboxd @farthouseflix. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod. Theme song is “We Got it Goin On” by Cobra Man.

The Oscars aftermath continues as we break down what brought stars to tears, Hollywood's Oscar-winning couples, and the biggest awards season buzz. Oprah sits down with the woman at the center of the viral Coldplay kiss cam fiasco, while The Correspondent heads to the big screen. Julia reviews Nuremberg on Netflix starring Russell Crowe and Rami Malek, plus early rave reactions to Project Hail Mary. We are obsessed with Michelle Pfeiffer in The Madison on Paramount+, unpack rumors about Nicole Kidman and Simon Baker, and react to Jerry O'Connell banning himself from podcasting. TV nostalgia hits as Lisa Kudrow's The Comeback returns, and the Buffy the Vampire Slayer reboot gets canceled?! Plus, Julia listens to Harry Styles' new album and finds the perfect (designer!) mother-of-the-groom dress.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Crime fiction has rarely produced a protagonist quite like Kay Scarpetta. For decades, Patricia Cornwell's bestselling novels followed the brilliant forensic pathologist and medical examiner navigating grisly cases while balancing the messy emotional realities of family, love, and professional obsession. Now, the long-awaited adaptation has finally arrived in the form of Prime Video's new series “Scarpetta,” starring Nicole Kidman as the iconic medical examiner alongside Jamie Lee Curtis, Ariana DeBose, Bobby Cannavale, Simon Baker, and more.The show is shepherded by creator and showrunner Liz Sarnoff, whose writing résumé includes “Barry,” “Lost,” “Deadwood,” and “Marco Polo.” The series takes an ambitious approach to Cornwell's world by weaving together two timelines: one set in the late 1990s and another in the present day, allowing the story to explore both the early years of Scarpetta's career and the more seasoned version of the character audiences meet decades later.READ MORE: ‘DTF: St. Louis': Jason Bateman, Linda Cardellini, David Harbour, & Steve Conrad On Vulnerability, Sexual Secrets, & Jason Bateman's MCU Character [Bingeworthy Podcast]On this episode of The Playlist's Bingeworthy podcast, Sarnoff joins host Mike DeAngelo to talk about finally bringing the beloved character to the screen, why the show merges multiple books into a single narrative structure, how Kidman approached the technical realities of forensic work, and how the series distinguishes itself from typical procedural storytelling.

Celebrity gossip lip-readers have changed the game. Because of them we know Timothée Chalamet hated the Oscars, King Charles says F and Prince William had no time for 'Andrew’s' apology. So is that ‘zero privacy’ development fair play? And what DID Timmy say to his sister about Kylie Jenner? In other scurrilous gossip, we’re meant to think that Nicole Kidman has a new friends-to-lovers boyfriend, and that Keith Urban is 'reeling'. Hmmm. Plus, peptides are the new cottage cheese, in demand from both older women and teenage boys. Except, unregulated, they can be rather more dangerous than a protein-heavy snack. So what the hell is a peptide, and how worried should we be about influencers spruiking them? (Hint: Very) 'Our' Queen Mary is touring Australia and once upon a time, that would have guaranteed tabloid mayhem. These days everything is… quieter. Is that because a midlife Queen is less enticing to the attention economy than the Carrie-esque lure of the princess fairytale? Plus, Ethan Hawke has the best advice for those suffering from unrequited love. Yes, some ageing Gen X heartthrobs are still the real deal. SUBSCRIBERS: Get 25% off Nala with your Mamamia subscription. Click here to get your code. Ends 1st April. SUBSCRIBE here: Support independent women's media What To Listen To Next: Listen to our latest episode: 'Are Flaps In Or Out?' Mia's Rogue Oscars Fashion Feedback Listen: A Very Awkward Oscars & That Manosphere Doco Listen: What We Did Before 9am Listen: A Lil' Treat: Jessie’s Very Surprising, Very Wonderful Twins Update Listen: Mia, Female Friendships & The '3-Word Rule' Listen: A Reluctant Pregnancy Announcement On Live TV Listen: Mia's Diary Note: What I Didn't Expect About Being A Nana Listen: Beckham, Meghan & Jessie's Hospital Voice Note Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media Watch Australia's #1 podcast, Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: Despite what you've read, Timothee Chalamet and Kylie Jenner were the real Oscar winners. Timothée Chalamet losing the Oscar has nothing to do with opera. 'Michael B. Jordan is obsessed with Yerin Ha and I've got two compelling theories.' 'An uncontrolled science experiment.' The truth about the peptides trend. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Únete a nuestro canal y apoya a FUERA DE SERIES: https://www.youtube.com/channel/UCFNyyACx7XbgZ4-S4jzNnGQ/join La nueva serie Scarpetta de Prime Video, protagonizada por Nicole Kidman, adapta la famosa saga de novelas de Patricia Cornwell y llega con la intención de convertirse en el próximo gran thriller criminal de la plataforma. Pero… ¿realmente merece la pena verla? En este episodio de Razones para Ver analizamos Scarpetta sin spoilers: su historia, su estructura con dos líneas temporales, sus personajes y qué tal funciona el reparto con Jamie Lee Curtis, Bobby Cannavale, Ariana DeBose y Simon Baker. La serie sigue a Kay Scarpetta, una médica forense que regresa a su puesto en Virginia y se enfrenta a un nuevo asesinato que parece estar conectado con un caso de hace casi treinta años. A medida que avanza la investigación, el pasado vuelve a aparecer y pone en cuestión decisiones que marcaron toda su carrera. En este vídeo te contamos: ✔️ Qué funciona mejor en la serie ✔️ Si el misterio engancha realmente ✔️ Qué tal están las interpretaciones ✔️ Y si puede convertirse en la próxima gran serie criminal de Prime Video, siguiendo la estela de títulos como Reacher o Bosch. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Homegrown star Simon Baker is in the studio to offer a behind-the-scenes glimpse into his role in Scarpetta, a new crime thriller based on Patricia Cornwell's iconic forensic-pathology novels, that brings the dark world of Dr. Kay Scarpetta to life.Plus, a chat with Sydney Cinematheque curator Ruby Arrowsmith-Todd about the upcoming retrospective dedicated to the early films of Nicole Kidman.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Ariel GrossArts editor, Rhiannon Brown

Homegrown star Simon Baker is in the studio to offer a behind-the-scenes glimpse into his role in Scarpetta, a new crime thriller based on Patricia Cornwell's iconic forensic-pathology novels, that brings the dark world of Dr. Kay Scarpetta to life.Plus, a chat with Sydney Cinematheque curator Ruby Arrowsmith-Todd about the upcoming retrospective dedicated to the early films of Nicole Kidman.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Ariel GrossArts editor, Rhiannon Brown

Freebies to look out for in March. Also, Dermot Mulroney, Laroyce Hawkins, and Luke Mitchell chat the Chicago Fire, P.D. And Med crossover episode. Plus, Simon Baker is here to discuss his new tv series "Scarpetta". And some vacation destinations inspired by your favorite solo travel films. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

03 Nov 2025. Dubai Duty Free has logged its best-ever October and the third-highest monthly sales in its history. CEO Ramesh Cidambi joins us to break down the numbers behind the record. Plus, Dubai’s off-plan property launches have surged to new highs this year, but is it a sign of opportunity or oversupply? We ask Simon Baker, CEO of haus & haus. And NMC Healthcare CEO David Hadley on rising fast, failing forward, and rebuilding one of the UAE’s biggest healthcare groups.See omnystudio.com/listener for privacy information.

Roughly 90% of Dubai's off plan market isn't worth investing in, but that remaining 10% can deliver exceptional returns. In this bonus episode, Simon Baker, Managing Director at haus & haus, joins Charlie Bannan to explain what separates the two. He explains where you can still find lucrative opportunities, why developer credibility and community quality matter most and how projects like Dubai Hills Estate and Peninsula have delivered up to 70% growth in three years.A short, data-backed breakdown for anyone buying off plan in 2025.Love our podcast? Got feedback? Send us a text message.Q3 2025 Market Reports by Community:http://bit.ly/4n8Mec1 Q3 2025 Off Plan Market Report:http://bit.ly/3W9KDYm Q3 2025 Commercial Market Report:http://bit.ly/4963SJZ The haus & haus Investment Playbook:https://bit.ly/4lLjXsGFollow us on social

14 Oct 2025. Dubizzle will sell just over 30% of its shares ahead of a November listing on the Dubai Financial Market. CEO Haider Ali Khan joins us to discuss what’s next. Plus, Haus & Haus releases its Q3 Market Report, MD Simon Baker explain the result. And Abu Dhabi unveils the world’s first “AI-native government” - we speak to H.E. Ruba Yousef Al Hassan about the new AutoGov system launched at GITEX Global 2025.See omnystudio.com/listener for privacy information.

Ed and Simon Baker engage with Joost Dop, CEO of Funda, to explore the dynamics of the Dutch real estate market, emphasizing the importance of engagement metrics over traffic volume. They discuss the challenges of housing shortages, Funda's role in addressing these issues, and the unique ownership structure that fosters strong relationships with brokers. The conversation also delves into pricing strategies, the development of tools for brokers, and the impact of AI on the real estate industry, highlighting the need for continuous adaptation and learning from global market trends.

This week, we are throwing it back to one of our favorite romcoms, "Something New" starring Sanaa Lathan and Simon Baker! (01:17) Sparks fly in this film when buttoned-up accountant Kenya hires free-spirited architect Brian. Check out the episode to hear our full thoughts, and feel free, as always, to share yours.  Hidden Gems (1:05:11): House Party Scott Evans (YouTube) "Are You There God? It's Me Margaret" (Peacock) We are available on all podcasting platforms but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com

Edmund Keith, Simon Baker, and Harvey Hancock discuss the latest news and trends in the real estate marketplace and PropTech sector. They delve into Zillow's recent financial performance, including its revenue and ongoing legal challenges, as well as REA Group's financial year results and strategic investments in innovative companies like Jitty. The conversation also touches on the consolidation of real estate portals in Ireland, highlighting the implications for the market and competition.

Let's go back to 1950s L.A.—actually no, let's not, it was a sucky time for women and minorities, so let's be starkly reminded of that as we revisit L.A. Confidential. Is Guy Pierce wearing slutty little glasses? How much noir is too much noir? Does winning an Oscar make up for the hell Kim Basinger's character goes through in this movie? And why did Kevin Spacey have to turn out to be such a creeper when he had so much talent? Join us as we tussle with these questions and dust off our film studies theorizing.

Hosts Edmund Keith, Harvey Hancock, and Simon Baker discuss the latest developments in the real estate marketplace and prop tech sectors. They delve into...- The ongoing CEO search at REA Group- Recent mergers and acquisitions- The legal battle between Zillow and Compass- The financial performance of major real estate portals.The conversation also touches on the impact of AI on the industry and the future of real estate portals.The excellent Inman article mentioned in the show can be found here: https://tinyurl.com/6yt3849pAnd our loyal listeners can get a discount on tickets for PPW here --> https://tinyurl.com/5n7kyfmc

Harvey Hancock hosts Simon Baker and Simon Bray to discuss the evolving landscape of real estate online marketplaces, focusing on Kleinanzeigen's strategic positioning and the challenges of verticalization in the real estate sector. The conversation explores the importance of a seeker-centric approach, the role of technology in enhancing user experience, and the potential for conversational commerce to improve engagement. The guests share insights on monetization strategies, cultural adaptation in new markets, and the impact of AI on the future of real estate transactions.

Min 4: THE LAST OF US 2: ¿Final rompedor o interruptus forzado? El cierre de la segunda temporada de The Last of Us ha confirmado lo que se intuía desde sus primeros compases: esta serie no está dispuesta a ofrecer consuelo fácil ni verdades absolutas. La adaptación del videojuego de culto de Naughty Dog vuelve a hacer historia con un final tan polémico como desgarrador, fiel a la narrativa que parte a sus personajes —y al espectador— por dentro. El episodio divide a la audiencia entre quienes celebran su audacia emocional y quienes lo ven como una traición a las expectativas narrativas más convencionales. No hay fan service, no hay justicia tradicional. Solo queda la consecuencia, el precio del odio, el eco del amor perdido. NOTA FINAL EDC RAQUEL HERNÁNDEZ: 3,5 estrellas NOTA FINAL EDC ROBERTO LANCHA: 4 estrellas Min 17: EL CAMINO ESTRECHO (MOVISTAR PLUS) Miniserie de cinco episodios estrenada en Movistar Plus+ y Universal+, basada en la novela homónima de Richard Flanagan, ganadora del Premio Booker en 2014. Dirigida por Justin Kurzel y escrita por Shaun Grant, la serie narra la vida de Dorrigo Evans, un cirujano australiano que, durante la Segunda Guerra Mundial, es capturado por los japoneses y obligado a trabajar en la construcción del ferrocarril entre Tailandia y Birmania, conocido como el "ferrocarril de la muerte". La narrativa se desarrolla en tres líneas temporales: antes, durante y después de la guerra, explorando el impacto del conflicto en la vida y la psique del protagonista. Jacob Elordi interpreta a Dorrigo en su juventud, mientras que Ciarán Hinds lo encarna en su vejez. La serie también cuenta con las actuaciones de Odessa Young como Amy, el amor prohibido de Dorrigo, y Simon Baker como el tío de Dorrigo. NOTA EDC: 2,5 estrellas Min 24. LA MEJOR HERMANA (PRIME VIDEO) Basada en la novela homónima de Alafair Burke, la serie está dirigida por Craig Gillespie y Leslie Hope, y protagonizada por Jessica Biel y Elizabeth Banks, quienes también ejercen como productoras ejecutivas. La trama se centra en Chloe Taylor (Biel), una exitosa ejecutiva de medios de comunicación, y su hermana Nicky Macintosh (Banks), una mujer en proceso de recuperación de adicciones. Tras el asesinato del esposo de Chloe, Adam (Corey Stoll), las hermanas se ven obligadas a reunirse y enfrentar secretos familiares ocultos durante mucho tiempo. NOTA EDC: 3'5 estrellas Min 25. DEPT. Q (NETFLIX) Serie de suspense policial recién estrenada en Netflix, basada en las novelas del autor danés Jussi Adler-Olsen. La adaptación, dirigida por Scott Frank (Gambito de dama), traslada la acción a Edimburgo, Escocia, y sigue al inspector Carl Morck (Matthew Goode), un detective brillante pero socialmente complicado, relegado a una unidad de casos sin resolver tras un tiroteo que dejó a su compañero paralítico y a otro agente muerto. Junto a un equipo de inadaptados, Morck se enfrenta a crímenes antiguos mientras lidia con su propio trauma y culpa. NOTA EDC: 4 estrellas Min 32. BSO "FOREVER" (NETFLIX) La banda sonora de la serie Forever destaca por su selección musical ecléctica y emocionalmente resonante, que complementa la narrativa introspectiva de la serie. Compuesta por Daniel Hart, la música original se entrelaza con una cuidada selección de canciones de diversos géneros, creando una atmósfera única que refleja los altibajos de la vida y la muerte.

In this episode, Simon Baker shares his extensive journey with the REA Group, detailing its founding, early challenges, and the evolution of its business model. He discusses the competitive landscape of real estate portals, the importance of vendor paid advertising, and the strategies employed to build relationships with real estate agents. Simon reflects on the lessons learned from international expansion, the challenges faced during his tenure, and the circumstances surrounding his departure from the company. He concludes with insights on the future of real estate portals and the importance of understanding market dynamics.

Simon Baker joins Will and Sabrina to talk about filming in the DCOM "Buffalo Dreams", what is was like being apart of a Disney film and more! See omnystudio.com/listener for privacy information.

On this episode of The Movie Podcast, Daniel, Shahbaz, and Anthony head down under to speak with Jacob Elordi, Simon Baker, Odessa Young, Olivia DeJonge, and Thomas Weatherall of THE NARROW ROAD TO THE DEEP NORTH, a five-part drama series based on Richard Flanagan's Booker Prize-winning novel. Set during and after World War II, the series follows Lieutenant-Colonel Dorrigo Evans, whose brief love affair with Amy Mulvaney haunts him throughout his life—from his time as a prisoner of war to his later years as a celebrated surgeon and war hero. The series is adapted by Writer Shaun Grant and Directed by Justin Kurzel. It stars Jacob Elordi, Odessa Young, Ciarán Hinds, Olivia DeJonge, Simon Baker, Thomas Weatherall, and more. All 5 episodes of THE NARROW ROAD TO THE DEEP NORTH premiere April 18 on Prime Video in Canada, New Zealand, and Australia. Watch and listen to The Movie Podcast now on all podcast platforms, YouTube, and TheMoviePodcast.ca Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Letterboxd Shahbaz on X, Instagram, and Letterboxd Anthony on X, Instagram, and Letterboxd The Movie Podcast on X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to the pod! This week we're heading back to 2011 and the film Margin Call. Now lots of you may have missed this when it first came out but its online popularity has given it a real second wind. We get stuck into some of the best scenes in the film in particular the boardroom sequence where Jeremy Irons lays down the law, we discuss the nature of how money can change an individual, how morality and self preservation can get in the way of each other and what lengths people will go to to ensure survival in their own bubble.How about this for a cast by the way: Kevin Spacey as Sam Rogers, Paul Bettany as Will Emerson, Jeremy Irons as John Tuld, Zachary Quinto as Peter Sullivan, Stanley Tucci as Eric Dale, Simon Baker as Jared Cohen, Demi Moore as Sarah Robertson, Penn Badgley as Seth Bregman, Mary McDonnell as Mary Rogers, Aasif Mandvi as Ramesh Shah. Hell of a shoot out for MVP!There are few redeeming features around any of the characters but we take a look at which characters seem to have some level of moral sensibility - as we rank them on the scumbagometer!Finally we discuss whether a film can become a fine wine through the nature of its online presence and being resurfaced through Youtube! Lots to get into - back with you on Friday with what to watch this weekend!Time to get watching for next week: Into the Wild (2007) Hosted on Acast. See acast.com/privacy for more information.

Raphael acted in his first Broadway play at the young age of sixteen, opposite Faye Dunaway and has since been in five total, including the revival of Ah, Wilderness opposite Jason Robards, and Coleen Dewhurst. At 18, just days after graduating high school, he flew to Chicago to co-star in Risky Business with Tom Cruise. He has gone on to appear in dozens of films, including Independence Day, Message in a Bottle, Vision Quest, Pearl Harbor and The Exorcist Believer. In the coming months, he will be seen in Friendship with Paul Rudd, and The History of Sound with Paul Mezcal.  His resume includes more than 100 guest appearances and series regular roles on network television shows, among them Dr. Hopper and Jiminy Cricket on Once Upon a Time, David Molk on Murder in the First, and The Guardian with Simon Baker and Dabney Coleman. He has recurred on series including Star Trek; Voyager, Dexter, Longmire, 24, and Prison Break. He's also an award-winning director, whose documentary Only in Theaters, was a hit on the Festival Circuit.  

Welcome to Aspects of History's film club. Every month we pick a historical film and chat about it with myself, filmmaker Tim Hewitt and historian Roger Moorhouse. This month it's Cross of Iron starring James Coburn, Maximilian Schell, James Mason and David Warner. We chat about the movie then it's our awards including the much coveted Simon Baker award for best performance. Links Cross of Iron on Wikipedia Cross of Iron on IMDB Ollie on X Tim on X Roger on X Latest Issue out - Annual Subscription to Aspects of History Magazine only $9.99/£9.99 Aspects of History on Instagram Get in touch: history@aspectsofhistory.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, our Managing Director, Simon Baker, is joined by Rennie Sanger, Sales Manager of Off Plan & Investment, to explore the major forces shaping investor behaviour in 2025.They dive into what's driving demand, where the opportunities are, and why timing is everything.Tune in for more!Love our podcast? Got feedback? Send us a text message.Your 2024 market reports by community

In this episode of the PPW pod, host Edmund Keith and Simon Baker engage with Tony Blamey, who shares insights from his extensive career in digital classifieds and his current role leading real estate businesses in Spain. The conversation covers market dynamics, the impact of recent acquisitions, and strategies for growth in the competitive landscape of real estate portals. Blamey discusses the differences between the Australian and Spanish markets, the importance of marketing and product features, and the role of AI in enhancing customer experience. The episode concludes with advice for young professionals and a look at the future goals for Fotocasa and Habitaclia.

Edmund Keith, Simon Baker, and Toby Chapman discuss the evolving landscape of real estate marketplaces, focusing on the role of AI and the potential disruption it poses to traditional property portals. They explore how AI can transform search experiences and the importance of adapting to new technologies to avoid complacency in a rapidly changing market.

ART EXPO NEWS mercredi et vendredi à 9h15 et 12h10. Chronique animée par Julie Gabrielle Chaizemartin, Stéphane Dubreil, Christophe Billard ou Paul Ernst sur l'actualité des expositions et des manifestations culturelles. Cette semaine, Stéphane nous présente l'artiste brésilien Sebastião Salgado. Dans le cadre de l'Année du Brésil, Les Franciscaines présente une exposition exceptionnelle du photographe mondialement connu Sebastião Salgado, réalisée à partir de la collection de la Maison Européenne de la Photographie (MEP) qui entretient avec l'artiste des relations de confiance depuis de longues années. Le parcours plonge les visiteurs dans l'œuvre intense et engagée d'un artiste qui a marqué le monde par la force de ses photographies en noir et blanc. Stéphane a rencontré Simon Baker, directeur de la Maison Européenne de la photo, grand connaisseur de l'œuvre du photographe à l'occasion du vernissage de l'exposition https://lesfranciscaines.fr/fr/programmation/sebastiao-salgado-collection-de-la-mepHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In this episode, Edmund Keith and Simon Baker engage with Toby Chapman from OC&C Strategy to discuss the dynamics of real estate marketplaces. They explore the role of OC&C in the industry, the challenges faced by property portals, and the implications of the REA and Rightmove deal. The conversation delves into vendor paid advertising, the sustainability of traditional business models, and the impact of CoStar on the market. Additionally, they compare the US and UK real estate markets and debate centralized versus decentralized strategies in marketplace operations.

In this episode of the PPW Pod, hosts Edmund Keith, Harvey Hancock, and Simon Baker discuss significant developments in the real estate marketplace and prop tech sectors. The conversation covers CoStar's bid for Domain, the competitive landscape in the rental market between Zillow and CoStar, PropertyGuru's restructuring efforts, and highlights from the ongoing financial reporting season. The episode concludes with insights on CEO changes in the industry and the strategic considerations for selecting new leadership.

Simon Baker and Malcolm McCallion discuss the transformative impact of AI agentic search on the real estate industry.They explore the differences between generative AI and agentic AI, emphasizing the purpose-driven nature of the latter. The conversation delves into how agentic search democratizes property searches, the implications for traditional real estate portals, and the future of search technology, including voice interaction and personalization. They also consider the potential for AI to disrupt existing business models in real estate, leading to a post-aggregator world where consumer experiences are tailored and efficient.

In this episode of the PPW pod, host Edmund Keith and Simon Baker interview Theo Mseka, CEO of Private Property, discussing his extensive career in real estate portals, the challenges of building an Automated Valuation Model (AVM) in South Africa, and the competitive landscape of the real estate market. They explore the impact of regulatory changes, the importance of understanding local markets, and the future plans for Private Property, emphasizing the human element in real estate transactions.

This week, Madeline, Emilio and Julian welcome back piano man extraordinaire and film aficionado Matt Friedman to discuss 'L.A. Confidential', the 1997 Neo-noir directed by Curtis Hanson and starring Russell Crowe, Guy Pearce, Kevin Spacey, and Kim Basinger in an Oscar-winning supporting role.  The group discusses how this movie hits differently if you knew who Crowe and Pearce were upon first watch, how depictions of corrupt police from the 1950s read in 2025, how the film satisfyingly affirms and upends cop archetypes, whether or not Kim Basinger's performance as Lynn Bracken is truly Oscar worthy, and much more!You can check out Matt's incredible band, and see where he is playing next, by visiting their website: https://stilettobandnyc.com/You can also follow Matt and the band on Instagram @stilettobandnycIf you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

Summary In this conversation, Edmund Keith and Simon Baker engage with Christophe de Rassenfosse, discussing the evolution of real estate portals from traditional search engines to engagement platforms. They explore the shift in user behavior towards mobile apps, the importance of consumer engagement, and the concept of a searchless experience. The discussion highlights the need for real estate portals to adapt their business models to prioritize consumer needs and preferences, moving away from outdated practices that focus on maximizing impressions and leads.

In this episode of the PPW pod, host Edmund Keith and Simon Baker talk with Michael Kenner, the co-founder of FazWaz and now MD of Lifull Connect. Mike discusses the ambitious acquisition of Lifull's overseas business and explores the integration of tech-enabled brokerage with real estate portals, the challenges of managing a complex business structure, and the future of vertical search in the real estate market. Michael shares insights on the importance of focusing on core business models, the lessons learned from building a transaction-based business, and the strategic vision for growth and acquisitions in various markets.

“BIIIIIIIIG DAAAAA-DAAAAY!” - Steve, enthusiastically  For this week's FOUR-OR MOVIE Spooktacular selection, we're talking about the last good one from a true horror master, George A. Romero's Land of the Dead! Shouldn't they have dirtied up Simon Baker's handsome-as-hell appearance for this gritty-ish character? Who else wanted, nay, needed, more Dennis Hopper in this movie? How cool is that Priest Zombie head-snap move? Couldn't they have shown us Big Daddy walking underwater like it's a Pirates of the Caribbean movie? And anyone else catch the Tom Savini cameo? PLUS: George A. Romero and M. Night Shyamalan battle over Pennsylvania Film Director Supremacy!    Land of the Dead stars Simon Baker, Dennis Hopper, John Leguizamo, Asia Argento, Robert Joy, Joanne Bland, Tony Nappo, Phil Fondacaro, and Eugene Clark as Big Daddy; directed by George A. Romero. This episode is brought to you in part by Rocket Money! Stop wasting money on things you don't use. Cancel your unwanted subscriptions by going to RocketMoney dot com slash WHM. That's RocketMoney dot com slash WHM. RocketMoney dot com slash WHM. Be sure to head to our website for all ticketing information on our final shows of the year in Seattle, Portland (Oregon) & Boston! And don't miss our worldwide digital event TOMORROW, October 23 where we're talking Scream 4! Can't make it the night of? The show has a 14-day replay window after the broadcast! Make the WHM Merch Store your one-stop shop for all your We Hate Movies merch-related needs! Including new Bus Movie, Night Vision & Too Old For This Shit designs!   Original cover art by Felipe Sobreiro.

Qu'est-ce qu'une archive en 2024 ? Dans notre quotidien numérique, “archiver” ne signifie plus exactement la même chose qu'avant. Pourtant, même derrière un écran, des artistes, des amateurs, des militants, collectent et organisent une mémoire en devenir, celle de ces étranges années 2020, où les concepts d'antan voient leurs définitions brouillées. Thomas Rozec s'entretient avec l'artiste Thomas Mailaender, avec Aden Vincendeau et Simon Baker, de la Maison Européenne de la Photographie, ainsi qu'avec Emmanuelle Bermès et Valérie Schafer, chercheuses et spécialistes de la question des archives. Souviens-toi 2024, est un hors-série Programme B de Thomas Rozec réalisé par Mathieu Thevenon, en partenariat avec La MEP (La Maison Européenne de la Photographie) et Bloomberg Connects dans le cadre de l'exposition « Les Belles Images » de Thomas Mailaender à La MEP à Paris jusqu'au 29 septembre.©La photo est de Quentin ChevrierProgramme B est un podcast de Binge Audio présenté par Thomas Rozec. Réalisation : Mathieu Thevenon. Production et édition : Charlotte Baix. Générique : François Clos et Thibault Lefranc. Identité sonore Binge Audio : Jean-Benoît Dunckel (musique) et Bonnie El Bokeili (voix). Identité graphique : Sébastien Brothier et Thomas Steffen (Upian). Direction des programmes : Joël Ronez. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Nous sommes tous devenus accros aux images. Nous en prenons, nous en regardons, nous naviguons en permanence entre des cascades de photos venues de toute la planète. Des stars, des chats, des hommes politiques ou notre voisine du 4ème étage, toutes et tous défilent sur nos écrans au quotidien. Quelle valeur ont ces images ? La photo comme geste artistique a-t-elle encore un sens en 2024 ? Faut-il seulement se poser la question ? Thomas Rozec s'entretient avec Aden Vincendeau et Simon Baker, de la Maison Européenne de la Photographie, dans les allées de l'exposition Les Belles Images de Thomas Mailaender, ainsi qu'avec Clémentine Mercier, journaliste au service photo de Libération. Souviens-toi 2024 est un hors-série Programme B de Thomas Rozec réalisé par Mathieu Thevenon, en partenariat avec La MEP (La Maison Européenne de la Photographie) et Bloomberg Connects dans le cadre de l'exposition Les Belles Images de Thomas Mailaender à La MEP à Paris jusqu'au 29 septembre.©La photo est de Quentin ChevrierProgramme B est un podcast de Binge Audio présenté par Thomas Rozec. Réalisation : Mathieu Thevenon. Production et édition : Charlotte Baix. Générique : François Clos et Thibault Lefranc. Identité sonore Binge Audio : Jean-Benoît Dunckel (musique) et Bonnie El Bokeili (voix). Identité graphique : Sébastien Brothier et Thomas Steffen (Upian). Direction des programmes : Joël Ronez. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Actor Simon Baker chats about his starring and producing roles in the acclaimed Independent Australian film, LIMBO – the outback noir mystery-crime gem directed by Ivan Sen. Mase & Sue talk with him about his experience working with the Indigenous auteur filmmaker, an intimate crew, authentic undressed location settings, shooting monochromatic, casting local kids, and the relationship between indigenous Australians and white Australians. Also, his first film, LA CONFIDENTIAL, directorial debut, BREATH, seven years on the hit show THE MENTALIST, moving back to his homeland Australia, future projects, and his decision to break from safer conventional roles. Plus, Sue's triathlon training update, Mase's unwanted weight gain, his plan for a body transformation, Oprah and  Charles Barkley using Mounjaro and the new AppleTV+ series PALM ROYALE.