Podcasts about brazuca

Reunimos al Sanedrín para comentar las polémicas que rodean a Vinicius y Mbappé con sus selecciones nacionales. Además, charlamos con el exjugador brasileño Djalminha para entender a qué se debe el menor rendimiento del jugador del Real Madrid con la selección Brazuca. Desde Francia, Andrés Onrubia nos explica las polémicas de la Selección francesa desveladas por L'Equipe.

grupo semente and simone mazzer | pouca chinfra | paulo paddilha | paulo tó | juliano muta | danilo morais | aristides guimarães | luizga and edgar valente | duo chipa garotas suecas | estranhos românticos | andreia dias | arthur melo | alzira e, cortes, ney matogrosso and jerry espíndola | junio barreto | aricia mess | zé manoel | kiko dinucci and ogi | juçara marçal | césar gilcevi | banda gente | a banda dos corações partidos | rodrigo mancusi | the araras | reflézia | filarmônica de pasárgada | vitor cena | barba ruiva |céu | jade baraldo | bel medula.

In this episode, we celebrate samba once again by listing 10 different songs whose subject is the samba itself. A metalinguistic samba so to speak, where the music genre is the character - one would be impressed by how many songs are out there! Among the highlights are Dorival Caymmi's "O Samba da Minha Terra", Zé Keti's "A Voz do Morro", and Novos Baianos' "Na Cadência do Samba" (written by Ataulfo Alves). We also talked about Noel Rosa, Vinícius de Moraes, Nelson Sargento, Paulinho da Viola, Elza Soares, Jair Rodrigues, Alcione, and the mainstream samba ballads. Access our playlist with all these songs on Spotify: Brazuca Sounds Soundtracks.And hey!, you may be interested in two previous episodes, History of Samba in 10 Albums, and History of Samba in 25 Songs. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode, we celebrate the music from the South region in Brazil, from its folklore roots with Teixeirinha, album sales phenomenon Nelson Gonçalves, melancholic-samba pioneer Lupicínio Rodrigues, and the bubblegum-rock early influences of Elis Regina. We also covered the Southern Tropicalia movement, with Os Brasas, O Bando, and Liverpool, and finished with folk-rock artists like Hermes Aquino, Almondegas, Paralelo 30, Carlinhos Hartlieb, Bebeto Alves, Vitor Ramil, blending MPB, folk, nativist sounds and influences from the border with Uruguay and Argentina. Access our playlist with all the songs on Spotify: Brazuca Sounds Soundtracks.The recent floods in the Brazilian South devastated several cities including its capital Porto Alegre due to torrential rainfalls. It's an unprecedented catastrophe, so donate if you can via these NGOs: brazilfoundarion.org and/or CUFA at Cufa.org.br. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This episode is exclusive to subscribers. Access now at patreon.com/brazucasounds In this episode, we celebrate the 50th anniversary of Alceu Valença's debut album as a solo artist, "Molhado de Suor", released by Philips in 1974. Born and raised in Pernambuco, in the Northeast of Brazil, Valença effortlessly blended folklore sounds of his native land, such as forró and baião, with MPB, folk, and rock, creating a cornucopia of psychedelic music. The album aesthetic, combining mastering acoustic guitar and soft percussive elements, makes it both, inherently Brazilian, all at the same time being widely universal. This debut album was a stepping for an artist who would top Brazilian charts in the 1980s with his bold mix of electric guitar and forró. Access our playlist on Spotify: Brazuca Sounds Soundtracks. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

No 144o BlockTalks a gente fala com Tony Fonseca, CEO do Node HUB web3 e CEO do Código Brazuca, que conta como o Rio de Janeiro tem se tornado um polo de educação em web3. Links https://www.linkedin.com/in/antfonseca/ https://codigobrazuca.com.br/ https://www.linkedin.com/company/c%C3%B3digo-brazuca/ https://nodehubweb3.xyz/ https://www.linkedin.com/company/node-web3-hub/ https://instagram.com/tonygarcia.eth https://x.com/voxelminis .. Dante Disparte.. Gustavo Cunha.. Yuval Rooz.. Charles Hoskinson .. Ben O'Hanlon.. Sean Kiernan.. Bob Gravestijn.. Andrea Frosinini.. Rodrigo Caggiano.. Cuy Sheffield

In episode #65 we celebrate the music career of Chico Buarque, who turns 80 years old on June 19th. So what about discussing, playing, or mentioning 80 of his best songs ever released? I think it's a great idea, so we discussed his discography from his early days as a bossa-nova aficionado to his protest songs against the Brazilian military regime, his great songs released in the 80s and 90s, covering his music and songwriting to his more recent work. Not in a particular order, though. We spoke about Chico Buarque's numerous facets: the Troubadour, the Chronist, the Bohemian, the Lover, and the Politician. Access our playlist Brazuca Sounds Podcast Soundtrack. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Arnaldo Antunes, Marcos Valle, Elza Soares, Di Melo, Leny Andrade, Doris Monteiro, Antonio Adolfo e A Brazuca, Lô Borges, Quarteto em Cy, Wilson das Neves e Seu Conjunto, Tânia Maria, Eliana Pittman, Eduardo Araújo, Toni Tornado, Cassiano y Orlandivo.Escuchar audio

In episode #64 we discuss songs censored during the military regime in Brazil (1964-1985). In April 1964, a coup d'etat took over Brazil, and four years later the government adopted even more restrictive measures with the Institutional Act nº5, so every cultural work (films, books, theatre, and music), required prior approval from the government to circulate. We had another episode on this topic on Brazuca Sounds #8. In this episode, we discussed songs censored by the dictatorship whether because of their political lyrics, their "poor taste" against morals, or simply by any rational reason. We also talked about mysteriously NOT censored songs and what the musicians did to accomplish that. Amongst the artists featured on the podcast are Luiz Gonzaga, MPB4, Ivan Lins, Odair José, Tim Maia, Rita Lee, and more. Access our playlist Brazuca Sounds Podcast Soundtrack. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This is a preview for our paid subscribers at Patreon. Subscribe now: patreon.com/brazucasoundsIn episode #63 we discussed the 50th anniversary of Elis & Tom, released in 1974. Elis Regina completed 10 years at Philips, and the record label offered a gift to celebrate the occasion. She chose to record an album performing songs by Tom Jobim featuring the maestro himself. Recorded in Los Angeles, the album rejuvenated bossa-nova, which was slowly beginning to die in the water. Elis Regina conquered all the prestige that she never had despite her popularity, and Tom Jobim achieved mainstream success that he never came close to having in Brazil despite his prestige. The album "Elis & Tom" was recently the subject of a documentary, "Elis e Tom, Só Tinha de Ser com Você", with rare and unseen images from the recording sessions. On this podcast, we're gonna expand on that, with all the backstory about one the greatest albums of Brazilian music history.Access our playlist Brazuca Sounds Podcast Soundtrack. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #62 we discussed the 50th anniversary of Jorge Ben's masterpiece "A Tábua de Esmeralda", released in 1974. After a period of living in France, Jorge Ben got involved with alchemists. Hence, the album is a reflection of its secrets, legends, and fables, including the album's title (a reference to the Emerald Tablet) and the artwork that incorporates drawings from Nicholas Flamel, who was immortalized as a great alchemist for his work on the philosopher's stone. However, it's NOT only about alchemy as Jorge Ben also speaks about black culture in seminal tracks like "Zumbi", his love for women characters like "Minha Teimosia, Uma Arma pra te Conquistar", and more importantly, it is the last Jorge Ben album played entirely with the acoustic guitar. Access our playlist Brazuca Sounds Podcast Soundtrack. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #61 we talk about singer, songwriter, guitarist, actor, and comedy writer Arnaud Rodrigues. One of the most underrated Brazilian musicians from the 1970s, Arnaud has released, at least, three classics under his belt: "Murituri" (1974) released under his name; "Baiano & os Novos Caetanos" (1974), as a duo with comedian wizard Chico Anysio; and "Som do Paulinho" (1976) released under Arnaud's alias as Paulinho Cabeça de Profeta, a music caleidoscope combining Rock, Latin, Funk, Folk, Country and his regional influences from the Northeast, such as Baião e Forró. A comedy writer for the megapopular sketch-TV show "Chico City", Arnaud was perceived by the public mostly as an actor/comedian, which perhaps explains the lack of exposure his music deserved. However, that he was a part-time musician makes him more interesting not less. Access our playlist Brazuca Sounds Podcast Soundtrack. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode, we celebrate the 50th anniversary of Cartola's debut album released in 1974. Nearly 50 years after beginning his career, Cartola released his first album featuring 12 songs of the more than 100 he wrote during his lifetime. Recorded in February and March 1974, the album was released by the independent label Discos Marcus Pereira. We talk about Cartola's upbringing as a musician in the 1920s, his struggles with poverty, health, and death in his family, the rediscovery of his work by bossa and samba enthusiasts in the 1960s, and finally the backstory of the album's making. We analyzed much of the Cartola's lyrics, and the music put together by a great ensemble of Dino 7 Cordas (seven-string-guitar), Meira (guitar) and Canhoto (cavaquinho).Access our playlist Brazuca Sounds Soundtracks. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In this episode, we talk about the record label Continental and their (allegedly) melted albums. After the label ran out of Secos e Molhados LPs to sell in 1973, and the lack of raw material during the global oil crisis (and the Brazilian dictatorship's terrible administration), they decided to melt their back catalog to press them into new Secos e Molhados. Whether is factually hard to prove which albums were melted, is well documented that Arthur Verocai's debut and many of the Continental albums were taken out of circulation. So it leads us to speculate which ones, and those are five albums that we picked to talk about: Heraton Salvanini and his debut "SP/73"; Walter Franco's "Ou Não"; O Pessoal do Ceará only record registered as a group; Terço self-titled second album; and Paulo Bagunça e a Tropa Maldita. Access our playlist Brazuca Sounds Soundtracks. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #58, we continue our celebration of albums released 50 years ago in 1973. This year we made specials about the albums released by João Donato, Marcos Valle, Tom Jobim, Gal Costa, Secos e Molhados, and more. Now is the time to discuss some of the most overlooked albums from 1973, from the brilliant debuts of Luiz Melodia and Gonzaguinha (pictured) to the crazy Northeast psychedelia of Satwa, the rural braziliana of Elomar, samba-rock makers Wando, and Marku, the resurgence of Tom Zé, the almost-forgotten work of Os Tincoãs, and the soul-gospel-psychedelic-funk of Cassiano's second album. All songs are available following our playlist on Spotify "⁠Soundtrack: Brazuca Sounds"⁠. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Ahhh, o Natal! Aquele momento delícia no qual enchemos o rabo de peru, tiramos as passas do arroz e fazemos novas memórias em família! No episódio de hoje, 5 amigas imigrantes se reúnem para jogar conversa fora e fazer uma análise dos costumes e rituais natalinos dos gringos! Então aperte o play e junte-se a nós! Bote seu suéter feio, tome um eggnog e não se esqueça do elfo! ARTE DA VITRINE: Felipe Camêlo Baixe Versão Wallpaper da Vitrine LATE PLEDGE GHANOR - Financiamento coletivo “Tesouros de Ghanor” Aproveite o Late Pledge da campanha Tesouros de Ghanor. REDES SOCIAIS Carolina Andrade - @senhoratroll Pati Mafra - @patimafra1 Francine Gladulich - @fran_gladulich Andreia Pazos - @deiaduboc Agatha Ottoni - @agathaottoni Mande suas histórias, críticas, elogios e sugestões para: canecademamicas@jovemnerd.com.br EDIÇÃO COMPLETA POR RADIOFOBIA PODCAST E MULTIMÍDIA

Ahhh, o Natal! Aquele momento delícia no qual enchemos o rabo de peru, tiramos as passas do arroz e fazemos novas memórias em família! No episódio de hoje, 5 amigas imigrantes se reúnem para jogar conversa fora e fazer uma análise dos costumes e rituais natalinos dos gringos! Então aperte o play e junte-se a nós! Bote seu suéter feio, tome um eggnog e não se esqueça do elfo! ARTE DA VITRINE: Felipe Camêlo Baixe Versão Wallpaper da Vitrine LATE PLEDGE GHANOR - Financiamento coletivo “Tesouros de Ghanor” Aproveite o Late Pledge da campanha Tesouros de Ghanor. REDES SOCIAIS Carolina Andrade - @senhoratroll Pati Mafra - @patimafra1 Francine Gladulich - @fran_gladulich Andreia Pazos - @deiaduboc Agatha Ottoni - @agathaottoni Mande suas histórias, críticas, elogios e sugestões para: canecademamicas@jovemnerd.com.br EDIÇÃO COMPLETA POR RADIOFOBIA PODCAST E MULTIMÍDIA

Ahhh, o Natal! Aquele momento delícia no qual enchemos o rabo de peru, tiramos as passas do arroz e fazemos novas memórias em família! No episódio de hoje, 5 amigas imigrantes se reúnem para jogar conversa fora e fazer uma análise dos costumes e rituais natalinos dos gringos! Então aperte o play e junte-se a nós! Bote seu suéter feio, tome um eggnog e não se esqueça do elfo! ARTE DA VITRINE: Felipe Camêlo Baixe Versão Wallpaper da Vitrine LATE PLEDGE GHANOR - Financiamento coletivo “Tesouros de Ghanor” Aproveite o Late Pledge da campanha Tesouros de Ghanor. REDES SOCIAIS Carolina Andrade - @senhoratroll Pati Mafra - @patimafra1 Francine Gladulich - @fran_gladulich Andreia Pazos - @deiaduboc Agatha Ottoni - @agathaottoni Mande suas histórias, críticas, elogios e sugestões para: canecademamicas@jovemnerd.com.br EDIÇÃO COMPLETA POR RADIOFOBIA PODCAST E MULTIMÍDIA

In episode #57 we discussed three Brazilian rock artists that broke in 1973: Secos e Molhados, Raul Seixas, and Novos Baianos. The debut album of Secos e Molhados was a phenomenon in sales like never seen before; their blend of rock, pop, baroque, and poetry made them the first Beatlemania-esque in Brazil. Raul Seixas and his debut also cemented him as a rock icon that even stands today; Novos Baianos' third record was not as popular as "Acabou Chorare", but strange as it sounds, elevated the group's trademark blend of genres to higher grounds: it's even more samba, and it's even more rock n' roll. Follow our playlist on Spotify: "⁠⁠⁠⁠⁠Soundtrack: Brazuca Sounds⁠⁠⁠⁠⁠". Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #56 we discuss one of the most important Brazilian record labels: Elenco. Founded in 1963 by Aloysio de Oliveira with the ambition of becoming the best bossa-nova label in the country, Elenco (translated into "cast") put together a constellation of big names and released a crazy amount of bossa-nova classics. We'll talk about albums by superstars Vinicius de Moraes, Roberto Menescal, Sylvia Telles, Edu Lobo, Nara Leão, the brilliance of Sergio Ricardo, and some forgotten names such as Lucio Alves, Agostinho dos Santos and Aracy de Almeida. Follow our playlist on Spotify: "⁠⁠⁠Soundtrack: Brazuca Sounds⁠⁠⁠". Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Um pouco sobre minha experiência aprendendo espanhol como terceira língua.   Alguns links: Quanto tempo para aprender português? Qual é o sotaque neutro do Brasil? Como aprender português mais rápido Conteúdo extra: [PDF] Guia completo para aprender português. @philipebrazuca - https://philipebrazuca.com/ Livro: 600 Mini Histórias em Português para Estrangeiros

In episode #55 we celebrate the album "Índia", released by Gal Costa in July 1973. The album's controversial cover was banned by the Brazilian military regime upon its release, but that was just one of the reasons it became so iconic. Gal Costa distanced herself from the Tropicália movement in "Índia" (like all her peers before her), showcasing a more stripped-down sound, influenced by folk (and folklore), blues, baião, Clube da Esquina, and Brazilian standards from samba (Lupicínio) and bossa-nova (João Gilberto/Tom Jobim). Gal Costa even had the time to perform probably the funkiest song ever produced in Brazil with "Pontos de Luz". The album was also a big rupture to Gal Costa's fans at the time, taking her to new levels of popularity and celebrity stardom. Follow our playlist on Spotify: "⁠⁠Soundtrack: Brazuca Sounds⁠⁠". Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #54, we tell the history of the most popular music genre in Brazil connected to the Northeast: forró. We also cover all its subtle variances, in genres like baião, xote, xaxado, and maracatu. We'll talk about key artists in forró such as Luiz Gonzaga, Jackson do Pandeiro, Sivuca, and Dominguinhos, the female queens Marinês and Carmélia Alves, and the megahits from names like Ary Lobo, João do Vale, Genival Lacerda, and Trio Nordestino. Then we follow with all the MPB-mainstream singers influenced by forró, such as Clara Nunes, Gilberto Gil, and Elba Ramalho. Unlike samba and its urban appeal that ultimately became a global phenomenon, forró remained attached mainly to the Brazilian roots, largely disseminated during our festivities in June (Festas Juninas) celebrating St. John Baptiste. Follow our playlist on Spotify to listen to all these songs in full: "Soundtrack: Brazuca Sounds". Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #53 we celebrate the album "Matita Perê" by Tom Jobim, released in May 1973 by Philips. Considered one of the inventors of bossa-nova, Jobim had astronomical success in Brazil and abroad (especially the USA), so for this album, he decided to explore new territories. Produced and arranged by German composer Claus Ogerman, he came up with a complex mix of nature-inspired sounds, Brazilian roots, and erudite music, all encapsulated by the poetry of Guimarães Rosa, although the opening is quite literally a bossa-nova classic: "Águas de Março". The album was released as "Jobim" for the international market, by MCA Records, and also with a different cover. Follow our playlist on Spotify: "Soundtrack: Brazuca Sounds". Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #52 we talk about the album "Milagre dos Peixes" by Milton Nascimento, released in August 1973. Following the success of "Clube da Esquina" in 1972 Milton reunited with his band Som Imaginário to produce a follow-up as good (or better) than his previous masterpiece. "Milagre dos Peixes" had its lyrics heavily censored by the military regime, so it became an experimental endeavor of sonic aspirations and instrumental tracks. We also discussed the album "Matança de Porco", released by Som Imaginário, led by Wagner Tiso. Another fantastic record released in 1973, "Beto Guedes, Danilo Caymmi, Toninho Horta, Novelli" is an obscure but fundamental album from members of the Clube da Esquina's collective. To finish off this episode, we discussed the elemental contributions of Naná Vasconcelos to "Milagre dos Peixes", and his two epic percussive-centric albums released in 1973. All songs are available on our playlist: "Soundtrack: Brazuca Sounds". Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #51 we discussed the impact of soap opera soundtracks on the Brazilian music industry. The scores were very often written/produced by big names such as Roberto Carlos/Erasmo Carlos, Marcos Valle, Baden Powell, and Vinícius de Moraes. We'll be playing songs performed by Osmar Milito, Chico Batera, Banda Black Rio, Lincoln Olivetti, and obscure jams from Kris & Cristina, Sonia Burnier, Ronaldo Resedá, and two soundtrack grandmasters: Waltel Branco and Nonato Buzar. The telenovelas are a big part of Brazilian culture and an invaluable source of material for music enthusiasts. Follow our playlist on Spotify "Soundtrack: Brazuca Sounds". Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #50 we celebrate the album "Previsão do Tempo" by Marcos Valle, released in September 1973 by Odeon. After experimenting with different bands, and a handful of soundtracks under his name, Marcos Valle came up with his album masterpiece according to many critics. Backed up by the trio Azymuth, "Previsão do Tempo" is a blend of Brazilian MPB, with funk, soul, pop, and jazz, with a high volume of political lyrics, written mostly by Marcos and his brother Paulo Sergio Valle. The album was not a mainstream hit upon its release although over time gained a cult status amongst DJs and record collectors. Follow our playlist on Spotify: "Soundtrack: Brazuca Sounds". Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #49, we introduce a new wave of Brazilian music by presenting albums released in 2023 by Iara Rennó (pictured), Rodrigo Campos, and Bike. They all come out of São Paulo, summarizing a great variety of different genres, styles, and sounds historically being produced by the big city. Then we also quickly review the latest work by artists such as Glue Trip (Paraíba), Bala Desejo (Rio de Janeiro), Rafael Martini (Minas Gerais), Lucas Santanna (Bahia), and Criolo (São Paulo). Follow our playlist on Spotify "Soundtrack: Brazuca Sounds". Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #48, we expand on the Brazilian soul and funk from Episode #11 and Episode #12. We put together a list of great albums influenced by soul and funk blended with the touch of regional rhythms. Among the artists discussed are Som Nosso de Cada Dia, União Black, Zeca do Trombone e Roberto Sax, obscure jams by Franko Xavier, Abaeté and Don Beto, and megahits such as "Black Coco" and "Olhos Coloridos". We finished our podcast by celebrating albums released by funk icons Cassiano and Wilson Simonal. Follow our playlist on Spotify "Soundtrack: Brazuca Sounds". Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #47 we celebrate the album "Quem é Quem" by João Donato, released 50 years ago in September 1973. After a terrible divorce, Donato left the United States after 12 years and put together a great group of musicians, songwriters, and producers. A master on the piano (and accordion), "Quem é Quem" also shows João Donato singing for the first time, and playing the Fender Rhodes, encouraged by producer Marcos Valle. A commercial failure upon its release by the record label Odeon, the album gained a cult status over the years. Follow our playlist on Spotify: "Soundtrack: Brazuca Sounds".--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Descobrimos que um dos maiores clássicos da ficção científica é mais aleatório que o nosso podcast. E mais: Todos sabemos que o Casa dos Artistas é maior que todos os BBBs juntos. Os maiores truques pra você ficar com sede no meio de um filme. Estão nos ocultando a verdade sobre os alienígenas no zoológico! Esse episódio foi uma indicação da nossa amiga pessoal, a Aleatórier #18, a Karina Marques! Filme de hoje: Contatos Imediatos do Terceiro Grau (1977) Edição, decoupage e consultoria técnica: Randi Maldonado (@grimoriopodcast) Sonoplastia: André Ávila Quer sugerir um filme e se tornar um Aleatórier? Clique aqui e mande a sua Sessão Aleatória! Clique aqui e saiba mais sobre o Sessão Aleatória. Quer falar conosco? Mande um email para sessaoaleatoriapodcast@gmail.com Twitter e Instagram: @sessaoaleatoria

In episode #46, we talk about Samba-Enredo, a sub-genre of modern samba made specifically for Carnaval. "Samba-enredo" translates literally as samba-theme, played by a samba school to narrate a historical event in a lyrical form. Over the years, however, many of those songs became popular beyond the Carnaval parade in February, even being recorded by famous artists. We introduce you to some of these songs such as "Liberdade, Liberdade", "Festa Para um Rei Negro", "É Hoje", and artists such as Martinho da Vila, Originais do Samba, Simone, Marisa Monte. Among the most popular samba schools are Mangueira, Portela, Salgueiro, Império Serrano, and each group has 70 minutes to present by crossing a 530 metres avenue called the Sambadrome. The drumming section (bateria) of every samba school is composed of around 250-300 musicians playing a variety of percussive instruments. Follow our playlist on Spotify to listen to all songs played in full: "Soundtrack: Brazuca Sounds".--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #45, we tell the history of samba in Brazil over 100 years. From its early days and songwriters like Noel Rosa, Ismael Silva (pictured), and "the singer of the masses", Orlando Silva, to more contemporary samba-makers such as João Nogueira, Candeia, and Zeca Pagodinho. We also play indispensable songs from Cartola, Carlos Cachaça, Adoniran Barnosa, and Bezerra da Silva by discussing the different sub-genres of samba such as Partido Alto, Pagode, Samba-Canção, Samba de Roda, and much more. Also mentioned: Aracy de Almeida, Elizeth Cardoso, Lupicínio Rodrigues, Jamelão, Nelson Sargento, Paulinho da Viola, Beth Carvalho and Fundo de Quintal. Follow our playlist on Spotify to listen to all songs played in full: "Soundtrack: Brazuca Sounds".--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #44, we celebrate the music of Nara Leão by discussing five of her best albums. Amongst one the pioneers of the bossa-nova movement in Rio de Janeiro, Nara Leão transcended the music genre. Considered by many the "Muse of Bossa Nova", Nara decided to distance herself from any label imposed by the media, blending the voice of favelas into her music by recording songs composed by legendary samba songwriters such as Cartola and Zé Keti. Unlike other great singers of her generation, Nara Leão also played the guitar, and was an active voice against the dictatorship in Brazil, including a cameo in the collective manifesto "Tropicalia". Fundamental albums to start: "Nara" (64), "Opinião de Nara" (64), and "Dez Anos Depois" (71). All songs played on this podcast are available following our playlist on Spotify "Soundtrack: Brazuca Sounds".--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #43, we celebrate the life of Pelé through the music that celebrated his football brilliance. During his life playing for Brazil and Santos, Pelé inspired songs from a variety of artists, such as Wilson Simonal, Jackson do Pandeiro, Caetano and, Gilberto Gil. Pelé, who also played the cavaquinho and guitar, was an avid songwriter and released albums partnered up with the likes of Elis Regina and Sergio Mendes. All songs played on this podcast are available following our playlist on Spotify "Soundtrack: Brazuca Sounds".--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Grabaciones del pianista, compositor y arreglista brasileño Antonio Adolfo de sus discos de 2022 'Octet and originals' ('Heart of Brazil', 'Cascavel', 'Pretty world', 'Teletema', 'Feito em casa'), del año pasado 'Jobim forever' ('The girl from Ipanema', 'Inútil paisagem', 'A felicidade', 'Estrada do sol') y de 1971 con A Brazuca ('Panorama', 'Transamazônica'). Escuchar audio

In episode #42, we continue our celebration of albums released 50 years ago in 1972 in addition to classics such as Transa, Clube da Esquina, Acabou Chorare, Tom Zé's self-titled, and Paulinho da Viola's Dança da Solidão. We will wrap up 2022 by listing a few more brilliant albums, from the iconic Arthur Verocai debut (cover) to releases of Lô Borges, Quarteto em Cy, Jards Macalé, Elis Regina, Elza Soares, MPB4, and obscure gems such as duos Nelson Angelo & Joyce and Alceu Valença e Geraldo Azevedo. All songs are available following our playlist on Spotify "Soundtrack: Brazuca Sounds".--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #33 we're celebrating the 80th birthday of Paulinho da Viola by discussing his phenomenal album "Dança da Solidão" (1972). Paulinho elevated samba into the mainstream in the 1970s, rejuvenating the most Brazilian-centric music genre. A brilliant guitarist, with an angelic voice, and poetic lyrics, he is one of the most iconic Brazilian musicians of all time. Paulinho da Viola was born on November 12th, 1942. This episode follows our specials dedicated to the 1942 Club, which also include Milton Nascimento, Gilberto Gil, Caetano Veloso and Tim Maia. Follow our playlist on Spotify "Soundtrack Brazuca Sounds" to listen to all the songs played in full.--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #40 we celebrate the life of Gal Costa by discussing her five best records: Gal Costa (1969), Gal (1969), Índia (1973), Cantar (1974) and Gal Tropical (1979). As an early bossa-nova singer moving from Bahia to Rio de Janeiro, Gal reached her golden era as part of the Tropicalia, a psychedelic-rock counter-culture movement in the late 1960s. In the 1970s Gal Costa explored different genres and styles expanding her boundaries in the experimental "Índia" and the back-to-bossa-nova album, "Cantar", a commercial failure. I will finish this episode off by also revisiting two former episodes, Episode #24 where I explored Gal Costa's live album "FA-TAL (1971)", and Episode #2 where we discussed her connections to the orishas and Bahia. Gal Costa passed away on November 9 at the age of 77. Follow our playlist on Spotify "Soundtrack Brazuca Sounds" so you can listen to all the songs played in full.--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #39 we finish our celebration of Tim Maia's 80th birthday by discussing 80 of his best songs (!!!). In this third and last episode, we talked about my favourite Top 20, from his Polydor-years classics to obscure gems like "Ar Puro" (82), "Verão Carioca" (77) and the mistankely overlooked ballad "Pelo Amor de Deus". We also discussed Tim Maia's mythology covering his fights and no-shows on TV programs and his own concerts. Born on September 28th, 1942, Tim Maia would've turned 80-yo in 2022. LEIA O LIVRO. READ THE BOOK.--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #38 we resume our celebration of Tim Maia's 80th birthday by discussing 80 of his best songs (!!!). In this episode, we talk about his blend of soul, funk and forró, his multi-instrumentalist skills, and a lot of obscure gems including songs from his brilliant 1982 album "Nuvens". We also talk about Tim Maia unforgettable one-liners in Brazilian culture. Born on September 28th, 1942, Tim Maia was a transformative figure in Brazilian music, a pioneer of funk, soul, disco, boogie, and black music in general. LEIA O LIVRO. READ THE BOOK.--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #37 we celebrate the 80th birthday of the great Tim Maia by discussing 80 of his best songs (!!!). Born on September 28th, 1942, Tim Maia was a transformative figure in Brazilian music, a pioneer of funk, soul, disco, boogie, and black music in general. In this episode, we talk about his first singles, his songwriting in English, the adaptations of songs already written, and Tim Maia's conversion to the Racional culture (cult). We'll finish off showcasing his all-time top hits in Brazilian charts, from bangers like "Do Leme ao Pontal" to mellow ballads like "Me Dê Motivo". LEIA O LIVRO. READ THE BOOK. --- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #36 we discussed the influences of Afro-Brazilian religions on the country's music. The podcast will showcase the countless references to Orixás from the Umbanda and Candomblé in Brazilian music, from various genres such as samba, funk, soul, samba-rock, and psychedelia. Some of the artists presented are Paulo Diniz, Jorge Mautner, Antonio Carlos & Jocafi, Os Tincoãs, Wando, Ronnie Von, and the grandmaster of it all, Pixinguinha. Listen to all songs in full in our Spotify playlist: "Soundtrack: Brazuca Sounds".--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #35 we celebrate Caetano Veloso's 80th birthday by discussing his songwriting credits. From Tropicalia, bossa-nova, MPB, samba, Eighties pop, carimbó, and everything else in between. One of the most iconic Brazilian musicians and songwriters of all time, Caetano Veloso was born on July 7th, 1942 in Santo Amaro, Bahia. This episode showcases music recorded by Os Mutantes, Gal Costa, Roberto and Erasmo Carlos, Tom Jobim, Milton Nascimento, Fafá de Belém, and obviously, Caetano's sister Maria Bethania. Follow our playlist on Spotify "Soundtrack Brazuca Sounds".--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

There are so many special things about the FIFA World Cup: the trophy, the fans, the coming together of different cultures, the national teams, the different styles, the pure love of the beautiful game, and one last thing many people seem to disregard most times; the match balls. Match balls are so special and have a huge influence on the game; if you ask football players, they'll tell you. Perhaps the Jabulani ball used at the 2010 World Cup in South Africa is the most influential we have had in recent times. Also, the recent match balls - Brazuca and Al Rihla. And of course, we'll talk about it at some point in this video. Let us dive right into 7 things you didn't know about World Cup match balls.

In episode #34 we continue our series celebrating albums released 50 years ago with the masterpiece "Acabou Chorare", released by Novos Baianos in September 1972. The album was listed as the best Brazilian album of all time by Rolling Stone magazine published in 2007. Inspired by several meetings with Joao Gilberto in the group's communal house outside Rio, the album focused on their Brazilian roots, blending samba, bossa nova, forró, and baião to the psychedelic rock from their debut record. The album showcased a variety of genres and rhythms, and time became one of the most influential records in Brazilian popular music. If you like the show you may wanna listen to our playlist on Spotify: "Soundtrack: Brazuca Sounds".--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #33 we celebrate Gilberto Gil's 80th birthday by discussing his trilogy released in the 1970s. We told the background behind Refazenda (1975), where Gil paid tribute to his Northeastern roots in Bahia after he came from his exile in London; Refavela (1977), a celebration of his African origins after a trip to Nigeria; and Realce (1979), influenced by the disco music and recorded in Los Angeles. One of the most iconic Brazilian musicians of all time, a great guitarist, and exuberant songwriter, Gilberto Gil was born on June 26th, 1942. Follow our playlist on Spotify "Soundtrack Brazuca Sounds" to listen to all the songs played in full. --- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #30 we discussed the psychedelic music coming out of Brazil by listing 10 fundamental albums. Brazilian psychedelia goes way beyond Tropicalia, with its influences not limited to rock but taken elements from Africa, samba, folk, and Brazilian regional rhythms. From percussionist master Pedro Santos to the Afrobeat ensemble Free Son to psychedelic bands such as Os Brazões, Karma, and Modulo 1000, Paulo Bagunça e Tropa Maldita, and the folk-genius Flaviola e o Bando do Sol. Listen to all songs in full in our Spotify playlist: "Soundtrack: Brazuca Sounds".--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In episode #31 we continue our series celebrating albums released 50 years ago. Tom Zé's third self-titled album came out in May 1972, and although it is not his most famous album, it really opened the door to his more experimental endeavors later on in his career. This album confirmed that Tom Zé was probably the most irreverent and creative artist in Tropicalia and beyond, however in 1972 his connection with the movement has been long gone. The album was reissued in 1984 under the name “Se o Caso É Chorar”. If you like the show you may wanna listen to our playlist on Spotify: "Soundtrack: Brazuca Sounds".--- Send in a voice message: https://podcasters.spotify.com/pod/show/brazucasounds/message Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.