Podcasts about Baden Powell

Del disco de Mônica Salmaso 'Minha casa', grabado el 4 de octubre de 2024 en concierto en la ciudad de Belo Horizonte, las canciones 'Saudaçoes' de Egberto Gismonti, 'A violeira' de Jobim y Chico Buarque, 'Quebra-mar' de Dori Caymmi y Paulo César Pinheiro, 'Acalanto' de Teresa Cristina, 'Teleco-teco' de los años cincuenta, 'Paulistana sabiá' de Guinga, 'Morro velho' de Milton Nascimento, 'Assentamento' de Chico, 'Santa voz' de Baden Powell y 'Xote' de Rodolfo Stroeter y Gilberto Gil. Con el grupo francés Beyond Brazilian Stories, de nuevo 'Quebra-mar' y 'Xibaba'. Despide el nonagenario armonicista Mauricio Einhorn -con Paquito D´Rivera al clarinete- y su 'Estamos aí'. Escuchar audio

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie's success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D'Apparecida. Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In episode #90, we explored one of the most revered albums in Brazilian music history. Recorded live between January 3rd and 6th, 1966, Os Afro-Sambas has endured decades of change and upheaval in Brazil's musical landscape. The unlikely duo behind it—Baden Powell, a 24-year-old virtuoso guitarist of poor Afro-Brazilian origins, and Vinícius de Moraes, 51, celebrated white-diplomat songwriter of Garota de Ipanema and Chega de Saudade—first met in a Rio nightclub in 1961. Widely regarded as the first album to fuse bossa nova's signature instruments—guitar, bass, flute—with Afro-religious rhythms, Os Afro-Sambas was born after Baden traveled to Bahia to conduct extensive research in candomblé temples.Recorded in a basement studio in downtown Rio during a torrential rainstorm, the sessions help explain why Vinícius' vocals sometimes sound notably nasal. Or, according to various legends, perhaps because they reportedly went through more than 2,300 bottles of whisky over those four days of recording. In this episode, we took a deep dive into the album's history, analyzing its lyrics, music, and the context of its creation, including audio excerpts from interviews and documentaries.Among the videos I have shared in this episode:Baden Powell plays on the TV show Ensaio - TV Cultura (1967) Baden Powell plays "Tempo de Amor" for Saravah documentaryBaden & Vinícius play Berimbau/Canto de Ossanha (1979)Follow our updated playlist on Spotify: "⁠Soundtrack: Brazuca Sounds⁠". Every song we've ever playedon the show!

L’ émission Intrinsèque de ce mois de février avec: Théo Hakola, Laurie Anderson, Sheila & Hakim, Sanvi Alfred Panou, Baden Powell, Vinicius de Moraes, Nicole Croisille, Clara Nunes, SK1, Tiskur, Deb Players et Ahmed Ben Ali.

Las Hermanas Caronni, Laura y Gianna (violonchelo, clarinete y voces), vuelven con 'El espacio del tiempo', disco para el que han grabado 'Mambo time', 'Oração ao tempo' de Caetano Veloso, 'Volver' de Carlos Gardel y Alfredo Le Pera o 'Vals de la casa'. De Coladera, un proyecto creado por el brasileño Vitor Santana y el portugués João Pires allá por el 2018, y su disco 'La dôtu lado', 'A luz de Yayá', 'Mantafro', 'D´orixá' y la canción que le da título. Del contrabajista Gui Duvignau, en trío de piano y batería, 'Miniature for drums', 'Idée fixe' y 'Deixa' de Baden Powell en su disco 'Live in Red Hook'. La kora de Ballaké Sissoko, el chelo de Vincent Segal, el saxo soprano de Émile Parisien y el acordeón de Vincent Peirani en 'Il camino' y 'Amir' de su disco 'Sou kora'. Escuchar audio

durée : 01:58:52 - par : Thierry Jousse, Laurent Valero - La France a traditionnellement été une terre d'accueil pour les musiciens étrangers, exilés volontaires ou politiques. De Sidney Bechet à Tomas Gubitsch en passant par Joséphine Baker, passage en revue de ces étrangers qui ont largement contribué à la richesse musicale française… - réalisation : Xavier Carrère Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

In this episode, host Steve Roby sits down with Grammy-winning Brazilian mandolin virtuoso Hamilton de Holanda to discuss his innovative approach to the 10-string bandolim, the deep connections between choro and jazz, and his upcoming SFJAZZ performance. Episode Highlights:Hamilton shares his musical upbringing in a family where instruments were his childhood toys, receiving his first mandolin as a Christmas gift at age five in 1981. He discusses the power of the trio format with drummer Big Bel and keyboardist Thiago Alves, calling it the "perfect formation" that allows complete musical freedom.The conversation explores two featured tracks from Hamilton's Latin Grammy-winning live album, recorded in New York City:"Afro Choro" – Composed during the 2020 pandemic as part of a prolific period in which Hamilton wrote over 300 songs, this piece celebrates the African roots of choro music and features a stunning improvisation by saxophonist Chris Potter that bridges Brazilian and American jazz traditions."o1 Byte 10 Cordas" – Inspired by Hamilton's stepson (a tech genius who also plays the 10-string mandolin) and the classic Afro Sambas album by Baden Powell and Vinicius de Moraes, this composition reflects Hamilton's philosophy of bridging tradition and modernity.Hamilton describes his artistic mission as finding "the perfect way to play between the modern and the traditional," a philosophy that extends beyond music into his daily life. Upcoming Performance:Hamilton de Holanda TrioSF Jazz Center – Miner AuditoriumFriday, January 16th at 7:30 PM The trio will perform selections from their Latin Grammy-winning live album plus brand new compositions written during their current U.S. tour. Expect an evening of virtuosic musicianship, deep Brazilian tradition, and fearless improvisation.Get Tickets: https://www.sfjazz.org/tickets/productions/25-26/hamilton-de-holanda-trio/ Keeping Jazz Alive in the 415. We're Backstage Bay Area!

L’émission Intrinsèque de janvier que voici. Avec: Zone Infinie, Julien Préfecture, Mylène Farmer, Jean Pierre Fromage, Lee Perry, King Tubby, Arsenik, Dooz Kawa, Otello Profazio, Maria Violenza & Irtumbranda, Os Maracatu, Baden Powell, The Ladybugs, Pédro Dos Dos & Mr... Continue Reading →

durée : 01:00:11 - Peeble Dance - par : Nathalie Piolé -

Salve! This is a preview of our bonus episode exclusive for paid ⁠subscribers⁠!Every episode is a different song. This is the song today:"Carinhoso" written by Pixinguinha and João de BarrosConsidered one of the most important Brazilian songs of all time, "Carinhoso" was written by flutist/saxophonist Pixinguinha in 1917 as an instrumental piece. However, it was not until the 1930s, with added lyrics by João de Barros and a vocal performance by Orlando Silva, that it achieved its acclaim. A perfect combination between musical structure and poetic narrative, "Carinhoso" is the third most recorded Brazilian song, with iconic performances from Elizeth Cardoso, Baden Powell, Tom Jobim, and more. We told the story behind the lyrics, different arrangements, the ahead-of-time structure, and Pixinguinha, who eventually became one of the most revered music composers from Brazil.

Baden Powell foi um dos maiores violonistas da história. Co-criador do conceito de Afro-Sambas, o músico transitou com maestria por jazz, choro, bossa nova e música erudita, obtendo reconhecimento no Brasil e no exterior. Depois de conhecermos um pouco da história de Baden Powell, vamos ouvi-lo na música Berimbau, considerada o primeiro Afro-Samba.

Welcome back - a message about Scouting from our founder. Thanks for hanging with the podcast as we stumble to get this running smoothly.Take time to nominate a scouter in the Virginia Headwaters Council for the Silver Beaver Award. Nominations are due November 30th and can be sent to: silverbeaver@virginiaheadwaters.org

Da Lata, el dúo que forman Chris Franck y Patrick Forge, celebra 25 años de la edición de su primer disco con 'Edge of the blue' y canciones como 'The lonely city', 'Missing again', 'Musa'', 'Listen', 'Caberá' o 'First rays'. Adelanto del disco 'Nicola Conte presents Viaggio', que se publicará a finales de noviembre, la grabación de 'Brasilia. The sound' del pianista Amedeo Tommasi. Y del disco de Nicola Conte del año 2011, 'Love & Revolution', redditado ahora en vinilo, 'Do you feel like I feel' -con Gregory Porter-, 'Love from the sun' y 'Here' -con José James-, 'Quiet dawn' -con Melanie Charles- y 'The happiness tree' -con Veronika Harcsa-. Por primera ve en nuestros elefantes, el brasileño Phylipe Nunes Araújo con 'Bixin' y 'Ziz', Despide Bebel Gilberto con 'Samba da benção' de Baden Powell y Vinicius de Moraes.Escuchar audio

Take a step back in time to 1907 and discover how Baden-Powell's Brownsea Island Experiment launched the worldwide Scouting Movement. This podcast explores the first Scout camp, where boys from different social classes came together to learn outdoor skills, leadership through the patrol method, and values like the Scout Law and Scout Oath. Learn how this historic camp inspired Scouting for Boys and gave rise to traditions still used by Boy Scouts today. We also explore the first song of Scouting, unity through music, and the enduring legacy of Scouting that began on Brownsea Island over a century ago.

Una cartografía de músicas fronterizas; tradiciones globales (samba, son, chanson) y sensibilidades universalistas.Keren AnnLa sublime solitude – La sublime solitudeMarion Rampal; Naïssam JalalCantilene – CantileneAux fleurs – OIZELGabi HartmannSikolaiko – La femme aux yeux de selALA.NISomething You Said – Something You SaidBabxChevaleresse – Amour ColosseKoopSummer Sun – Waltz for KoopAlfredo Rodríguez; Richard BonaRaíces (Roots) – TocororoTiganá SantanaA Dor & Você – Tempo MagmaRamiro Pinheiro; Alvar MonfortVaidoso – VaidosoGuinga; Dudu SperbChoro Pro Zé – Navegante - Dudu Sperb Recebe GuingaNicola Cruz; Castello BrancoCriançada – SikuBaden Powell; Marcel PowellInterrogando – Interrogando (Ao Vivo)Escuchar audio

Send us a textNashville-based guitarist, vocalist and songwriter Will Paquin joins Al to introduce him to Paulinho Nogueira's 1965 album O Fino do Violão. Will talks about how he got into Brazilian guitar, why he didn't tell anyone about the music he discovered and why he has a particular affinity for Nogueira's music. Will also highlights some of his favorite parts of the album and notes some features that can best be appreciated through active listening. He and Al talk about Will's recently released debut album Hahaha and his upcoming plans.To find Will's music, tour schedule and more, visit his site at https://www.willpaquin.com/ or check out his Bandcamp page at https://willpaquin.bandcamp.com/.You can also find Will at @will.paquin on Instagram and TikTok.Be sure to sign up for the YMAAA Newsletter at youmealbum.ghost.io. The first four episodes of Bonus Tracks—YMAAA's subscriber-only podcast series—are now available at patreon.com/youmealbum. More monthly episodes and other good stuff are soon to come. Please consider subscribing! Your support will make it possible for Al to keep this podcast going.To keep up with You, Me and An Album, please give the show a follow on Instagram at @youmealbum.1:19 Will joins the show1:38 Will talks about how he got introduced to Brazilian music and how that influenced his guitar playing5:33 Will explains how Nogueira's approach is different from other Brazilian guitarists, such as Baden Powell and Luiz Bonfá9:21 Will had second thoughts about discussing this album on this episode11:06 Will explains why Nogueira's style suits him better than Powell's14:54 Will and Al talk about the different moods on the album17:13 Will talks about some of the things one may notice when listening actively to O Fino do Violão24:04 Will has found the album comforting in many moments throughout his life31:56 Will explains why “Largo” sounds different from the other tracks on the album34:15 Will identifies his favorite moments on O Fino do Violão35:50 Will gravitates towards the more spontaneous-sounding tracks37:45 Will explains why he prefers to listen to O Fino do Violão rather than Noguiera's other albums39:54 Will talks about how he and other artists have been influenced by Brazilian music43:17 Al cites some of the other influences that he noted on Hahaha45:30 Does Will want his albums to be cohesive?50:08 Will talks about the decade-long span involved in writing “I Work So Hard”53:19 Will discusses his upcoming tour dates and recording plansOutro music is from “We Really Done It This Time” by Will Paquin.Support the show

Trabajos del pianista brasileño afincado en Europa Henrique Gomide. Del disco 'Amaré', que firma con la cantante Céline Rudolph y el guitarrista João Luís Nogueira, 'Lugar comum' y 'Emoriô', de João Donato y Gilberto Gil ambas, 'Embaixo da imensidão', 'Preciso me encontrar' de Candeia, take 1 y take 2, y 'Abril'. Del disco de Gomide con la violinista Daphné Oltheten, 'Brasis sonhos de là', los temas 'Karatê', de Egberto Gismonti, 'Canto de Xangô', de Baden Powell y Vinicius de moraes, 'Rosa', de Pixinguinha, 'Valsinha'/'João e Maria', de Chico Buarque', y 'Na surdina'. Y dos canciones, 'A la recherche d´une métaphore' y 'Laiaralará', del disco de Céline Rudolph 'Metamorflores'.Escuchar audio

Baden Powell nos dejó el 26 de septiembre de 2000. Nuestro recuerdo a uno de los guitarristas brasileños más influyentes de la historia con grabaciones suyas de 'Valsa de Eurídice', 'Samba triste', 'Deve ser amor', 'O astronauta', 'Jesus, alegria dos homens', 'Choro para metronome', 'My funny valentine', 'Apelo',, 'Canto de Xangô', 'Tristeza e solidão', 'Quaquaraquaqua', 'Samba em prelúdio' y 'Tristeza'. Escuchar audio

In the early 1900s, while serving in the British Army, Lord Robert Baden-Powell laid the foundations for what would become one of the largest international youth movements, Scouting. His vision was to create an organisation that would build friendships, experiences, and skills for life.Gill Kearsley used archive to trace the origins of the movement through Baden-Powell's own words. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Lord Baden-Powell addressing cubs and scouts in 1933. Credit: Getty Images)

... un viaggio autentico alle radici dello ScautsimoParliamo qui del libro-biografia di Baden-Powell, scritto da Philippe Maxence e tradotta in italiano da Attilio Grieco per le Edizioni Scouting.Il testo è stato presentato lo scorso 4 Settembre sul canale YouTube Scout d'Europa-FSE.Ha moderato Marco Platania, Segretario del Centro Studi Scout d'Europa - FSE.Buon ascolto! 

durée : 01:29:50 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Par Jeanne-Martine Vacher - Avec la collaboration de Dominique Dreyfus (journaliste) - Avec Lenine (chanteur), Baden Powell, Roberto Menescal (producteur) et le trio Mocoto (samba rock) - Réalisation Olivier Guérin - réalisation : Massimo Bellini, Vincent Abouchar

He kept a tent pitched in the back garden of his Kensington house

Episódio novo do Dialética do Pop com Heribaldo Maia.

'Vinicius & Os Maestros' es un disco del arreglista y guitarrista Mario Adnet, publicado en 2001, con obras de compositores brasileños a los que puso letra el poeta carioca como Claudio Santoro ('Em algum lugar' con la voz de Tatiana Parra), Moacir Santos ('Triste de quem' con la voz de Joyce Moreno, 'Lembre-se' con la de Dori Caymmi, 'Se você disser que sim' con Joyce Moreno y Sergio Santos) o Baden Powell ('Consolação' cantada por Sergio Santos, 'Samba em prelúdio' -compartida por Dori Caymmi con Tatiana Parra) y dos de las contadas canciones para las que Vinicius escribió la música y la letra ('Medo de amar' que canta Joyce Moreno y 'Valsa de Eurídice' con las voces de Mario Adnet y Tatiana Parra). Con el hijo mayor de Baden Powell, el pianista Philippe Baden Powell, Mario Adnet había firmado unos años antes 'Afrosamba jazz. A música de Baden Powell' con grabaciones instrumentales de 'Canto de Ossanha', 'Ritmo afro', 'Caxangá de Oxalá', 'Canto de Xangô' o 'Berimbau'. Escuchar audio

Il fondatore del movimento scout Baden Powell diceva "Cercate di lasciare questo mondo un po' migliore di quanto non l'avete trovato". Lo si può fare con un podcast? Intanto la Commissione Ue vara il Green deal 2.0, mentre Forza Italia pensa di votare lo Ius Scholae insieme al Pd. ... Qui il link per iscriversi al canale Whatsapp di Notizie a colazione: https://whatsapp.com/channel/0029Va7X7C4DjiOmdBGtOL3z Per iscriverti al canale Telegram: https://t.me/notizieacolazione ... Qui gli altri podcast di Class Editori: https://milanofinanza.it/podcast Musica https://www.bensound.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Acaba de reeditarse 'Puertos de alternativa', disco de 1988 del guitarrista argentino Agustín Pereyra Lucena, referente en su país de la música brasileña. Lo escuchamos al completo: 'Luces de Valeria', 'Pequeño vals' -de Baden Powell-, 'Planicie (El llano)', 'Tema barroco', 'O cego Aderaldo', 'Tres que quedaron', 'Preparativos marítimos', 'Puertos de alternativa' y 'Casi-numbe'. Además, de discos anteriores de Pereyra Lucena, 'Tomara' -de Toquinho y Vinicius de Moraes-, 'Vuelo amazónico' y 'De Oslo a Río'. Escuchar audio

Hace 5 años que el saxofonista y compositor Paul Winter publicó su disco 'Light of the sun' con temas como 'Sun singer', 'Primavera' de Carlos Lyra', 'Canto triste' de Edu Lobo, 'Canyon chaconne' o 'The well-tempered wood trush'. Del disco que grabó hace tres años en el granero de su casa, 'Concert in the barn', escuchamos 'Air', 'Lamento de Aiocá', 'The silence of a candle', 'Icarus' de Ralph Towner, 'Chora coração' de Jobim y 'Moro na roça'/'Lapinha' de Baden Powell. Y para terminar, del homenaje a David Darling, 'River run'.Escuchar audio

Concierto de la cantante y estudiosa Fabiana Cozza en el Teatro Leal de San Cristóbal de la Laguna (Tenerife) el pasado 4 de octubre como parte de la 21ª edición del Festival Tensamba. Toda la riqueza de las expresiones musicales afrobrasileñas en temas como 'Voz guia' y 'Orixá' de Roberto Mendes y Jorge Portugal, 'Ogâ de Ogum', de Moyseis Marques y Luiz Antonio Silva, 'Azul' de Djavan, 'Canto pra Xangô' y 'Canto de Ossanha' de Baden Powell y Vinicius de Moraes, 'Velhos de coroa' de Sérgio Pererê, 'Filhos de Iemanjá' de Vidal Assis o 'Coisa feita' de João Bosco y Aldir Blanc.Escuchar audio

Grabaciones bossa nova en las guitarras de Luiz Bonfá ('Um abraço no Getz' -con el saxofonista Stan Getz-, 'Samba de Orfeu'), João Gilberto ('Um abraço no Bonfá'), Charlie Byrd ('Bim bom', 'Desafinado' -con Stan Getz-), Laurindo Almeida ('Outra vez' -con Stan Getz-), Baden Powell ('Tristeza', 'Canto de Ossanha'), Wes Montgomery ('Insensatez'), Joe Pass ('Meditação', 'The gentle rain' -con el percusionista Paulinho da Costa-), Jim Hall ('Simple samba'), Kenny Burrell ('Minha') y George Benson ('Jackie, all'). Escuchar audio

durée : 00:09:09 - "Berimbau" de Baden Powell (1937-2000) - "Le Bérimbau est un arc musical qui tend une corde sur laquelle on frappe à l'aide d'une baguette. La corde résonne dans une calebasse. C'est l'instrument de la capoeira qui génère des timbres emblématiques, font le son brésilien, la chanson Berimbau évoque cet instrument." Sébastien Llinarès

Compilación de grabaciones del sello Kuarup -que toma su nombre del ritual indígena de memoria- y que se fundó en Río de Janeiro en 1977 con el fin de preservar y promover el patrimonio musical de Brasil: Quarteto Negro ('Folôzinha'), Elomar, Arthur Moreira Lima, Paulo Moura y Heraldo do Monte ('Pedacinhos do céu'), Xangai & Quinteto Paraíba ('Curvas do rio'), Nelson Sargento & Beth Carvalho ('Agoniza mas não morre'), Monarco & Velha Guarda da Portela ('Deixa meu nome em paz'), Raphael Rabello & Dino 7 Cordas ('Odeon'), Sergio & Odair Assad ('Estudo nº 1'), Orquestra do Estado de Mato Grosso & Yamandu Costa ('Concerto fronteira: I. Fiesta'), Ney Matogrosso, Jaques Morelenbaum, Jurim Moreira, João Carlos Assis Brasil & Wagner Tiso ('Suite I na floresta - Melodia sentimental'), Baden Powell ('Samba do avião'), Heraldo Do Monte ('Qui nem jiló'), Teca Calazans & Heraldo do Monte ('Último pau de arara') y Sivuca & Quinteto Uirapuru ('Feira de mangaio').Escuchar audio

373 Making Space and Time To Truly Enjoy Life In life we will often be distracted with things we feel like we have to do: Go to University, get a normal job from 9-5, participate in every extra curricular activity that is presented to us, and in doing so we fail to take into account what we need. We need community, we need to experience the beauty of the world we live in, we need to live not just survive.  In today's episode Sarah Elkins and Joyce Perrin discuss the many adventures they both have lived through and the lessons they learned on their journeys.    Highlights Even across the generations, across cultures, across the globe, we are far more similar than we think. Choosing to create, contribute, and belong in community. When consumed with activity, you will not know how to be at peace and love the world you share with others.  Savor the moments of teaching, do not rush it, you never know how much time you have left.    Quotes “It's not how much you have, it's how much you share and give that really defines you.” “I think these kinds of skills, and giving the children responsibility is a good thing. But what I'm seeing happen is the children are so busy with all their curricular activities plus their homework they have to do, they have very little time to do anything else.”    Dear Listeners it is now your turn, No matter what age you are right now, what is something that you are willing to do that you haven't done before? What's something that's been an itch for you that you haven't been able to scratch? Because now is the time. Don't wait any longer. Don't face regret in your future. If we're going to have the same conversation a year from now and you're going to regret the same things you regret now, then something needs to change.    And, as always, thank you for listening.      About Joyce Joyce Perrin's early fascination with the 1950s Lands and Peoples book series sparked a lifelong curiosity about different countries and cultures. When she represented Canada at an international Girl Guide camp at age 17 and met her role model, Lady Baden-Powell, Baden-Powell's quote, “Happiness comes not from what we have but from what we give and what we share,” became her guiding light. Her nursing career led her into hospital administration and consulting. Still, a life change prompted her to pack up all her belongings at age 57 and embark on a solo global journey across 187 countries and territories. After many years of amazing adventures, she settled in Panama, where she co-founded the Panama Hospice and Respite Foundation. Returning to Canada at age 80, despite several health challenges, including blindness in one eye and breast cancer, Joyce published her book Ants in My Pants: One Woman's Unexpected Adventures Across Seven Continents. Now 88, she resides in Pickering, just east of Toronto, and finds purpose in supporting fellow cancer survivors, volunteering with health teams and encouraging people, through her book and speaking engagements, to pursue their passions, no matter their age. Be sure to check out Joyce's LinkedIn and Facebook! As well as her Website! About Sarah "Uncovering the right stories for the right audiences so executives, leaders, public speakers, and job seekers can clearly and actively demonstrate their character, values, and vision." In my work with coaching clients, I guide people to improve their communication using storytelling as the foundation of our work together. What I've realized over years of coaching and podcasting is that the majority of people don't realize the impact of the stories they share - on their internal messages, and on the people they're sharing them with. My work with leaders and people who aspire to be leaders follows a similar path to the interviews on my podcast, uncovering pivotal moments in their lives and learning how to share them to connect more authentically with others, to make their presentations and speaking more engaging, to reveal patterns that have kept them stuck or moved them forward, and to improve their relationships at work and at home. The audiobook, Your Stories Don't Define You, How You Tell Them Will is now available! Included with your purchase are two bonus tracks, songs recorded by Sarah's band, Spare Change, in her living room in Montana. Be sure to check out the Storytelling For Professionals Course as well to make sure you nail that next interview!

durée : 00:55:57 - « Plus fort que nous » ( Francis Lai / Pierre Barouh) (1966) - par : Laurent Valero - "Tout le monde a dans l'oreille la célébrissime chanson titre du film et son fameux da-ba-da-ba-da & la Samba Saravah de Baden Powell adaptée par Pierre Barouh et notre thème "Plus fort que nous" écrite par Pierre Barouh, composée par Francis Lai dont c'était la chanson préférée !" Laurent Valero

durée : 00:55:57 - « Plus fort que nous » ( Francis Lai / Pierre Barouh) (1966) - par : Laurent Valero - "Tout le monde a dans l'oreille la célébrissime chanson titre du film et son fameux da-ba-da-ba-da & la Samba Saravah de Baden Powell adaptée par Pierre Barouh et notre thème "Plus fort que nous" écrite par Pierre Barouh, composée par Francis Lai dont c'était la chanson préférée !" Laurent Valero

Episode 42 - Carolin Schenuit fights for a transformed economic system that works within the planetary boundaries as engineer, scientist, manager and mother, trying to follow Baden-Powell's motto ‘Leaving the world a better place' Disclaimer: Please note that all information and content on the UK Health Radio Network, all its radio broadcasts and podcasts are provided by the authors, producers, presenters and companies themselves and is only intended as additional information to your general knowledge. As a service to our listeners/readers our programs/content are for general information and entertainment only.  The UK Health Radio Network does not recommend, endorse, or object to the views, products or topics expressed or discussed by show hosts or their guests, authors and interviewees.  We suggest you always consult with your own professional – personal, medical, financial or legal advisor. So please do not delay or disregard any professional – personal, medical, financial or legal advice received due to something you have heard or read on the UK Health Radio Network.

PropsAndPraise everybody as we bring you a special edition of A Cup of J.O.E. with our very special guest Bruce Phillips continuing our Special Brew Selector series!One of my main sonic providers brings his own brew ranging from Baden Powell & Jimmy Pratt to Ray Mantilla.Thank you so so much for joining us so ENJOY!!!! & BLACK LIVES STILL MATTER!!!!Embrace Your Heart & Protect Your PeaceFor more info and tracklisting, visit: https://thefaceradio.com/a-cup-of-j-o-e/Tune into new broadcasts of A Cup of J.O.E, LIVE ,Wednesdays from 9 AM - NOON EST / 2 - 5 PM GMT//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Obras de grandes compositores de la música clásica (Bach, Ravel, Fauré, Chopin, Mompou, Rachmaninov) en grabaciones de Trio da Paz ('Arioso'), Baden Powell ('Jesus alegria dos homens'), Bobby McFerrin ('Ave Maria'), Deodato ('Pavane for a dead princess'), Richard Galliano ('Pavane pour une infante défunte'), Airelle Besson, Edouard Ferlet & Stéphane Kerecki ('Pavane opus 50'), Belmondo ('Après un rêve'), Kenny Drew Jr. ('Waltz in A minor', 'Canción y danza VI'), Gilson Peranzzetta & Mauro Senise ('Confesiones íntimas III'), Charlie Haden Quartet West ('Moment musical opus 16 nº3') y Clay Giberson ('Solfeggio'). Escuchar audio

Stan Getz y Charlie Byrd ('Desafinado'), Herbie Mann ('Samba de uma nota só'), Cal Tjader y Clare Fischer ('Se é tarde me perdoa'), Lalo Schifrin ('Silvia', 'Lalo´s bossa nova'), Herbie Mann y Baden Powell ('Consolação'), Ike Quebec ('Loie'), Luiz Bonfá ('Lamento no morro'), Sergio Mendes ('Tristeza de nós dois', 'Disa'), George Shearing ('Pensativa'), Paul Winter Sextet ('Insensatez'), Coleman Hawkins ('Um abraço no Bonfá'), Zoot Sims ('Recado bossa nova part 1'), Dizzy Gillespie ('Desafinado') y Stan Getz y Charlie Byrd ('Samba triste).Escuchar audio

Bossa nova con grabaciones de Stan Getz y Charlie Byrd ('Desafinado', 'O pato'), Antonio Carlos Jobim, Baden Powell y Herbie Mann ('Samba de uma nota só'), Paul Horn, Cal Tjader, Clare Fischer y Laurindo Almeida ('Se é tarde me perdoa'), Lalo Schifrin ('Silvia', 'Lalo´s bossa nova'), Herbie Mann y Baden Powell ('Consolação'), Ike Quebec ('Loie'), Sergio Mendes ('Tristeza de nós dois', 'Disa'), George Shearing ('Pensativa'), Paul Winter ('Insensatez'), Shorty Rogers, Bud Shank, Shelley Manne y Laurindo Almeida ('Chega de saudade'), Dave Brubeck ('Castilian blues'), Coleman Hawkins ('Um abraço no Bonfá), Luiz Bonfá ('Lamento no morro') y Herb Alpert & The Tijuana Brass ('Desafinado'). Escuchar audio

Un pequeño homenaje al pianista brasileño Osmar Milito, que nos ha dejado hace unos días, con sus grabaciones de 'Up up and away', 'Bonita', 'Que maravilha', 'Viagem', 'Não me diga adeus' y 'Planalto geral'. Un 26 de septiembre se fue para siempre el guitarrista Baden Powell ('Berimbau', 'Deve ser amor', 'Formosa', 'Vou deitar e rolar', 'Samba triste') y otro 26 de septiembre nació Gal Costa ('Minha voz, minha vida', 'Meu nome é Gal', 'Só louco', 'Luz do sol'). Escuchar audio

Episode: 1233 Today, the empire finally takes to the air.  Baden-Powell flies in balloons, airplanes, and even kites.

El influyente guitarrista brasileño nació un 6 de agosto. Recordamos a Baden Powell de Aquino con fragmentos de un texto de Ruy Castro y grabaciones de 'Valsa de Euridice', 'Apelo', 'Chuva', 'Deixa', 'Tanto tempo'. 'Berimbau', 'Consolação', 'O astronauta', 'Deve ser amor', 'Canto de Ossanha', 'Das rosas', 'Lamentos' y 'Samba triste'.Escuchar audio

El 9 de julio de 1980 nos dejó Vinicius de Moraes. Escuchamos canciones del poeta escritas con Antonio Carlos Jobim, Carlos Lyra, Baden Powell y Toquinho y grabadas con María Creuza, María Medalha, Odette Lara, Quarteto em Cy o Toquinho: 'A felicidade', 'Tomara', 'Canto de Ossanha', 'Carta ao Tom', 'Samba da Rosa', 'Regra três', 'Deixa', 'Cotidiano nº2', 'Tarde em Itapoã', 'O velho e a flor/Veja você/Mais um adeus', 'Eu sei que vou te amar', 'Para viver um grande amor', 'Se todos fossem iguais a você', 'Marcha da quarta-feira de cinzas', 'Samba em prelúdio' y 'Samba da benção'.Escuchar audio

This week, we're joined by the extraordinary Andy (@Andy3E) to talk about DS9's 'Valiant', in which Jake and Nog join up with a ship full of children who have all been inducted into a military cult that makes Baden-Powell look like a hippie. Yeah, that's a deep cut for ya. Support our nonsense on Patreon at ⁠⁠⁠⁠https://www.patreon.com/IQST⁠ ⁠⁠⁠ Buy our merchandise at ⁠⁠⁠⁠https://www.teepublic.com/user/i-quit-star-trek⁠⁠⁠

Salve! This is another bonus episode of Brazuca Sounds!Every episode is a different song. This is the song today:"Canto de Ossanha" by Vinícus e Baden from Os Afrosambas (1966)Considered the first recording in Brazilian music to incorporate Candomblé instruments, such as the atabaques, agogô, and afoxé into traditional elements of orchestration. With lyrics written by Vinícus and music composed by guitar virtuoso Baden Powell, "Canto de Ossanha" is one of the most famous songs from Brazil. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.