Podcasts about rca victor

Rabon Delmore never learned to drive a car, so it was always his older brother Alton behind the wheel as they tooled between gigs in the early days of their career during the Great Depression.That routine played a big part in The Delmore Brothers' prolific songwriting life. As he later described it in his autobiography, Truth Is Stranger Than Publicity, Alton would hum melodies while he drove and he and Rabon would harmonize on new verses as they occurred to them.Riding shotgun, Rabon acted as the editor and scribe. He wrote down the words on the fly, adding, deleting and refining the lines to fit the duo's signature syncopated rhythm.Because of this practice, the Delmores' songs were well polished by the time they got to a recording studio to preserve them for later generations of fans. It also gave them an edge in other ways too.Brown's Ferry DebutFor instance, while “Brown's Ferry Blues” wasn't released on record until 1934, the song had began developing in their minds four or five years earlier, and it served as their secret weapon at a crossroads moment in Athens, Alabama: the February 1930 Limestone County Fiddlers' Convention at the Old Athens Agricultural School. The poverty-stricken brothers arrived carrying their guitars in makeshift cases that their mother had sewn out of cotton picking sacks on with their names were painted in pokeberry juice. Facing stiff competition — including a tie-breaker with three heavily favored local girls — their well-honed tune sealed the win.“We had ‘Brown's Ferry Blues' down pretty pat,” Alton wrote in his memoir. “In fact, we could play it then just as good as we ever did... When we did it, the people really went wild and we won that contest without any question or any doubt. And that started us on our way to the Grand Ole Opry and the big record companies.” Whither Brown's Ferry?The title of the tune, incidentally, was inspired by Alton and Rabon's deep roots in northern Alabama, named after an old ferryboat that crossed the Tennessee River about 30 miles south of their home in Elkmount, Ala.Alton's book noted the old crossing was a place he and Rabon loved to visit when they were growing up in their lean years as a tenant farmer's sons.By the way, decades later that peaceful river spot of the 1920s underwent a massive transformation. In 1973, the Tennessee Valley Authority opened the Browns Ferry Nuclear Plant on that exact site, turning the idyllic old-time ferry landing into one of the largest nuclear power facilities in the country.Song LegacyThe song “Brown's Ferry Blues” was a milestone in establishing Alton and Rabon as one of the most influential duos in early 20th century American music history.In December 1933, the Delmores traveled to Chicago for their first recording session with RCA Victor's budget label, Bluebird. “Brown's Ferry Blues” was recorded on the first day and sales quickly made the number a hit.The pair soon became the most popular act on the Grand Ole Opry. Starting in the mid-1930s, they recorded more than 80 sides for Bluebird.The shadow of “Brown's Ferry Blues” followed them. In 1943, when Alton organized an all-star gospel quartet at WLW in Cincinnati alongside Merle Travis and Grandpa Jones, they chose as the group's name “The Brown's Ferry Four.” Flooding the FerryDave Peyton, Roger Samples and Charlie Bowen used to play this tune back in the 1970s when the band was just getting started at the Bowen Bashes.But the song only recently has come back into the Floodipshere. Here it is from a recent rehearsal, featuring Danny Cox's guitar and Jack Nuckols' fiddle. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Show #1153 Some More History 01. The Dynatones - History Is Made At Night (4:04) (Chopped & Channeled, Ricter Records, 1991) 02. King King - A Long History Of Love (7:17) (Standing In The Shadows, Manhaton Records, 2013) 03. Al Anderson - No Place In History (3:29) (Pay Before You Pump, Imprint Records, 1996) 04. The McNaMarr Project - History (5:02) (Holla and Moan, self-release, 2019) 05. Propellerheads - History Repeating (ft. Shirley Bassey) (4:02) (Decksandrumsandrockandroll, Wall Of Sound Records, 1998) 06. Jeau James - Is This History (4:40) (Fated, LordVinyl/Forty Below Records, 2023) 07. DownTown Mystic - History (2:50) (Mystic Highway, Sha-La Music, 2025) 08. Chris O'Leary Band - History (6:13) (Waiting For The Phone To Ring, VizzTone/Fidellis Records, 2012) 09. Take The 55 - Long Black Veil (4:39) (Rhythm Secrets, self-release, 2026) 10. The Band - Long Black Veil (3:01) (Music From Big Pink, Capitol Records, 1968) 11. Lefty Frizzell - Long Black Veil (3:03) (45 RPM Single, Columbia Records, 1959) 12. Johnny Rivers - Long Black Veil (2:24) (The Sensational Johnny Rivers, Capitol Records, 1964) 13. Harry Manx - Long Black Veil (4:41) (Johnny's Blues - A Tribute to Johnny Cash, NorthernBlues Music, 2003) 14. Johnny Cash & Joni Mitchell - Long Black Veil (2:44) (The Johnny Cash Show 1969, from YouTube video) 15. The Chieftains (ft. Mick Jagger) - Long Black Veil (3:33) (The Long Black Veil, RCA Victor, 1995) 16. 7er Jungs - Long Black Veil (2:19) (An International Underground Tribute to the Man in Black, Rebellion Records, 2005) 17. Marijohn Wilkin - My Long Black Veil (3:22) (...And The Answer Is, Bear Family Records, 1994) 18. Trevor B. Power Band - Puddles Of Blood (5:47) (Two Crows, Farm 189 Records, 2026) 19. The Name Droppers - Talk Dirty (3:35) (Let's Live Together, Horizon Music Group, 2026) 20. Guy Davis - Deep Sea Diver (1:54) (Fight On! True Blues Vol. 2, Yellow Dog Records, 2026) 21. Alvin Youngblood Hart - If The Blues Was Money (3:43) (Fight On! True Blues Vol. 2, Yellow Dog Records, 2026) 22. Corey Harris - What's That I Smell (2:50) (Fight On! True Blues Vol. 2, Yellow Dog Records, 2026) 23. Scott Henderson - Milk Bone (5:45) (Dog Party, Mesa Records, 1994) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

This week, hosts Jim DeRogatis and Greg Kot dig into Willie Nelson's vast catalog of 150+ albums. Along with author Geoffrey Himes, they highlight the “five essential” albums people should hear. They also review the latest album from Kacey Musgraves.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Willie Nelson, "Stardust," Stardust, Columbia, 1978The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Kacey Musgraves, "Dry Spell," Middle of Nowhere, Lost Highway, 2026Kacey Musgraves, "Middle of Nowhere," Middle of Nowhere, Lost Highway, 2026Kacey Musgraves, "Horses and Divorces (featuring Miranda Lambert)," Middle of Nowhere, Lost Highway, 2026Kacey Musgraves, "Uncertain, TX (featuring Willie Nelson)," Middle of Nowhere, Lost Highway, 2026Willie Nelson, "Blue Eyes Crying in the Rain," Red Headed Stranger, Columbia, 1975Willie Nelson, "Phases and Stages (Theme) / Washing the Dishes," Phases and Stages, Atlantic, 1974Willie Nelson, "Bloody Mary Morning," Phases and Stages, Atlantic, 1974Willie Nelson, "Help Me Make It Through the Night," Sings Kristofferson, Columbia, 1979Willie Nelson, "Georgia On My Mind," Stardust, Columbia, 1978Willie Nelson, "I Guess I've Come to Live Here in Your Eyes," Spirit, Island, 1996Willie Nelson, "On the Road Again (Live)," Live! At The US Festival (June 4, 1983), Shout! Factory, 1983Willie Nelson, "Last Man Standing," Last Man Standing, Legacy, 2018Willie Nelson, "Always on My Mind," Always on My Mind, Columbia, 1982Gary Stewart, "She's Actin' Single (I'm Drinkin' Doubles)," Out of Hand, RCA Victor, 1975See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Envíanos tus comentarios por Fan Mail."¡Una… dos… y tres… Qué paso más chévere!"... ¿Quién no ha bailado o repetido esta frase? Detrás de la conga más famosa de todos los tiempos se encuentra el ingenio de Rafael Ortiz, cariñosamente conocido como Mañungo. En este episodio, Gaspar Marrero nos revela la historia de este músico excepcional: desde su infancia en un ambiente de rumba en Cienfuegos hasta su consagración como director del histórico Septeto Nacional.Exploramos su faceta como guitarrista, cantante de Arcaño y sus Maravillas y compositor prolífico de boleros, sones y guarachas que marcaron una época. Además, en nuestro Calendario Musical, recordamos a figuras como Pepé Delgado, Doris de la Torre y el bolerista Orlando Contreras.Banda Sonora del Episodio (Joyas Completas):Disfruta de tres interpretaciones íntegras que son patrimonio de nuestra cultura:·       "Mi son vueltabajero" – Orlando Contreras con la Orquesta de Neno González: Un registro imprescindible de la etapa previa de Contreras como solista, demostrando su versatilidad en los géneros movidos.·       "Ven, cosa buena" – Orquesta América del 55: Una vibrante guaracha de la autoría de Rafael Ortiz, grabada originalmente para el sello Seeco en 1958.·       "Una, dos y tres" – Septeto Favorito: Cerramos con la conga cubana por excelencia. La versión original de Rafael Ortiz en la voz de Ana María García que también contribuyó a inmortalizar el "paso chévere" en el imaginario popular.Ilustraciones Sonoras y Momentos Clave:Acompañamos la narración con fragmentos que dibujan la carrera de Mañungo y sus contemporáneos:·       El romanticismo de Pepé Delgado en la voz de Roberto Faz con Dueña de mi corazón.·       La elegancia de Doris de la Torre y su inolvidable versión de La renuncia.·       Rafael Ortiz como compositor de boleros profundos: Muy junto al corazón, por la Orquesta Aragón, y Dame un trago, tabernero, en la voz de Abelardo Barroso.·       La etapa de Mañungo como compositor guarachero: Zapatero remendón, al estilo de Manuel Licea Puntillita y Ratón de velorio con Pepe Merino y el Conjunto Gloria Matancera.·       La anécdota de su debut juvenil en Cienfuegos y su llegada a La Habana para tocar en el cabaret "El Infierno".·       Sus éxitos internacionales como El plato roto, popularizado por Miguelito Valdés.Fuentes y Archivos:Este episodio rescata una entrevista personal realizada a Rafael Ortiz en 1982 y se apoya en grabaciones históricas de los sellos Seeco, Panart y RCA Victor.¿Conocías la historia detrás de "Una, dos y tres"?¡Comparte tus recuerdos con nosotros! Haz clic en el enlace de abajo para enviarnos tus comentarios a través de nuestro Fan Mail.

We're on the final week on our Crime Classics series on Thursday, and today we've got a fun late-era episode of The Phil Harris–Alice Faye Show from March 1954 to feature the comedy work of Elliott Lewis. The police are after Phil for something, and of course he is hiding under the porch. All of the usual over-the-top Harris-Faye madness ensues from there. You'll also hear RCA Victor ads up front, plus a few interesting notes about changes behind the scenes during the show's final season. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

#563 "This Is It!" - Side B - RCA Victor - 31.898 from 1967 - South Africa Jim Reeves by Jim Reeves

Here is the blurb for this episode: In this episode of "The Choral Director's Toolbox," Dr. Jamea Sale explores "Helping Singers Condition for Athletic Singing," examining the science of vocal endurance through the lens of exercise physiology and voice research. Drawing on principles of vocal load management, respiratory coordination, laryngeal efficiency, and recovery, Dr. Sale explains how singers can build sustainable endurance for demanding repertoire and performance schedules. From semi-occluded vocal tract exercises to structured rehearsal pacing, this practical discussion offers choral directors and singers concrete strategies for developing healthy, resilient voices. In today's listener question, Dr. William Baker responds to concerns about burnout and work-life balance in the demanding world of choral leadership. With warmth and perspective, he reflects on gratitude, intentional rest, and the importance of remembering why we chose this life in music. Today's inspiration is Alice Parker's arrangement of "A Charge to Keep," performed by the Robert Shaw Chorale from their 1967 RCA Victor recording "Sing to the Lord," a sturdy and deeply expressive setting of Charles Wesley's timeless hymn text. Join us for an encouraging and insightful episode on endurance, recovery, and sustaining both the voice and the spirit in a lifetime of choral music. Submit your question to The Choral Director's Toolbox by writing to us at Toolbox@FestivalSingers.org.

#562 "This Is It!" - Side A - RCA Victor - 31.898 from 1967 - South Africa by Jim Reeves

#561 "Nobody's Fool" And Other Great Hits - Side B - RCA Victor - 38.237 from 1970 - South Africa by Jim Reeves

Envíanos tus comentarios por Fan Mail.En este capítulo, Gaspar Marrero nos transporta a la Era de los Conjuntos para rescatar la figura de Juan González Sosa, conocido por todos como Nelo Sosa, dueño de una voz potente y melodiosa, ideal para una época de metales fuertes y ritmos contagiosos.Exploramos su paso por el Conjunto Casino, su decisión de salir del grupo luego del ingreso de Roberto Faz y la curiosa historia del Conjunto Colonial, una agrupación que nació como un "conjunto fantasma" para competir en el mercado del disco. Además, rendimos homenaje en nuestro Calendario Musical a El Niño Rivera, Mariano Mercerón y el gran Roberto Faz.Banda Sonora del Episodio (Joyas Completas):En esta entrega, podrás disfrutar de tres interpretaciones íntegras que marcaron pauta en la radio y las victrolas:·       "Nadie baila como yo" – Roberto Faz y su Conjunto: Un son montuno de Pío Leiva donde Faz demuestra por qué fue uno de los soneros más grandes de Cuba.·       "Cepillando" – Nelo Sosa con el Conjunto Colonial: Una guaracha de Senén Suárez que fue incluida en sus grabaciones iniciales con Panart.·       "La muñeca" – Nelo Sosa y su Conjunto Colonial: Grabación de septiembre de 1952. Una guaracha de Tony Tejera que muestra el registro impecable y el sabor de Nelo en su etapa de madurez.Ilustraciones Sonoras y Momentos Clave:Acompañamos la narración con fragmentos que definen una época:·       El virtuosismo con el tres de El Niño Rivera y su aporte al movimiento del filin.·       La etapa de Mariano Mercerón y sus Muchachos Pimienta desde Santiago de Cuba.·       Los duetos románticos de Nelo Sosa con Roberto Espí, ejemplificados en el bolero Poquito a poco (1943).·       La génesis del Conjunto Colonial y la estrategia discográfica de Panart para competir con los discos RCA Victor del Conjunto Casino.·       El estilo de Nelo en géneros como el bolero y la guaracha con temas como Cosas del alma y Yo sé qué será.Fuentes y Archivos:Este episodio incluye registros fonográficos de los sellos RCA Victor y Panart, rescatando la memoria sonora de Nelo Sosa, quien falleció en 2001.¿Cómo calificas la voz de Nelo Sosa en comparación con otros grandes de la época?¡Déjanos tu opinión! Haz clic en el enlace de abajo para enviarnos tus comentarios a través de nuestro Fan Mail.

#560 "Nobody's Fool" And Other Great Hits - RCA Victor - 38.237 from 1970 - South Africa by Jim Reeves

Envíanos tus comentarios por Fan Mail.A sugerencia de nuestra audiencia en Perú, Gaspar Marrero dedica este episodio a una agrupación de trayectoria breve pero significativa: el Conjunto Niágara. Fundado originalmente como septeto por el tresero Ángel Vilches en 1940, esta agrupación matizó la década dorada de los conjuntos cubanos con un estilo que muchos comparan con la escuela del Conjunto Kubavana.En este capítulo, recorremos sus giras por Panamá y México, el cambio de dirección con la entrada del pianista mexicano Álvaro Ruiz del Hoyo y su paso por el Hotel Nacional de Cuba, además de rendir tributo a figuras como Ricardo García Perdomo, Guillermo Portabales y el maestro Javier Vázquez.Banda Sonora del Episodio (Joyas Completas):Disfruta de tres interpretaciones íntegras que capturan la esencia bailable y romántica de la época:·       "Corta y clava" – Conjunto Jóvenes del Cayo: Una vibrante guaracha de Javier Vázquez en la voz de Domingo Vargas, que ilustra el talento de uno de los orquestadores más importantes de Cuba.·       "Comprensión" – Conjunto Niágara: Grabación del sello Panart de noviembre de 1948, el bolero cumbre de Cristóbal Dobal interpretado por las voces de Nelo Sosa y Alfredo León.·       "Que no se acabe el bongó" – Conjunto Niágara: El cierre perfecto para este episodio. Una guaracha de Homero Jiménez grabada para la RCA Victor en julio de 1945, con las voces de Rubén González y el propio autor.Ilustraciones Sonoras y Momentos Clave:A lo largo del episodio, escucharemos fragmentos que marcan hitos en el calendario musical cubano:·       El nacimiento del bolero Total de Ricardo García Perdomo, un éxito que tardó diez años en explotar.·       La voz eterna de Guillermo Portabales en su clásico El carretero.·       La transición del Niágara de sexteto a conjunto y la llegada del cantante Rubén González, quien luego partiría hacia Nueva York con Anselmo Sacasas.·       Rarezas discográficas del sello Victor, incluyendo el pregón son Llegó Dieguito.Fuentes y Archivos:Este episodio se apoya en los registros fonográficos de los sellos RCA Victor y Panart, así como en las reediciones de Tumbao Cuban Classics.¿Conocías la historia del Conjunto Niágara?¡Queremos saber tu opinión! Haz clic en el enlace de abajo para enviarnos tus comentarios o sugerencias a través de nuestro Fan Mail.

Sintonía: "Line for Lyons" (Mulligan) - Gerry Mulligan - Paul Desmond Quartet (Verve,1958) 1.- Two of a Mind (Desmond) 2.- Blight of the Fumble Bee (Mulligan)Las dos piezas extraídas del álbum "Two of a Mind" (RCA Victor, 1962), que reunía a los saxofonistas Paul Desmond y Gerry Mulligan 3.- Blues In Time (Desmond) 4.- Stand Still (Mulligan) 5.- Battle Hymn Of The Republic (Desmond)6.- Fall Out (Mulligan)7.- Wintersong (Desmond)Las 5 piezas extraídas del álbum "Gerry Mulligan - Paul Desmond Quartet" (Verve,1958). En posteriores reediciones, el título fue sustituido por el de "Blues in Time"Todas las músicas compuestas (a quien corresponda) e interpretadas por Paul Desmond (saxo alto) y Gerry Mulligan (saxo barítono)Escuchar audio

A partir de 2026 este podcast va a estar disponible en Spotify únicamente en audio.Si querés ver mi contenido con imagen, sigo publicando en mi canal de YouTube:

#546 Jim Reeves You Are My Darling - Side B - RCA Victor LPM-10057 - 1963 - Germany by Jim Reeves

"Vladimir Horowitz Plays Great Sonatas" is culled from the legendary virtuoso's Columbia Masterworks and RCA Victor catalogs, and features selections ranging from the Baroque era to mid-20th century works that are strongly identified with the pianist. Although most of the performances can easily be sourced outside of this collection, piano mavens still will want to know about this ten-disc set, which can be obtained from second-hand dealers: https://www.amazon.com/Vladimir-Horowitz-Plays-Great-Sonata/dp/B0056K4V2M

#544 The Jim Reeves Christmas Show (Including Jim's RCA Victor album 12 Songs Of Christmas, LSP-2758) by Jim Reeves

#543 Jim Reeves You Are My Darling - Side A - RCA Victor LPM-10057 - 1963 - Germany by Jim Reeves

The first chord hits and the room lifts. That's the magic Robbie Johnson chases with his country-flavored take on You Shook Me All Night Long—faithful to AC/DC's fire, sparking new life with a searing fiddle solo and tasteful B3 that make crowds throw their hands up without missing the original's bite. We dig into how Robbie and producer Danny Rader protected the heart of the song, why restraint can be a power move in the studio, and how a great mix turns memory into momentum.From there, we wander Nashville's storied halls—Ryman, Union Station, RCA Victor—and trade stories about haunted spaces, legendary sessions, and the way a room shapes a record. Robbie opens up about a chilling encounter from his childhood, and we test the line between superstition and stagecraft. It's a perfect bridge into a bigger theme: places, people, and production choices that define country music's feel.We also get candid about the current landscape. Alan Jackson's farewell celebration, Clint Black's BMI Icon moment, and the Zach Bryan effect—why raw, imperfect recordings can feel truer than polished gloss. We unpack streaming's role in widening country's lanes, how Luke Combs and Chris Stapleton shifted radio's center of gravity, and why wordplay winners like Bar, None stick. The mailbag brings sharp opinions on small venues versus stadiums, the resurgence of vinyl and liner notes, and AI's looming influence on songwriting and sound design. Through it all, we keep returning to what lasts: honest lyrics, smart arrangements, and performances built for sing-alongs you can feel in your chest.Episode LinksChris Lusinger: https://jayfranze.com/episode17/Paul Leim: https://jayfranze.com/episode48/Andy Hull: https://jayfranze.com/episode81/Robby Johnson: https://jayfranze.com/episode95/High Mountain Breezes: https://jayfranze.com/episode113/Send us a text Support the showLinks Jay Franze: https://jayfranze.com/ JFS Country Countdown: https://jayfranze.com/countdown/ Contact Contact: https://jayfranze.com/contact/ Socials Instagram: https://www.instagram.com/jayfranze TikTok: https://www.tiktok.com/@jayfranze X: https://x.com/jayfranze YouTube: https://youtube.com/@jayfranze Services Consulting: https://jayfranze.com/services/ Books Books: https://jayfranze.com/books/ Merchandise Merchandise: https://jayfranze.com/merchandise/ Support Support: https://jayfranze.com/support/ Sponsor the Show: https://jayfranze.com/sponsor/

Words taken from From the article written by Aaron Gonsher of the NYC Times. My tribute was turning this into a podcast. I've vocalised some of my comments. No credit needed for me here just pulled it together as a tribute show. On Valentine's Day in 1970, David Mancuso hosted a private party called Love Saves the Day in his loft at 647 Broadway in New York, a few blocks north of Houston Street. He was an audio obsessive with a voracious appetite for spiritual sounds and a profound sense of community, and the event was an opportunity to bring together friends in a setting unfettered by commercial demands, or the restrictions of their outside lives. Tracks Chuck Mangione featuring Esther Satterfield, ‘Land of Make Believe' (A&M, 1973) Les Troubadours du Roi Baudouin, ‘Missa Luba' (Philips, 1958) Andwella, ‘Hold On to Your Mind' (Reflection, 1970) Nina Simone, ‘Here Comes the Sun' (RCA/Victor, 1971) War, ‘City, Country, City' (United Artists, 1972) Manu Dibango, ‘Soul Makossa' (Fiesta/Atlantic, 1972) MFSB, ‘Love Is the Message' (Philadelphia International, 1973) Blackbyrds, ‘Walking in Rhythm' (Fantasy, 1975) Ashford & Simpson, ‘Stay Free' (Warner Bros., 1979) Steve Miller Band, ‘Macho City (Long Version)' (Capitol, 1981) Code 718, ‘Equinox (Heavenly Club Mix)' (Strictly Rhythm, 1992) Karma, ‘High Priestess' (Groove Attack Productions, 1995) I hope you enjoy the journey. Dedicated to those that know x

Hosts Jim DeRogatis and Greg Kot speak with David Browne, author of the book Talkin' Greenwich Village: The Heady Rise and Slow Fall of America's Bohemian Music Capital.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Phil Ochs, "Here's to the State of Mississippi," I Ain't Marching Anymore, Elektra, 1965The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Sonny Rollins, "Softly As In A Morning Sunrise (Live At The Village Vanguard, 1957 / Evening Take)," The Complete Night At The Village Vanguard, Blue Note, 2013Miles Davis, "Stablemates," Miles: The New Miles Davis Quintet, Prestige, 1956Joan Baez, "Wildwood Flower," Joan Baez, Vanguard, 1960John Coltrane, "Greensleeves," Evenings at the Village Gate: John Coltrane with Eric Dolphy, Impulse!, 2023Paul Butterfield, "Everything Gonna Be Alright," Live New York 1970, RockBeat, 2015Phil Ochs, "Talking Vietnam Blues," All the News That's Fit to Sing, Elektra, 1964Dave Van Ronk, "He Was a Friend of Mine," Folksinger, Prestige, 1962Dave Van Ronk, "Dink's Song," Dave Van Ronk Sings, Folkways, 1961Bob Dylan, "House of the Risin' Sun," Bob Dylan, Columbia, 1962Dave Van Ronk, "House of the Rising Sun," Just Dave Van Ronk, Mercury, 1964The Blues Project, "Catch the Wind," Live at the Cafe Au Go Go, Verve Folkways, 1966Bob Dylan, "It Ain't Me Babe," Another Side of Bob Dylan, Columbia, 1964Bob Dylan, "Hurricane (Live at Memorial Auditorium, Worcester, MA, November 1975)," The Rolling Thunder Revue: The 1975 Live Recordings, Columbia, 2019Len Chandler, "Bellevue," To Be a Man, Columbia, 1966Peter, Paul and Mary, "Where Have All the Flowers Gone," Peter, Paul and Mary, Warner Bros., 1962Sonny Rollins, "I Can't Get Started (Live At The Village Vanguard, 1957 / Evening Take)," The Complete Night At The Village Vanguard, Blue Note, 2013The Roches, "Speak," Speak, MCA, 1989Buffy Sainte-Marie, "It's My Way," It's My Way!, Vanguard, 1964Odetta, "I Never Will Marry," Odetta Sings Folk Songs, RCA Victor, 1963Drive-By Truckers, "Ronnie and Neil," Southern Rock Opera, Soul Dump, 2001See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Expulsado en el punto más alto de su gloria, Dámaso Pérez Prado pasó de llenar teatros a ser cruelmente traicionado. Hoy te cuento la verdad detrás de su exilio. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

THE PROGRESSIVE TRACKS SHOW #634 (“How Do YOU Sleep?”) Times are weird… as are Mike's current sleep habits. So how are YOU sleeping with everything that's going on? This week Mike curates a musical imitation of sleep… but to what end? ———————————————————————————————————————————— PLAYLIST: The Youngbloods – “Darkness, Darkness” from Elephant Mountain on RCA Victor (1969) […]

Salve! This is a trailer for our bonus episode exclusive for ⁠paid subscribers⁠!Every episode is a different song. This is the song today:"Lotus 72D" by Zé RobertoThe Lotus 72D was the Formula 1 World Championship-winning car driven by Emerson Fittipaldi in 1972. Inspired by watching the 1973 Brazilian Grand Prix in his hometown of São Paulo, an up-and-coming singer-songwriter penned a song about the iconic car. Released as a single by RCA Victor, the track failed to gain much attention at the time. However, a sped-up version of the original resurfaced online in the 2000s, sparking renewed interest. In this episode, we attempt to unravel the mystery behind Zé Roberto and his recording of "Lotus 72D."

Violeta Parra needs no introduction in Latin America: not only did she record the greatest album in Chilean history, she also collected two thousand folk songs, danced in the Poor Circus, sang in the streets, and --incredibly-- exhibited at the Louvre. Over the years she also broke ...*checks notes*... 48 guitars over people's heads. Discover the larger than life story of Violeta Parra with our guest Ericka Verba, author of Thanks to Life, A Biography of Violeta Parra. _______________________ Travel with us! What'sHerName TOURS are open for registration. Or check out the What'sHerName SHOP! Every bit helps us make more episodes. Music featured in this episode: Violeta Parra recorded by Alan Lomax in 1953 in the Lomax Digital Archive; Puerto Montt is Trembling, and Gracias a la Vida by Violeta Parra; Las Hermanas Parra recored for RCA Victor in 1952; Corazon Maldito and El Guilatun by Desborde; Pink Flamenco by Doug Maxwell; Sus Remedios by Casa Rosa; Cha Cha Chango by Quincas Moreira; Despair and Triumph by Kevin MacLeod; Spirit of Fire by Jesse Gallagher. Learn more about your ad choices. Visit podcastchoices.com/adchoices

More than two years and nearly two hundred episodes ago, I published an episode on the great Italian tenore di grazia Cesare Valletti. Today I revisit his recorded legacy, focusing on his prowess in the French repertoire, both in opera and, rather uncharacteristically for an Italian tenor of the era, mélodie. Not only do I present the complete 1965 LP entitled Cesare Valletti Sings French Art Songs, which was his final release on the RCA Victor label, but I supplement that with two fantabulous death scenes from two of Jules Massenet's most popular operas, Manon (a live 1954 recording pairing Valletti with Victoria de los Angeles at her most memorable), and Werther (a 1962 studio recording of excerpts from the opera featuring Rosalind Elias, the dearly beloved mezzo-soprano of blessed memory.) Valletti once again reveals himself an artist of refined taste, as well as (in the operatic excerpts) a surprisingly powerful and forthright vocal present and (in the song repertoire) an interpreter with superb French diction and exquisite insight into the half-lit atmosphere of the genre. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Os convidados do programa Pânico desta sexta-feira (29) são Jane & Herondy.O casal Jane Moraes e José Roberto Bueno de Lima, o Herondy, se conheceram em Curitiba e uniram a vida pessoal com a vida profissional.Em 1974, nascia a dupla Jane & Herondy, a convite de Magno Salerno e Airton Rodrigues, nos programas Almoço com as Estrelas e Clube dos Artistas. Nesse mesmo período, assinaram contrato com a gravadora RCA Victor e gravaram seu primeiro compacto, É um Problema.Em 1975, lançaram seus dois primeiros LPs: um para o público brasileiro e outro, em espanhol, voltado à América Latina.No ano seguinte, em 1976, ficaram conhecidos em todo o país ao gravarem a canção Não Se Vá, pela qual são lembrados até hoje. O maior sucesso da dupla ainda é recordista em vendagens de discos dos anos 1970. A música conquistou discos de Ouro e de Platina e foi considerada um dos grandes símbolos musicais daquela década. Recentemente, Não Se Vá ganhou uma versão no ritmo de forró, mostrando que o casal sempre soube se reinventar no cenário musical. Além disso, a participação em grandes programas de televisão ajudou a consolidar o sucesso da dupla.Famosos por traduzir em belas canções o amor que sentiam um pelo outro, Jane & Herondy conquistaram diversos prêmios, entre eles o de Melhores Intérpretes no Festival Internacional La Voz das Américas, na Venezuela. Ao longo da carreira, gravaram mais de 50 discos, com sucessos como Índia, Fascinação e Dois Num Só Coração.Em 1994, lançaram o livro de autoajuda Assunto de Família – Nosso Jeito de Ser, escrito por Jane e ilustrado por Herondy.Após 33 anos de união, o casal se separou. Porém, em 2010, após cerca de cinco anos afastados, reconciliaram-se e retornaram juntos aos palcos. Poucos dias depois da retomada da carreira, em 21 de maio de 2010, Herondy sofreu um AVC durante uma turnê em Aracaju. Após quatro dias, recebeu alta médica, e isso não impediu a dupla de seguir cantando suas belas músicas.Em 2017, gravaram a canção Nosso Amor é um Sonho, em homenagem aos 43 anos de carreira da dupla e aos 48 anos de casamento.Hoje, continuam em plena atividade, interpretando clássicos da MPB, Bossa Nova e Jazz. A dupla integra o Circuito Cultural de São Paulo, realizando apresentações em teatros e casas culturais da capital paulista.Redes Sociais:Instagram: https://www.instagram.com/janeherondyYoutube - Podcast "Jane & Herondy Contando Histórias" : https://www.youtube.com/@JaneHerondyContato para shows: janeherondy@gmail.com

Hosts Jim DeRogatis and Greg Kot talk with journalist and environmentalist Bill McKibben about solar power and music, as well as the upcoming activism event “Sun Day.” They also share some of their favorite songs about the sun.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Beatles, "Here Comes The Sun," Abbey Road, Apple, 1969The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Nina Simone, "Here Comes The Sun," Here Comes the Sun, RCA Victor, 1971Bill Withers, "Ain't No Sunshine," Just As I Am, Sussex, 1971The Vaselines, "Jesus Wants Me for a Sunbeam," Dying for It EP, 53rd & 3rd, 1988The Polyphonic Spree, "It's the Sun," The Beginning Stages of..., Hollywood, 2000Yes, "Heart of the Sunrise," Fragile, Atlantic, 1971Eleanor Friedberger, "Stare at the Sun," Personal Record, Merge, 2013Pink Floyd, "Set the Controls for the Heart of the Sun," A Saucerful of Secrets, Columbia, 1968Boney M., "Sunny," Take the Heat off Me, Atlantic, 1976Swirlies, "Sunn," They Spent Their Wild Youthful Days In The Glittering World Of The Salons, Taang!, 1996Captain Beefheart and His Magic Band, "Sun Zoom Spark," Clear Spot, Reprise, 1972The Kinks, "Waterloo Sunset," Something Else By The Kinks, Pye, 1967Pedro The Lion, "Indian Summer," Control, Jade Tree, 2002Common and Pete Rock, "When The Sun Shines Again," The Auditorium Vol. 1, Loma Vista, 2024Stevie Wonder, "You Are the Sunshine of My Life," Talking Book, Motown, 1972The Jimi Hendrix Experience, "Hey Joe," Are You Experienced?, Reprise, 1967See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Texas Real Estate Commission - Information About Brokerage Services Blast from the Past, is a special follow up the hosts conversation, in Episode 67 Season 4 about being a Young Boomer or an Old Gen X.  The siblings talked about their dad Bob Seemann and Eric specifically talked about how his dad was just an old soul. While Bob was a teen and young adult coming of age in the 1950's he cherished old songs, music and that he just didn't like 'Modern Music' and that "Rock & Roll".  Here is the proof in Bob's own voice and speach.  From 1955, Robert A. Seemann while a Junior at Ohio State University (the "THE" didn't come until later years), made this recording on a 78 rpm vinyl record. To capture this recording, Eric used a circa 1920's RCA Victor Victrola "His Master's Voice" which he restored in the 1980's.  The Victrola was a family heirloom from Dad's Grandfather, which just seemed appropriate.  The image in this episodes artwork is our Dad in 1982 on a trip through Canada. Donna Reed and Eric Seemann are both professional real estate agents. Donna lives and works in Tucson Arizona with Keller Williams Southern Arizona while Eric lives and works in San Antonio Texas with Keller Williams Heritage. They are also siblings, and they grew up in a small Northwest Ohio village of Lindsey. Their idyllic small-town childhood laid the foundation for what would become the structure of their lives and careers in real estate. We hope you will join us as we reminisce, reflect, and correlate how our childhood and life in rural Ohio still impacts our dealings with our clients today.   Website:  www.realsiblings.com Watch Episodes on YouTube at:  REAL Siblings, It Ain't Easy   To reach out to Donna: Email:  donna@reedtucson.com Phone: (520) 631-4638 Facebook: (2) Donna Seemann Reed | Facebook   To Connect with Eric: Email:  eric@victorsgrouptx.com Phone: (210) 389-6324 Facebook: (2) Eric V. Seemann | Facebook Texas Real Estate Commission - Information About Brokerage Services Texas Real Estate Commission - Consumer Protection Notice  

#526 Jim Reeves Greatest Hits - Side D - 2 LP-set - RCA Victor - TDL-231/2 - 1984 - South Africa20250815 by Jim Reeves

#525 Jim Reeves Greatest Hits - Side C - 2 LP-set - RCA Victor - TDL-231/2 - 1984 - South Africa by Jim Reeves

This playlist is 76% vinyl friendly. Not bad. RCA Victor, 1950s. ‘No frills' would be an understatement. Did the job though, no doubt. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the […] The post Post Punk Plus Podcast Playlist 142 – Original upload 3.8.25 appeared first on 41Rooms.

#524 Jim Reeves Greatest Hits - Side B - 2 LP-set - RCA Victor - TDL-231/2 - 1984 - South Africa by Jim Reeves

Intrigued by the premise presented by the recent Sony box sets like "Sunset Boulevard" describing Elvis's undubbed recordings as "pure," Justin decided to investigate the story behind the man who has borne most of the heavy criticism aimed at the production on Elvis's music, Felton Jarvis, who was Elvis's main producer from 1966-1977. While we've previously touched on Felton's work as a producer in our "Elvis and His Producers/Elvis as a Producer" episode, realizing we may not have given him a fair shake, on this episode Justin and Bec investigate Felton's early work at National Recording Corporation (NRC) in Atlanta, Georgia, his time at ABC-Paramount working with Tommy Roe, Fats Domino, Lloyd Price, the Muscle Shoals Rhythm Section and.... "Vince Everett"? They trace Felton's move to RCA Victor producing many successful acts and hit records in the field of country music in the mid-1960s and, naturally, his first sessions with Elvis across 1966-1968, chief among which was the How Great Thou Art project, which won Elvis his first-ever Grammy Award. Laced throughout are stories of a warm-hearted, good-natured Georgia boy - who loved Elvis Presley and dreamed so hard to one day produce his hero's music that he manifested it - from collaborators, friends and historians who have tried to relay some of Felton's story, as well as audio from Felton himself in conversation with RCA's Jerry Flowers in 1980, discussing his career in hindsight. Part 2 will even more directly interrogate the idea that Felton was, as so frequently repeated by Elvis fans over nearly 4 decades, singularly to blame for the "syrupy" overdubs that were a hallmark of Elvis's 1970s output, as Justin builds a case to convince Bec that she and everyone else - including sometimes even Justin himself - has been wrong all these years! If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Country Classics and ObscuritiesWe dust off forgotten gems and revisit timeless tunes from country music's rich history. Today, we're taking a spin through a mix of tracks, from legendary voices to lesser-known artists, all released on a variety of labels.We kick things off with the iconic George Jones and his track "Don't Think I Don't" on Musicor. You can always count on Possum for a classic country lament. Following that, we've got Lois Williams with "You Low Down Son Of A Gun" on Starday – a title that promises some feisty country storytelling! And from Columbia, it's Carl Smith telling us to "Pull My String And Wind Me Up."Shifting gears slightly, we find Tiny Cochart with "Turn Back The Years" on Sara, and a fantastic duet from Kitty Wells & Webb Pierce on Decca with "When I'm With You."Moving into our next set of tunes, we've got Eddie McDuff showing off his "Ace Card Up" on TNT, followed by Tony Douglas exploring loneliness on Paula with "Driven By Loneliness." Bill Wesley brings us "So Sure Of You" from the Great label, and the legendary Warren Smith offers up "Big City Ways" on Liberty. Rounding out this segment is Kenny Valeck with "Happy Go Lucky" on KSS.Our journey continues with a truly unique title from Johnny Bond: "Hot Rod Surfin Hootlebeatnanny" on Starday. You know we love a good novelty song here! Then, Bobby Austin reminds us that "Some Of Us Never Learn" on Capitol. We've also got Randy Wade with "Walk Out Backwards" on Busch Country, and Gene Allen revealing a "Secret Love Affair" on Tokalon. And for a truly evocative title, we have Cousin Bob Nicholson with "I Saw The Gold In The Moon Turn To Gray" on Music Mill.Finally, we wrap up with some more familiar names and powerful themes. The smooth voice of Eddy Arnold brings us "A Little Heartache" on RCA Victor. Carl Butler delivers a classic country sentiment with "I Know What It Means To Be Lonesome" on Columbia. Faron Young shares "Some Of Your Memories" on Mercury, and Bobby Barnett proclaims "There's Nothing Like A Woman" on Bannister. We close out our set with Charlie Gore and the poignant "All My Love Up And Died" on King. We hope you enjoyed this deep dive. Join us next time for more honky-tonk treasures!George Jones - Don't Think I Don't ( Musicor )Lois Williams - You Low Down Son Of A Gun ( Starday )Carl Smith - Pull My String And Wind Me Up ( Columbia )Tiny Cochart - Turn Back The Years ( Sara )Kitty Wells & Webb Pierce - When I'm With You ( Decca )Eddie McDuff - Ace Card Up ( TNT )Tony Douglas - Driven By Loneliness ( Paula )Bill Wesley - So Sure Of You ( Great )Warren Smith - Big City Ways ( Liberty )Kenny Valeck - Happy Go Lucky ( KSS )Johnny Bond - Hot Rod Surfin Hootlebeatnanny ( Starday )Bobby Austin - Some Of Us Never Learn ( Capitol )Randy Wade - Walk Out Backwards ( Busch Country )Gene Allen - Secret Love Affair ( Tokalon )Cousin Bob Nicholson - I Saw The Gold In The Moon Turn To Gray ( Music Mill )Eddy Arnold - A Little Heartache ( RCA Victor )Carl Butler - I Know What It Means To Be Lonesome ( Columbia )Faron Young - Some Of Your Memories ( Mercury )Bobby Barnett - There's Nothing Like A Woman ( Bannister )Charlie Gore - All My Love Up And Died ( King )Support this podcast at — https://redcircle.com/thehonkytonkjukebox/exclusive-content

Salve! This is a bonus episode for ⁠paid subscribers⁠!Every episode is a different song. This is the song today:"Samurai" by DjavanRecently signed with RCA Victor, Djavan recorded his debut album for the label in Los Angeles, with production by Ronnie Foster. When asked about Stevie Wonder's feature on the album, Djavan revealed that he wrote “Samurai” entirely in his hotel room during a single night. The song became the biggest hit from the album Luz—a classic blend of R&B infused with Djavan's unmistakable Brazilian touch. Linguistically, this is a pretty straightforward song, but its simplicity hides a wealth of poetry in the words. Check out the full translation of the song at Translationsmith.

Tus comentarios son muy valiosos. Envía un mensaje de texto.Se afirma que fue el cantante cubano Kiko Mendive el primero en interpretar los géneros musicales cubanos en México. Y, también, quien introdujo el personaje del pachuco, lo cual suele atribuirse al cómico Tin Tan. Nacido en La Habana, llega a México como parte de una compañía afrocubana. Se convierte en solista y comienza en espectáculos y en cabaret. Un paso importante lo dio al ingresar a la Orquesta de su compatriota Arturo Núñez. Pero fue en el cine mexicano donde triunfó primero, en una serie de películas junto a las rumberas Blanquita Amaro, Amalia Aguilar y, principalmente, María Antonieta Pons. Después vendría su catálogo de discos, grabados por los sellos Columbia y RCA Victor. Kiko y la también cubana Ninón Sevilla llevan a Pérez Prado por primera vez a México. El propio Kiko Mendive propicia el debut de Prado en la cinematografía mexicana. Este episodio brinda más detalles de la vida del desconocido Kiko. En el Calendario Musical de Cuba, el recuerdo del sonero Nelo Sosa y de las primeras grabaciones del Trío Matamoros.Support the show¡SUSCRÍBETE!: https://www.buzzsprout.com/1702252/subscribe

The Big Show. November 12, 1950. NBC net. Sponsored by: Anacin, RCA Victor. The second show of the series. Baby Snooks gets an acting lesson from Tallulah, Groucho holds his quiz on the show and teaches Pinza how to sing "Some Enchanted Evening." Tallulah does a Dorothy Parker monologue called "Sentiment.". Jimmy Wallington (announcer); Meredith Willson and His Orchestra; Frank Lovejoy; Groucho Marx; Dorothy Parker (author); Hanley Stafford; Ezio Pinza; Jane Powell ; John Agar; David Brian; Fanny Brice; Tallulah Bankhead; Dee Englebach (producer, director).  Space Patrol. November 15, 1952. ABC net. "The Queen Of Space". Sponsored by: Ralston cereals ("Space-O-Phones" premium). Jelna Fenton is the owner of Trans-Orbit Lines, a freight line to the outer planets, with big plans!. Dick Tufeld (announcer), Ed Kemmer, Larry Robertson (producer, director), Lou Huston (writer), Lyn Osborn, Mike Moser (creator), Nina Bara, Norman Jolley, Virginia Hewitt. 29:24,  Bold Venture. 1951. Program #4. ZIV Syndication. "A Bullet For Shannon". Sponsored by: Commercials added locally. Tough Johnny Rice gets what he wants, including the death of Slate Shannon!. Humphrey Bogart, Lauren Bacall, Howard McNear, Nestor Paiva, Henry Hayward (director), Morton Fine (writer), David Friedkin (writer), David Rose (composer, conductor).  DEVIL'S SCRAPBOOK. November 28, 1938, "The Conquest Of David Ring"TOTAL TIME: 2:55:31.289SOURCES: Wikipedia and The RadioGoldindex.com

In episode #78, we discussed Tim Maia's album Racional Volume 1, released in 1975. By 1974, Tim Maia had become deeply involved with Cultura Racional, a spiritual philosophy he believed could "save humanity" through the teachings found in Universo em Desencanto. This belief consumed him to the point where he temporarily gave up drinking, smoking, and drugs, and began dressing in all-white, cult-like attire. Despite the controversy, the music is now recognized as some of the most spiritually funky and innovative ever recorded in Brazil.With the album nearly finished, he revoked his contract with RCA Victor, secured the master tapes, and rewrote all the original lyrics to reflect the teachings of Cultura Racional. He founded his own independent label to release the album, Seroma Discos, which features six full songs, three spoken-word vignettes focused on the book's message, and one track in English aimed at reaching an international audience. Follow our playlist on Spotify: Brazuca Sounds Podcast Soundtrack.

Subscriber-only episodeTus comentarios son muy valiosos. Envía un mensaje de texto.La victrola del tiempo nos ubica, en esta oportunidad, en diciembre de 1957. Tendremos noticias acerca del formidable disco donde El Tenor de las Américas, Pedro Vargas, interpreta el repertorio autoral de nuestro Miguel Matamoros. Otras grabaciones de la RCA Victor llegaron a las discotecas por esos días: un sencillo de la Orquesta Aragón y dos triunfos disqueros de Benny Moré El Bárbaro del Ritmo. Del sello Fama, sobresalió entonces el Lp Doce nombres de mujer y la casa Kubaney editó dos álbumes del Trío Matamoros, uno por Arcaño y sus Maravillas y otro en las voces de las Hermanas Martí. Llegan a Cuba los primeros discos de 45 del sello Montilla y se producen en La Habana nuevos registros de Orlando Vallejo y las descargas de Cachao. El reporte final reproduce la crónica del crítico musical Antonio Quevedo acerca de una exhibición de aparatos de Alta Fidelidad. ¡SUSCRÍBETE!: https://www.buzzsprout.com/1702252/subscribe

(S4 Ep 17) Nina Simone- Sings the Blues (RCA)Released 1967, Recorded December 19-January 5, 1967Nina Simone Sings the Blues is a powerful, emotionally raw album that marked a significant shift in Nina Simone's career. Her first release with RCA Victor showcases her deep connection to the blues tradition, drawing influence from legends like Bessie Smith and Billie Holiday. With tracks like "Do I Move You?" and "Backlash Blues," inspired by Langston Hughes, Simone's music captures the racial tensions and personal struggles of the 1960s. Although it didn't chart highly, the album's authenticity and emotional depth solidified her place as one of America's greatest musical voices. The album blends jazz, blues, gospel, and soul, with Simone's poignant piano work and powerful vocals leading the way. Tracks like "I Want a Little Sugar in My Bowl" and "Real Real” showcase her mastery of the genre and her unapologetic, bold musical style, influencing future artists like Amy Winehouse and Lauryn Hill.Signature Tracks: "My Man's Gone Now,"  "Backlash Blue,"  "I Want A Little Sugar In My Bowl." Full Albums YouTube  Spotify Playlists      YouTube Spotify

Subscriber-only episodeTus comentarios son muy valiosos. Envía un mensaje de texto.El recuento de nuestro tocadiscos del tiempo nos coloca en el mes de agosto de 1957. Te hablaré acerca del Club de Discófilos de la RCA Victor y su propuesta con la Orquesta Aragón. Otros asuntos serán las nuevas grabaciones de la Victor con Benny Moré; el disco perfecto de danzones editado por Puchito; la música de Osvaldo Farrés en el sello Kubaney; dos joyas instrumentales por Gilberto Valdés; la actividad de los disqueros de Kubaney y Columbia, y la nueva emisora de Alta Fidelidad en La Habana. El reporte final tratará acerca de los promotores de la Victor en La Habana, Eliseo Valdés y Ernesto López.¡SUSCRÍBETE!: https://www.buzzsprout.com/1702252/subscribe

Subscriber-only episodeTus comentarios son muy valiosos. Envía un mensaje de texto.El tocadiscos del tiempo nos sitúa en La Habana de junio de 1958. Conoceremos de las producciones Panart, Gema y RCA Victor y de la acción retardada de la Victor. A la venta entonces, grabaciones de Fernando Álvarez con la Aragón, Xiomara Alfaro, el Cuarteto Ruffino, Fernando Albuerne y Senén Suárez, así como otras de Lucho Gatica, la Orquesta de Walfrido Guevara, Bebo Valdés, Pío Leiva y el Conjunto Casino, entre otros. Los Panchos figuran en el primer disco Columbia prensado en Cuba, retorna Carlos Gardel y se habla de sonido estereofónico en un programa radial. El reporte final tratará acerca de los cuatro años de la popular discoteca La Moda.¡SUSCRÍBETE!: https://www.buzzsprout.com/1702252/subscribe

The Shadow Of Fu Manchu. August 07, 1939. Program #39. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. "The Six Gates Of Joyful Wisdom." The evil Fu at his best (worst). The last episode of the story. Hanley Stafford, Gale Gordon. The Quiz Kids. April 16, 1941. NBC net. Sponsored by: Alka-Seltzer. The first question is, "Would you drink "Aqua Fountus?" Four of The Quiz Kids had appeared on the The Jack Benny Show on April 6, 1941 (see cat. #34963) and on April 13, 1941 (see cat. #34951). Joe Kelly (host), Jack Benny (guest Quiz Kid), Ken Carpenter (announcer), Gerard Darrow, Mary KellyThe Private Files Of Rex Saunders. June 6, 1951. NBC net. "The Plan In The Killer's Mind". Sponsored by: RCA Victor. The system cue has been deleted. Rex Harrison, Edward Adamson (writer), Himan Brown (director), Kenneth Banghart (announcer), Leon Janney, Barbara Weeks.    Front and Center. July 13, 1947. NBC net. Sponsored by: Army recruiting. Dorothy's first tune is "Feudin', Fightin' and Fussin'." Jack Carson tries to make a date with Dorothy. Dick Powell and Dorothy appear in a comic romance about newlyweds. This is a network, sponsored version of cat. #38891. Dorothy Lamour (hostess), Henry Russell and His Orchestra, The Crew Chiefs, Jack Carson, Dick Powell, Hal Gibney (announcer), Glenhall Taylor (director). Bunco Squad. April 20, 1950. CBS net. "The Case Of The Bookworm". Sustaining. A con-artist in St. Louis poses as a scientist. He plans to swindle his mark out of $15,000 by "publishing" his book. The date is approximate. Frank Trumbull (host), Ralph Rose (producer, director), Del Castillo (composer, conductor), Merrick Goldman (writer), Troy Leonard (writer), Joe Walters (announcer).A Date With Judy. October 22, 1946. NBC net origination, AFRS rebroadcast. Trying to avoid a lecture on international relations, Mr. Foster finds himself obligated to buy a diamond bracelet. Louise Erickson, John Brown, Aleen Leslie (creator, writer).  Creeps By Night. July 11, 1944. Blue Network. "Sis Who Did Not Die". Sustaining. AFRS version under the title "Mystery Playhouse". Hosted by Peter Lorre.TOTAL TIME: 2:57:04.068

Throughout music history and across genres, artists have made drinking songs. From buoyant and rowdy to reflective and moody, hosts Jim DeRogatis and Greg Kot share some of their favorites. They also review the new album from Sharon Van Etten.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Fear, "More Beer," More Beer, Restless, 1985The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Sharon Van Etten, "Live Forever," Sharon Van Etten & The Attachment Theory, Jagjaguwar, 2025Sharon Van Etten, "Trouble," Sharon Van Etten & The Attachment Theory, Jagjaguwar, 2025Sharon Van Etten, "Indio," Sharon Van Etten & The Attachment Theory, Jagjaguwar, 2025Sharon Van Etten, "I Want You Here," Sharon Van Etten & The Attachment Theory, Jagjaguwar, 2025Sharon Van Etten, "Somethin' Ain't Right," Sharon Van Etten & The Attachment Theory, Jagjaguwar, 2025Three 6 Mafia, "Sippin on Some Syrup," Three 6 Mafia - Poppin' My Collar - Single, Loud, 2006Nina Simone, "Lilac Wine," Wild is the Wind, The Verve Music Group, 1966The Rolling Stones, "Salt of the Earth," Beggars Banquet, Decca, 1968Beastie Boys, "Brass Monkey," Licensed to Ill, Def Jam, 1986Midland, "Drinkin' Problem," On the Rocks, Big Machine, 2017Kendrick Lamar, "Swimming Pools (Drank)," good kid, m.A.A.d city, Top Dawg Entertainment, 2012Snoop Dogg, "Gin and Juice," Doggystyle, Death Row, Interscope and Atlantic, 1994The Replacements, "Here Comes a Regular," Tim, Sire, 1985The Champs, "Tequila," Go, Champs, Go!, Challenge, 1958Jamie Foxx, "Blame It (feat. T-Pain)," Intuition, J, 2008Against Me!, "T.S.R.," As The Eternal Cowboy, Fat Wreck Chords, 2003Chumbawamba, "Tubthumping," Tubthumper, Republic, 1997Louis Prima and Keely Smith, "One Mint Julep," Breaking It Up!, Columbia, 1958The Kinks, "Alcohol," Muswell Hillbillies, RCA Victor, 1971Thin Lizzy, "Whiskey in the Jar," Single, Decca, 1972Kris Kristofferson, "Sunday Mornin' Coming Down," Kristofferson, Monument, 1970Lou Reed, "Underneath the Bottle," The Blue Mask, RCA Victor, 1982Darkside, "Graucha Max," Nothing, Matador, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Subscriber-only episodeTus comentarios son muy valiosos. Envía un mensaje de texto.Cantando en Cubano presenta un nuevo episodio de DISCOMANÍA Y ALGO MÁS. En el presente capítulo, una descripción del ambiente discográfico del mes de enero de 1958. Por esos días aparecían en el mercado cuatro discos de la RCA Victor y ediciones de la Serie Infantil de Panart. A ese momento corresponden también discos sencillos de Barbarito Diez, la eterna voz cubana del danzón, con la recordada Orquesta Romeu. Se supo entonces del regreso a La Habana de Bienvenido Granda, ya como cantante solista, y de la irrepetible versión de Vereda tropical, grabada por la Orquesta Riverside y otras producciones del sello Puchito. Montilla graba al dúo de pianistas de Felo Bergaza y Juan Bruno Tarraza; las iniciativas de la discoteca La Moda, y un comentario final, relacionado con las grabaciones hechas por Jesús Gorís para sus discos Puchito, en Nueva York, a Arsenio Rodríguez. ¡SUSCRÍBETE!: https://www.buzzsprout.com/1702252/subscribe

Salve! This is a bonus episode for Brazuca Sounds paid subscribers! Every episode is a different song. This is the song today: "Mais Kriola" by Hélio Matheus This song was the lead single off Matheus's first and only album released in the 1970s. A combination of samba, brass, keyboards, and guitar "rockin'" beats, "Mais Kriola" is the ultimate reference to what is referred to as samba-rock. The album was released by RCA Victor, with a stellar featuring musicians, which did not prevent it from becoming a commercial failure. The song traversed time, though, and is an instant in Brazilian-theme parties all over the country even today.

Hosts Jim DeRogatis and Greg Kot speak with David Browne, author of the new book Talkin' Greenwich Village: The Heady Rise and Slow Fall of America's Bohemian Music Capital.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Phil Ochs, "Here's to the State of Mississippi," I Ain't Marching Anymore, Elektra, 1965The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Sonny Rollins, "Softly As In A Morning Sunrise (Live At The Village Vanguard, 1957 / Evening Take)," The Complete Night At The Village Vanguard, Blue Note, 2013Miles Davis, "Stablemates," Miles: The New Miles Davis Quintet, Prestige, 1956Joan Baez, "Wildwood Flower," Joan Baez, Vanguard, 1960John Coltrane, "Greensleeves," Evenings at the Village Gate: John Coltrane with Eric Dolphy, Impulse!, 2023Paul Butterfield, "Everything Gonna Be Alright," Live New York 1970, RockBeat, 2015Phil Ochs, "Talking Vietnam Blues," All the News That's Fit to Sing, Elektra, 1964Dave Van Ronk, "He Was a Friend of Mine," Folksinger, Prestige, 1962Dave Van Ronk, "Dink's Song," Dave Van Ronk Sings, Folkways, 1961Bob Dylan, "House of the Risin' Sun," Bob Dylan, Columbia, 1962Dave Van Ronk, "House of the Rising Sun," Just Dave Van Ronk, Mercury, 1964The Blues Project, "Catch the Wind," Live at the Cafe Au Go Go, Verve Folkways, 1966Bob Dylan, "It Ain't Me Babe," Another Side of Bob Dylan, Columbia, 1964Bob Dylan, "Hurricane (Live at Memorial Auditorium, Worcester, MA, November 1975)," The Rolling Thunder Revue: The 1975 Live Recordings, Columbia, 2019Len Chandler, "Bellevue," To Be a Man, Columbia, 1966Peter, Paul and Mary, "Where Have All the Flowers Gone," Peter, Paul and Mary, Warner Bros., 1962Sonny Rollins, "I Can't Get Started (Live At The Village Vanguard, 1957 / Evening Take)," The Complete Night At The Village Vanguard, Blue Note, 2013The Roches, "Speak," Speak, MCA, 1989Buffy Sainte-Marie, "It's My Way," It's My Way!, Vanguard, 1964Odetta, "I Never Will Marry," Odetta Sings Folk Songs, RCA Victor, 1963Drive-By Truckers, "Ronnie and Neil," Southern Rock Opera, Soul Dump, 2001See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, hosts Jim DeRogatis and Greg Kot take another trip to the Desert Island Jukebox. They hear from past guests like Mary J. Blige, The Melvins, Lucy Dacus and more about the songs they can't live without.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Adia Victoria, "Magnolia Blues," A Southern Gothic, Atlantic, 2021Fiona Apple, "Every Single Night," The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do, Epic, 2012Lucy Dacus, "VBS," Home Video, Matador, 2021Molly Drake, "I Remember," The Tide's Magnificence: Songs and Poems of Molly Drake , Bryter, 2018Nick Drake, "Pink Moon," Pink Moon, Island, 1972Nick Drake, "Road," Pink Moon, Island, 1972The Mountain Goats, "No Children," Tallahassee, 4AD, 2002Dionne Warwick, "I'll Never Love This Way Again," Dionne, Arista, 1979Nightwish, "FantasMic," Wishmaster, Spinefarm, 2000The Mountain Goats, "This Year," The Sunset Tree, 4AD, 2005The Melvins, "Honey Bucket," Houdini, Atlantic, 1993Judy Garland, "You Go To My Head," Judy at Carnegie Hall, Capitol, 1961The Rolling Stones, "Jumpin' Jack Flash," Jumpin Jack Flash (Single), Decca, 1968Jimi Hendrix Experience, "If 6 Was 9," Axis: Bold As Love , Track, 1967Wayne and Garth, "Wayne's World Theme," Wayne's World (Music From The Motion Picture), Reprise, 1992Tony Scott, "Za-Zen (Meditation)," Music For Zen Meditation, Verve, 1964Norman Greenbaum, "Spirit in the Sky," Spirit in the Sky, Reprise, 1969Iron and Wine, "Call It Dreaming," Beast Epic, Sub Pop, 2017Van Morrison, "Come Here My Love," Veedon Fleece, Warner Bros., 1974Vic Mensa, "We Could Be Free (feat Ty Dolla Sign)," The Autobiography, Roc Nation, 2017Stevie Wonder, "For Once In My Life," For Once In My Life, Tamla, 1968Jay-Z, "Smile," 444, Roc Nation, 2017Stevie Wonder, "Love's In Need of Love Today," Songs in the Key of Life, Tamla, 1976Mary J. Blige, "I'm Going Down (Live)," The Tour, MCA, 1998Stevie Wonder, "As," Songs in the Key Of Life, Tamla, 1976Stevie Wonder, "Pastime Paradise," Songs in the Key Of Life, Tamla, 1976Stevie Wonder, "I Wish," Songs in the Key Of Life, Tamla, 1976Sam Cooke, "A Change Is Gonna Come," Ain't That Good News, RCA Victor, 1964Television, "Marquee Moon," Marquee Moon, Elektra, 1977Tears For Fears, "Head Over Heels," Songs from the Big Chair, Mercury, 1985Wolf Alice , "Lisbon," My Love Is Cool, Dirty Hit, 2015Buffalo Springfield, "For What It's Worth," For What It's Worth (Single), Atco, 1966The Who, "Baba O'Riley," Who's Next, Decca, 1971Miles Davis, "Blue in Green," Kind of Blue, Columbia, 1959The Beatles, "Tomorrow Never Knows (Mono)," Revolver , Capitol, 1966MC5, "Kick Out the Jams," Kick Out the Jams, Elektra, 1969See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, hosts Jim DeRogatis and Greg Kot explore the history and legacy of the 50+ year-old Chicago blues label, Alligator Records, with its founder Bruce Iglauer. They'll talk to him about his new book Bitten By the Blues: The Alligator Records Story and discuss some of the landmark artists who came through, from Koko Taylor to Albert Collins. They also revisit a conversation and live performance with Buddy Guy.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Koko Taylor, "I'm A Woman," The Earthshaker, Alligator , 1978The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club, Parlophone, 1967Albert Collins, "Honey Hush! (Talking Woman Blues)," Ice Pickin', Alligator , 1978Mississippi Fred McDowell, "You Got to Move," You Gotta Move, Arhoolie, 1965Hound Dog Taylor & The Houserockers, "Walking the Ceiling," Hound Dog Taylor and the HouseRockers, Alligator , 1971Hound Dog Taylor & The Houserockers, "Give Me Back My Wig," Hound Dog Taylor and the HouseRockers, Alligator, 1971Hound Dog Taylor & The Houserockers, "Phillips' Theme," Hound Dog Taylor and the HouseRockers, Alligator, 1971B.B. King, "The Thrill Is Gone," Completely Well, Alligator, 1969Hound Dog Taylor & The Houserockers, "Wild About You Baby," Hound Dog Taylor and the HouseRockers, Alligator, 1971Koko Taylor, "Wang Dang Doodle," Wang Dang Doodle (Single), Chess, 1966Koko Taylor, "That's Why I'm Crying," I Got What It Takes, Alligator, 1975Koko Taylor, "I Got What It Takes," I Got What It Takes, Alligator, 1975Albert Collins, "I Ain't Drunk," Cold Snap, Alligator, 1986Albert Collins, Johnny Copeland, Robert Cray, "The Moon Is Full," Showdown!, Alligator, 1985Toronzo Cannon, "Walk It Off," The Chicago Way, Alligator, 2016Toronzo Cannon, "Bad Contract," The Chicago Way, Alligator, 2016Shemekia Copeland, "Would You Take My Blood," America's Child, Alligator, 2018Shemekia Copeland, "Ain't Got Time For Hate," America's Child, Alligator, 2018A.C. Reed, "She's Fine (feat. Bonnie Raitt)," I'm In the Wrong Business!, Alligator, 1987Buddy Guy, "Baby Please Don't Leave Me," Sweet Tea, Silvertone, 2001B.B. King, "Don't Answer the Door," Don't Answer The Door (single), ABC, 1966Buddy Guy, "Good Morning Schoolgirl," Hoodoo Blues Man (Live On Sound Opinions), Delmark, 2007Cream, "Strange Brew," Strange Brew (single), Reaction, 1967Buddy Guy, "First Time I Met The Blues," I Got My Eyes On You (single), Chess, 1960Shawnna, "Can't Break Me (feat. Buddy Guy)," Block Music, Disturbing Tha Peace, 2006Buddy Guy, "I've Got Dreams to Remember," Bring 'Em In (Live On Sound Opinions), Silvertone, 2007Lou Reed, "Coney Island Baby," Coney Island Baby, RCA Victor, 1976See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.