Podcasts about rca victor

Country Classics and ObscuritiesWe dust off forgotten gems and revisit timeless tunes from country music's rich history. Today, we're taking a spin through a mix of tracks, from legendary voices to lesser-known artists, all released on a variety of labels.We kick things off with the iconic George Jones and his track "Don't Think I Don't" on Musicor. You can always count on Possum for a classic country lament. Following that, we've got Lois Williams with "You Low Down Son Of A Gun" on Starday – a title that promises some feisty country storytelling! And from Columbia, it's Carl Smith telling us to "Pull My String And Wind Me Up."Shifting gears slightly, we find Tiny Cochart with "Turn Back The Years" on Sara, and a fantastic duet from Kitty Wells & Webb Pierce on Decca with "When I'm With You."Moving into our next set of tunes, we've got Eddie McDuff showing off his "Ace Card Up" on TNT, followed by Tony Douglas exploring loneliness on Paula with "Driven By Loneliness." Bill Wesley brings us "So Sure Of You" from the Great label, and the legendary Warren Smith offers up "Big City Ways" on Liberty. Rounding out this segment is Kenny Valeck with "Happy Go Lucky" on KSS.Our journey continues with a truly unique title from Johnny Bond: "Hot Rod Surfin Hootlebeatnanny" on Starday. You know we love a good novelty song here! Then, Bobby Austin reminds us that "Some Of Us Never Learn" on Capitol. We've also got Randy Wade with "Walk Out Backwards" on Busch Country, and Gene Allen revealing a "Secret Love Affair" on Tokalon. And for a truly evocative title, we have Cousin Bob Nicholson with "I Saw The Gold In The Moon Turn To Gray" on Music Mill.Finally, we wrap up with some more familiar names and powerful themes. The smooth voice of Eddy Arnold brings us "A Little Heartache" on RCA Victor. Carl Butler delivers a classic country sentiment with "I Know What It Means To Be Lonesome" on Columbia. Faron Young shares "Some Of Your Memories" on Mercury, and Bobby Barnett proclaims "There's Nothing Like A Woman" on Bannister. We close out our set with Charlie Gore and the poignant "All My Love Up And Died" on King. We hope you enjoyed this deep dive. Join us next time for more honky-tonk treasures!George Jones - Don't Think I Don't ( Musicor )Lois Williams - You Low Down Son Of A Gun ( Starday )Carl Smith - Pull My String And Wind Me Up ( Columbia )Tiny Cochart - Turn Back The Years ( Sara )Kitty Wells & Webb Pierce - When I'm With You ( Decca )Eddie McDuff - Ace Card Up ( TNT )Tony Douglas - Driven By Loneliness ( Paula )Bill Wesley - So Sure Of You ( Great )Warren Smith - Big City Ways ( Liberty )Kenny Valeck - Happy Go Lucky ( KSS )Johnny Bond - Hot Rod Surfin Hootlebeatnanny ( Starday )Bobby Austin - Some Of Us Never Learn ( Capitol )Randy Wade - Walk Out Backwards ( Busch Country )Gene Allen - Secret Love Affair ( Tokalon )Cousin Bob Nicholson - I Saw The Gold In The Moon Turn To Gray ( Music Mill )Eddy Arnold - A Little Heartache ( RCA Victor )Carl Butler - I Know What It Means To Be Lonesome ( Columbia )Faron Young - Some Of Your Memories ( Mercury )Bobby Barnett - There's Nothing Like A Woman ( Bannister )Charlie Gore - All My Love Up And Died ( King )Support this podcast at — https://redcircle.com/thehonkytonkjukebox/exclusive-content

Salve! This is a bonus episode for ⁠paid subscribers⁠!Every episode is a different song. This is the song today:"Samurai" by DjavanRecently signed with RCA Victor, Djavan recorded his debut album for the label in Los Angeles, with production by Ronnie Foster. When asked about Stevie Wonder's feature on the album, Djavan revealed that he wrote “Samurai” entirely in his hotel room during a single night. The song became the biggest hit from the album Luz—a classic blend of R&B infused with Djavan's unmistakable Brazilian touch. Linguistically, this is a pretty straightforward song, but its simplicity hides a wealth of poetry in the words. Check out the full translation of the song at Translationsmith.

Tus comentarios son muy valiosos. Envía un mensaje de texto.Se afirma que fue el cantante cubano Kiko Mendive el primero en interpretar los géneros musicales cubanos en México. Y, también, quien introdujo el personaje del pachuco, lo cual suele atribuirse al cómico Tin Tan. Nacido en La Habana, llega a México como parte de una compañía afrocubana. Se convierte en solista y comienza en espectáculos y en cabaret. Un paso importante lo dio al ingresar a la Orquesta de su compatriota Arturo Núñez. Pero fue en el cine mexicano donde triunfó primero, en una serie de películas junto a las rumberas Blanquita Amaro, Amalia Aguilar y, principalmente, María Antonieta Pons. Después vendría su catálogo de discos, grabados por los sellos Columbia y RCA Victor. Kiko y la también cubana Ninón Sevilla llevan a Pérez Prado por primera vez a México. El propio Kiko Mendive propicia el debut de Prado en la cinematografía mexicana. Este episodio brinda más detalles de la vida del desconocido Kiko. En el Calendario Musical de Cuba, el recuerdo del sonero Nelo Sosa y de las primeras grabaciones del Trío Matamoros.Support the show¡SUSCRÍBETE!: https://www.buzzsprout.com/1702252/subscribe

durée : 00:19:43 - Disques de légende du lundi 19 mai 2025 - En 1950 paraissait chez RCA Victor un "Rigoletto" exceptionnel, avec à sa tête Renato Cellini : un incunable pour les amateurs d'opéra, que les autres découvrirons avec délices…

durée : 00:19:43 - Disques de légende du lundi 19 mai 2025 - En 1950 paraissait chez RCA Victor un "Rigoletto" exceptionnel, avec à sa tête Renato Cellini : un incunable pour les amateurs d'opéra, que les autres découvrirons avec délices…

The Big Show. November 12, 1950. NBC net. Sponsored by: Anacin, RCA Victor. The second show of the series. Baby Snooks gets an acting lesson from Tallulah, Groucho holds his quiz on the show and teaches Pinza how to sing "Some Enchanted Evening." Tallulah does a Dorothy Parker monologue called "Sentiment.". Jimmy Wallington (announcer); Meredith Willson and His Orchestra; Frank Lovejoy; Groucho Marx; Dorothy Parker (author); Hanley Stafford; Ezio Pinza; Jane Powell ; John Agar; David Brian; Fanny Brice; Tallulah Bankhead; Dee Englebach (producer, director).  Space Patrol. November 15, 1952. ABC net. "The Queen Of Space". Sponsored by: Ralston cereals ("Space-O-Phones" premium). Jelna Fenton is the owner of Trans-Orbit Lines, a freight line to the outer planets, with big plans!. Dick Tufeld (announcer), Ed Kemmer, Larry Robertson (producer, director), Lou Huston (writer), Lyn Osborn, Mike Moser (creator), Nina Bara, Norman Jolley, Virginia Hewitt. 29:24,  Bold Venture. 1951. Program #4. ZIV Syndication. "A Bullet For Shannon". Sponsored by: Commercials added locally. Tough Johnny Rice gets what he wants, including the death of Slate Shannon!. Humphrey Bogart, Lauren Bacall, Howard McNear, Nestor Paiva, Henry Hayward (director), Morton Fine (writer), David Friedkin (writer), David Rose (composer, conductor).  DEVIL'S SCRAPBOOK. November 28, 1938, "The Conquest Of David Ring"TOTAL TIME: 2:55:31.289SOURCES: Wikipedia and The RadioGoldindex.com

durée : 00:18:31 - Disques de légende du vendredi 18 avril 2025 - The Young Person's Guide to the Orchestra, ou guide de l'orchestre pour les jeunes, est une oeuvre éducative de Benjamin Britten ; cette version paraît en 1967 chez RCA Victor

durée : 00:18:31 - Disques de légende du vendredi 18 avril 2025 - The Young Person's Guide to the Orchestra, ou guide de l'orchestre pour les jeunes, est une oeuvre éducative de Benjamin Britten ; cette version paraît en 1967 chez RCA Victor

In episode #78, we discussed Tim Maia's album Racional Volume 1, released in 1975. By 1974, Tim Maia had become deeply involved with Cultura Racional, a spiritual philosophy he believed could "save humanity" through the teachings found in Universo em Desencanto. This belief consumed him to the point where he temporarily gave up drinking, smoking, and drugs, and began dressing in all-white, cult-like attire. Despite the controversy, the music is now recognized as some of the most spiritually funky and innovative ever recorded in Brazil.With the album nearly finished, he revoked his contract with RCA Victor, secured the master tapes, and rewrote all the original lyrics to reflect the teachings of Cultura Racional. He founded his own independent label to release the album, Seroma Discos, which features six full songs, three spoken-word vignettes focused on the book's message, and one track in English aimed at reaching an international audience. Follow our playlist on Spotify: Brazuca Sounds Podcast Soundtrack.

Subscriber-only episodeTus comentarios son muy valiosos. Envía un mensaje de texto.La victrola del tiempo nos ubica, en esta oportunidad, en diciembre de 1957. Tendremos noticias acerca del formidable disco donde El Tenor de las Américas, Pedro Vargas, interpreta el repertorio autoral de nuestro Miguel Matamoros. Otras grabaciones de la RCA Victor llegaron a las discotecas por esos días: un sencillo de la Orquesta Aragón y dos triunfos disqueros de Benny Moré El Bárbaro del Ritmo. Del sello Fama, sobresalió entonces el Lp Doce nombres de mujer y la casa Kubaney editó dos álbumes del Trío Matamoros, uno por Arcaño y sus Maravillas y otro en las voces de las Hermanas Martí. Llegan a Cuba los primeros discos de 45 del sello Montilla y se producen en La Habana nuevos registros de Orlando Vallejo y las descargas de Cachao. El reporte final reproduce la crónica del crítico musical Antonio Quevedo acerca de una exhibición de aparatos de Alta Fidelidad. ¡SUSCRÍBETE!: https://www.buzzsprout.com/1702252/subscribe

(S4 Ep 17) Nina Simone- Sings the Blues (RCA)Released 1967, Recorded December 19-January 5, 1967Nina Simone Sings the Blues is a powerful, emotionally raw album that marked a significant shift in Nina Simone's career. Her first release with RCA Victor showcases her deep connection to the blues tradition, drawing influence from legends like Bessie Smith and Billie Holiday. With tracks like "Do I Move You?" and "Backlash Blues," inspired by Langston Hughes, Simone's music captures the racial tensions and personal struggles of the 1960s. Although it didn't chart highly, the album's authenticity and emotional depth solidified her place as one of America's greatest musical voices. The album blends jazz, blues, gospel, and soul, with Simone's poignant piano work and powerful vocals leading the way. Tracks like "I Want a Little Sugar in My Bowl" and "Real Real” showcase her mastery of the genre and her unapologetic, bold musical style, influencing future artists like Amy Winehouse and Lauryn Hill.Signature Tracks: "My Man's Gone Now,"  "Backlash Blue,"  "I Want A Little Sugar In My Bowl." Full Albums YouTube  Spotify Playlists      YouTube Spotify

Subscriber-only episodeTus comentarios son muy valiosos. Envía un mensaje de texto.El recuento de nuestro tocadiscos del tiempo nos coloca en el mes de agosto de 1957. Te hablaré acerca del Club de Discófilos de la RCA Victor y su propuesta con la Orquesta Aragón. Otros asuntos serán las nuevas grabaciones de la Victor con Benny Moré; el disco perfecto de danzones editado por Puchito; la música de Osvaldo Farrés en el sello Kubaney; dos joyas instrumentales por Gilberto Valdés; la actividad de los disqueros de Kubaney y Columbia, y la nueva emisora de Alta Fidelidad en La Habana. El reporte final tratará acerca de los promotores de la Victor en La Habana, Eliseo Valdés y Ernesto López.¡SUSCRÍBETE!: https://www.buzzsprout.com/1702252/subscribe

Subscriber-only episodeTus comentarios son muy valiosos. Envía un mensaje de texto.El tocadiscos del tiempo nos sitúa en La Habana de junio de 1958. Conoceremos de las producciones Panart, Gema y RCA Victor y de la acción retardada de la Victor. A la venta entonces, grabaciones de Fernando Álvarez con la Aragón, Xiomara Alfaro, el Cuarteto Ruffino, Fernando Albuerne y Senén Suárez, así como otras de Lucho Gatica, la Orquesta de Walfrido Guevara, Bebo Valdés, Pío Leiva y el Conjunto Casino, entre otros. Los Panchos figuran en el primer disco Columbia prensado en Cuba, retorna Carlos Gardel y se habla de sonido estereofónico en un programa radial. El reporte final tratará acerca de los cuatro años de la popular discoteca La Moda.¡SUSCRÍBETE!: https://www.buzzsprout.com/1702252/subscribe

Sandra Lee has been writing all of her life. During her junior year at Skidmore College, Ms. Lee won a Mademoiselle Magazine fiction contest and then represented the college as a campus reporter for Mademoiselle. Sandra served as editor of school newspapers and yearbooks. She wrote lyrics for dozens of songs, some of which were recorded on Columbia, RCA Victor and Laurie Records. She received her BA in English from Skidmore College and her Masters in Visual and Performing Arts. She studied acting at The Actor's Institute in New York City. She created, produced and hosted over four hundred television programs which aired to an audience of over a million viewers. Sandra taught English, Theater, Public Speaking, Acting, Film and Creative Writing. Most recently, in Ohio, she was the publisher and editor of The Women's Journal.

Episode 151 Chapter 12, The History of Audio Recording Technology. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast.   Playlist: THE HISTORY OF AUDIO RECORDING TECHNOLOGY   Time Track Time Start Introduction –Thom Holmes 01:30 00:00 1.     Leon Scott “Au Clair de la Lune” (1860). Phonautograph. One of about 50 recordings made around 1860 by Édouard-Léon Scott de Martinville's on his invention, the Phonautograph that were digitally restored in 2008 by the First Sounds collaborative. These were created using the Lawrence Berkeley National Laboratory's virtual stylus technology, which sought to track the wavy lines scratched on soot-covered paper as though they were standard record grooves. 00:20 01:38 2.     Alice J. Shaw, an improvised whistling performance (1888) from an Edison Records cylinder recording. 02:13 01:58 3.     George J. Gaskin, “Drill Ye Terriers Drill” (1896) from an E. Berliner's Gramophone shellac disc. 01:24 04:10 4.     Sousa's Band, “Happy Days In Dixie” (1897) from an E. Berliner's Gramophone shellac disc. 01:43 05:36 5.     Emperor Franz Joseph, short message recorded on Valdemar Poulsen's Telegraphone (1900). Early magnetic wire recording. Recording made without microphone. 00:09 07:18 6.     Sousa's Band, “The Mosquito Parade” (1904) from Columbia Records shellac disc. Note the higher fidelity of the instruments compared to earlier recordings on disc, recorded without electrical microphones but optimizing the use of acoustic horns for sound intake. 02:54 07:28 7.     Noble Sissle (vocals) and Eubie Blake (piano), medley of popular songs (1923). Recording using onto an early sound film using the Phonofilm process invented by Lee de Forest. 06:51 10:22 8.     Paul Whiteman And His Concert Orchestra, “Rhapsody In Blue” (1924) from an RCA Victor shellac disc. This is an acoustically recorded version of this piece, without the benefit of vacuum tube amplification or electrical microphones. Compare to the 1927 version (next), also by Whiteman, produced using electrical recording. 09:06 17:12 9.     Paul Whiteman And His Concert Orchestra, “Rhapsody In Blue” (1927) from RCA Victor, His Master's Voice shellac disc. An electrical recording using vacuum tube amplification and electrical microphones. 08:59 26:30 10.   Paul Hindemith, “Trickaufnahme” (excerpt) (1930), an experiment in turntablism using turntable discs to both record, mix, and playback the result. 00:58 35:28 11.   BBC, “Pieces of Tape” excerpt of a program (1933) produced by editing together segments recorded previously using the Blattnerphonesteel tape recorded that used a magnetic process. This was the first audio recording assembled using tape editing. A dozen years prior to the available of magnetic tape, edits made to steel tape had to be made by spot welding. 05:29 36:28 12.   Sidney Bechet, “Blues of Bechet” (1941) from an RCA Victor shellac disc. An early example of overdubbing/multitracking. Bechet played every instrument on this track, including the piano, clarinet and soprano saxophone. Each instrument was recorded onto a new master disc and mixed on another disc to create the final recording. 01:57 41:56   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Sintonía: "Robotika" - Brainticket"Voyage Part 1" extraída del 4º álbum, titulado "Adventure" (RCA-Victor, 1980) "Machinery (Analog 1970)" (Bonus track)  "Voyage Part 1" extraída del 5º LP, "Voyage" (RCA-Victor, 1982)Todas las músicas compuestas e interpretadas por Brainticket La primera parte se emitió el 27 de enero, (27/01/2025) con cortes extraídos de los siguientes álbumes:El primero, titulado "Cottonwoodhill" (Bellaphon, 1971) y reeditado en vinilo (con una copia en CD incluida) en el 2023 por el sello estadounidense CleopatraEl segundo, "Psychonaut" (Bellaphone, 1971-72) y reeditado (con una copia en CD incluida) en el 2023 por CleopatraEl tercero, "Celestial Ocean" (RCA-Victor, 1973) y reeditado en vinilo (con una copia en CD incluida) en el 2023 por Cleopatra Todas las músicas seleccionadas por Klaus Faber. Muchísimas gracias, querido hermano, por tu infatigable labor de documentación y búsqueda de toda esa maravillosa música perdida o mucho más ardua de localizar...Escuchar audio

The Shadow Of Fu Manchu. August 07, 1939. Program #39. Radio Attractions syndication. Sponsored by: Music fill for local commercial insert. "The Six Gates Of Joyful Wisdom." The evil Fu at his best (worst). The last episode of the story. Hanley Stafford, Gale Gordon. The Quiz Kids. April 16, 1941. NBC net. Sponsored by: Alka-Seltzer. The first question is, "Would you drink "Aqua Fountus?" Four of The Quiz Kids had appeared on the The Jack Benny Show on April 6, 1941 (see cat. #34963) and on April 13, 1941 (see cat. #34951). Joe Kelly (host), Jack Benny (guest Quiz Kid), Ken Carpenter (announcer), Gerard Darrow, Mary KellyThe Private Files Of Rex Saunders. June 6, 1951. NBC net. "The Plan In The Killer's Mind". Sponsored by: RCA Victor. The system cue has been deleted. Rex Harrison, Edward Adamson (writer), Himan Brown (director), Kenneth Banghart (announcer), Leon Janney, Barbara Weeks.    Front and Center. July 13, 1947. NBC net. Sponsored by: Army recruiting. Dorothy's first tune is "Feudin', Fightin' and Fussin'." Jack Carson tries to make a date with Dorothy. Dick Powell and Dorothy appear in a comic romance about newlyweds. This is a network, sponsored version of cat. #38891. Dorothy Lamour (hostess), Henry Russell and His Orchestra, The Crew Chiefs, Jack Carson, Dick Powell, Hal Gibney (announcer), Glenhall Taylor (director). Bunco Squad. April 20, 1950. CBS net. "The Case Of The Bookworm". Sustaining. A con-artist in St. Louis poses as a scientist. He plans to swindle his mark out of $15,000 by "publishing" his book. The date is approximate. Frank Trumbull (host), Ralph Rose (producer, director), Del Castillo (composer, conductor), Merrick Goldman (writer), Troy Leonard (writer), Joe Walters (announcer).A Date With Judy. October 22, 1946. NBC net origination, AFRS rebroadcast. Trying to avoid a lecture on international relations, Mr. Foster finds himself obligated to buy a diamond bracelet. Louise Erickson, John Brown, Aleen Leslie (creator, writer).  Creeps By Night. July 11, 1944. Blue Network. "Sis Who Did Not Die". Sustaining. AFRS version under the title "Mystery Playhouse". Hosted by Peter Lorre.TOTAL TIME: 2:57:04.068

Throughout music history and across genres, artists have made drinking songs. From buoyant and rowdy to reflective and moody, hosts Jim DeRogatis and Greg Kot share some of their favorites. They also review the new album from Sharon Van Etten.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Fear, "More Beer," More Beer, Restless, 1985The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Sharon Van Etten, "Live Forever," Sharon Van Etten & The Attachment Theory, Jagjaguwar, 2025Sharon Van Etten, "Trouble," Sharon Van Etten & The Attachment Theory, Jagjaguwar, 2025Sharon Van Etten, "Indio," Sharon Van Etten & The Attachment Theory, Jagjaguwar, 2025Sharon Van Etten, "I Want You Here," Sharon Van Etten & The Attachment Theory, Jagjaguwar, 2025Sharon Van Etten, "Somethin' Ain't Right," Sharon Van Etten & The Attachment Theory, Jagjaguwar, 2025Three 6 Mafia, "Sippin on Some Syrup," Three 6 Mafia - Poppin' My Collar - Single, Loud, 2006Nina Simone, "Lilac Wine," Wild is the Wind, The Verve Music Group, 1966The Rolling Stones, "Salt of the Earth," Beggars Banquet, Decca, 1968Beastie Boys, "Brass Monkey," Licensed to Ill, Def Jam, 1986Midland, "Drinkin' Problem," On the Rocks, Big Machine, 2017Kendrick Lamar, "Swimming Pools (Drank)," good kid, m.A.A.d city, Top Dawg Entertainment, 2012Snoop Dogg, "Gin and Juice," Doggystyle, Death Row, Interscope and Atlantic, 1994The Replacements, "Here Comes a Regular," Tim, Sire, 1985The Champs, "Tequila," Go, Champs, Go!, Challenge, 1958Jamie Foxx, "Blame It (feat. T-Pain)," Intuition, J, 2008Against Me!, "T.S.R.," As The Eternal Cowboy, Fat Wreck Chords, 2003Chumbawamba, "Tubthumping," Tubthumper, Republic, 1997Louis Prima and Keely Smith, "One Mint Julep," Breaking It Up!, Columbia, 1958The Kinks, "Alcohol," Muswell Hillbillies, RCA Victor, 1971Thin Lizzy, "Whiskey in the Jar," Single, Decca, 1972Kris Kristofferson, "Sunday Mornin' Coming Down," Kristofferson, Monument, 1970Lou Reed, "Underneath the Bottle," The Blue Mask, RCA Victor, 1982Darkside, "Graucha Max," Nothing, Matador, 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Subscriber-only episodeTus comentarios son muy valiosos. Envía un mensaje de texto.Cantando en Cubano presenta un nuevo episodio de DISCOMANÍA Y ALGO MÁS. En el presente capítulo, una descripción del ambiente discográfico del mes de enero de 1958. Por esos días aparecían en el mercado cuatro discos de la RCA Victor y ediciones de la Serie Infantil de Panart. A ese momento corresponden también discos sencillos de Barbarito Diez, la eterna voz cubana del danzón, con la recordada Orquesta Romeu. Se supo entonces del regreso a La Habana de Bienvenido Granda, ya como cantante solista, y de la irrepetible versión de Vereda tropical, grabada por la Orquesta Riverside y otras producciones del sello Puchito. Montilla graba al dúo de pianistas de Felo Bergaza y Juan Bruno Tarraza; las iniciativas de la discoteca La Moda, y un comentario final, relacionado con las grabaciones hechas por Jesús Gorís para sus discos Puchito, en Nueva York, a Arsenio Rodríguez. ¡SUSCRÍBETE!: https://www.buzzsprout.com/1702252/subscribe

Salve! This is a bonus episode for Brazuca Sounds paid subscribers! Every episode is a different song. This is the song today: "Mais Kriola" by Hélio Matheus This song was the lead single off Matheus's first and only album released in the 1970s. A combination of samba, brass, keyboards, and guitar "rockin'" beats, "Mais Kriola" is the ultimate reference to what is referred to as samba-rock. The album was released by RCA Victor, with a stellar featuring musicians, which did not prevent it from becoming a commercial failure. The song traversed time, though, and is an instant in Brazilian-theme parties all over the country even today.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Elvis Presley - Soundtrack King Creole año 1958 con tomas alternativas y la versión para la película de KING CREOLE. 01.King Creole 02.As Long As I Have You 03.Hard Headed Women 04.Trouble 05.Dixieland Rock 06.Don't Ask Me Why 07.Lover Doll 08.Crawfish 09.Young Dreams 10.Steadfast, Loyal And True 11.New Orleans 12.King Creole (Alternate take 18) 13.As Long As I Have You (Movie version - take 4) 14.Danny 15.Lover Doll (Ubdubbed) 16.Steadfast, Loyal And True (Alternate master) 17.As Long As I Have You (Movie version - take 8) 18.King Creole (Alternate take 3) 19.King Creole - Versione Film King Creole es el segundo álbum de la banda sonora del cantante y músico estadounidense Elvis Presley , publicado por RCA Victor , "LPM 1884" en mono en septiembre de 1958, grabado en cuatro días en Radio Recorders en Hollywood. El álbum fue lanzado previamente como un álbum EP con dos volúmenes, King Creole Vol 1 y King Creole Vol 2. King Creole Vol 1 alcanzó el puesto número 1 durante 30 semanas en las listas de álbumes EP. Fue certificado Oro el 15 de julio de 1999 por la Recording Industry Association of America. REEDICIONES: RCA reeditó por primera vez el álbum original de 11 pistas en CD en 1988. En 1997, RCA reeditó el álbum nuevamente en una edición ampliada con siete pistas adicionales, incluida la canción "Danny" grabada durante las mismas sesiones, con seis alternativas, cuatro de ellas inéditas. En 2015, King Creole fue reeditado en el sello Follow That Dream en una edición especial que contenía las pistas del álbum original junto con todas las tomas alternativas disponibles.Escucha este episodio completo y accede a todo el contenido exclusivo de EDITORIAL GCO. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/2313218

fWotD Episode 2805: Elvis Presley Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Wednesday, 8 January 2025 is Elvis Presley.Elvis Aaron Presley (January 8, 1935 – August 16, 1977), known mononymously as Elvis, was an American singer and actor. Known as the "King of Rock and Roll", he is regarded as one of the most significant cultural figures of the 20th century. Presley's energized performances and interpretations of songs, and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations, brought both great success and initial controversy.Presley was born in Tupelo, Mississippi; his family relocated to Memphis, Tennessee, when he was 13. His music career began there in 1954, at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on guitar and accompanied by lead guitarist Scotty Moore and bassist Bill Black, was a pioneer of rockabilly, an uptempo, backbeat-driven fusion of country music and rhythm and blues. In 1955, drummer D. J. Fontana joined to complete the lineup of Presley's classic quartet and RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who managed him for the rest of his career. Presley's first RCA Victor single, "Heartbreak Hotel", was released in January 1956 and became a number-one hit in the US. Within a year, RCA Victor would sell ten million Presley singles. With a series of successful television appearances and chart-topping records, Presley became the leading figure of the newly popular rock and roll; though his performative style and promotion of the then-marginalized sound of African Americans led to him being widely considered a threat to the moral well-being of white American youth.In November 1956, Presley made his film debut in Love Me Tender. Drafted into military service in 1958, he relaunched his recording career two years later with some of his most commercially successful work. Presley held few concerts, however, and guided by Parker, proceeded to devote much of the 1960s to making Hollywood films and soundtrack albums, most of them critically derided. Some of Presley's most famous films included Jailhouse Rock (1957), Blue Hawaii (1961), and Viva Las Vegas (1964). In 1968, he returned to the stage in the acclaimed NBC television comeback special Elvis, which led to an extended Las Vegas concert residency and a string of highly profitable tours. In 1973, Presley gave the first concert by a solo artist to be broadcast around the world, Aloha from Hawaii. However, years of prescription drug abuse and unhealthy eating severely compromised his health, and Presley died unexpectedly in August 1977 at his Graceland estate at the age of 42.Presley is one of the best-selling music artists of all time, with sale estimates ranging from 500 million records to over a billion worldwide. He was commercially successful in many genres, including pop, country, rock and roll, rockabilly, rhythm and blues, adult contemporary, and gospel. He won three Grammy Awards, received the Grammy Lifetime Achievement Award at age 36, and has been inducted into multiple music halls of fame. He holds several records, including the most RIAA-certified gold and platinum albums, the most albums charted on the Billboard 200, the most number-one albums by a solo artist on the UK Albums Chart, and the most number-one singles by any act on the UK Singles Chart. In 2018, Presley was posthumously awarded the Presidential Medal of Freedom.This recording reflects the Wikipedia text as of 00:58 UTC on Wednesday, 8 January 2025.For the full current version of the article, see Elvis Presley on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Niamh.

#492 Twelve Songs Of Christmas - RCA Victor - LSP-2758 - Year 1963 - Side A + B by Jim Reeves

#489 The Hits Of Jim Reeves - RCA Victor - PL-42179 - Year 1977 - Side B by Jim Reeves

#485 Blue Side Of Lonesome - RCA Victor - LSP-3793 - Year 1967 - Side B by Jim Reeves

A dope mix from Sydney's Jazz Funk Bootleg Don, DJ CMAN, one of the original selectors from our musical family since 2009. CMAN takes us on a journey through funk, soul, jazz, hip-hop party recorded live at the Soul of Sydney 13th Birthday Party, this set is a celebration of everything that has made these iconic parties legendary. From dance-floor jazz grooves to modern edits and bootlegs. DJ CMAN take you on a journey through the sounds that define Soul of Sydney. This is more than music—it's a movement. SOUL OF SYDNEY's resident vibe creator DJ CMAN laying down a dope 1-hour selection of heavy FUNK, SOUL & JAZZY HIP HOP REMIXEs, EDITS & BOOTLEGS to close out the 13th Birthday celebration last month for podcast episode #418. Be sure to check out DJ CMAN's for dope mixes, remixes and edits which he has become so well known for around the world. Check out more of his stuff here. https://soundcloud.com/djcmanmusic Track List / 1. War - Galaxy 2000** (1977, MCA Records) 2. Arrested Development - Mama's Always On Stage** (1992, Chrysalis Records) 3. Junior Wells X CMAN - Mama's Finally Off Stage ... Junior's Bluebreak (CMAN Edit)** (Edit, Release Details Unknown) 4. p-rallel, Jords - One Time** (2023, PLATOON) 5. dialE - AOT** (Details Unknown) 6. Common X George Benson - Go** (Mashup, Common's "Go" (2005, Geffen Records), George Benson Track Uncredited) 7. George Benson - On Broadway (Mikeandtess Edit 4 Mix)** (Original: 1978, Warner Bros.; Edit, Unofficial Release) 8. Jodie Abacus - Good Feeling (CMAN Edit)** (Edit, Original: 2017, Label Unknown) 9. Hidden Jazz Quartett Feat. Omar - High Heels (Lack Of Afro Remix)** (2014, Agogo Records) 10. Nina Simone - See Line Woman** (1964, Philips Records) 11. Theophilus London - Calypso Blues (Nat King Cole Cover)** (2011, Reprise Records) 12. The Bamboos - Ride On Time** (2006, Tru Thoughts) 13. DJ Nu-Mark, The Traffic - Hot In Herre** (2019, Hot Plate Records) 14. Nat King Cole - Day In - Day Out (Cut Chemist Mix)** (2005, Capitol Records – Verve Remixed 3) 15. Big Daddy Kane X Chic - Good Times** (Mashup, Details Unknown) 16. Michael Jackson x James Brown - Wanna Get Up And Start Being A Sex Machine** (Mashup, Details Unknown) 17. Legacy - I'm So Glad (CMAN Edit)** (Edit, Release Details Unknown) 18. Stevie Wonder - Happy Birthday** (1980, Motown) 19. Harry Belafonte - Jump In The Line** (1961, RCA Victor) 20.James Brown - Feel Good (Pays Bass Disco Mix)** (Edit, Original: 1972, Polydor) 21. Janet - All For You (Remix)** (2001, Virgin Records; Remix, Unofficial Release) 22. Blackstreet X Cameo - No Diggity (Word!)** (Mashup, Original Tracks: 1996 Interscope & 1986 Atlanta Artists/PolyGram) 23. Cameo - Candy** (1986, Atlanta Artists/PolyGram) 24. Monie Love - Don't Funk Wid The Mo** (1990, Warner Bros. Records) 25. Robson Jorge & Lincoln Olivetti - Aleluia** (1982, Som Livre) 26. Sharon Redd - Can You Handle It** (1980, Prelude Records) 27. Salif Keita - Madan (Petko Afrobeat Edit)** (Edit, Original: 2002, Universal Music) 28. Kanye West - Gold Digger** (2005, Roc-A-Fella Records) 29. Tems + Foxy Brown ft. Blackstreet - Free Mind** (Mashup, Original Tems: 2020, Leading Vibes LLC) 30. Black Thought, Juls, Worlasi, Kofi Mole - Focus** (2023, Details Unknown) 31. Big Pun - Still Not A Player** (1998, Loud Records) 32. Gospel Gods Got A Blend (Big Pun "Playa" Sample)** (Blend/Mashup, Details Unknown) 33. Black Men United - U Will Know** (1994, MCA Records) 34. Billy Stewart - Summertime** (1966, Chess Records) 35. Louis Prima - Buono Sera** (1956, Capitol Records)

#488 The Hits Of Jim Reeves - RCA Victor - PL-42179 - Year 1977 - Side A by Jim Reeves

VV-030 PROGRAM LIST M1 Squeeze Me (Fats Waller) Rec. 2/14/1926, FATS WALLER EARLY UNDISCOVERED SOLOS, Riverside Records RLP 12-103, 1955 (2:55) M2 Handful of Keys (Fats Waller) Rec. 3/1/1929, HANDFUL OF KEYS, FATS WALLER AND HIS RHYTHM, RCA Victor, LPM-1502, 1957 (2:45) M3 Ain't Misbehavin' (Fats Waller, Harry Brooks) Rec. 8/2/1929, AIN'T MISBEHAVIN', FATS WALLER AND HIS RHYTHM, RCA Victor LPM-1246, 1956 (3:00) M4 Tanglefoot  (Fats Waller) Rec. 8/24/1929, THE RAREST FATS WALLER, Volume 1,  RFW-1, 1955. (3:10) M5 Honeysuckle Rose (Fats Waller) Rec 5/13/1941, AIN'T MISBEHAVIN', FATS WALLER AND HIS RHYTHM, RCA Victor LPM-1246, 1956 (3:21) M6 Bouncin' on a V-Disc (Fats Waller) Rec. 9/23/1943, FATS WALLER PLAYS, SINGS AND TALKS, Jazz Treasury JT-1001, 1956 (4:46) Background songs for this episode: M7 Please Take Me Out of Jail (Fats Waller) Rec. 12/1/1927, THE RAREST FATS WALLER, Volume 1, RFW-1, 1955. M8 Sometimes I Feel Like a Motherless Child  (Fats Waller) Rec. 9/23/1943, FATS WALLER PLAYS, SINGS AND TALKS, Jazz Treasury JT-1001, 1956 ABOUT THE ARTIST Today's show features the LATE GREAT Thomas Wright Waller, a jazz pianist and organist, composer and singer, born in New York City in 1904  The 7th of 11 children, his mother was a musician, and his father was a trucker and pastor in NYC.  Fats started playing piano when he was 6. He played the organ at his father's church at age 10. PAUSE He was home-schooled early-on by his mother and worked in a grocery store. He quit high school after just one semester at age 15 to work as an organist at the Lincoln Theater in Harlem. PAUSE At the Lincoln Theater, he earned $32 a week.  That was 1929.  He became known as “Fats Waller” because he was big -- both in body and in mind.  PAUSE Fats Waller laid some of the building blocks for what is NOW ‘modern jazz piano'. He popularized the use of The stride piano style,  which is widely used by jazz pianists today. He toured internationally and two of his biggest hits were Ain't Misbehavin' and Honeysuckle Rose. PAUSE You are listening to Sometimes I Feel Like a Motherless Child by  Fats Waller) Recorded back in 1943.PAUSE Waller copyrighted over 400 songs. He probably composed many more, but, when he was in financial difficulty, he would sell songs to other writers and performers, who would not acknowledge the real composer, claiming the songs as their own.   Today's podcast features Fats Waller and a few of his SOLO piano and organ compositions that were recorded between the years 1926 and 1943, or from the age of 22 to 39.  Some of these songs are not available today, except where they are rediscovered - - - on my old and treasured Fats Waller record collection! SHOW PLUG - SHOW PLUG - DON'T TOUCH THAT DIAL ! ! BIT BUCKET Waller is also credited with his composition and performance work in Broadway Musicals. Waller is perhaps the FIRST BLACK composer to write the score and perform for a mostly all-white show on Broadway. That was the 1943 Broadway musical EARLY TO BED, produced by Richard Kollmar – the Broadway Flyer for EARLY TO BED reads “Music by Thomas (“Fats”) Waller”. . M1 M1 Squeeze Me  (Thomas Waller) Rec. 2/14/1926, FATS WALLER EARLY UNDISCOVERED SOLOS, Riverside Records RLP 12-103, 1955 (2:55) Our first recording is titled “SQUEEZE ME” It's a piano solo, and the composer and performer is Thomas Waller.He is not billed as “Fats” Waller yet, as he is not that unusually large at the young age of 22. This song SQUEEZE ME was recorded for production of piano rolls in 1926, making this among Waller's EARLIEST recordings. Waller recorded his piano solos for the production of Piano Rolls between 1926 and 1927.These rolls operate on player pianos. Insert the roll, and the piano plays the song. PAUSE The player piano is a specialty item, affordable by the wealthy, and not a great way to release new music to the masses. Decades later, in 1955,

#484 Jim Reeves "My Favourites" - RCA Victor - 32.281 - Year 1967 - Side A by Jim Reeves

Hosts Jim DeRogatis and Greg Kot speak with David Browne, author of the new book Talkin' Greenwich Village: The Heady Rise and Slow Fall of America's Bohemian Music Capital.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Phil Ochs, "Here's to the State of Mississippi," I Ain't Marching Anymore, Elektra, 1965The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Sonny Rollins, "Softly As In A Morning Sunrise (Live At The Village Vanguard, 1957 / Evening Take)," The Complete Night At The Village Vanguard, Blue Note, 2013Miles Davis, "Stablemates," Miles: The New Miles Davis Quintet, Prestige, 1956Joan Baez, "Wildwood Flower," Joan Baez, Vanguard, 1960John Coltrane, "Greensleeves," Evenings at the Village Gate: John Coltrane with Eric Dolphy, Impulse!, 2023Paul Butterfield, "Everything Gonna Be Alright," Live New York 1970, RockBeat, 2015Phil Ochs, "Talking Vietnam Blues," All the News That's Fit to Sing, Elektra, 1964Dave Van Ronk, "He Was a Friend of Mine," Folksinger, Prestige, 1962Dave Van Ronk, "Dink's Song," Dave Van Ronk Sings, Folkways, 1961Bob Dylan, "House of the Risin' Sun," Bob Dylan, Columbia, 1962Dave Van Ronk, "House of the Rising Sun," Just Dave Van Ronk, Mercury, 1964The Blues Project, "Catch the Wind," Live at the Cafe Au Go Go, Verve Folkways, 1966Bob Dylan, "It Ain't Me Babe," Another Side of Bob Dylan, Columbia, 1964Bob Dylan, "Hurricane (Live at Memorial Auditorium, Worcester, MA, November 1975)," The Rolling Thunder Revue: The 1975 Live Recordings, Columbia, 2019Len Chandler, "Bellevue," To Be a Man, Columbia, 1966Peter, Paul and Mary, "Where Have All the Flowers Gone," Peter, Paul and Mary, Warner Bros., 1962Sonny Rollins, "I Can't Get Started (Live At The Village Vanguard, 1957 / Evening Take)," The Complete Night At The Village Vanguard, Blue Note, 2013The Roches, "Speak," Speak, MCA, 1989Buffy Sainte-Marie, "It's My Way," It's My Way!, Vanguard, 1964Odetta, "I Never Will Marry," Odetta Sings Folk Songs, RCA Victor, 1963Drive-By Truckers, "Ronnie and Neil," Southern Rock Opera, Soul Dump, 2001See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

#481 Girls I Have Known - RCA Victor - LPM-1685 - Year 1958 - Side B by Jim Reeves

On the October 3 edition of Music History Today podcast, Sinead O'Connor rips up a photo, 2 companies become RCA Victor, & the first Hip-Hop honors takes place. Also, happy birthday to Gwen Stefani. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

#480 Girls I Have Known - RCA Victor - LPM-1685 - Year 1958 - Side A by Jim Reeves

This week, hosts Jim DeRogatis and Greg Kot take another trip to the Desert Island Jukebox. They hear from past guests like Mary J. Blige, The Melvins, Lucy Dacus and more about the songs they can't live without.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Adia Victoria, "Magnolia Blues," A Southern Gothic, Atlantic, 2021Fiona Apple, "Every Single Night," The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do, Epic, 2012Lucy Dacus, "VBS," Home Video, Matador, 2021Molly Drake, "I Remember," The Tide's Magnificence: Songs and Poems of Molly Drake , Bryter, 2018Nick Drake, "Pink Moon," Pink Moon, Island, 1972Nick Drake, "Road," Pink Moon, Island, 1972The Mountain Goats, "No Children," Tallahassee, 4AD, 2002Dionne Warwick, "I'll Never Love This Way Again," Dionne, Arista, 1979Nightwish, "FantasMic," Wishmaster, Spinefarm, 2000The Mountain Goats, "This Year," The Sunset Tree, 4AD, 2005The Melvins, "Honey Bucket," Houdini, Atlantic, 1993Judy Garland, "You Go To My Head," Judy at Carnegie Hall, Capitol, 1961The Rolling Stones, "Jumpin' Jack Flash," Jumpin Jack Flash (Single), Decca, 1968Jimi Hendrix Experience, "If 6 Was 9," Axis: Bold As Love , Track, 1967Wayne and Garth, "Wayne's World Theme," Wayne's World (Music From The Motion Picture), Reprise, 1992Tony Scott, "Za-Zen (Meditation)," Music For Zen Meditation, Verve, 1964Norman Greenbaum, "Spirit in the Sky," Spirit in the Sky, Reprise, 1969Iron and Wine, "Call It Dreaming," Beast Epic, Sub Pop, 2017Van Morrison, "Come Here My Love," Veedon Fleece, Warner Bros., 1974Vic Mensa, "We Could Be Free (feat Ty Dolla Sign)," The Autobiography, Roc Nation, 2017Stevie Wonder, "For Once In My Life," For Once In My Life, Tamla, 1968Jay-Z, "Smile," 444, Roc Nation, 2017Stevie Wonder, "Love's In Need of Love Today," Songs in the Key of Life, Tamla, 1976Mary J. Blige, "I'm Going Down (Live)," The Tour, MCA, 1998Stevie Wonder, "As," Songs in the Key Of Life, Tamla, 1976Stevie Wonder, "Pastime Paradise," Songs in the Key Of Life, Tamla, 1976Stevie Wonder, "I Wish," Songs in the Key Of Life, Tamla, 1976Sam Cooke, "A Change Is Gonna Come," Ain't That Good News, RCA Victor, 1964Television, "Marquee Moon," Marquee Moon, Elektra, 1977Tears For Fears, "Head Over Heels," Songs from the Big Chair, Mercury, 1985Wolf Alice , "Lisbon," My Love Is Cool, Dirty Hit, 2015Buffalo Springfield, "For What It's Worth," For What It's Worth (Single), Atco, 1966The Who, "Baba O'Riley," Who's Next, Decca, 1971Miles Davis, "Blue in Green," Kind of Blue, Columbia, 1959The Beatles, "Tomorrow Never Knows (Mono)," Revolver , Capitol, 1966MC5, "Kick Out the Jams," Kick Out the Jams, Elektra, 1969See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

#477 Tall Tales And Short Tempers - RCA Victor - LSP-2284 - Year 1961 - Side B by Jim Reeves

Support Breaking Walls at https://www.patreon.com/thewallbreakers By November of 1944 Suspense was pulling a rating of 10.4. There were now more than eight million people tuning in. Roma wines was satisfied as Suspense was providing stiff competition to The Frank Morgan Show running opposite on NBC Thursday nights at 8PM eastern time. On November 9th Lena Horne guest-starred in a Robert L. Richards script called “You Were Wonderful” about the murder of a nightclub singer in South America. Horne is the visiting American singer intent on solving the crime. Lena Horne was born on June 30th, 1917 in Brooklyn, New York. Both sides of her family were multi-racial with both African and Native American heritage. Her father Teddy was a one-time owner of a restaurant and hotel while her mother Edna was an actress with a traveling theater troupe. As a young girl Lena's father left the family to move to Pittsburgh, while Lena traveled with her mother around the country before returning to New York City when she was twelve. Lena dropped out of high school at sixteen and joined the chorus line at the Cotton Club. In 1935 she made her first screen appearance as a dancer in Cab Calloway's musical short Jitterbug Party. She got married in 1937, but soon separated from her husband, first touring with bandleader Charlie Barnet in 1940 before returning to New York to work at Cafe Society in Greenwich Village. She soon replaced Dinah Shore as vocalist on NBC's The Chamber Music Society of Lower Basin Street and recorded with Henry Levine and Paul Laval, in June 1941 for RCA Victor. Horne then left New York City for Hollywood, being hired to perform in a Cotton Club-style revue for Cafe Trocadero on the Sunset Strip. In 1942, when she became the first African-American with a major studio contract, it was with the understanding that she wouldn't be obligated to portray servants—a condition that handicapped her entrée into mainstream Hollywood movies. She soon appeared in the films Panama Hattie, Cabin in the Sky, Stormy Weather, Thousands Cheer, Swing Feever, Broadway Rhythm, and Two Girls and a Sailor. With the exceptions of Cabin in the Sky and Stormy Weather, Lena's early screen appearances were often designed as standalone musical numbers that could easily be cut out in prejudice Southern markets unaccepting of African American performers. Horne's Suspense appearance was big news. Both Spier and his wife Kay Thompson, a friend who worked with her at MGM, pressed the movie studio to allow her to headline the show. Network executives at CBS were concerned that Roma might pull its contract if Southern stations didn't want to air the program. Thompson agreed to appear as Horne's uncredited backup singer in three musical numbers, which Thompson arranged. MGM's publicity department got to work and given the unfortunate day's climate, Horne's appearance was heralded as one of the more daring and successful half hours of network drama at the time. She is the first and only African American to headline Suspense. “It was an event of terrific importance to Lena,” noted Movieland magazine, “for the first time a performance of hers was judged on merit alone; she was announced only as the star of the play, without reference to her race.” Spier noted that in the studio, Lena “seemed so poised, so sure of herself and her every speech, so business-like in her approach to the role.” However when she grabbed his hand for encouragement, she was ice cold. Part of it was performance nerves, but a lot of it came from the anxiety of getting the chance to publicly justify her talent. Horne later said, “Bill was marvelous and intelligent. Anyone married to Kay would have to be strong.” It was an especially memorable and proud evening for members of the African-American community who were glued to their radios in record numbers.

This week, hosts Jim DeRogatis and Greg Kot explore the history and legacy of the 50+ year-old Chicago blues label, Alligator Records, with its founder Bruce Iglauer. They'll talk to him about his new book Bitten By the Blues: The Alligator Records Story and discuss some of the landmark artists who came through, from Koko Taylor to Albert Collins. They also revisit a conversation and live performance with Buddy Guy.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Koko Taylor, "I'm A Woman," The Earthshaker, Alligator , 1978The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club, Parlophone, 1967Albert Collins, "Honey Hush! (Talking Woman Blues)," Ice Pickin', Alligator , 1978Mississippi Fred McDowell, "You Got to Move," You Gotta Move, Arhoolie, 1965Hound Dog Taylor & The Houserockers, "Walking the Ceiling," Hound Dog Taylor and the HouseRockers, Alligator , 1971Hound Dog Taylor & The Houserockers, "Give Me Back My Wig," Hound Dog Taylor and the HouseRockers, Alligator, 1971Hound Dog Taylor & The Houserockers, "Phillips' Theme," Hound Dog Taylor and the HouseRockers, Alligator, 1971B.B. King, "The Thrill Is Gone," Completely Well, Alligator, 1969Hound Dog Taylor & The Houserockers, "Wild About You Baby," Hound Dog Taylor and the HouseRockers, Alligator, 1971Koko Taylor, "Wang Dang Doodle," Wang Dang Doodle (Single), Chess, 1966Koko Taylor, "That's Why I'm Crying," I Got What It Takes, Alligator, 1975Koko Taylor, "I Got What It Takes," I Got What It Takes, Alligator, 1975Albert Collins, "I Ain't Drunk," Cold Snap, Alligator, 1986Albert Collins, Johnny Copeland, Robert Cray, "The Moon Is Full," Showdown!, Alligator, 1985Toronzo Cannon, "Walk It Off," The Chicago Way, Alligator, 2016Toronzo Cannon, "Bad Contract," The Chicago Way, Alligator, 2016Shemekia Copeland, "Would You Take My Blood," America's Child, Alligator, 2018Shemekia Copeland, "Ain't Got Time For Hate," America's Child, Alligator, 2018A.C. Reed, "She's Fine (feat. Bonnie Raitt)," I'm In the Wrong Business!, Alligator, 1987Buddy Guy, "Baby Please Don't Leave Me," Sweet Tea, Silvertone, 2001B.B. King, "Don't Answer the Door," Don't Answer The Door (single), ABC, 1966Buddy Guy, "Good Morning Schoolgirl," Hoodoo Blues Man (Live On Sound Opinions), Delmark, 2007Cream, "Strange Brew," Strange Brew (single), Reaction, 1967Buddy Guy, "First Time I Met The Blues," I Got My Eyes On You (single), Chess, 1960Shawnna, "Can't Break Me (feat. Buddy Guy)," Block Music, Disturbing Tha Peace, 2006Buddy Guy, "I've Got Dreams to Remember," Bring 'Em In (Live On Sound Opinions), Silvertone, 2007Lou Reed, "Coney Island Baby," Coney Island Baby, RCA Victor, 1976See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Show #1053 From Choices To Decisions 01. Big Dave McLean - I Best Choose to Pick the Blues (4:41) (Faded But Not Gone, Black Hen Music, 2014) 02. John "Juke" Logan - Life on the Center Divider (Go Figure) (4:38) (Juke Rhythm, Sky Ranch Records, 1995) 03. Coyote Kings - Bad Decision (4:15) (Hot Mess, TwinLion Records, 2023) 04. Jeff Finlin - Crossing The Great Divide (4:16) (Soul On The Line, Bentwheel Records, 2022) 05. Eddie Martin - Too Much Choice (4:27) (Black White And Blue, BlueBlood Records, 2016) 06. Coco Robicheaux - Decision Blues (4:22) (Hoodoo Party, Sky Ranch Records, 2000) 07. Jan James - Dangerous Decision (3:26) (Justify, Blue Palace Records, 2020) 08. James Harman - Decisions (5:25) (Takin' Chances, Cannonball Records, 1998) 09. Duster Bennett - I Choose To Sing The Blues/Just Like I Treat You (6:46) (I Choose To Sing The Blues, Indigo Records, 1998) 10. Southside Johnny & the Asbury Jukes - I Choose to Sing the Blues (2:40) (I Don't Want to Go Home, Epic Records, 1976) 11. Derrick Procell - Why I Choose To Sing The Blues (6:05) (Why I Choose To Sing The Blues, Hear And Now Music, 2016) 12. The Band - Across The Great Divide (2:54) (The Band, Capitol Records, 1969) 13. Jim Allchin - Bad Decisions (3:06) (Decisions, Sandy Key Music, 2017) 14. Anthony Geraci - Too Many Bad Decisions (4:06) (Why Did You Have To Go, Shining Stone Records, 2018) 15. Marion Abernathy - Undecided [1948] (2:06) (Rare Blues Girls From King, Sing Records, 1988) 16. John Kirby & the Onyx Club Boys - Undecided (2:57) (78 RPM Shellac, Decca Records, 1938) 17. Ames Brothers (with Les Brown & his Band Of Renown) - Undecided (2:57) (45 RPM Single, Coral Records, 1951) 18. Chick Webb & his Orchestra (with vocal by Ella Fitzgerald) - Undecided (3:18) (78 RPM Shellac, Decca Records, 1939) 19. Django Reinhardt & le Quintette du Hot Club de France - Undecided (2:35) (78 RPM Shellac, Decca Records, 1939) 20. Al Hirt (with Henri René & his Orchestra) - Undecided (2:19) (The Greatest Horn In The World, RCA Victor, 1961) 21. Paul Butterfield Blues Band - Last Hope's Gone (4:50) (In My Own Dream, Elektra Records, 1968) 22. Michael Stanley Band - Choice And Sanborn (2:24) (Ladies' Choice, Epic Records, 1976) 23. Sideshow Tramps - Buck Dansers Choice (1:00) (Medicine Show, self-release, 2007) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Show #1048 With Some Side Steppin' Kind of regular, but Spinner also does some side steppin' to pay tribute to Duane Eddie who passed away on April 30. 01. Bart Bryant - Whiskey Beer And Wine (4:53) (Backstage II, Horizon Music Group, 2024) 02. JC Covey - Brothers First Not Last (3:41) (Strumcussion Blues, self-release, 2024) 03. Judy Sings The Blues  - Tricks (6:59) (Backstage Pass Live, self-release, 2024) 04. Rick Estrin & The Nightcats - I Finally Hit The Bottom (5:09) (The Hits Keep Coming, Alligator Records, 2024) 05. Muddy Husky Duo - I Can't Be Satisfied (3:22) (Single, Luppa Records, 2024) 06. Billy Price - Change Your Mind (5:31) (Person of Interest, Little Village Records, 2024) 07. Roy Buchanan - Rodney's Song (4:29) (That's What I Am Here For, Polydor Records, 1973) 08. Canned Heat - One Last Boogie (3:58) (Finyl Vinyl, Ruf Records, 2024) 09. Val Starr & The Blues Rocket - The Blues That Move Me (4:21) (To The Blues and Back Again, Sandwich Factory Records, 2024) 10. Robert Jon & the Wreck - Give Love (4:57) (Red Moon Rising, Journeyman Records, 2024) 11. Matthew Chaffey - Waiting On You (2:56) (Hotel Texas, Gypsy Soul Records, 2024) 12. Bastards Of Soul - Woman Of Hell (6:46) (Give It Right Back, Skylark Soul Co., 2024) 13. Anthony Geraci - Owl's Nest (3:05) (Tears In My Eyes, Blue Heart Records, 2024) 14. The B. Christopher Band - Everybody Needs Somebody To Love (3:51) (106 Miles To Chicago, Guitar One Records, 2024) 15. Solomon Burke - Everybody Needs Somebody To Love (2:50) (45 RPM Single, Atlantic Records, 1964) 16. Rolling Stones - Everybody Needs Somebody To Love (3:00) (The Rolling Stones No. 2, Decca Records, 1965) 17. Wilson Pickett - Everybody Needs Somebody To Love (2:20) (45 RPM Single, Atlantic Records, 1967) 18. Small Faces - Whatcha Gonna Do About It (2:00) (45 RPM Single, Decca Records, 1965) 19. The Blues Brothers Band - Peter Gunn Theme (3:48) (The Blues Brothers Soundtrack, Atlantic Records, 1980) 20. Henry Mancini - Peter Gunn (2:05) (45 RPM Single, RCA Victor, 1959) 21. Duane Eddie - Peter Gunn (2:30) (Especially For You, Jamie Records, 1959) 22. Duane Eddie - Movin' 'n' Groovin' (2:06) (Have 'Twangy' Guitar Will Travel, Jamie Records, 1958) 23. Duane Eddie - Rebel-'Rouser (2:21) (Have 'Twangy' Guitar Will Travel, Jamie Records, 1958) 24. Duane Eddie - Because They're Young (2:08) (45 RPM Single, Jamie Records, 1960) 25. Karate Boogaloo - Incredible Wonderful (3:10) (Hold Your Horses, Colemine Records, 2024) 26. The Blues Brothers Band - Closing - I Can't Turn You Loose (0:32) (Briefcase Full Of Blues, Atlantic Records, 1978) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Thanks for tuning in. The Drums and Rums podcast is coming back from a hiatus with a great guest who continues the legacy of the king of Latin percussion and its also his father, out guest is Tito Puente Jr.Don't forget to LIKE this video and SUBSCRIBE to our channelHELP SUPPORT the podcast.https://www.patreon.com/drumsandrums/postshttps://cash.app/$drumsandrumsCHECK out  https://www.drumsandrums.com/FOLLOW us :https://www.instagram.com/drumsandrumhttps://www.facebook.com/drumsandrums/https://www.tiktok.com/@drumsandrumshttps://twitter.com/drumsandrumsWho Was Tito Puente? This week we celebrate the fascinating life of Tito Puente, the “King of Mambo.” Born as Ernest Anthony Puente Jr. on April 20, 1923, he left an indelible mark on the world of music. He passed away on June 1st 2000. Here's a glimpse into his remarkable journey and some of the things each day this week we'll dive into.Early Years: Tito Puente was born in New York City's Spanish Harlem to Puerto Rican parents. His father worked at a razorblade factory, and Tito initially took piano lessons. However, an ankle injury led him to switch to percussion, drawing inspiration from jazz drummer Gene Krupa. Puente's talent blossomed with his drumming lessons, and in the '40s he joined the Machito Orchestra when their drummer was drafted for World War II. This was his big break, and Puente played with them until he was also drafted into the Navy. After the war, Puente went to the Julliard School of Music on the G.I. Bill to study music and orchestration, and in 1948 he formed his own band and began developing his distinctive performance style.Career:  Tito Puente was known for his blending of Latin and jazz sounds, for placing percussion in the spotlight, and for celebrating the music with dancing and joy during his performances. His band became a regular sound at the Palladium Ballroom, where the Tito Puente Orchestra packed in the crowds and helped popularize mambo. Over the years he became known as "El Rey," the king of mambo music, and he collaborated with many other major performers, including Celia Cruz. Puente began recording with RCA Victor in the 1950s. He continued to record, collaborate, and perform for the next several decades. In the 1990s, he played himself in the movie, Mambo Kings, which helped drive a renewed awareness of his music. When he died at age 77, he was still regularly performing.Legacy: Tito Puente's influence transcends borders. His compositions continue to resonate, and his virtuosity lives on. Whether you're dancing to his beats or appreciating his melodies, Tito Puente's legacy has been recognized in many ways. He received five Grammy Awards during his lifetime, as well as a posthumous Grammy Lifetime Achievement Award; among other honors, he also received honorary degrees, presidential recognition, and the Key to New York City.Tune in tomorrow for part 2 of celebrating the life and music of Tito Puente.Support the show

Air Week: April 15-21, 2024 Groove Records In late 1953, RCA Victor launched a new subsidiary to focus on the Rhythm & Blues market, called Groove Records.  They intended for Groove to compete with the independent labels like Chess, Atlantic and Vee-Jay that were dominating the genre.  RCA treated Groove as an indie by setting […]

569. We welcome Jeroen Dewulf back to the podcast to discuss his new book, Afro-Atlantic Catholics: America's First Black Christians. "This volume examines the influence of African Catholics on the historical development of Black Christianity in America during the seventeenth century. Dewulf's analysis focuses on the historical documentation of Afro-Atlantic Catholic rituals, devotions, and social structures. Of particular importance are brotherhood practices, which were critical in the dissemination of Afro-Atlantic Catholic culture among Black communities, a culture that was pre-Tridentine in nature and wary of external influences. These fraternal Black mutual-aid and burial society structures were critically important to the development and resilience of Black Christianity in America through periods of changing social conditions." "Jeroen Dewulf (born 1972 in Nieuwpoort, Belgium) is a Belgian scholar specializing in Dutch culture, the Dutch language, German Studies, slavery and African-American culture, Caribbean Studies, and Latin American Studies. He is a professor at the University of California, Berkeley." This week in Louisiana history. April 13, 1803. Barbé-Marbois meets with Livingston to offer La. for 100 Million ₣ francs. This week in New Orleans history. Born in New Orleans on April 13, 1926, Cosimo Matassa is the recording engineer and studio owner responsible for nationally renowned R&B and rock and roll recordings at his New Orleans studios. He said that his formula for success was not complicated in any way..."Do it live or do it over again until it was done right".  He did it right for hundreds of young unknown musicians including Ray Charles, Fats Domino, Dr. John, Mickey Gilly and many more from 1945 through 1968. J&M recorded Alan Toussaint's first record, "The Wild Side of New Orleans" which was released by RCA Victor.  He recorded Aaron Neville's "Tell it Like it Is", Robert Parker's "Barefootin'", and Little Richard's "Tutti Frutti" in 1956 -- a recording which has been acclaimed as a seminal Rock and Roll song. This week in Louisiana. NEW ORLEANS JAZZ & HERITAGE FESTIVAL (Website) April 25, 2024 - May 5, 2024 Recurring weekly on Sunday, Thursday, Friday, Saturday LOCATION: Fair Grounds Race Course and Slots, A Churchill Downs Co. 1751 Gentilly Blvd. New Orleans, LA 70119 ADMISSION PRICE: Prices vary MORE INFO: (504) 410-4100 Visit Event Website Postcards from Louisiana. Lundi Gras on Paydras St. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Six String Hayride Episode 37, Classic Country in the 1920's. Chris and Jim build a time machine and visit the 1920's. WLS in Chicago and WSM in Nashville start Radio's Golden Era with national music broadcasts, , Prohibition starts and so does Bootleg Booze, RCA Victor provides phonographs for the home, Jukeboxes and Radios come on the dance hall scene, Ralph Peer records the Carter Family and Jimmie Rodgers in Bristol, Chris defines what "Classic" really means and Jim runs down the world of the 1920s. How "Frankie and Johnny" and "Wreck of the Old 97" became American Classics , Another fine cocktail recipe and Charleston Lessons too. Join us on the Six String Hayride Classic Country Podcast.

This week, hosts Jim DeRogatis and Greg Kot take the show out of the recording studio and into the karaoke bar as they share some of their favorite karaoke tracks. They'll also hear selections from production staff and listeners. Plus, the hosts review new music from Grandaddy and bid farewell to the late rockabilly musician Dexter Romweber.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Carly Rae Jepsen, "Call Me Maybe," Kiss, 604, 2012The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Grandaddy, "Blu Wav," Blu Wav, Dangerbird, 2024Grandaddy, "You're Going to Be Fine and I'm Going to Hell," Blu Wav, Dangerbird, 2024Grandaddy, "Jukebox App," Blu Wav, Dangerbird, 2024Grandaddy, "Ducky, Boris and Dart," Blu Wav, Dangerbird, 2024Johnny Cash and June Carter Cash, "Jackson," Carryin' On with Johnny Cash & June Carter, Columbia, 1967*NSYNC, "It Makes Me Ill," No Strings Attached, Jive, 2000Shania Twain, "Man! I Feel Like a Woman!," Come On Over, Mercury, 1997Donny Osmond & Chorus, "I'll Make a Man Out of You," Mulan: An Original Walt Disney Records Soundtrack, Walt Disney, 1998Art Brut, "Formed a Band," Bang Bang Rock & Roll, Fierce Panda, 2005Joey Scarbury, "Theme from The Greatest American Hero (Believe It or Not)," America's Greatest Hero, Elektra, 1981The 5th Dimension, "Wedding Bell Blues," The Age of Aquarius, Soul City, 1969Kenny Rogers, "Islands In the Stream (duet with Dolly Parton)," Eyes That See in the Dark, RCA Victor, 1983The Rocky Horror Picture Show Original Cast , "Rose Tint My World (feat. Richard O'Brien)," The Rocky Horror Picture Show, Ode, 1975Regulo Caro, "En Estos Días," En Estos Días, Del, 2018Beyoncé, "Single Ladies (Put a Ring on It)," I Am...Sasha Fierce, Columbia, 2008Radiohead, "Creep," Pablo Honey, Parlophone, 1992Backstreet Boys, "I Want it That Way," Millennium, Jive, 1999Prince, "When Doves Cry," Purple Rain, Warner Bros., 1984Flat Duo Jets, "Frog Went a Courtin'," Go Go Harlem Baby, Sky, 1991Flat Duo Jets, "Riot In Cell Block Number Nine," In Stereo, Dolphin, 1985The Roots, "You Got Me (feat. Erykah Badu & Eve)," Things Fall Apart, MCA, 1999See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Well, this is week four and the last in the series The Complete RCA Victor Recordings of Artie Shaw. These recordings were made in the years of 1944 and 1945 when Artie was living in California after his discharge from the US Navy. After these recordings were made, Artie signed with the MusicCraft label and never recorder for RCA again. There are some great recordings here as Artie liked to make recordings out of the Great American Songbook. I hope you enjoyed this series and will tune in again for more music of the fabulous big bands. Please visit this podcast at http://bigbandbashfm.blogspot.com

Benny Goodman's orchestra was the first big band that I ever listened to. But I kept reading about his rival, Artie Shaw. So I bought a vinyl two record set called This is Artie Shaw. Well, I was just knocked out with those 1938 recordings. Today we will continue with part three of the Complete RCA Bluebird Recordings of Artie Shaw. We are now in Volume 5 which includes the period shortly before the start of World War II. Artie was in California during this time and was including a string section with his orchestra which gave the recordings a different sound. I hope you enjoy this set as we will be winding up this series next week. Please visit this podcast at http://bigbandbashfm.blogspot.com

Billboard introduced the first-ever pop music chart on 4th January, 1936. Catering to jukebox operators, rather than everyday music fans, the chart was an occasional magazine feature, listing top tracks from each of the major record labels based on sheet music sales, record sales, requests from band leaders, and mail-in requests to radio stations.  Big Band numbers dominated the chart, which evolved (as the record industry recovered from the Depression) to eventually recognise black music with the ‘Harlem Hit Parade', and Country music with the ‘Most Played Juke Box Folk Records' feature in the 1940s. In this episode, Arion, Rebecca and Olly consider the role of music pluggers in manipulating the charts; explain how Natalie Imbruglia's ‘Torn' caused compilers a major re-think in the 1990s; and reveal the all-time most popular title for a chart hit…  Further Reading: • ‘Billboard Charts History: How the Charts Evolved' (Billboard, 2019): https://www.billboard.com/pro/billboard-chart-history-evolution-milestones/ • 'The Development of National Record Charts – Pay for Play: How the Music Industry Works, Where the Money Goes, and Why' (University of Oregon): https://opentext.uoregon.edu/payforplay/chapter/chapter-10-the-development-of-national-record-charts/ • ‘Tommy Dorsey: I'll Never Smile Again' (RCA Victor, 1936): https://www.youtube.com/watch?v=nd71pORWNVo Love the show? Join

What's more inspiring than the start of a new day? Hosts Jim DeRogatis and Greg Kot share their favorite songs inspired by the morning. The hosts also review new albums by Ratboys and Noname. Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: The Beatles, "Good Morning," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Noname, "gospel? (feat. $ilkMoney, billy woods & STOUT)," Sundial, self-released, 2023Ratboys, "The Window," The Window, Topshelf, 2023Ratboys, "Making Noise for the Ones You Love," The Window, Topshelf, 2023Ratboys, "Empty," The Window, Topshelf, 2023Ratboys, "Black Earth, WI," The Window, Topshelf, 2023Noname, "black mirror," Sundial, self-released, 2023Noname, "namesake," Sundial, self-released, 2023Noname, "potentially the interlude," Sundial, self-released, 2023Kris Kristofferson, "Sunday Mornin' Comin' Down," Kristofferson, Monument, 1970Stevie Wonder, "Happier Than The Morning Sun," Music of My Mind, Tamla, 1972Nina Simone, "Feeling Good," I Put A Spell On You, Phillips, 1965The Polyphonic Spree, "Light & Day/Reach for the Sun," The Beginning Stages of..., Good, 2002Margot and the Nuclear So-And-So's, "Waking Up and Walking Out," The Bride On The Boxcar - A Decade Of Margot Rarities: 2004-2014, Joyful Noise, 2015Harry Nilsson, "Gotta Get Up," Nilsson Schmilsson, RCA Victor, 1971Kurt Vile, "Wakin On a Pretty Day," Wakin On a Pretty Daze, Matador, 2013Bill Withers, "Lovely Day," Menagerie, Columbia, 1977Joni Mitchell, "Chelsea Morning," Clouds, A&M, 1969The The, "This Is the Day," Soul Mining, Some Bizarre/Epic, 1983Beck, "Morning," Morning Phase, Captiol, 2014Outkast, "Git Up, Git Out (feat. Goodie Mob)," Southernplayalisticadillacmuzik, Arista, LaFace, 1994Juice Newton, "Angel of the Morning," Juice, Captiol, 1981Echo & the Bunnymen, "The Killing Moon," Ocean Rain, Sire, 1984Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

Hosts Jim DeRogatis and Greg Kot share some of their favorite songs about work in honor of Labor Day. They also review the new album from Big Freedia and add a song to the Desert Island Jukebox. Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: Donna Summer, "She Works Hard For the Money," She Works Hard for the Money, Mercury, 1983The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Big Freedia, "Gin In My System," Central City, Queen Diva, 2023Big Freedia, "Booty Like A Drummer," Central City, Queen Diva, 2023Big Freedia, "Life Lessons," Central City, Queen Diva, 2023Big Freedia, "Pepto Interlude," Central City, Queen Diva, 2023Mitski, "Working for the Knife," Laurel Hell, Dead Oceans, 2022Margo Price, "Pay Gap," All American Made, Third Man, 2017Dolly Parton, "9 To 5," 9 to 5 and Odd Jobs, RCA Victor, 1980The Animals, "We Gotta Get Out Of This Place," Animal Tracks, MGM, 1965John Lennon, "Working Class Hero," John Lennon/Plastic Ono Band, Apple, 1970Van Morrison, "Cleaning Windows," Beautiful Vision, Mercury, 1982Rhymefest, "Good Ass Job," Rhymefest Presents Raw Dawg, Self Released, 2001Sam Cooke, "Chain Gang," Swing Low, RCA Victor, 1961R.E.M., "Finest Worksong," Document, I.R.S., 1987The Clash, "Career Opportunities," The Clash, CBS, 1977Bob Marley & The Wailers, "Night Shift," Rastaman Vibration, Island, 1976Lou Reed, "Don't Talk To Me About Work," Legendary Hearts, RCA , 1983The Jam, "Smithers Jones," When We're Young (Single), Polydor, 1979Flaming Lips, "Bad Days," Clouds Taste Metallic, Warner Bros, 1995Al Green, "Perfect Day," Perfect Day (Single), Fat Possum, 2023Lou Reed , "Perfect Day," Transformer, RCA, 1972Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

This week, hosts Jim DeRogatis and Greg Kot talk with journalist and author Lior Phillips about the rich and vibrant popular music of South Africa.  Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: Black Coffee, "Izizwe (feat. Busi Mhlongo)," Have Another One, Universal, 2007The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Solomon Linda's Evening Birds, "Mbube," Mbube (Single), Gallotone, 1939Miriam Makeba, "Pata Pata," Pata Pata, Reprise, 1967Ladysmith Black Mambazo, "Nomathemba," Amabutho, Gallo, 1973Juluka, "Scatterlings of Africa," Scatterlings, Warner Bros., 1982Brenda Fassie, "Vuli Ndlela," Memeza, CCP, 1997Dolly Parton, "9 To 5," 9 to 5 and Odd Jobs, RCA Victor, 1980Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.