Podcasts about Take Me Back

中國信託X反應過激的貓，聯名貼圖限時登場！挺你所想！與你一起生活的銀行即日起至2026年1月22日，加入中國信託LINE官方帳號就可以免費下載限定聯名貼圖，再完成貼圖互動遊戲，就可獲得美食優惠大禮包！趕緊來下載吧! https://fstry.pse.is/8hn5kr —— 以上為 Firstory Podcast 廣告 —— 【政府普發1萬，夏普再加碼1萬！】活動時間：2025/10/1－2026/2/28好康兩重奏：好禮1：單筆消費滿10萬，送1萬電子禮卡（限前100名）好禮2：不限消費金額月月，抽1萬電子禮卡（每月20名）請立刻點擊： https://fstry.pse.is/8jtf7l —— 以上為 Firstory Podcast 廣告 —— 喜歡張大春主持的「聽說張大春」嗎？歡迎小額贊助我們，讓我們繼續產出優質節目＞https://open.firstory.me/join/thehearsayzhangdachun 主持人：張大春 來賓：資深樂評人袁永興 主題：娛樂轟趴｜Song About The City 本集播出日期：2021.02.03 播放曲目： 1. London / Barry Manilow (1980) 2. New York's Not My Home / Jim Croce (1972) 3. Bonjour Paris / Audrey Hepburn, Fred Astaire & Kay Thompson (1957 Funny Face) 4. One Night In Bangkok / Murray Head (1984) 5. I Left My Heart in San Francisco / Tony Bennett (1962) 6. Vienna / Billy Joe (1977) 7. Take Me Back to Chicago / Chicago (1985) 8. Shanghai Breezes / John Denver (1982) ----- ▍聽更多：https://flow.page/thehearsay ▍粉絲團：https://www.facebook.com/TheHearSayChannel ▍合作贊助：thehearsaytw@gmail.com Powered by Firstory Hosting

In this episode of the podcast, Wynne Leon and Vicki Atkinson engage with novelist Doug E. Jones about Take Me Back to Chicago. Our conversation delves into the rich tapestry of 1974 Chicago, exploring the characters, music, and personal connections that shape the narrative. Doug also shares insights into his transition from TV writing as a writer for the tv show Charmed (and more) to novel writing. We also talk about the thematic elements of his work, and the humor that permeates his storytelling. The episode highlights the importance of character dynamics and the personal experiences that inform Doug's writing, making it a delightful exploration of both the book and the author's journey.TakeawaysDoug E. Jones's novel is set in 1974 Chicago, rich with cultural references.The protagonist, Rick, faces a significant debt left by his father.The book features strong female characters, including Rick's daughter Elena.Doug's writing process involves integrating real Chicago characters and events.The transition from TV writing to novel writing was liberating for Doug.Music plays a crucial role in setting the tone of the story.The character dynamics between Rick and his friend Javi add humor and depth.Historical context is woven into the narrative, enhancing the story's richness.Doug's personal experiences influence the characters and settings in his novels.The book is described as a ‘beach read'—entertaining and engaging.Heads up! This is an episode that has already aired on the How to Share podcast so you may have already listened to it.Links for this episode:How to Share1970's Chicago transcriptTake Me Back to Chicago by Doug E. Jones on Eckhartz PressQ&A with Take Me Back to Chicago author Doug E. JonesFrom the Hosts:Vicki's book about resilience and love: Surviving Sue; Blog: https://victoriaponders.com/Wynne's book about her beloved father: Finding My Father's Faith; Blog: https://wynneleon.com

A show where we listen to a heavy metal album, and then argue about it. Hosted by Antony Johnston and Brian LeTendre.

Will You Take Me Back by Bill Bennett

"This work originates from a field recording captured in Madobag Village on the Mentawai Islands in Indonesia. In the recording, the sounds of children playing around an old well echo through the space. For me, this recording is not merely documentary material; it functions as a sonic memory that can transport me back to a particular moment and setting. It triggered my reflection on the gap between the fleeting serenity of travel and the pressures of daily life and became the starting point for the work's narrative. "The piece unfolds around the tension between two acoustic worlds. The opening section extends the calm atmosphere of the island from the original soundscape, using soft drones and drifting textures to form a dreamlike space situated between the external environment and internal perception. It's not a literal dream but rather a sonic reimagining of how memories emerge and rearrange themselves during times of exhaustion or yearning. "The subsequent sonic rupture arising from the cold, piercing tones of phone alarms and everyday noise breaks apart this inner soundscape. This interruption not only signifies the collapse of the imagined space but also contrasts fond memories and apparent daily pressures. In the latter part of the piece, fragments of the field recording intertwine with real-world sounds, placing the listener in a blurred state between wakefulness and recollection, where attempts to re-enter the dreamlike space become increasingly unstable. "Ultimately, the work sustains an open, unresolved narrative tension, oscillating between memory and the present, desire and helplessness, and revealing how memory, longing, and soundscape continually shape one another." Indonesian village soundscape reimagined by Boyi Bai.

After five years, we're heading back to Thedas. In the first episode of our feature-length Dragon Age: The Veilguard retrospective, we're sorting through a ton of conflicting feelings. We talk about the RPG's reported development struggles, getting used to being in Rook's shoes, our feelings on the series' hard pivot into an action RPG, and much, much more. Today is Dragon Age Day, so we're uploading this episode a little earlier than planned. We'll be picking up our regular biweekly cadence at the beginning of 2026, and if you want early access to episodes, you can get them by becoming a patron. http://patreon.com/normandyfm Follow us on Bluesky: Normandy FM: @normandyfm Eric: @seamoosi Ken: @shepardcdr

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Will God take me back? I have sinned. I have rejected God. Is there any way that God will take me back?

The world moves at a fast pace. Technology is growing faster than we can control it. Many people can't tell facts from fiction. Is there still hope? Do you ever wish you could go back to another place and time?Now, do you believe in this ministry? If you do, you can keep us on the air as a radio program and podcast by visiting our website. It is vastly more urgent than ever that you do. ⁠https://truth2ponder.com/support-us⁠. You can also mail a check payable to Ancient Word Radio, P.O. Box 510, Chilhowie, VA 24319. Thank you in advance for your faithfulness to this ministry.

Listen to us reminisce about episodes past... oh and about what a nasty boy Jagger Cole is!Support this podcast at — https://redcircle.com/the-wet-spot-pod/donations

This week we conclude our two-part feature “It Don't Mean a Thing...” with a focus on Western swing. Western swing was developed in the dance halls of Texas and in sharp contrast to old-time string bands, Western swing bands employed many more members, including horn sections and multiple fiddlers. These were needed to fill these massive halls with music for dancing. We'll hear classics from The Light Crust Doughboys, Milton Brown and his Musical Brownies and Bob Wills and his Texas Playboys. We'll also hear new classics from Deborah Silver, Willie Nelson and Asleep at the Wheel. “Take Me Back to Tulsa” … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysDavid Grisman Quintet / “Minor Swing” / The David Grisman Quintet / KaleidoscopeDeborah Silver / “That Old Black Magic” / Glitter & Grits / NTLThe Light Crust Doughboys / “Knocky, Knocky” / Okeh Western Swing / CBSMilton Brown and his Musical Brownies / “Sweet Jennie Lee” / Western Swing Kings / PazzazzBob Wills & his Texas Playboys / “Right or Wrong” / Collection 1935-50 / AcrobatMerle Travis / “The Sheik of Araby” / The Merle Travis Guitar / RavenLefty Frizzell / “If You Got the Money, I've Got the Time” / Columbia Country Classics Vol 2 / ColumbiaTexas Troubadours / “Steel Guitar Rag” / Almost to Tulsa / Bear FamilyWillie Nelson / “Cherokee Maiden” / You Don't Know Me / Lost HighwayDavid Grisman Quintet / “Minor Swing” / The David Grisman Quintet / KaleidoscopeRed Knuckles & the Trailblazers / “Goin' Steady” / Shades of the Past / Sugar HillAl Goll / “Farewell Blues” / New Reso Gathering / PinecastleSusie Bogguss / “Straighten Up and Fly Right” / Swing / CompadreVi Wickham & Paul Anastasio / “Weiser Stomp” / Swinging at the Savoy / Zero Carbon FootprintAsleep at the Wheel / “Take Me Back to Tulsa” / Comin' Right At Ya / United ArtistsAsleep at the Wheel / “Choo Choo Ch'Boogie” / Swing Time / SonyMerle Travis / “Cannonball Stomp” / The Merle Travis Guitar / RavenPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Creepypasta Scary Story

Jeremiah regrets the mistakes he made that led to his divorce and hopes his ex will take him back. Call 1-800-DR-LAURA / 1-800-375-2872 or make an appointment at DrLaura.comFollow me on social media:Facebook.com/DrLauraInstagram.com/DrLauraProgramYouTube.com/DrLauraJoin My Family!!Receive my Weekly Newsletter + 20% off my Marriage 101 course & 25% off Merch! Sign up now, it's FREE!Each week you'll get new articles, featured emails from listeners, special event invitations, early access to my Dr. Laura Designs Store benefiting Children of Fallen Patriots, and MORE! Sign up at DrLaura.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The whole crew is back to discuss the hairstyles of Maine, J.Crew's creepy use of AI in their latest campaign, the retail experience of Ssense's flagship store, and the return of Best Made Co.

“Whenever I think of people who have gone through something, I'm always like, but they were human before this. Before they were monsters, they were human. Before they were zombies, they were human.” — Tiffany D. JacksonSome of the most unsettling monsters don't come from nightmares or ghost stories. They walk among us in daylight, smiling widely and blending in. They can be shaped by our environments, our circumstances, or people's choices—and in stories, as in life, they challenge us to look closer and see the human before the horror.Tiffany D. Jackson is the New York Times bestselling author of Allegedly, The Weight of Blood, Blood in the Water, and many more. She received of the Margaret E. Edwards Award, honoring her significant and lasting contribution to teen literature. She blends real-world horrors with the sharp tension of a thriller, always keeping our emotions and nerves on edge!In this episode, Tiffany shares how her own encounters with “unintentional monsters” have shaped her writing. She opens up about how growing up between Brooklyn and Westchester sharpened her view of the world and the people in it. Tiffany also talks about finding her voice in film school, why stories like Monday's Not Coming are drawn from real-life cases, and how fiction is her way of building empathy where the headlines fall short. Buckle up for a gripping episode from Tiffany's very first anecdote about a childhood horror.***Tiffany's reading challenge celebrates African-American horrors and thrillers, genres she's been questioned for writing.Peruse selected titles and Tiffany's full reading challenge for free at thereadingculturepod.com/tiffany-d-jacksonThis week's Beanstack Featured Librarian is once again Kelly Shelton, an elementary librarian for Garland ISD in Garland, Texas. She shares how building a strong reading culture goes beyond the library—into the hallways, the bus line, and even your students' plays!Show ChaptersChapter 1: Unintentional MonstersChapter 2: Take Me Back to Brooklyn Chapter 3: What Happened to You?Chapter 4: A Safe HarborChapter 5: Their Eyes Were Watching GodChapter 6: Core MemoriesChapter 7: Reading ChallengeChapter 8: Beanstack Featured LibrarianLinksThe Reading CultureThe Reading Culture Newsletter SignupFollow The Reading Culture on Instagram (for giveaways and bonus content)Tiffany D. JacksonTiffany D. Jackson InstagramTheir Eyes Were Watching GodSister SouljahLockdown TV SeriesBeanstack resources to build your community's reading cultureJordan Lloyd BookeyHost and Production CreditsHost: Jordan Lloyd BookeyProducers: Mel Webb and Lower Street MediaScript Editors: Josia Lamberto-Egan, Mel Webb, Jordan Lloyd Bookey

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Apollo I: The Writing Writer by Coheed and Cambria (2005)Song 1: Forever Young by Alphaville (1984)Song 2: Freeze-Frame by The J. Geils Band (1981)Song 3: Solitary Man by Neil Diamond (1966)Song 4: Kiss You All Over by Exile (1978)Song 5: Take Me Back to Eden by Sleep Token (2023)Song 6: Further On (Up the Road) by Bruce Springsteen (2002)Song 7: Dark Matter by Pearl Jam (2024)Song 8: The Kids Aren't Alright by The Offspring (1998)Song 9: Personal Jesus by Depeche Mode (1989)Song 10: The King of Wishful Thinking by Go West (1990)

It's day three of our Lionesses Euros Hangover™ and Jane is wondering whether Cliff Richard should have joined the celebrations. Fi's got some thoughts. Plus, how to reply to scam texts? Hint: it involves swear words.They're joined by musician Gary Numan to chat about his new album and lots more.You can listen to the playlist here: https://open.spotify.com/playlist/3qIjhtS9sprg864IXC96he?si=uOzz4UYZRc2nFOP8FV_1jg&pi=BGoacntaS_ukiIf you want to come and see us at Fringe by the Sea, you can buy tickets here: www.fringebythesea.com/fi-jane-and-judy-murrayAnd if you fancy sending us a postcard, the address is:Jane and FiTimes Radio, News UK1 London Bridge StreetLondonSE1 9GFIf you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

With a B3 organ, a prophetic imagination, and a heart broken wide open by grace, gospel music legend Andraé Crouch (1942–2015) left an indelible mark on modern Christian worship music. In this episode, Stephen Newby and Robert Darden offer a sweeping yet intimate exploration of his life, spiritual vision, and genre-defining genius. Together with Mark Labberton, they discuss their new biography, Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch. Through laughter, lament, and lyrical memory, Newby and Darden—both scholars at Baylor University and coauthors of the first serious biography of Crouch—share stories of discovering his music, the theological and cultural forces that shaped it, and why his legacy matters now more than ever. They offer insights into modern musical history, spiritual reflection, and cultural analysis, inviting us into the soul of a man who helped bring modern gospel into being. Episode Highlights “Musical genius is where observation, curiosity, imagination, and humility are baked in the oven.” “He was always tracking what was going on in the room and in his heart. He understood the cues, clues, and codes of what God was doing.” “Andre felt it was important that the music was just as inspired as the lyrics. It was total praise.” “'Soon and Very Soon' is an ancient future song—we have to keep singing it, especially now.” “Andraé burned out a lot of musicians—but all of them adore him to this day.” Helpful Links and Resources Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch by Stephen Newby and Robert Darden (Penn State University Press) Black Gospel Music Preservation Project (Baylor University) “Jesus is the Answer,” by Andraé Crouch “Through It All,” by Andraé Crouch “Soon and Very Soon” **by Andraé Crouch People Get Ready!: A New History of Black Gospel Music by Robert Darden About Stephen Newby Stephen Michael Newby is a composer, conductor, and scholar. He serves as the Lev H. Prichard III Endowed Chair in the Study of Black Worship at Baylor University and is a professor of music in the Baylor School of Music. A widely recognized expert on gospel, jazz, and Black sacred music, he is also affiliated with the Black Gospel Music Preservation Project as an ambassador and collaborator. He is co-author of Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch. About Robert Darden Robert F. Darden is Emeritus Professor of Journalism at Baylor University and founder of the Black Gospel Music Preservation Project. A former gospel music editor at Billboard magazine, Darden is the author of numerous books on gospel music history, including People Get Ready: A New History of Black Gospel Music and Nothing But Love in God's Water. He is co-author of Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch. Show Notes Andraé Crouch called the “father of contemporary modern gospel” for his groundbreaking influence on the genre Guest Stephen Newby holds the Lev H. Pritchard III Chair in Black Worship and Music at Baylor University Guest Robert Darden is emeritus professor of journalism at Baylor and founder of the Black Gospel Music Preservation Project Labberton celebrates the book's narrative, musical, and sociocultural scope Crouch grew up in a Pentecostal context that encouraged musical exploration and spiritual improvisation Gospel rooted in KoGIC (Church of God in Christ) tradition, blending Beale Street sounds with evangelical fervor Darden describes Crouch's early music as “jazz, pop... but wait, it is gospel—they're singing about Jesus” Crouch and his sister Sandra composed “Jesus Is the Answer,” considered the first modern praise and worship song The book includes more than 200 interviews from gospel musicians, friends, and collaborators Crouch read the room and followed the Spirit—every performance was improvisational, responsive, alive “Through It All” composed after the heartbreak of a failed relationship; the grief birthed one of his most lasting songs Gospel music as lament and praise: “We hear the pain, we hear the resolve, we hear the lament turning to praise” Crouch's “Take Me Back” begins with Billy Preston on B3 organ—“He hasn't forgotten the church,” says Newby Earth, Wind & Fire, Motown, and classical influences shaped Crouch's orchestration and arrangements Darden: “He wanted the music to sound as good as the words. It was obsessive—but it was for God.” Andre's collaboration with producer/drummer Bill Maxwell led to a string of gospel albums with unmatched quality “We are going to see the King”: the timeless hope of “Soon and Very Soon” rooted in the Black spiritual tradition Crouch's music was not only groundbreaking—it was pastoral, prophetic, and profoundly personal Evangelistic to his dying breath, Crouch witnessed to hospital staff and janitors alike The book's subtitle “Transformative Music and Ministry” is more than academic—it's biographical theology Newby and Darden's friendship mirrors Crouch and Maxwell's cross-cultural collaboration Soon and Very Soon offers readers a chance to read with phone in hand—listening and learning simultaneously “Jesus is the answer” remains a musical and theological call across generations Production Credits Conversing is produced and distributed in partnership with Comment magazine and Fuller Seminary.

Welcome Back TDP Family! This week we discuss our recent trip to Toronto where we attended Kendrick Lamar and SZA's Grand National Tour. Our talking points include Juneteenth outrage at an autoshop, giving money in friendships, Billboard's list of the top 10 R&B singers of all time, Iranian missiles and Tyler Perry's lawsuits. Be sure to follow our show on Instagram and watch the video version of this podcast on our YouTube channel. 

Take Me Back is a retro pop/hits music podcast. Please give this a listen. It will surely bring back some memories. Artist names and song titles are in order of play... MADONNA-LIKE A PRAYER, CHERYL ZONDI-FREED, GLORIA GAYNOR-I WILL SURVIVE, BLOCK & CROWN-YOU SPIN ME AROUND, SISTER SLEDGE-WE ARE FAMILY, ABBA-GIMME GIMME GIMME, BOB HOWARD-FREED, JOHN PAUL YOUNG-LOVE IS IN THE AIR, NEXT PROMISES-ENJOY THE SILENCE, CHUMEE-SING IT BACK, DEPECHE MODE-WORLD, WHITNEY HOUSTON-I WANNA DANCE WITH SOMEBODY, CHER (Super Flu)-BELIEVE. End. Thanks for listening from Ken Steele.

I would like to fall backward, like into a pool kinda thing, except into this first century setting.

Wesam is back with Episode 338 of Wesam's World Podcast! This week, Alex puts Wesam's AI detection skills to the test—and let's just say… results were mixed. From there, it's a deep dive into one of their favorite topics: 1993, aka the greatest movie year of all time (don't argue). The 90s knew how to do film right. They also dig into the importance of communication skills in the workplace, how people miss basic connection cues, and—because it's Wesam's World—things eventually spiral into some bad rapping and off-key singing. Insight, nostalgia, chaos. The usual. The post #338 Take Me Back to ‘93 appeared first on idobi.

We're still recovering from the 2025 Eurovision Song Contest, but we made a lot of great memories in Basel! So many that we thought the city itself deserved its own episode, so here it is: all of the great places and people we saw or met in the nexus of France, Germany and Switzerland. Jeremy can't get enough breakfast panna cotta, Dimitry is healed by soup & risotto, and Oscar's eyes are one of a kind.Vote in the listener playlist survey here: https://docs.google.com/forms/d/e/1FAIpQLSf1jGtsw5UUO4anpSDesyZeMUiLoe6zlMNQZUm4ibQ3mJMQBQ/viewformThis week's companion playlist: https://open.spotify.com/playlist/4QYk7cZ6P4g8hbHiORiUXr?si=b4b659d7916d4b99 The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

Looking for the ultimate summer reading strategy? We've got you covered! In this jam-packed episode of Reading with Your Kids, experts from Bookalicious reveal how to prevent the dreaded "summer slide" and make reading an adventure kids will actually enjoy. Did you know kids can lose up to 20% of their school-year learning during summer break? Yikes! But here's the good news: reading just five books can totally turn that around. Lea Anne Borders and Lorien Hunter from Bookalicious share game-changing tips for parents looking to keep their kids' brains sharp and engaged. The secret weapon? Personalization! Their innovative website lets kids create a custom "book emoji" avatar that helps recommend books perfectly matched to their interests. Whether your child loves sports, science, humor, or adventure, there's a book waiting to capture their imagination. We've got recommendations for every age group:     Picture book lovers will adore hilarious titles like "Don't Trust Fish"     Middle-grade readers can dive into time-travel adventures     Graphic novel fans have plenty of cool options     Teens can explore deeper, more complex stories Pro tips from the experts:     Let kids choose their own books     Create a judgment-free reading zone     Model reading behavior as parents     Explore diverse genres and formats Bonus: Use promo code RWYK SUMMER for 15% off and free shipping at Bookalicious.com! Bonus content includes a delightful chat with Cody Burke about his new picture book "Take Me Back to Oklahoma," adding an extra layer of storytelling magic to this must-listen episode. Don't let summer become a learning wasteland. Grab some books, get reading, and watch your kids' imaginations soar! Click here to visit our website – www.ReadingWithYourKids.com Follow Us On Social Media Facebook - https://www.facebook.com/readingwithyourkids Instagram - https://www.instagram.com/readingwithyourkids/ X - https://x.com/jedliemagic LinkedIn - https://www.linkedin.com/company/reading-with-your-kids-podcast/ Please consider leaving a review of this episode and the podcast on whatever app you are listening on, it really helps!

TAKE ME BACK TO WARPED is right around the corner! Amber continues sitting down with all of the artists on the bill, and today she interviews Callback. Callback is the first band outside of Milwaukee of the Take Me Back to Warped Tour bill, and we are so excited for you all to see them on June 13th, and this episode will help give you some insight on who they are before the show!

The one where Randy wonders if Brian ever gets sick of the red special, Kev predicts that Ian Winick will become the first person in wheel-based podcasting history to manifest his song in back to back weeks, and the boys have a completely infantile discussion about the Cardinal's ailments! There's also a solid batman joke and we discuss the behaviour of Giacomo Tura (fuck that guy!) We also discuss one of the hardest songs for fans to listen to in the Queen catalogue. If Randy were to title this episode, he'd probably call it "One more time Fred" or possibly, "Thanks for all the music"Today's episode looks at Freddie's last ever vocal recording, the sublimely poignant and emotionally charged, "Mother Love".NOTE: Skip forward to 23:45 if wanna get straight into the manifestations and wheel spin.The song at the end is the beautiful "Take Me Back" from Absoofunkinlutely's brilliant second album "Blues Kid City", or "The Red Album" as it's known to fans! You can find that here: https://youtu.be/pRpGWvt-9wIThanks to everyone who tuned in to the last episode and left us some comments on Facebook, Bluesky, and Discord! And while we're at it, come join us on Discord, we'd be glad to have you! We'll always try to answer any questions you have and seriously appreciate any corrections you make to anything we get wrong. And thanks so much for all your support as usual. We love diving into the Queen fandom as much as we're enjoying recording the podcasts!Follow us onFacebook: @seasidepodreviewDiscord: https://discord.gg/nrzr2mQjBluesky: @seasidepodreview.bsky.socialAlso, check out Kev's other podcastsThe Tom Petty Project: https://tompettyproject.comThe Ultimate Catalogue Clash: https://podcasters.spotify.com/pod/show/ultimate-catalogue-clashAnd if you want to check out Randy's music, you can find it here:https://randywoodsband.com Hosted on Acast. See acast.com/privacy for more information.

Brother Caleb Bowman Genesis 3:1-12, 22-23

We finally did it, we're finally talking about Sleep Token, a few weeks before their new album is set to come out. And boy does Kayle have some thoughts about Take Me Back To Eden. 

Send us a textThis week on the show, Chris Berardo stops by the show to discuss his latest release, Wilder All the Time, touring, and more.********Chris Berardo is another artist whose life hasn't been the easiest. He was on a MAJOR upswing career-wise a decade ago before the dreaded cancer reared its ugly head. He was forced to abandon his music career to take care of himself, but now, after a decade of fighting, he is releasing his first album since... and it's a great one. A consummate and charismatic performer, Berardo's smoky voice and lived-in tales have charmed audiences from intimate acoustic shows to full-blown theater concerts, often opening for some of his idols, including The Doobie Brothers, The Marshall Tucker Band, Dickey Betts & Great Southern, and America.Chris Berardo and The Desberardos have just released their long-awaited fourth album, “Wilder All The Time”. It's a deeply personal record that's easily among the best works of his career! Chris talks about the record, playing live, and his travels from New York to Los Angeles to his current home in Norwalk, Connecticut.Watch this video for his new song "Take Me Back" which features pics and vids from his childhood: https://youtu.be/MDjJXH0ThW8?si=wdw3aYijfmIobIxe.  Listen to his album here: https://haulix.promo/xwnr*******If you would like to contact the show about being a guest, please email us at Dauna@bettertopodcast.comFollow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomAudio production by Rich Zei of Third Ear AudioIntro and Outro music compliments of Fast Suzi©2025 Better To...Podcast with D. M. NeedomSupport the show

Performed By Sis. Rachel Vogt

On today's 'I Want You Back', Samuel called Kyle & Jackie up to get his partner of 8 years (and family) back after being caught kissing and flirting with some other girl. Have a listen to see if she'll forgive him...See omnystudio.com/listener for privacy information.

Starting of a wonderful week in Oregon with True North...both the band and the duo. Songs include Don't Take Me Back, At Your Door, Extraordinary Grace, Keep The River On Your Right and Limbo

This episode soon will be exclusive for paid subscribers. Unlock this and future episodes at https://www.patreon.com/BrazucaSoundsIn episode #76, we talked about the soundtrack of the movie "I'm Still Here", Oscar winner for Best International Feature Film. From Tom Zé electrifying guitar-driver Tropicalia to the sarcastic pop of Juca Chaves' "Take Me Back to Piauí", we left no stone unturned, contextualizing what the songs represent to the narrative. Among other highlights are Erasmo Carlos, a couple of Roberto Carlos, Caetano Veloso, Mutantes and Serge Gainsbourg. Follow our playlist on Spotify: Brazuca Sounds Soundtrack Podcast.

Mix Name: DJ Danny S & DJ Precise – Reggaeton Party 2004 (Classics) Website: https://www.iamlmp.com/ Instagram: https://www.instagram.com/iamlmp/ DJ Instagram: https://www.instagram.com/deejaydannys/ Download our DJ Music App Daily Mixes: https://linktr.ee/iamlmp —— Relive the golden era of Reggaeton with this epic 2004 party mix by DJ Danny S & DJ Precise! ?? This high-energy mix is packed with all the classics that got us dancing back in the day. Perfect for parties, workouts, or just a good old-fashioned trip down memory lane. Hit play and let the rhythm take control! #reggaeton #iamlmp #reggaetonparty

Chuck and Roxy are back with a special .5 episode and open with a special Bowling Segment! Loyal Littles Super Bowl Pool by Ritz! https://www.runyourpool.com/nfl/squares/grid.cfm?t=87770060&authT=87770060 Next our hosts welcome back Episode 134 Chris Cillizza for a special "Where are we now" segment! (14:00) We talk to Chris all about today's political climate and how we got here. SUBSTACK NEWS LETTER: www.substack.com/@chriscillizza YOUTUBE CHANNEL: www.youtube.com/chriscillizza Then our hosts close out the show with your emails and notes (47:00) SONG: "Take Me Back" by Clive Jackson. YOUTUBE: Search Clive Jackson.  Podcast Website - www.loyallittlespod.com   Podcast Email - WTFCPODNET@GMAIL.COM Twitter:@loyallittlespod Instagram: @theloyallittlespodcast PODCAST LOGO DESIGN by Eric Londergan www.redbubble.com Search: ericlondergan or copy and paste this link! https://www.redbubble.com/people/ericlondergan/shop

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut. The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The story of the Gospel is not about making bad people good, but moving those who are dead to life in Christ. This means that sin is not fundamentally about behavior a detachment from God and the things of God. The Gospel then awakens us to life and brings us back into communion with God.

We're going back in time for our game of the week. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rapper, Real Boston Richey joins the ladies of Lip Service this week to promote his latest singles, "Help Me," and "Get in There." Real Boston Richey opens up about his rollercoaster relationship, crying to get a girl back, fighting your friends, and much more. Enjoy! Major shoutout to Jordan Emanuel for being named the NEW official 3rd host of Lip Service! Everyone go show her some love @jordy_jorSee omnystudio.com/listener for privacy information.