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With a B3 organ, a prophetic imagination, and a heart broken wide open by grace, gospel music legend Andraé Crouch (1942–2015) left an indelible mark on modern Christian worship music. In this episode, Stephen Newby and Robert Darden offer a sweeping yet intimate exploration of his life, spiritual vision, and genre-defining genius. Together with Mark Labberton, they discuss their new biography, Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch. Through laughter, lament, and lyrical memory, Newby and Darden—both scholars at Baylor University and coauthors of the first serious biography of Crouch—share stories of discovering his music, the theological and cultural forces that shaped it, and why his legacy matters now more than ever. They offer insights into modern musical history, spiritual reflection, and cultural analysis, inviting us into the soul of a man who helped bring modern gospel into being. Episode Highlights “Musical genius is where observation, curiosity, imagination, and humility are baked in the oven.” “He was always tracking what was going on in the room and in his heart. He understood the cues, clues, and codes of what God was doing.” “Andre felt it was important that the music was just as inspired as the lyrics. It was total praise.” “'Soon and Very Soon' is an ancient future song—we have to keep singing it, especially now.” “Andraé burned out a lot of musicians—but all of them adore him to this day.” Helpful Links and Resources Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch by Stephen Newby and Robert Darden (Penn State University Press) Black Gospel Music Preservation Project (Baylor University) “Jesus is the Answer,” by Andraé Crouch “Through It All,” by Andraé Crouch “Soon and Very Soon” **by Andraé Crouch People Get Ready!: A New History of Black Gospel Music by Robert Darden About Stephen Newby Stephen Michael Newby is a composer, conductor, and scholar. He serves as the Lev H. Prichard III Endowed Chair in the Study of Black Worship at Baylor University and is a professor of music in the Baylor School of Music. A widely recognized expert on gospel, jazz, and Black sacred music, he is also affiliated with the Black Gospel Music Preservation Project as an ambassador and collaborator. He is co-author of Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch. About Robert Darden Robert F. Darden is Emeritus Professor of Journalism at Baylor University and founder of the Black Gospel Music Preservation Project. A former gospel music editor at Billboard magazine, Darden is the author of numerous books on gospel music history, including People Get Ready: A New History of Black Gospel Music and Nothing But Love in God's Water. He is co-author of Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch. Show Notes Andraé Crouch called the “father of contemporary modern gospel” for his groundbreaking influence on the genre Guest Stephen Newby holds the Lev H. Pritchard III Chair in Black Worship and Music at Baylor University Guest Robert Darden is emeritus professor of journalism at Baylor and founder of the Black Gospel Music Preservation Project Labberton celebrates the book's narrative, musical, and sociocultural scope Crouch grew up in a Pentecostal context that encouraged musical exploration and spiritual improvisation Gospel rooted in KoGIC (Church of God in Christ) tradition, blending Beale Street sounds with evangelical fervor Darden describes Crouch's early music as “jazz, pop... but wait, it is gospel—they're singing about Jesus” Crouch and his sister Sandra composed “Jesus Is the Answer,” considered the first modern praise and worship song The book includes more than 200 interviews from gospel musicians, friends, and collaborators Crouch read the room and followed the Spirit—every performance was improvisational, responsive, alive “Through It All” composed after the heartbreak of a failed relationship; the grief birthed one of his most lasting songs Gospel music as lament and praise: “We hear the pain, we hear the resolve, we hear the lament turning to praise” Crouch's “Take Me Back” begins with Billy Preston on B3 organ—“He hasn't forgotten the church,” says Newby Earth, Wind & Fire, Motown, and classical influences shaped Crouch's orchestration and arrangements Darden: “He wanted the music to sound as good as the words. It was obsessive—but it was for God.” Andre's collaboration with producer/drummer Bill Maxwell led to a string of gospel albums with unmatched quality “We are going to see the King”: the timeless hope of “Soon and Very Soon” rooted in the Black spiritual tradition Crouch's music was not only groundbreaking—it was pastoral, prophetic, and profoundly personal Evangelistic to his dying breath, Crouch witnessed to hospital staff and janitors alike The book's subtitle “Transformative Music and Ministry” is more than academic—it's biographical theology Newby and Darden's friendship mirrors Crouch and Maxwell's cross-cultural collaboration Soon and Very Soon offers readers a chance to read with phone in hand—listening and learning simultaneously “Jesus is the answer” remains a musical and theological call across generations Production Credits Conversing is produced and distributed in partnership with Comment magazine and Fuller Seminary.
Welcome Back TDP Family! This week we discuss our recent trip to Toronto where we attended Kendrick Lamar and SZA's Grand National Tour. Our talking points include Juneteenth outrage at an autoshop, giving money in friendships, Billboard's list of the top 10 R&B singers of all time, Iranian missiles and Tyler Perry's lawsuits. Be sure to follow our show on Instagram and watch the video version of this podcast on our YouTube channel.
Take Me Back is a retro pop/hits music podcast. Please give this a listen. It will surely bring back some memories. Artist names and song titles are in order of play... MADONNA-LIKE A PRAYER, CHERYL ZONDI-FREED, GLORIA GAYNOR-I WILL SURVIVE, BLOCK & CROWN-YOU SPIN ME AROUND, SISTER SLEDGE-WE ARE FAMILY, ABBA-GIMME GIMME GIMME, BOB HOWARD-FREED, JOHN PAUL YOUNG-LOVE IS IN THE AIR, NEXT PROMISES-ENJOY THE SILENCE, CHUMEE-SING IT BACK, DEPECHE MODE-WORLD, WHITNEY HOUSTON-I WANNA DANCE WITH SOMEBODY, CHER (Super Flu)-BELIEVE. End. Thanks for listening from Ken Steele.
I would like to fall backward, like into a pool kinda thing, except into this first century setting.
Wesam is back with Episode 338 of Wesam's World Podcast! This week, Alex puts Wesam's AI detection skills to the test—and let's just say… results were mixed. From there, it's a deep dive into one of their favorite topics: 1993, aka the greatest movie year of all time (don't argue). The 90s knew how to do film right. They also dig into the importance of communication skills in the workplace, how people miss basic connection cues, and—because it's Wesam's World—things eventually spiral into some bad rapping and off-key singing. Insight, nostalgia, chaos. The usual. The post #338 Take Me Back to ‘93 appeared first on idobi.
We're still recovering from the 2025 Eurovision Song Contest, but we made a lot of great memories in Basel! So many that we thought the city itself deserved its own episode, so here it is: all of the great places and people we saw or met in the nexus of France, Germany and Switzerland. Jeremy can't get enough breakfast panna cotta, Dimitry is healed by soup & risotto, and Oscar's eyes are one of a kind.Vote in the listener playlist survey here: https://docs.google.com/forms/d/e/1FAIpQLSf1jGtsw5UUO4anpSDesyZeMUiLoe6zlMNQZUm4ibQ3mJMQBQ/viewformThis week's companion playlist: https://open.spotify.com/playlist/4QYk7cZ6P4g8hbHiORiUXr?si=b4b659d7916d4b99 The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!
Looking for the ultimate summer reading strategy? We've got you covered! In this jam-packed episode of Reading with Your Kids, experts from Bookalicious reveal how to prevent the dreaded "summer slide" and make reading an adventure kids will actually enjoy. Did you know kids can lose up to 20% of their school-year learning during summer break? Yikes! But here's the good news: reading just five books can totally turn that around. Lea Anne Borders and Lorien Hunter from Bookalicious share game-changing tips for parents looking to keep their kids' brains sharp and engaged. The secret weapon? Personalization! Their innovative website lets kids create a custom "book emoji" avatar that helps recommend books perfectly matched to their interests. Whether your child loves sports, science, humor, or adventure, there's a book waiting to capture their imagination. We've got recommendations for every age group: Picture book lovers will adore hilarious titles like "Don't Trust Fish" Middle-grade readers can dive into time-travel adventures Graphic novel fans have plenty of cool options Teens can explore deeper, more complex stories Pro tips from the experts: Let kids choose their own books Create a judgment-free reading zone Model reading behavior as parents Explore diverse genres and formats Bonus: Use promo code RWYK SUMMER for 15% off and free shipping at Bookalicious.com! Bonus content includes a delightful chat with Cody Burke about his new picture book "Take Me Back to Oklahoma," adding an extra layer of storytelling magic to this must-listen episode. Don't let summer become a learning wasteland. Grab some books, get reading, and watch your kids' imaginations soar! Click here to visit our website – www.ReadingWithYourKids.com Follow Us On Social Media Facebook - https://www.facebook.com/readingwithyourkids Instagram - https://www.instagram.com/readingwithyourkids/ X - https://x.com/jedliemagic LinkedIn - https://www.linkedin.com/company/reading-with-your-kids-podcast/ Please consider leaving a review of this episode and the podcast on whatever app you are listening on, it really helps!
TAKE ME BACK TO WARPED is right around the corner! Amber continues sitting down with all of the artists on the bill, and today she interviews Callback. Callback is the first band outside of Milwaukee of the Take Me Back to Warped Tour bill, and we are so excited for you all to see them on June 13th, and this episode will help give you some insight on who they are before the show!
Arrancamos con Hiromi y sus aventuras con Sonicwonder y un par de novedades de Thee Sacred Soul y de The Baker Brothers. El resto… explorando canciones de géneros diversos. De Elvis Presley a Randy Newman o Patti LaBelle; de Nancy Sinatra a William Bell, A.J. Croce - el hijo de Jim -, Orleans o Santiago Auserón. Y que no falten los saxos de Patxi Pascual.DISCO 1 HIROMI Out There (Strolling’) (ft. SONICWONDER)DISCO 2 THEE SACRED SOUL We Don’t Have To Be AloneDISCO 3 THE BAKER BROTHERS & HANNAH WILLIAMS SunriseDISCO 4 WILLIAM BELL Poison in The WellDISCO 5 RANDY NEWMAN Take Me BackDISCO 6 PATTI LABELLE Delliver The Funk DISCO 7 A.J. CROCE The Heart That Makes Me WholeDISCO 8 RUPERT HOLMES Partners In CrimeDISCO 9 ORLEANS Everybody Needs Some MusicDISCO 10 ELVIS PRESLEY Suspicious MindDISCO 11 PATXI PASCUAL Los Buenos DíasDISCO 12 SANTIAGO AUSERÓN & ORQUESTA SINFÓNICA DE LA REGIÓN DE MURCIA La Mala FamaDISCO 13 NANCY SINATRA These Boots Are For WalkingEscuchar audio
The one where Randy wonders if Brian ever gets sick of the red special, Kev predicts that Ian Winick will become the first person in wheel-based podcasting history to manifest his song in back to back weeks, and the boys have a completely infantile discussion about the Cardinal's ailments! There's also a solid batman joke and we discuss the behaviour of Giacomo Tura (fuck that guy!) We also discuss one of the hardest songs for fans to listen to in the Queen catalogue. If Randy were to title this episode, he'd probably call it "One more time Fred" or possibly, "Thanks for all the music"Today's episode looks at Freddie's last ever vocal recording, the sublimely poignant and emotionally charged, "Mother Love".NOTE: Skip forward to 23:45 if wanna get straight into the manifestations and wheel spin.The song at the end is the beautiful "Take Me Back" from Absoofunkinlutely's brilliant second album "Blues Kid City", or "The Red Album" as it's known to fans! You can find that here: https://youtu.be/pRpGWvt-9wIThanks to everyone who tuned in to the last episode and left us some comments on Facebook, Bluesky, and Discord! And while we're at it, come join us on Discord, we'd be glad to have you! We'll always try to answer any questions you have and seriously appreciate any corrections you make to anything we get wrong. And thanks so much for all your support as usual. We love diving into the Queen fandom as much as we're enjoying recording the podcasts!Follow us onFacebook: @seasidepodreviewDiscord: https://discord.gg/nrzr2mQjBluesky: @seasidepodreview.bsky.socialAlso, check out Kev's other podcastsThe Tom Petty Project: https://tompettyproject.comThe Ultimate Catalogue Clash: https://podcasters.spotify.com/pod/show/ultimate-catalogue-clashAnd if you want to check out Randy's music, you can find it here:https://randywoodsband.com Hosted on Acast. See acast.com/privacy for more information.
Brother Caleb Bowman Genesis 3:1-12, 22-23
We finally did it, we're finally talking about Sleep Token, a few weeks before their new album is set to come out. And boy does Kayle have some thoughts about Take Me Back To Eden.
Send us a textThis week on the show, Chris Berardo stops by the show to discuss his latest release, Wilder All the Time, touring, and more.********Chris Berardo is another artist whose life hasn't been the easiest. He was on a MAJOR upswing career-wise a decade ago before the dreaded cancer reared its ugly head. He was forced to abandon his music career to take care of himself, but now, after a decade of fighting, he is releasing his first album since... and it's a great one. A consummate and charismatic performer, Berardo's smoky voice and lived-in tales have charmed audiences from intimate acoustic shows to full-blown theater concerts, often opening for some of his idols, including The Doobie Brothers, The Marshall Tucker Band, Dickey Betts & Great Southern, and America.Chris Berardo and The Desberardos have just released their long-awaited fourth album, “Wilder All The Time”. It's a deeply personal record that's easily among the best works of his career! Chris talks about the record, playing live, and his travels from New York to Los Angeles to his current home in Norwalk, Connecticut.Watch this video for his new song "Take Me Back" which features pics and vids from his childhood: https://youtu.be/MDjJXH0ThW8?si=wdw3aYijfmIobIxe. Listen to his album here: https://haulix.promo/xwnr*******If you would like to contact the show about being a guest, please email us at Dauna@bettertopodcast.comFollow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomAudio production by Rich Zei of Third Ear AudioIntro and Outro music compliments of Fast Suzi©2025 Better To...Podcast with D. M. NeedomSupport the show
Performed By Sis. Rachel Vogt
On today's 'I Want You Back', Samuel called Kyle & Jackie up to get his partner of 8 years (and family) back after being caught kissing and flirting with some other girl. Have a listen to see if she'll forgive him...See omnystudio.com/listener for privacy information.
Starting of a wonderful week in Oregon with True North...both the band and the duo. Songs include Don't Take Me Back, At Your Door, Extraordinary Grace, Keep The River On Your Right and Limbo
This episode soon will be exclusive for paid subscribers. Unlock this and future episodes at https://www.patreon.com/BrazucaSoundsIn episode #76, we talked about the soundtrack of the movie "I'm Still Here", Oscar winner for Best International Feature Film. From Tom Zé electrifying guitar-driver Tropicalia to the sarcastic pop of Juca Chaves' "Take Me Back to Piauí", we left no stone unturned, contextualizing what the songs represent to the narrative. Among other highlights are Erasmo Carlos, a couple of Roberto Carlos, Caetano Veloso, Mutantes and Serge Gainsbourg. Follow our playlist on Spotify: Brazuca Sounds Soundtrack Podcast.
Listen to Primordial Radio 24/7: https://links.primordialradio.com/listen Could Sleep Token land a spot on the Stranger Things Season 5 soundtrack? With Jamie Campbell Bower (Vecna) recently dropping a Sleep Token cover, it's hard not to wonder if this is more than just a cool crossover moment. Could it be a subtle hint of what's to come? This week, Moose & Pete dive into some fun speculation, asking whether Sleep Token could have their own Metallica: Master of Puppets moment in the upcoming season. With their atmospheric and haunting sound, the band feels like a natural fit for the dark, supernatural world of Stranger Things. Tracks like Take Me Back to Eden, Chokehold, and The Summoning seamlessly blend ethereal melodies with crushing intensity - perfect for the eerie aesthetic of the show. The guys also chat about the legacy of Download Festival and how it has evolved over the years. From line-up strategies to the balance between marketing and artistic integrity, they explore the festival's adaptability in an ever-changing music landscape. Plus, they discuss the growing role of digital innovations in live music and whether hologram performances are the future or just a passing gimmick. Episode Breakdown Why nostalgia still plays a huge role in music and entertainment The rise of Sleep Token and their possible Stranger Things crossover How cultural moments can elevate lesser-known bands to prominence How Download Festival has adapted to changing musical trends The debate over holograms in live performances—innovation or gimmick? Why authenticity can't be manufactured—it must come from real experiences Check out our chosen charity Metal For Good and some of the great charity work they do here https://metalforgood.org/ https://primordialradio.com https://www.instagram.com/primordialradio https://tiktok.com/@primordialradio https://www.facebook.com/primordialradio https://www.x.com/primordialradio
Mix Name: DJ Danny S & DJ Precise – Reggaeton Party 2004 (Classics) Website: https://www.iamlmp.com/ Instagram: https://www.instagram.com/iamlmp/ DJ Instagram: https://www.instagram.com/deejaydannys/ Download our DJ Music App Daily Mixes: https://linktr.ee/iamlmp —— Relive the golden era of Reggaeton with this epic 2004 party mix by DJ Danny S & DJ Precise! ?? This high-energy mix is packed with all the classics that got us dancing back in the day. Perfect for parties, workouts, or just a good old-fashioned trip down memory lane. Hit play and let the rhythm take control! #reggaeton #iamlmp #reggaetonparty
Chuck and Roxy are back with a special .5 episode and open with a special Bowling Segment! Loyal Littles Super Bowl Pool by Ritz! https://www.runyourpool.com/nfl/squares/grid.cfm?t=87770060&authT=87770060 Next our hosts welcome back Episode 134 Chris Cillizza for a special "Where are we now" segment! (14:00) We talk to Chris all about today's political climate and how we got here. SUBSTACK NEWS LETTER: www.substack.com/@chriscillizza YOUTUBE CHANNEL: www.youtube.com/chriscillizza Then our hosts close out the show with your emails and notes (47:00) SONG: "Take Me Back" by Clive Jackson. YOUTUBE: Search Clive Jackson. Podcast Website - www.loyallittlespod.com Podcast Email - WTFCPODNET@GMAIL.COM Twitter:@loyallittlespod Instagram: @theloyallittlespodcast PODCAST LOGO DESIGN by Eric Londergan www.redbubble.com Search: ericlondergan or copy and paste this link! https://www.redbubble.com/people/ericlondergan/shop
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut. The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz delves deep into The Weeknd's latest and potentially final album under his iconic stage name, 'Hurry Up Tomorrow.' Released on January 31, 2025, through XO and Republic Records, the album was initially planned for an earlier release but postponed due to the LA wildfires, with The Weeknd contributing $1 million to aid relief efforts. This album concludes a trilogy that began with 'After Hours' in 2020 and continued with 'Dawn FM' in 2022. 'Hurry Up Tomorrow' features collaborations with artists like Justice, Anitta, Florence + The Machine, Travis Scott, Future, Playboi Carti, Lana Del Rey, and Giorgio Moroder on tracks that explore new musical territories. Notably, the much-anticipated "Dancing in the Flames" did not make it to the final cut.The Weeknd has described this project as his farewell to the persona he's mastered, signaling a shift towards new creative ventures. Alongside the album, a psychological thriller film of the same name, starring The Weeknd, Jenna Ortega, and Barry Keoghan, is set for release on May 16. The segment also covers promotional events including a NYC Pop-Up Experience with Spotify and a Hot Topic Takeover in Las Vegas with exclusive merch. Additionally, proceeds from the track "Take Me Back to LA" are being donated to the LA Regional Food Bank. Analytic Dreamz explores whether 'Hurry Up Tomorrow' truly marks the end of The Weeknd or just a transformation into something new, reflecting on his legacy of blending music, film, and immersive storytelling.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
The story of the Gospel is not about making bad people good, but moving those who are dead to life in Christ. This means that sin is not fundamentally about behavior a detachment from God and the things of God. The Gospel then awakens us to life and brings us back into communion with God.
The story of the Gospel is not about making bad people good, but moving those who are dead to life in Christ. This means that sin is not fundamentally about behavior a detachment from God and the things of God. The Gospel then awakens us to life and brings us back into communion with God.
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Today's Headlines: ABC News apologizes, to pay $16 million; China threatens Taiwan with military drill; Vatican removes Palestinian keffiyeh nativity scene; China’s military releases US hit list; Assad paints himself ‘custodian’ of Syria. Interview with Timothy Greenidge, Take Me Back dinner, New Year’s Eve Concert celebration, Tuesday, December 31, Portland Airport Sheraton Hotel.See omnystudio.com/listener for privacy information.
On this episode of Cut Outs, I chat with Nathan of Durham Co, UK's Martha about their 2022 album, Please Don't Take Me Back. This was not a find, but an album I already had in my collection, and I needed to learn more about it. We discuss punk rawk hooks, power-pop harmonies, and, of course, politics. Of course. Tracks on this episode: - Baby Does Your Heart Sink? - Hope Gets Harder - Neon Lung You can follow me on Instagram: @cutoutspodcast You can support me on Patreon (It's a dying art): patreon.com/cutoutspodcast cutoutspodcast.com Follow and review the podcast! The harmonies on this album alone are worth the price of admission! Check out the bands Spotify page and hear this amazing record for yourself: https://open.spotify.com/album/5BGnge1rtVdRGpLVVAQIIN?si=eDyUrViyTJSDZtU4ipYkWQ
Thanks That Take Me Back | Pastor Jeremy Isaacs | Thankful Thoughts by Generations Church
Take me back to Jamaica!!!! Today we are reminiscing our Wicked Salty Women's Retreat to Jamaica with 3 of my Wicked Salty Sisters, Erika Goddard, Jen Gormally & Julie Kulessa From Cocktails in Paradise Travel! Erika Goddard is a dear friend of mine & she was our designated AMAZING photographer on the trip! Jen Gormally has been a friend of mine on social media for over 14 years and we finally got to hang out and get to know eachother in Jamaica! And of course, Julie Kulessa, our Wicked Salty Travel Expert from Cocktails In Paradise Travel is here with us too talking about the takeaways from our epic girls trip to Jamaica! Follow Julie Kulessa to book a tropical vacation today by emailing her at cocktailsinparadisetravel@gmail.com https://www.instagram.com/cocktails_in_paradise_travel/ https://www.facebook.com/cocktailsinparadisetravel/ Follow Jen: https://wickedsalty.com/ https://www.facebook.com/groups/wickedsalty/ https://www.instagram.com/wickedsaltylife/
Get ready to be haunted by love with Haunted Wedding as Girls Gone Hallmark conjures up a delightful discussion about this spooky seasonal premiere! Megan and Wendy ghost hunt their way through the festive charm and supernatural surprises, from ghostly encounters to heartwarming moments. You won't want to miss this boo-tiful episode, so cozy up with your favorite treat and listen to the review now! Email us your review at girlsgonehallmark@gmail.com or let's talk about it in the Girls Gone Hallmark Facebook Group! We Need Your 5-STAR Ratings and Reviews Spotify Podcast listeners: Spotify allows listeners to rate podcast episodes. Once you listen to a podcast for at least 30 seconds, you get the option to rate it between one and five stars. Return to the podcast's main page and tap the star icon. Then, tap submit. About Haunted Wedding - (Hallmark Channel, 2024) Haunted Wedding was directed by Jeff Beesley. Jeff has 36 directing credits which include last year's bar crawl comedy The Santa Summit. His next project to premiere is A Carol for Two, also written by Nina Weinman. Rod Spence and Nina Weinman wrote the script for Haunted Wedding. Rod gets the story credit and has 12 writing credits which include The Good Witch movies and 74 episodes of The Good Witch series. Nina Weinman co-wrote the teleplay. Nina has 33 writing credits including last year's spicy Catch Me If You Claus. Nina wrote both A Carol for Two and Debbie Macomber's Joyful Mrs. Miracle, both due out this holiday season. Janel Parrish stars as Jana. Janel has 52 acting credits. Before coming to Hallmark, she was in 138 episodes of Pretty Little Liars as well as all three To All the Boys I've Loved Before movies. She will co-star in Sugarplummed this holiday season on Hallmark. Dominic Sherwood plays both Brian and Malcolm. Dominic is a Hallmark newbie, but Swifties take note, he played Taylor Swift's boyfriend in the music video for Style. He was also in the Netflix series Partner Track as part of his seventeen total acting credits. Cassandra Potenza played Angelique. Cassandra has 15 acting credits including the Hallmark films A New Year's Resolution and Once Upon a Christmas Miracle. Lauren Cochrane plays Rachel. Lauren has 36 acting credits including a spot as a karaoke singer in The Santa Summit. She will appear in Hanukkah on the Rocks this season on Hallmark. Erik Athavale plays Steve. Erik has 61 acting credits including both Holiday Hotline and The Santa Summit from last year. He appears in Christmas on Call this holiday season on Hallmark. Erik can also be seen in the Canadian series Acting Good, streaming on Tubi in the states. Dan deJaeger plays Earl Dewberry. Dan was also in both The Santa Summit and Holiday Hotline last year and will return in Hanukkah on the Rocks. He has 25 total acting credits. John B. Lowe plays Vern. John has 101 acting credits. He was in Holiday Hotline last year, he appeared in one episode of Acting Good, and he will also be in A Carol for Two this year! Linda Ko plays Joyce. Linda has 38 acting credits. She played Aunt Carrie on the To All The Boys series. She was also in Never Been Chris'd - directed by Jeff Beesley and starring Janel Parrish. Joey Plager was the EP for Haunted Wedding. His other movies include last year's 3 Bed, 2 Bath, 1 Ghost. He is also EP for Hanukkah on the Rocks. Sharon Bajer plays Keystone Inn proprietress Marion. Sharon has 55 acting credits. She has appeared in the theatrical release Ordinary Angels, also featuring Erik Athavale. She also appeared in one episode of Acting Good. She will appear in Hanukkah on the Rocks this year as well. Harry Nelkon plays beleaguered bellhop Waylon. Nelkon is a stage actor with 38 on screen credits. He has a handful of Hallmark appearances including Take Me Back to Christmas and Hanukkah on Rye. Quinn Greene plays the grumpy bartender. Quinn has 19 acting credits including the Hallmark movie Ne...
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Get ready to fall in love with Autumn at Apple Hill as Girls Gone Hallmark dives into this cozy seasonal premiere! Megan and Wendy carve out a delightful discussion about the festive charm and heartwarming surprises, from harvest-time fun to sweet moments that will leave you smiling. They rake through the plot, toss in their thoughts on the characters, and pile up plenty of autumn-inspired insights along the way. You won't want to miss this episode, so cozy up with your favorite pumpkin treat and listen to the review now! Email us your review at girlsgonehallmark@gmail.com or let's talk about it in the Girls Gone Hallmark Facebook Group! We Need Your 5-STAR Ratings and Reviews Spotify Podcast listeners: Spotify allows listeners to rate podcast episodes. Once you listen to a podcast for at least 30 seconds, you get the option to rate it between one and five stars. Return to the podcast's main page and tap the star icon. Then, tap submit. About Autumn at Apple Hill - (Hallmark Channel, 2024) The director of this movie is Sean Geraughty. He directed Under the Christmas Sky last year and Follow Me to Daisy Hills with Cindy Busby back in 2020. He's set to direct Hanukkah on the Rocks, which will premiere on December 13th.Paul Ditty wrote the script based on the novel by the same name by Angie Ellington. Paul Ditty's previous work includes the 2022 Hallmark movie Pumpkin Everything. Erin Cahill plays Elise. Erin has 133 acting credits, including Christmas on Cherry Lane, Hearts in the Game, and Christmas Bedtime Stories. She will play Nora in the upcoming Holidazed series on Hallmark+ as well as reprise her role as Lizzie in Deck the Halls on Cherry Lane, which will premiere on December 19th on Hallmark+. Wes Brown plays Luke. Wes has 53 acting credits, most recently starring in Love on the Danube: Love Song. Wes will be busy this holiday season, starring in Deck the Walls, premiering on November 29th. He will also take viewers on a tour of the country's most impressive festive displays on Ready, Set, Glow! on Hallmark+. Paula Boudreau plays Luke's mom Donna Bellwether. She has 63 acting credits and has appeared in Hallmark projects like Take Me Back for Christmas, Pumpkin Everything, and 10 episodes of The Good Witch. Outside of Hallmark, you might recognize her from The Handmaid's Tale, Suits, and Workin' Moms. Meghan Heffern plays Candace. We last saw Meghan as the killer in The Cases of Mystery Lane: Death is Listening. She has 70 acting credits and has appeared in Betty's Bad Back in Love, Retreat to You, and Morning Show Mysteries: Murder Ever After. Adam Hurtig plays Ian. Adam has 77 acting credits, previously appearing in The Santa Summit, Francesca Quinn, PI, and Christmas at the Plaza.Kristian Jordan plays the electrician Chuck. He has just 10 previous acting credits, and this is his first gig for Hallmark. Sarah Luby plays Nora. This marks her second project for Hallmark; she previously appeared in Under the Christmas Sky. Autumn at Apple Hill was filmed in Winnipeg, Canada between June and August 2024. Chino's Bistro was used for the scenes that took place at Landover Tavern. The rhubarb patch at the Mennonite Heritage Village was converted into a pumpkin patch for the movie. Watch the Trailer for Autumn at Apple Hill
Rapper, Real Boston Richey joins the ladies of Lip Service this week to promote his latest singles, "Help Me," and "Get in There." Real Boston Richey opens up about his rollercoaster relationship, crying to get a girl back, fighting your friends, and much more. Enjoy! Major shoutout to Jordan Emanuel for being named the NEW official 3rd host of Lip Service! Everyone go show her some love @jordy_jorSee omnystudio.com/listener for privacy information.
This week licensed therapist Kati Morton discusses whether or not we can get a past therapist to see us again, if we can move on without having a sense of self, and how often we have to be purging to be diagnosed with an eating disorder. She also gives us some ways we can work up the courage to share something difficult with our therapist, and what to do if we have been the abusive one in our relationship. Finally, she explains the symptoms we can have due to having a mom who is a narcissist. Ask Kati Anything | episode 229 1. Wondering if my therapist will take me back. I'm 21 and have suffered all my life with obsessions with authority figures, usually teachers or bosses. It's gotten very intense in the past and usually I think about them 24/7, though I'm not a stalker or creepy or dangerous. My suspicion is that my complicated relationship with my mom, whom I adore but who has unfortunately admitted to not really ever bonding with me, might be the problem...2. How can I move on without having a sense of self? I had depression for years and I'm working on perfectionism and over-controlling, which are caused by CPTSD, in therapy. I'm now accepting myself more and I want to make good choices for my future, but I can't make decisions because I have been out of touch with myself for so long. I have a sense of what I like and don't like in daily life but I don't know what choices would align with the essence of who I am.3. I had a question about certain ED behavior. I'm wondering how often you have to purge for it to be considered an Eating Disorder. I'm sure you've answered this before but I thought I would ask specifically about purging.4. How do I work up the courage to talk to my therapist about something I've never talked about before, ever? The thing itself is more of a little t trauma, but it has a weird hold over me and makes me so anxious and has made me avoid things for a decade. I think because I've never talked about it and I've been avoiding it, it's made it worse, so I wonder if finally talking about it will help. My therapist is great and I've been meeting with her for 5 years, but I get nervous about being vulnerable, especially since I think I'm having a disproportionate reaction. What should I do?5. What do we do if we've been abusive? I feel that I was abusive in a relationship, though my ex and every mental health professional I've met have said that I wasn't. The professionals have said it's just OCD. In any event, people have been trying to convince me I wasn't abusive for eleven years, ever since that relationship...6. I want to know my mom is a narcissist but when I was growing up my mom would wake up at night yells and run away I remember my dad always go after her and brings her back I don't know why she did it but it scared the hell out of me I didn't understand it because I was only a kid. Can it be why I am a light sleeper? And making my anxiety worse? I know it is not the only case I have been through a lot. I never did sleep deep because I was too scared. I felt I always had to protect myself in some way. Can it be why my anxiety is so highly present? I love your podcasts!PUBLISHED BOOKS Traumatized https://geni.us/Bfak0j Are u ok? https://geni.us/sva4iUY Join this channel & access more perks: https://www.youtube.com/channel/UCzBYOHyEEzlkRdDOSobbpvw/join ONLINE THERAPY (enjoy 10% off your first month) While I do not currently offer online therapy, BetterHelp can connect you with a licensed, online therapist: https://betterhelp.com/kati SOCIAL X: https://twitter.com/KatiMorton TikTok: https://www.tiktok.com/@katimorton Facebook: https://www.facebook.com/katimorton1/ Instagram: https://www.instagram.com/katimorton Pinterest: https://www.pinterest.com/katimorton1/ Patreon: https://www.katimorton.com/kati-morton-patreon/ PARTNERSHIPS Linnea Toney linnea@underscoretalent.com --- Support this podcast: https://podcasters.spotify.com/pod/show/askkatianything/support
Today's poem is from “Take Me Back, Burden Hill” by L. Lamar Wilson.The Slowdown is your daily poetry ritual. In this episode, Major writes… “Humans, it seems, are bound to feel adrift. So many times in my life, I have worked to muster a belief that all of it matters. I have made great efforts to not be lulled into amnesia nor medicate myself blind to the forces that harm — and to those that truly heal. Living a spiritual existence means developing strategies that keep us in possession of ourselves, ever aware that we share this fragile world.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp
NEAR's co-founder Illia Polosukhin shares the need to shift from corporate-owned AI to models that benefit individuals and communities. Follow the show here for more.This installment of "The Protocol," hosts Brad Keoun, the founding editor of The Protocol Newsletter, and tech journalists Sam Kessler and Margaux Nijkerk interview Illia Polosukhin, co-founder of NEAR Protocol. Polosukhin discusses the intersection of AI and blockchain technology, explaining how NEAR Protocol began as an AI project and evolved into a blockchain platform to address issues related to compensating collaborators.TakeawaysNEAR Protocol started as an AI project and transitioned into a blockchain platform to address the challenge of paying collaborators.User-owned AI is crucial to ensure that AI models and systems benefit individuals and communities, rather than just corporations.Data availability is a fundamental component of blockchain technology, ensuring that all transactions are accessible and can be used to reconstruct the state of the blockchain.Chain abstraction allows users to interact with multiple blockchain networks without needing to understand the underlying technology or worry about transaction fees.NEAR Protocol is focused on solving real problems and finding use cases that drive the adoption of blockchain and AI technology.Chapters | 00:00 Introduction and Background of Ilya Polosukhin05:20 The Disruptive Potential of AI08:35 User-Owned AI22:17 Chain Abstraction26:15 Solving Real Problems with NEAR Protocol-Sign Up for THE PROTOCOL NEWSLETTER EPISODE LINKS | NEAR Enter the Black Dragon: NEAR Co-Founder Joins the NEAR Foundation as CEO -The Protocol has been produced and edited by senior producer Michele Musso and our executive producer is Jared Schwartz. Our theme song is “Take Me Back” by Strength To Last.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Adeniyi Abiodun envisions a long-term goal for Sui to develop a decentralized web stack, leading to a fully decentralized internet infrastructure.Follow the show here for more.This installment of "The Protocol," hosts Brad Keoun, the founding editor of The Protocol Newsletter, and tech journalists Sam Kessler and Margaux Nijkerk interview Adeniyi Abiodun, co-founder of Mistin Labs and the Sui blockchain,.They discuss the vision and goals of Sui as a global coordination layer for intelligent assets. Adeniyi highlights the importance of creating a blockchain accessible to developers outside the Web3 native community, focusing on usability and ease of adoption. He explains the differences between Sui and other blockchains, such as its object-based system and unlimited throughput, emphasizing Sui's potential in various industries, including gaming and AI, and the importance of bringing Web3 to Web2 users.TakeawaysSui aims to be a global coordination layer for intelligent assets, focusing on usability and accessibility for developers outside of the Web3 native community.The Sui blockchain differentiates itself with its object-based system and unlimited throughput, allowing for faster and more scalable transactions.Sui has applications in various industries, including gaming and AI, and aims to bring Web3 to Web2 users by providing seamless integration and improved user experiences.The upcoming release of Mysticeti, the new consensus engine, will further enhance the speed and efficiency of the Sui blockchain.The long-term vision of Sui is to build a decentralized web stack that encompasses various layers, including storage, bandwidth, and more, to create a fully decentralized internet infrastructure.Chapters | 00:00 Introduction and Background02:20 Working at Facebook Meta06:07 Comparison with Aptos and Move Language09:21 SWE as the Blockchain for Developers11:12 Differences between Move and Solidity14:08 Bringing Web3 to Web220:07 Future Plans and Mississetti Consensus Engine25:25 SWE's Vision: Coordination of Intelligent Assets28:06 Asset Model and Non-Financial Applications32:14 Importance of Mysticeti Consensus Engine-Sign Up for THE PROTOCOL NEWSLETTER EPISODE LINKS | SuiMysten LabsSui Concepts Overview Move Concepts | Sui Documentation -The Protocol has been produced and edited by senior producer Michele Musso and our executive producer is Jared Schwartz. Our theme song is “Take Me Back” by Strength To Last.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Sergey Gorbunov on Axelar's Focus on Security and Programmability.Follow the show here for more.This installment of "The Protocol," hosts Brad Keoun, the founding editor of The Protocol Newsletter, and tech journalists Sam Kessler and Margaux Nijkerk interview Sergey Gorbunov, CEO of Interop Labs and co-founder of Axelar Protocol, who discusses the partnership with Ripple and the exclusive bridge they are building for the XRP Ledger's new EVM side chain. He emphasizes simplifying user experiences and blending blockchain technology with traditional systems and believes that decentralization is a key factor in the success of interoperability protocols.Chapters | 00:00 Introduction and Background03:34 The Importance of Interoperability06:56 Axelar's Differentiators and Partnership with Ripple13:04 Simplifying User Experiences and Blending Blockchain with Traditional Systems-Sign Up for THE PROTOCOL NEWSLETTER -EPISODE LINKS | Interop LabsAxelar -The Protocol has been produced and edited by senior producer Michele Musso and our executive producer is Jared Schwartz. Our theme song is “Take Me Back” by Strength To Last.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Dan Reecer, COO of the Wormhole Foundation, explains that open-source code and decentralization are essential for transparency and trust in the blockchain industry.Follow the show here for more.This installment of "The Protocol," hosts Brad Keoun, the founding editor of The Protocol Newsletter, and tech journalists Sam Kessler and Margaux Nijkerk interview Dan Reecer, the COO of Wormhole Foundation. Wormhole is a messaging layer protocol that connects different blockchains, allowing for the transfer of assets and data. They discuss the Wormhole Interoperability Project and its recent token airdrop. Reecer, emphasizes the importance of open-source code and decentralization in the blockchain industry. Takeaways | Wormhole is a messaging layer protocol that connects different blockchains, enabling the transfer of assets and data.Wormhole recently conducted a token airdrop, rewarding token holders and aligning with power users who have contributed to the network.Controversies surrounding airdrops highlight the importance of transparency, fairness, and thoughtful allocation of tokens.The future of blockchain interoperability will likely involve collaboration between different protocols, with two to three winners emerging in the long term.Chapters | 00:00 Introduction and Overview02:10 The Wormhole Token and Governance04:22 Multi-Gov and DAO Voting07:22 Governance Interoperability and Bridge Protocols11:39 Addressing Bridge Flaws with Technologies like Storage Proofs19:55 Building Connections Between Blockchains24:12 Competition and Multiple Interoperability Solutions26:01 Comparing Wormhole to Layer Zero30:30 Influence of Jump Trading and Transparency34:55 Lessons from Recent Airdrops39:13 Conclusion and Wrap-UpSign Up for THE PROTOCOL NEWSLETTER EPISODE LINKS | Wormhole-The Protocol has been produced and edited by senior producer Michele Musso and our executive producer is Jared Schwartz. Our theme song is “Take Me Back” by Strength To Last.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Flashbots' Hasu discusses the recent MEV Boost exploit, emphasizing the ongoing MEV challenges and the need for decentralized solutions.Follow the show here for more.This installment of "The Protocol," hosts Brad Keoun, the founding editor of The Protocol Newsletter, and tech journalists Sam Kessler and Margaux Nijkerk interview Hasu, head of strategy at Flashbots and advisor to the Lido DAO. They discuss the recent exploit in the MEV Boost codebase, the Department of Justice's response, and the ongoing efforts to solve MEV. The conversation also covers restaking, Lido's role in the restaking ecosystem, censorship resistance, design differences between Eigenlayer and Symbiotic, and the future of Ethereum.Takeaways | The recent exploit in the MEV Boost code base highlights the ongoing battle to solve MEV and the need for more decentralized solutions.Restaking is a market to rent economic security and work from an open market, and there are different approaches to restaking, such as native restaking and non-native restaking.Lido aims to make staked ETH the dominant asset in Ethereum DeFi and stimulate demand for renting security with StakeETH.The design differences between Eigenlayer and Symbiotic in the restaking ecosystem offer different trade-offs in terms of capital efficiency and spillover effects.Censorship resistance in Ethereum can be addressed through inclusion lists, private memepools, and geographical/geopolitical diversity in the network.Chapters00:00 MEV Exploit and the Battle to Solve MEV09:04 The Role of Lido in the Restaking Ecosystem21:11 Swav: Fast, Private, and Decentralized Off-chain Computation28:11 Restaking: Renting Economic Security32:54 Design Differences: Eigenlayer vs. Symbiotic39:02 StakeETH: Making Staked ETH the Dominant Asset40:55 Addressing Censorship Resistance in EthereumSign Up for THE PROTOCOL NEWSLETTER EPISODE LINKS | How MIT Brothers Allegedly Cheated a Noxious-But-Accepted Ethereum Practice for $25M Brothers Accused of $25M Ethereum Exploit as U.S. Reveals Fraud Charges -The Protocol has been produced and edited by senior producer Michele Musso and our executive producer is Jared Schwartz. Our theme song is “Take Me Back” by Strength To Last.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
How do we explain the presence of evil in God's plan for His people? Today, R.C. Sproul teaches how the Lord's good purposes for Joseph were carried out even in the midst of his brothers' wicked plans. Get R.C. Sproul's New Hardcover Book 'Joseph: From Dreamer to Deliverer' and Teaching Series 'The Life of Joseph' for Your Gift of Any Amount: https://gift.renewingyourmind.org/3300/donate Meet Today's Teacher: R.C. Sproul (1939-2017) was known for his ability to winsomely and clearly communicate deep, practical truths from God's Word. He was founder of Ligonier Ministries, first minister of preaching and teaching at Saint Andrew's Chapel, first president of Reformation Bible College, and executive editor of Tabletalk magazine. Meet the Host: Nathan W. Bingham is vice president of ministry engagement for Ligonier Ministries, executive producer and host of Renewing Your Mind, host of the Ask Ligonier podcast, and a graduate of Presbyterian Theological College in Melbourne, Australia. Nathan joined Ligonier in 2012 and lives in Central Florida with his wife and four children. Don't forget to make RenewingYourMind.org your home for daily in-depth Bible study and Christian resources. Renewing Your Mind is a donor-supported outreach of Ligonier Ministries. Explore all of our podcasts: https://www.ligonier.org/podcasts
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