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Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common's fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it's changing. Gray also discusses how they started writing poetry, how they approach drafting and revision, and how their work in public health fits with and complements their work in poetry. We also hear a reading of Gray's first poem in The Common, “November 19, 2022,” about the Club Q nightclub shooting in Colorado Springs. Gray Davidson Carroll is a white, transfemme writer, dancer, singer, cold water plunger and (self-proclaimed) hot chocolate alchemist hailing from Brooklyn by way of western Massachusetts and other strange and forgotten places. They are the author of the poetry chapbook Waterfall of Thanks (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in Rattle, ONLY POEMS, Frontiers in Medicine and elsewhere. They have received fellowships from Brooklyn Poets and Columbia University and are currently pursuing an MFA in poetry at NYU. Read Gray's poems in The Common at thecommononline.org/tag/gray-davidson-carroll/ Learn more about Gray and their work at graydavidsoncarroll.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common's fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it's changing. Gray also discusses how they started writing poetry, how they approach drafting and revision, and how their work in public health fits with and complements their work in poetry. We also hear a reading of Gray's first poem in The Common, “November 19, 2022,” about the Club Q nightclub shooting in Colorado Springs. Gray Davidson Carroll is a white, transfemme writer, dancer, singer, cold water plunger and (self-proclaimed) hot chocolate alchemist hailing from Brooklyn by way of western Massachusetts and other strange and forgotten places. They are the author of the poetry chapbook Waterfall of Thanks (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in Rattle, ONLY POEMS, Frontiers in Medicine and elsewhere. They have received fellowships from Brooklyn Poets and Columbia University and are currently pursuing an MFA in poetry at NYU. Read Gray's poems in The Common at thecommononline.org/tag/gray-davidson-carroll/ Learn more about Gray and their work at graydavidsoncarroll.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common's fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it's changing. Gray also discusses how they started writing poetry, how they approach drafting and revision, and how their work in public health fits with and complements their work in poetry. We also hear a reading of Gray's first poem in The Common, “November 19, 2022,” about the Club Q nightclub shooting in Colorado Springs. Gray Davidson Carroll is a white, transfemme writer, dancer, singer, cold water plunger and (self-proclaimed) hot chocolate alchemist hailing from Brooklyn by way of western Massachusetts and other strange and forgotten places. They are the author of the poetry chapbook Waterfall of Thanks (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in Rattle, ONLY POEMS, Frontiers in Medicine and elsewhere. They have received fellowships from Brooklyn Poets and Columbia University and are currently pursuing an MFA in poetry at NYU. Read Gray's poems in The Common at thecommononline.org/tag/gray-davidson-carroll/ Learn more about Gray and their work at graydavidsoncarroll.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common's fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it's changing. Gray also discusses how they started writing poetry, how they approach drafting and revision, and how their work in public health fits with and complements their work in poetry. We also hear a reading of Gray's first poem in The Common, “November 19, 2022,” about the Club Q nightclub shooting in Colorado Springs. Gray Davidson Carroll is a white, transfemme writer, dancer, singer, cold water plunger and (self-proclaimed) hot chocolate alchemist hailing from Brooklyn by way of western Massachusetts and other strange and forgotten places. They are the author of the poetry chapbook Waterfall of Thanks (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in Rattle, ONLY POEMS, Frontiers in Medicine and elsewhere. They have received fellowships from Brooklyn Poets and Columbia University and are currently pursuing an MFA in poetry at NYU. Read Gray's poems in The Common at thecommononline.org/tag/gray-davidson-carroll/ Learn more about Gray and their work at graydavidsoncarroll.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices
Miller Oberman and Dion O'Reilly read and discuss Omotara James's "My mother's nerves are shot." and then do a deep dive into Oberman's newest collection, Impossible Things. Miller Oberman is the author of Impossible Things, forthcoming from Duke University Press, 2024 and The Unstill Ones, Princeton Series of Contemporary Poets, 2017. He has received a number of awards for his poetry, including a Ruth Lilly Fellowship, the 92Y Discovery Prize, a NYSCA/NYFA Artist Fellowship, and Poetry magazine's John Frederick Nims Memorial Prize for Translation. Poems from Impossible Things have appeared in The New Yorker, Poetry, The Hopkins Review, Poem-a-Day, and Foglifter. Poems from The Unstill Ones appeared in Poetry, London Review of Books, The Nation, Boston Review, Tin House, and Harvard Review. Miller is an editor at Broadsided Press, which publishes visual-literary collaborations and teaches at and serves on the board of Brooklyn Poets. He teaches writing at Eugene Lang College at The New School in New York. Miller is a trans Jewish anti-Zionist committed to the liberation of all. He lives with his family in Queens, New York.
Guest Bio: Critically acclaimed saxophonist, multi-woodwind player, and composer Aaron Irwin is a compelling voice of his generation. Known as a "lyrical alto saxophonist and a compelling original composer" (The New Yorker), Irwin is a sought-after commodity in the New York jazz scene. Aaron Irwin celebrates his latest project: (After) (Adhyâropa Records, 2024). His ninth album, it is a collection of works inspired by poetry as interactions between sound and verse weave together melancholy, effervescence, and at times, anxiety sparked by chaos. Creating a collective musical voice that is direct, honest, and unique, composer, saxophonist, and clarinetist Aaron Irwin is joined by Mike Baggetta (guitar), and Jeff Hirshfield (drums). Irwin's longstanding interest in reading and understanding poetry was given room to breathe during the pandemic. He credits his teachers and classmates (Brooklyn Poets, Gotham Writers) with providing a much-needed outlet. Learn more about Aaron at www.aaronirwin.com Support the show at www.patreon.com/clarineat
Day 16: Matthew Gellman reads his poem “Beforelight,” originally published in Passages North, 2018. Matthew Gellman is the author of a chapbook, Night Logic, which was selected by Denise Duhamel as the winner of Tupelo Press' 2021 Snowbound Chapbook Award. His first book, Beforelight, was selected by Tina Chang as the winner of the A. Poulin, Jr. Poetry Prize and is forthcoming from BOA Editions. Matthew has received awards and honors from the National Endowment for the Arts, Brooklyn Poets, the Adroit Journal's Djanikian Scholars Program, the Saltonstall Foundation for the Arts, the New York State Summer Writers Institute and the Academy of American Poets. His poems have appeared in Poetry Northwest, Gulf Coast, Narrative, The Common, the Missouri Review, Indiana Review, Ninth Letter, Lambda Literary's Poetry Spotlight, and other publications. He lives in New York, where he teaches at Hunter College and Fordham University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.
Join Quenton Baker and special guests for a celebration of and conversation on their new book ballast. This event occurred on April 26, 2023. Ballast is a poetic sequence using the 1841 slave revolt aboard the brig Creole as a lens through which to view the vitality of Black lives and the afterlife of slavery. In 1841, the only successful, large-scale revolt of American-born enslaved people erupted on the ship Creole. 135 people escaped chattel slavery that day. The event was recounted in US Senate documents, including letters exchanged between US and British consulates in The Bahamas and depositions from the white crew on the ship. There is no known record or testimony from the 135 people who escaped. Their story has been lost to time and indifference. Quenton Baker's ballast is an attempt at incomplete redress. With imagination, deep empathy, and skilled and compelling lyricism, Baker took a black marker to those Senate documents and culled a poetic recount of the Creole revolt. Layers of ink connect readers to Baker's poetic process: (re)phrasing the narrative of the state through a dexterous process of hands-on redactions. Ballast is a relentless, wrenching, and gorgeously written book, a defiant reclamation of one of the most important but overlooked events in US history, and an essential contribution to contemporary poetry. Poets: Quenton Baker is a poet, educator, and Cave Canem fellow. Their current focus is black interiority and the afterlife of slavery. Their work has appeared in The Offing, jubilat, Vinyl, The Rumpus, and elsewhere.They are a two-time Pushcart Prize nominee and the recipient of the2018 Arts Innovator Award from Artist Trust. They were a 2019 Robert Rauschenberg Artist in Residence and a 2021 NEA Fellow. They are the author of This Glittering Republic (Willow Books, 2016) and we pilot the blood (The 3rd Thing, 2021). Marwa Helal was born in Al Mansurah, Egypt. She is the author of Ante body (Nightboat Books, 2022), Invasive species (Nightboat Books, 2019), the chapbook I AM MADE TO LEAVE I AM MADE TO RETURN (No Dear, 2017) and a Belladonna chaplet (2021). Helal is the winner of BOMB Magazine's Biennial 2016 Poetry Contest and has been awarded fellowships from the Whiting Foundation, New York Foundation of the Arts, Jerome Foundation, Poets House, Brooklyn Poets, and Cave Canem, among others. She has presented her work at the Museum of Modern Art (MoMA), the Studio Museum in Harlem, the Brooklyn Museum, and the Guggenheim Museum. Douglas Kearney has published seven collections, including Optic Subwoof (2022), the 2022 Griffin Poetry Prize-winning Sho (2021), Buck Studies (2016), winner of the Theodore Roethke Memorial Poetry Award, the CLMP Firecracker Award for Poetry, and California Book Award silver medalist (Poetry). M. NourbeSe Philip calls Kearney's collection of libretti, Someone Took They Tongues (2016), “a seismic, polyphonic mash-up.” Kearney's Mess and Mess and (2015), was a Small Press Distribution Handpicked Selection that Publisher's Weekly called “an extraordinary book.” WIRE magazine calls Fodder (2021), a live album featuring Kearney and frequent collaborator, Val-Inc., “Brilliant.” Natasha Oladokun is a Black, queer poet and essayist from Virginia. She earned a BA in English from the University of Virginia, and an MFA in creative writing from Hollins University. She holds fellowships from Cave Canem, the Virginia Center for Creative Arts, the Jackson Center for Creative Writing, Twelve Literary Arts, and the University of Wisconsin-Madison, where she was the inaugural First Wave Poetry fellow. Watch the live event recording: https://youtube.com/live/Sp7hlQNb2FE?feature=share Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
Darius Phelps joins Stephanie and Angela to talk about poetry, continuing education, and finding inspiration through grief. Darius is a poet, illustrator, educator and activist. You can find out more about Darius at his insta. To find out more about classes and more at Brooklyn Poets, you can follow their insta.Original Music by: Yah Supreme (Yahya Jeffries-El)
Joan Kwon Glass zooms into the Hive to talk about her new book. We also read and discuss Laura Apol's poem "Instructions for the Friends Who Are Sorting my Daughter's Things this Afternoon." Joan Kwon Glass is the mixed-race, Korean American author of Night Swim (Diode Editions, 2022), and three chapbooks (How To Make Pancakes for a Dead Boy, If Rust Can Grow on the Moon, and Bloodline). She serves as poet laureate for Milford, CT, Editor in Chief for Harbor Review and is a Brooklyn Poets Mentor. Joan is an instructor on the faculty of various writing centers including the Hudson Valley Writers Center, Brooklyn Poets & Corporeal. Her poems appear in Poetry Northwest, Ninth Letter, Tahoma Literary Review, Prairie Schooner, Asian American Writer's Workshop, The Slowdown and elsewhere. She is available for manuscript consultations, readings and workshops. Content warning: Discussion of suicide.
Catherine Vaughan is a British Poet based in England and the author of the poetry book Bohemian Love. She has performed poetry at The Times and Sunday Times Cheltenham Literary Festival and Brooklyn Poets. Catherine has also read for online poetry events such as Cobalt Poets in LA, New York Public Library, and Lime Square Poets in Ireland. Lovers in Paris, her next poetry book, will be released later this year. Catherine is also working on a novel called Welcome to Wonderland. https://www.amazon.com/Bohemian-Love-Catherine-Vaughan/dp/0993408923
What's a moment when you grew up? When you realized the help you get might not be the help you want? Jennifer Huang is the author of Return Flight, which was awarded the 2021 Ballard Spahr Prize for Poetry from Milkweed Editions. Their poems have appeared in POETRY, The Rumpus, and Narrative Magazine, among other places. They have received recognition from the Academy of American Poets, Brooklyn Poets, and the North American Taiwan Studies Association. In 2020, Jennifer earned their MFA in Poetry at the University of Michigan's Helen Zell Writers' Program. Born in Maryland to Taiwanese immigrants, they have since called many places home.Find the transcript for this show at onbeing.org.We're pleased to offer Jennifer Huang's poem, and invite you to connect with Poetry Unbound throughout this season.Pre-order the forthcoming book Poetry Unbound: 50 Poems to Open Your World and join us in our new conversational space on Substack.
In this episode, I'll be talking with Ashley, an Iranian American storyteller who will be sharing her experiences learning languages and traveling and how these global interactions have shaped what she hopes to convey through her writing. We'll also be delving into the importance of diverse representation in literature and sharing marginalized voices through the power of storytelling. Ashley Hajimirsadeghi is an Iranian-American writer and artist. She is the author of the chapbooks cartography of trauma (dancing girl press) and cinephile (Ghost City Press). She is an M.A. Candidate in Global Humanities at Towson University and graduated from the Fashion Institute of Technology with a BS in International Trade & Marketing, an AAS in Fashion Business Management, and minors in Film and Media, English, Asian Studies, and American Studies. She is co-Editor-in-Chief at Mud Season Review and a poetry reader at EX/POST Magazine. A five-time Best of the Net and two-time Pushcart Prize nominee, Ashley has received scholarships, awards, and fellowships from Brooklyn Poets, the US State Department, the State University of New York (SUNY), COUNTERCLOCK, the International Writing Program at the University of Iowa, and the University of Arizona, among others. Find her work at MovieWeb, New Perspectives Theatre Company, and various other print and online outlets.
In this episode, we welcome the remarkable I.S. Jones to discuss her collection SPELLS OF MY NAME (Newfound).I.S. Jones is an American / Nigerian poet, essayist, and music journalist. She is a Graduate Fellow with The Watering Hole and holds fellowships from Callaloo, BOAAT Writer's Retreat, and Brooklyn Poets. She is the co-editor of The Young African Poets Anthology: The Fire That Is Dreamed Of (Agbowó, 2020) and served as the inaugural nonfiction guest editor for Lolwe. She is an Editor at 20.35 Africa: An Anthology of Contemporary Poetry, freelanced for Complex, Revolt TV, NBC News THINK, and elsewhere. Her works have appeared or are forthcoming in Guernica, Washington Square Review, LA Review of Books, The Rumpus, The Offing and elsewhere. Her poem “Vanity” was chosen by Khadijah Queen as a finalist for the 2020 Sublingua Prize for Poetry. She received her MFA in Poetry at UW–Madison where she was the inaugural 2019–2020 Kemper K. Knapp University Fellowship and the 2021-2022 Hoffman Hall Emerging Artist Fellowship recipient. From 2019 to 2022, she served as the Director of the Watershed Reading Series with Art + Literature Laboratory, a community-driven contemporary arts center in Madison, Wisconsin. Her chapbook Spells of My Name (2021) is out with Newfound. She is currently the Editor-in-Chief of Frontier Poetry.Twitter: https://twitter.com/isjonespoetryAuthor site: https://www.isjones.comBrooklyn Poets: https://brooklynpoets.orgSpells of My Name (Newfound): https://newfound.org/shop/i-s-jones-spells-of-my-name-print-e-book/What We Are Not For by Tommye Blount: https://bullcitypress.com/product/what-are-we-not-for/ Bound by Claire Schwartz: https://buttonpoetry.com/product/bound/Aricka Foreman author website: https://www.arickaforeman.com A Room of One's Own (Madison): https://www.roomofonesown.comWomen & Children First (Chicago): https://www.womenandchildrenfirst.comThank you for listening to The Chapbook!Noah Stetzer is on Twitter @dcNoahRoss White is on Twitter @rosswhite You can find all our episodes and contact us with your chapbook questions and suggestions here: https://bullcitypress.com/the-chapbook/Bull City Press website https://bullcitypress.comBull City Press on Twitter https://twitter.com/bullcitypress Instagram https://www.instagram.com/bullcitypress/ and Facebook https://www.facebook.com/bullcitypress
Join Chris in a sitdown with I.S. Jones, author of Spells of My Name, and Editor at Frontier Poetry, about passions, process, pitfalls, and Poetry! I.S. Jones is an American / Nigerian poet, essayist, and music journalist. She is a Graduate Fellow with The Watering Hole and holds fellowships from Callaloo, BOAAT Writer's Retreat, and Brooklyn Poets. She is the co-editor of The Young African Poets Anthology: The Fire That Is Dreamed Of (Agbowó, 2020) and served as the inaugural nonfiction guest editor for Lolwe. She is an Editor at 20.35 Africa: An Anthology of Contemporary Poetry, freelanced for Complex, Revolt TV, NBC News THINK, and elsewhere. Her works have appeared or are forthcoming in Guernica, Washington Square Review, LA Review of Books, The Rumpus, The Offing and elsewhere. Her poem “Vanity” was chosen by Khadijah Queen as a finalist for the 2020 Sublingua Prize for Poetry. She received her MFA in Poetry at UW–Madison where she was the inaugural 2019–2020 Kemper K. Knapp University Fellowship and the 2021-2022 Hoffman Hall Emerging Artist Fellowship recipient. From 2019 to 2022, she served as the Director of the Watershed Reading Series with Art + Literature Laboratory, a community-driven contemporary arts center in Madison, Wisconsin. Her chapbook Spells of My Name (2021) is out with Newfound. She is currently the Editor-in-Chief of Frontier Poetry. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Join Chris Margolin of The Poetry Questions in a sit-down with Jennifer Huang, author of Return Flight (Milkweed Editions), to talk about passions, process, pitfalls, and poetry! Author bio: Jennifer Huang is the author of Return Flight, which was awarded the 2021 Ballard Spahr Prize for Poetry from Milkweed Editions. Their poems have appeared in POETRY, The Rumpus, and Narrative Magazine, among other places; and they have received recognition from the Academy of American Poets, Brooklyn Poets, North American Taiwan Studies Association, and more. In 2020, Jennifer earned their M.F.A. in Poetry at the University of Michigan Helen Zell Writers' Program. Born in Maryland to Taiwanese immigrants, they have since called many places home. The Poetry Question --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Ayesha Raees identifies herself as a hybrid creating hybrid poetry through hybrid forms. Raees currently serves as an Assistant Poetry Editor at AAWW's The Margins and has received fellowships from Asian American Writers' Workshop, Brooklyn Poets, and Kundiman. Her first book of poetry, "Coining The Wishing Tower" won the Broken River Prize hosted by Platypus Press and judged by Kaveh Akbar, and will be forthcoming in March 2022. Akbar describes her book as: “everything I hope to find when I read a book of poetry—fearless reckoning with unprecedented experience spoken in a singular, deeply and importantly strange lyric voice.” Her VideoPoem "The Memoir.... " was the winner of the Deanna Tulley Multimedia Contest hosted by SlipperyElm at the University of Findlay and has been selected for national and international film festivals including the Midwest Video Poetry Fest & 9th International Video Poetry Festival in Athens, Greece. Ayesha works with a lot of mental health issues. She started a poetry Salon at Asian America Writers' Workshop (which she ran for a year!) to help battle mental health through radical togetherness and active inclusivity.
For the past five weeks I've had the pleasure of studying the sonnet with a fabulous group of poets, led by Joshua Mehigan, in a weekly workshop through Brooklyn Poets. Here are some thoughts on the benefits (and challenges) of diving into a poetry workshop. Show notes Poetry and Performance: Writing for the Stage and … Continue reading "Ep 138. Workshop."
For the past five weeks I’ve had the pleasure of studying the sonnet with a fabulous group of poets, led by Joshua Mehigan, in a weekly workshop through Brooklyn Poets. Here are some thoughts on the benefits (and challenges) of diving into a poetry workshop. Show notes Poetry and Performance: Writing for the Stage and … Continue reading "Ep 138. Workshop."
Thoughts on a workshop I got to do with Brooklyn Poets, led by the amazing Jay Deshpande, on prosody and the decolonisation thereof. Also on Emily Dickinson and her poem Because I could not stop for Death. Show notes Terrance Hayes on Commonplace The Ode Less Travelled by Stephen Fry A Quiet Passion
Thoughts on a workshop I got to do with Brooklyn Poets, led by the amazing Jay Deshpande, on prosody and the decolonisation thereof. Also on Emily Dickinson and her poem Because I could not stop for Death. Show notes Terrance Hayes on Commonplace The Ode Less Travelled by Stephen Fry A Quiet Passion
Kiran Bath is a poet and essayist from Brooklyn by way of Sydney. She is a 2019 Poets House Fellow, 2019 Tin House resident and has received fellowships and support from Vermont Studio Center, Brooklyn Poets, Winter Tangerine and Kundiman. Her work has been shortlisted for the Peach Gold in Poetry, long listed for the Palette Poetry Prize and nominated for the Best of The Net. Her writing has appeared or is forthcoming in wildness, The Adroit Journal, Lunch Ticket and elsewhere.
AARON POOCHIGIAN earned a PhD in Classics from the University of Minnesota and an MFA in Poetry from Columbia University. His first book of poetry, The Cosmic Purr (Able Muse Press), was published in 2012, and his second book Manhattanite, which won the Able Muse Poetry Prize, came out in 2017. His third book, American Divine, won the Richard Wilbur Award and will come out in 2020. His thriller in verse, Mr. Either/Or, was released by Etruscan Press in the fall of 2017. His work has appeared in such publications as Best American Poetry, The Paris Review and POETRY. Prince A. McNally An emerging voice in American poetry as well as the International poetry scene, Prince A.McNally is a Brooklyn born poet, writer, philosopher and activist; who utilizes his voice as a platform to speak for the voiceless. Though quite eclectic, his poetry and prose focus mainly on the human condition, social injustice and the marginalization of people of color, the elderly; the poor and the homeless here in the U.S. and abroad. His verse is a constant appeal for society to awaken, to rethink and reshape its destiny. Prince's work has appeared in numerous literary magazines, blogs and anthologies throughout the U.S. and abroad. Such as: Dissident Voice, Tuck Magazine, GloMag(India), The World Poetry Open Mic-Poets Anthology, The National Beat Poets Anthologies: 'BEATATUDE' and 'We Are Beat' as well as the forthcoming, Italian Literary magazine 'American Poets and Others' where he receives a brief write-up, along with a translated version of his work. He is a member of The Academy of American Poets, The National Beat Poetry Foundation as well as The Brooklyn Poets. A student of Nichiren Daishonin's Buddhism, Prince prides himself on being... A Rebel with a Cause and Effect. His widely anticipated chapbook, 'Prelude To Serenity' is due out in the Spring of 2020. Donald Kennedy: Born Brooklyn NYU – Stern School of Business Wall St – 5 years. Short Term Securities Market. Last firm Lehman Bros. Left to become a photographer. Photographic career began assisting and studio managing a number of the top photographers in NYC. Bert Stern, Bill King, Pete Turner and Irving Penn amongst others, as well as a number of the photographers from the Magnum Photos group. He moved to Paris and worked there for a number of French, Italian, German and English fashion magazines before returning to the US. In NYC his work appeared editorially for several Hearst and Conde’ Nast magazines. Advertising clients included Saks Fifth Ave, Revlon and Lancome. Fine Arts Photography work began in Paris and has continued throughout his photographic career. Activist.
This week we present two stories of people struggling with what the “right” thing to do is. Part 1: Catherine Macdonald always wanted to study sharks, but her first time tagging them in the field doesn't go as planned. Part 2: When Michelle Tong visits home after her first semester of medical school, a stranger presents an ethical dilemma. Dr. Catherine Macdonald is co-founder and Director of Field School (www.getintothefield.com), a marine science training and education company dedicated to constantly improving field research practices while teaching students to perform hands-on research with sharks. She is also a part-time Lecturer in Marine Conservation Biology at the University of Miami’s Rosenstiel School of Marine and Atmospheric Science. Company website: www.getintothefield.com Personal website: www.drcatherinemacdonald.com Michelle Tong is a second-year medical student from Milwaukee, Wisconsin. She has been published in the Margins and Glass, among other literary journals, and reads for the Bellevue Literary Review. This past summer, she won first prize in the Michael E. DeBakey Medical Student Poetry Awards and received a fellowship from Brooklyn Poets. She teaches poetry at the Icahn School of Medicine at Mount Sinai and lives in East Harlem. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today I am chatting with my good friend Jason Koo. He is a writer, a rabid Cleveland sports fan, and an all around interesting human.He is the FOUNDER of Brooklyn Poets which he started back in 2012. I wanted to put his poem, written for Robin Thomas, here but it's a pdf and I can't cut and paste it so I am adding a link to his website. jasonykoo.com There you can check out his writings and purchase some of his books. The poem written for Robin is called, "Close Embrace." Enjoy.
Joanna C. Valente is a ghost who lives in Brooklyn, New York. Joanna is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015) Marys of the Sea (The Operating System, 2017), Xenos (Agape Editions, 2016), Sexting Ghosts (Unknown Press, 2018), and No(body) (Madhouse Press, 2019). They are the editor of A Shadow Map: Writing By Survivors of Sexual Assault (CCM, 2017), and received a MFA in writing at Sarah Lawrence College. Joanna is also the founder of Yes, Poetry, as well as the senior managing editor for Luna Luna Magazine and an editor for Civil Coping Mechanisms.Joanna has been featured in Brooklyn Magazine, Them, Prelude, BUST, Columbia Journal, Electric Literature, Joyland, Tarpaulin Sky, The Feminist Wire, Spork Press, Ravishly, The Rumpus, VICE, The Brooklyn Rail, VIDA, The Huffington Post, among others. Joanna also currently teaches courses at Brooklyn Poets. In addition, Joanna has also spoken or given lectures for/at SUNY Purchase College, Sarah Lawrence College, the National Eating Disorder Association, AWP, Brooklyn Book Festival, Shout Your Abortion, Ravishly, Luna Luna Magazine, Monstering Magazine, Winter Tangerine, and more.
EPISODE 283: A very special episode of the Bowery Boys podcast, recorded live at the Bell House in Gowanus, Brooklyn, celebrating the legacy of Walt Whitman, a writer with deep ties to New York City. On May 31, 2019, the world will mark the 200th anniversary of the birth of Whitman, a journalist who revolutionized American literature with his long-crafted work “Leaves of Grass.” The 19th-century cities of New York and Brooklyn helped shape the man Whitman would become, from its bustling newspaper offices to bohemian haunts like Pfaff’s Beer Cellar. To help us tell this story, Greg and Tom are joined by guests from the worlds of academia, literature and preservation: Karen Karbiener, NYU professor and head of the Walt Whitman Initiative, an international collective bringing together all people interested in the life and work of Walt Whitman Jason Koo, award-winning poet and founder and executive director of Brooklyn Poets, celebrating and cultivating the literary heritage of Brooklyn, the birthplace of American poetry Brad Vogel, executive director at the New York Preservation Archive Project and board member of the Walt Whitman Initiative, leading the drive to protect New York City-based Whitman landmark. Recorded as part of the Brooklyn Podcast Festival presented by Pandora. Support the show.
We're live! In this, our first episode, you'll hear us discuss the virtues and vices of chapbooks. We we interview the inimitable Lena Khalaf Tuffaha over Sonnet Spiced Coffee. LENA KHALAF TUFFAHA is an American poet, writer, and translator of Palestinian, Jordanian, and Syrian heritage. She is the winner of the 2016 Two Sylvias Chapbook Prize for Arab in Newsland, and the author of Water & Salt, a book of poems from Red Hen Press published in April 2017, which won the Washington State Book Award. You can follow her on Twitter @LKTuffaha. SONNET SPICED COFFEE RECIPE The word “sonnet” comes to us from the Italian word “sonetto,” meaning little song. We don't know exactly what song is inspiring this coffee, but we're pretty sure it would sound amazing if sung by Fairuoz (iconic Lebanese diva, see picture below). This drink is pretty easy to make (assuming you know how to make coffee in a French Press and have a bean grinder). Simply coarse-grind your coffee beans and spices together, then proceed with your coffee brewing per usual. Sonnet Spiced Coffee pairs splendidly with fresh satsumas, tiny porcelain cups, and this very episode. 8 tablespoons of coffee (we used Peets “Big Bang” blend) 3 black peppercorns dash of cardamom dash of cinnamon dash of nutmeg dash of crushed clove REFERENCES "Translation" and "Water & Salt" by Lena Khalaf Tuffaha Invasive Species (Nightboat) by Marwa Helal "Imagining a Vernacular Future", A Brooklyn Poets class taught by Marwa Helal American-Arab Anti-Discrimination committee (ADC) Institute for Middle East Understanding (IMEU) "'I Belong to Many Places': A Q&A with Washington State Book Award Winner Lena Khalaf Tuffaha" (The Seattle Times, December 2018) "Hold Up! Time For An Explanatory Comma" (NPR Code Switch) "Dozens of Palestinian Detainees on Hunger Strike Are Hospitalized" (The New York Times, May 2014) "Ana La Habibi" by Fairuz Touched (Sibling Rivalry Press) by Luther Hughes
Welcome to Season 2, Episode 4 of The Poetry Gods! On this episode of The Poetry Gods, we talk to 2016 Poets House Emerging Fellow and one of the co-founders of Project X, Noel Quiñones! We talk about Ice-T, Soulja Boy, poetry, community, and so much more! Check out the episode and let us know what you think. As always you can reach us at emailthepoetrygods@gmail.com. NOEL QUIÑONES BIO: Noel Quiñones is a writer, performer, and educator raised in the Bronx. A CantoMundo, Brooklyn Poets, and Emerging Poets Fellow at Poets House, he was most recently a member of the 2016 Bowery Poetry Slam team. He has performed at historic locations such as Lincoln Center, the Nuyorican Poets Cafe, and Apples and Snakes - London. His work has appeared in The Acentos Review, Pilgrimage Press, Kweli Journal, and Asymptote. Follow him @NQNino322 Follow Noel Quiñones on Twitter and Instagram: @NQNino322 Follow The Poetry Gods on all social media: @_joseolivarez, @azizabarnes, @iamjonsands, @thepoetrygods & CHECK OUR WEBSITE: thepoetrygods.com/ (much thanks to José Ortiz for designing the website! shouts to Jess X Snow for making our logo)
Christine and Mari talk to Joanna about her work for Brooklyn Poets, as well as immigrant culture, writing, and healing after sexual trauma.
In Jason Koo‘s new collection, America’s Favorite Poem (C&R Press, 2014), we see a poet placing himself on the timeline of his art. This timeline covers an ethnic, geographic, and artistic lineage that pays homage to Brooklyn’s literary heritage. As founder of Brooklyn Poets, he extends his literary citizenship to offer community to disparate groups of poets who live and work in the borough. With Whitmanesque, sprawling lines, Koo finds the minutia of introspective content and sound to populate his pieces. What initially appears conversational, contains multitudes. He faces the darkness with an innate humor that assures the reader, nothing is so awful that it can’t be laughed at. This extends to the poet’s lighthearted demeanor and ease with the world. Koo has reverence for his literary forebears and this is expressed in his title choices and placement of the self against the metropolis background, wondering, “Whether I’ll screw this up, whether I’ll ever feel like I have enough,// Whether I am enough.” I encourage listeners to pick up America’s Favorite Poem for the countless pieces that could have been featured on this podcast if given the time. From baseball to artistic gentrification, we discussed it all on a rainy Saturday in NYC. I hope you enjoy this, my inaugural podcast with a brilliant writer at the beginning of a surely monumental career. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Jason Koo‘s new collection, America’s Favorite Poem (C&R Press, 2014), we see a poet placing himself on the timeline of his art. This timeline covers an ethnic, geographic, and artistic lineage that pays homage to Brooklyn’s literary heritage. As founder of Brooklyn Poets, he extends his literary citizenship to offer community to disparate groups of poets who live and work in the borough. With Whitmanesque, sprawling lines, Koo finds the minutia of introspective content and sound to populate his pieces. What initially appears conversational, contains multitudes. He faces the darkness with an innate humor that assures the reader, nothing is so awful that it can’t be laughed at. This extends to the poet’s lighthearted demeanor and ease with the world. Koo has reverence for his literary forebears and this is expressed in his title choices and placement of the self against the metropolis background, wondering, “Whether I’ll screw this up, whether I’ll ever feel like I have enough,// Whether I am enough.” I encourage listeners to pick up America’s Favorite Poem for the countless pieces that could have been featured on this podcast if given the time. From baseball to artistic gentrification, we discussed it all on a rainy Saturday in NYC. I hope you enjoy this, my inaugural podcast with a brilliant writer at the beginning of a surely monumental career. Learn more about your ad choices. Visit megaphone.fm/adchoices