Podcasts about Revlon

Dr. G dives deep into the hidden dangers of mainstream hair dyes, exposing chemicals found in brands like L'Oréal, Clairol, and Revlon that are linked to hormonal disruption, cancer, and premature graying. Blending science with real-life impact, he unpacks the emotional ties to hair color and reveals the biological drivers of graying, from oxidative stress and hydrogen peroxide buildup to the decline of melanocyte activity. Dr. G then shares a powerful five-part protocol to support natural hair color, covering internal nutrients, lifestyle shifts, topical solutions, and regenerative therapies like red light and PRP. He also reviews cleaner dye alternatives and challenges conventional beauty norms, promoting a holistic approach to hair health rooted in overall well-being. #grayhair #productreview #hairdye Timestamps: 00:00:00 - Hair Dye & Graying 05:10 - Gray Hair Science & Fear 06:27 - Graying, Stress, & Health 13:00 - Harmful Hair Dye Chemicals 16:19 - Toxic Dyes & Alternatives 19:15 - Safer Dyes & Graying Protocol 22:18 - Vitamins & Stress for Gray Hair 25:25 - Reversing Gray Hair 28:28 - Ditch Toxic Hair Products ==== Thank You To Our Sponsors! BiOptimizers Go to https://bioptimizers.com/drg and use promo code DRG10 to get 10% any order. BON CHARGE Go to https://boncharge.com/products/red-light-face-mask and use code DRG for 15% off storewide ==== Be sure to like and subscribe to #HealThySelf Hosted by Doctor Christian Gonzalez N.D. Follow Doctor G on Instagram @doctor.gonzalez https://www.instagram.com/doctor.gonzalez/ Sign up for our newsletter! https://drchristiangonzalez.com/newsletter/

Send us a textEpisode Notes: Are you letting that thick cloud of uncertainty holding you back from making bold moves in your business? You're not alone. In this week's episode, we tackle the hesitation many entrepreneurs & business owners are experiencing when it comes to starting new ventures, expanding locations, or investing in necessary equipment and technology. The collision repair industry, like many service businesses, has always been cyclical - something easy to forget after the unusual steady backlog of the post-COVID years. Rather than viewing current conditions as unprecedented hardship, we explore how many of America's most iconic businesses actually launched during economic downturns. From Disney and Revlon emerging during the Great Depression to Uber and Airbnb launching during the 2008-2009 recession, history shows that opportunity exists regardless of economic climate. Through the wisdom in a valuable clip from Jim Rohn, we unpack a refreshingly simple success formula that anyone can apply: live in a place of opportunity, find an opportunity, and find a mentor. Mr. Rohn's journey to becoming a millionaire by 31 wasn't the result of perfect circumstances but rather his willingness to change himself while circumstances remained largely the same. His most profound insight might be that "the things that are easy to do are also easy not to do" - explaining why success often comes down to consistently doing simple actions that others neglect. Don't let today's uncertainty paralyze you into inaction. Remember Henry Ford's wisdom that "whether you think you can or you think you can't, you'll be right." Your next level of success doesn't require waiting for perfect conditions - it simply requires overcoming the neglect of daily actions that compound into remarkable results!  More from Jim RohnLink to YouTube talk: Getting Rich is Easy! Get the SUNO AI app!  Sign up for FREE to my "Quote of the Day" below: https://tinyurl.com/fv5xr68hSupport the showJoin our Mind Wrench mailing list!

Sarika caught up with Jenny & Emily Loomes from East Lane Productions about their upcoming play The Revlon Girl, which tells the story of when a group of grieving mothers invite a Revlon lady to their support group following the 1966 Aberfan disaster. 

What day is it? Oh wait, it doesn't matter it's another long weekend in Oz! But Youbies never rest so here's a replay of one of your fave episodes. In this episode we found a $15 Revlon concealer that works just as brilliantly as those fancy $50+ options (your wallet will thank you!). You'll also discover why we're obsessed with the new supersized versions of your favourite products and a game-changing eyeliner that'll make your lashes look naturally fuller. Think of this episode as your best beauty friend's honest advice on what's actually worth buying right now - enjoy! LINKS TO EVERYTHING MENTIONED: LEIGH SPENDY:Naturium The Energizer Mandelic Acid Body Wash $31.50 KELLY SPENDY:KMS COLORVITALITY Intense Gloss Treatment $39 LEIGH SAVEY:Judydoll - Slim Liquid Eyeliner $14 KELLY SAVEY:Revlon Illuminance Serum Concealer $29.95 LEIGH NEWBIE:Ms Morning Get Ready Antioxidant & Brightening Bi-Phase Face Oil $70 KELLY SORT-OF-NEWBIE:BANGN BODY Jumbo Firming Lotion $96Sunday Riley Good Genes Lactic Acid Treatment 100ml, $336 Leigh also loves: Ultra Violette Bod Brigade $77 SHOP MY STASH: KELLY:Noosa Bronze Gradual Tanning Lotion $39.95 LEIGH:Bowie The Complete Kit $144 FOR MORE WHERE THIS CAME FROM: Watch us on Youtube Subscribe to Mamamia Sign up for our free You Beauty weekly newsletter for our product recommendations, exclusive beauty news, reviews, articles, deals and much more! GET IN TOUCH: Got a beauty question you want answered? Email us at youbeauty@mamamia.com.au or send us a voice message, and one of our Podcast Producers will come back to you ASAP. Join our You Beauty Facebook Group here. You Beauty is a podcast by Mamamia. Listen to more Mamamia podcasts here. CREDITS: Hosts: Kelly McCarren & Leigh Campbell Producer: Cassie Merritt Audio Producer: Leah Porges Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Get your jammies on sloots (and grab a furry pen + a notepad the size of your palm) we're having a slumber party! There's nothing new about me and Alex yapping on the  couch but this week is a little fun and different… we're each taking turns in the hot seat. What work has Alex had done? How'd she go from LDS saint to stoner princess? What does she really think of my bf? And ofc, I answer all of your burning questions, although there was probably no need to be any more open and honest after VOLUNTARILY sharing my horrifying dream at the top of the episode. I'm sorry and I love you! XO Follow Sofia on:  Instagram - https://www.instagram.com/sofiafranklyn   TikTok - https://www.tiktok.com/@sofiafranklyn   Twitter - https://twitter.com/sofiafranklyn    Threads - https://www.threads.net/@sofiafranklyn  Follow Alex on: Instagram: https://www.instagram.com/alexfranco_meow/    TikTok: https://www.tiktok.com/discover/alexfranco_meow  Twitch: https://www.twitch.tv/alexfranco_meow  To learn more about listener data and our privacy practices visit: https://ww.audacvinc.com/privacy-policy    Episode Highlights: 00:00 Intro 01:44 PJJ party + incest dream 04:41 Q&A with Alex 05:32 Daily s*x is a red flag? 07:22 Alex's hair routine + leggings hack 09:55 Hair vitamins + Revlon brush 11:48 Beauty procedures + biggest insecurities 15:42 Become a vegan + brain tapeworm 19:16 Smoking weed  22:45 Best way to smoke weed 24:47 Sofia's boyfie 25:41 Roomie scam update 29:40 Live show 30:43 High schooler Sofia 32:25 C*ck holding 33:24 Last book read 32:37 Mushroom dealer 36:12 Terrible MIL 37:19 Matchmaking service 38:48 Depression after breakup 39:24 Security & safety  42:04 Life lesson To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Charlie Red by Revlon (1993) + Fifty Things That Aren't My Fault: Essays From the Grown-Up Years by Cathy Guisewite (2019) + Cathy by Cathy Guisewite (1976-2010) 4/4/25 S7E23 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon.

This week, Kelly makes a shocking discovery—the $17 Revlon Illuminance Glow Primer is practically identical to a high-end $85 primer she's been loving. It creates that perfect glowy-not-shimmery base without breaking the bank. Plus, Leigh introduces us to the cult-favorite Givenchy Prisme Libre powder that's back with a new formulation. At $108 it's definitely a splurge, but the mini version is just $58 and will last you ages. And we're spotlighting two incredible Australian small businesses: The Jojoba Company's new neck and décolletage concentrate that answers those frequent "What about my neck?" DMs, and Bangn Body's ergonomically designed body oil with its signature tropical scent. Don't miss our savey finds: the Milani baked powder blush that gives you that luxurious luminosity for just $21.99, and Kelly rediscovers the Chi Chi Super CC Cream after reading Erin's article—a beauty editor secret that costs half the price of similar products. LINKS TO EVERYTHING MENTIONED: Leigh's Picks:Spendy: Givenchy Prisme Libre Four Colour Loose Powder 01, $108Savey: Milani Baked Powder Blush in Berry Amore, $21.99Newbie: The Jojoba Co Neck & Decolletage Lifting Concentrate, $64.95Shop My Stash: The Quick Flick Quick Glow Gradual Tan Mousse, $29 Kelly's Picks:Spendy: Caudalie Vinoperfect Brightening Micropeel Foam, $55Savey: Revlon Illuminance™ Glow Primer, $17.47Newbie: Bangn Body Oil, $68Shop My Stash: Chi Chi Super CC Cream, $39.95Erin's Article: 'I tried this $29 CC cream on a whim — now I'm obsessed.' Watch us on Youtube SUBSCRIBE: Subscribe to Mamamia Sign up for our free You Beauty weekly newsletter for our product recommendations, exclusive beauty news, reviews, articles, deals and much more! GET IN TOUCH: Got a beauty question you want answered? Email us at youbeauty@mamamia.com.au or send us a voice message, and one of our Podcast Producers will come back to you ASAP. Join our You Beauty Facebook Group here. You Beauty is a podcast by Mamamia. Listen to more Mamamia podcasts here. CREDITS: Hosts: Kelly McCarren & Leigh Campbell Producer: Stef MacFie & Lee Stamps Audio Producer: Tegan Sadler Video Producer: Marlena Cacciotti Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Marketing at Nike, Estée Lauder, and Revlon, Swan is now a creator with over 3.7 million followers online. She has been named one of Entrepreneur Magazine's 100 Women of Impact, Brand Innovators' 40 Under 40 and Marketing Women to Watch. As a professional speaker, Swan has spoken throughout the globe for SXSW, Cannes Film Festival, Google, Salesforce, and Harvard, to name a few. Listen in as she shares her story!   Timestamps: 00:31 - The Queen of Clubhouse 02:04 - Entrepreneurial Roots 06:27 - Self-Worth and Identity 10:43 - Community 12:32 - Embracing Technology 21:54 - Leadership 22:17 - Investing in People 26:55 - EmpathyCultural Heritage 38:05 - Future Plans and Goals   Links: Swan's Website: https://www.swansit.com/ Swan's Instagram: https://www.instagram.com/swansit/?hl=en Swan's LinkedIn: https://www.linkedin.com/in/swansit/

Dans le New York des années 1930, le fabuleux destin d'une jeune femme qui allait révolutionner l'univers de la beauté : Estée Lauder. Une épopée romanesque et féministe, un vrai bijou de lecture. New York, l'endroit parfait pour se faire oublier. C'est en tout cas l'espoir de la jeune Gloria qui fuit un scandale familial dévastateur. Prête à se réinventer, il ne lui manque plus qu'une nouvelle amie pour l'accompagner dans la ville de tous les possibles. C'est alors qu'elle va trouver sur sa route la très idéaliste Estée... Estée est avide de succès. Un jour, son nom sera aussi célèbre que celui d'Elizabeth Arden, d'Helena Rubinstein ou de Revlon. Ni une ni deux, voici Gloria embarquée dans la folle ambition d'Estée. Entre débrouillardise et persévérance, grandes aspirations et (nombreuses) déconvenues, les deux amies vont se découvrir des ressources insoupçonnées.Mais dans une société ouvertement hostile aux femmes de pouvoir, le prix à payer pour réussir est exorbitant... Écrit par: Renée Rosen Lu par: Elisabeth Lagelée Traduit par : Valérie Bourgeois  Publié par: Editions Thélème from W. F. Howes Date de parution: 30 Jan 2025

250228PC: WüstenblumeMensch Mahler am 28.02.2025 Vorgestern hat arte den Film Wüstenblume aus dem Jahr 2009 ausgestrahlt. Und damit ein Thema ins Bewusstsein zurückgeholt, das in den sich überschlagenden Headlines der Nachrichtendienste untergegangen war: Genitalverstümmlung und Zwangsverheiratung von Mädchen. Waris bedeutet „Wüstenblume“. Als Fünfjährige erlitt Waris Dirie die Genitalbeschneidung und das fast vollständige Zunähen der Scheide. Als sie im Alter von 13 Jahren an einen alten Mann verheiratet werden sollte, floh sie durch die Wüste in die Hauptstadt von Somalia, Mogadischu, zu ihrer dort lebenden Großmutter mütterlicherseits. 1981 wird sie nach London gebracht, wo sie als Dienstmädchen beim somalischen Botschafter, einem ihrer Onkel, arbeitet. Mit 18 Jahren änderte sich Diries Leben schlagartig, als sie zufällig von dem englischen Fotografen Terence Donovan entdeckt wurde. Er fotografierte sie 1987 gemeinsam mit dem damals noch unbekannten Model Naomi Campbell für die Titelseite des Pirelli-Kalenders. Dirie wurde über Nacht zu einem gefragten und hochbezahlten Topmodel. Sie arbeitete für Chanel, L'Oréal, Revlon, Versace, Cartier, Levi's und viele andere Weltmarken. Ihr Bild erschien auf dem Cover der Zeitschrift Vogue und zahlreichen anderen Hochglanz-Magazinen. Schließlich outet sich Waris Dirie vor den Vereinten Nationen. Von 1997 an war sie UN-Sonderbotschafterin gegen weibliche Genitalverstümmlung. Was ist seitdem geschehen? Erschreckend wenig: Fast 4,4 Millionen Mädchen sind im Jahr 2024 in Gefahr, an ihren Genitalien verstümmelt zu werden, das sind nach Schätzungen des Bevölkerungsfonds der Vereinten Nationen (UNFPA) mehr als 12.000 Mädchen jeden Tag. Hosted on Acast. See acast.com/privacy for more information.

Heather has led Curology for over two years, driving its mission to make effective skincare more accessible. Under her leadership, the brand has expanded its team of dermatology providers, serving over 5 million patients and launching personalized prescription hair treatment. Before Curology, she was President of the Americas at Revlon and spent 10 years at Novartis leading various business lines. With 20+ years of experience, Heather speaks on topics like AI in skincare, skincare personalization, telemedicine, retail expansion, and brand growth in a competitive market.

Longtime beauty executive Lori Singer has been instrumental in some of the biggest fragrance license deals of the past 20 years. Singer spent more than a decade at Coty, where she worked on bestselling fragrances by Calvin Klein, Vera Wang, Balenciaga and Nautica. She also tripled global net revenues for Marc Jacobs with its iconic Daisy franchise launched in 2007. Singer got her start at Revlon, and her CV also includes Calvin Klein Cosmetics, Unilever and Benetton Group.  “I've spent my entire career in beauty. I'm sort of a beauty lifer,” she told Glossy. “I fell in love on day one at Revlon, my first job, and I really have never looked back.”  Singer joined Parlux in 2019 to grow its license business and immediately set her sights on Billie Eilish.  “Other than music, fragrance and scent are everything to her. So, upon meeting her and hearing about her deep knowledge [of fragrance, we knew it was a fit for Parlux],” Singer told Glossy. “She knows ingredients and she knows about olfactory territory. She has had a natural nose for scents." By 2021, her first scent, Eilish, was released, which she followed up with Eilish No. 2 the next year and Eilish No. 3 in 2023.  Fast forward to last week, and Parlux released Eilish's fourth fragrance, called Your Turn. The new scent is priced at $90 for 100 milliliters and available DTC — it will launch in Ulta Beauty doors later this spring. Your Turn is gender-neutral and described as “warm, woody and fresh” with notes of peach, ginger and sandalwood.  Frank Voelkl, principal perfumer at fragrance house Firmenich, was the “nose.” One of the most famous perfumers working today, he has created Glossier's You franchise, Phlur's Mood Ring and Father Figure, and Le Labo's cult Santal 33, among others.  Parlux is a global licensee for celebrities, fashion houses and lifestyle brands. The company launched in 1984 and is privately held. Its licenses include Kenneth Cole, Vince Camuto, Jessica Simpson, Steve Madden and Jason Wu, among others. Most recently, Parlux entered into a partnership with basketball player LeBron James to create The Shop, a line of grooming products distributed through Walmart. Then, in late 2024, the company launched its first fragrance with influencer-turned-designer Danielle Bernstein, the creator behind WeWoreWhat, called WeWoreWhat 001.  Later this year, the company will celebrate another milestone: Paris Hilton's 30th fragrance over 20 years. Called Iconic, the scent will launch this spring.  Singer joined the Glossy Beauty Podcast to discuss the secret sauce behind Parlux's celeb fragrances, the evolving fragrance consumer and 2025 industry predictions.

Farah White is an Actress, Producer, Director and Writer but does whatever needs to be done depending on the day! Her love for the entire filmmaking processis obvious by the wide spectrum of genres in her resume which spans over 25 years. She has produced over 30 feature films, shorts and TV pilots in additionto acting in over 50 films, MISS CONGENIALITY being one of her first. She has been on the creative side as well as produced and directed commercials forFED-EX, AMERICAN AIRLINES, FRITO LAY, WALGREENS, GATORADE and REVLON. She UPM'd Solange's Video Album “When I get Home” as well as producing live recordings of WEEZER and THE PIXIES for Live Nation Events. She directed thefeature film, LANDLORD FROM HELL (2023) for the LIFETIME Movie Network and is the executive producer for Ondi Timoner's reimagining of the cult classic, DIG XX (2025), which premiered at Sundance 2024 and opened in theaters world-wide Jan 2025. you can “see” her on the screen currently in the Tommy Stovall's CONDITION OF RETURN, starring AnnaLynne McCord, Dean Cain and NatashaHenstridge and A CHRISTMAS IN NEW HOPE directed by Julia Barnett starring Adrianne Palicki, Stephanie Kurtzuba and Malcolm Goodwin.

Lobna Calleja Ben Hassine est la DRH des premières fois. Première DRH dans des startups ou des entreprises en plein développement, c'est sa spécialité. Lobna a commencé chez Mappy, l'ancêtre français de Google Maps puis a enchainé des postes de RH puis DRH dans la mode et le luxe (Revlon, Calvin Klein, Geox) avant de basculer dans l'univers startup avec Schoolab. Elle a même été vice-présidente du lab RH. Et jusqu'à fin 2024, Lobna était DRH d'Ogilvy, l'agence de publicité mondiale. Aujourd'hui, elle lance un nouveau projet qui rapproche IA et RH.   Dans cet épisode Lobna a lâché des bombes: - Son expérience de binationalité et les défis rencontrés au début de sa carrière - Son approche de DRH : l'importance de l'expérience collaborateur, la gestion des équipes créatives, etc. - Ses prises de parole sur LinkedIn et leur impact en interne - Ses nouveaux projets autour de l'IA appliquée aux ressources humaines   Abonnez-vous !

What if you had the most powerful branding secrets at your disposal, gifting you the power to compete against big brands in your business sector? You'd be David in a world of Goliaths, right? Legendary branding expert David Brier joins Brad for a frank and fun discussion on branding and his latest book, Rich Brand Poor Brand. If you think branding is about logo design, guess again. David takes us on a deep dive into the world of branding, the resistance from clients, and the realization that you can't fix a brand if a business owner doesn't fix the "blind spots." As David states "Branding is NOT a band aid." In this episode you will learn: • The hardest part about a Brand Intervention • How Jaguar should have handled their LGBTQ role out • How Branding is about solving internal business problems first • Rock Bands as a metaphor for growing your brand from a "wedding singer" to a "stadium performer" If you are a small business owner, marketer or branding aficionado, THIS is the episode for you! And David and Brad discuss their favorite drummers of all time. ABOUT DAVID BRIER: David Brier started his career in Manhattan working on brands for Estee Lauder, Revlon, Rolling Stone Magazine, Jim Henson, and others. Since generating over $9.8 billion for global, regional and local brands including worldwide nonprofits and even cities, he's earned the nickname “The Brandfather" and has been featured in ADWEEK, Fast Company, Forbes, INC, Huffington Post, Entrepreneur, and the New York Times. David is the author of several bestselling books including Brand Intervention with a foreword by Daymond John of ABCs Shark Tank. While Brand Intervention focused on building a brand from the ground up, his follow up book, Rich Brand Poor Brand, focuses on How to Unleash Your David in a World of Goliaths by creating the kind of culture that can sustain and maintain your brand for years to come. The foreword is written by Claude Silver of VaynerX, Gary Vaynerchuk's agency. The book is based on a confidential internal memo from Nike that listed out their qualities of the kind of culture they needed to build their empire. It came down to 20 distinct traits any business can master with insights from Warren Buffett, Steve Jobs, Jason Feifer of Entrepreneur magazine, Sara Blakely, Brené Brown, Billy Joel, Kevin Hart, Marie Forleo, and Gary Vaynerchuk. Daymond John calls Rich Brand Poor Brand, “Genius.” Website: www.risingabovethenoise.com/ HOST OF AWAKENED NATION: Brad Szollose.

Rerun: A female contestant had never scooped the jackpot on an American TV quiz show before New York psychologist Dr Joyce Brothers won $64,000 on 6th December, 1955. Her specialist subject was boxing - a topic about which she knew little, until she devoted herself to studying the annals of the sport in preparation for multiple appearances on the show. Despite the best efforts of sponsors Revlon to catch her out, she claimed the top prize on ‘The $64,000 Question' AND its subsequent spin-off, ‘The $64,000 Challenge'. In this episode, Arion, Rebecca and Olly reveal how Brothers combatted sexism on many prior occasions; explain how she swerved ‘the Quiz Show scandals'; and celebrate her ability to leverage her celebrity and academic qualifications to become America's first pop psychologist… Further Reading: • ‘Dr. Joyce Brothers on The $64,000 Question' (CBS, 1955): https://www.youtube.com/watch?v=WqhxN9a8OCg • ‘Obituary: Popular TV psychologist Dr. Joyce Brothers dies at 85' (Los Angeles Times, 2013): https://www.latimes.com/local/obituaries/la-me-joyce-brothers-20130514-story.html • ‘Joyce Brothers: She overcame sexism to become the first woman to win US quiz show' (Honey, 2021): https://honey.nine.com.au/latest/joyce-brothers-first-woman-to-win-us-quiz-show-64000-question-women-in-history/dd9f0dd2-0815-47e5-b84b-8f13edeb688f ‘Why am I hearing a rerun?' Each Thursday and Friday we repeat stories from our archive of 800+ episodes, so we can maintain the quality of our independent podcast and bring you fresh, free content every Monday-Wednesday…  … But

Over the past 20 years, Tara Cohen has driven innovation and strategy as a senior executive at The Estée Lauder Companies, directly influencing MAC Cosmetics, Becca, Tom Ford, and Victoria Beckham, as well as Revlon, L'Oréal, and Victoria Secret Beauty resulting in exponential, multi-channel growth for some of the world's most influential beauty brands. Now, as a C-Suite Executive, Founder, and Startup Advisor, Tara Cohen is reimagining global beauty through a multi-ethnic lens and human-centric approach. In this episode, Elizabeth Reid speak with Tara, a senior executive in the beauty industry. Tara is a native New Yorker and shares experience in roles at major beauty brands like MAC Cosmetics, her fine arts and advertising background, and early entrepreneurial ventures. She discusses product innovation, brand DNA, consumer needs, and market trends, while expressing her passion for startups and aspirations in beauty and wellness.

In this episode of the Radical Global Marketing Podcast, Mike interviews Natalia Pamich, a global marketer with a wealth of experience from brands like Revlon, PepsiCo, and L'Oreal, who's now embarking on an entrepreneurial journey with her own skincare line. Natalia shares insights from her international upbringing and career, covering the essentials of adapting to diverse markets, mastering sales to understand consumer behavior, and building brands that resonate globally. She also dives into the latest marketing trends, from influencer strategies to the transformative potential of AI, offering listeners fresh perspectives on what it takes to succeed in today's fast-evolving landscape.Key Insights from Natalia:Embrace Cultural Awareness Natalia's global upbringing taught her to connect with diverse people and perspectives—a crucial skill for any marketer today! Her advice? Embrace cultural nuances to resonate more deeply with your audience.Start in Sales for Real-World Insight Before diving into marketing, Natalia got firsthand experience in retail sales, learning what truly drives customers' decisions. For aspiring marketers, she suggests this as an invaluable way to understand buyer behavior.Foundation First, Adapt Second Switching from beauty to food and beverages? For Natalia, it was all about adapting core marketing principles to each new category. The fundamentals of marketing don't change, so focus on mastering them before fine-tuning to specific markets.Innovate as an Indie Natalia is now launching her own skincare brand, bringing an indie, challenger mentality to a competitive field. She highlights the importance of rethinking traditional approaches and crafting a brand that feels authentic and disruptive.Digital Dominance and DTC With digital at the heart of her strategy, Natalia will launch her skincare line direct-to-consumer. DTC gives brands full control over messaging, pricing, and customer experience—a must for any emerging brand.Influencers & AI: Marketing Trends to Watch Influencers remain essential, but Natalia notes the rise of micro- and nano-influencers, making brand alignment more precise. She also predicts AI and VR will shape marketing, though regulatory and ethical questions abound.Conquer Fear in Entrepreneurship Shifting from corporate to entrepreneurship, Natalia shared the importance of pushing past fear. Acknowledging doubt is normal, but letting go of fear opens doors to fresh ideas and rewarding challenges.

Dash and J.D. discuss Tommy Richman's hip hop Grammy submissions, Keke Palmer's new job at Revlon and Shyne's upcoming Hulu doc.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Joanna Robinson and Dave Gonzales, coauthors of the book MCU: The Reign of Marvel Studios, out in paperback this week.I really loved the book, it dives into what is the main flywheel of mainstream entertainment, for better or for worse, and dives into the fascinating history of the MCU. Whether you're a fan of Marvel movies or just someone living in a world dominated by them, the book is a really interesting look into contemporary filmmaking and the pressures and economics and just simply human scale of these massive operations.We spoke about Marvel's journey from underdog to cultural icon, how its moviemaking process has changed over time, and what it was like covering a narrative that was developing in real time.Robinson and Gonzales can both be found on the podcast Trial by Content, and the book can be found wherever books are sold.This interview has been condensed and edited. Dave and Joanna, thank you so much for coming on.GONZALES: Absolutely.ROBINSON: Thanks for having us.I really, really love this book. So happy to see it out in paperback. I guess I'll just kick it off with an easy one: What were each of your first experiences with Marvel? How'd you get into this?ROBINSON: As in the comic books or the films?Anything.ROBINSON: Anything at all. Gosh, I think X-Men: The Animated Series was my introduction, back in my infancy. It really got into the world they created, the various characters, their character sets, the trading cards, and then everything spirals out from there. That was my introduction.GONZALES: Mine was probably with the comics. I might have had some X-Men: The Animated Series in there, but I got much more into the comics around late 1993, early '94, when I happened to buy a Spider-Man issue that was part of “The Trial of Peter Parker.” Suddenly I had questions: Why was Peter Parker on trial? How many different Spider-Man books were there? Because I bought an issue of The Spectacular Spider-Man, but the next part of “The Trial of Peter Parker” was The Amazing Spider-Man.That led me to get a cubby at my local comic book shop in Louisville, Colorado, which was Time Warp Comics at the time. That was my way in, just being a comic book fan. I also jumped in on one of the longest and mostly considered worst Spider-Man arcs, but loved it. So imagine how good “good” Spider-Man was to me as a child, because I got weaned in on “bad” Spider-Man.Amazing. One reason I really dug the book is that it's about the MCU, but it's also about Marvel, the history of this entire company, and its very different evolution over time, from the '60s to the period of the '90s. What was it like trying to cover not just a film series, but a big franchise with a lot of moving parts as part of an even bigger company with even more moving parts?ROBINSON: A good question we asked ourselves was both where to start and where to end, and where to end was a constant, ongoing question mark. I'll let Dave address that. But in terms of where to start, there were certain things we felt we had to backdate, because there were players involved in the major “How did Marvel Studios come to be?” question and you had to know who they were, why they were important, how did we get here and what were the stakes? Being able to loosely explain who's Stan Lee, who's Perlmutter, who's Avi Arad, who are all these people, helped us tell that story without losing the audience entirely by throwing a bunch of new names at them. Dave, what about ending the book?GONZALES: Oh, ending the book. That was super fun. We started right as Avengers: Endgame was in theaters. I remember seeing Endgame and knowing that Joanna and I were going to work on this, so we started off thinking, what a fantastic hill that Marvel climbed, this interconnected universe with three phases. Everything surely was planned out from the beginning and could only go up from here. The book was originally “The Rise of Marvel Studios,” because we thought surely this was just up and up and up.Then the pandemic hit — which was very good for us, having to write the book and just sit down and figure out what it was. It also gave us and a lot of sources a pause to regain our footing. As Marvel started rolling out, we tried to peg an end date. I wanted it to be Blade to Blade when we started, but Mahershala Ali's project has still not come out, so that became an impossibility. Then WandaVision premiered and suddenly there was this whole other aspect to the story we were trying to tell. So we wanted to do that and just tried to report things as they went along.We were blessed and cursed by the year that we published the hardcover, October 2023. As we were turning in the final part of the book in January and February, a whole bunch of Marvel news started breaking. Ike Perlmutter left Disney; Victoria Alonso, who was a big mover and shaker in Marvel Studios, was let go, so we had to report that out; Jonathan Majors went on trial.It was only in a panic over all those things that I really ended up appreciating what we had done just by thinking of all these topics so thoroughly for several years. Even though we were tacking new endings on, it wasn't that hard to make it feel like it was a whole arc because we were kind of working there anyway. I wouldn't say I'd've enjoyed releasing the first version of this book in one of Marvel's worst financial years and most critical years ever, but I do think it provided an interesting little tie-off or a fascinating ellipses that allowed us to be relevant and, more importantly, in the year 2024, look like we knew exactly what we were talking about in Marvel's rebounds.That's a really good point. When I met you on tour, a key thing you were getting at was that the idea that Marvel has not had a slump before is naive, and also ahistorical. A fun thing about the book is that you go through all these different eras, and sure, there's an easier story and probably a more polished, corporate story that's ever upward, toward Excelsior, all that crap.But you really do cover the pits and troughs of this. There was Iron Man 2; there was Thor: The Dark World; there was that period of time between the assorted Spider-Mans. What was that perspective like, particularly as it was coming out and as you were able to talk about the issues in 2023?ROBINSON: It was important for us, just on a basic journalistic level, to try to tell as much of the story as possible. We're fans of Marvel, of the movies, but as long as I've known Dave, both of us have been people who don't like to feel like we're not being told the whole story. We don't want the PR version of something — we want to know all the messy details as well. And it's not to knock Marvel or have any kind of “gotcha” moment. It's to say, “Okay, they had these various pitfalls, these various problematic people that they were working with, X, Y and Z. Look what they accomplished anyway.” That's the story in broad strokes. It was important for us to be able to acknowledge the stumbles along the way.When we found ourselves in a 2023 space where everyone was saying Marvel is cooked, or Marvel used to know exactly what it was doing from the beginning and now they're just making it up — no, they were always making it up. They just did it so well, you didn't notice. That gave us a better perspective to be able to say, let's just slow down. We were looking ahead to 2024, saying they're only putting out one movie and two shows next year. If those hit, then you'll start to hear that Marvel's back, baby. Then Deadpool & Wolverine makes a gajillion dollars and Agatha All Along is a pretty solid hit for them.So I think that “Marvel is over” narrative that was so prevalent a year ago is now the question, “Is Marvel back?” Looking even further forward at the next couple of big projects coming, I think Captain America: Brave New World is going to be a tough one for them. I don't know if that's going to hit the way a lot of people want it to. I think Thunderbolts is going to be hit for them, and I think The Fantastic Four: First Steps is going to be hit for them. They're still getting their bearings, but to your point, it was a bit naive to say they've been nothing but successful and now they've run off a cliff. Dave, what do you think?GONZALES: It was just a less interesting narrative, ultimately. I actually found myself getting less adversarial the more we learned, especially being a fan when all this started around 2008. There was this idea that Joanna was talking about, which is even a fan perspective today, that if something doesn't work out it's because we've been denied something at some creative step. Like, you know what, screw those guys; we want to do Harrison Ford as Red Hulk instead, or something like that.But it's not that at all. There are a whole bunch of different drama and production and business problems, and all these things come together to make these gigantic machines of a movie work. It was really important for us to drill down on Marvel Studios and get into those ups and downs, because a lot of times you can try to compare Marvel Studios to something through contrast, through Warner Brothers trying to do it with DC back in the early 2010s. Everybody started trying to launch an interconnected universe from the first movie, but all you could really say is that Marvel's worked and these others didn't. The details of the alchemy are in the tiny stories and little conflicts. That's why I think they were so important to track, be they how movie stars look or how we use CGI to make movie stars look. Tracking that over at Marvel Studios was just as important as how many movies Tony Stark was going to be in.Can you speak more to how much of this was on the fly? One of my big takeaways from your book was just how much things aren't necessarily set in stone during the production of a movie, and how sometimes one person's smart idea, regardless of where it comes from, can drastically alter what a lot of folks think was written in stone in 2007.ROBINSON: That idea of “best idea wins” — without ego; best idea from whomsoever — was a prevailing concept at Marvel. Kevin Feige was also this really interesting figure that has no comparison at any other studio. He's head of the studio, a creative producer, a storyteller in his own right and someone who wanted to make movies as a kid and thought he would be a director. He wound up an executive, but he has that storytelling sense. When Marvel was putting out fewer films and TV shows — or no TV shows at all and just a few films a year — the process was, “Go shoot your movie. Bring me, Kevin Feige, back the pieces and I'll tell you what you're missing.” They had this built-in reshoot window where you could go and add scenes where he felt like you hadn't really nailed this character, or cut this action out to bump up the action over here a bit more. They had this rough-drafting process with the master editor being Kevin Feige himself. There's no system like that at any other studio.That works so well for them, and in doing so, they're able to cement over the cracks and make it all feel like one smooth story that they're telling, because that refining process is built into their filmmaking process. Once the mandate comes from Disney, from Iger on his way out the door, from Chapek in his seat for a while, that they need to compete with Netflix and all these other streaming services, that they need more and more content — then the pace becomes untenable for that revision process that made them so solid in the first place.You talk about Feige not having an analog. I was really shocked reading the book because there's not even anything recent. You have to go back to Cecil B. DeMille for someone who has that producer, authorial presence. He's really a fascinating figure, and it's a key takeaway from the book that I loved. It really highlights the people who make these movies, not just the corporation. It's actual human beings who do this kind of stuff, often with long continuities. Do you want to speak about some of that?GONZALES: Definitely. Actually, while you were talking, I was wondering if part of the chip on Zack Snyder's shoulder was because someone at some point told him he was going to be a Kevin Feige and he's been chasing that ever since.A lot of the Marvel continuity that's been going on is still going on, even after our new chapter. It's been interesting to see how it's developed. It could be that the best idea wins, but then they also have that old school, in-house process where the starting team is very often the same people and has been since phase one. You put together a bullpen of concept artists, so you're constantly using concept art. Not only is that smart from a design standpoint for making a movie, but then you can have those things scanned and it goes directly into making toys. So at the beginning, there's no fight about bringing on these design creatives super early on.Where we start to see the wear and tear is, as Joanna was saying, with this output increase. All of the pressure starts being put on post-production, which is the place where you can't make more time. The solution is to hire more people, and because of that, the job of keeping things consistent falls to Victoria Alonso.She does a pretty good job considering that she's working a 24-hour, seven-days-a-week work schedule because the industry is so messed up. It was never built to do stuff like this. In a lot of ways, the way the VFX industry is structured is still from the '90s turn of the century, when you would bid on a number of shots to do and get money for that number of shots. You'd have to work those shots until they get approved by the director. There isn't an extra budget, and there isn't an overtime, which was a fine way to do it when there were three or four VFX shots in every movie. But now that we're in the 200s or some such, there's a natural strain put on that, and it's impossible to budget on the VFX side. They have to underbid because there's a limited amount of work. If Marvel decides they don't like you, as much as a third of your entire year's work can just not come to your company.As Marvel ages into it, we get a lot of people who are able to make their careers there, from Kevin Feige to Mary Livanos, who's doing great things on Agatha and seems really close to being ascendant. We have Brad Winderbaum, who's been made head of streaming now to take some of that pressure off Kevin. You have all these great continuities. You're less likely to see continuities in visual effects artists, just because of how they're going recently. When Joanna and I were interviewing people like ILM for Hulk, occasionally we'd do a person that was in three or four movies. Now, like for Guardians of the Galaxy Vol. 3, there was a team of about 12 people at Framestore who make animals look good. They just come in for that movie to make animals look incredibly good. They did it the whole time, but they're not as legacy as other parts of the Marvel development studios — which I hope will change, because there are some people who are really good at making Hulks. And if you've made Hulks for 20 years, shouldn't those be the people that are making Hulks in Brave New World? We'll have to see.ROBINSON: I love that you mentioned Cecil B. DeMille. As we were putting this whole story together and realizing that they bring all these teams in-house, Dave and our coauthor Gavin and I, we are to varying degrees students of old Hollywood history, and we had this realization that it's just the old Hollywood studio system. You're putting actors under contract for nine movies, all this other stuff, and we felt so smart. Then I was talking to someone who worked at Marvel and they were like, “Oh yeah, Kevin says that all the time.” I was like, oh, I thought we really put something together. But at least we were right! We were consciously doing this.I think that industrial element of it is really interesting. A key thing that changed the way I see the film industry was realizing that every movie is basically a corporation that briefly exists. Every movie is an entire apparatus, with a CEO operation and departments and all that. Then it folds and you move on to the next one.With Marvel, though, the circus never closes; it's just onto the next city. It was really interesting to see its place in the industry. Like Dave was saying, the limiting reactant for some of this is just the number of animators on the earth who are capable of making this kind of stuff. It's so cool to get a look inside this apparatus through the book.ROBINSON: Thank you.GONZALES: What an apparatus. It's really interesting to me, even now, as we are pending the return of the Russo brothers, who are just able to find this and also find the emotion in it.In Endgame, the Tony Stark “I am Iron Man” moment was the last insert. They had to go to dinner with Robert Downey Jr. and Joel Silver and have Silver be like, “You'd be dumb not to do it, Robert,” because Downey didn't want to go back there. He's a weird dude, but for him, it felt like in order to get to what he needed to do, he had to take off a scab that had formed and get back into the character. Whereas the Russo brothers are like, we built a workout system and we have our smoothies and every day is trying to make the machine work. Somehow, through the alchemy of those two things, the machine works, and occasionally we get these story moments that feel like they were created individually for that movie.That, I think, is the mystery that the book is trying to unravel. At the beginning, it's untapped storytelling potential. Everyone's like, if you don't have the X-Men, if you don't have Spider-Man, what do you have? There's so much in just proving that you have good stories. Now that you're the biggest game in town, that idea of, “Are you going to make me feel anything?” is so much different than what the initial promise was, that they're going to bring Thanos to the screen and you're going to understand who he is and what he wants. That was the big lift. Now there's a whole simultaneous saving of the industry, and bestowing status on different actors. There's just so much more mixed up in it now. It's amazing we got where we did.The book is also a really interesting look at the transition from being a super underdog. As you describe in the earliest chapters of the book, Marvel was bankrupt, and all the executives were folks who fell out of the toy industry or Revlon. The folks who were in charge came to it in the manner of somebody accidentally having to join a carnival, and then eventually it becomes the hegemonic juggernaut of everything, in many ways the thing that people stand against. In the book, watching the perception around it change and then internally having to adapt to that change in perception was a really cool tension.ROBINSON: My favorite indicator of that underdog status versus top-of-the-world status versus wherever we are now is the making of the first Iron Man movie. Marvel Entertainment in New York — who was, to your point, chiefly concerned with merchandising and toys — had the attitude, “Okay, go make your cute little movie. If it doesn't cost us any money, you can go do your little cinematic experiment in Hollywood and we don't really care that much. Just make sure you don't spend any of our money. Other than that, go have fun.”And they make Iron Man, and Iron Man is a massive, smash hit, and all of a sudden the people in New York are like, we're forming something called the Creative Committee. We would like a lot of intake. We want to be part of this. This is the big shiny thing, and everyone wants to weigh in on it. So it's really interesting to track this going from a weird little project they were doing out in Los Angeles to The Thing for Marvel. You can track it by who needs to have an opinion about what and when they start to care.GONZALES: One of my favorite moments — it's after the book chapter “Marvel vs. the Creative Committee” — is when Kevin Feige gets on stage himself to unveil the entirety of phase three, which includes Captain America: Civil War and Avengers: Infinity War and everything. That is such a telling moment for me. He had just won his battles with these behind the scenes. He's fully in full control. Black Panther is coming. Joss Whedon is in the edits for Avengers: Age of Ultron, in the audience, but they already know he's not coming back.There was a version of a chapter in the book that was just me going through that and being like, here's why each one of these announcements is like Kevin Feige spiking a football in the face of someone that told him he couldn't do it. That's still the purest creative energy I've seen. “We could finally do it!” burst out of Marvel. I think they've been more reserved since, even with some big announcements, but I like to go back and look at that just to see the pivot point when Marvel was the underdog. It was like, we want Black Panther, we want Captain Marvel, but the studio won't let us do it. Then Kevin Feige gets up and goes, “Here are the next 10 years of your life.” It's just such a joyous moment.ROBINSON: We love that moment. We talked to people behind the scenes who were working at Marvel at the time about it, and there's a reason that whole presentation wasn't at a Comic-Con. It wasn't at D23. It was its own thing at the El Capitan Theater in Los Angeles, and internally, they jokingly called it Kevin-Con. It was this whole thing, and part of it was that they weren't ready to announce certain things at Comic-Con.But part of it was this moment for Feige who fought various personalities across the various companies to get control of the narrative. And I agree, Endgame is of course in all of history going to be looked at as the pinnacle of achievement at Marvel. But I actually think it might be Kevin-Con at the El Capitan Theater, when Chadwick Boseman comes out and Robert Downey Jr. and Chris Evans are there to anoint him as the future of the franchise. That, of course, comes with its own terrible poignancy. We were really lucky to talk to Chadwick Boseman for the book before he passed away. These were things that happened while we were writing the book. History was constantly happening as we were trying to frame this entire narrative.If there's a protagonist in the book, it feels like it's Kevin, even in the earliest days when he was advising on the Fox products. Having read the book and then seen Deadpool & Wolverine — which, as you mentioned, went on to become a phenomenal financial success — it was really cool to come away with a little more admiration for the role that Kevin had in some of the Fox properties. Seeing that manifest in the MCU was just really nice.ROBINSON: I love that he got to have his Wolverine story, given that it all starts with him in a trailer with Hugh Jackman saying it needs to be bigger, it needs to be bigger, it needs to be bigger. I love that.GONZALES: I don't even know if it's still called that, but Joanna used to call that the “Feige fix-it.” Instead of developing these things by always going forward and introducing younger Avengers, he's actually much more interested in reaching back. There were good things there. Or, I guess the generous way to think about it is rewarding the fans that were around before it was the Marvel Cinematic Universe. Like, “You didn't waste your time with X-Men: The Last Stand. I know it might have felt like that occasionally, but here's this. Or Andrew Garfield. Yeah, maybe we treated him badly, but don't worry. You didn't waste your time with that because boom, here it is paying off in the Marvel Cinematic Universe.”Initially there was some hesitancy about Marvel homework. Do I need to have seen these things to do these things? But ultimately, if we're just talking dollars and cents, the nostalgia play has made them a billion dollars so many times that it doesn't surprise me that Deadpool & Wolverine is a huge hit just by being a swan song for the Fox movies.ROBINSON: I was personally incredibly gratified to finally get Channing Tatum as Gambit. That was a very important moment for me.My favorite version of the Feige fix-it was putting the storyline from Thor: The Dark World into Endgame and making Thor: The Dark World, the most universally mocked and reviled MCU film, an integral part of their biggest triumph. All of a sudden that's wrapped into the larger tapestry in a way so you can't just toss it in the garbage and say, oh, don't bother watching Thor: The Dark World — now you have to watch it to understand everything you're seeing in Endgame, which is certainly not a movie you're ever going to skip.It's a magic trick that really works and almost shouldn't work as well as it does. But even how they were able to get the Infinity Stones, almost taking elements of the first couple films that were dropped or introduced somewhat randomly and then doing that. It's a trick that they keep on pulling.GONZALES: Kevin Feige will say this, but we're coming up on 80 years of comic book history, and if there's one thing that comic books do more than any other medium, it's just use the same story. How could you have another angle on this story? They have so much A/B testing on what we like about this character, or what we'll buy about a certain character, it's interesting to see Marvel adapt that along with what sort of story you like on the Hollywood side of it.But yeah, we're going to see Captain America: Brave New World and finally see that Celestial that came out of the ocean in Eternals. Every Marvel property contributes something, we're told. Except the Inhumans; that never happens.The book is MCU: The Reign of Marvel Studios, and it's a fascinating look at the intersection of the humanity behind these movies and the technology of these movies. And if there's one figure that reminds me of that in particular, obviously, one of the most central people in the Marvel universe is Green Steve. Let's talk a little about him before we wrap this one up.ROBINSON: He's my favorite! Green Steve, a Chippendales dancer that was painted green in order to make sure they understood how the green light on skin would be captured accurately for the Hulk. Green Steve was one of my favorite anecdotes we got, and it was out of the book for a while before we worked it back in. Dave, what do you want to say about Green Steve?GONZALES: I love Green Steve. I love that this bodybuilder from Long Island can technically say he played the Hulk in a sort of way. In theory, because it's a whole CGI character, he might have played the Hulk close to how much Mark Ruffalo played the Hulk in that first movie. I love that story.Pretty early on, we brought in Gavin Edwards, our third author, to help us do a book, since Joanna and I had never done a book before. We were starting to put together the notes and I was like, can we please have a mid-credits scene? Can we just have a chapter in the middle of the notes?ROBINSON: That was Dave.GONZALES: I held onto that for as long as possible. I remember in one of the final meetings after we turned in the draft, we pitched it up to the editor and they were like, “That's really fun,” and I thought, oh thank god. That was a really early idea, and Green Steve fits that perfectly; it's a super interesting story that doesn't really belong anywhere else, but will stick in your mind as, Marvel literally tried everything to make the best Hulk. So I'm very happy that it's the mid-credits chapter — and remains the mid-credits chapter! Even when we added another chapter in, we were like, where does this go? Not before Green Steve.ROBINSON: He's got the final word for sure.Amazing. The book's out of paperback now. Where can folks find it? Where can they find you? And what's next?ROBINSON: “All good and evil news agents.” That's what the Empire Magazine folks say. All good and evil bookstores or any online book purveyor is where you can find our book. Dave does a tremendous podcast called Fighting in the War Room, which I love to listen to, so you should listen to that. And together we do a podcast called Trial by Content that y'all should listen to.GONZALES: Joanna's on a fantastic podcast called the House of R with Mallory Rubin over on The Ringer, where she covers lots of cool pop culture things. If you want to go to a bookstore and don't know exactly which one to go to, you could head to theMCUbook.com. That will forward you to our publisher's website, which has links to your Barnes and Nobles, your Amazons, your Bookshops.org, and will help you track down the book near you. And look for us in a couple more years with something similar.Thanks for coming on.ROBINSON: Thanks, Walt.GONZALES: Thank you.Edited by Susie Stark.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

We sit down with Barbara Sommer Feigin, a trailblazing advertising executive and master storyteller, to discuss her inspiring memoir, My American Dream: A Journey from Fascism to Freedom. Barbara shares her incredible journey as a young German-speaking refugee fleeing Nazi Germany in 1940, growing up in Chehalis, Washington, and her relentless pursuit of the American dream. Barbara's parents instilled in her the belief that education was the key to unlocking opportunities. Despite the challenges, she earned a Bachelor of Arts in political science from Whitman College and completed a graduate business program run jointly by Harvard Business School and Radcliffe Graduate School at a time when women were not admitted to Harvard Business School. Guided by her parents' motto to “dream big, work hard, and never quit,” Barbara broke through the male-dominated advertising industry, becoming a pioneering executive at Grey Advertising (now Grey Global Group). Her visionary thinking and innovative strategies propelled brands like Procter & Gamble, Mars, Kraft Foods, Revlon, 3M, and Ethan Allen to new heights. Recognized as one of the century's Legendary Pioneers by Grey in 2017, Barbara's career serves as a testament to her resilience and ingenuity. Currently living in New York City, Barbara leverages her extensive experience through Feigin Associates, LLC, optimizing companies' strategic direction and governance. She has guided prominent organizations such as JP Morgan Partners, the VF Corporation, Whitman College, and E&J Gallo Winery.

Kristian Nairn joins Mase & Sue to talk about his beautifully written, brutally honest memoir BEYOND THE THRONE, chronicling his colorful life before and throughout his years portraying the beloved character Hodor on HBO's epic series, GAME OF THRONES. They discuss the inspiration for writing the book and how he was cast, his physical challenges and limited dialogue, the backstory he created, the enduring relationships formed, growing up as an outlier in Belfast, and living under civil unrest. Also, how he became one of Ireland's best house DJs, and the story behind Revlon, his drag queen persona. Plus, George Clooney's beef with Quentin Tarantino, Buzzfeed is in the AI business, their hot takes on Minions, Disney live action remakes, THE JOKER, LA LA LAND, THE DEVIL WEARS PRADA, HAMILTON and to binge or not to binge TV shows.

The seventeenth episode of More Than Headlines, your go-to podcast for all things anime is here so get ready to land all the SSS combos!Join hosts Brendan White and Courtney Smith every week as they dive into the latest news, rumors, and must-know updates from the world of anime. Whether you're a seasoned otaku or just getting started, this is your ticket to staying informed and entertained. Don't miss out on the freshest insights and hottest gossip in anime

Olivia Rodrigo and her BF Louis Partridge became office on the red carpet at Venice film festival. Brittney Spears in a legal trouble with Revlon makeup company. Selena Gomez has been wearing a gold band on her ring finger.Make sure to also keep up to date with ALL our podcasts we do below that have new episodes every week:The Thought ShowerLet's Get WeirdCrisis on Infinite Podcasts

Today on the show we're talking about a bona fide beauty icon—Elizabeth Arden, who built the cosmetics empire of the same name beginning in 1910. Now, if you think about that time period, not many women were running a beauty empire, but she was. At the height of her career, she was one of the wealthiest women in the world, but what do we really know about Elizabeth Arden, the woman? Well, first of all, Elizabeth Arden is not her birth name—that would be Florence Nightengale Graham. Elizabeth Arden is largely to thank for establishing makeup as proper and appropriate, and even necessary, as previously makeup was only associated with actresses and prostitutes. Today's guest, Dr. Stacy A. Cordery, has written a brilliant book about this remarkable woman called Becoming Elizabeth Arden: The Woman Behind the Global Beauty Empire, which is out September 3. Buoyed by her genuine belief that “every woman deserves to be beautiful,” as Stacy writes, “her salons empowered women—not just to look their best, but to be their best.” Elizabeth Arden was known for its three simple foundational skincare steps—cleanse, tone, and nourish. It's also known for its red door salons, the Arden look, color harmony, and now, for being an empire. Today on the show, Stacy teaches us about the woman and about the company, which was acquired by Revlon in 2016 for a whopping $870 million. Elizabeth Arden is responsible for fashioning the American woman. She made cosmetics mandatory, if one wanted to be fashionable. Stacy writes that her creative genius still influences fashion and design today, and “From the humblest of origins, pioneering businesswoman Elizabeth Arden grew into a global industry leader." She died in 1966 at 84 years old, but certainly not before leaving her mark. Dr. Stacy A. Cordery is here to tell us all about her. She is a biographer and a professor of history at Iowa State University, and is the author of Alice: Alice Roosevelt Longworth, from White House Princess to Washington Power Broker, Juliette Gordon Low: The Remarkable Founder of the Girl Scouts, and two books about President Theodore Roosevelt. You might have seen her work on NPR, The History Channel, CNN, C-SPAN, and The Smithsonian Channel, and now she's right here, right now. Let's take a listen.   Becoming Elizabeth Arden: The Woman Behind the Global Beauty Empire by Dr. Stacy A. Cordery

Swan Sit is a creator and entrepreneur with 3.7 Million Followers across all platforms. She was previously the Global Head of Digital Marketing at Nike, Revlon and Estee Lauder. Swan is one of the most sought-after marketers and speakers in business and emerging tech. And she is an internationally renowned professional speaker at events alongside world leaders and notable public figures. But what most people don't know is that Swan is the child of immigrants and she has a history of Scarcity Trauma. Swan and I bonded over our shared history of ScarcityTrauma, growing up with limited resources and foregoing joy to further our studies at Ivy league institutions where we met as graduate students. We discussed how being women of color inindustries dominated by men puts women of color at risk for developing High functioning depression. We also discussed ways that women can realistically take care of their mentalhealth, and challenge imposter syndrome so that they can build their own brand. Swan is now a Public Board Director at Edgewell and Novabay, advisor at AF Ventures VC and over a dozen companies, and Co-Founder of Ani Energy with TikTok stars Josh Richards and Bryce Hall. Swan is known for leveraging her unique breadth of experience to advise the companies andleaders of tomorrow. Listen in as we discuss: Coping with Scarcity Trauma. Coping with High Functioning Depression Challenging Imposter Syndrome Coping with Rejection Sensitivity How to use technology to foster and grow community Building Your Own Brand. Immigrant Mental Health How to Ask For Help and SupportFollow Dr. Judith:Instagram: https://instagram.com/drjudithjoseph TikTok: https://www.tiktok.com/@drjudithjoseph Facebook: https://www.facebook.com/drjudithjoseph Website: https://www.drjudithjoseph.com/Sign up for my newsletter here: https://www.drjudithjoseph.com/newsletter-sign-upDisclaimer: You may want to consider your individual mental health needs with a licensed medical professional. This page is not medical advice.

Surreal Makeup is where beauty meets artistry in its most vibrant form. For over 14 years, they have been handcrafting small-batch mineral makeup that's not only bold and breathtaking but also hypoallergenic, designed with your skin's health in mind. Their mission is simple: to empower you with makeup that lets you express your true self—bold, fearless, and utterly surreal. Explore our collection and discover a world of color that's as unique as you are. Web: https://www.surrealmakeup.com ► Luxury Women Handbag Discounts: https://www.theofficialathena.... ► Review Us: https://itunes.apple.com/us/po... ► Subscribe: http://www.youtube.com/c/AshSa... ► Instagram: https://www.instagram.com/1lov... ► Facebook: https://www.facebook.com/ashsa... ► Twitter: https://twitter.com/1loveAsh ► Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ash-said-it-show--1213325/support.

In this episode of Skincare Anarchy, we have another Fragrance Friday! We welcome Greg Black, CEO of Clean Beauty Collective, to discuss the brand's innovative approach to fragrance. Known for its minimalist and transparent ethos, Clean Beauty Collective has become a standout in the beauty industry, offering scents that emphasize simplicity and sustainability. Greg shares his journey into the fragrance world, from his early days at Revlon and Coty to his current role leading the clean fragrance movement. Clean Beauty Collective sets itself apart by prioritizing fragrances that are designed to be worn for oneself. Their scents evoke a feeling of freshness and comfort without overpowering the senses. The brand offers two main collections: Clean Classic, inspired by the simplicity of soap, and Clean Reserve, which incorporates sustainable raw materials. This commitment to eco-consciousness and transparency is reflected in their use of recyclable packaging and sustainable ingredient sourcing. Greg defines "clean" with three core pillars: simple, trusted, and conscious. Clean Beauty Collective's minimalist approach ensures that products contain only necessary ingredients. The brand builds trust with consumers through transparency, listing all fragrance ingredients on their website. Their conscious practices include solar-powered manufacturing and sustainable packaging. To learn more about Clean Beauty Collective and explore their range of products, visit their website and social media. Don't forget to subscribe to Skincare Anarchy on Apple Podcasts, Spotify, or your preferred platform for more insightful discussions. Reach out to us through email with any questions. Hosted on Acast. See acast.com/privacy for more information.

durée : 02:00:29 - Les Matins d'été - par : Julie Gacon - .

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Model, content creator and podcaster Cynthia Taylu has graced the runways and worked with Gucci, YSL, and MAC. Her career takes her to the front row of Fashion Week and within the pages of glossy mags.  Today, she reveals her off-duty beauty routine, sharing a hack for using skincare as makeup, the best products for achieving the perfect 'sunset blush,' and insider tips for matching your makeup to your outfit. LINKS TO EVERYTHING MENTIONED:  EMMA LEWISHAM Skin Reset Serum $140 Sunday Riley Good Genes Lactic Acid Treatment $199 Yves Saint Laurent All Hours Foundation $100 Lancome Teint Idole Ultra Wear $71 Revlon Colorstay Limitless Matte Lipstick $29.95 Laura Mercier Real Flawless Concealer $55 MECCA MAX Off Duty Serum Skin Tint $32 NUDESTIX Nudies Bloom All Over Dewy Color Blush Crimson Lover $60 NUDESTIX Nudies Bloom All Over Dewy Color Blush Poppy Girl $60 Yves Saint Laurent Lash Clash Mascara $65 Anastasia Beverly Hills Brow Powder Duo $41 MAC SQUIRT PLUMPING GLOSS STICK $40 M·A·C Cosmetics Lip Pencil $38 FENTY BEAUTY Gloss Bomb Universal Lip Luminizer $36 Weleda Skin Food $39.95 SUBSCRIBE:  Subscribe to Mamamia Sign up for our free You Beauty weekly newsletter for our product recommendations, exclusive beauty news, reviews, articles, deals and much more! Want to try our new exercise app? Click here to start a seven-day free trial of MOVE by Mamamia  GET IN TOUCH: Got a beauty question you want answered? Email us at youbeauty@mamamia.com.au or send us a voice message, and one of our Podcast Producers will come back to you ASAP. Join our You Beauty Facebook Group here. You Beauty is a podcast by Mamamia. Listen to more Mamamia podcasts here. CREDITS: Host: Lucy Neville Guest: Cynthia Taylu Producer: Cassie Merritt Audio Producer: Lu Hill Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

TIMESTAMPS00:00 Introduction and Overview of Chartis Group01:21 Understanding Hospital at Home04:10 Challenges in Changing Clinicians' Mindsets05:34 Positioning Hospital at Home as a Distinct Care Model08:23 Staffing Considerations for Hospital at Home Programs11:09 The Continuum of Hospital at Home Programs15:54 The Potential Size of the Hospital at Home Market19:41 The Future of Hospital at Home and Changing Care Delivery Models25:31 The Role of Reimbursements in Hospital at Home28:55 The Path to a Fully Scaled Hospital at Home Program30:21 The Hopeful Future of Healthcare35:05 Shifting Healthcare Delivery from Reactive to Proactive40:01 The Role of Consumers and AI in HealthcareABOUT TOMTom Kiesau serves as the firm's Chief Innovation Officer and co-leads the Digital & Technology Transformation Line of Business. Prior to assuming leadership of Digital & Technology Transformation, he led the firm's Strategy practice. He specializes in the areas of: digital transformation, enterprise strategic planning, clinical partnership development, next-generation service line growth strategy, and economic alignment. Tom has also participated in the development of corporate strategy and product development strategy for multiple integrated business process and technology firms that serve the healthcare industry. Before joining Chartis, Tom was a Vice President with Apollo Health Street, a healthcare operations and information technology consulting & outsourcing firm, and Alta Resources, a brand-focused customer relationship management (CRM) solution provider. In his leadership role at Alta, he led the development of customer-centric, multi-modal integrated engagement hubs and consumer experiences for some of the world's most prestigious brands, including Disney, Revlon, UnitedHealth Group, FedEx, S.C. Johnson, Eli Lilly, Johnson & Johnson, and Novartis. Prior to those roles he worked at a leading healthcare revenue cycle management consulting firm, where he served as an Engagement Manager and Methodology Service Line Leader for the Patient Access Practice. Tom graduated with high honors from the University of Chicago Booth School of Business with a Master of Business Administration concentrating in finance, economics, and strategy. He also holds a Bachelor of Business Administration in information systems analysis and design as well as operations management from the University of Wisconsin, where he graduated with distinction. Learn more about the Chartis: https://www.chartis.com/Linkedin: https://www.linkedin.com/in/tomkiesau/ ABOUT KERRYKerry Perez hosts the Elevate Care Podcast, dedicated to driving innovation in workforce technology, total talent management, and workforce staffing needs.As the Vice President, Enterprise Strategy at AMN Healthcare, Kerry Perez leads the design and implementation of enterprise strategies to fuel growth and achieve market leadership.With over 15 years of experience in various healthcare roles at AMN, including recruitment, marketing, innovation, strategy, and mergers and acquisitions, Kerry established AMN's Diligence and Integration Management Office in her previous role. There, she oversaw the strategic and functional integration of new acquisitions to enhance value.Guided by principles of customer obsession, ambitious thinking, and tangible results, Kerry's personal and professional mantra is "Be a Somebody who Makes Everybody Feel Like a Somebody." Committed to mentoring emerging leaders and building high-performing teams, Kerry holds Bachelor of Arts degrees in Business Economics and Communication from the University of California, Santa Barbara.ABOUT THE SHOWElevate Care delves into the latest trends, thinking, and best practices shaping the landscape of healthcare. From total talent management to solutions and strategies to expand the reach of care, we discuss methods to enable high quality, flexible workforce and care delivery. We will discuss the latest advancements in technology, the impact of emerging models and settings, physical and virtual, and address strategies to identify and obtain an optimal workforce mix. Tune in to gain valuable insights from thought leaders focused on improving healthcare quality, workforce well-being, and patient outcomes.Learn more about the show: https://www.amnhealthcare.com/campaign/elevate-care-podcast/ FIND US ONWebsite – https://www.amnhealthcare.com/podcast/elevate-care-podcast/YouTube – https://www.youtube.com/@ElevateCarePodcastSpotify – https://open.spotify.com/show/5R2oWLZXYfjtPGW7o5KpuoApple – https://podcasts.apple.com/us/podcast/elevate-care/id1710406359Instagram – https://www.instagram.com/amnhealthcare/LinkedIn – https://www.linkedin.com/company/amn-healthcare/X – https://twitter.com/amnhealthcare/Facebook – https://www.facebook.com/amnhealthcare/ Powered by AMN Healthcare

Hey everyone, it's Jennifer! In this episode, I'm sharing the importance of taking time to relax and enjoy summer, even in this crazy heat. I'll dive into some natural, easy summer makeup tips to beat the heat for those of us over 40—featuring products from Ilia and Aleph Beauty and even great drugstore finds from Maybelline, Revlon and L.A Girl Cosmetics. I'll emphasize the importance of sunscreen and offer practical makeup tips for hot, humid conditions. Plus, I'll let you know about my new FREE skincare guide, 'The Skin Reset,' which aims to simplify YOUR skincare  routine and improve your skin health!  THE LINK FOR THE FREE GUIDE AND ALL OF THE PRODUCT LINKS ARE BELOW! ALSO - There is a video on my YouTube channel that goes with this episode! Head on over there and you will see me applying the products that I talk about here. Be sure to subscribe for more videos. Thanks for tuning in! Time Stamps 00:00 Introduction and Summer Vibes 00:39 Burnout and Community Support 01:43 YouTube Channel and Content 03:47 Natural Summer Makeup Tips 05:50 Eye Masks and Morning Routine 07:21 Makeup Primers and SPF 17:22 Bronzer and Contouring Tips 23:41 Lip Liners and Lipsticks 26:49 Skincare Guide Announcement 28:33 Conclusion   Product Links (These are from my Amazon Store. I make a SMALL commission. Thanks for your support!) - Grace and Stella Eye Masks -  https://amzn.to/3z22loc - Ilia True Radiant Firming Serum Primer - https://amzn.to/3VCQvtS - Ilia Super Serum Skin Tint SPF 40-   https://amzn.to/3xbXgcy Maybelline Express Brow-  https://amzn.to/3Xfj0Pa - Aleph Universal Translucent Powder - find them online at their website (Alephbeauty.com) NOT AFFILIATED - Trish McEvoy Matte Med. Bronzer- https://amzn.to/45y6rkt Revlon Blot Loose Powder https://amzn.to/3RmY2Ks Revlon Colorstay Blurring Powder  https://amzn.to/45kHMiS - LA Girl Perfect Precision Lip Liners - (This is a Huge pack of them at great savings!) -  https://amzn.to/4ecIpiF - Makeup by Mario Ultra Suede in Brielle - I got mine at Sephora   ALL THE THINGS

Thousands of Black Women file Lawsuits claiming Hair Relaxers gave them Cancer; Black Lawmakers Reintroduce The CROWN Act to Ban Hair Discrimination - TheAHNShow with Historian & National Political Commentator Michael Imhotep 6-2-24   Thousands of African American Women have filed Lawsuits against hair relaxer companies after the U.S. National Institutes of Health (NIH) study found an association, though not a causal link, between frequent use of chemical hair relaxers and uterine cancer. Hair straighteners such as L'Oreal's Dark & Lovely and Revlon's Creme of Nature are marketed overwhelmingly to women of color, according to the lawsuits.   REGISTER: Class #1 Sun. 6-30-24, 4pm EST, ‘Black Resistance: Haitian Revolution, US Civil War, Civil Rights Movement, Black Power 1800 – 1968, 10 Wk Online https://TheAfricanHistoryNetwork.com/ 

One of the most influential editors of her generation, Linda Wells transformed how we view the world of beauty and wellness. After decades at Allure magazine as its founding editor, she went on to launch a new label at Revlon, and she is now the editor of Air Mail Look, a beauty spin-off from the popular newsletter start-up from Graydon Carter. On this episode, Dan speaks with the enterprising journalist on her days as an assistant at Vogue, how she faced criticism and mansplaining when launching Allure, her thoughts about Ozempic, and much more. Hosted on Acast. See acast.com/privacy for more information.

Fire and Ice by Revlon (1994) + Jennie Livingston's Paris is Burning (1990) with Salomé 5/15/24 S6E35 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Check out the latest buzz in the K Beauty space. We're dishing on the best new releases and timeless favourites.  Plus, a roundup of the best cream eyeshadows under $30! And, Kee's got a new curl cream obsession that's budget-friendly and knocked her boujee fave off its pedestal! LINKS TO EVERYTHING MENTIONED:  Dr. Jart+ Dermask Water Jet Vital Hydra Solution $15 Innis Free Green Tea Seed Hyaluronic Serum $45 Glow RecipeWatermelon Glow Niacinamide Dew Drops $60 COSRX Advanced Snail 96 Mucin Power Essence $38 Cicapair Tiger Grass Color Correcting Treatment $48 Laneige Bouncy & Firm Sleeping Mask $55 Laneige Lip Sleeping Mask $31 Laneige Lip Glowy Balm $20 Laneige Water Bank Blue Hyaluronic Cream $60 Sulwhasoo Concentrated Renewing Cream Classic $200 Chi Chi Metallic Foil Eyeshadow $13 Flower Water Color Eye Tint Blush Wash $9.99 Trinny London Eye2Eye $34 Revlon Colorstay Crème Eye Shadow Caramel $17 Revolution Mousse Shadow Lilac $10 NYX Professional Makeup Jumbo Highlight Stick $15 MECCA MAX Zoom Shadow Stick $20 SEPHORA COLLECTION Colorful Magnetic Eyeshadow $16 NUDESTIX Mini Nude Metallic Berry 3pc Eye Kit $51 SEPHORA COLLECTION Colorful Magnetic Eyeshadow $16 Morphe 9R Bronze Metal Artistry Palette $21 MECCA MAX Mini Mix Eyeshadow Palette $22 MECCA MAX Single Shadow $10 M.A.C Cosmetics Extra Dimension Eye Shadow $41 NUXE Huile Prodigieuse $52 SUMA NURICA Collagen Essence Hydrating Face Mask $189 MOROCCANOIL Curl Defining Cream $57 BOUJEE:  NUXE Super Serum 10 The Universal Age-Defying Concentrate $132 Medik8 Ultimate Recovery Bio-Cellulose Mask 6 Masks $139 BUDGET:  KMS CURL UP TWISTING STYLE BALM $33.95 Duoderm Dressing $8 SUBSCRIBE:  Subscribe to Mamamia Sign up for our free You Beauty weekly newsletter for our product recommendations, exclusive beauty news, reviews, articles, deals and much more! Want to try our new exercise app? Click here to start a seven-day free trial of MOVE by Mamamia  GET IN TOUCH: Got a beauty question you want answered? Email us at youbeauty@mamamia.com.au or send us a voice message, and one of our Podcast Producers will come back to you ASAP. Join our You Beauty Facebook Group here. You Beauty is a podcast by Mamamia. Listen to more Mamamia podcasts here. CREDITS: Hosts: Kee Reece & Lucy Neville Producer: Cassie Merritt Audio Producer: Lu Hill Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Since launching in 2018, Westman Atelier has become one of the most covetable brands in luxury beauty. From the $68 foundation sticks that introduced the brand to the market to newer launches like the Lip Suede Matte Lipstick ($50) and, most recently, the Suprême C serum ($325), the brand's products are the kind that people like to show off on their vanities or pull out of their handbags. The Suprême C serum is its second skin care product — the brand will be leaning more heavily into the category in the months ahead, with plans to grow it to 10% of its business in the next year. Westman Atelier was founded by husband-and-wife Gucci Westman, the celebrity makeup artist, and David Neville, co-founder of Rag & Bone. Before founding the brand, Westman had stints as Lancôme's international artistic director and Revlon's global artistic director. She is known for her clean, you-but-better aesthetic and has worked with actors including Nicole Kidman, Anne Hathaway and Jennifer Aniston. On this week's episode of the Glossy Beauty Podcast, Westman and Neville come together to discuss the start of their careers, the brand's first true lipstick and new serum, and the reason Westman has remained the brand's most powerful marketing tool. 

Kim Alexis, the original supermodel, has been featured on over 500 magazine covers and she's on the show today to tell us her secrets for aging gracefully. Kim isn't just a pretty face, she's written 11 books on leading a healthy lifestyle, and she's sharing her message about staying healthy by having the confidence to live, eat, and age the way you want to while avoiding harmful chemicals. Kim's journey from supermodel to wellness advocate truly inspired me and she's sure to inspire you too. This episode is packed with great info you won't want to miss! Oh, and you won't believe what she told me during rapid fire questions about her craziest on-set moments and why she turned down a date with J.F.K. Jr.!  In this episode: Secrets to aging gracefully Kim Alexis' favorite anti-aging foods  Kim Alexis's fitness regimen How to pose for pictures like a supermodel How to avoid chemicals in the products you consume Why Kim Alexis turned down a date with J.F.K. Jr.   Kim Alexis, a prominent figure in the modeling world during the 1980s, was catapulted to "supermodel" status after being discovered at the age of 17 by a Buffalo agency. Transitioning to New York City, she garnered significant attention from the fashion and beauty industries, becoming renowned for her beauty, with over 500 magazine covers to her credit, including Vogue, Harper's Bazaar, Cosmopolitan, and Glamour, where she set a cover record. Notably, she replaced Lauren Hutton as the face of Revlon's Ultima II line in 1983, solidifying her status as one of America's most recognizable faces. Alongside her modeling career, Kim ventured into broadcasting as the fashion editor for Good Morning America and hosted various TV shows, such as "Your Mind and Body," "Healthy Kids," and "Ticket to Adventure." She also appeared in the film "Holy Man" and had a memorable guest spot on the sitcom "Cheers." Kim's versatility extended to writing, with several books and eBooks to her name, including "A Model for a Better Future" and "Beauty to Die For." Recognized for her dedication to health and fitness, she has participated in numerous marathons and served as a spokesperson for health-related causes. Despite the pressures of the industry, Kim remained steadfast in her values, advocating for a healthy and spiritually connected lifestyle. Today, she continues to inspire women to excel in all aspects of life while raising her three sons. This is my favorite quote from the episode: "I'm trying to stay as natural as God put me on this earth and stay away from things that are going to mess me up." - Kim Alexis   Resources Kim Alexis Mentioned: Environmental Working Group Think Dirty  Yuka   Do you want to hear your voice on the show? Call me and leave me a voicemail at 404-913-6460 and let me know why you love who you are!    Make sure to subscribe!  New episodes of The Kim Gravel Show drop every Wednesday at 6pm EST.  Join my Love Who You Are movement at https://lwya.com   Connect with Kim Alexis: Website Instagram Twitter/X YouTube LinkedIn Book: Cheat Eat Wealth of Health Series Amazon Kindle Connect with Me: YouTube Facebook Instagram TikTok                                          Website   Support our show by supporting our Sponsors: HAPPY MAMMOTH is a forward-thinking, all natural wellness brand that specializes in creating natural health solutions aimed at promoting total-body health and vitality, with a strong focus on gut health and hormonal balance. Go to https://store.happymammoth.com and use code KIM for 15% off your first order. Hurry, this deal is only available for a limited time. ZOCDOC is a FREE app and website where you can search and compare highly-rated, in-network doctors near you AND instantly book appointments with them online. Go to https://www.zocdoc.com/Kim and download the ZocDoc app for FREE. Then Find and book a top-rated doctor today. Learn more about your ad choices. Visit megaphone.fm/adchoices

About Jaclyn Strominger My brief story, since graduating college, I have always found and been successful my corporate careers. However, something was always nagging at me, I was not really being fulfilled. I found my passion for helping others transform when I stared coaching and training team members. Further, when I began coaching other entrepreneurs to help them grow their business, I truly found my calling. At the core, Leap to your Success focuses on the LEAP Foundation; Leveraging Communication, Energy, Action and Performance. Thought process we complete action plans that include mindset exercises that truly transform individuals and businesses. I have had many incredible interviews and most podcasters are intrigued with our focus on vision, core values, mindset and accountability that leads businesses and individuals to act and grow into their vision! http://leaptoyoursuccess.com/ https://www.facebook.com/JaclynStrominger/ https://www.linkedin.com/in/jstrominger/ ------------------------------------------------------ Collabpalooza Solopreneur Automation Summit https://collabpalooza.com When It Worked Podcast https://getoffthedamnphone.com/podcast 00:00:00 When It Worked  Podcast Welcomes Jacqueline Strominger 00:00:21 Queue Up Questions, Poll Audience 00:01:30 Vessels Canoe, Kayak, Ski Boat, Surfboard 00:03:23 Covergirl, Revlon, Cockapoo, Liberty Bell, National Treasure 00:05:43 Black Sandwich With Bacon Lettuce Tomato And Anchovies 00:06:56 Kathy Comic Strip Reveals Baby Girl Reveal 00:09:27 Burn Lifeline, Lock In Sweden 00:09:57 Spanish Naming Conventions For Artists 00:10:57 Cinephile Devoted, Knowledgeable Fan Of Movies 00:12:35 Jacklyn, Daffy Duck, Elma, Rabbit 00:13:47 Porky Pig Vs Rabbit 00:15:50 Forest Whitaker Won Oscar For Portraying Dictator In Rwanda 00:16:42 Zimbabwe, Rwanda, Congo Dictators 00:18:06 Ocampos Dramas, Jacqueline Stromanger Praises 00:18:35 Leap To Success Why It Started 00:20:13 Rebooting, Defining Mission, And Gaining Momentum 00:21:52 Get Unstuck, Take Big Leap 00:25:54 Mission Statements Drive Business Success 00:27:45 Step By Step Guide For Jump Starts 00:28:11 Unpack And Move Clients Forward 00:29:18 Top 10 Core Values For Success 00:31:07 Chat

YEP! Adam won again last week. So this week we've brought in Mike McGinnis to see if he can be the one to take him down. Join in, play along, and see who will be coming back next week! CARD 1 CLUE: Can I Borrow a Dollar? CATEGORY: Billionaires ANSWERS: Gates, Buffett, Bloomberg, Zuckerberg, Allen, Murdoch, Bezos CARD 2 CLUE: The Beatles Are Talking About It CATEGORY: Things Associated with a Revolution ANSWERS: War, American, French, Overthrow, Rotate, Sunrise, Unrest CARD 3 CLUE: Clown College? CATEGORY: Makeup Companies ANSWERS: Cover Girl, Revlon, Maybelline, L'Oréal, Lancôme, Almay, Estée Lauder CARD 4 CLUE: Waaahhhhh CATEGORY: Things Associated With a Baby ANSWERS: Diapers, Bib, Rattle, Baby Powder, Car Seat, Cradle, Stroller CARD 5 CLUE: You Want a Piece of Me? CATEGORY: Things Associated with Cheesecake ANSWERS: Dessert, New York, Factory, Oreo, Creamy, Sugar, Baked CARD 6 CLUE: Woah There CATEGORY: Things Used with a Horse ANSWERS: Saddle, Reins, Stirrups, Crop, Lasso, Riding Boots, Cowboy Hat

No ‘Visions of Loveliness'—Picture it: It's 1991. You're sitting at your desk at The New York Times, when you get a call from the office of Condé Nast's Alexander Liberman. Alex wants to meet you for lunch at La Grenouille to discuss an opportunity: Si Newhouse has decided to launch the first-ever beauty magazine, and he thinks you're just the woman to make it happen. You're 31 years old. The canvas is blank. The budget is endless. What's your move, Linda Wells? For the women's magazine editors of today, struggling to keep the lights on by juggling Instagram, TikTok, marketing events, digital content, and whatever remains of their print product, this is a tale so far-fetched it feels like the stuff of an early aughts rom-com. But millennial editors' wildest ideas about the “Town Car Era” of magazine-making were just another day at the office for Linda Wells. Linda led Allure for 25 years, becoming a front-row fixture at Fashion Week—while also pioneering the cottage industry of backstage beauty coverage—and enlisting writers like Arthur Miller, Isabel Allende, Betty Friedan, and John Updike to write about … beauty. In 2018, she pivoted, restyling herself as a beauty entrepreneur, launching with Revlon a makeup range she called Flesh. Now she's back in the land of editorial, having a bunch of fun at the helm of the beauty vertical of Graydon Carter's Air Mail, commissioning articles on everything from psychedelics to orgasm coaches. We knew Linda Wells would be delightful, and yet she exceeded our expectations. We know you'll love her too.—This episode, a collaboration with The Spread, is made possible by our friends at Mountain Gazette, Commercial Type, and Lane Press. Print Is Dead (Long Live Print!) is a production of Magazeum & MO.D ©2021–2024

Delta Goodrem is on the show today, and she's letting us go through her entire makeup bag.  From her coveted technique for achieving instantly bronzed legs to her go-to all-in-one glow enhancer (that she puts everywhere), we're diving deep into her beauty routine. Plus, Delta's journey with beauty, music and the valuable insights she's learnt from her two decades in the industry. LINKS TO EVERYTHING MENTIONED:  ELEFFECT The Tint $44.95 Revlon Illuminance Skin-Caring Foundation $42.95 Revlon ColorStay Flex Wear Full Coverage Concealer $26.95 Charlotte Tilbury Beautiful Skin Sun-Kissed Glow Bronzer $84 Charlotte Tilbury Beauty Light Wand $60 Revlon Skinlights Face Glow Illuminator Sunrise Luster $27.95 Elizabeth Arden Eight Hour Cream Skin Protectant Original $33 Ella Bache EYE AND LIP CLEANSER $50 REVLON ColorStay Micro Easy Precision Liquid Liner $29.95 Amy Jean Micro Stroke Pencil $42 Amy Jean Brow Velvet Duo $50 Revlon Super Lustrous Luscious Mattes Lipstick Untold Stories $23.99 Augustinus Bader The Rich Cream $437 SUBSCRIBE:  Subscribe to Mamamia Sign up for our free You Beauty weekly newsletter for our product recommendations, exclusive beauty news, reviews, articles, deals and much more! Want to try our new exercise app? Click here to start a seven-day free trial of MOVE by Mamamia  GET IN TOUCH:Got a beauty question you want answered?  Email us at youbeauty@mamamia.com.au or call the podphone on 02 8999 9386.  Join our You Beauty Facebook Group here. You Beauty is a podcast by Mamamia. Listen to more Mamamia podcasts here. CREDITS: Host: Lucy Neville Guest: Delta Goodrem Producer: Cassie Merritt Audio Producer: Leah Porges Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

"You may lose a job you love, you may have someone betray you... this will not define you." In this episode, WomenHeard: Changemakers host Georgia Galanoudis speaks with Kristi VandenBosch, President at OLIVER Agency. Formerly the CEO of Publicis, Chief Digital Officer of MXM (now Accenture Song) and Senior Vice President at Revlon, Kristi's leadership in communications has given her a wealth of expertise - not just in industry knowledge but in cultivating her values. After speaking at a conference, she was offered a beer and a job - and this began her new journey at OLIVER agency. Holding emotional space for clients is one of her superpowers - establishing quality connections no matter how far up the ladder you may be. Listen to this episode for inspiring details on moving business goals forward and embracing "change moments".  Please note that this episode includes explicit language and themes.

About Brooke After working in corporate for over twenty years, helping big businesses like Revlon, Hilton and Discovery scale their operations, become more efficient and launch new products, I saw too many women juggling too much at home, taking on too much at work and burning themselves out in the process.  I finally realized, we shouldn't be working to break the glass ceiling, but launch and grow our own businesses where the ceiling is limitless!I take what I learned growing businesses in my corporate job and apply it to help women launch and grow their own businesses, while ensuring they are prioritizing their health and wellness and living their most authentic, fulfilled life.  Brooke and I talk about how we often outsource our identity to our jobs and our roles as mothers, wives etc. When we think about rediscovering ourselves and the things that make us happy and fulfilled we often see the need for change in our lives. And change is so scary. And it is especially scary when we don't know exactly what we want, but we know that there has to be something better than this. When we move from a known in our life (like a job, a marriage, a location etc), to an unknown is hard! And to go from our known to a the unknown, we have to go through the messy middle. The messy middle is the space of self discovery where we are trying new things, learning a lot and embracing risk. It is scary and uncomfortable, but oh so worth it. If you want your life to change, you need to be brave enough to enter the messy middle. Brooke and I discuss how we can do that with as much grace and joy as possible. Find Brooke Here: https://brookek.com/#hero https://www.thisisusrising.com/ https://podcasts.apple.com/us/podcast/embracing-the-messy-middle/id1712495960 Find Me Here! https://linktr.ee/momonthevergepodcast

Subscribe and LISTEN to the FULL episode“You can't believe everything you think”   When Wendy McWilliams was 49 years old, she felt like she needed a hobby. What started as a search for a simple past-time hobby, quickly evolved into her life's passion - a thriving art career her work sought after for private collections around the globe. After working through 22 different jobs including for Calvin Klein & Revlon in Europe, she finally landed on what she was meant to do in life - painting. It's hard to not be skeptical about ourselves and our abilities. Art allows us to channel a source of energy, of inspiration, and opens us to become a vehicle for creativity to create beauty through our hands. We are meant to create, to allow creativity to flow through us. Our job is to remain open and to make sure we do not believe everything we think - especially when it comes to limiting beliefs. “You hate your own creations because you think they look too much like you made them. You think if you keep trying you can make your work look like some other, better person made it. But there is no level of skill where you transcend yourself. The thing you hate about your art, is the most valuable thing about it”  (paraphrased from Elicia Donze) In this encore presentation, the episode revisits Wendy McWilliams' inspiring journey, originally featured in Season One. Wendy, who started seeking a simple hobby at the age of 49, eventually discovered her life's passion in painting. Despite going through 22 different jobs, including roles at Calvin Klein and Revlon in Europe, Wendy found fulfillment and success as an artist with her work sought after for private collections worldwide. The central message of the episode is encapsulated in the phrase "You can't believe everything you think," emphasizing the importance of overcoming limiting beliefs.EPISODE NOTES:Wendy McWilliams, a guest from Season One, is reintroduced in this encore presentation.Wendy's journey began as a search for a hobby at the age of 49, ultimately leading to a thriving art career.Despite navigating through 22 different jobs, Wendy found her true calling in painting.The episode highlights the skepticism we often harbor about our abilities and the role of art in channeling creativity and inspiration.The quote "You can't believe everything you think" serves as a guiding principle, encouraging listeners to challenge their limiting beliefs.Wendy's story reinforces the idea that we are meant to create and be open to the flow of creativity.The episode emphasizes the importance of remaining open, having fun, and being curious in one's journey.Wendy's transformative experience occurred when she allowed herself to be guided by what would be fun and enjoyable.The episode underscores the power of letting go of self-imposed limitations and allowing enjoyment to guide one's path.Wendy's journey is described as a powerful reminder of the significance of remaining open and lighthearted in pursuing one's passion.

Nail polish dates all the way back to Babylonian times starting in Egypt, then making it's way to China and India. It didn't make it's way to Europe and the United States until the 1800's. Throughout history it was used as an identifier of wealth, royalty, and the upper class. Often times, certain colors depicted which class of people you were.    The first nail salon opened in Paris in the late 19th century. Mrs. Mary E. Cobb was from America, but visiting France when she learned the art of manicuring. She made edits to their process when she came back to New York and turned manicuring into a full-on business. She branced out across the nation and added other services like hairdressing and skincare to her salons.    She took the nail industry to new heights with her innovative techniques and products. Her and her ex-husband invented the emery board and red and pink nail polishes. They had the market cornered. Mary became one of the most successful businesswomen in the world.    Get your Homance apparel: nicolebonneville.etsy.com Follow us on IG: @homance_chronicles Connect with us: linktr.ee/homance Send us a Hoe of History request: homancepodcast@gmail.com

"I don't know anybody who had what I had," observes Maureen Lippe, founder and CEO of Lippe Taylor. "After losing him, I knew I was a business owner, I was a mom, but that other side of [...] my life was completely gone." When her beloved husband passed unexpectedly at the onset of the Covid epidemic, Lippe's life was shattered. In the years that followed she committed herself to her friends, her family, her business, and – most importantly – her own recovery. The result? Her groundbreaking new book, Radical Reinvention: Reimagine, Reset, Reinvent in a Disruptive World. In this heartwarming conversation with CoveyClub founder Lesley Jane Seymour, Lippe shares how she navigated a tragic loss and recovered her passion for life. Listen in for a compelling preview of her book and her best advice for embracing life after a devastating loss. Free gift! Grab our new ebook, 5 Days to More Time for You! We've packed it full of our favorite time management hacks to help you conquer your to-do list and create more time for the things that matter most. Maureen Lippe is founder and chairwoman of Lippe Taylor. Over the course of 30 years Lippe has provided brand-building counsel to leading companies including Procter & Gamble, Johnson & Johnson, Revlon, Elizabeth Arden, Intel, and more. She began her career as a fashion editor at Vogue magazine and then served as beauty and health editor at Harper's Bazaar.  Connect with Lesley Jane Seymour & CoveyClub: Website Instagram LinkedIn Join CoveyClub

Adam and Drew open up the show with Dr. Drew exceptionally fired up about the situation with Ben Stiller needing to have his prostate out due to cancer and the ridiculous reaction that Drew believes Stiller has been getting on social media with dangerous medical advice. The conversation then turns back to the conditions in California and the distaste that both Adam & Drew have with the apparent direction in which politicians seem to want to take things using charter schools as an example. Adam and Drew review a commercial for the 1970s perfume 'Charlie by Revlon'. The guys also discuss Adam's son's disinterest in organized sports and Adam's frustration with that and his fear that it will mean he's missing some of the grit that Adam and Drew so adore.

Brooke and Danielle are back and recapping their recent travels!  Danielle starts off with a recap of her experience at Stagecoach, the country music festival.  She shares some WILD things that the stagecoach six got into while at the festival.  Brooke talks about what she got into during her time in Naples, FL.  The gals recap their trip to Miami with Revlon!  And Danielle talks about her time in South Carolina at her brother's college graduation.  The gals also discuss their experiences + thoughts on brand trips.  Don't forget to tag @galsonthegopodcast @Daniellecarolan and @brookemiccio in your listening selfies and stories on Instagram! SHOP GOTG MERCH! *BLOCKED COLLECTION OUT NOW* https://fanjoy.co/collections/gals-on-the-go Shop the GOTG x Brooklinen COLLAB! https://brooklinen.pxf.io/LXaB7L GOTG YouTube Channel (watch full episodes with video!)  https://www.youtube.com/channel/UCkCy3xcN257Hb_VWWU5C5vA Gals On The Go Instagram https://www.instagram.com/galsonthegopodcast/ Brooke's Youtube Channel https://www.youtube.com/brookemiccio Brooke's Instagram https://www.instagram.com/brookemiccio/ Danielle's Youtube Channel https://www.youtube.com/c/daniellecarolan    Danielle's Instagram https://www.instagram.com/daniellecarolan/    GOTG jams playlist https://open.spotify.com/playlist/1vQ4FvPya39ff8SOGK9Dg9?si=87f7bd7fbc4445fd Business Inquires Can Be Sent to: GalsOnTheGoPodcastTeam@unitedtalent.com Please support the show by checking out our sponsors! Honeylove: Treat yourself to the best shapewear on the market and save 20% Off at honeylove.com with the code GALS20 BetterHelp: This episode is sponsored by BetterHelp. Visit BetterHelp.com/GALS today to get 10% off your first month. Nutrafol: For a limited time, Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to Nutrafol.com and enter the promo code GALS Virtual Book Tour: Listen to Virtual Book Tour now on Spotify and Apple Podcasts.