Podcasts about adroit journal

Slushies, this episode finds Kathy, Lisa and Jason gearing up for AWP, and it's the last one with Divina at the table (we'll miss her contributions!). Three poems by Luiza Flynn-Goodlet get close reading by the team. Lisa admits to feeling initially resistant to the Ars Poetica form with the first poem, but admits to being won over and others agree. Jason connects the meditation on death in this poem and its personification of death to Anthony Hecht's Flight Among the Tombs: Poems. The delightful ways in which the first and third poems are in conversation with each other rounds out a layered discussion. (Not to be missed – Jason attempting some Gen Z slang with his farewell!)   At the table: Kathleen Volk Miller, Samantha Neugebauer, Lisa Zerkle, Jason Schneiderman, Divina Boko, Lillie Volpe (sound engineer) Luiza Flynn-Goodlett is the author of Mud in Our Mouths (forthcoming from Northwestern University Press) and Look Alive (winner of the 2019 Cowles Poetry Book Prize from Southeast Missouri State University Press), along with numerous chapbooks, most recently Familiar (Madhouse Press, 2024) and The Undead (winner of Sixth Finch Books' 2020 Chapbook Contest). Her poetry can be found in Fugue, Poetry Northwest, Third Coast, and elsewhere. She serves as a Poetry Editor for the Whiting Award–winning LGBTQIA2S+ literary journal and press Foglifter. Her critical work has appeared in Cleaver, Pleiades, The Adroit Journal, and other venues. Bluesky: luizagurley.bsky.social, Website

The queens dish this year's AWP Conference!Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series.James's ROMANTIC COMEDY is available from Four Way Books. Notes: The Association of Writers and Writing Programs can be found online at www.awpwriter.org Marcela Fuentes is the author of the award-winning novel Malas and you can find her online at https://www.marcelafuentes.comCheck out the exhibit Flesh World at Central Server Works, showcasing paintings by Monica Berger and Sofia Heftersmith.Julie Marie Wade's The Mary Yearsis a novella which won The 2023 Clay Reynolds Novella Prize, selected by Michael Martone.Purchase a copy of the Maureen Seaton tribute book When I Was StraightCheck out "From the Motel-By-the-Hour" (originally in The Iowa Review) from Nancy K. Pearson's book Two Minutes of Light from Perugia here.Claire J. Bateman's book is The Pillow Museum, available from the University of Alabama PressJen Jabaily-Blackburn's Girl in a Bear Suit won the Elixir Press Award. Buy it from her on her website: https://www.jenjabailyblackburn.comEmily Lee Luan won the Nightboat Poetry Prize for Return. Visit her website here.More information about the Civitella Ranieri Foundation can be found here.  James's Best American Poetry 2025 selection is called "Inheritance at Corresponding Periods of Life, at Corresponding Seasons of the Year, as Limited by Sex" originally published in Adroit Journal.

In this episode of The Poetry Vlog (TPV), author and artist Jessica Tanck reads from her book Winter Here (UGA Press, 2024) to lead a discussion on the beauty of contrast, the battle to resist conformity, and the importance of queer community.Jessica Tanck is the author of Winter Here (UGA Press, 2024), winner of the 2022 Georgia Poetry Prize. She holds degrees from the University of Wisconsin-Madison and the University of Illinois at Urbana-Champaign, where she completed a B.A. in English Literature - Creative Writing and Comparative Literature and an M.F.A. in Creative Writing - Poetry. Her work appears or is forthcoming in The Adroit Journal, Alaska Quarterly Review, Beloit Poetry Journal, Blackbird, Colorado Review, DIAGRAM, Gulf Coast, Kenyon Review, The Los Angeles Review, Meridian, New England Review, New Ohio Review, Ninth Letter, Waxwing, and others. Jess was born in Chicago, IL, but grew up in Sheboygan, WI, on the shores of Lake Michigan. The recipient of a Vice Presidential Fellowship and a Clarence Snow Memorial Fellowship, Jess lives and writes in Salt Lake City, where she is a Ph.D. candidate in English Literature and Creative Writing at the University of Utah. She served as the 2022-2023 Editor of Quarterly West, where she is currently guest-editing a special issue on “Extreme Environments”— a central concern of hers, as well as the focus of her doctoral dissertation and the reading for her qualifying exams.Learn more about Jess at:✔︎ https://www.jessicatanck.com/

Please join Julie Murphy as she chats with Santa Cruz County's new Poet Laureate, Nancy Miller Gomez, about poetry in the jails and her plans to bring poetry to our community. Nancy reads Ruth Stone's poem, Another Feeling, and talks about the importance of paying attention and how daily observations, memories and current events can ease the challenge of facing a blank page. Listen to Nancy read poems from her stunning debut collection Inconsolable Objects.Nancy Miller Gomez is the author of Inconsolable Objects (YesYes Books) and Punishment (Rattle Chapbook Series). Her work has appeared in Best American Poetry, Best New Poets, Prairie Schooner, TriQuarterly, The Adroit Journal, LitHub, Rattle, New Ohio Review, Massachusetts Review, River Styx, Verse Daily, The Hopkins Review, and elsewhere. She received a special mention in the 2023 Pushcart Prize Anthology and is the recipient of a fellowship from the Jentel Foundation. Gomez co-founded Poetry in the Jails, an organization that provides writing workshops to incarcerated women and men and has taught poetry in Salinas Valley State Prison, the Santa Cruz County Jails, the Juvenile Hall and as part of Cornell University's Prison Education Program. She earned a B.A. from The University of California, San Diego, a J.D. from the University of San Diego and a Master in Fine Arts in Writing from Pacific University. Originally from Kansas she now lives with her family in Northern California and is thrilled to have recently been appointed Poet Laureate of Santa Cruz County. She is currently working on a second collection of poems and a collection of personal essays.Don't miss the Poet Laureate Celebration at Bookshop Santa Cruz featuring Nancy Miller Gomez and Farnaz Fatemi. April 14, 7-9 PM.

Nancy Miller Gomez grew up in Kansas, but currently lives in Santa Cruz, California. Her work has appeared or is forthcoming in Best American Poetry, Best New Poets, Prairie Schooner, TriQuarterly, The Adroit Journal, Shenandoah, New Ohio Review, Rattle, Massachusetts Review, River Styx, American Life in Poetry, Verse Daily, The Hopkins Review, and elsewhere. She received a special mention in the 2023 Pushcart Prize Anthology and her chapbook, Punishment, was published as part of the Rattle chapbook series. She has worked as a waitress, a stable hand, an attorney, and a television producer. She co-founded an organization that provides writing workshops to incarcerated women and men and has taught poetry in Salinas Valley State Prison, the Santa Cruz County Jails and the Juvenile Hall. She has a B.A. from The University of California, San Diego, a J.D. from the University of San Diego and a Master in Fine Arts in Writing from Pacific University. She is currently working on a collection of personal essays. Her first full-length poetry manuscript is now available from YesYes Books.

Notes and Links to Maggie Sheffer's Work           Marguerite (Maggie) Sheffer is a writer who lives in New Orleans. She is a Professor of Practice at Tulane University, where she teaches courses in design thinking and speculative fiction as tools for social change. Formerly, she taught English at the East Oakland School of the Arts, Castlemont High School, Life Academy, and GW Carver High School.    Her debut short story collection, The Man in the Banana Trees, was selected by judge Jamil Jan Kochai for the Iowa Short Fiction Award, was published in Fall 2024.     Maggie is a founding member of Third Lantern Lit, a local writing collective, and the Nautilus and Wildcat Writing Groups. She received her MFA from Randolph College. She was a 2023 Veasna So Scholar in Fiction at The Adroit Journal, and was selected as a top-twenty-five finalist for Glimmer Train's Short Story Award for New Writers.  Her story “Tiger on My Roof” was a finalist for the 2024 Chautauqua Janus Prize, which awards emerging writers' short fiction with “daring formal and aesthetic innovations that upset and reorder readers' imaginations.”    Her position on semicolons (for) is noted in an Australian grammar textbook (pg. 16). Buy The Man in the Banana Trees     Maggie's Website   From LitHub: "Marguerite Sheffer on Crafting a Collection of Century-Spanning Speculative Fiction"   "Marguerite Sheffer: These Stories Are an Intimate Map of What Scares Me" from Writer's Digest At about 0:45, Maggie shares a fun story about being published with George Bernard Shaw At about 2:15, Maggie talks about her early reading life At about 3:20, The two reflect on the evolving reputation of Star Wars and Star Wars fans At about 4:45, Maggie shares how wine bottles led to writing an early and pivotal short story  At about 5:40, Maggie describes a gap in “actively writing” while teaching and interacting differently with writing At about 6:50, Maggie lists texts and writers that helped her “reorder [her] brain” At about 8:55, Pete and Maggie stan Tillie Olsen's “I Stand Here ironing”   At about 10:45, Pete recounts a story about how he happened upon the great story by Shirley Jackson, “The Lottery” At about 11:30, Maggie responds to Pete asking about what drew and draws her to science and speculative fiction At about 12:30, Maggie highlights past guest Jamil Jan Kochai, Ken Liu, E. Lily Yu, Sofia Samatar, Clare Beams, Maurice Carlos Ruffin, the book The Safekeep, and others as contemporary writers who thrill and inspire At about 13:45, Pete asks Maggie how teaching has inspired her writing At about 15:25, Maggie cites Octavia Butler's and Sandra Cisneros' work and The Things They Carried and other texts that were favorites of her students  At about 16:50, The two discuss the epigraph and seeds for the short story collection  At about 18:30, The two discuss the collection's first story and connection to Tillie Olsen's idea of being “imprisoned in his own difference” and students being “othered” At about 22:40, Maggie reflects on an important truth of fiction At about 23:20, Maggie discusses famous unicorn tapestries that inspire a story of hers At about 24:40, Pete compliments Maggie's “delightfully weird” stories and “soft endings” and she responds to his questions about allegory/plot and “cool stories” At about 26:20, Maggie talks about realizing the throughlines in her collections At about 27:50, Maggie responds to Pete's questions about writing in Covid times At about 28:20, Pete cites examples of misogyny in the collection and asks about Joycleyn Bell and Maggie expands upon the story “The Observer's Cage”-its genesis and connections to Jocelyn Bell Burnell At about 31:00, Pete notes the use of animals as stand-ins for humanity and Maggie expands on deas of resistance as seen in the collection At about 32:00, The two discuss ideas of redress and reclaiming the past through stories in the collection, especially “The Observer's Cage” At about 34:40, the two discuss a story with ghosts and ideas of “unfinished business” and capturing past natural greatness At about 36:40, Maggie talks about sadly learning that an idea that she thought was original was not, as the two discuss a few stories about commercialism, dystopia, and climate change At about 40:20, the two discuss middens, and themes of reclaiming what has been lost  At about 42:30, Pete notes an interesting story that deals with memory and AI, and Maggie talks about writing from a interesting-placed narrator  At about 44:20, Pete draws connections between a title character, Miriam Ackerman, and Truman Capote's wonderful “A Christmas Memory”, while Maggie discusses the relationship between the title character and the narrator  At about 47:10, The two discuss violence and parental lack of control, especially in “Tiger on the Roof” and its memorable ending and creative plot  At about 50:25, Pete highlights the poignant and resonant closing line for the above story and connects the ending to Alice Elliott Dark's classic, “In the Gloaming” At about 52:00, The two discuss the collection's title story and Maggie discuses inspiration from Carmen Maria Machado At about 53:00, The two discuss the way the above story is “gutting” in its portrayal of the “banality of loss” At about 56:10, Maggie reminds that the book is not just a “downer!” At about 56:50, Maggie reads from “En Plein Aire” At about 1:00:30, Maggie gives information on places to buy her book and social media and contact information At about 1:01:20, Maggie shares information on some exciting new projects         You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.       I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features segments from conversations with Jeff Pearlman, Matt Bell, F. Douglas Brown, Jorge Lacera, Jean Guererro, Rachel Yoder, and more, as they reflect on chill-inducing writers who have inspired their own work.    I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 265 with Carvell Wallace. He is a writer and podcaster who has contributed to GQ, New York Times Magazine, Pitchfork, MTV News, and Al Jazeera, among others. His debut memoir, Another Word For Love, is a 2024 Kirkus Finalist in Nonfiction, and one of Pete's all-time favorite memoirs.    The episode airs on December 10.    Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.

The queens talk bisexual poetics and genius with Nicky Beer, before getting all dolled up in a game of real vs fake Dolly. Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.     James's ROMANTIC COMEDY is available from Four Way Books.SHOW NOTES:Visit Nicky Beer's website: http://www.nickybeer.comRead this conversation with Nicky Beer published in The Adroit Journal in 2022.Read this review of Beer's The Octopus Game in F(r)iction.Nicky mentions the Las Culturistas podcast and you can check that out here.Read Nicky's fabulous 3-line poem “Sawing a Lady in Half” Learn more about Jim Steinmeyer's Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear.Read Nick's poem “The Demolitionists”“Death is god's apology for suffering”--a line Aaron mentions in the show--is from Nicky's poem “The Poet Who Does Not Believe in Ghosts.”Nicky mentions Steel Magnolias, in which Dolly Parton starred as Truvy Jones. Watch the trailer for the movie here.Visit the HRC's Resource Guide to Coming Out Bisexual. Also check out Bi.Org's coming out guide.Learn more about June Thomas's A Place of Our Own 

Inner Moonlight is the monthly poetry reading series for the Wild Detectives in Dallas. The in-person show is the second Wednesday of every month in the Wild Detectives backyard. We love our podcast fans, so we release recordings of the live performances every month for y'all! On 9/11/2024, we featured poet Jenny Molberg for a very special event co-sponsored by SMU Project Poëtica. We featured Jenny back in March 2020 before we were making a podcast. We're so pleased to be able to bring this performance to you! Originally from Dallas, Jenny Molberg is the author of three collections of poetry: Marvels of the Invisible (winner of the Berkshire Prize, Tupelo Press, 2017), Refusal (LSU Press, 2020), and The Court of No Record (Finalist for the Los Angeles Times Book Prize, LSU Press, 2023). Her poems and essays have recently appeared in Ploughshares, The Cincinnati Review, VIDA, The Missouri Review, The Rumpus, The Adroit Journal, Oprah Quarterly, and other publications. Her work has received support from the National Endowment for the Arts, VCCA, the Hambidge Center for Creative Arts, the Sewanee Writers Conference, Vermont Studio Center, and the Longleaf Writers Conference. She is Associate Professor and Chair of Creative Writing at the University of Central Missouri, where she edits Pleiades: Literature in Context. ⁠www.innermoonlightpoetry.com

On this episode, Jonny Teklit sits down with Jared to talk about crafting odes to small, granular subjects, sharing his personal productivity tips and the common writing advice that doesn't work for him. Plus, Jonny discusses the pros and cons of UW-Madison's rotating genre admissions policy and reflects on how Lynda Barry's comics class changed his perspective on creative talent, revision, and experimentation. Jonny Teklit is an award-winning poet whose work has appeared in The Academy of American Poets, The New Yorker, The Atlantic, The Adroit Journal, and elsewhere. He is currently a second-year MFA candidate in poetry at the University of Wisconsin–Madison where he is working on his debut collection. He has an animal fact for any occasion. Find him at his website jonnyteklit.com, on IG @jonnyteklit, and on Twitter @jonnysaysOMG. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

In this episode of UIndy's Potluck Podcast, where we host conversations about the arts, ENGL 478 students Emma Knaack and Griffin Cloyer interview poet, José Olivarez, a guest of the Kellogg Writers Series, which is a series that brings writers of distinction to the University of Indianapolis campus for classroom discussions and free public readings. A big thank you to UIndy Music major Gabriel Bynoe for editing this episode. José Olivarez is the son of Mexican immigrants, the author of Citizen Illegal and Promises of Gold, the co-author of Home Court, co-editor of BreakBeat Poets 4: LatiNEXT, and the co-host of the poetry podcast The Poetry Gods. His work has been published in the BreakBeat Poets, the Adroit Journal, the Rumpus, and other places. He earned a BA from Harvard University. Named a Debut Poet of 2018 by Poets & Writers, he is the recipient of fellowships from CantoMundo, Poets House, the Bronx Council on the Arts, the Poetry Foundation, and the Conversation Literary Festival.  We thank you for listening to UIndy's Potluck Podcast, which is hosted by students and faculty of the University of Indianapolis. We would like to thank our guests and the Shaheen College of Arts and Sciences. To learn more about the Potluck Podcast and hear other episodes, please visit etchings [dot] uindy [dot] edu [forward slash] the [hyphen] potluck [hyphen] podcast. Thank you for your support. 

Knock knock, darlings! Join the queens as we talk about funny poems.If you'd like to support Breaking Form:Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.     James's ROMANTIC COMEDY is available from Four Way Books.SHOW NOTESWatch Stacey Waite give a full reading here (at 38:00); here's Stacey reading one poem: "The Kind of Man I Am at the DMV." Watch Gary Jackson's poem "Tryouts" in Motionpoems (Button Poetry) here.Read Tim Dlugos's "David Cassidy, I Want to Fuck You"; listen to Terence Winch read "Incredible Risks" (the title of one of Dlugos's books) here. Read "Note Passed to Superman" as well as some other of Lucille Clifton's "Clark Kent Poems" here.Here's an interview in Adroit Journal with Denise Duhamel, in which she discusses the craft of chattiness and comedy in her poetry. Visit Nick Lantz's website.You can read Aaron Smith's "Jennifer Lawrence" here (scroll down).Watch Anita Bryant get some queer comeuppance here. James's poem about this is: "On Dark Days, I Imagine My Parents' Wedding Video." Their poem, "A Fact Which Occurred in America" can be read here.Read Matthew Olzmann's "Letter to the Person Who, During the Q&A Session After the Reading, Asked for Career Advice" (from Constellation Route).Go read A.R. Ammons's poem "Their Sex Life" here.Read Ed Ochester's "Monroeville, PA."

Day 16: Matthew Gellman reads his poem “Beforelight,” originally published in Passages North, 2018.  Matthew Gellman is the author of a chapbook, Night Logic, which was selected by Denise Duhamel as the winner of Tupelo Press' 2021 Snowbound Chapbook Award. His first book, Beforelight, was selected by Tina Chang as the winner of the A. Poulin, Jr. Poetry Prize and is forthcoming from BOA Editions. Matthew has received awards and honors from the National Endowment for the Arts, Brooklyn Poets, the Adroit Journal's Djanikian Scholars Program, the Saltonstall Foundation for the Arts, the New York State Summer Writers Institute and the Academy of American Poets. His poems have appeared in Poetry Northwest, Gulf Coast, Narrative, The Common, the Missouri Review, Indiana Review, Ninth Letter, Lambda Literary's Poetry Spotlight, and other publications. He lives in New York, where he teaches at Hunter College and Fordham University. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language. Queer Poem-a-Day is directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this fourth year of our series is from the second movement of the “Geistinger Sonata,” Piano Sonata No. 2 in C sharp minor, by Ethel Smyth, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.

Welcome, new subscribers, and welcome back, loyal readers! I'm happy you're here.Today's issue is dedicated to an interview with Amanda E. Machado, the author of “The Abstract Rage To Protect,” June's article of the month.First published in The Adroit Journal, “The Abstract Rage To Protect” is about masculinity, the need for men to protect women, the violence that follows, and what we can do about it.I highly encourage you to read the piece (if you haven't already), then listen to the interview, then sign up for our discussion on Sunday, June 30, 2:00 - 3:30 pm PT. I'd be very happy to connect with you in conversation.⭐️ About the article“There is a difference between a man's sense of protection and a man's sense of violence,” a male friend once reassured me. But I never could tell the difference.When Amanda E. Machado tells men that she was once sexually assaulted at a festival, with her ex-boyfriend nearby but lost in the crowd, they instantly become ashamed of him. “How could he let this happen?” they ask. “He was supposed to protect you.”In this enlightening essay, Amanda explores notions of masculinity, weaving personal experiences with the work of Phil Christman, a lecturer at the University of Michigan. Christman writes, “When I try to nail down what masculinity is — what imperative gives rise to all this pain seeking and stoicism, this showboating asceticism and loud silence — I come back to this: Masculinity is an abstract rage to protect.”The biggest problem with this “abstract rage to protect,” Amanda argues, is that there is a fine line between a desire to protect and a desire to inflict violence. “The aggression men learn to protect the women they love, becomes exactly how they hurt the women they love.”⭐️ About the authorAmanda E. Machado (she/they) is a writer, public speaker and facilitator with ancestry from Mexico and Ecuador. Their work has been published in The Atlantic, Guernica, The Washington Post, Adroit Journal, Slate, The Guardian, Sierra Magazine, among many other outlets. In addition to their essay writing, Amanda is also a public speaker and workshop facilitator on issues of justice and anti-oppression for organizations around the world. They are also the founder of Reclaiming Nature Writing, a multi-week online workshop that centers the experiences of people of color in how we tell stories about the outdoors.Amanda currently lives on unceded Ohlone land in Oakland, California.⭐️ About the interviewAlongside fellow Article Clubber Sarai Bordeaux, I got a chance to interview Amanda a few weeks ago. It was an honor. We discussed a number of topics, including:* that we all have a desire to be protected* that we're socialized that protection must be physical and therefore may involve violence* that we have a collective responsibility to find ways to redefine protectionMost of all, I appreciated Amanda's generosity. It was clear that their thinking is expansive and non-judgmental. Listening to Amanda got me to want to be more imaginative in how I support others and how I show up for other people when they seek emotional protection. And it made me excited to discuss their piece with you.

Get frankly franking frank with the queens this week--then let's talk about sex, baby! Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.      James's ROMANTIC COMEDY is available from Four Way Books.Read more about Frank O'Hara. And read here about Tim Dlugos.  Frank O'Hara wrote "Personism: A Manifesto" that was both manifesto and send-up of manifestos. In it, he advocates for poems that sound like they've got a real person in mind as an audience. In one part of it, he writes, "You just go on your nerve'." You can read the whole manifesto here. Read O'Hara's poem "F. (Missive & Walk) I. 53" which appeared in The Paris Review in Summer 1970. Read  O'Hara's "Pearl Harbor"Watch the official video for the INXS song "Suicide Blonde" ( which includes the line, "You want to make her suicide blonde") here. Read Diane Seuss talk about O'Hara in this Adroit Journal interview: "On Frank O'Hara and Marilyn Monroe."Frank O'Hara's poem "Avenue A" begins "we hardly ever see the moon anymore." Read the whole poem.Hear Tim Dlugos read "The Nineteenth Century is 183 Years Old"Read a review of Tim Dlugos's collected poems edited by David Trinidad called A Fast Life. In the segment "Sex Lives of Poets" we mention the following books/poets:Anne Carson, Men in the Off Hours & Glass, Irony and GodSandra Cisneros, Loose WomanMegan Fernandes, I Do Everything I'm ToldBeckian Fritz Goldberg, Never Be the HorseBenjamin Garcia, Thrown in the ThroatAllen Ginsberg, Howlfrancine j. harris, Play DeadTom Healey, What the Right Hand KnowsBrenda Hillman, Loose SugarThylias Moss, Last Chance for the Tarzan HollerNaomi Shihab Nye, Mint SnowballMary Oliver, ThirstWillie Perdomo, The Essential Hits of Shorty Bon BonKevin Prufer, The Finger Bone & Strange WoodAdrienne Rich, Diving Into the WreckWesley Rothman, Subwoofer

In a poem about how a small moment can help you make a wise decision, Eugenia Leigh finds the strength to go back home after storming out. No self-pity in the poem, just humor and brilliance. She had every reason to leave, and finds every reason to return. Eugenia Leigh is a Korean American poet and the author of two collections of poetry, Bianca (Four Way Books, 2023) and Blood, Sparrows and Sparrows (2014), winner of the Late Night Library's 2015 Debut-litzer Prize in Poetry, as well as a finalist for both the National Poetry Series and the Yale Series of Younger Poets. She currently serves as a poetry editor at The Adroit Journal and as the Valentines Editor at Honey Literary, a BIPOC-focused literary journal and literary arts organization.Find the transcript for this show at onbeing.org.We're pleased to offer Eugenia Leigh's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes. 

Join us for a book launch, poetry reading, and visual showcase of Por Siempre. This event took place on May 17, 2023. Por Siempre is a visual and verbal narrative of the grit and gentleness in Southwestern Latinx communities told through photography by Antonio Salazar and poetry by José Olivarez. Guns, tattoos, pit bulls, and cars appear alongside a tender aubade, a couple holding hands, a baby bathing in a kitchen sink; landscapes and skylines in Phoenix and Los Angeles show palm trees and messy garages; long white socks and acrylic nails of younger generations meet the smiles and traditions of elders. In a society that would rather disappear or ignore its own grittier dimensions, Salazar's work is both a refusal to be silenced and a love letter to the communities that sing, dance, live, and love, in their own beautiful and dangerous ways. Alongside Salazar's powerful visual narrative, a series of poetry by José Olivarez appears throughout the book. Each poem “speaks” in its own way—to, of, with, and beyond the subjects of Salazar's photos—with humor, honesty, and compassion. These artists together in Por Siempre are a force: expanding and lifting each other's best parts, as those in sincere and caring communities often do. Order a Copy of Por Siempre: https://www.haymarketbooks.org/books/... ———————————————————————————————————————————————— Speakers: Isela Meraz (Chela) is a self-taught community artist, she was born in Durango Mexico “Tierra de Los Alacranes” and has lived in Phoenix, AZ since 1991. The love for her community and social justice has led her to participate in civil disobedience, hunger strikes and spiritual fast. Creating art that honors her family, queerness and land. Her work is now part of the permanent collection of the ASU Art Museum and it is currently on display till July of 2023. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by the Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he coedited the poetry anthology The BreakBeat Poets Vol. 4: LatiNext. He cohosts the poetry podcast The Poetry Gods. Antonio Salazar is a photographer based in Phoenix, Arizona. His work features a glimpse into the culture of the fifth largest city in the U.S. Themes surrounding Chicane/x identity in the Southwest are heavily explored through his art. Watch the live event recording: https://youtube.com/live/dfXwiCOL5zg Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Join Daniel and Sunny as they explore their friendship in the teen writing community—from their friendship origin story to being founders and Editors-in-Chief of teen writing magazines to meeting writers as people after reading their works intimately. Navigating the constellations of online competition, college matriculation, plagiarism, and gaining confidence in their work,  Daniel and Sunny have a heart-to-heart about the joys and intricacies of growing together as teen writers.  Daniel Liu is a writer. He is the recipient of the 2023 Lin Arison Excellence in Writing Award. He was selected as the 2022 Foyle Young Poet of the Year by The Poetry Society and as a finalist for the 2022 Adroit Prize in both poetry and prose by Arthur Sze and Kali Fajardo-Anstine. He was a 2023 YoungArts National Finalist and has been recognized by the Pulitzer Center, Bennington College, Columbia College Chicago, and others. His works are forthcoming or have appeared in The Adroit Journal, Diode, Tinderbox, Sixth Finch and elsewhere. He is currently working on a collection on memory. Sunny Vuong is a Scholastic Awards National Gold and American Voices medalist, and a scholarship winner with a Silver with Distinction medalist for her portfolio.  She was the 2022-2023 second place winner for poetry in the Bennington Young Writers' Awards contest. She is the founder and editor-in-chief of Interstellar Literary Review. Her work is featured or forthcoming in Diode, Strange Horizons, and Kissing Dynamite, among others. She currently studies molecular biology and English at Yale.

In this episode of Get Lit Minute, we spotlight the accomplished author, poet and educator, José Olivarez.José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere. SourceSupport the showSupport the show

Rooja Mohassessy buzzes into the Hive to talk about her new book, When Your Sky Runs Into Mine. She also reads a Sylvia Plath poem "Black Rook in Rainy Weather." ⁠ Rooja Mohassessy is an Iranian-born poet and educator. She is a MacDowell Fellow and an MFA graduate of Pacific University, Oregon. Her debut collection When Your Sky Runs Into Mine (Feb 2023) was the winner of the 22nd Annual Elixir Poetry Award. Her poems and reviews have appeared in Narrative Magazine, Poet Lore, RHINO Poetry, Southern Humanities Review, CALYX Journal, Ninth Letter, Cream City Review, The Adroit Journal, New Letters, The Florida Review, Poetry Northwest, The Pinch, The Rumpus, The Journal, and elsewhere.

The pod team is wrapping up our summer vacation. In the meantime, we're rereleasing one of our favorite episodes from our first season. We'll be back with new and exciting episodes in two weeks.  How is the zombie of Haitian folklore a poetic metaphor for how society treats Blackness? Bryan Byrdlong of the Helen Zell Writers' Program at the University of Michigan tells Jared about his project on the traditional and modern conceptualization of zombies, whether poetry can transcend fake news, and how his MFA program gave him an inner editorial voice. Bryan Byrdlong is a Black poet from Chicago, Illinois. In high school, he was part of Chicago's Louder than a Bomb poetry slam competition. He graduated from Vanderbilt University where he received an undergraduate English/Creative Writing degree and was the co-recipient of the Merrill Moore Award for Poetry upon graduation. He has been published in the Nashville Review, Heavy Feather Review, and Pleiades Magazine. Most recently, he received the Gregory Djanaikian Scholarship from The Adroit Journal. He is a graduate of the Helen Zell Writers' Program at the University of Michigan and a current Zell Fellow. You can find him on Twitter @BByrdlong. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

In this episode, I chat with author Jenny Xie about her debut novel Holding Pattern, exploring intimacy through cuddling, negative space, and books.Jenny Xie is a National Book Foundation 5 Under 35 honoree whose debut novel, Holding Pattern, is forthcoming from Riverhead Books in June 2023.Her short fiction has appeared in AGNI, Ninth Letter, Joyland, Adroit Journal, Narrative, The Offing, and the Best of the Net Anthology, among other publications. Her writing on design, travel, and culture has been featured in The Atlantic, The Washington Post, Architectural Digest, Apartment Therapy, Them, and Dwell, where she was previously the Executive Editor.Jenny holds degrees from UC Berkeley and Johns Hopkins University and is the grateful recipient of fellowships from Bread Loaf, MacDowell, Yaddo, Kundiman, Aspen Words, the Virginia Center for the Creative Arts, Loghaven, and other organizations.Born in Shanghai and hailing from California, Jenny is currently based in Brooklyn, New York.  JennyXieHolding Pattern, Jenny XieSea Change, Gina ChungDykette, Jenny Fran DavisEsquire magazine article on cuddling by Jenny XieSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

Jamaica Baldwin zooms into The Hive to talk about her new book, Bone Language. We read some Vievee Frances and talk about the radical acceptance that poetry can bring. Jamaica, a Santa Cruz native, will be in town to read at The HiveLive! on July 18th at Bookshop Santa Cruz. Reading with her, will be the fabulous Francesca Bell.  Jamaica Baldwin's debut collection is Bone Language (YesYes Books 2023). Her poetry has appeared in Guernica, World Literature Today, The Adroit Journal, Indiana Review, Poetry Northwest, and The Missouri Review, among others. Her accolades include a 2023 Pushcart Prize, a National Endowment for the Arts Fellowship, a RHINO Poetry editor's prize, and a Glenna Luschei Prairie Schooner Award. Her writing has been supported by Hedgebrook, Aspen Words, Storyknife, Furious Flower, and the Jack Straw Writers program. Jamaica is currently the associate editor of Prairie Schooner at the University of Nebraska -Lincoln where she is pursuing her PhD in English with a focus on poetry and Women's and Gender Studies. She is originally from Santa Cruz, CA.

In a church there are liturgies and prayers and statues. But in José Olivarez's poem, there are more urgent things taking place, things that have “no time to wait.”José Olivarez is the son of Mexican immigrants.  He is the author of Promises of Gold, a collection of poems. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhereFind the transcript for this show at onbeing.org.We're pleased to offer José Olivarez's poem, and invite you to connect with Poetry Unbound throughout this season.

Episode 182 Notes and Links to Talia Lakshmi Kolluri's Work       On Episode 182 of The Chills at Will Podcast, Pete welcomes Talia Lakshmi Kolluri, and the two discuss, among other things, her prodigious love for libraries in her youth and beyond, her fascination with animals' inner/hidden lives, formative writing and writers, anthropomorphizing, writing as action, writing as fun, the true stories that inspired some of her moving writing, and themes of maternal pull, environmental destruction, joy, and the boundaries, imposed and not, that govern the animal world and animal/human interaction.       Talia Lakshmi Kolluri is a mixed South Asian American writer from Northern California. Her debut collection of short stories, What We Fed to the Manticore (Tin House 2022), is a finalist for the 2023 Carol Shields Prize for Fiction and was longlisted for the 2023 Andrew Carnegie Medal for Excellence in Fiction, the 2023 Aspen Words Literary Prize, and the 2023 Pen/Robert W. Bingham Prize for Debut Short Story Collection, and was selected as a 2023 ALA RUSA Notable Book. It's available now wherever books are sold. Her short fiction has been published in the Minnesota Review, Ecotone, Southern Humanities Review, The Common, One Story, Orion, Five Dials, and the Adroit Journal. A lifelong Californian, Talia lives in the Central Valley with her husband, a teacher and printmaker, and a very skittish cat named Fig.   Buy What We Fed to the Manticore   Talia Kolluri's Website   For Bomb Magazine: "A Different Experience Is Possible: Talia Lakshmi Kolluri Interviewed by Rebecca van Laer"   The Florida Review Interview Regarding What We Fed to the Manticore   From One Story: "Nature Is Wild: An Interview with Talia Lakshmi Kolluri"   At about 3:40, Talia talks about her rich reading life during her childhood, including her wide reading and love for libraries    At about 8:10, Talia discusses imagination and its connections to her love of animals and curiosity about the lives of animals   At about 9:50, Talia talks about ideas of representation and not seeing “[her] exact self represented in literature” and the connections to “leaps of imagination” and what she read growing up, such as the inspiring Watership Down   At about 14:15, Pete and Talia talk about books in translation and the great work done by Jenny Bhatt   At about 15:05, Talia outlines her path to becoming a writer and her philosophy of revision    At about 19:00, Pete highlights and compliments the book's originality, and Talia discusses books and writers that the collection is “in conversation with,” such as Panchatantra, The White Bone, and The Great Derangement    At about 23:45, Pete asks Talia about the book's Acknowledgments and Talia's views on being an observer and observing and connection to action or inaction    At about 25:40, Pete wonders about Talia's writing as a call to action/activism    At about 28:00, Talia responds to Pete's questions about the ways in which she anthropomorphized her characters in original and not trite ways   At about 30:35, Talia gives background on the inspiration for the collection's memorable “Toy Man”-Arvind Gupta   At about 31:30, Pete references the collections's first story, “The Good Donkey” and Talia responds to Pete's wondering about the story's Gaza inspiration    At about 36:35, Talia recommends a powerful book, a diary of living in Gaza during conflict, The Drone Eats with Me: A Gaza Diary   At about 37:50, Talia discusses the title story and the meanings of the manticore, both mythically and in her story   At about 43:00, Pete highlights “Someone Must Watch Over the Dead” and he and Talia talk about dakhmas and their implications   At about 47:50, Pete cites the saiga antelope and its consumption and the two reflect on ideas of predators and willful ignorance    At about 50:40, “May God Forever Bless the Rhino Keepers” is discussed, including its beautiful portrayals of connections and love and maternal pull   At about 54:00, “A Level of Tolerance” is discussed, including its beautiful and gutting last page, Pete's hatred for Groundhog Day, and Talia remarks about the evolution and significance of the title; 832F, the famous wolf, is cited as inspiration   At about 1:00:05, “Let Your Body Meet the Ground” is highlighted, as Pete makes a comparison to “A Christmas Memory” by Truman Capote, and “Tía Chucha” by Luis Rodriguez   At about 1:03:30, Talia highlights a novel that she's working on   At about 1:05:15, Talia gives her contact info and social media info     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 183 with Eli Cranor, whose critically acclaimed debut novel, Don't Know Tough, won the Peter Lovesey First Crime Novel Contest and was named one of the "Best Books of the Year" by USA Today and one of the "Best Crime Novels" of 2022 by the New York Times; his highly-acclaimed Ozark Dogs came out on April 4.    The episode airs May 16.

Kinsale Drake (Diné) is a poet/editor/playwright whose work has appeared or is forthcoming in Poetry, Best New Poets, Poets.org, Poetry Northwest, Black Warrior Review, The Adroit Journal, Poetry Online, Yale Literary Magazine, TIME, NPR, MTV (w/ Shaandiin Tome), and elsewhere. https://kinsaledrake.com/about Read and join NDN Girls Book Club: https://www.teenvogue.com/story/11-indigenous-youth-making-a-difference-in-their-communities ★ Support this podcast on Patreon ★

In this week's episode of the Get Lit Minute, your weekly poetry podcast, we spotlight the life and work of Guatelombian (Guatemalan-Colombian) American poet and screenwriter, Melissa Lozada-Oliva. Her book peluda (Button Poetry 2017) explores the intersections of Latina identity, feminism, hair removal & what it means to belong. Her novel-in-verse Dreaming of You is about bringing Selena back to life through a seance & the disastrous consequences that follow & it's coming out October 2021 on Astra House. She is the co-host of podcast Say More with Olivia Gatwood where they dissect the world through a poetic lens. Lozada-Olivia is currently working on a pilot about a haunted book store. She is interested in horror because she's scared of everything. Lozada-Olivia likes when things are little funny so that she has space to be a little sad. Her work has been featured or is forthcoming in REMEZCLA, PAPER, The Guardian, BreakBeat Poets, Kenyon Review, Vulture, Bustle, Glamour Magazine, The Huffington Post, Muzzle Magazine, The Adroit Journal, and BBC Mundo! SourceThis episode includes a reading of her poem, "The Women in My Family Are Bitches,"  featured in our Get Lit Anthology."The Women in My Family Are Bitches" cranky! bitchesstuck up! bitchescustomer service turned sour! bitches.can i help you? bitchesnext in line! bitchesi like this purse 'cause it makes me look mean bitchescan you take a picture of my outfit? full length!get the shoes in! bitchesi always wear heels to la fiesta! and i never take them off! bitchesall men will kill you! bitchesall men will leave you anyway! bitchesyou better text me when you get home okay! bitchespray before the plane takes off! bitchespray before the baby comes! bitchesshe has my eyes my big mouth, my fight! bitchessing to the scabs on her knees when she falls down! bitchesgive abuelita bendiciones! bitchesit's okay not to be liked! bitcheson our own til infinity! bitchesthe vengeful violentpissed prissed and polishedlipstick stained on an envelope,i'll be damned if i'm compliant! bitchesthe what did you call us? what did you say to us? what's that kind of love called again?bitches!Support the show

Hi there, Today I am excited to be arts calling Joseph Fasano! About our guest: Joseph Fasano is the author of the novels The Swallows of Lunetto (Maudlin House, 2022) and The Dark Heart of Every Wild Thing (Platypus Press, 2020), which was named one of the "20 Best Small Press Books of 2020." His books of poetry include The Crossing (2018), Vincent (2015), Inheritance (2014), and Fugue for Other Hands (2013). His honors include the Cider Press Review Book Award, the Rattle Poetry Prize, and a nomination for the Poets' Prize, "awarded annually for the best book of verse published by a living American poet two years prior to the award year." Fasano's writing has appeared in The Times Literary Supplement, The Yale Review, The Southern Review, The Missouri Review, Boston Review, Measure, Tin House, The Adroit Journal, Verse Daily, PEN Poetry Series, American Literary Review, American Poetry Journal, and the Academy of American Poets' poem-a-day program, among other publications. He is a Lecturer at Manhattanville College and a Professor of Creative Writing at Columbia University, and he serves on the Editorial Board of Alice James Books. He is also the founder of the Poem for You Series, and his latest project is a "living poem" for his son that he is live-tweeting on Twitter at @stars_poem. http://josephfasano.net The Swallows of Lunetto, now available! https://shop.maudlinhouse.net/#the-swallows-of-lunetto Don't forget to stop by Joseph's Substack to continue developing a deeper understanding of poetry! https://josephfasano.substack.com Thanks for taking the time to join me on the show, Joseph! All the best! -- Arts Calling is produced by Jaime Alejandro (cruzfolio.com). If you like the show: please consider reviewing the podcast and sharing it with those who love the arts, or are starting their creative journey! Your support truly makes a difference, so check out the new website artscalling.com for the latest episodes! Go make a dent: much love, j

Join Noor Hindi and special guests for a celebration of her new book DEAR GOD. DEAR BONES. DEAR YELLOW. What is political poetry and linguistic activism? What does it mean to bear witness through writing? When language proves insufficient, how do we find and articulate a pathway forward? DEAR GOD. DEAR BONES. DEAR YELLOW. interrogates, subverts, and expands these questions through poems that are formally and lyrically complex, dynamic, and innovative. With rich intertextuality and an unwavering eye, Noor Hindi explores and interrogates colonialism, religion, patriarchy, and the complex intersections of her identity. Noor Hindi's debut is ultimately a provocation: on trauma, on art, and on what it takes to truly see the world for what it is/isn't and change it for the better. Get DEAR GOD. DEAR BONES. DEAR YELLOW. from Haymarket: https://www.haymarketbooks.org/books/1871-dear-god-dear-bones-dear-yellow --------------------------------------------------------------------- Speakers: Noor Hindi (she/her/hers) is a Palestinian-American poet and reporter. She is a 2021 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. DEAR GOD. DEAR BONES. DEAR YELLOW. is her debut collection of poems. She lives in Dearborn. https://noorhindi.com/ George Abraham is a Palestinian American poet, performance artist, and writer from Jacksonville, FL. Their debut poetry collection Birthright (Button Poetry, 2020) won the Arab American Book Award and the Big Other Book Award in Poetry, was a finalist for the Lambda Literary Award in Bisexual Poetry, and was named on Best of 2020 lists with The Asian American Writers' Workshop, The New Arab, and Entropy Magazine. https://www.gabrahampoet.com/ Summer Farah is a Palestinian American poet and editor. She is currently the outreach coordinator for the Radius of Arab American Writers and co-writes the biweekly newsletter Letters to Summer. In 2021, she served as the poetry editor for the FIYAH Lit Palestine Solidarity issue. She is a Winter 2022 Tin House Fellow. Her work has been published in or is forthcoming from Mizna, LitHub, The Rumpus, and other places. https://summerfarah.com/ Ghinwa Jawhari is a Lebanese American writer based in Brooklyn, NY. She was born to Druze parents in Cleveland, OH. Her chapbook BINT was selected by Aria Aber for Radix Media's Own Voices Chapbook Prize. Her essays, fiction, and poetry appear in Catapult, Narrative, Mizna, The Adroit Journal, and others. Ghinwa is a 2021 Margins Fellow at the Asian American Writers' Workshop. https://www.ghinwajawhari.com/ Jess Rizkallah is a Lebanese-American writer and illustrator. Her full-length collection THE MAGIC MY BODY BECOMES was a finalist for The Believer Poetry Award and won the 2017 Etel Adnan Poetry Prize. She is a Radius of Arab American Writers board member and a 2022 Mass Cultural Council Fellow. jessrizkallah.com Fargo Nissim Tbakhi is a queer Palestinian-American performance artist and writer. He is the winner of the Ghassan Kanafani Resistance Arts Prize, a Pushcart and Best of the Net nominee, and a Taurus. He has received fellowships from Rhizome DC, VisArts, Desert Nights Rising Stars, Halcyon Arts Lab, Mosaic Theater, and RAWI. His writing appears in Foglifter, Mizna, Peach Mag, Apex Magazine, Strange Horizons, the Shallow Ends, Prolit, and select bags of Nomadic Grounds Coffee. His performance work has been programmed at OUTsider Fest, INTER-SECTION Solo Fest, the Rachel Corrie Foundation's Shuruq Festival, the Alwun House Monster's Ball, Mosaic Theater, and has been supported by the Arizona Commission on the Arts. https://fargotbakhi.com/ Watch the live event recording: https://youtu.be/_xVod_w964A Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

We are excited to welcome Raye Hendrix to the show this week with EVERY JOURNAL IS A PLAGUE JOURNAL from Bottlecap Press. Raye Hendrix (she/they) is a writer from Birmingham, Alabama. She is the poetry editor at Press Pause Press and the author of two poetry chapbooks, Fire Sermons (Ghost City Press) and Every Journal is a Plague Journal (Bottlecap Press). Their work has also appeared in Poet Lore, 68 to 05, Poetry Northwest, 32 Poems, Shenandoah, The Adroit Journal, Cimarron Review, and others. Raye is the winner of the Keene Prize for Literature and Southern Indiana Review's Patricia Aakhus Award, and she has received scholarships from Bread Loaf and the Juniper Summer Writing Institute. Raye holds a BA and MA from Auburn University, an MFA from the University of Texas at Austin, and is currently a PhD candidate at the University of Oregon, where she has been awarded fellowships and grants for her dissertation work on disability poetics.author website: https://www.rayehendrix.comauthor twitter: https://twitter.com/_rayehendrixEvery Journal is a Plague Journal (Bottlecap Press): https://bottlecap.press/products/journalFrank O'Hara at Poets.Org: https://poets.org/poet/frank-oharaTsunami Books (Eugene, Oregon): http://www.tsunamibooks.org/ Thank You Books (Birmingham, Alabama): https://thankyoubookshop.com/Thank you for listening to The Chapbook!Noah Stetzer is on Twitter @dcNoahRoss White is on Twitter @rosswhite You can find all our episodes and contact us with your chapbook questions and suggestions here: https://bullcitypress.com/the-chapbook/Bull City Press website https://bullcitypress.comBull City Press on Twitter https://twitter.com/bullcitypress  Instagram https://www.instagram.com/bullcitypress/  and Facebook https://www.facebook.com/bullcitypress

Latest Spoken Label Session features Elisabeth Horan from Animal Heart Press as a additional guest explaining a little bit about the collection "L(EYE)GHT" in discussion features the wonderful Jessica Kim. Jessica Kim (she/her) is a Korean-American high school junior and poet who has lived in Korea, Singapore, and currently lives in Los Angeles, California. She identifies as visually-impaired and advocates for the disabled community. Recently, she has been named the 2021-22 Los Angeles Youth Poet Laureate and runner-up for the 2022 United States National Youth Poet Laureate. She is the author of L(EYE)GHT, runner-up for Animal Heart Press' Chapbook Contest, which has been published in April 2022. You can read all my interviews and press releases under EXPERIENCE. Jessica's poems appear in POETRY Magazine, The Adroit Journal, Frontier Poetry, The Journal, and Waxwing Magazine among others. A Best of the Net and Pushcart Prize Nominee, she is also a YoungArts Finalist in Writing (Poetry), 1st Place Winner of Columbia College Chicago's Young Authors Contest, Commended Foyle Young Poet, 2nd Place Winner of the Bennington Young Writers Awards (Poetry), Gregory Djanikian Scholar Finalist, and more. More about Jessica can be found at: https://jessicakimwrites.weebly.com/ Her collection can be bought from all major websites but in particularly from https://animalheartpress.net/

Join Chris in a sit-down with Aurielle Marie, author of Gumbo Ya Ya (University of Pittsburgh Press), about passions, process, pitfalls, and poetry! Award-winning poet, essayist, and cultural strategist Aurielle Marie (they/she) is a Black queer storyteller, a political organizer, and child of the Deep South by way of Atlanta. They received their Bachelor's in Social Justice Strategy and Hip-Hop Theory from the Evergreen State College. Aurielle's poetry has been featured or is forthcoming in the TriQuarterly, Southeast Review, Black Warrior, BOAAT Journal, Sycamore Review, Adroit Journal, Vinyl Poetry, Palette Poetry, and Ploughshares. She's received invitations to fellowships from Lambda Literary, VONA Voices, and Tin House. Aurielle is a 2017 winner of the Blue Mesa Review poetry award. She's the Lambda Literary 2019 Poetry Emerging Writer-in-Residence. She won the 2019 Ploughshares Emerging Writers Award for Poetry. Aurielle's poetry debut, Gumbo Ya Ya is the 2020 winner of the Cave Canem Poetry Prize, and is out from the University of Pittsburgh Press. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Join Chris in a sitdown with Brian Tierney, the author of Rise and Float (Milkweed), about passions, process, pitfalls, poetry, and a whole lot of music! Brian Tierney is the author of Rise and Float, winner of the 20-2021 Jake Adam York Prize (Milkweed, forthcoming Feb. 2022). His poetry and prose have appeared in such journals as Paris Review, Kenyon Review, AGNI, NER, The Adroit Journal, and others. A former Wallace Stegner Fellow at Stanford University, and a graduate of the Bennington College MFA Writing Seminars, he was named among Narrative Magazine's 2013 “30 Below 30” emerging writers, and is winner of the 2018 George Bogin Memorial Award from The Poetry Society of America. Raised in Philadelphia, he lives in Oakland, Ca., where he teaches poetry at The Writing Salon. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Mark Kyungsoo Bias speaks to managing editor Emily Everett about his poem “Adoption Day,” which appears in The Common's new spring issue. Mark talks about the inspiration and process behind the poem, which looks at issues like memory, immigration, and racism in post-9/11 America, all through the lens of a family experience. Mark also discusses his approach to language, sound, line breaks, and more, and the methods and techniques he's found helpful in revising poetry. He reads two additional poems published in The Common: “Meeting My Mother” and “Visitor.” Mark Kyungsoo Bias is the recipient of the 2022 Joseph Langland Prize from the Academy of American Poets and the 2020 William Matthews Poetry Prize. A semi-finalist for the 92Y Discovery Prize, he has been offered support from Bread Loaf, Kundiman, and Tin House. He is a recent graduate of the MFA program at the University of Massachusetts Amherst and has work published or forthcoming in The Adroit Journal, Best New Poets, The Common, PANK, Poets.org, and Washington Square Review, among other journals. ­­Read Mark's poems in The Common at thecommononline.org/tag/mark-kyungsoo-bias/ Read more from Mark at markkyungsoobias.com, or follow him on Twitter at @mk_bias. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Mark Kyungsoo Bias speaks to managing editor Emily Everett about his poem “Adoption Day,” which appears in The Common's new spring issue. Mark talks about the inspiration and process behind the poem, which looks at issues like memory, immigration, and racism in post-9/11 America, all through the lens of a family experience. Mark also discusses his approach to language, sound, line breaks, and more, and the methods and techniques he's found helpful in revising poetry. He reads two additional poems published in The Common: “Meeting My Mother” and “Visitor.” Mark Kyungsoo Bias is the recipient of the 2022 Joseph Langland Prize from the Academy of American Poets and the 2020 William Matthews Poetry Prize. A semi-finalist for the 92Y Discovery Prize, he has been offered support from Bread Loaf, Kundiman, and Tin House. He is a recent graduate of the MFA program at the University of Massachusetts Amherst and has work published or forthcoming in The Adroit Journal, Best New Poets, The Common, PANK, Poets.org, and Washington Square Review, among other journals. ­­Read Mark's poems in The Common at thecommononline.org/tag/mark-kyungsoo-bias/ Read more from Mark at markkyungsoobias.com, or follow him on Twitter at @mk_bias. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

K. Iver is a nonbinary trans poet from Mississippi. Their work has appeared in Boston Review, Gulf Coast, The Adroit, TriQuarterly, and elsewhere. They are the 2021-2022 Ronald Wallace Poetry Fellow for the Wisconsin Institute for Creative Writing. They have a Ph.D. in Poetry at Florida State University. Copyright © 2022 by K. Iver. Originally published in The Adroit Journal, April 2022.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.

Tory Adkisson is the author of The Flesh Between Us (SIU Press, 2021), winner of the Crab Orchard Series Open Book Competition. His poems have appeared widely in journals such as Third Coast, Crazyhorse, Adroit Journal, Boston Review, Quarterly West, and elsewhere. He lives in Oakland and teaches writing at UC Berkeley. Copyright © 2021 by Tory Adkisson. Originally published in the New Orleans Review, and then in his book The Flesh Between Us (South Illinois University Press, 2021).  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.

Join us for the Haymarket Poetry Spring Showcase, where we'll celebrate new books by Noor Hindi, Maya Marshall, and Hope Wabuke. Pre-order Hope Wabuke's The Body Family, publishing in April: https://bookshop.org/a/1039/9781642596977 Pre-order Noor Hindi's DEAR GOD. DEAR BONES. DEAR YELLOW., publishing in May: https://bookshop.org/a/1039/9781642596960 Pre-order Maya Marshall's All the Blood Involved in Love, publishing in June: https://bookshop.org/a/1039/9781642596953 ----------------------------------------------------------------------- Noor Hindi (she/her/hers) is a Palestinian-American poet and reporter. She is a 2021 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. DEAR GOD. DEAR BONES. DEAR YELLOW. is her debut collection of poems. She lives in Dearborn. Follow her on Twitter @MyNrhindi. Maya Marshall is the author of chapbook Secondhand and cofounder of underbelly, a journal on the practical magic of poetic revision. She has earned fellowships from MacDowell, Vermont Studio Center, Callaloo, Watering Hole, Community of Writers and Cave Canem. Marshall previously served as artist-in-residence at Northwestern University and as faculty for Loyola University. She is the 2021-2023 Creative Writing Fellow in Poetry at Emory University. Hope Wabuke is a Ugandan American poet, essayist, and writer. She is the author of the forthcoming memoir Please Don't Kill My Black Son Please. Hope has published in The Guardian, The Root, Los Angeles Review of Books, and NPR among others. She is an Assistant Professor of English and Creative Writing at the University of Nebraska-Lincoln, and a founding board member and former Media & Communications Director for the Kimbilio Center for African American Fiction. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. Suzi F. Garcia is a Peruvian-American poet and editor raised in the South. She is the author of the poetry chapbook A Homegrown Fairytale (Bone Bouquet, 2020), focusing on queering the reader relationship with Dorothy from The Wizard of Oz. She is an upcoming editor for POETRY and executive editor of Noemi Press, where she has edited several award-winning books of poetry, craft, and more. Watch the live event recording: https://youtu.be/2e3DzF-pIBU Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Melissa Lozada-Oliva is Guatelombian (Guatemalan-Colombian) American poet, novelist, and screenwriter living in Brooklyn by way of Massachusetts. Her book peluda (Button Poetry 2017) explores the intersections of Latina identity, feminism, hair removal & what it means to belong. Her most recent book Dreaming of You is a novel-in-verse about bringing Selena back to life through a seance & the disastrous consequences that follow. She is the co-host of podcast Say More with Olivia Gatwood where they dissect the world through a poetic lens. Her work has been featured in REMEZCLA, PAPER, The Guardian, BreakBeat Poets, Kenyon Review, Vulture, Bustle, Glamour Magazine, The Huffington Post, Muzzle Magazine, The Adroit Journal, and BBC Mundo! Follow our guest: @ellomelissa Follow along with the show: TikTok @twistedtimesapodcast IG: @twistedtimesapodcast Twitter: @twistedtimeapod To watch LIVE shows: Download the 17live —- Find us @twistedtimesapodcast Produced by Twisted Valley Films www.twistedvalleyfilms.com Contact: Contact@twistedvalleyfilms.com Hosted by: @_ceceking and @msryanjillian --- Send in a voice message: https://anchor.fm/twisted-times/message

Hi there, Today I am incredibly excited to be arts calling Joseph Fasano! Joseph Fasano is a writer and educator. He studied mathematics and astrophysics at Harvard University before changing his course of study and earning a degree in philosophy, with a focus on philosophy of language after Wittgenstein. He did his graduate study in poetry at Columbia University, where he now teaches. Beyond his Professorships at Columbia University and Manhattanville College, Fasano is passionate about developing inclusive learning communities outside the walls of academic institutions. As an educator, his mission is to help each student synthesize diverse fields of study to develop a unique and informed voice, a depth of attention, and a capacity to break free of reductive mindsets. Fasano is the author of the novel The Dark Heart of Every Wild Thing (Platypus Press, 2020), which was named one of the "20 Best Small Press Books of 2020." His books of poetry are The Crossing (Cider Press Review, 2018), praised by Ilya Kaminsky for its "lush drive to live, even in the darkest moments"; Vincent (2015), which Rain Taxi Review hailed as a "major literary achievement"; Inheritance (2014), a James Laughlin Award nominee; and Fugue for Other Hands (2013), which won the Cider Press Review Book Award and was nominated for the Poets' Prize, "awarded annually for the best book of verse published by a living American poet two years prior to the award." A winner of the RATTLE Poetry Prize, he serves on the Editorial Board of Alice James Books, and he is the Founder of the Poem for You Series, a digital space offering recitations of listeners' favorite poems by request. His writing has appeared in The Times Literary Supplement, The Yale Review, The Southern Review, The Missouri Review, Boston Review, American Poets, Measure, Tin House, American Poetry Journal, The Adroit Journal, American Literary Review, Verse Daily, the PEN Poetry Series, the Academy of American Poets' poem-a-day program, and other publications. It has been widely anthologized and translated into many languages, including Spanish, Swedish, Lithuanian, Chinese, Russian, and Ukrainian. He is also a songwriter, and his songs and performances can be found on his social media platforms. http://josephfasano.net/ Main Twitter: @Joseph_Fasano_ A Poem for my Son Twitter: @stars_poem Visit the Poem for You Community on Instagram! https://www.instagram.com/poem_for_you_series Thanks again for stopping by, Joseph: it was an absolute pleasure! All the best! -- Arts Calling is produced by Jaime Alejandro at cruzfolio.com. If you like the show: consider reviewing the podcast and sharing it with those who love the arts, your support truly makes a difference! Check out cruzfolio.com for more podcasts about the arts and original content! Make art. Much love, j

For over twenty years, Peter Kahn has been fortunate to employ the power of poetry to help give voice to those previously unheard. He has been a high school teacher at Oak Park/River Forest High School in Chicago since 1994 and has recently also taught at Roosevelt University. Peter was commended in the National Poetry Competition 2009 and 2017. He is a founding member of Malika's Kitchen and co-founder of the London Teenage Poetry Slam. Peter holds an MA in English Education from The Ohio State University and an MFA in Creative Writing from Fairfield University. His 2020 book, Little Kings, is a book with interconnected poems and recurring characters that feels more like a book of poetic short stories that speak to one another. His new book, Respect The Mic, is an expansive, moving poetry anthology representing 20 years of poetry from students and alumni of Chicago's Oak Park River Forest High School Spoken Word Club.Natalie Rose Richardson was born in New York City to a long line of border-crossers and proud people of blended heritage. Natalie is a graduate of the University of Chicago (BA), and the Litowitz Creative Writing Program (in poetry) at Northwestern University. She is a current non-fiction MFA candidate at NYU. Her poetry and prose has appeared, or is forthcoming in: Poetry Magazine, Narrative, Orion Magazine, North American Review, The Adroit Journal, Brevity, The Cincinnati Review, Arts & Letters, Emergence Magazine, Chicago Magazine, and others, along with numerous anthologies, including The Golden Shovel Anthology. She has received awards, residencies or fellowships from the Poetry Society of America, The Poetry Foundation, Tin House, The Newberry Library, The Luminarts Foundation, Crab Orchard Review, Davis Projects for Peace, Scholastic Art & Writing Awards, and the National Student Poets Program. Natalie's work has featured at BBC Radio London, Tedx, WBEZ Chicago, The British Royal Library, The Art Institute of Chicago, and the Poetry Foundation. She is a 2020 Pushcart Prize and Best New Poets nominee.Rich Robbins is a rapper, songwriter, producer, and educator. But more than anything, the Oak Park-born, Chicago-based artist is a world-builder. Rich's early years as a college student in Madison, Wisconsin's First Wave hip-hop scholarship program jumpstarted his artistry. He recorded wide-reaching tracks like “Dreams” feat. Mick Jenkins, along with records with Saba, Mother Nature, and more. He has performed at historic venues like the Apollo Theater in New York, and has done everything from music festivals, to working at Hot 97 as an intern, to teaching classrooms of high school students how to read and write poetry/songs. His work is an inward look at society's ills and creates spaces for listeners to explore. In short, Rich's work critiques the old while envisioning and manifesting the new. His latest releases are available on all streaming platforms.Poet t.l. sanders is a modern-day renaissance man who lives to build minds and loves to body build. He speaks French. He plays bass. He is a cage-fighting martial artist. He educates. Give him a stage, he articulates. Lend him an ear, he motivates. As a performance professional based in Kansas City, MO, Poet has performed at the Kauffman Center for the Performing Arts (in the 2019 Lyric Opera of Kansas City production of Bizet's Pearl Fishers), at the Nelson Atkins Museum of Art, and—serendipitously—he has performed at several venues located in Kansas City's Historic Jazz District, 18th and Vine: the American Jazz Museum, at the Gem Theater, and in the Blue Room (which is the setting of his book, kNew: The POETICscreenPLAY). As Paper Birch Landing Art Gallery's 2019 Poet in Residence Recipient, the Winner of the Kauffman Center for the Performing Arts' 2021 Artful Poetry contest, a 2021 Missouri Arts Council Featured Artist, Prairie Lands Writing Project Teacher-Consultant, a Missouri Writing Project Network Teacher-Consultant, a current curriculum director, and former elementary, middle, and high school English teacher turned filmmaker, Poet embraces the value of our shared stories. In 2021, Poet delivered The kNew-Born, an art house film that explores the human side of drug addiction.

"People aren't just the victims in their stories; they're the heroes of their stories." – Joyce Hayden Even if you haven't been hurt by domestic violence, someone you know has and wishes they could tell you about it. Perhaps you are a therapist, teacher, academic, or social worker who wants to help those who are suffering. Or maybe you are in an abusive relationship and need to know that you are not alone. The poems, memoirs, and creative nonfiction pieces collected here tell of real incidents of abuse, as well as of those who left destructive and unsalvageable relationships. The beauty and truth of the language, as well as the honesty and courage, set this anthology apart from self-help manuals and academic treatises on domestic violence. This book offers a path forward to healing, health and fulfillment, using the power of art to give voice where voice has been stifled, forgotten, overlooked or denied. Robert Kingett, Joyce Hayden, RK Taylor, Lynn Magill, Christina Hoag, and Heidi Seaborn are survivors of domestic abuse and are here to talk about the book they are all part of, When Home Is Not Safe: Writings on Domestic Verbal, Emotional, and Physical Abuse. You can order the book here: https://amzn.to/34SH95b Robert Kingett is an award-winning Blind author and essayist. He has appeared in publications such as USA Today, Chicken Soup for the Soul, and the Chicago Tribune. He is an advocate for Disabled authors. RK Taylor is a writer and social worker based in Pittsburgh, PA. He earned his MFA from Chatham University, and his work has appeared in Scribble, Flash Fiction Online, Origami Poems Project, among others. He co-edited an anthology entitled Recasting Masculinity (2020) and he co-hosts Deep in the D-Pad, a podcast exploring videogames through an intellectual lens. Joyce Hayden is a former College English professor. She left her teaching position to pursue art and writing. She completed a memoir titled The Out of Body Girl, which chronicles her years with Dissociation and domestic violence. Heidi Seaborn is Executive Editor of The Adroit Journal and author of PANK Poetry Prize winner An Insomniac's Slumber Party with Marilyn Monroe, the acclaimed debut Give a Girl Chaos and Comstock Chapbook Award-winning Bite Marks. Recent work in Beloit Poetry Journal, Copper Nickel, Cortland Review, Diode, Financial Times of London, The Missouri Review, The Offing, The Slowdown and the Washington Post. Heidi holds an MFA from NYU. Lynn Magill lives in Western Washington with deep Iowa roots that influence many aspects of her writing and visual art. She holds a master's degree in Professional and Creative Writing from Central Washington University has been published by McFarland and Sons, Thin Air Review, and Meat for Tea, among others. You can usually find her anywhere there are animals (especially dogs) or a lack of cell phone service - and ideally both. Christina Hoag, a former journalist and foreign correspondent, has written for Time, Business Week, New York Times, Financial Times, among other media. She is the author of YA novel Girl on the Brink, which was inspired by her own experience in an abusive relationship. She is a volunteer facilitator at a domestic violence support group and speaks about abusive relationships. --- Support this podcast: https://podcasters.spotify.com/pod/show/artsforthehealthofit/support

Chris sits down with Darius Simpson, winner of the 2020 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship, to talk about all things passions, process, pitfalls, and poetry! Darius Simpson is a writer, educator, performer, and skilled living room dancer from Akron, Ohio. He received his BA in Political Science from Eastern Michigan University and his MFA in Creative Writing-Poetry from Mills College. Darius was a recipient of the 2020 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship.​ He hopes to inspire that feeling you get that makes you scrunch up your face after a good bite of homemade Mac N Cheese. Darius' poems have appeared in POETRY Magazine, The Adroit Journal, American Poetry Review, Tinderbox Poetry Journal, and others. Currently, he lives in Oakland, CA where, as a Teaching Artist, he partners with organizations to facilitate writing and performance workshops throughout the Bay Area. Darius believes in the dissolution of empire and the total liberation of all oppressed people by any means available. Free the People. Free the Land. Free All Political Prisoners. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Ross & Noah welcome Stephanie Lane Sutton to the pod and go behind the scenes at THE POET IS IN a live-streaming poetry event weekly on Twitch. Sutton's webpage: http://stephanielanesutton.com/read.html Sutton on Twitch (as AthenaSleepsIn): https://www.twitch.tv/athenasleepsinSHINY INSECT SEX: https://bullcitypress.com/product/shiny-insect-sex-inch-38/Garden Door Press, publisher of THE CONNOISSEUR by Cat Ingrid Leeches (which at the time of this posting is sold out): http://www.garden-doorpress.com/store Stephanie Lane Sutton was born in Detroit. Her short prose can be found in The Offing, Black Warrior Review and The Adroit Journal, as well as in the micro-chapbook Shiny Insect Sex (Bull City Press). Her poetry has appeared in Glass, Tinderbox, and THRUSH Poetry Journal, among others. In 2019, she received her MFA in creative writing from the University of Miami. Previously she lived in Chicago, where she taught performance poetry at Phoenix Military Academy.Thank you for listening to The Chapbook!Noah Stetzer is on Twitter @dcNoahRoss White is on Twitter @rosswhite You can find all our episodes and contact us with your chapbook questions and suggestions here. Follow Bull City Press on Twitter https://twitter.com/bullcitypress Instagram https://www.instagram.com/bullcitypress/ and Facebook https://www.facebook.com/bullcitypress 

Courtney and Chris Margolin sit down with Sam Herschel Wein to talk about Passions, Process, Pitfalls, and Poetry. Sam Herschel Wein (pronouns: he/they) is a lollygagging plum of a poet who specializes in perpetual frolicking. They are an MFA candidate in poetry at the University of Tennessee-Knoxville. Their first chapbook, Fruit Mansion (Split Lip Press, 2017) was selected as the winner of the 2016 Turnbuckle Chapbook prize. Their second chapbook, GESUNDHEIT!, a collaboration with Chen Chen, is part of the 2019-2020 Glass Poetry Press series. He co-founded and edits the poetry journal Underblong. Recent poems can be found in Shenandoah, Sundog Lit, and The Adroit Journal, among others. They can be found in the cheese aisle of most stores, in the middle of a hug, or editing poems at your local coffee shop. Books referenced: Pet by Akwaeke Emezi; Detransition, Baby: A Novel by Torrey Peters Find Sam on Twitter Head to The Poetry Question to keep up with independent poetry! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Show Notes from Episode 82 and Links to Sara Elkamel's Work           On Episode 82 of The Chills at Will Podcast, Pete has the pleasure to speak with Sara Elkamel, poet and journalist, about her passion for the form, her work with surrealism, and her eye for detail. The two delve into three of Sara's profound and lush poems, with Sara generously sharing the background and thought process in creating the work.     Sara Elkamel is a poet and journalist living between her hometown, Cairo, and New York City. She holds an MA in arts journalism from Columbia University, and is currently an MFA candidate in poetry at New York University, where she teaches in the undergraduate Creative Writing Program.   Elkamel's poems have appeared in The Common, Michigan Quarterly Review, Four Way Review, The Boiler, Memorious, wildness, Nimrod International Journal, The Rumpus, Jet Fuel Review, etc. Her work has also been featured as part of the anthologies Best New Poets 2020, Best of the Net 2020, The BreakBeat Poets Vol. 3: Halal If You Hear Me, and 20.35 Africa: Vol. 2. She was named a 2020 Gregory Djanikian Scholar by The Adroit Journal, and a finalist in Narrative Magazine's 30 Below Contest in the same year. Elkamel's debut chapbook “Field of No Justice” will be published by the African Poetry Book Fund & Akashic Books in 2021.   Elkamel has designed and facilitated (often collaboratively) a number of creative writing workshops in art spaces and cultural intuitions in Cairo, Alexandria and Amman, Jordan, including at the Cairo Institute of Liberal Arts and Sciences (CILAS), The Townhouse Gallery, Medrar for Contemporary Art, and at the Mohammad and Mahera Abu Ghazaleh Foundation (MMAG).     Sara Elkamel's Personal Website   Interview with Washington Square: Sara Elkamel on Surrealism, Myth, and Gender in “Field of No Justice”   Sara Elkamel's “Heaven”   Four Way Review-Three Poems by Sara Elkamel   At about 2:40, Sara discusses what she is working on currently, as she has recently returned from Cairo after more than a year; she discusses how a collection of poems becomes a thesis when poetry is not inherently ordered   At about 6:30, Sara talks about her childhood in Cairo and her relationship with the written word, including her love of the book fair (!) and some early introductions to symbolism and    At about 10:30, Pete asks Sara about the connections between the familiarity of the US upon Sara's starting to live here and what she read in Egypt about the US   At about 12:00, Sara responds to Pete's question about the influence of the Koran on her writing   At about 13:00, Sara responds to Pete's question of how Arabic as a language lend itself to poetry, as seen through the proud traditions of poetry written in the language    At about 15:10, Sara relates a fitting Anne Carson quote   At about 15:50, Sara discusses some transformative texts that she read as she got older, including “A Little Sugar” from Hussein Jelaad in Beirut 89 and Alan Ziegler's class, where she read formative work from Ben Lerner and Carl Phillips, as well as work from Anne Carson-a gift from her boss    At about 19:25, Sara discusses her personal views on form, as she writes prose poetry for the most part, as well as form in contemporary poetry   At about 22:40, Sara glowingly explains her philosophy and process of editing       At about 26:05, Sara explains her views of “deciphering poetry”   At about 28:45, Pete quotes Sara from a previous interview and asks her what she means about the connection between poetry and “collage”   At about 31:35, Pete and Sara discuss “Field of No Justice” and the idea of the speaker as the poet   At about 32:50, Sara gives background on some themes and references/inspiration for “Field of No Justice”   At about 34:40, Pete highlights some intriguing lines from the above poem and asks Sara about her use of the bird as motif   At about 35:50, Pete asks Sara about surrealism and its connection to Egypt in both “older times” and in contemporary times   At about 38:20, Sara details Wadi Rum and its natural beauty and her connection to it, used as muse for her poem “The Language of the Body”   At about 39:25, Sara reads “The Language of the Body”   At about 41:25, Pete asks Sara about the poem-its repetition and “sinning out in the open,” for one, and Sara talks about the poem as a response to a prompt from Professor Catherine Barnett and more of its genesis   At about 45:20, Sara reads “Heaven”   At about 46:05, Sara responds to Pete's question, in response to the poem “Heaven” about challenges in writing shorter pieces and Pete recounts some profound lines as he and Sara discuss specific word and craft choices   At about 50:45, Sara talks about future projects and her impressive editing process You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Spotify and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. I'm excited to share Episode 83 with Larry Strauss on October 5. I hope you can tune in, as I talk to the novelist, teacher, student advocate and freelance writer who has been published in USA Today and many other prestigious publications. Larry's newest novel, Light Man, is an engrossing read and is out in November 2021.  The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.

Michael talks with Todd Dillard about his every day, his family, video games, comic books, coming to poetry, his first collection WAYS WE VANISH, writing the personal surreally, short books, process, new work, and more.Todd Dillard's debut poetry collection Ways We Vanish came out it 2020 with Okay Donkey Press, and he's had work appear in The Offing, Electric Literature, The Adroit Journal, Fairy Tale Review, HAD, and here in Autofocus.Podcast theme: DJ Garlik & Bertholet's "Special Sause" used with permission from Bertholet.

Natalie Perman studies English and German at university. She is a 2017 and 2018 winning and commended Foyle Young Poet and has won the Forward Student Critics' Award as well as the Mapleton-Bree Prize 2020. She has served as Editor-in-chief of the Oxford Review of Books, is current Editor-in-Chief of The Isis Magazine and a Poetry Reader for The Adroit Journal. She is published or forthcoming with bath magg, The White Review and The ASH. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

The Austin Youth Poet Laureate program has landed in Austin! We here at Host Publications are thrilled to partner with the Library Foundation and the National Youth Poet Laureate Program led by Urban Word, with additional support from the Austin Public Library, Creative Learning Initiative, and Learn All The Time.  In this episode, we discuss the details of this exciting new program for young writers in Austin, and all of the benefits that it offers them, for their writing, their confidence, and for their engagement with their communities.  We had the opportunity to speak with the inaugural Teaching Artists who ran the application workshops this year, to hear about their experiences in the workshops and to get a better sense of what this program will offer young writers in Austin.    We spoke with Bianca Perez: (she/her) Bianca was born and raised in Mission, Texas – a small southern town bordering Mexico. She is currently an MFA Poetry candidate at Texas State University. Her poems have been published in The New York Quarterly, Re-side Magazine, Magma Poetry UK, ReclamationATX, Psst! Press' The Sappho Diaries, and East French Press. Forthcoming in The Ice Colony Anthology. She is also the co-host of a horror podcast with writer Stephanie Grossman. Her poetry centers on her Latin culture, spirituality, family, and womanhood. We also spoke with Steven Espada Dawson: (he/him) is a writer from East Los Angeles, currently working out of Austin. The son of a Mexican immigrant, he holds an MFA in poetry from Purdue University. He has served as poetry editor for Sycamore Review and Copper Nickel. Winner of the Barriss and Iola Mills Award and the Kneale Award, his poems have appeared recently or are forthcoming in The Adroit Journal, Best New Poets 2020, Colorado Review, Copper Nickel, Gulf Coast, Hobart, Kenyon Review Online, Split Lip Magazine, and Waxwing, among other journals.   We want to encourage any and all interested folks to apply for the Youth Poet Laureate position this year by Sunday, August 15, 2021, at 11:59pm, or to take the Application Workshops next year for a fully immersive creative experience. Head on over to the Library Foundation's website for more information on how to apply, and follow Library Foundation ATX and Host Publications on social media for updates on deadlines, the inaugural winner, readings and the forthcoming chapbook! 

Seema Yasmin gathers a powerful line-up of poets—George Abraham, Aracelis Girmay, José Olivarez, Janice Lobo Sapigao, and Yalini Thambynayagam—to celebrate Yasmin's poetry collection, If God Is A Virus. Based on original reporting from West Africa and the United States, and the poet's experiences as a doctor and journalist, If God Is A Virus charts the course of the largest and deadliest Ebola epidemic in history, telling the stories of Ebola survivors, outbreak responders, journalists and the virus itself. These documentary poems explore which human lives are valued, how editorial decisions are weighed, what role the aid industrial complex plays in crises, and how medical myths and rumor can travel faster than microbes. These poems also give voice to the virus. Eight percent of the human genome is inherited from viruses and the human placenta would not exist without a gene descended from a virus. If God Is A Virus reimagines viruses as givers of life and even authors of a viral-human self-help book. Featuring: Dr. Seema Yasmin is an Emmy Award-winning journalist, medical doctor, disease detective and author. She was a finalist for the Pulitzer Prize in breaking news reporting in 2017 with her team from The Dallas Morning News for coverage of a mass shooting. Yasmin was a disease detective in the Epidemic Intelligence Service at the Centers for Disease Control and Prevention where she chased outbreaks in maximum-security prisons, American Indian reservations, border towns and hospitals. Currently, Dr. Yasmin is a Stanford professor, medical analyst for CNN and science correspondent for Conde Nast Entertainment. Find her at seemayasmin.com, Twitter @DoctorYasmin and Instagram: @drseemayasmin. Aracelis Girmay is the author of three books of poems: the black maria (BOA, 2016); Teeth (Curbstone Press, 2007), winner of a GLCA New Writers Award; and Kingdom Animalia (BOA, 2011), the winner of the Isabella Gardner Award and finalist for the National Book Critics Circle Award and the Hurston/Wright Legacy Award. Girmay currently serves as the Margaret Bundy Scott Professor in the English Department. George Abraham is a Palestinian-American poet, educator, and engineer who grew up on unceded Timucuan lands. They are the author of their debut collection Birthright, winner of the Big Other Book Award, finalist for the Lambda Literary Award in Bisexual Poetry, and was named on Best of 2020 lists with The Asian American Writers' Workshop and The New Arab. Janice Lobo Sapigao (she/her) is a daughter of immigrants from the Philippines, and the author of two books of poetry: microchips for millions and like a solid to a shadow. She's been profiled in Content Magazine, Mercury News, SF Gate, and Metro Silicon Valley. Her work has appeared in literary magazines such as Apogee Journal, Entropy, The Offing, poets.org, Split This Rock's Poem-of-the-Week, and Waxwing Literary Journal. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNext. https://joseolivarez.com/ YaliniDream is a touring performing artist, organizer, somatics practitioner, and consultant with over twenty years' experience using artistic tools for healing, organizing, and dignity with communities contending with violence and oppression. Watch the live event recording: https://youtu.be/QPIZZhVeTGY Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Inner Moonlight is the poetry reading series for the Wild Detectives in Dallas! Join us the second Wednesday of every month for reading and conversation with one brilliant writer. In this episode, host Logen Cure talks to award-winning poet Lauren Berry. Lauren Berry received a BA in Creative Writing from Florida State University and an MFA from the University of Houston where she won the Inprint Verlaine Prize and served as poetry editor for Gulf Coast. From 2009 to 2010, she held the Diane Middlebrook Poetry Fellowship at the Wisconsin Institute. Her work has appeared in magazines such as Agni, Silk Road, The Adroit Journal, Denver Quarterly, and Iron Horse Literary Review. Terrance Hayes selected her first collection, The Lifting Dress (Penguin, 2011), to win the National Poetry Series prize. Her second collection, The Rented Altar, won the C&R Press Award in poetry (C&R Press, 2020) and the 2021 gold medal from the Independent Publisher Book Awards. She teaches AP English Literature at YES Prep Public Schools, a charter school that provides college preparatory education to Houston's most underserved communities. Additionally, Lauren leads poetry workshops for local non-profits, Inprint and Grackle and Grackle. Connect with her at poetlaurenberry.com

Catherine Pond was born in New York City and grew up in Georgia. She is the author of Fieldglass (Southern Illinois University Press 2021), winner of the Crab Orchard First Book Prize. Her poems have appeared in Best New Poets, Best American Nonrequired Reading, AGNI, The Adroit Journal, Narrative, and other publications. Pond is a PhD candidate in Literature & Creative Writing at the University of Southern California, where she teaches writing. Instagram: @catherine.pond "Riding the Bus Back to Oxford" was originally published in Lambda Literary: https://www.lambdaliterary.org/2014/09/three-poems-by-catherine-pond/ Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for our series is from Excursions Op. 20, Movement 1, by Samuel Barber, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by a generous donation from the Friends of the Deerfield Public Library. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.

This is the third and final in a series of events curated by Cortney Lamar Charleston in collaboration with The BreakBeat Poets and Haymarket Books, to celebrate the release of his new collection, Doppelgangbanger. Poets: Cortney Lamar Charleston is originally from the Chicago suburbs. He completed his undergraduate education at the University of Pennsylvania, earning a BS in Economics from the Wharton School and BA in Urban Studies from the College of Arts & Sciences. While attending Penn, he was most interested in the business as a political entity, the relationship between the public and private sectors and the physical and sociological construction of cities. It was during his college years that he began writing and performing poetry as a member of The Excelano Project. Charleston's academic interests, coupled with his upbringing spent bouncing between Chicago's South Side and its South and West suburbs, immediately influence his written work. Charleston's poems paint themselves against the backgrounds of past and present; they grapple with race, masculinity, class, family, faith and how identity is, functionally, a transition zone between all of these competing markers. Said differently, his poetry is a kind of marriage between art and activism, a call for a more involved and empathetic understanding of the diversity of the human experience. This same line of thought frames his philosophy as Poetry Editor at The Rumpus. He also currently serves on the Alice James Books Editorial Board. Julian Randall is a Living Queer Black poet from Chicago. He has received fellowships from Cave Canem, CantoMundo, Callaloo, BOAAT, Tin House, Milkweed Editions, and The Watering Hole. Julian is the recipient of a Pushcart Prize. Julian is the winner of the 2019 Betty Berzon Emerging Writer Award from the Publishing Triangle and the 2019 Frederick Bock Prize. His poetry has been published in New York Times Magazine, Ploughshares, and POETRY and anthologized in The Breakbeat Poets Vol.4, Nepantla and Furious Flower. He has essays in Vibe, Black Nerd Problems, and other venues. He holds an MFA in Poetry from Ole Miss. He is the author of Refuse (Pitt, Fall 2018), winner of the 2017 Cave Canem Poetry Prize, and a finalist for a 2019 NAACP Image Award, the Middle Grade novel Pilar Ramirez And The Prison of Zafa (Holt, Winter 2022). He talks a lot about poems and other things on Twitter at @JulianThePoet. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere. Watch the live event recording: https://youtu.be/d7eErci3NLs Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Are you ready to celebrate Janel Pineda's Lineage of Rain? With special guests: Kay Ulanday Barrett, féi hernandez, Vanessa Angélica Villareal AND Jihyun Yun?! Hosted by José Olivarez?! Y'all: get ready for the real. ---------------------------------------------------- Speakers: Janel Pineda is a Los-Angeles born Salvadoran poet and educator. She has performed her poetry internationally in both English and Spanish, and been published in LitHub, PANK, The BreakBeat Poets, Vol. 4: LatiNext, and The Wandering Song: Central American Writing in the U.S. among others. As a Marshall Scholar, she holds an MA in Creative Writing and Education from Goldsmiths, University of London. Janel's debut poetry chapbook, Lineage of Rain, is forthcoming from Haymarket Books. Kay Ulanday Barrett is a poet, performer, and cultural strategist. Barrett's latest book More Than Organs received a 2021 Stonewall Honor Book Award in Literature by the American Library Association. They have featured at The Lincoln Center, The U.N., Symphony Space, The Poetry Project, Princeton University, NYU, The Dodge Poetry Foundation, The Hemispheric Institute, and Brooklyn Museum. They've received fellowship invitations from MacDowell, Lambda Literary, Drunken Boat, VONA, The Home School, VCCA, Monson Arts, and Macondo. They are a 3x Pushcart Prize nominee and 2x Best of the Net nominee. They have written two poetry books, When The Chant Comes (Topside Press, 2016) and More Than Organs (Sibling Rivalry Press, 2020). They currently reside in NYC/NJ and remix their mama's recipes with the company of their jowly dog. féi hernandez (b.1993 Chihuahua, México) is an Inglewood-raised immigrant trans non-binary visual artist, writer, and healer. Currently, they are the President of the Advisory Board for Gender Justice Los Angeles. They have been published in Poetry, Oxford Review of Books, Frontier, NPR's Code Switch, BreakBeat Poets Volume 4: LatiNEXT, PANK Magazine amongst others. féi is the author of Hood Criatura (Sundress Publications, 2020). Vanessa Angélica Villarreal was born in the Rio Grande Valley to Mexican immigrants. She is the recipient of a 2019 Whiting Award and the author of the award-winning collection Beast Meridian (Noemi Press, Akrilica Series, 2017), a 2019 Kate Tufts Discovery Award finalist, and winner of the John A. Robertson Award for Best First Book of Poetry from the Texas Institute of Letters. Her work has appeared in the New York Times, Paris Review, Boston Review, Los Angeles Review of Books, the Rumpus, the Academy of American Poets' Poem-a-Day, Buzzfeed Reader, and Poetry Magazine, where her poem “f = [(root) (future)]” was honored with the 2019 Friends of Literature Prize. Find her on Twitter @Vanessid. Jihyun Yun is a Korean American poet from the San Francisco Bay Area. Winner of the 2019 Prairie Schooner Prize in poetry, her debut collection Some Area Always Hungry [an urgently beautiful collection] was published by University of Nebraska Press in September 2020. Her work has appeared in Best New Poets, Adroit, Narrative Magazine and elsewhere. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. Watch the live event recording: https://youtu.be/Tz02p_U9-g4 Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Join hosts Chibbi and Raqui as we welcome José Olivarez to the Words and Sh*t stage! Streaming Live on The Blah Poetry Spot's page, tune in to get to know the person behind the poetry! José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere.

in which Meggie Royer and i talk shit about the literary canon, dissect instagram poetry, and generally agree with each other a lot... where to find Meggie: fb page - facebook.com/MeggieRoyerPoetry/ tumblr - writingsforwinter.tumblr.com Persephone's Daughters - http://www.persephonesdaughters.tk/ other things referenced: Rita Dove revision article - http://owrite.blogspot.com/2008/01/narrow-world-made-wide.html close reading - https://en.wikipedia.org/wiki/Close_reading Sharon Olds - https://www.sharonolds.net/ Natalie Diaz - https://www.poetryfoundation.org/poets/natalie-diaz Joy Harjo - https://www.joyharjo.com/ Have You Prayed? by Li-Young Lee - https://www.poetryfoundation.org/poems/52208/have-you-prayed Nikki Giovanni - https://www.nikki-giovanni.com/ Adroit Journal - https://theadroitjournal.org/ Storied Owl Books - http://storiedowlbooks.com/ Emily Skaja - https://emilyskaja.net/poems/

For decades, the four plumbers had answered the call of old widows who'd dropped jewelry down their drains. Sometimes, the plumbers unscrewed the U-shaped trap under the sink, knocked out its splat of tobacco-colored crud, and fished out a golden ring. But other times, there was no reclaiming the lost diamonds and gold. They tumbled blind through the maze of pipes below the city, never to see the sun again. Whenever the plumbers left a house, the widows would ask, “Do you hear it too? The singing that comes rattling up from the pipes?” | Copyright 2018 by Micah Dean Hicks. Originally published in THE ADROIT JOURNAL. Reprinted by permission of the author. Narrated by Stefan Rudnicki.

Chicago Youth Poet Laureate Kara Jackson reads hers and Lucille Clifton's work and then discusses Black feminist embodiment and musical influences -- including but not limited to Jamila Woods, Marvin Gaye, and Joni Mitchell. In the words of Terrance Hayes: "“Kara is amazing! She's a terrific writer of course in the poems but in the prose too. Style plus insight.” Finally: special shout out to Dr. Camea Davis, Urban Word NYC, and The National Youth Poet Laureate Program (see links below) for putting together such a rad collaboration. On Kara Jackson -- Kara Jackson is the daughter of country folks. She is the Youth Poet Laureate of Chicago. Her work investigates a trail of language that leads from the South to the North. Through a multidisciplinary approach, Jackson attempts to document her lineage of divine womanhood in a country that demands its erasure. She is a product of the literary bloodline created by women like Zora Neale Hurston, Toni Morrison, Alice Walker, Buffy Sainte-Marie, and Joan Baez. Jackson is an alum of the solo voice jazz ensemble at Merit School of Music. Jackson received the Scholastic Art and Writing Award for her short story Nursery Rhymes, which won a silver medal at the national level. She is an Adroit Journal mentee. Jackson is an alum of the Spoken Word Club at Oak Park River Forest High school. She represented the school in the Louder Than a Bomb festival from 2016-2018, and in her final year performed on final stage at the Auditorium Theatre, where she was granted the Literary Award by Patricia Smith. Her poems have appeared in POETRY, Frontier Poetry, Rookie Mag, Nimrod Literary Journal, and Saint Heron. She has two articles published in Blavity. She has two poems featured in the latest anthology edited by Kevin Coval, The End of Chiraq. Jackson is a TEDx speaker. She will attend Smith College in the fall of 2019. For more: (https://www.poetryfoundation.org/poets/kara-jackson)// Kara's TEDx Talk: (bit.ly/KJTEDx) // VS Podcast: (bit.ly/karavs)// Follow Kara at: (https://www.instagram.com/fridahalo/) + (https://twitter.com/fridahalo?lang=en). On The National Youth Poet Laureate Program: (youthlaureate.org) // (urbanwordnyc.org). ● The Poetry Vlog is a YouTube Channel and Podcast dedicated to building social justice coalitions through poetry, pop culture, cultural studies, and related arts dialogues. Subscribe to our YouTube channel to join our fast-growing arts & scholarship community (youtube.com/c/thepoetryvlog?sub_confirmation=1). Connect with us on Instagram (instagram.com/thepoetryvlog), Twitter (twitter.com/thepoetryvlog), Facebook (facebook.com/thepoetryvlog), and our website (thepoetryvlog.com). --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app