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EP166 Interview With Mark & Simon From Elinchrom UK I sit down with Mark Cheatham and Simon Burfoot from Elinchrom UK to talk about the two words that matter most when you work with light: accuracy and consistency. We dig into flash vs. continuous, shaping light (not just adding it), why reliable gear shortens your workflow, and Elinchrom's new LED 100 C—including evenly filling big softboxes and that handy internal battery. We also wander into AI: threats, tools, and why authenticity still carries the highest value.   Links: Elinchrom UK store/info: https://elinchrom.co.uk/ LED 100 C product page: https://elinchrom.co.uk/elinchrom-led-100-c Rotalux Deep Octa / strips: https://elinchrom.co.uk/elinchrom-rotalux-deep-octabox-100cm-softbox/ My workshop dates: https://masteringportraitphotography.com/workshops-and-mentoring/ Transcript: Paul: as quite a lot of, you know, I've had a love affair with Elinchrom Lighting for the past 20 something years. In fact, I'm sitting with one of the original secondhand lights I bought from the Flash Center 21 years ago in London. And on top of that, you couldn't ask for a nicer set of guys in the UK to deal with. So I'm sitting here about to talk to Simon and Mark from Elinchrom uk. I'm Paul and this is the Mastering Portrait Photography podcast. Paul: So before we get any further, tell me a little bit about who you are, each of you and the team from Elinchrom UK Mark: After you, Simon. Simon: Thank you very much, mark. Mark: That's fine. Simon: I'm, Simon Burfoot. I have, been in the industry now for longer than I care to think. 35 years almost to the, to the day. Always been in the industry even before I left school because my father was a photographer and a lighting tutor, working for various manufacturers I was always into photography, and when he started the whole lighting journey. I got on it with him, and was learning from a very young age. Did my first wedding at 16 years old. Had a Saturday job which turned into a full-time job in a retail camera shop. By the time I was 18, I was managing my own camera shop, in a little town in the Cotswolds called Cirencester. My dad always told me that to be a photographic rep in the industry, you needed to see it from all angles, to get the experience. So I ended up, working in retail, moving over to a framing company. Finishing off in a prolab, hand printing, wedding photographers pictures, processing E6 and C41, hand correcting big prints for framing for, for customers, which was really interesting and I really enjoyed it. And then ended up working for a company called Leeds Photo Visual, I was a Southwest sales guy for them. Then I moved to KJP before it became, what we know now as Wex, and got all of the customers back that I'd stolen for them for Leeds. And then really sort of started my career progressing through, and then started to work with Elinchrom, on the lighting side. Used Elinchrom way before I started working with them. I like you a bit of a love affair. I'd used lots of different lights and, just loved the quality of the light that the Elinchrom system produced. And that's down to a number of factors that I could bore you with, but it's the quality of the gear, the consistency in terms of color, and exposure. Shooting film was very important to have that consistency because we didn't have Photoshop to help us out afterwards. It was a learning journey, but I, I hit my goal after being a wedding photographer and a portrait photographer in my spare time, working towards getting out on the road, meeting people and being involved in the industry, which I love. And I think it's something that I'm scared of leaving 'cause I dunno anything else. It's a wonderful industry. It has its quirks, its, downfalls at points, but actually it's a really good group of people and everyone kind of, gets on and we all love working with each other. So we're friends rather than colleagues. Paul: I hesitate to ask, given the length of that answer, to cut Simon: You did ask. Mark: I know. Paul: a short story Mark: was wondering if I was gonna get a go. Paul: I was waiting to get to end into the podcast and I was about to sign off. Mark: So, hi Mark Cheatham, sales director for Elinchrom uk this is where it gets a little bit scary because me and Simon have probably known each other for 10 years, yet our journeys in the industry are remarkably similar. I went to college, did photography, left college, went to work at commercial photographers and hand printers. I was a hand printer, mainly black and white, anything from six by four to eight foot by four foot panels, which are horrible when you're deving in a dish. But we did it. Paul: To the generation now, deving in a dish doesn't mean anything. Simon: No, it doesn't. Mark: And, and when you're doing a eight foot by four foot print and you've got it, you're wearing most of the chemistry. You went home stinking every night. I was working in retail. As a Saturday lad and then got promoted from the Saturday lad to the manager and went to run a camera shop in a little town in the Lake District called Kendall. I stayed there for nine years. I left there, went on the road working for a brand called Olympus, where I did 10 years, I moved to Pentax, which became Rico Pentax. I did 10 years there. I've been in the industry all my life. Like Simon, I love the industry. I did go out the industry for 18 months where I went into the wonderful world of high end commercial vr, selling to blue light military, that sort of thing. And then came back. One of the, original members of Elinchrom uk. I don't do as much photography as Simon I take photos every day, probably too many looking at my Apple storage. I do shoot and I like shooting now and again, but I'm not a constant shooter like you guys i'm not a professional shooter, but when you spent 30 odd years in the industry, and part of that, I basically run the, the medium format business for Pentax. So 645D, 645Z. Yeah, it was a great time. I love the industry and, everything about it. So, yeah, that's it Paul: Obviously both of you at some point put your heads together and decided Elinchrom UK was the future. What triggered that and why do you think gimme your sales pitch for Elinchrom for a moment and then we can discuss the various merits. Simon: The sales pitch for Elinchrom is fairly straightforward. It's a nice, affordable system that does exactly what most photographers would like. We sell a lot of our modifiers, so soft boxes and things like that to other users, of Prophoto, Broncolor. Anybody else? Because actually the quality of the light that comes out the front of our diffusion material and our specular surfaces on the soft boxes is, is a lot, lot more superior than, than most. A lot more superior. A lot more Mark: A lot more superior. Paul: more superior. Simon: I'm trying to Paul: Superior. Simon: It's superior. And I think Paul, you'll agree, Paul: it's a lot more, Simon: You've used different manufacturers over the years and, I think the quality of light speaks for itself. As a photographer I want consistency. Beautiful light and the effects that the Elinchrom system gives me, I've tried other soft boxes. If you want a big contrasty, not so kind light, then use a cheaper soft box. If I've got a big tattoo guy full of piercings you're gonna put some contrasty light to create some ambience. Maybe the system for that isn't good enough, but for your standard portrait photographer in a studio, I don't think you can beat the light. Mark: I think the two key words for Elinchrom products are accuracy and consistency. And that's what, as a portrait photographer, you should be striving for, you don't want your equipment to lengthen your workflow or make your job harder in post-production. If you're using Elinchrom lights with Elinchrom soft boxes or Elinchrom modifiers, you know that you're gonna get accuracy and consistency. Which generally makes your job easier. Paul: I think there's a bit that neither of you, I don't think you've quite covered, and it's the bit of the puzzle that makes you want to use whatever is the tool of your trade. I mean, I worked with musicians, I grew up around orchestras. Watching people who utterly adore the instrument that's in their hand. It makes 'em wanna play it. If you own the instrument that you love to play, whether it's a drum kit a trumpet a violin or a piano, you will play it and get the very best out of your talent with it. It's just a joy to pick it up and use it for all the little tiny things I think it's the bit you've missed in your descriptions of it is the utter passion that people that use it have for it. Mark: I think one of the things I learned from my time in retail, which was obviously going back, a long way, even before digital cameras One of the things I learned from retail, I was in retail long before digital cameras, retail was a busier time. People would come and genuinely ask for advice. So yes, someone would come in and what's the best camera for this? Or what's the best camera for that? Honestly there is still no answer to that. All the kit was good then all the kit is good now. You might get four or five different SLRs out. And the one they'd pick at the end was the one that they felt most comfortable with and had the best connection with. When you are using something every day, every other day, however it might be, it becomes part of you. I'm a F1 fan, if you love the world of F1, you know that an F1 car, the driver doesn't sit in an F1 car, they become part of the F1 car. When you are using the same equipment day in, day out, you don't have to think about what button to press, what dial to to turn. You do it. And that, I think that's the difference between using something you genuinely love and get on with and using something because that's what you've got. And maybe that's a difference you genuinely love and get on with Elinchrom lights. So yes, they're given amazing output and I know there's, little things that you'd love to see improved on them, but that's not the light output. Paul: But the thing is, I mean, I've never, I've never heard the F1 analogy, but it's not a bad one. When you talk about these drivers and their cars and you are right, they're sort of symbiotic, so let's talk a little bit about why we use flash. So from the photographers listening who are just setting out, and that's an awful lot of our audience. I think broadly speaking, there are two roads or three roads, if you include available light if you're a portrait photographer. So there's available light. There's continuous light, and then there's strobes flash or whatever you wanna call it. Of course, there's, hybrid modeling and all sorts of things, but those are broadly the three ways that you're gonna light your scene or your subject. Why flash? What is it about that instantaneous pulse of light from a xenon tube that so appealing to photographers? Simon: I think there's a few reasons. The available light is lovely if you can control it, and by that I mean knowing how to use your camera, and control the ambient light. My experience of using available light, if you do it wrong, it can be quite flat and uninteresting. If you've got a bright, hot, sunny day, it can be harder to control than if it's a nice overcast day. But then the overcast day will provide you with some nice soft, flat lighting. Continuous light is obviously got its uses and there's a lot of people out there using it because what they see is what they get. The way I look at continuous light is you are adding to the ambient light, adding more daylight to the daylight you've already got, which isn't a problem, but you need to control that light onto the subject to make the subject look more interesting. So a no shadow, a chin shadow to show that that subject is three dimensional. There are very big limitations with LED because generally it's very unshapable. By that I mean the light is a very linear light. Light travels in straight lines anyway, but with a flash, we can shape the light, and that's why there's different shapes and sizes of modifiers, but it's very difficult to shape correctly -an LED array, the flash for me, gives me creativity. So with my flash, I get a sharper image to start with. I can put the shadows and the light exactly where I want and use the edge of a massive soft box, rather than the center if I'm using a flash gun or a constant light. It allows me to choose how much or how little contrast I put through that light, to create different dynamics in the image. It allows me to be more creative. I can kill the ambient light with flash rather than adding to it. I can change how much ambient I bring into my flash exposure. I've got a lot more control, and I'm not talking about TTL, I'm talking about full manual control of using the modifier, the flash, and me telling the camera what I want it to do, rather than the camera telling me what it thinks is right. Which generally 99% of the time is wrong. It's given me a beautiful, average exposure, but if I wanted to kill the sun behind the subject, well it's not gonna do that. It's gonna give me an average of everything. Whereas Flash will just give me that extra opportunity to be a lot more creative and have a lot more control over my picture. I've got quite a big saying in my workshops. I think a decent flash image is an image where it looks like flash wasn't used. As a flash photographer, Paul, I expect you probably agree with me, anyone can take a flash image. The control of light is important because anybody can light an image, but to light the subject within the image and control the environmental constraints, is the key to it and the most technical part of it. Mark: You've got to take your camera off P for professional to do that. You've got to turn it off p for professional and get it in manual mode. And that gives you the control Paul: Well, you say that, We have to at some point. Address the fact that AI is not just coming, it's sitting here in our studios all the time, and we are only a heartbeat away from P for professional, meaning AI analyzed and creating magic. I don't doubt for a minute. I mean, right now you're right, but not Mark: Well, at some point it will be integrated into the camera Paul: Of course it will. Mark: If you use an iPhone or any other phone, you know, we are using AI as phone photographers, your snapshots. You take your kids, your dogs, whatever they are highly modified images. Paul: Yeah. But in a lot of the modern cameras, there's AI behind the scenes, for instance, on the focusing Mark: Yeah. Paul: While we've, we are on that, we were on that thread. Let's put us back on that thread for a second. What's coming down the line with, all lighting and camera craft with ai. What are you guys seeing that maybe we're not Simon: in terms of flash technology or light technology? Paul: Alright. I mean, so I mean there's, I guess there's two angles, isn't there? What are the lights gonna do that use ai? What are the controllers gonna do, that uses ai, but more importantly, how will it hold its own in a world where I can hit a button and say, I want rebrand lighting on that face. I can do that today. Mark: Yeah. Simon: I'm not sure the lighting industry is anywhere near producing anything that is gonna give what a piece of software can give, because there's a lot more factors involved. There's what size light it is, what position that light is in, how high that light is, how low that light is. And I think the software we've all heard and played with Evoto we were talking about earlier, I was very skeptical and dubious about it to start with as everybody would be. I'm a Photoshop Lightroom user, have been for, many years. And I did some editing, in EEvoto with my five free credits to start with, three edits in, I bought some credits because I thought, actually this is very, very good. I'll never use it for lighting i'd like to think I can get that right myself. However, if somebody gives you a, a very flat image of a family outside and say, well, could you make this better for me? Well, guess what? I can do whatever you like to it. Is it gonna attack the photographer that's trying to earn a living? I think there's always a need for people to take real photographs and family photographs. I think as photographers, we need to embrace it as an aid to speed up our workflow. I don't think it will fully take over the art of photography because it's a different thing. It's not your work. It's a computer generated AI piece of work in my head. Therefore, who's responsible for that image? Who owns the copyright to that image? We deal with photographers all the time who literally point a camera, take a picture and spend three hours editing it and tell everyone that, look at this. The software's really good and it's made you look good. I think AI is capable of doing that to an extent. In five years time, we'll look back at Evoto today and what it's producing and we'll think cracky. That was awful. It's like when you watch a high definition movie from the late 1990s, you look at it and it was amazing at the time, but you look at it now and you think, crikey, look at the quality of it. I dunno if we're that far ahead where we won't get to that point. The quality is there. I mean, how much better can you go than 4K, eight K minus, all that kind of stuff. I'm unsure, but I don't think the AI side of it. Is applicable to flash at this moment in time? I don't know. Mark: I think you're right. To look at the whole, photography in general. If you are a social photographer, family photographer, whatever it might be, you are genuinely capturing that moment in time that can't be replaced. If you are a product photographer, that's a different matter. I think there's more of a threat. I think I might be right in saying. I was looking, I think I saw it on, LinkedIn. There is a fashion brand in the UK at the moment that their entire catalog of clothing has been shot without models. When you look at it on the website, there's models in it. They shoot the clothing on mannequins and then everything else is AI generated they've been developing their own AI platform now for a number of years. Does the person care Who's buying a dress for 30 quid? Probably not, but if you are photographing somebody's wedding, graduation, some, you know, a genuine moment in someone's life, I think it'd be really wrong to use any sort of AI other than a little bit of post-production, which we know is now quite standard for many people in the industry. Paul: Yeah, the curiosity for me is I suspect as an industry, Guess just released a full AI model advert in, Vogue. Declared as AI generated an ai agency created it. Everything about it is ai. There's no real photography involved except in the learning side of it. And that's a logical extension of the fact we've been Photoshopping to such a degree that the end product no longer related to the input. And we've been doing that 25 years. I started on Photoshop version one, whatever that was, 30 years More than 33. So we've kind of worked our way into a corner where the only way out of it is to continue. There's no backtracking now. Mark: Yeah. Paul: I think the damage to the industry though, or the worry for the industry, I think you're both right. I think if you can feel it, touch it, be there, there will always be that importance. In fact, the provenance of authenticity. Is the high value ticket item now, Simon: Mm-hmm. Paul: because you, everything else is synthetic, you can trust nothing. We are literally probably months away from 90% of social media being generated by ai. AI is both the consumer and the generator of almost everything online Mark: Absolutely. Paul: Goodness knows where we go. You certainly can't trust anything you read. You can't trust anything you see, so authenticity, face-to-face will become, I think a high value item. Yeah. Mark: Yeah. Paul: I think one problem for us as an industry in terms of what the damage might be is that all those people that photograph nameless products or create books, you know, use photography and then compositing for, let's say a novel that's gone, stock libraries that's gone because they're faceless. Simon: Mm-hmm. Paul: there doesn't have to be authentic. A designer can type in half a dozen keywords. Into an AI engine and get what he needs. If he doesn't get what he needs, he does it again. All of those photographers who currently own Kit are gonna look around with what do we do now? And so for those of us who specialize in weddings and portraits and family events, our market stands every chance of being diluted, which has the knock on effect of all of us having to keep an eye on AI to stay ahead of all competitors, which has the next knock on effect, that we're all gonna lean into ai, which begs the question, what happens after Because that's what happened in the Photoshop world. You know, I'm kind of, I mean, genuinely cur, and this will be a running theme on the podcast forever, is kind of prodding it and taking barometer readings as to where are we going? Mark: Yeah. I mean, who's more at threat at the moment from this technology? Is it the photographer or is it the retouch? You know, we do forget that there are retouchers That is their, they're not photographers. Paul: I don't forget. They email me 3, 4, 5 times a day. Mark: a Simon: day, Mark: You know, a highly skilled retouch isn't cheap. They've honed their craft for many years using whatever software product they prefer to use. I think they're the ones at risk now more so than the photographer. And I think we sort of lose sight of that. Looking at it from a photographer's point of view, there is a whole industry behind photography that actually is being affected more so than you guys at the moment. Simon: Mm-hmm. Paul: Yeah, I think there's truth in that, but. It's not really important. Of course, it's really important to all of those people, but this is the digital revolution that we went through as film photographers, and probably what the Daguerreotype generators went through when Fox Tolbert invented the first transfer. Negative. You know, they are, there are always these epochs in our industry and it wipes out entire skillset. You know, I mean, when we went to digital before then, like you, I could dev in a tank. Yeah. You know, and really liked it. I like I see, I suspect I just like the solitude, Mark: the dark, Paul: red light in the dark Mark: yeah. Paul: Nobody will come in. Not now. Go away. Yeah. All that kind of stuff. But of course those skills have gone, has as, have access to the equipment. I think we're there again, this feels like to me a huge transition in the industry and for those who want to keep up, AI is the keeping up whether you like it or not. Mark: Yeah. And if you don't like it, we've seen it, we're in the middle of a massive resurgence in film photography, which is great for the industry, great for the retail industry, great for the film manufacturers, chemical manufacturers, everything. You know, simon, myself, you, you, we, we, our earliest photography, whether we were shooting with flash, natural light, we were film shooters and that planes back. And what digital did, from a camera point of view, is make it easier and more accessible for less skilled people. But it's true. You know, if you shot with a digital camera now that's got a dynamic range of 15 stops, you actually don't even need to have your exposure, that accurate Go and shoot with a slide film that's got dynamic range of less than one stop and see how good you are. It has made it easier. The technology, it will always make it. Easier, but it opens up new doors, it opens up new avenues to skilled people as well as unskilled people. If you want, I'm using the word unskilled again, I'm not being, a blanket phrase, but it's true. You can pick up a digital camera now and get results that same person shooting with a slide film 20 years ago would not get add software to that post-production, everything else. It's an industry that we've seen so many changes in over the 30 odd years that we've been in it, Simon: been Mark: continue Simon: at times. It exciting Mark: The dawn of digital photography to the masses. was amazing. I was working for Olympus at the time when digital really took off and for Olympus it was amazing. They made some amazing products. We did quite well out of it and people started enjoying photography that maybe hadn't enjoyed photography before. You know, people might laugh at, you know, you, you, you're at a wedding, you're shooting a really nice wedding pool and there's always a couple of guests there which have got equipment as good as yours. Better, better than yours. Yeah. Got Simon: jobs and they can afford it. Mark: They've got proper jobs. Their pitches aren't going to be as good as yours. They're the ones laughing at everyone shooting on their phone because they've spent six grand on their new. Camera. But if shooting on a phone gets people into photography and then next year they buy a camera and two years later they upgrade their camera and it gets them into the hobby of photography? That's great for everyone. Hobbyists are as essential, as professional photographers to the industry. In fact, to keep the manufacturers going, probably more so Simon: the hobbyists are a massive part. Even if they go out and spend six or seven or 8,000 pounds on a camera because they think it's gonna make them a better photographer. Who knows in two years time with the AI side, maybe it will. That old saying, Hey Mr, that's a nice camera. I bet it takes great pictures, may become true. We have people on the lighting courses, the workshops we run, the people I train and they're asking me, okay, what sessions are we gonna use? And I'm saying, okay, well we're gonna be a hundred ISO at 125th, F 5.6. Okay, well if I point my camera at the subject, it's telling me, yeah, but you need to put it onto manual. And you see the color drain out their faces. You've got a 6,000 pound camera and you've never taken it off 'P'. Mark: True story. Simon: And we see this all the time. It's like the whole TTL strobe manual flash system. The camera's telling you what it wants to show you, but that maybe is not what you want. There are people out there that will spend a fortune on equipment but actually you could take just as good a picture with a much smaller, cheaper device with an nice bit of glass on the front if you know what you're doing. And that goes back to what Mark was saying about shooting film and slide film and digital today. Paul: I, mean, you know, I don't want this to be an echo chamber, and so what I am really interested in though, is the way that AI will change what flash photography does. I'm curious as to where we are headed in that, specific vertical. How is AI going to help and influence our ability to create great lip photography using flash? Mark: I think, Paul: I love the fact the two guys side and looked at each other. Mark: I, Simon: it's a difficult question to answer. Mark: physical light, Simon: is a difficult question to answer because if you're Mark: talking about the physical delivery of light. Simon: Not gonna change. Mark: Now, The only thing I can even compare it to, if you think about how the light is delivered, is what's the nearest thing? What's gotta change? Modern headlamps on cars, going back to cars again, you know, a modern car are using these LED arrays and they will switch on and switch off different LEDs depending on the conditions in front of them. Anti dazzle, all this sort of stuff. You know, the modern expensive headlamp is an amazing technical piece of kit. It's not just one ball, but it's hundreds in some cases of little arrays. Will that come into flash? I don't know. Will you just be able to put a soft box in front of someone and it will shape the light in the future using a massive array. Right? I dunno it, Simon: there's been many companies tested these arrays, in terms of LED Flash, And I think to be honest, that's probably the nearest it's gonna get to an AI point of view is this LED Flash. Now there's an argument to say, what is flash if I walk into a living room and flick the light on, on off really quickly, is that a flash? Mark: No, that's a folock in Paul: me Mark: turn, big lights off. Paul: Yeah. Mark: So Simon: it, you, you might be able to get these arrays to flush on and off. But LED technology, in terms of how it works, it's quite slow. It's a diode, it takes a while for it to get to its correct brightness and it takes a while for it to turn off. To try and get an LED. To work as a flash. It, it's not an explosion in a gas field tube. It's a a, a lighter emitting diode that is, is coming on and turning off again. Will AI help that? Due to the nature of its design, I don't think it can. Mark: Me and s aren't invented an AI flash anytime soon by the looks of, we're Simon: it's very secret. Mark: We're just putting everyone off Paul, Simon: It's alright. Mark: just so they don't think Simon: Yeah, Mark: Oh, it's gonna be too much hard work and we'll sort it. Paul: It's definitely coming. I don't doubt for a minute that this is all coming because there's no one not looking at anything Simon: that makes perfect sense. Paul: Right now there's an explosion of invention because everybody's trying to find an angle on everything. Simon: Mm-hmm. Paul: The guys I feel the most for are the guys who spent millions, , on these big LED film backdrop walls. Simon: Yep. Mark: So you can Paul: a car onto a flight sim, rack, and then film the whole lot in front of an LED wall. Well, it was great. And there was a market for people filming those backdrops, and now of course that's all AI generated in the LED, but that's only today's technology. Tomorrow's is, you don't need the LED wall. That's here today. VEO3 and Flow already, I mean, I had to play with one the other day for one of our lighting diagrams and it animated the whole thing. Absolute genius. Simon: Mm-hmm. Paul: I still generated the original diagram. Mark: Yeah, Paul: Yeah, that's useful. There's some skill in there still for now, but, you gotta face the music that anything that isn't, I can touch it and prod it. AI's gonna do it. Mark: Absolutely. If you've ever seen the series Mandalorian go and watch the making of the Mandalorian and they are using those big LED walls, that is their backdrop. Yeah. And it's amazing how fast they shift from, you know, they can, they don't need to build a set. Yeah. They shift from scene to scene. Paul: Well, aI is now building the scenes. But tomorrow they won't need the LED wall. 'cause AI will put it in behind the actors. Mark: Yeah. Say after Paul: that you won't need the actors because they're being forced to sign away the rights so that AI can be used. And even those that are standing their ground and saying no, well, the actors saying Yes. Are the ones being hired. You know, in the end, AI is gonna touch all of it. And so I mean, it's things like, imagine walking into a studio. Let's ignore the LED thing for a minute, by the way, that's a temporary argument, Simon: I know you're talking about. Paul: about today's, Simon: You're about the. Mark: days Paul: LEDs, Simon: we're in, We're in very, very interesting times and. I'm excited for the future. I'm excited for the new generation of photographers that are coming in to see how they work with what happens. We've gone from fully analog to me selling IMACON drum scanners that were digitizing negatives and all the five four sheet almost a shoot of properties for an estate agent were all digitized on an hassle blood scanner. And then the digital camera comes out and you start using it. It was a Kodak camera, I think the first SLRI used, Paul: Yeah. Simon: and you get the results back and you think, oh my God, it looks like it's come out of a practica MTL five B. Mark: But Simon: then suddenly the technology just changes and changes and changes and suddenly it's running away with itself and where we are today. I mean, I, I didn't like digital to start with. It was too. It was too digital. It was too sharp. It didn't have the feel of film, but do you know what? We get used to it and the files that my digital mirrorless camera provide now and my Fuji GFX medium format are absolutely stunning. But the first thing I do is turn the sharpness down because they are generally over sharp. For a lovely, beautifully lit portrait or whatever that anybody takes, it just needs knocking back a bit. We were speaking about this earlier, I did some comparison edits from what I'd done manually in Photoshop to the Evoto. Do you know what the pre-selected edits are? Great. If you not the slider back from 10 to about six, you're there or thereabouts? More is not always good. Mark: I think when it comes to imagery in our daily lives, the one thing that drives what we expect to see is TV and most people's TVs, everything's turned up to a hundred. The color, the contrast, that was a bit of a shock originally from the film to digital, crossover. Everything went from being relatively natural to way over the top Just getting back to AI and how it's gonna affect people like you and people that we work with day to day. I don't think we should be worried about that. We should be worried about the images we see on the news, not what we're seeing, hanging on people's walls and how they're gonna be affected by ai. That generally does affect everyone's daily life. Paul: Yeah, Mark: Yeah. But what Paul: people now ask me, for instance, I've photographed a couple head shots yesterday, and the one person had not ironed her blouse. And her first question was, can we sort that out in post? So this is the knock on effect people are becoming aware of what's possible. What's that? Nothing. Know, and the, the smooth clothing button in Evoto will get me quite a long way down that road and saves somebody picking up an eye and randomly, it's not me, it's now actually more work for me 'cause I shouldn't have to do it. But, you know, this is my point about the knock on effect. Our worlds are different. So I didn't really intend this to be just a great sort of circular conversation about AI cars and, future technology. It was more, I dunno, we ended up down there anyway. Simon: We went down a rabbit hole. Mark: A Paul: rabbit hole. Yeah Mark: was quite an interesting one. Simon: And I'm sorry if you've wasted your entire journey to work and we Paul: Yeah. Simon: Alright. It wasn't intended to be like that. Paul: I think it's a debate that we need to be having and there needs to be more discussion about it. Certainly for anybody that has a voice in the industry and people are listening to it because right now it might be a toddler of a technology, but it's growing faster than people realize. There is now a point in the written word online where AI is generating more than real people are generating, and AI is learning that. So AI is reading its own output. That's now beginning to happen in imagery and film and music. Simon: Well, even in Google results, you type in anything to a Google search bar. When it comes back to the results, the first section at the top is the AI generated version. And you know what, it's generally Paul: Yep. Simon: good and Paul: turn off all the rest of it now. So it's only ai. Simon: Not quite brave enough for that yet. No, not me. Mark: In terms Paul: of SEO for instance, you now need to tune it for large language models. You need to be giving. Google the LLM information you want it to learn so that you become part of that section on a website. And it, you know, this is where we are and it's happening at such a speed, every day I am learning something new about something else that's arriving. And I think TV and film is probably slightly ahead of the photography industry Mark: Yeah. Paul: The pressures on the costs are so big, Simon: Yes. Paul: Whereas the cost differential, I'm predicting our costs will actually go up, not down. Whereas in TV and film, the cost will come down dramatically. Mark: Absolutely. Simon: They are a horrifically high level anyway. That's Paul: I'm not disputing that, but I watched a demo of some new stuff online recently and they had a talking head and they literally typed in relight that with a kiss light here, hairlight there, Rembrandt variation on the front. And they did it off a flat picture and they can move the lights around as if you are moving lights. Yes. And that's there today. So that's coming our way too. And I still think the people who understand how to see light will have an advantage because you'll know when you've typed these words in that you've got it about right. It doesn't change the fact that it's going to be increasingly synthetic. The moment in the middle of it is real. We may well be asked to relight things, re clothe things that's already happening. Simon: Yeah. Paul: We get, can you just fill in my hairline? That's a fairly common one. Just removing a mole. Or removing two inches round a waist. This, we've been doing that forever. Simon: Mm-hmm. Paul: And so now it'll be done with keyword generation rather than, photoshop necessarily. Simon: I think you'll always have the people that embrace this, we can't ignore it as you rightly say. It's not going away. It's gonna get bigger, it's gonna feature more in our lives. I think there's gonna be three sets of people. It's gonna be the people like us generally on a daily basis. We're photographers or we're artists. We enjoy what we do. I enjoy correctly lighting somebody with the correct modifier properties to match light quality to get the best look and feel and the ambience of that image. And I enjoy the process of putting that together and then seeing the end result afterwards. I suppose that makes me an artist in, in, in loose terms. I think, you know, as, as, as a photographer, we are artists. You've then got another generation that are finding shortcuts. They're doing some of the job with their camera. They're making their image from an AI point of view. Does that make up an artist? I suppose it still does because they're creating their own art, but they have no interest 'cause they have no enjoyment in making that picture as good as it can be before you even hit the shutter. And then I think you've got other people, and us to an extent where you do what you need to do, you enjoy the process, you look at the images, and then you just finely tune it with a bit of AI or Photoshop retouching so I think there are different sets of people that will use AI to their advantage or completely ignore it. Mark: Yeah. I think you're right. And I think it comes down, I'm going to use another analogy here, you, you know, let's say you enjoy cooking. If you enjoy cooking, you're creating something. What's the alternative? You get a microwave meal. Well, Paul Simon: and Sarah do. Mark: No. Paul: Sarah does. Simon: We can't afford waitress. Mark: You might spend months creating your perfect risotto. You've got it right. You love it. Everyone else loves it. You share it around all your friends. Brilliant. Or you go to Waitrose, you buy one, put it three minutes in the microwave and it's done. That's yer AI I Imagery, isn't it? It's a microwave meal. Paul: There's a lot of microwave meals out there. And not that many people cook their own stuff and certainly not as many as used to. And there's a lesson. Simon: Is, Mark: but also, Simon: things have become easier Mark: there Simon: you go. Mark: I think what we also forget in the photographic industry and take the industry as a whole, and this is something I've experienced in the, in the working for manufacturers in that photography itself is, is a, is a huge hobby. There's lots of hobbyist photographers, but there's actually more people that do photography as part of another hobby, birdwatching, aviation, all that sort of thing. Anything, you know, the photography isn't the hobby, it's the birds that are the hobby, but they take photographs of, it's the planes that are the hobby, but they take photographs. They're the ones that actually keep the industry going and then they expand into other industries. They come on one of our workshops. You know, that's something that we're still and Simon still Absolutely. And yourself, educating photographers to do it right, to practice using the gear the right way, but the theory of it and getting it right. If anything that brings more people into wanting to learn to cook better, Paul: you Mark: have more chefs rather than people using microwave meals. Education's just so important. And when it comes to lighting, I wasn't competent in using flash. I'm still not, but having sat through Simon's course and other people's courses now for hundreds of times, I can light a scene sometimes, people are still gonna be hungry for education. I think some wills, some won't. If you wanna go and get that microwave risotto go and microwave u risotto. But there's always gonna be people that wanna learn how to do it properly, wanna learn from scratch, wanna learn the art of it. Creators and in a creative industry, we've got to embrace those people and bring more people into it and ensure there's more people on that journey of learning and upskilling and trying to do it properly. Um, and yes, if they use whatever technology at whatever stage in their journey, if they're getting enjoyment from it, what's it matter? Paul: Excellent. Mark: What a fine Paul: concluding statement. If they got enjoyment outta it. Yeah. Whatever. Excellent. Thank you, Mark, for your summing up. Simon: In conclusion, Paul: did that just come out your nose? What on earth. Mark: What Paul: what you can't see, dear Listener is the fact that Mark just spat his water everywhere, laughing at Si. It's been an interesting podcast. Anyway, I'm gonna drag this back onto topic for fear of it dissolving into three blokes having a pint. Mark: I think we should go for one. Simon: I think, Paul: I think we should know as well. Having said that with this conversation, maybe not. I was gonna ask you a little bit about, 'cause we've talked about strobes and the beauty of strobes, but of course Elinchrom still is more than that, and you've just launched a new LED light, so I know you like Strobe Simon. Now talk about the continuous light that also Elinchrom is producing. Simon: We have launched the Elinchrom LED 100 C. Those familiar with our Elinchrom One and Three OCF camera Flash system. It's basically a smaller unit, but still uses the OCF adapter. Elinchrom have put a lot of time into this. They've been looking at LED technology for many years, and I've been to the factory in Switzerland and seen different LED arrays being tested. The problem we had with LEDs is every single LED was different and put out a different color temperature. We're now manufacturing LEDs in batches, where they can all be matched. They all come from the same serial number batch. And the different colors of LED as well, 15 years ago, blue LEDs weren't even possible. You couldn't make a blue LED every other color, but not blue for some unknown reason. They've got the colors right now, they've got full RGB spectrum, which is perfectly accurate a 95 or 97 CRI index light. It's a true hundred watts, of light as well. From tosin through to past daylight and fully controllable like the CRO flash system in very accurate nth degrees. The LED array in the front of the, the LEDA hundred is one of the first shapeable, fully shapeable, LED arrays that I've come across and I've looked at lots. By shapeable, I mean you put it into a soft box, of any size and it's not gonna give you a hotspot in the middle, or it's not gonna light the first 12 inches of the middle of the soft box and leave the rest dark. I remember when we got the first LD and Mark got it before me And he said, I've put it onto a 70 centimeter soft box. And he said, I've taken a picture to the front. Look at this. And it was perfectly even from edge to edge. When I got it, I stuck it onto a 1 3 5 centimeter soft box and did the same and was absolutely blown away by how even it was from edge to edge. When I got my light meter out, if you remember what one of those is, uh, it, uh, it gave me a third of a stop different from the center to the outside edge. Now for an LED, that's brilliant. I mean, that's decent for a flash, but for an LED it's generally unheard of. So you can make the LED as big as you like. It's got all the special effects that some of the cheaper Chinese ones have got because people use that kind of thing. Apparently I have no idea what for. But it sits on its own in a market where there are very cheap and cheerful LEDs, that kind of do a job. And very expensive high-end LEDs that do a completely different job for the photographer that's gone hybrid and does a bit of shooting, but does a bit of video work. So, going into a solicitor's or an accountant's office where they want head shots, but also want a bit of talking head video for the MD or the CEO explaining about his company on the website. It's perfect. You can up the ISO and use the modeling lamp in generally the threes, the fives, the ones that we've got, the LEDs are brilliant. But actually the LED 100 will give you all your modifier that you've taken with you, you can use those. It's very small and light, with its own built-in battery and it will give you a very nice low iso. Talking head interview with a lovely big light source. And I've proved the point of how well it works and how nice it is at the price point it sits in. But it is our first journey into it. There will be others come in and there'll be an app control for it. And I think from an LED point of view, you're gonna say, I would say this, but actually it's one of the nicer ones I've used. And when you get yours, you can tell people exactly the same. Paul: Trust me, I will. Simon: Yes. Mark: I think Paul: very excited about it. Mark: I think the beauty of it as well is it's got an inbuilt battery. It'll give you up to 45 minutes on a full charge. You can plug it in and run it off the mains directly through the USB socket as well. But it means it's a truly portable light source. 45 minutes at a hundred watt and it's rated at a hundred watt actual light output. It's seems far in excess of that. When you actually, Simon: we had a photographer the other day who used it and he's used to using sort of 3, 2 50, 300 watt LEDs and he said put them side by side at full power. They were virtually comparable. Paul: That is certainly true, or in my case by lots. Simon: I seem to be surrounded Paul: by Elinchrom kit, Which is all good. So for anybody who's interested in buying one of these things, where'd you get them? How much are they? Simon: The LED itself, the singlehead unit is 499 inc VAT. If you want one with a charger, which sounds ridiculous, but there's always people who say, well, I don't want the charger. You can have one with a charger for 50 quid extra. So 549. The twin kit is just less than a thousand quid with chargers. And it comes in a very nice portable carry bag to, to carry them around in. Um, and, uh, yeah, available from all good photographic retailers, and, Ellen crom.co uk. Paul: Very good. So just to remind you beautiful people listening to this podcast, we only ever feature people and products, at least like this one where I've said, put a sales pitch in because I use it. It's only ever been about what we use here at the studio. I hate the idea of just being a renta-voice. You it. Mark: bought it. Paul: Yeah. That's true. You guys sold it to me. Mark: Yeah, Simon: if I gave you anything you'd tell everyone it was great. So if you buy it, no, I've bought Paul: Yeah. And then became an ambassador for you. As with everything here, I put my money where my mouth is, we will use it. We do use it. I'm really interested in the little LED light because I could have done with that the other night. It would've been perfect for a very particular need. So yes, I can highly recommend Elinchrom Fives and Threes if you're on a different system. The Rotalux, system of modifier is the best on the planet. Quick to set up, quick to take down. More importantly, the light that comes off them is just beautiful, whether it's a Godox, whether it's on a ProPhoto, which it was for me, or whether if you've really got your common sense about you on the front of an Elinchrom. And on that happy note and back to where we started, which is about lighting, I'm gonna say thanks to the guys. They came to the studio to fix a problem but it's always lovely to have them as guests here. Thank you, mark. Thank you Simon. Most importantly, you Elinchrom for creating Kit is just an absolute joy to use. If you've enjoyed the podcast, please head over to all your other episodes. Please subscribe and whatever is your podcast, play of choice, whether it's iTunes, Spotify, YouTube, or a other. After you head, if you head across to masteringportraitphotography.com the spiritual home of this, particular, podcast, I will put in the show notes all the little bits of detail and where to get these things. I'll get some links off the guys as to where to look for the kit. Thank you both. I dunno when I'll be seeing you again. I suspect it will be the Convention in January if I know the way these things go. Simon: We're not gonna get invited back, are we? Mark: Probably not. Enough. Paul: And I'm gonna get a mop and clean up that water. You've just sprayed all over the floor. What is going on? Simon: wish we'd video. That was a funny sun Mark: I just didn't expect it and never usually that sort of funny and quick, Simon: It's the funniest thing I've ever seen. Paul: On that happy note, whatever else is going on in your lives, be kind to yourself. Take care.

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FL First Lady Casey DeSantis has gone full MAHA: funding research into “overlooked” options in cancer treatment, advancing repurposed generics like ivermectin, and reshaping mental health education in schools. Now she's working with Dr. Joseph Ladapo, Surgeon General of Florida, with his biggest announcement yet: “The Florida Department of Health, in partnership with the governor, is going to be working to end all vaccine mandates in Florida law.” Florida would be the first state to end vaccination mandates for schoolchildren, and a pioneer in innovative cancer research. “Florida is looking to fill the void to advance research where the market falls short,” says Casey DeSantis. Casey DeSantis is the First Lady of Florida, championing cancer research and care, securing over $100 million in recurring funding. Declared cancer-free in February 2022, she travels the state to support patients and families. She leads initiatives like Hope Florida, Resiliency Florida, Character Education Standards, The Facts. Your Future, and Hope for Healing. Follow at https://x.com/CaseyDeSantis Dr. Joseph A. Ladapo serves as the State Surgeon General of Florida and Professor of Medicine at the University of Florida. His research explores behavioral economic strategies to reduce cardiovascular risk and includes NIH- and Robert Wood Johnson Foundation-supported trials. Follow at https://x.com/FLsurgeongen Tom Renz is an attorney, author, and political analyst, recognized for legal work during COVID-19. Learn more at http://TomRenz.com and follow him at https://x.com/RenzTom 「 SUPPORT OUR SPONSORS 」 Find out more about the brands that make this show possible and get special discounts on Dr. Drew's favorite products at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/sponsors⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• FATTY15 – The future of essential fatty acids is here! Strengthen your cells against age-related breakdown with Fatty15. Get 15% off a 90-day Starter Kit Subscription at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/fatty15⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • PALEOVALLEY - "Paleovalley has a wide variety of extraordinary products that are both healthful and delicious,” says Dr. Drew. "I am a huge fan of this brand and know you'll love it too!” Get 15% off your first order at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/paleovalley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • VSHREDMD – Formulated by Dr. Drew: The Science of Cellular Health + World-Class Training Programs, Premium Content, and 1-1 Training with Certified V Shred Coaches! More at https://drdrew.com/vshredmd • THE WELLNESS COMPANY - Counteract harmful spike proteins with TWC's Signature Series Spike Support Formula containing nattokinase and selenium. Learn more about TWC's supplements at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twc.health/drew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 「 MEDICAL NOTE 」 Portions of this program may examine countervailing views on important medical issues. Always consult your physician before making any decisions about your health. 「 ABOUT THE SHOW 」 Ask Dr. Drew is produced by Kaleb Nation (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://kalebnation.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Susan Pinsky (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/firstladyoflov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠e⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠). This show is for entertainment and/or informational purposes only, and is not a substitute for medical advice, diagnosis, or treatment. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Tensions are escalating in Chicago as Mayor Brandon Johnson addresses the challenges facing his city amidst rising violence and federal intervention. The episode explores the implications of 'ICE Free Zones' and the ongoing struggle between local governance and federal authority. We also discuss the broader implications of these issues on American society, touching on themes of accountability, community safety, and political dynamics. Sponsor:My PillowWww.MyPillow.com/johnSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

MeidasTouch host Ben Meiselas reports on Donald Trump's invasion of American cities with the United States military being caught on tape at the same time a federal judge he appointed has declared his military invasion inside United States illegal. Visit https://meidasplus.com for more! Remember to subscribe to ALL the MeidasTouch Network Podcasts: MeidasTouch: https://www.meidastouch.com/tag/meidastouch-podcast Legal AF: https://www.meidastouch.com/tag/legal-af MissTrial: https://meidasnews.com/tag/miss-trial The PoliticsGirl Podcast: https://www.meidastouch.com/tag/the-politicsgirl-podcast The Influence Continuum: https://www.meidastouch.com/tag/the-influence-continuum-with-dr-steven-hassan Mea Culpa with Michael Cohen: https://www.meidastouch.com/tag/mea-culpa-with-michael-cohen The Weekend Show: https://www.meidastouch.com/tag/the-weekend-show Burn the Boats: https://www.meidastouch.com/tag/burn-the-boats Majority 54: https://www.meidastouch.com/tag/majority-54 Political Beatdown: https://www.meidastouch.com/tag/political-beatdown On Democracy with FP Wellman: https://www.meidastouch.com/tag/on-democracy-with-fpwellman Uncovered: https://www.meidastouch.com/tag/maga-uncovered Coalition of the Sane: https://meidasnews.com/tag/coalition-of-the-sane Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

A former homicide prosecutor weighs in on and questions how Ellen Greenberg's case was initially declared a suicide after there were 20 stab wounds. Tyrese Gibson is wanted for questioning after his dogs allegedly killed a neighbor's pet.#CourtTV - What do YOU think?Binge all episodes of #OpeningStatements here: https://www.courttv.com/trials/opening-statements-with-julie-grant/Watch the full video episode here: https://youtu.be/1rC8XRF5G14Watch 24/7 Court TV LIVE Stream Today https://www.courttv.com/Join the Investigation Newsletter https://www.courttv.com/email/Court TV Podcast https://www.courttv.com/podcast/Join the Court TV Community to get access to perks:https://www.youtube.com/channel/UCo5E9pEhK_9kWG7-5HHcyRg/joinFOLLOW THE CASE:Facebook https://www.facebook.com/courttvTwitter/X https://twitter.com/CourtTVInstagram https://www.instagram.com/courttvnetwork/TikTok https://www.tiktok.com/@courttvliveYouTube https://www.youtube.com/c/COURTTVWATCH +140 FREE TRIALS IN THE COURT TV ARCHIVEhttps://www.courttv.com/trials/HOW TO FIND COURT TVhttps://www.courttv.com/where-to-watch/This episode of the Opening Statements Podcast is hosted by Julie Grant, produced by Eric Goldson, and edited by Autumn Sewell. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

UK police declare a deadly attack at a Manchester synagogue a terrorist incident, with the British Prime Minister calling for an end to the "rising hatred of Jewish people".

Keep calm and enjoy Bad Bunny; Do ladies even like gentlemen - or do they want a bad boy? It's official, National Guard is coming to Louisiana cities - what now? Texas teacher feeds kitten to snake, punches her ticket to hell; Brandon Ingram shades New Orleans Pelicans fans - does he have a point?

Mike Johnson, Beau Morgan, and Ali Mac let listeners call in and give their take on if they think the Atlanta Falcons and the Georgia Bulldogs are both playoff teams in the Wake Up Call!

Jim McTague uses restaurant metrics as recession indicators. A waitress reports customers "disappeared" in East Petersburg, and a popular 16-chain brewery declared sudden bankruptcy. 1945

The dominoes are falling over Become A Member http://youtube.com/timcastnews/join The Green Room - https://rumble.com/playlists/aa56qw_g-j0 BUY CAST BREW COFFEE TO FIGHT BACK - https://castbrew.com/ Join The Discord Server - https://timcast.com/join-us/ Hang Out With Tim Pool & Crew LIVE At - http://Youtube.com/TimcastIRL

Preview: Jim McTague uses restaurant metrics as recession indicators. A waitress reports customers "disappeared" in East Petersburg, and a popular 16-chain brewery declared sudden bankruptcy. 1912 ALLENTOWN PA

What if you were declared dead—only to wake up alive? In this haunting episode of The Mortals, I'm Nathan Morris, your guide through life's darkest edges, uncovering a true story that defies logic. Dive into the chilling mystery of a person pronounced deceased, placed in a coffin, and then shockingly revived, as if pulled back by an unseen force. As a mortician, I've seen death's finality, and as a musician, I've felt its echoes in my songs—but this tale left me questioning everything. What happened in those lost moments? Was it a medical miracle, or something beyond our understanding? Join me to explore this eerie encounter and the whispers of the unknown. If this story grips you, share your thoughts or your own unexplainable experiences in the comments. Find more shadows at nathanmorrismusic.com. #NearDeath #TrueMystery #ParanormalThe Mortals Podcast is sponsored by Descript: https://get.descript.com/mortals Try POPPY AI: https://tr.ee/EIaE14______________________________

A secular examination of the Catholic Church's latest attempt to shore up declining European membership and fatten its coffers the canonization of the first millennial saint. The hosts mock the transparent, desperate marketing strategy of turning a deceased computer-savvy teen, dubbed 'God's influencer,' into a brand icon for younger generations. They dissect the blatant hypocrisy of institutional religion targeting the uneducated and vulnerable—including youth—while spending vast sums to verify ancient 'miracles' instead of providing real-world relief. This segment exposes the church's predatory reliance on exploiting grief and promoting unquestioning devotion for monetary gain and generational relevance.News SourceItalian Teen known as 'God's Influencer' Declared the First Millennial Saintfor Newsbreak by CBS ChicagoSeptember 7th, 2025

After experiencing stomach pains and fevers in the spring of 2023, Jordan Vanstee's then 2 year old son Kian was diagnosed with B Cell Acute Lymphoblastic Leukemia. Kian went through very difficult treatment at McMaster's Children's Hospital in Canada , but with the help of his Disney Hero Mickey Mouse and the Make a Wish Foundation, Kian is now in remission and is living his best life possible. 

Lee Camp and Eleanor Goldfield dig into Trump's latest censorship efforts, the heightened war on Trans people, and much more!Unredacted Tonight has joined the first ever worker-owned anti-capitalist streaming platform - MeansTV! Support my show AND get tons of awesome content by going to means dot tv and using promo code "LEE". You'll get 20% off and a free trial week.My comedy news show Unredacted Tonight airs every Thursday at 7pm ET/ 4pm PT. My livestreams are on Mon and Fri at 3pm ET/ Noon PT and Wednesday at 8pm ET/ 5pm PT. I am one of the most censored comedians in America. Thanks for the support!

In John 1:1–34, we see Jesus revealed as God's nature, power, and will made flesh. As God's witnesses, we are called not just to speak about Him but to embody His truth in how we walk with others. This message challenges us to ask: Am I trying to tell others what to do, or am I walking with them so they can truly see Jesus?

Today's speaker is Dr. Jonathan Arnold, Associate Dean for the School of Biblical and Theological Studies at Cedarville University. Dr. Arnold continues the series, "Exodus: Our God Saves," looking at chapters 5 and 6. He reveals that when Moses and the people of God were experiencing trouble, confusion and lack of confidence, God presented Himself and His identity as the solution to the problems they faced.

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A nitrate emergency has been declared in Canterbury, after regional councillors voted in favour of a declaration by a narrow majority of two votes. It comes after ECan's recent annual groundwater survey found both E. coli and nitrate concentrations were increasing. Councillor Greg Byrnes voted in favour of the emergency declaration and spoke to Lisa Owen.

Canterbury Regional Council has declared a nitrate emergency for the district's waterways and drinking water, following a fiery meeting today. The battle lines have been drawn, with Federated Farmers and the Agriculture Minister joining some councillors in branding the move a political stunt. Other councillors are calling for action on what they called a crisis. Keiller MacDuff reports.

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Do you ever feel unseen, unworthy, or unloved? In this devotional, we unpack what it means to be precious in God’s sight and how your identity in Christ gives you lasting value. Drawing from Isaiah 43:4, we explore God’s promise that you are deeply loved, fully known, and chosen—no matter your past, mistakes, or insecurities. Highlights Why God calls you precious, honored, and deeply loved How Isaiah 43 reveals God’s heart for His people, even in rebellion Finding security when relationships feel distant or rejection creeps in God’s compassion and grace in the middle of our brokenness Practical steps to anchor your worth and identity in Christ

Clare Aontú has renewed its call for a state of emergency to be declared to tackle homelessness in Clare and across the Midwest. It follows the party's pre Dáil 'Think in' which was held in Maynooth this past weekend. The latest figures show there are 73 adults in Clare living in emergency accommodation, while a further 232 children across the region are homeless. Clare's Aontú rep, June Dillon, says not enough is being done to prevent children from growing up in hotel accommodation.

When the Beat Stopped: The One Who Found His Faith AgainBefore the hospital gowns and machines, Kyle David kept time for a living—a professional drummer and percussionist whose life moved in rhythm. Then a hurricane evacuation from New Orleans spiraled into a fight with COVID pneumonia, and the beat of everyday life stopped.What followed was a grueling medical odyssey: three hospitals, 50 days in ICU, a month-long coma, and moments when he was declared clinically dead—twice. Doctors said his only chance was a double-lung transplant. Airlifted to San Diego, Kyle spent nearly seven months learning to breathe, speak, and walk again.Somewhere in that long valley, Kyle's faith cracked. He prayed what felt like his last honest prayer:“Lord, either heal me miraculously now—or let me come home. I can't do this another day.”Silence seemed to answer back. For the first time, the drummer who had grown up with church in his bones felt the tempo of belief slipping away.Then came the moment he thought might be his last. During a brief outing from the hospital, Kyle's portable life-support machine failed. With a tracheostomy tube and seconds to spare, he rose from his wheelchair and shouted so nurses and his mother could hear:“Jesus Christ is my Lord and Savior.”If this was the end, he wanted his final words to be his clearest.Days later, a matching set of donor lungs became available. On March 3, 2022, surgeons performed the transplant that saved his life. Recovery was slow and humbling—scales and rudiments, but for breathing. Yet as his lungs healed, something deeper healed, too. The God who seemed silent in the ICU met him again—quietly, steadily, mercifully.Kyle describes what happened next as a re-tuning of his soul. The brushes became sticks; the metronome clicked again. His near-death season led him into the ancient prayers and steady rhythms of Eastern Orthodox worship, where he found a church that helped him rebuild his life in Christ with reverence, beauty, and community.“If I hadn't walked through that fire,” Kyle says, “I might never have discovered this path. My suffering became a blessing in disguise.”Kyle's story is more than a medical miracle. It's a testimony for anyone who's suffered long, doubted hard, and wondered if the music of faith was finished. God did not waste the silence. He used it to write a new song.Hear the full conversation on Cloud of Witnesses—Kyle's journey from a failing heartbeat to a living hope, from the edge of unbelief to a renewed confession of Jesus as Lord. Subscribe for more stories of lives transformed when grace meets the impossible.Find an Orthodox Church near you today. Visit https://www.antiochian.org/home Questions about Orthodoxy? Please check out our friends at Ghost of Byzantium Discord server: https://discord.gg/JDJDQw6tdhPlease prayerfully consider supporting Cloud of Witnesses Radio: https://www.patreon.com/c/CloudofWitnessesFind Cloud of Witnesses Radio on Instagram, X.com, Facebook, and TikTok.Please leave a comment with your thoughts!

WOKE School Board, Crime Emergency Declared In Barrie, Canada NewsBecome a supporter of this podcast: https://www.spreaker.com/podcast/radio-baloney-the-richie-baloney-show--4036781/support.

WBZ NewsRadio's Chris Fama Reports.

Donald Trump has done it again, this time using Truth Social to all but declare war on Chicago, threatening to send in troops as if it were a hostile nation and not, you know, an American city. How exactly have we gotten to this point? Meanwhile, the public seems less than thrilled with their “strongman.” At the U.S. Open, Trump was greeted not with cheers but with a sea of boos. And yet, news outlets were conveniently asked not to show it. Because nothing says “popular leader” quite like silencing dissent and pretending the jeers don't exist. We'll break it all down: Trump's latest fascist move, the backlash he's facing, and why the cover-ups are just as damning as the policies themselves. This episode is brought to you by ZBiotics. Go to https://zbiotics.com/LEMON and use LEMON at checkout for 15% off any first time orders of ZBiotics probiotics. This episode is sponsored by MSI Choices. Go to https://msiunitedstates.org or text “lemon” to five eleven five eleven. Text “lemon” to 511511 and see all the Wonderful services they provide. Text Fees May Apply. This episode is sponsored by Shopify. Sign up for your one-dollar-per-month trial and start selling today at https://shopify.com/lemon This episode is brought to you by Wild Alaskan. Not all fish are the same! Get seafood you can trust. Go to https://wildalaskan.com/LEMON for $35 off your first box of premium, wild-caught seafood. This episode is sponsored by Beam. Visit https://shopbeam.com/lemon and use code LEMON at checkout to get our exclusive discount of UP TO 40% off. Learn more about your ad choices. Visit megaphone.fm/adchoices

Buck Sexton dives into a major shift in the war on drugs as the Trump administration launches a missile strike on a Venezuelan cartel boat. Buck explains what this shift means, from kinetic strikes on traffickers to the possibility of drone and special ops missions targeting cartels along the border. Plus, Buck reacts to Coldplay’s Israel comments. Never miss a moment from Buck by subscribing to the Buck Sexton Show Podcast on IHeart Radio, Apple Podcasts or wherever you get your podcasts! Connect with Buck Sexton:Facebook – / bucksexton X – @bucksexton Instagram – @bucksexton TikTok - @BuckSexton YouTube - @BuckSexton Website – https://www.bucksexton.com/See omnystudio.com/listener for privacy information.

Let's talk about Trump's troops being declared unlawful....

00:00:44 – Trump Blocked as “Police Chief” A judge rules Trump cannot act as a national police chief after his attempted troop deployments in U.S. cities, raising alarms about his dictatorial impulses. 00:09:47 – Venezuela Drug Strike Trump brags about a U.S. military strike on a boat off Venezuela, alleging drug cartel ties. Critics warn this mirrors past failed wars. 00:35:04 – Martial Law by “One City at a Time” Commentary warns Trump and GOP leaders are normalizing martial law city by city under the guise of fighting crime, mirroring pandemic lockdown logic. 00:52:25 – Trans Migrant Murders Father An illegal Indian transgender individual murders a Massachusetts father after being confronted for graffiti. Media and police suppress the story despite his prior violent record. 00:54:21 – UK Comedian Arrested for Tweets British comedian Graham Linehan is arrested upon arrival in London for anti-trans tweets. Police deploy armed officers, strip-search him, and gag his speech—praised by JK Rowling as proof of UK totalitarianism. 01:13:57 – AI Seances: Talking to the Dead Discussion of new “digital afterlife” tech that lets people chat with AI simulations of deceased relatives. Critics call it ancestor worship and a dangerous psychological manipulation. 01:22:47 – Mental Health Surveillance in Schools Illinois and other states push universal mental health screenings, funneling kids into psychiatric labels and drugs. Commentary ties it to Trump's lockdown damage and Melania's push for total child monitoring. 02:15:12 – mRNA Declared Bioweapon Florida's World Council for Health declares mRNA injections weapons of mass destruction. A proposed Bioweapons Prohibition Act argues these shots are already illegal under state laws. 02:21:11 – Trump's Vaccine Cover-Up Trump now demands Pfizer “prove” vaccine effectiveness—five years late. Critics argue he's running a cover-up inquiry like JFK or Climategate commissions, designed to whitewash his own Operation Warp Speed. 02:29:38 – Generational Slaughter in Care Homes Scottish and English inquiries reveal COVID policy killed thousands in care homes through lockdowns, ventilators, and midazolam. Critics stress this was state-orchestrated culling, not viral inevitability. 02:36:26 – Turbo Cancers in Italy Peer-reviewed Italian study of 300,000 people shows vaccinated individuals face 35% higher hospitalization for cancer, with sharp increases in breast, bladder, and colorectal cancers. 02:39:38 – Woody Allen Praises Trump Woody Allen lauds Trump while railing against cancel culture. Critics highlight his Epstein ties and pedophilia allegations, framing his defense of Trump as another elite protecting elites. Follow the show on Kick and watch live every weekday 9:00am EST – 12:00pm EST https://kick.com/davidknightshow Money should have intrinsic value AND transactional privacy: Go to https://davidknight.gold/ for great deals on physical gold/silverFor 10% off Gerald Celente's prescient Trends Journal, go to https://trendsjournal.com/ and enter the code KNIGHTFind out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Become a supporter of this podcast: https://www.spreaker.com/podcast/the-david-knight-show--2653468/support.

00:00:44 – Trump Blocked as “Police Chief” A judge rules Trump cannot act as a national police chief after his attempted troop deployments in U.S. cities, raising alarms about his dictatorial impulses. 00:09:47 – Venezuela Drug Strike Trump brags about a U.S. military strike on a boat off Venezuela, alleging drug cartel ties. Critics warn this mirrors past failed wars. 00:35:04 – Martial Law by “One City at a Time” Commentary warns Trump and GOP leaders are normalizing martial law city by city under the guise of fighting crime, mirroring pandemic lockdown logic. 00:52:25 – Trans Migrant Murders Father An illegal Indian transgender individual murders a Massachusetts father after being confronted for graffiti. Media and police suppress the story despite his prior violent record. 00:54:21 – UK Comedian Arrested for Tweets British comedian Graham Linehan is arrested upon arrival in London for anti-trans tweets. Police deploy armed officers, strip-search him, and gag his speech—praised by JK Rowling as proof of UK totalitarianism. 01:13:57 – AI Seances: Talking to the Dead Discussion of new “digital afterlife” tech that lets people chat with AI simulations of deceased relatives. Critics call it ancestor worship and a dangerous psychological manipulation. 01:22:47 – Mental Health Surveillance in Schools Illinois and other states push universal mental health screenings, funneling kids into psychiatric labels and drugs. Commentary ties it to Trump's lockdown damage and Melania's push for total child monitoring. 02:15:12 – mRNA Declared Bioweapon Florida's World Council for Health declares mRNA injections weapons of mass destruction. A proposed Bioweapons Prohibition Act argues these shots are already illegal under state laws. 02:21:11 – Trump's Vaccine Cover-Up Trump now demands Pfizer “prove” vaccine effectiveness—five years late. Critics argue he's running a cover-up inquiry like JFK or Climategate commissions, designed to whitewash his own Operation Warp Speed. 02:29:38 – Generational Slaughter in Care Homes Scottish and English inquiries reveal COVID policy killed thousands in care homes through lockdowns, ventilators, and midazolam. Critics stress this was state-orchestrated culling, not viral inevitability. 02:36:26 – Turbo Cancers in Italy Peer-reviewed Italian study of 300,000 people shows vaccinated individuals face 35% higher hospitalization for cancer, with sharp increases in breast, bladder, and colorectal cancers. 02:39:38 – Woody Allen Praises Trump Woody Allen lauds Trump while railing against cancel culture. Critics highlight his Epstein ties and pedophilia allegations, framing his defense of Trump as another elite protecting elites. Follow the show on Kick and watch live every weekday 9:00am EST – 12:00pm EST https://kick.com/davidknightshow Money should have intrinsic value AND transactional privacy: Go to https://davidknight.gold/ for great deals on physical gold/silverFor 10% off Gerald Celente's prescient Trends Journal, go to https://trendsjournal.com/ and enter the code KNIGHTFind out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Become a supporter of this podcast: https://www.spreaker.com/podcast/the-real-david-knight-show--5282736/support.

Why has America's health secretary RFK Jr fired the head of America's public health body? He says she was taking the Centres for Disease Control and Prevention in the wrong direction. She and her colleagues - who have resigned in protest - say they were uncomfortable following an anti-vax, anti-science direction of travel. Where will the MAHA project leave Americans? Will vaccines dry up? And does it even have Trump's support? We speak to Dr Mandy Cohen, who led the CDC until Trump's inauguration in January.Later, federal troops are coming onto Chicago's streets - a city described as a "hellhole" by the President despite having a lower murder rate than several cities governed by Republicans. Is Trump trying to create a private army under his control?The News Agents USA is brought to you by HSBC UK - https://www.hsbc.co.uk/EXCLUSIVE NordVPN Deal -> https://nordvpn.com/thenewsagents Try it risk-free now with a 30-day money-back guarantee

How can we really be sure we're going to Heaven when we die? From Buddhism to Islam to New Age practices, every religion has their own form of earning salvation or rewards in the afterlife. So, what does the Bible say? How can we know that we've checked all the boxes to obtain eternal life? Listen in as we learn about the doctrine of justification and how there's only one way to truly be saved.

Botswana's president Duma Boko, has declared a public health emergency as the country faces a shortage of essential medicines and medical equipment.Africa's defence chiefs discuss collective strategies and joint responses to insecurity in the continent. And why is the northern Nigerian state of Kano losing its famous yellow buses?Presenter: Audrey Brown Producers: Yvette Twagiramariya, Priya Sippy and Stefania Okereke in London with Ayuba Iliya in Lagos Technical producer: Jonathan Greer Senior Producer: Paul Bakibinga Editors: Maryam Abdallah, Andre Lombard and Alice Muthengi

Famine has been declared in Gaza City and surrounding areas, with more than half a million Palestinians facing “catastrophic conditions,” according to a UN-backed monitor. As Israel advances its plan to seize Gaza City, what scars will famine leave on Palestinians for generations to come? In this episode: Dr. Mimi Syed (@Memers1st), Emergency Medical Doctor Episode credits: This episode was produced by Amy Walters, Sonia Bhagat, Tracie Hunte, Julia Muldavin, and Marcos Bartolomé, with Phillip Lanos, Spencer Cline, Melanie Marich, Kisaa Zehra, Farhan Rafid, and our guest host, Kevin Hirten. It was edited by Amy Walters and Sarí el-Khalili. Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah and Mohannad al-Melhemm. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

Palestinian media say many people were killed by Israeli strikes on a camp for displaced people in southern Gaza's Khan Younis. An entire family is said to have died when their tent was hit. Other strikes were reported in central and northern Gaza - while the Israeli military is continuing its offensive on Gaza City. Also: Nigerian forces have attacked a bandit camp in the north of the country, and would you consider leaving Earth to spend a year in a simulated Mars environment? The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk

Officials in Gaza say Israeli strikes and gunfire killed at least 33 people, including Palestinians sheltering in tents and seeking scarce food. It comes a day after the IPC declared that Gaza City is in the grips of a famine and projected that famine will spread to much of the rest of Gaza by the end of September. John Yang speaks with Oxfam’s Chris McIntosh about conditions inside Gaza City. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

The people of Northern Gaza are starving. That's according to an official declaration by a United Nations-backed group of experts, who comprise the Integrated Food Security Phase Classification or IPC. They say that famine has officially reached Gaza city and could soon reach other areas of the territory.Still, Israeli Prime Minister Benjamin Netanyahu has says there is no famine in Gaza, and that food shortages are the result of Hamas seizing aid shipments.Jean-Martin Bauer is the director of Food Security and Nutrition Analysis for the World Food Program. He explains how the ICP came to this conclusion and what the declaration means for the people facing starvation. For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org. Email us at considerthis@npr.org.This episode was produced by Michael Levitt, with audio engineering by Hannah Gluvna. It was edited by Courtney Dorning. Our executive producer is Sami Yenigun.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The international organization that monitors hunger crises around the world has declared that parts of Gaza are in famine. The U.N.-backed group of experts said that half a million people in Gaza, a quarter of the population, are facing “catastrophic conditions characterised by starvation, destitution and death.” Nick Schifrin spoke with David Miliband of the International Rescue Committee. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

This happened in WA. https://www.lehtoslaw.com

It's Monday, August 18th, A.D. 2025. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Adam McManus Vietnamese Communists cut electricity to church mid-service As a Catholic priest quietly led a service in the home of one of 20 worshippers in the evening of August 11 in the Đại Từ district in northeast Vietnam, Communist authorities cut the home's electricity to stop the service, reports International Christian Concern. Then, they detained three church members. In John 15:18, Jesus said, “If the world hates you, keep in mind that it hated Me first.” Multiple worshippers livestreamed the arrests on Facebook. Within two hours, the video had been seen 60,000 times. After Putin-Trump meeting, Trump declared: “It's up to Zelenskyy” In a join press conference with U.S. President Donald Trump, Russian President Vladimir Putin summarized his perception of what needed to happen to end the Russo-Ukrainian War. He made the remarks following his 3-hour sit-down meeting with President Trump in Anchorage, Alaska last Friday.  Listen to the real-time translation by a female translator. PUTIN: “The situation in Ukraine has to do with fundamental threats to our security. Everything that's happening is a tragedy for us and terrible wound. Therefore, the country is sincerely interested in putting an end to it. “[At] the same time, we're convinced that in order to make the settlement lasting and long-term, we need to eliminate all the primary causes of that conflict. And we've said it multiple times, to consider all legitimate concerns of Russia and to reinstate a just balance of security in Europe and in the world on the whole. “Naturally, the security of Ukraine should be ensured as well. I would like to hope that the agreement that we've reached together will help us bring closer that goal and will pave the path towards peace in Ukraine.” Following the press conference, President Donald Trump talked to Sean Hannity on Fox News Channel. HANNITY: “If you had to grade it on a scale of one to 10?” TRUMP:  “I think the meeting was a ‘10' in the sense that we got along great. And it's good when, you know, two big powers get along, especially when they're nuclear powers. You know, we're number one, they're number two in the world.  That's a big deal. You never want to even mention that word, the word nuclear.” President Trump addressed how it went and what the next step is to bring the Russo-Ukrainian War to a close. TRUMP: “We were together almost three hours, and it was very extensive, and we agreed on a lot of points. I mean, a lot of points were agreed on, but there's not that much as you know, one or two pretty significant items, but I think they can be reached. Now, it's really up to [Ukrainian] President [Volodymyr] Zelenskyy to get it done.” Costco will not sell Abortion Kill Pill Costco Wholesale Corp. has announced it will not dispense the abortion kill pill mifepristone at its U.S. pharmacies, a decision hailed by pro-life advocates as a significant victory, reports LifeNews. The abortion kill pill has been responsible for killing millions of babies and killing and injuring countless women. The retail giant's decision comes amid pressure from Christian investors and pro-life groups urging major retailers to refrain from distributing the abortion drug. Costco has joined other major retailers like Walmart, Kroger, and Albertsons, which have also declined to sell the deadly pills. Send a 2-sentence thank you note to Ron Vachris, Costco President, 999 Lake Drive, Issaquah, Washington 98027. Massachusetts is Sanctuary state for transgender surgery on kids Massachusetts has become a “sanctuary state” for transgender procedures on children, report MassResistance. Shockingly, Massachusetts doctors who break other states' laws prohibiting transgender procedures will be protected from prosecution -- and their names hidden from the public.  While 25 states have banned such foolishness, the Massachusetts Legislature passed the so-called “shield law” on July 31, 2025. It is among the most aggressive and offensive anti-family laws anywhere in America. Days later, the state's radical lesbian Democratic Governor Maura Healy, who is in a sinful relationship with Joanna Lydgate, signed it into law. Dr. Elizabeth Boskey at Boston Children's Hospital revealed the hospital is willing to remove a 15-year-old girl's healthy breasts. BOSKEY: “The eligibility for getting gender-affirming surgeries at Boston Children's Hospital is basically the same as it would be for most other hospitals or surgeons in the United States. And that's the case because we all follow the World Professional Association for Transgender Health standards of care. “For top surgery, you are requested,  but not required, to have been on gender-affirming hormones for at least a year. If you're a ‘trans woman,' it's really encouraged that you be on estrogen for at least a year, because you want to maximize your natural breast growth. “Many surgical centers require you to be 18. At Boston Children's Hospital, for top surgeries, we'll see people as young as age 15, if they've been affirmed in their gender for a long period of time and don't really have any other life complications that make surgery inappropriate.” 41 Planned Parenthood abortion mills have closed this year Ready for some great news? So far this year, the Planned Parenthood abortion business has closed 41 centers. Despite what the abortion giant and the media would have Americans think, they all participated in abortions, reports Life News. William Carey, father of modern missions, said,  And finally, 264 years ago yesterday, a very special man was born in England. William Carey is his name and he is known as the "father of modern missions.” The eldest of five children, his parents were weavers.  Carey went to work for the local shoemaker, Thomas Old, during which time he taught himself Hebrew, Italian, Dutch, and French. He often read while working on the shoes. Carey married Old's sister-in-law, Dorothy Plackett, with whom he had seven children. Sadly, three of their kids died before the age of five. Inspired by Jonathan Edwards' An account of the life of the Rev. David Brainerd,  Carey spent 41 years in India as a missionary without a furlough.  He led 700 souls to Christ in a nation of millions.  Romans 10:15 says, “How beautiful are the feet of those who preach the good news!” He wrote a book entitled An Enquiry into the Obligations of Christians to Use Means for the Conversion of the Heathens which led to the founding of the Baptist Missionary Society. Carey was known for saying, “Expect great things from God; attempt great things for God."   He also said, "To know the will of God, we need an open Bible and an open map." He understood the importance of both Scripture and understanding the world around us. Finally, he prioritized meaningful work. He said, “I'm not afraid of failure; I'm afraid of succeeding at things that do not matter." Close And that's The Worldview on this Monday, August 18th, in the year of our Lord 2025. Follow us on X or subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

A recording of an on-air conversation with Bill Lundun and Gerry Snyder of the Wake Up Call on Eugene's KPNW Radio AM 1120. Topic: The wonderful tall tales of Hathaway Jones, the legendary Rogue River Wilderness mailman who almost everyone agrees was Oregon's all-time greatest liar/storytller! (For the full story, see https://offbeatoregon.com/2406b.hathaway-jones-countrys-biggest-liar.html)