Philosophy of the Western world
POPULARITY
Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Women on Philosophy of Art: Britain 1770-1900 (Oxford UP, 2024) is the first study of women's philosophies of art in long nineteenth-century Britain. It looks at seven women spanning the time from the Enlightenment to the beginning of modernism. They are Anna Barbauld, Joanna Baillie, Harriet Martineau, Anna Jameson, Frances Power Cobbe, Emilia Dilke, and Vernon Lee. The central issue that concerned them was how art related to morality and religion. Baillie and Martineau treated art as an agency of moral instruction, whereas Dilke and Lee argued that art must be made for beauty's sake. Barbauld, Jameson, and Cobbe thought that beauty and religion were linked, while other women believed that art and religion must be decoupled. Other topics explored are gender and genius, tragedy, literary realism, why we enjoy the sufferings of fictional characters, the hierarchy of the art-forms, whether art can transcend its historical circumstances, and critical issues around the artistic canon. Examining the print culture that made these women's interventions possible, this book shows that these women were doing a particular kind of philosophy of art, which was interdisciplinary and closely tied to artistic criticism and practice. The book traces how these seven women influenced one another, as well as engaging with their male contemporaries. But unlike their male interlocutors, these women have been unjustly left out of narratives about the history of aesthetics. By including these women, we can enrich and broaden our understanding of the history of philosophy of art. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Дмитрий Яворский - Философ, профессор кафедры философии и теории права Волгоградского государственного университета, руководитель магистерской программы по теологии. Автор книги "Pax Naturalis: социокультурные импликации понятия природы в европейской философии". Dmitry Yavorsky is a Philosopher, professor of the Department of Philosophy and Theory of Law of Volgograd State University, head of the master's program in theology. Author of the book "Pax Naturalis: Sociocultural Implications of the Concept of Nature in European Philosophy". FIND DMITRY ON SOCIAL MEDIA Facebook ================================SUPPORT & CONNECT:Support on Patreon: https://www.patreon.com/denofrichTwitter: https://twitter.com/denofrichFacebook: https://www.facebook.com/mark.develman/YouTube: https://www.youtube.com/denofrichInstagram: https://www.instagram.com/den_of_rich/Hashtag: #denofrich© Copyright 2023 Den of Rich. All rights reserved.
Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices
Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Many women wrote philosophy in nineteenth-century Britain, and they wrote across the full range of philosophical topics. Yet these important women thinkers have been left out of the philosophical canon and many of them are barely known today. The aim of Women Philosophers in Nineteenth-Century Britain (Oxford UP, 2023) is to put them back on the map. It introduces twelve women philosophers - Mary Shepherd, Harriet Martineau, Ada Lovelace, George Eliot, Frances Power Cobbe, Helena Blavatsky, Julia Wedgwood, Victoria Welby, Arabella Buckley, Annie Besant, Vernon Lee, and Constance Naden. Alison Stone looks at their views on naturalism, philosophy of mind, evolution, morality and religion, and progress in history. She shows how these women interacted and developed their philosophical views in conversation with one another, not only with their male contemporaries. The rich print and periodical culture of the period enabled these women to publish philosophy in forms accessible to a general readership, despite the restrictions women faced, such as having limited or no access to university education. Stone explains how these women became excluded from the history of philosophy because there was a cultural shift at the end of the nineteenth century towards specialised forms of philosophical writing, which depended on academic credentials that were still largely unavailable to women. Alison Stone is a British philosopher. She is a Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.
Conversations in Atlantic Theory is a podcast dedicated to books and ideas generated from and about the Atlantic world. In collaboration with the Journal of French and Francophone Philosophy, these conversations explore the cultural, political, and philosophical traditions of the Atlantic world, ranging from European critical theory to the black Atlantic to sites of indigenous resistance and self-articulation, as well as the complex geography of thinking between traditions, inside traditions, and from positions of insurgency, critique, and counter-narrative.This discussion is with Adam Kotsko, who teaches in the Shimer Great Books School at North Central College in Naperville, Illinois. He has published widely in popular and academic outlets on theology, political theory, and philosophy, with particular emphasis on politics and the history of Christian thought. Adam has authored ten books, including recent works The Prince of this World in 2016 and Neoliberalism's Demons in 2018, both with Stanford University Press, and 2020's Agamben's Philosophical Trajectory with Edinburgh University Press. His new book, which is our occasion for conversation today, is titled What is Theology? Christian Thought and Contemporary Life, published in late-2021 by Fordham University Press.
Futures Intelligent Leadership: Innovative Wisdom for Future-Ready Leadership
Episode 36F with authors from the book "Leadership For the Future." --INTERVIEW 1 (00:00 - 16:05) Jan Klakurka Jan Klakurka is an Associate Professor of Management and Organizational Studies at Huron University and long-standing instructor within the strategy department at the Rotman School of Management at the University of Toronto. With over twenty-five years of professional experience in industry and management consulting, Jan advises C-Level executives and executing on the ground and has served organizations across private and public sectors through his practice. (https://www.linkedin.com/in/janklakurka/)Candice Chow Candice Is professor at DeGroote School of Business at McMaster University. She teaches technical know-how as well as values-based leadership focused on moral values, self-reflection, critical integrated thinking, courage and compassion. Candice's consulting services enable holistic strategy development through engaged advisory, workshops and team-based coaching. She co-founded Elevae Strategic Advisory to bring fresh values-based perspectives, novel evidence-based models, pragmatism, and a future-conscious mindset to help your organizations become purposeful, strategic, innovative, responsible and sustainable.(https://www.linkedin.com/in/candicechow/) ---- INTERVIEW 2 (Starts at 16:05) Roger Spitz, President of Techistential & Founding Chairman of the Disruptive Futures InstituteBased in San Francisco, Roger Spitz is the President of Techistential (Foresight Strategy) and founding Chairman of the Disruptive Futures Institute. A member of the Association of Professional Futurists (APF, Washington), he sits on a number of Advisory Boards of Companies, Venture Capital funds & Academic institutions worldwide. Techistential's renowned Board, Governance & Investor practice works with leaders and their organizations globally to capitalize on disruption as a springboard to drive value. An advisor, speaker and author on Artificial Intelligence, Roger has invested in a number of AI startups. Roger has two decades leading investment banking businesses, advising CEOs, founders, boards and shareholders of companies globally on strategic M&A transactions, and has advised on deals with overall value of $25bn.(https://www.linkedin.com/in/rogerspitz/)Rauli Nykänen, Research Fellow & Chair of Center for Philosophy at the Disruptive Futures InstituteBased in Finland, Rauli has a background in humanities and philosophy. After a Masters in European Philosophy, he attended doctorate studies focusing on Kant's Critique of Pure Reason. He has a keen interest in a process philosophy approach, ontology, as well as philosophy of science. Rauli is currently conducting research at the Disruptive Future Institute where the focus is on the philosophical questions involved in complexity, artificial intelligence and decision-making. The aim is to present views on the nature of physicalist scientific speculation in such a way as to equip audiences with the ability to better appraise both capabilities and limitations of scientific solutions and the technological applications derived from them. -----About the Book "Leadership For the Future"In this book, twenty authors from around the globe present, explore, and discuss such approaches from multi-disciplinary, multi-cultural, and planetary perspectives for the 21st century. They embrace a variety of diverse values, cognitive maps, definitions, and frameworks. Some approaches are more academically oriented; they discuss and develop theoretical perspectives. Others focus on the practice of leadership in and for the
In this, the second episode in the show's two-part series on European philosophy, polymath guest Wayne Hudson and host Jonathan Cole discuss the contribution and legacy of French philosophy. The enigmatic, controversial and influential thought of Jacques Derrida, Michel Foucault and Gilles Deleuze serves as a springboard for a wide-ranging diagnostic conversation about contemporary politics, culture and education. Wayne Hudson is a Research Professor at Charles Sturt University. He is an intellectual historian and a social philosopher who works across the areas of philosophy, history, politics and religion. His research covers religious thought, utopianism and social reform, the Enlightenment and the postsecular. He is recognised as the English language expert on the Jewish German Philosopher Ernst Bloch and is also a leading historian of English deism. He delivered the first lectures on postmodernism at Oxford and taught philosophical anthropology for seven years at the University of Utrecht. Host of The Political Animals, Jonathan Cole, is an academic, writer, speaker and translator who specialises in political theology: the intersection of religion and politics. He is currently Assistant Director of the Centre for Public and Contextual Theology at Charles Sturt University. Previously, he worked as a Senior Terrorism Analyst at Australian intelligence agency The Office of National Assessments. You can follow Jonathan on Twitter and Facebook.
In this episode of Philosophy Voiced, we are joined by Rick Anthony Furtak, Associate Professor in philosophy at Colorado College, US, former president of the American Søren Kierkegaard Society and an acclaimed poet. Rick is the author of two monographs, Wisdom in Love: Kierkegaard and the Ancient Quest for Emotional Integrity (2005) and Knowing Emotions: Truthfulness and Recognition in Affective Experience (2018).Hosts Kamila Pacovská (Pardubice) and Ruth Rebecca Tietjen (Copenhagen) discuss with Rick his studies in Chicago, the difference between European and American philosophy, connections between philosophy, literature (and poetry) and emotions, topics from his book Knowing Emotions, and other topics from his new book on Proust. Rick gave an Intensive seminar at the Pardubice Centre for Ethics (https://centreforethics.upce.cz/en/intensive-seminar-rick-anthony-furtak) which was the occasion of this podcast and inspiration to some of our topics.
In this episode, the first in a two-part series on European philosophy, returning guest Prof Wayne Hudson examines the legacy of German philosophy. He explores the contribution of German giants Kant, Hegel and Schelling and explains the ways in which their thought has been misunderstood in the English-speaking world. He and host Jonathan then embark on a discussion about contemporary science and culture, civilisational decline, the cognitive evolution of the human being and the fate of humanity. Wayne Hudson is a Research Professor at Charles Sturt University. He is an intellectual historian and a social philosopher who works across the areas of philosophy, history, politics and religion. His research covers religious thought, utopianism and social reform, the Enlightenment and the postsecular. He is recognised as the English language expert on the Jewish German Philosopher Ernst Bloch and is also a leading historian of English deism. He delivered the first lectures on postmodernism at Oxford and taught philosophical anthropology for seven years at the University of Utrecht. Host of The Political Animals, Jonathan Cole, is an academic, writer, speaker and translator who specialises in political theology: the intersection of religion and politics. He is currently Assistant Director of the Centre for Public and Contextual Theology at Charles Sturt University. Previously, he worked as a Senior Terrorism Analyst at Australian intelligence agency The Office of National Assessments. You can follow Jonathan on Twitter and Facebook.
What links Beethoven & Hegel's philosophy of freedom? Anne McElvoy talks to New Generation Thinker Seán Williams, Christoph Schuringa, Gary Browning, and Alison Stone about Hegel's discussion of freedom, law, family, markets and the state in his Principles of the Philosophy of Right 1820. Dr Christoph Schuringa is a Lecturer in Philosophy at the New College of the Humanities in London Gary Browning is Professor in Political Thought at Oxford Brookes University Alison Stone is Professor of European Philosophy in the Department of Politics, Philosophy and Religion at Lancaster University Seán Williams is Senior Lecturer in German and European Cultural History at the University of Sheffield You can find a playlist of programmes examining various philosophical themes on the Free Thinking website https://www.bbc.co.uk/programmes/p07x0twx Producer: Luke Mulhall
The French philosopher Bernard-Henri Lévy has written a philosophical take on the current pandemic and what it tells us about society. He talks with Stella Sandford, Director of the Society for European Philosophy in the UK and author of How to Read Beauvoir, whose own research looks at sex, race and feminism, and with Homi Bhabha, the Anne F. Rothenberg Professor of the Humanities at Harvard University. The Virus in the Age of Madness by Bernard-Henri Lévy is out now. You can find a philosophy playlist on the Free Thinking programme website featuring discussions including panpsychism, Boethius, Isaiah Berlin, the quartet of C20th British women philosophers https://www.bbc.co.uk/programmes/p07x0twx You can also find Prof Homi K Bhabha giving a lecture on memory and migration recorded in partnership with the Royal Society of Literature https://www.bbc.co.uk/programmes/m0005gt9 Producer: Ruth Watts
Tali Sharot is the director of the Affective Brain Lab. She is a professor of cognitive neuroscience in the Experimental Psychology department at University College London and a senior research fellow at the Wellcome Trust. Professor Sharot received her bachelor’s degree in economy and psychology from the University of Tel Aviv and her doctorate from New York University. She has received grants from the British Academy and the Forum for European Philosophy. Sharot’s research combines psychology and neuroscience behavioral economics with the aim of studying how emotion influences beliefs, decisions, and social interactions.
The 13th century Zen Master Dogen grew up with the teaching of original enlightenment – enlightenment is inherent in all beings from the beginning – not something that is achieved through effort. We might say it is a Holy world. Original dwelling place is another metaphor that has been used to point towards this ultimate reality that is always going to be impossible to pin down in words. The dilemma which Dogen struggled with as a young monk was, if we are all originally enlightened, why sit? This was Dogen’s personal koan. Another similar question is, if we are all originally at home, then why do we not experience this? Why do we fail to experience this ultimate security? In the existential sense, we fail to dwell. We fail to feel at home in the world. In this talk I am going to respond to these questions by making a distinction between our ESSENTIAL OR ORGINAL dwelling place and EXISTENTIAL dwelling, which consists in realising or understanding our ESSENTIAL dwelling. This distinction I have taken from the work of Professor Julian Young, who is a specialist in European Philosophy. This realisation in Zen of existential dwelling (being at home in the world) is brought forth through the regular practice of Zazen. In part one, I will present dukkha as a form of homelessness and alienation in the world. In part two, I will suggest that Zazen is the return home, what Dogen metaphorically referred to as “taking the backward step”.
In episode 194, Kestrel welcomes Shahidha Bari, author of Dressed: A Philosophy Of Clothes, to the show. A Professor of Fashion Cultures and Histories at the London College of Fashion and a fellow of the Forum for European Philosophy at London School of Economics, Shahidha is dedicated to contributing a discourse around fashion to the philosophy field. “I feel like there has to be some sort of intellectual, cultural shift about the way that we regard our clothes— the forms of attention we give them — not just in how we buy, but how we think about them as artifacts: artifacts that have passed through many hands before they come to our own and artifacts that are expressive of our humanity.” -Shahidha Bari, Author of Dressed: A Philosophy Of Clothes On this week’s show, Shahidha shares more on her background and how her unique experiences with dressing throughout her childhood along with her synesthesia have influenced the work that she does today. While Shahidha was writing her book, Dressed: A Philosophy of Clothes, the Rana Plaza disaster happened. According to her, this garment factory tragedy impacted the book was was writing. For Shahidha, she believes there must be some sort of cultural shift in the way that we regard our garments, and that they warrant dignity as well. The below thoughts, ideas + organizations were brought up in this chat: Synesthesia: when your sensory faculties can get muddled up — Shahidha has a unique way in which her perceptual factors and memories work where she often associates people and words with color and texture “So I lived in a world where the way you existed and moved through the world was shaped by your clothes.” Phenomenology: recording or thinking about the feeling of things, the feeling of existence “I think the quintessential experience of womanhood is the failure to be a woman, which is why I’m so interested in the experience of trans women too.” “There’s a kind of dignity that I wanted to give our clothes — I think that the people who make our clothes very often make it in such unhappy circumstances, that they warrant dignity too, and us being able to give our clothes dignity is one way that we start to recognize the kind of dignity we need to extend to the people who make our clothes too.” “I think there’s a lot to be said for being comfortable right now.” Buy Shahidha's book Dressed: A Philosophy Of Clothes here > This week's episode is brought to you by Fair Trade USA. Each year, Fair Trade USA honors the people who made our clothes and advocates for safer and more sustainable practices in its 'We Wear Fair Trade' campaign. Visit https://www.fairtradecertified.org/we-wear-fair-trade to learn about the fair trade difference in fashion and to meet this year's featured activists.
The COVID-19 pandemic exposes just how connected the world is, while, at the same time, circumscribing our individual worlds much more. How do we dress for these new circumstances, where our trips outside the house are limited to neighborhood walks and forays into the yard? Our guest today, Shahidha Bari, has been thinking deeply about how we interact with our clothes since long before the current pandemic. She’s a professor of Fashion Cultures and Histories at the London College of Fashion and a fellow of the Forum for European Philosophy at the London School of Economics. Her new book, Dressed, is what you get when you cross a philosopher with a fashion critic. She writes about the feeling you experience when your feet are mercifully dry in a pair of yellow rain boots, or what the subtle pull of a tie can do to your spine and your personality.Go beyond the episode: Read an excerpt for Shahidha Bari’s new book, Dressed: A Philosophy of ClothesFollow these historical clothing accounts on Instagram for a bite of fashion history: @defunctfashion, @katestrasdin, @coraginsburg, @lagrossetoile, @tatterbluelibrary, @georgian_diaspora, @fidmmuseum, @museumatfit, @metconstumeinstitute, @the_art_of_dressTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. See acast.com/privacy for privacy and opt-out information.
The COVID-19 pandemic exposes just how connected the world is, while, at the same time, circumscribing our individual worlds much more. How do we dress for these new circumstances, where our trips outside the house are limited to neighborhood walks and forays into the yard? Our guest today, Shahidha Bari, has been thinking deeply about how we interact with our clothes since long before the current pandemic. She’s a professor of Fashion Cultures and Histories at the London College of Fashion and a fellow of the Forum for European Philosophy at the London School of Economics. Her new book, Dressed, is what you get when you cross a philosopher with a fashion critic. She writes about the feeling you experience when your feet are mercifully dry in a pair of yellow rain boots, or what the subtle pull of a tie can do to your spine and your personality.Go beyond the episode: Read an excerpt for Shahidha Bari’s new book, Dressed: A Philosophy of ClothesFollow these historical clothing accounts on Instagram for a bite of fashion history: @defunctfashion, @katestrasdin, @coraginsburg, @lagrossetoile, @tatterbluelibrary, @georgian_diaspora, @fidmmuseum, @museumatfit, @metconstumeinstitute, @the_art_of_dressTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. See acast.com/privacy for privacy and opt-out information.
------------------Support the channel------------ Patreon: https://www.patreon.com/thedissenter SubscribeStar: https://www.subscribestar.com/the-dissenter PayPal: paypal.me/thedissenter PayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuy PayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9l PayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpz PayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9m PayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao ------------------Follow me on--------------------- Facebook: https://www.facebook.com/thedissenteryt/ Twitter: https://twitter.com/TheDissenterYT Anchor (podcast): https://anchor.fm/thedissenter Dr. Samir Okasha is a Professor of Philosophy of Science at the University of Bristol. He is a winner of the Lakatos Award for his book Evolution and the Levels of Selection. He was appointed a Fellow of the British Academy in 2018, and he is also the President of the European Philosophy of Science Association. He has broad philosophical interests, though most of his research falls into two main areas: (i) philosophy of biology / evolutionary theory; and (ii) epistemology /philosophy of science. Within philosophy of biology, he is especially interested in foundational and conceptual questions surrounding evolutionary theory. For many years, his research focused on the 'levels of selection' question in evolutionary biology, and the related issue of individual versus group conflicts of interest. In this episode, the main focus of our conversation is on philosophy of biology, and the levels of selection in evolutionary theory. We first discuss the several ways to think about levels of selection. We talk about the issue with group selection, the evolution of altruism, and multi-level selection theory. We also refer to the gene's-eye view, and what it is about. We discuss the extended evolutionary synthesis, and non-genetic inheritance mechanisms like cultural evolution and epigenetics. Toward the end, we also briefly talk about the usefulness (or lack thereof) of a species-level selection perspective. -- Follow Dr. Okasha's work: Faculty page: http://bit.ly/2YExNoP Scientific contributions on Researchgate: http://bit.ly/2ODYMgu Books on Amazon: https://amzn.to/2OBUXsi Evolution and the Levels of Selection: https://amzn.to/2OKInGW Agents and Goals in Evolution: https://amzn.to/2OAvG1o Philosophy of Biology: A Very Short Introduction (upcoming): https://amzn.to/2MAq8S3 -- A HUGE THANK YOU TO MY PATRONS: KARIN LIETZCKE, ANN BLANCHETTE, SCIMED, PER HELGE HAAKSTD LARSEN, LAU GUERREIRO, RUI BELEZA, ANTÓNIO CUNHA, CHANTEL GELINAS, JERRY MULLER, FRANCIS FORDE, HANS FREDRIK SUNDE, BRIAN RIVERA, ADRIANO ANDRADE, YEVHEN BODRENKO, SERGIU CODREANU, ADAM BJERRE, ŁUKASZ STAFINIAK, AIRES ALMEIDA, BERNARDO SEIXAS, HERBERT GINTIS, RUTGER VOS, RICARDO VLADIMIRO, BO WINEGARD, JOHN CONNORS, AND ADAM KESSEL! A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, ROSEY, AND JIM FRANK!
The 2019 Leszek Kołakowski Lecture was given by Marci Shore, associate professor of history at Yale University. Her research focuses on European intellectual history, in particularly twentieth and twenty-first century Central and Eastern Europe. She received her M.A. from the University of Toronto in 1996 and her PhD from Stanford University in 2001; and since 2004 has regularly been a visiting fellow at the Institut für die Wissenschaften vom Menschen in Vienna. She is the translator of Michał Głowiński's The Black Seasons and the author of Caviar and Ashes: A Warsaw Generation's Life and Death in Marxism, 1918-1968, The Taste of Ashes: The Afterlife of Totalitarianism in Eastern Europe, and The Ukrainian Night: An Intimate History of Revolution. In 2018 she received a Guggenheim Fellowship for her current project titled “Phenomenological Encounters: Scenes from Central Europe.” The lecture was hosted by the Dahrendorf Programme for the Study of Freedom at the European Studies Centre, St Antony’s College and chaired by Timothy Garton Ash, Professor of European Studies.
Sarah Fine is a Senior Lecturer in Philosophy at King’s College London. She is also a Fellow at the Forum for European Philosophy. She co-edited (with Lea Ypi) Migration in Political Theory: The Ethics of Movement and Membership (Oxford University Press, 2016). Her research to date has focused on the ethics of migration, and particularly the question of whether states have a moral right to exclude non-citizens. In recent years, she also has been thinking a lot about methodology in political philosophy, and about work at the intersection of philosophy and the arts. This podcast is an audio recording of Dr. Fine's talk - 'Refugees, Safety and a Decent Human Life' - at the Aristotelian Society on 15 October 2018. The recording was produced by the Backdoor Broadcasting Company.
Discussing the philosophical narratives around the European Union, Millie Radovic interviews Professor Simon Glendinning of the London School of Economics. A graduate of Oxford, Prof. Glendinning has focused much of his research on European Philosophy which he teaches at the European Institute of the LSE. Discussing how some of these enduring concepts, particularly Immanuel Kant's ideas, relate to the EU today, Millie and Prof. Glendinning talk about what Kant may have said about Brexit, populism, and the notion of a European identity.
Catch up on this talk, exploring how 20th century artists have used eroticism in their work, and why it continues to challenge viewers and provoke controversy today. Speakers: Dr Alyce Mahon, Reader in Modern and Contemporary Art History, University of Cambridge, is a specialist in modern and contemporary art and their erotic politics. Rowan Pelling, editor of The Amorist and former editor of The Erotic Review. Adham Faramawy, artist and RA Schools alumnus. Dr Shahidha Bari, Senior Lecturer in Romanticism, Queen Mary University of London & Fellow of Forum for European Philosophy, London School of Economics
This is one of the papers from our 2017 Annual Conference, the Future of Phenomenology. Information and the full conference booklet can be found at www.britishphenomenology.org.uk Tanja Staehler is Professor of European Philosophy at the University of Sussex. Her current research focuses on the bodily experiences and emotions of pregnancy, birth, and being with infants, from a phenomenological perspective. Her research mediates between philosophers (phenomenologists), parents, and healthcare professionals such that the perspectives can be shared as well as differences acknowledged. She has published numerous essays in this area, including articles in the journals Janus Head, Health Care and Philosophy and also in the Yearbook for Eastern and Western Philosophy. Tanja has written books on (2016) Hegel, Husserl, and the Phenomenology of historical worlds. Rowman and Littlefield International (2016); Plato and Levinas: the ambiguous out-side of ethics. Routledge, New York (2009) and (together with Michael Lewis), Phenomenology: An Introduction. Continuum (2010) Phenomenology of Childbirth between Theory and Practice In this presentation, I want to reflect on the experience of researching childbirth from a phenomenological perspective. In particular, methodological challenges will be considered that emerge from work at the intersection of theory and practice. My co-designed online learning module for the Royal College of Midwives entitled ‘Communication in Labour’ will serve as an example for the practical aspect. The module attempts to utilise the concepts of emotions, reflection, responsivity and situation which emerge from the theoretical analysis.
Melvyn Bragg and guests discuss phenomenology, a style of philosophy developed by the German thinker Edmund Husserl in the first decades of the 20th century. Husserl's initial insights underwent a radical transformation in the work of his student Martin Heidegger, and played a key role in the development of French philosophy at the hands of writers like Emmanuel Levinas, Jean-Paul Sartre, Simone de Beauvoir and Maurice Merleau-Ponty. Phenomenology has been a remarkably adaptable approach to philosophy. It has given its proponents a platform to expose and critique the basic assumptions of past philosophy, and to talk about everything from the foundations of geometry to the difference between fear and anxiety. It has also been instrumental in getting philosophy out of the seminar room and making it relevant to the lives people actually lead. GUESTS Simon Glendinning, Professor of European Philosophy in the European Institute at the London School of Economics Joanna Hodge, Professor of Philosophy at Manchester Metropolitan University Stephen Mulhall, Professor of Philosophy and Tutor at New College at the University of Oxford Producer: Luke Mulhall.
Melvyn Bragg and guests discuss phenomenology, a style of philosophy developed by the German thinker Edmund Husserl in the first decades of the 20th century. Husserl's initial insights underwent a radical transformation in the work of his student Martin Heidegger, and played a key role in the development of French philosophy at the hands of writers like Emmanuel Levinas, Jean-Paul Sartre, Simone de Beauvoir and Maurice Merleau-Ponty. Phenomenology has been a remarkably adaptable approach to philosophy. It has given its proponents a platform to expose and critique the basic assumptions of past philosophy, and to talk about everything from the foundations of geometry to the difference between fear and anxiety. It has also been instrumental in getting philosophy out of the seminar room and making it relevant to the lives people actually lead. GUESTS Simon Glendinning, Professor of European Philosophy in the European Institute at the London School of Economics Joanna Hodge, Professor of Philosophy at Manchester Metropolitan University Stephen Mulhall, Professor of Philosophy and Tutor at New College at the University of Oxford Producer: Luke Mulhall.