Podcasts about haitian studies

This discussion is with Dr. Imani D. Owens, an associate professor of English at Rutgers University-New Brunswick.  She studies and teaches African American and Caribbean literature, music, and performance. Her research has been supported by a Postdoctoral Fellowship in African American Studies at Princeton University, a Woodrow Wilson Career Enhancement Fellowship, and an NEH funded residency at the Schomburg Center for Research in Black Culture. Her work has appeared in the Cambridge Journal of Postcolonial Inquiry, Caribbean Literature in Transition, the Journal of Haitian Studies, MELUS, and small axe salon. She is currently a faculty fellow at the Rutgers Center for Cultural Analysis. In this conversation we discuss her book Turn the World Upside Down: Empire and Unruly Forms of Folk Culture in the U.S. and Caribbean (Columbia University Press: Black Lives in the Diaspora series) where she charts the connection between literary form and anti-imperialist politics in Caribbean and African American texts during the interwar period. 

This discussion is with Dr. Eziaku Nwokocha, an Assistant Professor in the Department of Religious Studies at the University of Miami. She is a scholar of Africana religions with expertise in the ethnographic study of Vodou in Haiti and the Haitian diaspora. Her research is grounded in gender and sexuality studies, visual and material culture and Africana Studies. Previously, Dr. Nwokocha held a position as a Presidential Postdoctoral Research Fellow in the Department of Religion at Princeton University and a Visiting Fellow at the Center for Culture, Society and Religion at Princeton. She obtained a Ph.D. with distinction in Africana studies from the University of Pennsylvania, a master's degree in Africana studies from the University of Pennsylvania, a master's degree in theological studies from Harvard Divinity School, and a bachelor's degree in Black studies and Feminist studies from the University of California, Santa Barbara. Dr. Nwokocha was a Ford Predoctoral Fellow during her PhD and Ronald E McNair Scholar as an undergraduate. In this conversation, we discuss her book, Vodou en Vogue: Fashioning Black Divinities in Haiti and the United States (University of North Carolina Press, 2023), an ethnographic study of fashion, spirit possession, and gender and sexuality in contemporary Haitian Vodou, exploring Black religious communities through their innovative ceremonial practices. The book is featured within the series Where Religion Lives.  Dr. Nwokocha is currently working on her second book project which is tentatively entitled: “‘Tell My Spirit': Black Queer Women in Haitian Vodou,” which investigates Black queer women's interactions with Haitian Vodou divinities, their performance of ritual work, and their formationof religious communities in multiple locations including Montréal, Canada; Miami, Florida; Havana, Cuba; Paris, France; Brooklyn, New York, and Northern California. Nwokocha has been featured in the Journal of Haitian Studies, Harvard Divinity Bulletin Magazine, Reading Religion, and Women Studies Quarterly. 

“Is Haiti a Failed State?” I asked Dr. Robert Fatton. Think about his question from the perspective that there is no civil war in Haiti. Yet, the country is in total and complete chaos. In this episode, my guest, Dr. Fatton, answers the above question and talks about the history of why democracy did not take hold in Haiti, and how violent gangs became so powerful there. In fact so powerful that they could restrict the movement of Haiti's prime minister, and so powerful that Haiti's government outnumbered and outgunned, has asked for international military intervention to bring some sense of security back to Haiti. But the international community has militarily intervened in Haiti in the past - all to no avail. What's more is that Haitians, a proud nation, have grown weary of these ineffective interventions. Non-military interventions have also disrupted Haiti's domestic affairs. Here, Dr. Fatton tells us the story of how Hillary Clinton, as our Secretary of State, interfered in Haiti's election. And years later, representatives of the UN did the same thing - with a mere tweet! Even helpful assistance projects have had negative impacts on Haiti's culture, society, and economy. For example, did you know, that over the last decades, the international community has refused to channel assistance to Haiti through its government? Why? Because Haiti's government is notoriously corrupt. So instead, international aid went to NGOs - non-governmental organizations - which in turn proliferated and grew powerful in Haiti. As this happened, Haiti's government retrenched. And as the government shrunk, where do you think the corrupt government employees went to work? The NGOs! This episode is essentially the continuation of my 2021 conversation with Dr. Fatton, during which he shared the history of Haiti from its bloody but glorious founding to the assassination of its president, Jovenel Moïse. You can listen to that episode here: https://bit.ly/HbN-S1E23s. Dr. Fatton is the Julia A. Cooper Professor of Government and Foreign Affairs in the Department of Politics at the University of Virginia. He is also a former chair of that department as well as a former associate dean of the Graduate School there. In 2011, Dr. Fatton received the Award for Excellence of the Haitian Studies Association for his “commitment and contribution to the emerging field of Haitian Studies for close to a quarter of a century.” To learn more about Dr. Fatton, you can visit his academic homepage: https://politics.virginia.edu/people/profile/rf/ Also, after the 2021 earthquake, I spoke to Dr. Mark Schuller about the role of NGOs in Haiti. While celebrity visitors to Haiti, such as Bill Clinton, George Clooney, and Sean Penn, brought much attention and millions of dollars to that country, how NGOs changed Haiti's society, culture and economy is complicated. Let's just put it this way: not all good intentions end well! You can listen to my conversation with Dr. Schuller here: https://bit.ly/HbN-S1E32s. I hope you enjoy these episodes. Adel Host of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠History Behind News⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcast Watch my guests & I ⁠⁠⁠⁠⁠⁠⁠on YouTube⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here⁠ and join⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ our other supporters in the news peeler community. Thank you.

GOFUNDME: https://www.gofundme.com/f/help-nesean-to-live-a-normal-life-with-paralysis - C5 level paraplegic, meaning minimal movement of his arms and legs, and is completely dependent on caregivers, mainly mom Kedine, for everything – feeding, clothing, bathing, and even repositioning. It has led to a terrible complication, pressure ulcers that are not healing and have become infected. •   On his 16th birthday, he went to the community store to get some juice, and got caught in a deadly crossfire, the bullet lodging in his neck. •   There are decent treatment options for NeSean, but they are limited by his immigration status. As an N01 non-resident, he cannot access federal or state funding for special surgical procedures and extended recuperative medical therapy, to heal his infection. •  Total estimate including diverting colostomy, and plastic reconstructive surgery with flap, is $169,000, with $25,000 needed to get started. Better housing options than his current stay at Ronald McDonald. We hope to raise these funds through philanthropy, and grants. The long term to get NeSean back to school, into standard rehab, but also the innovative and advanced therapeutics at the Lois Pope Life Center to Cure paralysis, and regain the use of his arms •  Contact Dr. Stephen Symes, Center for Haitian Studies at ss.dme@chsgmhetc,org Source for the above information: Center for Haitian Studies, Health and Human Services Some related links to the story: https://www.youtube.com/watch?v=2iWzclLK-rg&t=229s (on my show 1 year ago) https://www.youtube.com/watch?v=r-53wH8gRE8&t=180s (Jamaican media report)  The Blairs contacts: 1(561)481-9929 WhatsApp: (876) 880-4954  Canyouth's Exploration YouTube channel: ⁠https://www.youtube.com/@CanyouthsExploration⁠ Apple Podcast Links (Audios): A Knowledge Break  ⁠https://podcasts.apple.com/us/podcast/a-knowledge-break/id1670112402⁠ Canyouth's Exploration ⁠https://podcasts.apple.com/us/podcast/canyouths-exploration/id1540024680⁠     --- Send in a voice message: https://podcasters.spotify.com/pod/show/radio-white/message

"Between Two Worlds: Jean Price-Mars, Haiti, and Africa" is a special volume on Jean Price-Mars that reassesses the importance of his thought and legacy, and the implications of his ideas in the twenty-first century's culture of political correctness, the continuing challenge of race and racism, and imperial hegemony in the modern world. In this first of many interviews, Dr. Joseph shares with us how Price-Mars's thought is also significant for the renewed scholarly interests in Haiti and Haitian Studies in North America, and the meaning of contemporary Africa in the world today. Dr. Lou explores various dimensions in Price-Mars' thought and his role as historian, anthropologist, cultural critic, public intellectual, religious scholar, pan-Africanist, and humanist.The goal of this book is fourfold: it explores the contributions of Jean Price-Mars to Haitian history and culture, it studies Price-Mars' engagement with Western history and the problem of the “racist narrative,” it interprets Price-Mars' connections with Black Internationalism, Harlem Renaissance, and the Negritude Movement, and finally, the book underscores Price-Mars' contributions to post-colonialism, religious studies, Africana Studies, and Pan-Africanism. Show Notes In this episode (1/3), listen as Dr. Celucien Joseph (Dr. Lou)outlines the 5 themes he will discuss with us in this episode and the two others that follow. As it relates to Jean Price-Mars' writings and thoughts. The 5 themes are listed below. In this episode, Dr Lou Discusses Price-Mars' grounding within the context of Caribbean intellectual traditions, such as creolite, negritude, etc. Subsequent episodes will tackle the remaining 4 themes--not necessarily in the order he mentions them in this episode. Enjoy! Pan-Africanism Black Atlantic Intellectual History/thought/culture The Symbolic Meaning of Africa re to his writings. What does Africa mean to Price-Mars. Grounding Price-Mars in the Caribbean context of creolite, negritude, etc Price-Mars' connection to the Harlem Renaissance. --- Send in a voice message: https://podcasters.spotify.com/pod/show/negmawonpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/negmawonpodcast/support

In this week's Konesans, I asked Yale's Haitian historian Dr. Marlene Daut the following question: Are We in the Golden Age of Haitian Studies? --- Send in a voice message: https://podcasters.spotify.com/pod/show/negmawonpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/negmawonpodcast/support

This week's installment is with Touching Roots Curator and Professor of African American studies at Emory University, Kyrah Malika Daniels. Kyrah's research interest is on comparative religion, art history and material culture, and ritual healing traditions in the Black Atlantic, with focus on sacred arts and ritual healing practices among Haitian and Congolese communities. We had a really interesting conversation, which we're super happy to present to you now.Kyrah is currently completing a book titled Art of the Healing Gods: Illness, Imbalance & Sacred Arts of the Black Atlantic described in her bio as “a comparative religion project that examines ritual art traditions and religious healing legacies of Kongo-derived communities in Haiti and the Democratic Republic of Congo. The book investigates how sacred art objects mediate relationships between humans and spirits in healing ceremonies to treat spiritual illness and imbalance holistically. Kyrah's work has also been published in the Journal of Africana Religions, Meridians: Feminism, Race, Transnationalism, the Journal of Haitian Studies, and the Journal for the American Academy of Religion.https://www.bostonartpodcast.com/https://www.instagram.com/thesacredartscape/

For bonus content and to help make this program possible, please join us on Patreon at: https://patreon.com/thekatiehalpershow Anthropologist Jemima Pierre & Historian Peter James Hudson on the connection between imperialism & capitalism, what The NY Times gets wrong about Haiti, the Summit Of The Americas and more. Jemima Pierre is the Haiti/Americas Co-Coordinator with the Black Alliance for Peace; an editor at the Black Agenda Report; and a professor of Black Studies and Anthropology at UCLA She is the author of The Predicament of Blackness: Postcolonial Ghana and the Politics of Race. Her research and teaching interests are located in the overlaps between African Studies and African Diaspora Studies and engage three broad areas: race, racial formation theory, and political economy; culture and the history of anthropological theory; and transnationalism, globalization, and diaspora. She is currently completing a manuscript whose working title is “Racial Americanization: Conceptualizing African Immigrants in the U.S.,” and working on a project on the racialized political economy of multinational resource extraction in Ghana. Dr. Pierre's essays on global racial formation, Ghana, immigration, and African diaspora theory and politics have appeared in a number of academic journals including, Cultural Anthropology, Feminist Review, Social Text, Identities, Cultural Dynamics, Transforming Anthropology, Journal of Haitian Studies, Latin American Perspective, American Anthropologist, and Philosophia Africana. Peter James Hudson is Associate Professor of African American Studies and History at UCLA. His research interests are in the history of capitalism, white supremacy, and U.S. imperialism; the intellectual and political-economic history of the Caribbean and the Black world; and the history of Black radicalism and global anti-imperialism. He is the author of Bankers and Empire: How Wall Street Colonized the Caribbean (University of Chicago Press, 2017).

In this first episode in the Ginen mini-series, we cover the central tenets of Haitian Vodou, the life, love, and expansive mind of the distinguished scholar, Patrick Bellegarde-Smith.  Professor Emeritus Patrick Bellegarde-Smith received his doctorate in international relations, comparative politics, and Latin American Studies, in 1977. He taught in the field of international development, political economy, and culture, at Bradley University,  then later, at the University of Wisconsin-Milwaukee, in the field of  African-American Studies with a focus on Caribbean cultures, politics and history, Afro-Caribbean religions, and in the area of Black feminisms.  He is the author or editor of five books, among them, In the Shadow of Powers (Humanities Press International, 1985, 2nd ed. Vanderbilt University Press, 2019), The Breached Citadel (Westview Press, 1990, 2nd ed. Canadian Scholars Press, 2004), and Fragments of Bone: Neo-African Religions in a New World,  ed. (Illinois University Press, 2005). The sixth book on gender identities and African religious systems is in preparation. Some of his writings have been anthologized, notably, "Hormones and Melanin: The  Dimensions of 'Race,' Sex and Gender: Reflexive Journeys," in Jacqueline  Bobo et al., The Black Studies Reader (New York: Routledge, 2004). For his work on issues of ethnic,  racial, and national identities, he received from the State University of Haiti, the Jean Price-Mars Medal in 2013, and the Lifetime  Achievement Award for Scholarship from the Haitian Studies  Association in 2010. Some of his books and articles have been translated into French, Spanish, Kreyol (Haitian), and Portuguese. Bellegarde-Smith served as the President of the Congress of Santa  Barbara (KOSANBA), a scholarly association for the study of Vodou and other African-derived religions, and is a former president of the  Haitian Studies Association, (HSA). He is an associate editor for the Journal of Haitian Studies and served on the editorial boards of Kalfou: A Journal of Comparative and Relational Ethnic Studies, and the Journal of Africana Religions. He is an advisory board member/Elders-Distinguished Member of the  Institute for the Study of Canadian Slavery, in Halifax, NSCAD, Nova  Scotia. He is a Houngan asogwe, a priest of Haitian Vodou. He attended The University of the Virgin Islands, the "youngest" HBCU,  Syracuse University at Utica College, and The American University,  School of International Service. Dr. Bellegarde-Smith is the author of many books, including In the Shadow of Powers (1985, 2nd edition 2019), The Breached Citadel (1990, 2nd edition 2004), Fragments of Bone, ed. (2005). For his books and articles on issues of national and personal identities, he received from the University of Haiti, the Jean Price-Mars Medal in 2013, and the Lifetime Achievement Award for Scholarship from the Haitian Studies Association in 2010. Some of his works have been translated into French, Spanish, and Portuguese, and some of his writings are anthologized. --- Send in a voice message: https://anchor.fm/negmawonpodcast/message Support this podcast: https://anchor.fm/negmawonpodcast/support

Resources from this episode: https://www.youtube.com/watch?v=5A_o-nU5s2U (Crash Course: Haitian Revolutions | Youtube) https://haitianstudies.ku.edu/haiti-history (Haiti: A Brief History of a Complex Nation | Institute of Haitian Studies) https://www.reuters.com/world/americas/he-never-stood-chance-fateful-downfall-haitis-president-2021-08-22/ ('He never stood a chance': the fateful downfall of Haiti's president | Reuters) https://www.npr.org/2021/08/25/1031170411/almost-2-weeks-after-the-quake-aid-is-just-getting-to-some-remote-towns-in-haiti (Almost 2 Weeks After The Quake, Aid Is Just Getting To Some Remote Towns In Haiti | NPR) https://www.worldbank.org/en/country/haiti/overview (Haiti | The World Bank) https://www.scientificamerican.com/article/earth-talk-haitis-legacy/ (Haiti's Legacy of Environmental Devastation Compounded by Earthquake | Scientific American) https://www.youtube.com/watch?v=4WvKeYuwifc (Divided island: How Haiti and the DR became two worlds | Borders | Vox - YouTube) https://www.bloomberg.com/opinion/articles/2021-07-17/haiti-needs-to-build-an-economy-like-its-island-neighbors (Haiti Can Rebuild Its Economy. Here's How. | Bloomberg Opinion) https://www.macmillanlearning.com/college/us/product/Slave-Revolution-in-the-Caribbean-1789-1804/p/1319048781 (Slave Revolution in the Caribbean, 1789-1804)

Jean Eddy Saint Paul lives here in Brooklyn but is from the south of the island, at the site of the epicenter of last week's earthquake. He discusses the root causes of Haiti's impoverishment and breaks down why there is such a large Haitian population in Brooklyn, which can be traced through three separate waves of immigration going back decades. He'll also tell us how you— yes, you — can help. Brooklyn news and views you can use: bkmag.com Email: hello@bkmag.com Follow along on Facebook: Brooklyn Magazine Twitter: @brooklynmag Instagram: @brooklynmagazine Follow Brian Braiker on Twitter: @slarkpope

This episode engages the multifaceted human rights challenges faced by Haitians in the homeland and in the United States and beyond. It features Dr. Cécile Accilien, a professor and scholar of Haitian Studies and Board Member of the Haitian Studies Association, based in Atlanta, Georgia. She has published a number of books, articles, and chapters; her most recent publication is a co-edited volume (with Valérie Orlando), Teaching Haiti: Strategies for Creating New Narratives, published by University Press of Florida in July 2021. Dr. Accilien challenges dominant narratives of Haiti and places the island nation's current challenges within a larger historical and contemporary global perspective.

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Michel-Rolph Trouillot wrote that “the silencing of the Haitian Revolution is only a chapter within a narrative of global domination. It is part of the history of the West and it is likely to persist, even in attenuated form, as long as the history of the West is not retold in ways that bring forward the perspective of the world.” Alyssa Goldstein Sepinwall's Slave Revolt on Screen: The Haitian Revolution in Film and Video Games (University Press of Mississippi, 2021) illustrates how this holds true not just in the writing of historical narratives but also the history of film. The book shows how one of the most important revolutions in world history, a revolt in which enslaved people fought for their freedom and created the first majority Black and post-slavery republic, has been silenced, ridiculed, or whitewashed by American and European film makers. She introduces us to Haitian directors such as Raoul Peck who want to tell their own story, free of white saviors but with the full horrors of slavery. The book takes some surprising turns. It turns out video games such as Assassins' Creed do a better job at recreating the resistance of enslaved people than most films. Sepinwall also finds an unexpected hero in comedian Chris Rock. His Top Five contains a subplot about a fictionalized version of Rock trying to promote his film about the Haitian Revolution to white journalists who can't even understand the concept of a slave revolt. Dr. Sepinwall, who earned her doctorate at Stanford, is a professor of history at California State University San Marcos. Her previous books include The Abbé Grégoire and the French Revolution: The Making of Modern Universalism and Haitian History: New Perspectives. She also has a number of articles in journals and edited collections such as Journal of Modern History, Journal of Haitian Studies, Journal of American Culture, and Raoul Peck: Power, Politics, and the Cinematic Imagination. In the interests of full disclosure, she is one of my favorite collaborators and we co-edited a volume of the World History Bulletin on France in world history. Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he's not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

JOURNAL ESSAYSBoisvert, Jayne. "Colonial Hell and Female Slave Resistance in Saint-Domingue." Journal of Haitian Studies 7, no. 1 (2001): 61-76. Accessed January 17, 2021. http://www.jstor.org/stable/41715082.BOOKSBellegarde-Smith, Patrick, and Claudine Michel, eds. Story. In Haitian Vodou: Spirit, Myth, and Reality. Bloomington, IN: Indiana University Press, 2006. Bellegarde-Smith, Patrick, Claudine Michel, and Guerin C. Montilus. “Chapter 1 : Vodun and Social Transformation in the African Diasporic Experience: The Concept of Personhood in Haitian Vodun Religion.” Essay. In Haitian Vodou: Spirit, Myth, and Reality, p.1-6. Bloomington: Indiana University Press, 2006. Bellegarde-Smith, Patrick, Claudine Michel, and Patrick Bellegarde-Smith. “Chapter 3: Broken Mirrors: Mythos, Memories and National History.” Essay. In Haitian Vodou: Spirit, Myth, and Reality, p. 19-31. Bloomington: Indiana University Press, 2006. Racine-Toussaint, Marlene, Patrick Bellegarde-Smith, and Claudine Michel. “Chapter 7: From the Horses' Mouths: Women's Words/ Women's Worlds.” Essay. In Haitian Vodou: Spirit, Myth, and Reality, edited by Patrick Bellegarde-Smith and Claudine Michel, p.70–74. Bloomington: Indiana University Press, 2006. Bellegarde-Smith, Patrick, Claudine Michel, and Gerdes Fleurant. “Chapter 5: Vodun, Music, and Society in Haiti: Affirmation and Identity.” Essay. In Haitian Vodou: Spirit, Myth, and Reality, p.46-57. Bloomington: Indiana University Press, 2006. Dayan, Colin. Haiti, History, And The Gods. Berkeley: Univ. of California Press, 2008.Asante, M. K., & Mazama, A. (Eds.) (2009). Encyclopedia of African religion. SAGE Publications, Inc., https://www.doi.org/10.4135/9781412964623Lundy, Garvey F. "Fatiman, Cécile." In Encyclopedia of African Religion, edited by Asante, Molefi Kete., and Ama Mazama, 262-262. Thousand Oaks, CA: SAGE Publications, Inc., 2009. http://dx.doi.org/10.4135/9781412964623.n170.Michel, Claudine, and Patrick Bellegarde-Smith. "Vodou." In Encyclopedia of Global Religion, edited by Juergensmeyer, Mark, and Wade C. Roof, 1365-68. Thousand Oaks, CA: SAGE Publications, Inc., 2012. http://dx.doi.org/10.4135/9781412997898.n775.Pogue, Tiffany D. "Bois Caiman." In Encyclopedia of African Religion, edited by Asante, Molefi Kete., and Ama Mazama, 130-31. Thousand Oaks, CA: SAGE Publications, Inc., 2009. http://dx.doi.org/10.4135/9781412964623.n90.Mazama, Ama. "Ezili Dantò." In Encyclopedia of African Religion, edited by Asante, Molefi Kete., and Ama Mazama, 253-54. Thousand Oaks, CA: SAGE Publications, Inc., 2009. http://dx.doi.org/10.4135/9781412964623.n163Lundy, Garvey F. "Fatiman, Cécile." In Encyclopedia of African Religion, edited by Asante, Molefi Kete., and Ama Mazama, 262-262. Thousand Oaks, CA: SAGE Publications, Inc., 2009. http://dx.doi.org/10.4135/9781412964623.n170.https://en.wikipedia.org/wiki/Jean-Louis_Pierrothttps://scalawagmagazine.org/2020/07/haitian-protest-miami/https://haitiantimes.com/2020/06/09/haitians-embrace-black-lives-matter-join-protests-for-justice-police-accountability/https://grassrootsonline.org/fr/blog/newsblogblack-lives-matter-police-repression-us-and-political-crisis-haiti/https://haitiantimes.com/2021/01/22/exploring-haitian-independence-the-original-black-lives-matter-movement/https://the-toast.net/2015/04/18/unruly-women-are-always-witches-outlander-s1-e-10/https://gay.medium.com/magical-thinking-for-girls-e04eaf934546https://occult-world.com/marinette/https://www.listennotes.com/podcasts/girltreks-black/resistance-day-14-c%C3%A9cile-Nxo9TB8IYcj/https://www.facebook.com/Haiti.Now/posts/10156598178743381/https://sites.duke.edu/blackatlantic/sample-page/storytelling-and-representation-of-bois-caiman/painting-and-bois-caiman/https://scalawagmagazine.org/2020/07/haitian-protest-miami/ 

    “Konbit” is an expression in Haitian Creole that means to work together, collaboratively, to achieve a desired outcome. Haitian Studies scholar and digital humanist Marlene L. Daut interprets “konbit” to mean not only analog but also digital collaborations. Working together with undergraduate and graduate students, independent scholars, archivists, librarians, digital humanists, historians, and [...] The post Kelsey Corlett-Rivera and Nathan Dize Digital Dialogue appeared first on Maryland Institute for Technology in the Humanities.

Regine Jean-Charles' Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women's Narratives of Resistance in the Francophone World examines Caribbean and African women's literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Regine Jean-Charles' Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women's Narratives of Resistance in the Francophone World examines Caribbean and African women's literary and political contributions to anti-colonial movements.

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston College where she teaches classes on francophone literature, black feminisms, African film, and Haitian Studies. Annette Joseph-Gabriel is an Assistant Professor of French and Francophone Studies at the University of Michigan, Ann Arbor. Her forthcoming book, Decolonial Citizenship: Black Women’s Narratives of Resistance in the Francophone World examines Caribbean and African women’s literary and political contributions to anti-colonial movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight on The Gist of Freedom Join Historian Yul Anderson. He will explain the State of Black Studies and his statement below. "Black Studies program throughout American have been taken over by others from the Diaspora community such that African American studies becomes Diaspora study programs. Leadership of Black/Afro-American studies programs have morphed and lost interest in the origination of such programs and have now been commingled with Latin American Study, Caribbean studies, Haitian Studies, to the point that there is no longer a distinctive core of Black or African American study programs in America.  This has resulted in a tug of war of funding and resentment amongst African American Scholars who feel their distinctive turf has been invaded, as a result less funding for Black or African American studies programs exist. The Global media, while seeing the Africans influence and power in American as a result of Presidents Obama's African Summit now place more emphasis on African images rather than African American images, the so called "New Black'.  Traditional HBCU's while relatively less expensive than traditional main stream white liberal colleges have become much more favorable as the lack of qualified Black African American Scholars are not able to fill the teaching vacancies, as a result HBCU's become much more inviting to the diaspora communities which in turn morph HSBCU's into a more international college, taking on more international issues with substantive professors from the international community.  

Alice Backer of www.kiskeacity.com discusses how the New York Times covers Haitians with Dr. Manoucheka Céleste. Dr. Celeste's most recent publication, “Framing Haitians and Cubans in The New York Times: Enduring Imprints of Political History,” appeared in the latest Journal of Haitian Studies. Dr. Céleste is an Assistant Professor at the University of Nevada, Las Vegas. She studies transnational representations of blackness, immigration, gender, and class, with a focus on the Caribbean, the United States and Latin America, particularly Haiti.