Podcast appearances and mentions of John Fletcher

The complete audiobook is available for purchase at Audible.com: https://n9.cl/oind6 The Pageants By William Shakespeare Comprising multicast performances of Henry V and Henry VIII Shakespeare's history plays fall into two categories: political dramas and propagandistic pageants. The second category is comprised of the two plays in this presentation, Henry V and Henry VIII. These two plays have many elements in common. An underlying theme is the necessity and glory of government by sovereign royalty. Each play is presented by a chorus, who defines the action and intent of the drama. Rather than a continuous narrative the action is depicted in a series of tableaux, each of which seeks to illustrate a positive aspect of the monarch's character. In each play an early part of the action involves the detection of treason and the punishment of the malefactors, presented as examples of the king's shrewdness and rigorous sense of justice. Henry V, originally titled The Life of Henry the Fifth, tells the story of the king's successful incursion into France to regain control of the territories claimed by the English crown, and his consolidation of his position by marrying the daughter of the King of France. Despite its references to the horror of military conflict, the mood of the play is generally bright and upbeat, although in the final speech the Chorus warns that much of this glory will be lost under the rule of Henry VI. Henry VIII, first published as The Famous History of the Life of King Henry the Eighth, was a joint production by Shakespeare and John Fletcher. It appears to have been written in 1612-1613. During a production of the play at the Globe Theatre in 1613, a cannon was discharged, resulting in a fire which burned the building to the ground. The action of Henry VIII focuses on three major events: The allegation of treason against the Duke of Buckingham, and his subsequent conviction and execution; Henry's concern over the failure of his wife Katharine of Aragon to produce a male heir, his desire to divorce her and to marry the much younger Anne Bullen (Boleyn); and the birth of Anne's child, the future Queen Elizabeth I. All references to Anne Bullen's fall from grace and execution and to Henry's subsequent marriages are strictly avoided. Henry is presented as a thoughtful and capable sovereign, somewhat overbearing, but genuinely troubled by the thought that his marriage to Katharine may have been canonically improper. Featuring Blaise Doran as Henry V and Josh Innerst as Henry VIII. Audio edited by Denis Daly.

How do you find a GREAT Student PA Announcer and then help them get better? John Fletcher Butler is a Senior at Tallahassee's Maclay School and he's wrapping up a SIX YEAR Career as their Varsity Announcer. Hear his story and more on The Educational AD Podcast's AD Think Tank!

The fight with John Fletcher in the form of the deceased dragon Cambionatrix draws to it's unexpected conclusion   Featuring: Carlos Guzman as Tiburon Jen Stopper Crespo as Sarsa Jeff Frank as Randall Matt Messerman as Branch Chris Daily as Oliver and Gravely and Zach Stones as DM   See Character Art on Instagram @rolledtable and our discord Art by Chris Daily @dungeonheads Music by Weston Gardner @arcaneanthems Support their patreons! And third party creators!

It's Epic Epilogue time - with a fly by of the closing moments to The Tamer Tamed by John Fletcher. The epilogue is performed (a few times) by Fiona Thraille - a British voice actor, narrator and audio producer who has worked in voiceover, podcasts, and who has narrated and produced over a dozen audiobooks through Audible. She is the founder and producer of Dashing Onions Audio - an audio drama podcast, was co-host and producer of the Audio Drama Production Podcast for a year, and has given lectures and presentations on aspects of audio drama podcast creation. The episode is hosted and produced by Robert Crighton. Additional sound effects from the wonderful people at http://www.freesfx.co.uk A complete First Looking session playlist for the play can be viewed here - https://youtube.com/playlist?list=PLflmEwgdfKoKUqO8U1F6DtkqSk0MVUh1w Our patrons received this episode in March 2023 - approx. 20 months early, and the raw audio of the epilogue nearly FIVE YEARS AGO! The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Depois do sucesso do seu "Dom Quixote", Miguel Cervantes foi pego de surpresa ao encontrar a segunda parte da sua obra. Ele não havia escrito essa sequência e nem conhecia o autor. Cervantes era, afinal, dono dos seus personagens? Hoje falamos sobre autoria e a contação de histórias criadas por outras pessoas. Este é mais um episódio do Escuta Essa, podcast semanal em que Denis Botana e Danilo Silvestre trocam histórias de cair o queixo e de explodir os miolos. Todas as quartas-feiras, no seu agregador de podcasts favorito, é a vez de um contar um causo para o outro. Não deixe de enviar os episódios do Escuta Essa para aquela pessoa com quem você também gosta de compartilhar histórias e aproveite para mandar seus comentários e perguntas no Spotify, nas redes sociais , ou no e-mail escutaessa@aded.studio. A gente sempre lê mensagens no final de cada episódio! ... NESTE EPISÓDIO -Considerado o percursor do romance moderno, "Dom Quixote", de Miguel de Cervantes, foi lançado em 1605 na Espanha. -"Amadis da Gaula" foi o mais famoso romance de cavalaria espanhol. Quem compilou, reescreveu e publicou o livro foi Garci Rodríguez de Montalvo. Ele adicionou à obra a quarta parte, "Sergas de Esplandián”. -A suposta peça que Williams Shakespeare teria feito inspirado em "Dom Quixote" é "Cardenio", escrita ao lado de John Fletcher. O texto foi perdido. -Em 1727, o autor Lewis Theobald disse ter obtido manuscritos de uma peça sem título de Shakespeare, que ele editou, “melhorou” e lançou como "Double Falshood, or the Distrest Lovers". A obra tem enredo semelhante ao episódio de Cardenio em "Dom Quixote". -O podcast Radiolab conta a história da continuação de Dom Quixote no episódio "La Mancha Screwjob", onde relaciona o caso com a história do lutador Bret Hart, que também já foi tema do Escuta Essa no episódio "Wrestling". -Em 2021, o ex-deputado Eduardo Cunha perdeu o processo contra o escritor Ricardo Lísias em relação ao livro "Diário da Cadeia". -Em 2014, o New York Times escreveu sobre o WattPad, plataforma de maior sucesso na internet para a publicação de fanfics. -O trabalho sobre fanfics e psicanálise no tratamento de adolescentes é de Carlos Eduardo dos Santos Sudário, da Universidade de Brasília. -Na USP, Raquel Yukie Murakami escreveu uma dissertação de mestrado sobre a fanfic como forma de escrita. -A fanfic "After", de Anna Todd, inspirada no cantor Harry Styles, vendeu mais de 12 milhões de cópias ao redor do mundo e virou filme em 2019. -O conto citado de Jorge Luís Borges é "Pierre Menard, autor do Quixote". Nele, Menard se aprofunda tanto no trabalho de Cervantes que recria o livro de maneira idêntica ao original. ... AD&D STUDIO A AD&D produz podcasts e vídeos que divertem e respeitam sua inteligência! Acompanhe todos os episódios em ⁠aded.studio⁠ para não perder nenhuma novidade.

This week it's another chat with Dr Darren Freebury-Jones about... a lot of playwrights. This chat most stays within the Elizabethan world of dramatists, inspired by Dr Jones book Sxxxxxxxxx's Borrowed Feathers, which will be available in October 2024. So there's a lot about Marlowe, Lyly, Kyd, Greene and Peele, and then we ran out of time. Our previous chat on Robert Greene is available here - https://audioboom.com/posts/7983772-discussing-robert-greene-and-alphonsus Dr Darren Freebury-Jones is author of the monographs: Reading Robert Greene: Recovering Shakespeare's Rival (Routledge), Shakespeare's Tutor: The Influence of Thomas Kyd (Manchester University Press), and Shakespeare's Borrowed Feathers (Manchester University Press). He is Associate Editor for the first critical edition of The Collected Works of Thomas Kyd since 1901 (Boydell and Brewer). He has also investigated the boundaries of John Marston's dramatic corpus as part of the Oxford Marston project and is General Editor for The Collected Plays of Robert Greene (Edinburgh University Press). His findings on the works of Shakespeare and his contemporaries have been discussed in national newspapers such as The Times, The Guardian, The Telegraph, The Observer, and The Independent as well as BBC Radio. In 2023 he was elected a Fellow of the Royal Historical Society in recognition of his contributions to historical scholarship. SHAKESPEARE'S BORROWED FEATHERS: HOW EARLY MODERN PLAYWRIGHTS SHAPED THE WORLD'S GREATEST WRITER Shakespeare's plays have influenced generations of writers, but who were the early modern playwrights who influenced him? Shakespeare's borrowed feathers offers a fresh look at William Shakespeare and the community of playwrights that shaped his work. This compelling book argues that we need to see early modern drama as a communal enterprise, with playwrights borrowing from and adapting one another's work. From John Lyly's wit to the collaborative genius of John Fletcher, to Christopher Marlowe and Ben Jonson, Shakespeare's borrowed feathers offers fresh insights into Shakespeare's artistic development and shows us new ways of looking at the masterpieces that have enchanted audiences for centuries. READING ROBERT GREENE: RECOVERING SHAKESPEARE'S RIVAL SHAKESPEARE'S TUTOR: THE INFLUENCE OF THOMAS KYD THE COLLECTED WORKS OF THOMAS KYD  Our patrons received this episode in June 2024 - approx. 4 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton. 

In today's episode, we are joined by Shakespeare scholar, Darren Freebury-Jones, to discuss his soon-to-be-released book, Shakespeare's Borrowed Feathers, which explores how Shakespeare was influenced by his fellow contemporary dramatists like John Lyly, Ben Johnson, and Christopher Marlowe, and how he also influenced their work.  We'll discuss Darren's research process and the methods he used to analyze the works of Shakespeare and Shakespeare's contemporaries. We will also learn from Darren what this research reveals about the playwrighting and theatrical community of early modern London, and what readers and theatre-makers can learn from having a broader knowledge of early modern drama beyond Shakespeare.  About Darren Freebury-Jones Dr Darren Freebury-Jones is author of the monographs: Reading Robert Greene: Recovering Shakespeare's Rival (Routledge), Shakespeare's Tutor: The Influence of Thomas Kyd (Manchester University Press), and Shakespeare's Borrowed Feathers (Manchester University Press). He is Associate Editor for the first critical edition of The Collected Works of Thomas Kyd since 1901 (Boydell and Brewer). He has also investigated the boundaries of John Marston's dramatic corpus as part of the Oxford Marston project and is General Editor for The Collected Plays of Robert Greene (Edinburgh University Press). His findings on the works of Shakespeare and his contemporaries have been discussed in national newspapers such as The Times, The Guardian, The Telegraph, The Observer, and The Independent as well as BBC Radio. His debut poetry collection, Rambling (Broken Sleep Books), was published in 2024. In 2023 he was elected a Fellow of the Royal Historical Society in recognition of his contributions to historical scholarship. About Shakespeare's Borrowed Feathers  A fascinating book exploring the early modern authors who helped to shape Shakespeare's beloved plays. Shakespeare's plays have influenced generations of writers, but who were the early modern playwrights who influenced him? Using the latest techniques in textual analysis Shakespeare's borrowed feathers offers a fresh look at William Shakespeare and reveals the influence of a community of playwrights that shaped his work. This compelling book argues that we need to see early modern drama as a communal enterprise, with playwrights borrowing from and adapting one another's work. From John Lyly's wit to the collaborative genius of John Fletcher, to Christopher Marlowe and Ben Jonson, Shakespeare's borrowed feathers offers fresh insights into Shakespeare's artistic development and shows us new ways of looking at the masterpieces that have enchanted audiences for centuries. Order Shakespeare's Borrowed Feathers through bookshop.org (Note: this is an affiliate link, which means by clicking and ordering, you'll get a great book and support the podcast and local bookshops) Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced:  Freebury-Jones, Darren. Shakespeare's Borrowed Feathers. Manchester University Press, 2024.    

This is the quick look at the epilogue to The Coxcomb by John Fletcher and Francis Beaumont - originally written around 1608-12, but revised later. Whether this epilogue is from the team is unknown, this might be a later addition, as epilogues often are. The epilogue is performed (a few times) by Fiona Thraille - a British voice actor, narrator and audio producer who has worked in voiceover, podcasts, and who has narrated and produced over a dozen audiobooks through Audible. She is the founder and producer of Dashing Onions Audio - an audio drama podcast, was co-host and producer of the Audio Drama Production Podcast for a year, and has given lectures and presentations on aspects of audio drama podcast creation. The episode is hosted and produced by Robert Crighton. Additional sound effects from the wonderful people at http://www.freesfx.co.uk Our patrons received this episode in June 2023 - approx. 15 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Intro - Phil tries to explain the value of Elden Ring DLC to Metz. Content (8:21) - Discussion of part 2 of chapter 13 of On Blue's Waters, by Gene Wolfe. This Week's Play - The Two Noble Kinsmen by William Shakespeare and John Fletcher. Check out more at alzabosoup.com.

Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660 (Oxford University Press, 2023) argues that dramatic narratives about monarchy and succession codified speculative futures in the early modern English cultural imaginary. This book considers chronicle plays—plays written for the public stage and play pamphlets composed when the playhouses were closed during the civil wars—in order to examine the formal and material ways that playwrights imagined futures in dramatic works that were purportedly about the past. Through close readings of William Shakespeare's 1&2 Henry IV, Richard III, Shakespeare's and John Fletcher's All is True, Samuel Rowley's When You See Me, You Know Me, John Ford's Perkin Warbeck, and the anonymous play pamphlets The Leveller's Levelled, 1 & 2 Craftie Cromwell, Charles I, and Cromwell's Conspiracy, Dr. Marissa Nicosia shows that imaginative treatments of history in plays that are usually associated with the past also had purchase on the future. While plays about the nation's past retell history, these plays are not restricted by their subject matter to merely document what happened: Playwrights projected possible futures in their accounts of verifiable historical events. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660 (Oxford University Press, 2023) argues that dramatic narratives about monarchy and succession codified speculative futures in the early modern English cultural imaginary. This book considers chronicle plays—plays written for the public stage and play pamphlets composed when the playhouses were closed during the civil wars—in order to examine the formal and material ways that playwrights imagined futures in dramatic works that were purportedly about the past. Through close readings of William Shakespeare's 1&2 Henry IV, Richard III, Shakespeare's and John Fletcher's All is True, Samuel Rowley's When You See Me, You Know Me, John Ford's Perkin Warbeck, and the anonymous play pamphlets The Leveller's Levelled, 1 & 2 Craftie Cromwell, Charles I, and Cromwell's Conspiracy, Dr. Marissa Nicosia shows that imaginative treatments of history in plays that are usually associated with the past also had purchase on the future. While plays about the nation's past retell history, these plays are not restricted by their subject matter to merely document what happened: Playwrights projected possible futures in their accounts of verifiable historical events. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660 (Oxford University Press, 2023) argues that dramatic narratives about monarchy and succession codified speculative futures in the early modern English cultural imaginary. This book considers chronicle plays—plays written for the public stage and play pamphlets composed when the playhouses were closed during the civil wars—in order to examine the formal and material ways that playwrights imagined futures in dramatic works that were purportedly about the past. Through close readings of William Shakespeare's 1&2 Henry IV, Richard III, Shakespeare's and John Fletcher's All is True, Samuel Rowley's When You See Me, You Know Me, John Ford's Perkin Warbeck, and the anonymous play pamphlets The Leveller's Levelled, 1 & 2 Craftie Cromwell, Charles I, and Cromwell's Conspiracy, Dr. Marissa Nicosia shows that imaginative treatments of history in plays that are usually associated with the past also had purchase on the future. While plays about the nation's past retell history, these plays are not restricted by their subject matter to merely document what happened: Playwrights projected possible futures in their accounts of verifiable historical events. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660 (Oxford University Press, 2023) argues that dramatic narratives about monarchy and succession codified speculative futures in the early modern English cultural imaginary. This book considers chronicle plays—plays written for the public stage and play pamphlets composed when the playhouses were closed during the civil wars—in order to examine the formal and material ways that playwrights imagined futures in dramatic works that were purportedly about the past. Through close readings of William Shakespeare's 1&2 Henry IV, Richard III, Shakespeare's and John Fletcher's All is True, Samuel Rowley's When You See Me, You Know Me, John Ford's Perkin Warbeck, and the anonymous play pamphlets The Leveller's Levelled, 1 & 2 Craftie Cromwell, Charles I, and Cromwell's Conspiracy, Dr. Marissa Nicosia shows that imaginative treatments of history in plays that are usually associated with the past also had purchase on the future. While plays about the nation's past retell history, these plays are not restricted by their subject matter to merely document what happened: Playwrights projected possible futures in their accounts of verifiable historical events. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660 (Oxford University Press, 2023) argues that dramatic narratives about monarchy and succession codified speculative futures in the early modern English cultural imaginary. This book considers chronicle plays—plays written for the public stage and play pamphlets composed when the playhouses were closed during the civil wars—in order to examine the formal and material ways that playwrights imagined futures in dramatic works that were purportedly about the past. Through close readings of William Shakespeare's 1&2 Henry IV, Richard III, Shakespeare's and John Fletcher's All is True, Samuel Rowley's When You See Me, You Know Me, John Ford's Perkin Warbeck, and the anonymous play pamphlets The Leveller's Levelled, 1 & 2 Craftie Cromwell, Charles I, and Cromwell's Conspiracy, Dr. Marissa Nicosia shows that imaginative treatments of history in plays that are usually associated with the past also had purchase on the future. While plays about the nation's past retell history, these plays are not restricted by their subject matter to merely document what happened: Playwrights projected possible futures in their accounts of verifiable historical events. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660 (Oxford University Press, 2023) argues that dramatic narratives about monarchy and succession codified speculative futures in the early modern English cultural imaginary. This book considers chronicle plays—plays written for the public stage and play pamphlets composed when the playhouses were closed during the civil wars—in order to examine the formal and material ways that playwrights imagined futures in dramatic works that were purportedly about the past. Through close readings of William Shakespeare's 1&2 Henry IV, Richard III, Shakespeare's and John Fletcher's All is True, Samuel Rowley's When You See Me, You Know Me, John Ford's Perkin Warbeck, and the anonymous play pamphlets The Leveller's Levelled, 1 & 2 Craftie Cromwell, Charles I, and Cromwell's Conspiracy, Dr. Marissa Nicosia shows that imaginative treatments of history in plays that are usually associated with the past also had purchase on the future. While plays about the nation's past retell history, these plays are not restricted by their subject matter to merely document what happened: Playwrights projected possible futures in their accounts of verifiable historical events. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660 (Oxford University Press, 2023) argues that dramatic narratives about monarchy and succession codified speculative futures in the early modern English cultural imaginary. This book considers chronicle plays—plays written for the public stage and play pamphlets composed when the playhouses were closed during the civil wars—in order to examine the formal and material ways that playwrights imagined futures in dramatic works that were purportedly about the past. Through close readings of William Shakespeare's 1&2 Henry IV, Richard III, Shakespeare's and John Fletcher's All is True, Samuel Rowley's When You See Me, You Know Me, John Ford's Perkin Warbeck, and the anonymous play pamphlets The Leveller's Levelled, 1 & 2 Craftie Cromwell, Charles I, and Cromwell's Conspiracy, Dr. Marissa Nicosia shows that imaginative treatments of history in plays that are usually associated with the past also had purchase on the future. While plays about the nation's past retell history, these plays are not restricted by their subject matter to merely document what happened: Playwrights projected possible futures in their accounts of verifiable historical events. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660 (Oxford University Press, 2023) argues that dramatic narratives about monarchy and succession codified speculative futures in the early modern English cultural imaginary. This book considers chronicle plays—plays written for the public stage and play pamphlets composed when the playhouses were closed during the civil wars—in order to examine the formal and material ways that playwrights imagined futures in dramatic works that were purportedly about the past. Through close readings of William Shakespeare's 1&2 Henry IV, Richard III, Shakespeare's and John Fletcher's All is True, Samuel Rowley's When You See Me, You Know Me, John Ford's Perkin Warbeck, and the anonymous play pamphlets The Leveller's Levelled, 1 & 2 Craftie Cromwell, Charles I, and Cromwell's Conspiracy, Dr. Marissa Nicosia shows that imaginative treatments of history in plays that are usually associated with the past also had purchase on the future. While plays about the nation's past retell history, these plays are not restricted by their subject matter to merely document what happened: Playwrights projected possible futures in their accounts of verifiable historical events. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660 (Oxford University Press, 2023) argues that dramatic narratives about monarchy and succession codified speculative futures in the early modern English cultural imaginary. This book considers chronicle plays—plays written for the public stage and play pamphlets composed when the playhouses were closed during the civil wars—in order to examine the formal and material ways that playwrights imagined futures in dramatic works that were purportedly about the past. Through close readings of William Shakespeare's 1&2 Henry IV, Richard III, Shakespeare's and John Fletcher's All is True, Samuel Rowley's When You See Me, You Know Me, John Ford's Perkin Warbeck, and the anonymous play pamphlets The Leveller's Levelled, 1 & 2 Craftie Cromwell, Charles I, and Cromwell's Conspiracy, Dr. Marissa Nicosia shows that imaginative treatments of history in plays that are usually associated with the past also had purchase on the future. While plays about the nation's past retell history, these plays are not restricted by their subject matter to merely document what happened: Playwrights projected possible futures in their accounts of verifiable historical events. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

For the first time since the pandemic, the Kagan Media and Telecom Summit was back in person in New York, with a packed agenda looking at topics ranging from sports media rights to broadband technology and regulatory changes. Analysts Justin Nielson and John Fletcher join host Eric Hanselman to explore the insights and aspects that made up the Summit. There are media rights deals that have shattered previous records in the NBA and women's sports, such as the U.S. National Women's Soccer League. Advertising technology has changed how market participants are looking at monetization. Given this is an election year, ad spending will be booming and additional advertising channels add complexity to value and pricing.  Broadband was a new addition to the Summit program, given the importance of interconnection and the various developments that are roiling the markets. There are ongoing concerns about effective ways of addressing the digital divide, the gap between those that are digitally well-connected and those that are not, whether that's because of availability or economic issues. The U.S. federal Broadband Equity, Access and Deployment (BEAD) program is trying to be the Rural Electrification Act (REA) for the new century, but funds have been delayed for years and still won't address economic inequities. The intersection of broadband and content is swinging the pendulum on bundling of service offerings back to packaging of offerings, after years of focus on unbundling. Content providers, streaming services and service providers and hoping to garner new business as consumers look for simplification. More S&P Global Content: 2024 Kagan Media Telecom Summit Credits: Host: Eric Hanselman Guests: Justin Nielson, John Fletcher www.spglobal.com

Have you ever taken a hike with a goat? John Fletcher is a Miramichi therapist and farmer. He says it's an animal therapy method that is working for his clients. CBC's Katelin Belliveau spent a morning at Fletcher's Farm.

Have you ever taken a hike with a goat? John Fletcher is a Miramichi therapist and farmer. He says it's an animal therapy method that is working for his clients. CBC's Katelin Belliveau spent a morning at Fletcher's Farm.

Have you ever taken a hike with a goat? John Fletcher is a Miramichi therapist and farmer. He says it's an animal therapy method that is working for his clients. CBC's Katelin Belliveau spent a morning at Fletcher's Farm.

  Derek Jason Bush and John Fletcher Pasquini are a couple of comic book super fans who happen to be best friends. Together the two have supported several Kickstarter campaigns over the years for creator owned projects before creating the characters who would headline their own comicbook called, Packrat and Thunderbunny. This is their story.   The episode features an excerpt of “Time Will Tell” by Art Blakey & The Jazz Messengers  

Another Epic Epilogue, this time a short but sweet note from The Noble Gentlemen by John Fletcher and… someone. Part of what we might call the messy Beaumont and Fletcher extended collaborative universe. Fletcher worked with a lot of people, but in this case it's possible that he died leaving the text unfinished and someone else worked from then on. The play was printed in 1647, and probably was new when licenced for performance in 1626 – but there is some disagreement on this point. But this epilogue is probably written for the revival of the play in 1641, putting it right at the end of our timeline. Performed by Fiona Thraille. Our patrons received this episode in January 2023 - approx. 18 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Trading conditions across Greater Manchester are challenging, with uncertainty over the economy and the future of work leading occupiers to operate with caution, according to Fletcher CRE director John Fletcher. In terms of deal numbers, Fletcher CRE is the highest-placed regional agent on the Radius On Demand Rankings across Greater Manchester for the year to date, with 15 deals over the line totalling 37,704 sq ft of space. Fletcher believes the towns of Greater Manchester benefit greatly from the success of Manchester city centre, but he believes investment is needed both in infrastructure and the right redevelopment if they are to realise their potential. He is also hopeful that Thursday's general election will remove one element of instability and encourage occupiers to commit to decisions.

 At just after 22:30hrs on Monday 22nd May 2017, a suicide bomber detonated an improvised device at the Manchester Arena in the UK where around 14,000 people, mainly teenagers and family, had travelled from across the UK to attend the concert of Ariana Grande. The bomb killed twenty-two people including many children. Over one hundred were physically injured and many more suffered psychological and emotional trauma. The Manchester Arena attack was the deadliest in the UK since the London bombings on 7th July 2005. Although the Greater Manchester Resilience Forum had done many planning exercises, the events of 22nd May were something none of those involved had ever encountered before. This was a real-world test of the plans and assumptions.My Guest today John Fletcher, with over 28 years experience as a uniformed manager with Greater Manchester Fire & Rescue Service & was the lead NILO (National Inter-agency Liaison Officers) during the Manchester attack. John takes us through the events of 22nd of may drawing lessons learned as we dip in and out of different reports overlaying his own experiences and recollections of the event.You can download FREE RESOURCES HEREYou can connect with John HEREKerslake Report Manchester Arena Enquiry We only feature the latest 200 episodes of the podcast on public platforms so to access our podcast LIBRARY, every Debrief & document CLICK HEREPODCAST GIFT - Get your FREE subscription to essential Firefighting publications HEREA big thanks to our partners for supporting this episode.GORE-TEX Professional ClothingMSA The Safety CompanyPATROL STORE UKHAIX FootwearROAM all Natural Meat Snacks GRENADERIP INTO Podcast ApparelLyfe Linez -  Get Functional Hydration FUEL for FIREFIGHTERS, Clean no sugar  for daily hydration. 80% of people live dehydrated and  for firefighters this costPlease support the podcast and its future by clicking HERE and joining our Patreon Crew

He's "some slick" and he's from New Brunswick. John Fletcher, or Johnny Bartibog, joins us to talk about his latest music video that's been racking up the views online. 

This week on Coaches Roundtable we have another visit from my friend John Fletcher, Co-Owner of @DigitalBarbell, an online training and nutrition coaching company. We answer listener questions covering: Are you able to build muscle as you age? Is the smith machine a yay or nay? Is it better to focus on reps or intensity to build a lean toned physique? Why do your legs get more sore than upper body? And a few very insightful tangents that we know you will get value from! Check out my website, ⁠Amplify Lifestyle Coaching⁠! Join over 500 subscribers getting 1-2 high value, free coaching content each week by clicking ⁠⁠HERE⁠⁠! Join my ⁠⁠FREE FACEBOOK COMMUNITY⁠⁠ to get weekly exclusive FB lives and a motivating community of other like minded people. If you get value from this episode, you'll definitely wanna check out my ⁠⁠YouTube Channel⁠⁠ for even more free content.

Deer specialist John Fletcher and his wife Nichola reflect on a life spent trying to educate the public on the merits of venison. Now working with a breeding herd of rare white-coloured red deer, they discuss the joys and challenges facing the sector.Produced and presented by Ruth Sanderson

John Fletcher Jr. has made a living through one way or another through racing his entire life. John was born into racing as his Dad worked as Junior Hanley's full time employee. John grew up going to ASA late model races helping out guys like Gary Balough, Randy Macdonald and Junior Hanley. John raced vintage modifieds, Super late models, OSCAAR super late model outlaws, the CASCAR series, the Canadian Tire Nascar Series and go karts. John has won many super late model championships, and the Don Biedermann memorial three times. He was a fixture at many of Southern Ontario's short tracks, Farmborough, Sunset, Suable, Peterborough etc. John now works full time at Legendary Motorcar and is the crew chief for Gary Klutt in the Nascar Pinty's Series. #superlatemodel #nascar

Helen visits a mobile laboratory in St Andrews as it travels around various European coastlines to explore coastal habitats and collect samples from the soil, water and air to assess things like pollution. Mark chats to John Fletcher, the first person to set up a commercial deer farm in Scotland back in the 1970s. As well as being a farmer, John is a vet and an author and he tells Mark what it was that first interested him in red deer. Helen heads to Glen Dee to meet a group of archaeologists. For the past couple of years, Graham Warren, Professor of Archaeology at University College Dublin has spent a fortnight each summer carefully scraping away and sieving the soil in search of evidence of prehistoric hunter gatherers. There has been a Mill of Benholm in some form on the site in Aberdeenshire for hundreds of years. The current Mill was open to the public until 2014 and now a group has applied for a community asset transfer to take over the site from Aberdeenshire Council. Mark went for a visit to find out about the work they are doing and what their plans are for the future. We chat live to Linsay Chalmers from Community Land Scotland as they celebrate Community Land Week. There are now more than 700 projects and over half a million acres under community control in Scotland. We hear about some of the successes and events that are happening to mark them. Last year we heard from walking artist, Claudia Zeiske, as she travelled through Aberdeenshire collecting memories of the Covid lockdown and stitching them onto a pink tablecloth. A few weeks ago Maud Start caught up with her and a new tablecloth on a new journey called the Slow Coast 500. The Scottish Coastal Rowing Project was started in 2010, the idea behind it is for communities to build their own skiffs and get people out onto the water. There are now over 70 clubs across the county and Helen went to meet members of one of the newest based at Forfar Loch.

Mark Stephen chats with deer farmer and author John Fletcher on his farm in Fife

It's time for a discussion of John Fletcher's Roman plays, with Domenico Lovascio, Associate Professor of English Literature at the University of Genoa, who has written two books in this area. John Fletcher's Rome and a new edition of The False One, a play by Fletcher and Massinger. They are both excellent texts - and I wasn't paid to say that, though I did get freebies for this episode so I might be biased. Both books are available via the below links. Manchester University Press have a mailing list, and if you join that, there are discounts available I believe. https://manchesteruniversitypress.co.uk/9781526151636/the-false-one/ https://manchesteruniversitypress.co.uk/9781526157386/john-fletchers-rome/ Domenico Lovascio is Associate Professor of English Literature at the University of Genoa, and he is a Fellow of the Royal Historical Society. He is the author of John Fletcher's Rome: Questioning the Classics for the Revels Plays Companion Library and the editor of Fletcher and Massinger's The False One for the Revels Plays. He is the Italian advisor to the Oxford edition of The Complete Works of John Marston, a member of the editorial board of the journal Shakespeare, and a contributing editor to the forthcoming Collected Works of Thomas Kyd and Collected Plays of Robert Greene. He also edited the Arden Early Modern Drama Guide to Shakespeare's Antony and Cleopatra and a special issue of Shakespeare on ‘Shakespeare: Visions of Rome'. In 2020 he received the Ben Jonson Discoveries Award for outstanding contribution to The Ben Jonson Journal. His critical edition of Thierry and Theodoret by Fletcher, Massinger, and Field is forthcoming in the Revels Plays. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

A detailed look at the Man in the Iron Cage and an examination of real-life biographies of such persons in despair. -2- The story of the man in his bed-chamber in the House of the Interpreter and the amazing dream of John Fletcher 1729-1785 with his 12 rules of self-examination as the result of it.

On this week's Scotland Rugby Podcast Tom and Andy have been speaking with Scottish Rugby's performance director Jim Mallinder and head of pathways John Fletcher about the current state of Scotland's Under 20s team and the pathway for young players in Scotland.

In February 1889, wealthy businessman John Fletcher is found unconscious in a Manchester cab and taken to hospital where he is declared dead on arrival. Known to be a heavy drinker, his death is at first put down to alcohol poisoning. But Detective Chief Inspector Jerome Caminada suspects foul play. Who was the young man seen running away from the cab? And what happened to the dead man's possessions? Using his remarkable powers of deduction, this real-life master detective won't rest until he finds the answers. A Noiser production, written by Roger Morris  For ad-free listening, exclusive content, and early access to new episodes, join Noiser+. Now available for Apple and Android users. Click the Noiser+ banner on Apple or go to noiser.com/subscriptions to get started with a 7-day free trial. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Works of Francis Beaumont and John Fletcher in Ten Volumes Volume I.

Wit Without Money; A Comedy The Works of Francis Beaumont and John Fletcher

In the fifth century, Western Europe began remaking itself in the turmoil that followed the collapse of the Roman Empire. In south-west Britain, old tribal authorities and identities reasserted themselves and a ruling elite led a vibrant and outward-looking kingdom - today's Cornwall - with trade networks that stretched around the Atlantic coast of Europe and abroad into the Mediterranean. In this episode of Gone Medieval, Matt Lewis talks to historian John Fletcher about the early history of Cornwall, and how its unique language, culture and heritage survived even after politically merging with England in the tenth century. This episode was edited and produced by Rob Weinberg.If you're enjoying this podcast and are looking for more fascinating Medieval content then subscribe to our Medieval Monday newsletter here >If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android > or Apple store > Hosted on Acast. See acast.com/privacy for more information.

An interview with our favorite Fletcher, John

Digital Barbell is an online fitness coaching company owned by wife & husband team Blakley & John Fletcher! These two are not only good people who are extremely fit, but they're both in their mid 40s (sorry Blakley!). Even More impressive, John didn't even start strength training til his 30s! This episode is all about how you can transition your lifestyle by implementing small habits over time. Before getting into fitness, John and Blakley ate your average American diet (frozen foods, take out, spaghetti) and were casual exercisers. Hear how they went from the average couple to the super fit couple who now coach hundreds of people on how to get fit too! To learn more about Digital Barbell check out these links: https://www.digitalbarbell.com/ Instagram: https://www.instagram.com/digitalbarbell/?hl=en Youtube: https://www.youtube.com/c/DigitalBarbell If you are interested in 1:1 coaching with yours truly, fill out an application here: New Client Application

In Shakespeare's final -- yes, final -- play, he returns to where he started with the plight of noblemen in love with the same woman. Working again with John Fletcher, Shakespeare borrows from Chaucer for a tale set in ancient Greece featuring duels, delusions, exposure therapy, and prayers to the gods that get answered like the wishes on a monkey's paw -- but all in the service of a story that ends happily. (Except for the guy who gets thrown from his horse and dies in his hour of triumph.)CreditsIntro Music: Jon Sayles, "The Witches' Dance" (composed by anonymous)Outro Music: Jon Sayles, “Saltarello” (composed by anonymous)Illustrative Excerpts: Arkangel / BBC, “The Two Noble Kinsmen” (2006)

In this episode I interview author and historical reenactor John Fletcher about his book 'The Western Kingdom: The Birth of Cornwall'. It's an accessible and fascinating history of Cornwall in the early middle ages and well worth picking up if you are at all interested in the history of south-western Britain or in Cornwall since it really dives into the political, cultural, and military history of the region. Find John at: https://www.instagram.com/authorjohnfletcher/ Find the book: https://www.amazon.co.uk/Western-Kingdom-Birth-Cornwall/dp/1803990007 Credits –  Music: 'Wælheall' by Hrōðmund Wōdening https://www.youtube.com/watch?v=VQfdqIyqJ4g&list=LL&index=5&ab_channel=Hr%C5%8D%C3%B0mundW%C5%8Ddening Social Media -  Patreon: https://www.patreon.com/anglosaxonengland Facebook: https://www.facebook.com/Anglo-Saxon-England-Podcast-110529958048053 Twitter: https://twitter.com/EnglandAnglo Instagram: https://www.instagram.com/anglosaxonenglandpodcast/ YouTube: https://www.youtube.com/channel/UCzyGUvYZCstptNQeWTwfQuA  Learn more about your ad choices. Visit megaphone.fm/adchoices

In the final of the history plays, Shakespeare and his collaborator John Fletcher take on Henry VIII, the story of his first two wives, the birth of the future queen Elizabeth, and the establishment of the Church of England. In this episode, Will and James discuss why people have found the politics of Henry's court so compelling across the ages from Showtime's The Tudors to Hilary Mantel's Wolf Hall to Broadway's Six, unpack the downfall speeches of Cardinal Wolsey and Katherine of Aragon, and consider whether you could pull it off today.CreditsIntro Music: Jon Sayles, "The Witches' Dance" (composed by anonymous)Outro Music: Jon Sayles, “Saltarello” (composed by anonymous)Illustrative Excerpts: Herman's Hermits, “Henry the Eighth, I Am,” The Ed Sullivan Show (1965); Arkangel / BBC, “History of Henry VIII” (1998); Bea Segura, “Henry VIII,” dir. Hannah Khalil, Shakespeare's Globe (2022)

Support the podcast: patreon.com/thehemingwaylist War & Peace - Ander Louis Translation: Kindle and Amazon Print Host: @anderlouis

Henry VIII from a female perspective is on offer at the Globe Theatre this summer in a new adaptation of the play written by Shakespeare and John Fletcher. Globe writer in residence Hannah Khalil explains some of the more surprising innovations in this production, while New Generation Thinker Emma Whipday presents the familiar saga of Henry VIII as the story of a step-family and historian Joanne Paul reveals the machinations of the Dudley family in its quest for power and influence at the Tudor court. Catherine Fletcher presents. Joanne Paul's book The House of Dudley: A New History of Tudor England is out now Henry VIII runs at the Globe Theatre, London until 21st October 2022 Emma Whipday teaches at the University of Newcastle and is the author of a play The Defamation of Cicely Lee inspired by Shakespeare's Cymbeline Producer: Torquil MacLeod You can find more conversations about Tudor England on the Free Thinking programme website and an episode of Radio 3's curated selection of readings and music - Words & Music - inspired by Tudor times is available on BBC Sounds for 28 days.

We all know that William Shakespeare may, in fact, be the greatest playwright that ever lived... but he wasn't the only one writing!!On today's episode we discuss the other writers that were around during Shakespeare's time - the good, the bad, and the ugly!!! (Okay, that doesn't really track, but it sounded good!!)So, who WAS Christopher Marlowe? And Thomas Kyd?? And Ben Jonson and Thomas Dekker and Francis Beaumont and John Fletcher???Tune in to find out!!!(Seriously you guys, there's was SO MUCH GREAT STUFF GOING ON THEN!!!!)To send us an email - please do, we want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To visit our website, go here:https://www.thebardcastyoudick.comTo support us (by giving us money - per episode if you like!)...On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Leave us a five-star rating AND a review wherever you get your podcasts!!Episode Sources:Years and years of experience with Shakespeare from two rather opinionated theatre professionals, you dicks!!!!  And cunts. (Owen insisted we add this.)Many, many, many books.And the inter webs :)