Podcast appearances and mentions of richard thompson ford

Did you know that some school districts have been trying to ban Crocs? We're diving into the history and current application of dress codes in this episode of “Something Offbeat” with Grace Goble, an actor, singer, playwright, and more who changed her school's dress code and Richard Thompson Ford, the George E. Osborne Professor of Law at Stanford Law School and author of Dress Codes: how the laws of fashion made history.

In this episode, I'm exploring the topic of the Outrage Industry. Who else is growing inured to over-the-top tirades of outrage and offense? This seems to be a relatively new phenomenon whereby click-bait memes generating outrage are monetized by social media networks into clicks. Let's explore how this impacts society and what we can do to counter it. Richard Thompson Ford is a Professor at Stanford Law School. He has written about law, social and cultural issues and race relations for The New York Times, The Washington Post, San Francisco Chronicle, and Slate, and has appeared on The Colbert Report and The Rachel Maddow Show. He is the author of the New York Times notable books The Race Card and Rights Gone Wrong: How Law Corrupts the Struggle for Equality. He lives in San Francisco. Come on by TheRationalView Facebook group or support the podcast at patron dot podbean dot com slash TheRationalView, or do both!

[video available on spotify] i love fashion but i wouldn't consider myself a fashion nerd. i'm not super educated on the history of fashion and so that's why i'm excited to speak to richard thompson ford. he's a stanford law professor and fashion history expert. richard's also the author of several books, including “dress codes: how the laws of fashion made history.” he's dug deep into fashion as a system of power, how the written and unwritten rules of fashion have evolved and influenced what we wear today. so let's welcome richard thompson ford. you can find the book "dress codes: how the laws of fashion made history" by richard thompson ford here: https://open.spotify.com/show/4S424uBZacD2i6FmZgZPXR?si=8a20042d00194706 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Professor Easha Anand, co-director of the Stanford Law School Supreme Court Litigation Clinic, joins Professors Pam Karlan and Richard Thompson Ford, along with Gareth Fowler, JD '24, for a discussion about three cases that she argued before the Court this term, the people behind the case titles, and what it takes to represent them at the highest court in the land. Connect:Episode Transcripts >>> Stanford Legal Podcast WebsiteStanford Legal Podcast >>> LinkedIn PageRich Ford >>>  Twitter/XPam Karlan >>> Stanford Law School PageStanford Law School >>> Twitter/XStanford  Law Magazine >>> Twitter/XLinks:Easha Anand >>> Stanford Law School Page(00:00:00) Chapter 1: Introduction and Setting the StageEasha Anand shares the story of Mr. Ciavarini and the impact of the Stanford Supreme Court Clinic on restoring his reputation. Hosts Rich Ford and Pam Karlan introduce the episode and guests Professor Easha Anand and Gareth Fowler, discussing their work with the Stanford Supreme Court Litigation Clinic.(00:01:52) Chapter 2: Joining the Clinic and the Clinic's Unique ApproachGareth Fowler describes his experience joining the Stanford Supreme Court Litigation Clinic and the process of working on cases as a student. Easha Anand explains the distinctive features of the clinic's model, emphasizing the significant role of students in producing legal work.(00:05:38) Chapter 3: Working on Cases and the Sarbanes-Oxley CaseGareth Fowler discusses the specific cases he worked on during his time at the clinic, including Mendez-Colleen and United States v. Jackson. Easha Anand recounts her experience arguing the case of Murray v. UBS before the Supreme Court and the significance of the outcome for whistleblower protection.(00:15:52) Chapter 4: Insights from Oral ArgumentsEasha Anand reflects on the differences between arguing cases at lower courts versus the Supreme Court, emphasizing the unique challenges and opportunities of Supreme Court advocacy.(00:18:16) Chapter 5: Clinic's Trip to D.C.Gareth Fowler shares his experience attending Supreme Court oral arguments in Washington, D.C., providing insights into the courtroom dynamics and the significance of the proceedings.(00:20:27) Chapter 6: Preparing for Future Cases and Impactful MomentsEasha Anand discusses the upcoming case of Chiavarini and the journey of preparing for oral arguments, highlighting the client's story and the clinic's commitment to justice. Pam Karlan and Easha Anand reflect on the profound impact of their work with clients and the meaningful experiences shared during their collaboration with the Stanford Supreme Court Clinic.[00:24:23] Chapter 7: Audience Question and Answer

In this episode, Maureen talks with Richard Thompson Ford, author of “Dress Codes: How the Laws of Fashion Made History.” They explore how fashion has been used throughout history as a way to reinforce class structures, gender roles, and social norms. Though dress codes are not as overt today, Richard explains how unwritten fashion rules still dictate what we wear.The “Straw Hat Riot” of 1922 erupted over men wearing straw hats past September 15thHigh heels originated as a masculine fashion, first worn by Persian horseback riders to lock into stirrupsThe flapper look in the 1920s was the first successful “rational dress” movement for womenTartans emerged as symbols of Scottish identity partly in reaction to British dress codes banning themThough we think fashion is casual today, there are still unwritten “uniforms” in many industries and social groupsRelated Episodes:Episode 91:Suffragists and Suffragettes: Fashion and the Vote Episode 155: Ancestral Handbag History with Curator Jessica HarpleyLinks:Richard Thompson Ford Sign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help organizing your photos? Check out the Essential Photo Organizing Video Course.Need help identifying family photos? Check out the Identifying Family Photographs Online Course.Have a photo you need help identifying? Sign up for photo consultation.About My Guest:Richard Thompson Ford is Professor of Law at Stanford Law School. He writes about law, social and cultural issues and race relations and has written for The New York Times, The Washington Post, The San Francisco Chronicle, CNN and Slate.   He is the author of the New York Times notable books The Race Card and Rights Gone Wrong: How Law Corrupts the Struggle for Equality.  He has appeared on The Colbert Report, The Rachel Maddow Show, and The Dylan Rattigan Show.  He is a member of the American Law Institute and serves on the board of the Authors Guild Foundation.  Quite to his surprise, he was one of 25 semi-finalists in Esquire magazine's Best Dressed Real Man contest in 2009.About Maureen Taylor:Maureen Taylor, The Photo DetectiveÒhelps clients with photo-related genealogical problems. Her pioneering work in historic photo research has earned her the title “the nation's foremost historical photo detective” by The Wall Street I'm thrilled to be offering something new. Photo investigations. These collaborative one-on-one sessions. Look at your family photos then you and I meet to discuss your mystery images. And find out how each clue and hint might contribute to your family history. Find out more by going to maureentaylor.com and clicking on family photo investigations. Support the show

City Lights LIVE and Liveright Books celebrate the publication of “Before the Movement: The Hidden History of Black Civil Rights” by Dylan C Penningroth, published by Liveright Books, with a discussion between Dylan and Richard Thompson Ford. A prize-winning scholar draws on astonishing new research to demonstrate how Black people used the law to their advantage long before the Civil Rights Movement. The familiar story of civil rights goes something like this: Once, the American legal system was dominated by racist officials who shut Black people out and refused to recognize their basic human dignity. Then, starting in the 1940s, a few brave lawyers ventured south, bent on changing the law—and soon, everyday African Americans joined with them to launch the Civil Rights Movement. In "Before the Movement," historian Dylan C. Penningroth overturns this story, demonstrating that Black people had long exercised “the rights of everyday use,” and that this lesser-known private-law tradition paved the way for the modern vision of civil rights. Well-versed in the law, Black people had used it to their advantage for nearly a century to shape how they worked, worshipped, learned, and loved. Based on long-forgotten sources found in the basements of county courthouses, "Before the Movement" recovers a vision of Black life allied with, yet distinct from, “the freedom struggle.” Dylan C. Penningroth is a professor of law and history at the University of California, Berkeley. Recipient of the MacArthur Fellowship and author of the award winning "The Claims of Kinfolk," he lives in Kensington, California. Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. He writes for both scholarly and popular audiences and has published in newspapers and journals such as the New York Times, the Washington Post, the Boston Globe, the San Francisco Chronicle, and many others. He is the author of the critically acclaimed book “Dress Codes: How the Laws of Fashion Made History.” You can purchase copies of “Before the Movement: The Hidden History of Black Civil Rights” at https://citylights.com/before-the-movement-hidden-hist-of-bla/. This event is made possible with the support of the City Lights Foundation. To learn more visit: https://citylights.com/foundation/.

The Senate is loosening its long-standing dress code requiring business attire, igniting a debate about clothing in the halls of Congress. Sen. John Fetterman, D-Penn., known for wearing shorts and hooded sweatshirts around the Capitol, appreciates the change -- but many others do not. Stanford Law School professor Richard Thompson Ford joins Geoff Bennett to discuss the change and what it means. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

The Senate is loosening its long-standing dress code requiring business attire, igniting a debate about clothing in the halls of Congress. Sen. John Fetterman, D-Penn., known for wearing shorts and hooded sweatshirts around the Capitol, appreciates the change -- but many others do not. Stanford Law School professor Richard Thompson Ford joins Geoff Bennett to discuss the change and what it means. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Maggie Greene and Ruby Gertz are back to continue the conversation about dress codes. This episode is part 2 of 3.  This week we will be tackling the concept of "professionalism" and how that ties into dress codes. We will do a deep dive into the different categories of professional dress. And we will get to the bottom of how/why these dress codes are enforced, despite the language within these policies being very subjective and unmeasurable.  This episode also includes thoughts/stories from Pat, Jenny, and Carla.We recommend reading Dress Codes: How the Laws of Fashion Made History by Richard Thompson Ford.Also check out "You Call It Professionalism; I Call It Oppression in a Three-Piece Suit," by Carmen Rios for Everyday Feminism.Find this episode's transcript (and so much more) at clotheshorsepodcast.comWant to support Amanda's work on Clotheshorse? Learn more at patreon.com/clotheshorsepodcastIf you want to share your opinion/additional thoughts on the subjects we cover in each episode, feel free to email, whether it's a typed out message or an audio recording:  amanda@clotheshorse.worldCheck out Amanda's other podcast, The Department.Clotheshorse is brought to you with support from the following sustainable small businesses:Thumbprint is Detroit's only fair trade marketplace, located in the historic Eastern Market.  Our small business specializes in products handmade by empowered women in South Africa making a living wage creating things they love like hand painted candles and ceramics! We also carry a curated assortment of  sustainable/natural locally made goods. Thumbprint is a great gift destination for both the special people in your life and for yourself! Browse our online store at thumbprintdetroit.com and find us on instagram @thumbprintdetroit.Gentle Vibes:  We are purveyors of polyester and psychedelic relics! We encourage experimentation and play not only in your wardrobe, but in your home, too. We have thousands of killer vintage pieces ready for their next adventure! Picnicwear:  a slow fashion brand, ethically made by hand from vintage and deadstock materials - most notably, vintage towels! Founder, Dani, has worked in the industry as a fashion designer for over 10 years, but started Picnicwear in response to her dissatisfaction with the industry's shortcomings. Picnicwear recently moved to rural North Carolina where all their clothing and accessories are now designed and cut, but the majority of their sewing is done by skilled garment workers in NYC. Their customers take comfort in knowing that all their sewists are paid well above NYC minimum wage. Picnicwear offers minimal waste and maximum authenticity: Future Vintage over future garbage.Shift Clothing, out of beautiful Astoria, Oregon, with a focus on natural fibers, simple hardworking designs, and putting fat people first.  Discover more at shiftwheeler.com​High Energy Vintage is a fun and funky vintage shop located in Somerville, MA, just a few minutes away from downtown Boston. They offer a highly curated selection of bright and colorful clothing and accessories from the 1940s-1990s for people of all genders. Husband-and-wife duo Wiley & Jessamy handpick each piece for quality and style, with a focus on pieces that transcend trends and will find a home in your closet for many years to come! In addition to clothing, the shop also features a large selection of vintage vinyl and old school video games. Find them on instagram @ highenergyvintage, online at highenergyvintage.com, and at markets in and around Boston.St. Evens is an NYC-based vintage shop that is dedicated to bringing you those special pieces you'll reach for again and again. More than just a store, St. Evens is dedicated to sharing the stories and history behind the garments. 10% of all sales are donated to a different charitable organization each month.  New vintage is released every Thursday at wearStEvens.com, with previews of new pieces and more brought to you on Instagram at @wear_st.evens.Deco Denim is a startup based out of San Francisco, selling clothing and accessories that are sustainable, gender fluid, size inclusive and high quality--made to last for years to come. Deco Denim is trying to change the way you think about buying clothes. Founder Sarah Mattes wants to empower people to ask important questions like, “Where was this made? Was this garment made ethically? Is this fabric made of plastic? Can this garment be upcycled and if not, can it be recycled?” Signup at decodenim.com to receive $20 off your first purchase. They promise not to spam you and send out no more than 3 emails a month, with 2 of them surrounding education or a personal note from the Founder. Find them on Instagram as @deco.denim.The Pewter Thimble Is there a little bit of Italy in your soul? Are you an enthusiast of pre-loved decor and accessories? Bring vintage Italian style — and history — into your space with The Pewter Thimble (@thepewterthimble). We source useful and beautiful things, and mend them where needed. We also find gorgeous illustrations, and make them print-worthy. Tarot cards, tea towels and handpicked treasures, available to you from the comfort of your own home. Responsibly sourced from across Rome, lovingly renewed by fairly paid artists and artisans, with something for every budget. Discover more at thepewterthimble.comBlank Cass, or Blanket Coats by Cass, is focused on restoring, renewing, and reviving the history held within vintage and heirloom textiles. By embodying and transferring the love, craft, and energy that is original to each vintage textile into a new garment, I hope we can reteach ourselves to care for and mend what we have and make it last. Blank Cass lives on Instagram @blank_cass and a website will be launched soon at blankcass.com.Gabriela Antonas is a visual artist, an upcycler, and a fashion designer, but Gabriela Antonas is also a feminist micro business with radical ideals. She's the one woman band, trying to help you understand, why slow fashion is what the earth needs. If you find your self in New Orleans, LA, you may buy her ready-to-wear upcycled garments in person at the store “Slow Down” (2855 Magazine St). Slow Down Nola only sells vintage and slow fashion from local designers. Gabriela's garments are guaranteed to be in stock in person, but they also have a website so you may support this women owned and run business from wherever you are! If you are interested in Gabriela making a one of a kind garment for you DM her on Instagram at @slowfashiongabriela to book a consultation.Vagabond Vintage DTLV is a vintage clothing, accessories & decor reselling business based in Downtown Las Vegas. Not only do we sell in Las Vegas, but we are also located throughout resale markets in San Francisco as well as at a curated boutique called Lux and Ivy located in Indianapolis, Indiana. Jessica, the founder & owner of Vagabond Vintage DTLV, recently opened the first IRL location located in the Arts District of Downtown Las Vegas on August 5th. The shop has a strong emphasis on 60s & 70s garments, single stitch tee shirts & dreamy loungewear. Follow them on instagram, @vagabondvintage.dtlv and keep an eye out for their website coming fall of 2022.Country Feedback is a mom & pop record shop in Tarboro, North Carolina. They specialize in used rock, country, and soul and offer affordable vintage clothing and housewares. Do you have used records you want to sell? Country Feedback wants to buy them! Find us on Instagram @countryfeedbackvintageandvinyl or head downeast and visit our brick and mortar. All are welcome at this inclusive and family-friendly record shop in the country!Located in Whistler, Canada, Velvet Underground is a "velvet jungle" full of vintage and second-hand clothes, plants, a vegan cafe and lots of rad products from other small sustainable businesses. Our mission is to create a brand and community dedicated to promoting self-expression, as well as educating and inspiring a more sustainable and conscious lifestyle both for the people and the planet.Find us on Instagram @shop_velvetunderground or online at www.shopvelvetunderground.comSelina Sanders, a social impact brand that specializes in up-cycled clothing, using only reclaimed, vintage or thrifted materials: from tea towels, linens, blankets and quilts.  Sustainably crafted in Los Angeles, each piece is designed to last in one's closet for generations to come.  Maximum Style; Minimal Carbon Footprint.Salt Hats:  purveyors of truly sustainable hats. Hand blocked, sewn and embellished in Detroit, Michigan.Republica Unicornia Yarns: Hand-Dyed Yarn and notions for the color-obsessed. Made with love and some swearing in fabulous Atlanta, Georgia by Head Yarn Wench Kathleen. Get ready for rainbows with a side of Giving A Damn! Republica Unicornia is all about making your own magic using small-batch, responsibly sourced, hand-dyed yarns and thoughtfully made notions. Slow fashion all the way down and discover the joy of creating your very own beautiful hand knit, crocheted, or woven pieces. Find us on Instagram @republica_unicornia_yarns and at www.republicaunicornia.com.Cute Little Ruin is an online shop dedicated to providing quality vintage and secondhand clothing, vinyl, and home items in a wide range of styles and price points.  If it's ethical and legal, we try to find a new home for it!  Vintage style with progressive values.  Find us on Instagram at @CuteLittleRuin.

Clotheshorse all-stars Maggie Greene and Ruby Gertz return to Clotheshorse to unpack dress codes and uniforms with Amanda. This episode is part one of a short series. In this episode, we'll be talking about our own experiences with dress codes and uniforms. Ruby will give us a history lesson on the dress codes over the years. We'll also unpack both implicitly stated dress codes and implied/socially prescribed rules around dressing, and some of them may surprise you! We recommend reading Dress Codes: How the Laws of Fashion Made History by Richard Thompson Ford.Thanks to this episode's sponsor, Lucky Sweater. Use invite code "clotheshorse" to join today!Find this episode's transcript (and so much more) at clotheshorsepodcast.comWant to support Amanda's work on Clotheshorse? Learn more at patreon.com/clotheshorsepodcastIf you want to share your opinion/additional thoughts on the subjects we cover in each episode, feel free to email, whether it's a typed out message or an audio recording:  amanda@clotheshorse.worldCheck out Amanda's other podcast, The Department.Clotheshorse is brought to you with support from the following sustainable small businesses:Shift Clothing, out of beautiful Astoria, Oregon, with a focus on natural fibers, simple hardworking designs, and putting fat people first.  Discover more at shiftwheeler.com​High Energy Vintage is a fun and funky vintage shop located in Somerville, MA, just a few minutes away from downtown Boston. They offer a highly curated selection of bright and colorful clothing and accessories from the 1940s-1990s for people of all genders. Husband-and-wife duo Wiley & Jessamy handpick each piece for quality and style, with a focus on pieces that transcend trends and will find a home in your closet for many years to come! In addition to clothing, the shop also features a large selection of vintage vinyl and old school video games. Find them on instagram @ highenergyvintage, online at highenergyvintage.com, and at markets in and around Boston.St. Evens is an NYC-based vintage shop that is dedicated to bringing you those special pieces you'll reach for again and again. More than just a store, St. Evens is dedicated to sharing the stories and history behind the garments. 10% of all sales are donated to a different charitable organization each month.  New vintage is released every Thursday at wearStEvens.com, with previews of new pieces and more brought to you on Instagram at @wear_st.evens.Deco Denim is a startup based out of San Francisco, selling clothing and accessories that are sustainable, gender fluid, size inclusive and high quality--made to last for years to come. Deco Denim is trying to change the way you think about buying clothes. Founder Sarah Mattes wants to empower people to ask important questions like, “Where was this made? Was this garment made ethically? Is this fabric made of plastic? Can this garment be upcycled and if not, can it be recycled?” Signup at decodenim.com to receive $20 off your first purchase. They promise not to spam you and send out no more than 3 emails a month, with 2 of them surrounding education or a personal note from the Founder. Find them on Instagram as @deco.denim.The Pewter Thimble Is there a little bit of Italy in your soul? Are you an enthusiast of pre-loved decor and accessories? Bring vintage Italian style — and history — into your space with The Pewter Thimble (@thepewterthimble). We source useful and beautiful things, and mend them where needed. We also find gorgeous illustrations, and make them print-worthy. Tarot cards, tea towels and handpicked treasures, available to you from the comfort of your own home. Responsibly sourced from across Rome, lovingly renewed by fairly paid artists and artisans, with something for every budget. Discover more at thepewterthimble.comBlank Cass, or Blanket Coats by Cass, is focused on restoring, renewing, and reviving the history held within vintage and heirloom textiles. By embodying and transferring the love, craft, and energy that is original to each vintage textile into a new garment, I hope we can reteach ourselves to care for and mend what we have and make it last. Blank Cass lives on Instagram @blank_cass and a website will be launched soon at blankcass.com.Gabriela Antonas is a visual artist, an upcycler, and a fashion designer, but Gabriela Antonas is also a feminist micro business with radical ideals. She's the one woman band, trying to help you understand, why slow fashion is what the earth needs. If you find your self in New Orleans, LA, you may buy her ready-to-wear upcycled garments in person at the store “Slow Down” (2855 Magazine St). Slow Down Nola only sells vintage and slow fashion from local designers. Gabriela's garments are guaranteed to be in stock in person, but they also have a website so you may support this women owned and run business from wherever you are! If you are interested in Gabriela making a one of a kind garment for you DM her on Instagram at @slowfashiongabriela to book a consultation.Vagabond Vintage DTLV is a vintage clothing, accessories & decor reselling business based in Downtown Las Vegas. Not only do we sell in Las Vegas, but we are also located throughout resale markets in San Francisco as well as at a curated boutique called Lux and Ivy located in Indianapolis, Indiana. Jessica, the founder & owner of Vagabond Vintage DTLV, recently opened the first IRL location located in the Arts District of Downtown Las Vegas on August 5th. The shop has a strong emphasis on 60s & 70s garments, single stitch tee shirts & dreamy loungewear. Follow them on instagram, @vagabondvintage.dtlv and keep an eye out for their website coming fall of 2022.Country Feedback is a mom & pop record shop in Tarboro, North Carolina. They specialize in used rock, country, and soul and offer affordable vintage clothing and housewares. Do you have used records you want to sell? Country Feedback wants to buy them! Find us on Instagram @countryfeedbackvintageandvinyl or head downeast and visit our brick and mortar. All are welcome at this inclusive and family-friendly record shop in the country!Located in Whistler, Canada, Velvet Underground is a "velvet jungle" full of vintage and second-hand clothes, plants, a vegan cafe and lots of rad products from other small sustainable businesses. Our mission is to create a brand and community dedicated to promoting self-expression, as well as educating and inspiring a more sustainable and conscious lifestyle both for the people and the planet.Find us on Instagram @shop_velvetunderground or online at www.shopvelvetunderground.comSelina Sanders, a social impact brand that specializes in up-cycled clothing, using only reclaimed, vintage or thrifted materials: from tea towels, linens, blankets and quilts.  Sustainably crafted in Los Angeles, each piece is designed to last in one's closet for generations to come.  Maximum Style; Minimal Carbon Footprint.Salt Hats:  purveyors of truly sustainable hats. Hand blocked, sewn and embellished in Detroit, Michigan.Republica Unicornia Yarns: Hand-Dyed Yarn and notions for the color-obsessed. Made with love and some swearing in fabulous Atlanta, Georgia by Head Yarn Wench Kathleen. Get ready for rainbows with a side of Giving A Damn! Republica Unicornia is all about making your own magic using small-batch, responsibly sourced, hand-dyed yarns and thoughtfully made notions. Slow fashion all the way down and discover the joy of creating your very own beautiful hand knit, crocheted, or woven pieces. Find us on Instagram @republica_unicornia_yarns and at www.republicaunicornia.com.Cute Little Ruin is an online shop dedicated to providing quality vintage and secondhand clothing, vinyl, and home items in a wide range of styles and price points.  If it's ethical and legal, we try to find a new home for it!  Vintage style with progressive values.  Find us on Instagram at @CuteLittleRuin.Thumbprint is Detroit's only fair trade marketplace, located in the historic Eastern Market.  Our small business specializes in products handmade by empowered women in South Africa making a living wage creating things they love like hand painted candles and ceramics! We also carry a curated assortment of  sustainable/natural locally made goods. Thumbprint is a great gift destination for both the special people in your life and for yourself! Browse our online store at thumbprintdetroit.com and find us on instagram @thumbprintdetroit.Gentle Vibes:  We are purveyors of polyester and psychedelic relics! We encourage experimentation and play not only in your wardrobe, but in your home, too. We have thousands of killer vintage pieces ready for their next adventure! Picnicwear:  a slow fashion brand, ethically made by hand from vintage and deadstock materials - most notably, vintage towels! Founder, Dani, has worked in the industry as a fashion designer for over 10 years, but started Picnicwear in response to her dissatisfaction with the industry's shortcomings. Picnicwear recently moved to rural North Carolina where all their clothing and accessories are now designed and cut, but the majority of their sewing is done by skilled garment workers in NYC. Their customers take comfort in knowing that all their sewists are paid well above NYC minimum wage. Picnicwear offers minimal waste and maximum authenticity: Future Vintage over future garbage.

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/richard_thompson_ford_a_tailored_history_of_who_wears_what_and_why ■Post on this topic (You can get FREE learning materials!) https://englist.me/121-academic-words-reference-from-richard-thompson-ford-a-tailored-history-of-who-wears-what----and-why--ted-talk/ ■Youtube Video https://youtu.be/6UchT1C6Ats (All Words) https://youtu.be/etdBoyeo6MQ (Advanced Words) https://youtu.be/-WFhUxmYZPY (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina's “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States. Even in today's more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime. In Dress Codes: How the Laws of Fashion Made History (Simon & Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history's red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you'll never think of fashion as superficial again—and getting dressed will never be the same. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina's “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States. Even in today's more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime. In Dress Codes: How the Laws of Fashion Made History (Simon & Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history's red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you'll never think of fashion as superficial again—and getting dressed will never be the same. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina's “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States. Even in today's more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime. In Dress Codes: How the Laws of Fashion Made History (Simon & Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history's red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you'll never think of fashion as superficial again—and getting dressed will never be the same. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina's “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States. Even in today's more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime. In Dress Codes: How the Laws of Fashion Made History (Simon & Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history's red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you'll never think of fashion as superficial again—and getting dressed will never be the same. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina's “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States. Even in today's more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime. In Dress Codes: How the Laws of Fashion Made History (Simon & Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history's red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you'll never think of fashion as superficial again—and getting dressed will never be the same. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina's “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States. Even in today's more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime. In Dress Codes: How the Laws of Fashion Made History (Simon & Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history's red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you'll never think of fashion as superficial again—and getting dressed will never be the same. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina's “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States. Even in today's more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime. In Dress Codes: How the Laws of Fashion Made History (Simon & Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history's red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you'll never think of fashion as superficial again—and getting dressed will never be the same. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina's “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States. Even in today's more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime. In Dress Codes: How the Laws of Fashion Made History (Simon & Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history's red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you'll never think of fashion as superficial again—and getting dressed will never be the same. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Dress codes are as old as clothing itself. For centuries, clothing has been a wearable status symbol; fashion, a weapon in struggles for social change; and dress codes, a way to maintain political control. Dress codes evolved along with the social and political ideals of the day, but they always reflected struggles for power and status. In the 1700s, South Carolina's “Negro Act” made it illegal for Black people to dress “above their condition.” In the 1920s, the bobbed hair and form-fitting dresses worn by free-spirited flappers were banned in workplaces throughout the United States. Even in today's more informal world, dress codes still determine what we wear, when we wear it—and what our clothing means. People lose their jobs for wearing braided hair, long fingernails, large earrings, beards, and tattoos or refusing to wear a suit and tie or make-up and high heels. In some cities, wearing sagging pants is a crime. In Dress Codes: How the Laws of Fashion Made History (Simon & Schuster, 2021), law professor and cultural critic Dr. Richard Thompson Ford presents a history of the laws of fashion from the middle ages to the present day, a walk down history's red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you'll never think of fashion as superficial again—and getting dressed will never be the same. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

"We present ourselves and our bodies every day in public, and the way we do that is profoundly important. It's the way we establish a sense of self in a social domain. And clothing is the most direct way that's accomplished, and so of course it has political significance, and that's why it's always been regulated. Something that's trivial and superficial doesn't inspire a lot of rules and laws, but in fact, in our society up to the present day, there are lots of rules and laws around what people can wear. So those statements that are made can have profound significance at an almost subconscious level.That's why people were worried when African Americans [started dressing] in refined clothing because it suggested - against the dominant ideology of the time of white supremacy - that African Americans were refined and sophisticated. That's what that clothing suggests. When women [began wearing] masculine clothing, it suggested that those women could assert masculine privileges and masculine liberties because that's what that clothing suggested. It suggested that the women were not only refined, but also sober, practical, industrious - all of the things that women were denied in that context, and that made it a threat to the existing social order. And this is still true today."Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He's a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs.His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation.http://richardtford.law.stanford.eduwww.creativeprocess.infowww.oneplanetpodcast.org

Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He's a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs.His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation."We present ourselves and our bodies every day in public, and the way we do that is profoundly important. It's the way we establish a sense of self in a social domain. And clothing is the most direct way that's accomplished, and so of course it has political significance, and that's why it's always been regulated. Something that's trivial and superficial doesn't inspire a lot of rules and laws, but in fact, in our society up to the present day, there are lots of rules and laws around what people can wear. So those statements that are made can have profound significance at an almost subconscious level.That's why people were worried when African Americans [started dressing] in refined clothing because it suggested - against the dominant ideology of the time of white supremacy - that African Americans were refined and sophisticated. That's what that clothing suggests. When women [began wearing] masculine clothing, it suggested that those women could assert masculine privileges and masculine liberties because that's what that clothing suggested. It suggested that the women were not only refined, but also sober, practical, industrious - all of the things that women were denied in that context, and that made it a threat to the existing social order. And this is still true today."http://richardtford.law.stanford.eduwww.creativeprocess.infowww.oneplanetpodcast.org

"We present ourselves and our bodies every day in public, and the way we do that is profoundly important. It's the way we establish a sense of self in a social domain. And clothing is the most direct way that's accomplished, and so of course it has political significance, and that's why it's always been regulated. Something that's trivial and superficial doesn't inspire a lot of rules and laws, but in fact, in our society up to the present day, there are lots of rules and laws around what people can wear. So those statements that are made can have profound significance at an almost subconscious level.That's why people were worried when African Americans [started dressing] in refined clothing because it suggested - against the dominant ideology of the time of white supremacy - that African Americans were refined and sophisticated. That's what that clothing suggests. When women [began wearing] masculine clothing, it suggested that those women could assert masculine privileges and masculine liberties because that's what that clothing suggested. It suggested that the women were not only refined, but also sober, practical, industrious - all of the things that women were denied in that context, and that made it a threat to the existing social order. And this is still true today."Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He's a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs.His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation.http://richardtford.law.stanford.eduwww.creativeprocess.infowww.oneplanetpodcast.org

Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He's a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs.His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation."We present ourselves and our bodies every day in public, and the way we do that is profoundly important. It's the way we establish a sense of self in a social domain. And clothing is the most direct way that's accomplished, and so of course it has political significance, and that's why it's always been regulated. Something that's trivial and superficial doesn't inspire a lot of rules and laws, but in fact, in our society up to the present day, there are lots of rules and laws around what people can wear. So those statements that are made can have profound significance at an almost subconscious level.That's why people were worried when African Americans [started dressing] in refined clothing because it suggested - against the dominant ideology of the time of white supremacy - that African Americans were refined and sophisticated. That's what that clothing suggests. When women [began wearing] masculine clothing, it suggested that those women could assert masculine privileges and masculine liberties because that's what that clothing suggested. It suggested that the women were not only refined, but also sober, practical, industrious - all of the things that women were denied in that context, and that made it a threat to the existing social order. And this is still true today."http://richardtford.law.stanford.eduwww.creativeprocess.infowww.oneplanetpodcast.org

"One of the things that I've tried to do in my work is demonstrate the way that laws that don't seem to be directly related to social equality, to equality of opportunity, to racial justice in fact are and that it's only through also reforming these kind of systemic and institutionalized forms of discrimination that we could truly achieve an egalitarian society. So what I've really wanted to argue against is the idea that civil rights are kind of a magic bullet and that those kinds of laws alone would be sufficient to achieve.There are a lot of other reforms that would be useful in improving American policing. And certainly, there are biased attitudes on the part of some police officers, but again, I think the structural problems are even greater with respect to this. There's the problem of racial segregation in high-crime neighborhoods, which means that when police are using aggressive tactics in the neighborhoods with the highest levels of crime, the targets are disproportionately people of color. There's also the fact that in the United States, it's not true in most other countries, policing is decentralized. It's a local matter. And so there's a wide range of training and a wide range of different types of protocols."Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He's a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs.His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation.http://richardtford.law.stanford.eduwww.creativeprocess.infowww.oneplanetpodcast.org

Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He's a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs.His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation."One of the things that I've tried to do in my work is demonstrate the way that laws that don't seem to be directly related to social equality, to equality of opportunity, to racial justice in fact are and that it's only through also reforming these kind of systemic and institutionalized forms of discrimination that we could truly achieve an egalitarian society. So what I've really wanted to argue against is the idea that civil rights are kind of a magic bullet and that those kinds of laws alone would be sufficient to achieve.There are a lot of other reforms that would be useful in improving American policing. And certainly, there are biased attitudes on the part of some police officers, but again, I think the structural problems are even greater with respect to this. There's the problem of racial segregation in high-crime neighborhoods, which means that when police are using aggressive tactics in the neighborhoods with the highest levels of crime, the targets are disproportionately people of color. There's also the fact that in the United States, it's not true in most other countries, policing is decentralized. It's a local matter. And so there's a wide range of training and a wide range of different types of protocols."http://richardtford.law.stanford.eduwww.creativeprocess.infowww.oneplanetpodcast.org

Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He's a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs.His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation."When women [began wearing] masculine clothing, it suggested that those women could assert masculine privileges and masculine liberties because that's what that clothing suggested. It suggested that the women were not only refined, but also sober, practical, industrious - all of the things that women were denied in that context, and that made it a threat to the existing social order. And this is still true today. That's why people were worried when African Americans [started dressing] in refined clothing because it suggested - against the dominant ideology of the time of white supremacy - that African Americans were refined and sophisticated. That's what that clothing suggests. And if you really think about it, it shouldn't be surprising. We present ourselves and our bodies every day in public, and the way we do that is profoundly important. It's the way we establish a sense of self in a social domain. And clothing is the most direct way that's accomplished, and so of course it has political significance, and that's why it's always been regulated. Something that's trivial and superficial doesn't inspire a lot of rules and laws, but in fact, in our society up to the present day, there are lots of rules and laws around what people can wear. So those statements that are made can have profound significance at an almost subconscious level."http://richardtford.law.stanford.eduwww.creativeprocess.infowww.oneplanetpodcast.org

"When women [began wearing] masculine clothing, it suggested that those women could assert masculine privileges and masculine liberties because that's what that clothing suggested. It suggested that the women were not only refined, but also sober, practical, industrious - all of the things that women were denied in that context, and that made it a threat to the existing social order. And this is still true today. That's why people were worried when African Americans [started dressing] in refined clothing because it suggested - against the dominant ideology of the time of white supremacy - that African Americans were refined and sophisticated. That's what that clothing suggests. And if you really think about it, it shouldn't be surprising. We present ourselves and our bodies every day in public, and the way we do that is profoundly important. It's the way we establish a sense of self in a social domain. And clothing is the most direct way that's accomplished, and so of course it has political significance, and that's why it's always been regulated. Something that's trivial and superficial doesn't inspire a lot of rules and laws, but in fact, in our society up to the present day, there are lots of rules and laws around what people can wear. So those statements that are made can have profound significance at an almost subconscious level."Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He's a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs.His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation.http://richardtford.law.stanford.eduwww.creativeprocess.infowww.oneplanetpodcast.org

"I would like young people to keep two things in mind that might sound a little bit contradictory. One is that there's a great tradition of knowledge and intellectual endeavor and philosophy that the university has to offer, that our culture has to offer, that is important to master and that can guide one in the future, but at the same time, the older generation doesn't know everything. And often the older generation will belittle younger people. The contemporary example is that ‘they're snowflakes', that ‘they're engaged in cancel culture,' this kind of thing. And sometimes us older people are right in those criticisms, and sometimes we're not. And so trying to navigate that, to say, ‘Yes, I have something to learn from you, but also…' You know, each generation needs to sort these things out for themselves. And sometimes the younger generation has got it right, and we've got it wrong. Figuring out which is and which is the challenge."Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He's a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs.His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation.http://richardtford.law.stanford.eduwww.creativeprocess.infowww.oneplanetpodcast.org

Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He's a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs.His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation."I would like young people to keep two things in mind that might sound a little bit contradictory. One is that there's a great tradition of knowledge and intellectual endeavor and philosophy that the university has to offer, that our culture has to offer, that is important to master and that can guide one in the future, but at the same time, the older generation doesn't know everything. And often the older generation will belittle younger people. The contemporary example is that ‘they're snowflakes', that ‘they're engaged in cancel culture,' this kind of thing. And sometimes us older people are right in those criticisms, and sometimes we're not. And so trying to navigate that, to say, ‘Yes, I have something to learn from you, but also…' You know, each generation needs to sort these things out for themselves. And sometimes the younger generation has got it right, and we've got it wrong. Figuring out which is and which is the challenge."http://richardtford.law.stanford.eduwww.creativeprocess.infowww.oneplanetpodcast.org

"We present ourselves and our bodies every day in public, and the way we do that is profoundly important. It's the way we establish a sense of self in a social domain. And clothing is the most direct way that's accomplished, and so of course it has political significance, and that's why it's always been regulated. Something that's trivial and superficial doesn't inspire a lot of rules and laws, but in fact, in our society up to the present day, there are lots of rules and laws around what people can wear. So those statements that are made can have profound significance at an almost subconscious level.That's why people were worried when African Americans [started dressing] in refined clothing because it suggested - against the dominant ideology of the time of white supremacy - that African Americans were refined and sophisticated. That's what that clothing suggests. When women [began wearing] masculine clothing, it suggested that those women could assert masculine privileges and masculine liberties because that's what that clothing suggested. It suggested that the women were not only refined, but also sober, practical, industrious - all of the things that women were denied in that context, and that made it a threat to the existing social order. And this is still true today."Richard Thompson Ford is the George E. Osborne Professor of Law at Stanford Law School. His scholarship combines social criticism and legal analysis, and he writes for both popular readers and for academic and legal specialists. He's written for the Washington Post, San Francisco Chronicle, Christian Science Monitor, and other publications. He's a regular contributor for Slate and has appeared on the Rachel Maddow Show, The Colbert Report, and other programs.His most recent book is Dress Codes: How the Laws of Fashion Made History. His books The Race Card: How Bluffing About Bias Makes Race Relations Worse and Rights Gone Wrong: How Law Corrupts the Struggle for Equality have been selected by the New York Times as Notable Books of the Year. In 2012, On Being a Black Lawyer called him one of the most influential black lawyers in the nation.http://richardtford.law.stanford.eduwww.creativeprocess.infowww.oneplanetpodcast.org

All white, top hat, Sunday best, black beret, denim - these have been tools of protest and catalysts for change throughout history. Now we're unpacking the relationship between what we wear and what we believe. Featuring Angela Tate, Richard Thompson Ford, Elizabeth Way and Miko Underwood.  Syllabus:  What does anti-Blackness and anti-transness have in common? The groundbreaking scholarship in the book, Black on Both Sides: A Racial History of Trans Identity, reminds us that true justice must be fought at the intersection of race and gender. What did Black people wear when they were ready to make a political statement? Guest Angela Tate gives us an idea in her essay, “Fashioning the Protest.” Before there was Venus and Serena, there was Althea Gibson. Back in the 1950s, the tennis star made an impact when she decided to wear the same athletic uniform often worn by the White, tennis club elite. Guest Angela Tate introduces us to Althea Gibson's Tennis Whites as a pivotal moment in fashion history.  Historian Tanisha C. Ford's award-winning scholarship in Liberated Threads: Black Women, Style, and the Global Politics of Soul shows us how Black women in the 1960s through the 1980s used beauty culture and their style of dress as a tool for liberation around the world. A material that has touched every one of our lives and holds a turbulent labor history, we provide a short profile of “Cotton,” locating its various origins, and how Black creatives are reckoning with it.  The book, Empire of Cotton: A Global History, is a bookshelf essential, as it provides a thorough survey of modern, global capitalism's most necessary clothing material. Learn more about guest Miko Underwood's journey through fashion and justice through her essay, “Red, White and Indigo: The Hidden Commodity of the Slave Trade” (published on Juneteenth) where we also include a link to her fashion film, Red, White & Indigo: The Untold Story of American Denim. For a transcript of this episode, please visit https://fashionandrace.org/database/ep3-statement-piece/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Richard Thompson Ford joins Leon Wieseltier to discuss what the legacy of slavery can and cannot explain about America.

From puffy trousers to pantsuits and everything in between, law professor and author Richard Thompson Ford takes us on a fascinating tour through the history of fashion and the evolution of dress codes that still influence style today, tracing the real consequences people face for the way they dress. He offers an insightful and eye-opening explanation about why people care so much about what others wear -- and explains why you should think twice before calling the fashion police.

From puffy trousers to pantsuits and everything in between, law professor and author Richard Thompson Ford takes us on a fascinating tour through the history of fashion and the evolution of dress codes that still influence style today, tracing the real consequences people face for the way they dress. He offers an insightful and eye-opening explanation about why people care so much about what others wear -- and explains why you should think twice before calling the fashion police.

From puffy trousers to pantsuits and everything in between, law professor and author Richard Thompson Ford takes us on a fascinating tour through the history of fashion and the evolution of dress codes that still influence style today, tracing the real consequences people face for the way they dress. He offers an insightful and eye-opening explanation about why people care so much about what others wear -- and explains why you should think twice before calling the fashion police.

In his new book, author Richard Thompson Ford examines the history of how we dress and how clothing affects individuals and society — for the good and the bad. For as long as we've clothed ourselves, what we wear has offered an immediate look into who we are and where we come from. But beyond what clothes say about us, how we choose to dress — and how we're told to dress — reveals just as much about who has the power in society. In the 18th century, if Black Americans dressed “above their station,” South Carolina's Negro Act stated that a white person could confiscate their clothing on the spot. More recently, some workplaces have banned certain hairstyles, affecting how many people, especially people of color, are able to express themselves in public. We'll talk about the rules of clothes at noon with Richard Thompson Ford, author of Dress Codes: How the Laws of Fashion Made History. [ Amazon | Bookshop ] ( Rebroadcast)

The Empire's New Clothes is a Podcast & YouTube series examining the cyclical forces that make and break empires. We'll try to answer the big questions of how we got here as a society and tease out what's coming next. Episodes drop every Monday.www.theempiresclothes.com https://open.spotify.com/show/0006eX0RIlaP8d4QeC4vlsP006 https://twitter.com/EmpiresClothes https://www.facebook.com/empiresclothes https://www.instagram.com/empires_clothes/ https://www.linkedin.com/company/the-empires-new-clothes/about/

Stanford Law School professor and author Richard Thompson-Ford details the importance of fashion throughout the centuries in his new book Dress Codes - How the Laws of Fashion Made History. 

Stanford Law School professor and author Richard Thompson-Ford details the importance of fashion throughout the centuries in his new book Dress Codes - How the Laws of Fashion Made History. 

In his new book, author Richard Thompson Ford examines the history of how we dress and how clothing affects individuals and society — for the good and the bad.

When a very long year of doing business from home—in sweatshirts and pajamas and slippers—is over, how much effort will people be willing to expend on dressing for the office? Richard Thompson Ford, a law professor and the author of “Dress Codes: How the Laws of Fashion Made History,” tackles that question along with the New Yorker editor Henry Finder. Clothing, he says, has mostly been used to maintain social hierarchies, but it has also occasionally helped to overthrow them. Dressing up, he says, can be a form of transgression: historically, in Black communities, refined dress has been used to demand dignity and resist white supremacy. Plus, the celebrated critic Als on the work of Alice Neel, who painted her neighbors, friends, and colleagues in a multicultural New York.

A new book by Stanford law professor Richard Thompson Ford discusses how dress codes are as old as clothing itself and fashion can both reflect and shape society. 

Richard Thompson Ford, a professor at Stanford Law School, joins us to discuss his new book, Dress Codes: How the Laws of Fashion Made History, which details the history of fashion and its influence on culture and society from the Middle Ages to today.

Guest host Ian Punnett and author Richard Thompson Ford explore his research into the rules and implications for clothing and fashion in modern society, how ties and bell bottom jeans change over time and how James Bond and JFK helped kill men's hats. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Lewis H. Lapham speaks with Richard Thompson Ford, author of “Dress Codes: How the Laws of Fashion Made History.” Thanks to our generous donors. Lead support for this podcast has been provided by Elizabeth “Lisette” Prince. Additional support was provided by James J. “Jimmy” Coleman Jr.

Modern day fashion says a lot about who we are and the image we project. Join Stanford Law Professor Richard Thompson Ford for this episode for a discussion about his new book, Dress Codes, and the history of fashion and its social and political implications. Originally aired on SiriusXM on March 13, 2021.

Fashion matters. Clothes both tell a story about power, prestige, and privilege, and can serve as important means of critiquing and subverting these very same things. Richard Thompson Ford joins host Richard Aldous to discuss all this, along with his new book, Dress Codes: How the Laws of Fashion Made History.

A good Southerner knows not to wear white after Labor Day—but who made that a hard-and-fast rule and why? Stanford Law professor Richard Thompson Ford joins host Krys Boyd to talk about a long and fascinating list of rules about who could dress in which ways and why, and how they were often used as a cudgel to keep people from rising above their station. His book is “Dress Codes: How the Laws of Fashion Made History.”

Note: Due to a technical difficulty, this episode was recorded in two different sessions. The listener will note a change in audio quality partway through this episode.    In Dress Codes, law professor and cultural critic Richard Thompson Ford presents an insightful and entertaining history of the laws of fashion from the middle ages to the present day, a walk down history’s red carpet to uncover and examine the canons, mores, and customs of clothing—rules that we often take for granted. After reading Dress Codes, you’ll never think of fashion as superficial again—and getting dressed will never be the same.   Ford is in conversation with Skylight's own Lance Morgan.   _______________________________________________   Produced by Maddie Gobbo & Michael Kowaleski Theme: "I Love All My Friends," an unreleased demo by Fragile Gang. Visit https://www.skylightbooks.com/event for future offerings from the Skylight Books Events team.

Ask any attorney about the most outlandish clothing they've seen worn in a courtroom, and most will have a colorful story. But what determines the appropriateness of any outfit? In Dress Codes: How the Laws of Fashion Made History, Stanford law professor Richard Thompson Ford looks at why we wear what we wear; how that has changed over the centuries; and the laws that were codified around what could be worn and in what situations. For example, in the legal profession, fashion is generally quite conservative compared to some other industries. But why are wigs worn by judges and barristers in the United Kingdom, but not in the United States? Why is it a power move in Silicon Valley to wear a T-shirt and jeans? How can your fashion choices wind up getting you charged for murder–or acquitted of those charges? In this episode of the Modern Law Library, Ford answers all these questions posed by the ABA Journal's Lee Rawles. They also discuss how Ford's own father trained as a tailor, and the ways it influenced how he himself views fashion. Ford also discusses how researching the book made him change his mind about a particular employment law, and shares the fashion-ating controversy of Elena Kagan and the morning coat. Lastly, for the young attorney just compiling their professional wardrobe, Ford offers advice–and a cautionary tale from his own days as an associate.

Ask any attorney about the most outlandish clothing they've seen worn in a courtroom, and most will have a colorful story. But what determines the appropriateness of any outfit? In Dress Codes: How the Laws of Fashion Made History, Stanford law professor Richard Thompson Ford looks at why we wear what we wear; how that has changed over the centuries; and the laws that were codified around what could be worn and in what situations. For example, in the legal profession, fashion is generally quite conservative compared to some other industries. But why are wigs worn by judges and barristers in the United Kingdom, but not in the United States? Why is it a power move in Silicon Valley to wear a T-shirt and jeans? How can your fashion choices wind up getting you charged for murder–or acquitted of those charges? In this episode of the Modern Law Library, Ford answers all these questions posed by the ABA Journal's Lee Rawles. They also discuss how Ford's own father trained as a tailor, and the ways it influenced how he himself views fashion. Ford also discusses how researching the book made him change his mind about a particular employment law, and shares the fashion-ating controversy of Elena Kagan and the morning coat. Lastly, for the young attorney just compiling their professional wardrobe, Ford offers advice–and a cautionary tale from his own days as an associate.

Ask any attorney about the most outlandish clothing they've seen worn in a courtroom, and most will have a colorful story. But what determines the appropriateness of any outfit? In Dress Codes: How the Laws of Fashion Made History, Stanford law professor Richard Thompson Ford looks at why we wear what we wear; how that has changed over the centuries; and the laws that were codified around what could be worn and in what situations. For example, in the legal profession, fashion is generally quite conservative compared to some other industries. But why are wigs worn by judges and barristers in the United Kingdom, but not in the United States? Why is it a power move in Silicon Valley to wear a T-shirt and jeans? How can your fashion choices wind up getting you charged for murder–or acquitted of those charges? In this episode of the Modern Law Library, Ford answers all these questions posed by the ABA Journal's Lee Rawles. They also discuss how Ford's own father trained as a tailor, and the ways it influenced how he himself views fashion. Ford also discusses how researching the book made him change his mind about a particular employment law, and shares the fashion-ating controversy of Elena Kagan and the morning coat. Lastly, for the young attorney just compiling their professional wardrobe, Ford offers advice–and a cautionary tale from his own days as an associate.

Race & Racism - Guest speakers include Condoleeza Rice, Claude Steele, Allyson Hobbs, Nate Persily, Richard Thompson Ford, Michelle Anderson, John Donohue, Jim Campbell, and Brian Lowery.

Stanford Legal with Pam Karlan & Joe Bankman: "Dress Codes, Style, and the Law with guest Richard Thompson Ford" Can an employer force women to wear makeup and tell them what to wear? Do we have the right to style our hair as we pleased for work? Stanford Law Professor Richard Thompson Ford explains the relationship between dress codes, style, law, and bias-- and whether the courts are ready to address the issue. Originally aired on SiriusXM on September 1, 2018. Recorded at Stanford Video.

Stanford Legal with Pam Karlan & Joe Bankman: "Dress Codes, Style, and the Law with guest Richard Thompson Ford" Can an employer force women to wear makeup and tell them what to wear? Do we have the right to style our hair as we pleased for work? Stanford Law Professor Richard Thompson Ford explains the relationship between dress codes, style, law, and bias-- and whether the courts are ready to address the issue. Originally aired on SiriusXM on September 1, 2018. Recorded at Stanford Video.

Are America’s civil rights laws a failure? Stanford Law professor and “Rights Gone Wrong” author Richard Thompson Ford argues that while they have been successful in fighting overt discrimination, they’ve fallen short in addressing other social injustices and in some cases, have been hijacked by political extremists for personal advantage. Ford is interviewed by Jennifer Burton, a visiting scholar to UC San Diego. Series: "Revelle Forum" [Public Affairs] [Show ID: 22625]

Are America’s civil rights laws a failure? Stanford Law professor and “Rights Gone Wrong” author Richard Thompson Ford argues that while they have been successful in fighting overt discrimination, they’ve fallen short in addressing other social injustices and in some cases, have been hijacked by political extremists for personal advantage. Ford is interviewed by Jennifer Burton, a visiting scholar to UC San Diego. Series: "Revelle Forum" [Public Affairs] [Show ID: 22625]

Stanford Law School Professor Richard Thompson Ford discusses his experiences writing for many different genres, from law journals to popular magazines. (April 16, 2009)