American director, producer and screenwriter
POPULARITY
4 episodes with sydney lumet
2 episodes with sydney lumet
2 episodes with sydney lumet
2 episodes with sydney lumet
2 episodes with sydney lumet
2 episodes with sydney lumet
2 episodes with sydney lumet
2 episodes with sydney lumet
2 episodes with sydney lumet
After a month-long hiatus — and just before we take another — Jacob, Sage, and Tate are back at it with a review of the 1975 classic Dog Day Afternoon, starring Al Pacino and John Cazale. This gripping, unconventional heist film sparks a wide-ranging conversation about the real-life events that inspired it, including the Attica Prison Riots and the Life magazine article that formed the basis for the script. We dive into Pacino's powerhouse performance, the film's bold storytelling choices, and why Dog Day Afternoon still resonates nearly 50 years later.This movie was directed by Sydney Lumet.GD4AM: 85/100IMDb: 8.0/10Metacritic: 86/100Letterboxd: 4.3/5RT: 96%Three amateur robbers plan to hold up a Brooklyn bank. A nice, simple robbery: Walk in, take the money, and run. Unfortunately, the supposedly uncomplicated heist suddenly becomes a bizarre nightmare as everything that could go wrong does.This movie is currently available for rent on most VOD platforms.
Las películas seleccionadas, por orden de emisión, junto al director primero y el compositor después, son: 1. Estación Polar Cebra (John Sturges, Michel Legrand)2. A prueba de fallos (Sydney Lumet)3. Marea Roja (Tony Scott, Hans Zimmer)4. Siete Días de Mayo (John Frankenheimer, Jerry Goldsmith)
Trente-et-unième épisode de Vanishing Point, le podcast itinérant qui vous invite à voyager sur les routes imaginaires du Cinéma, sans gps ni direction assistée, avec comme seule boussole : notre passion, nos échanges et nos envies. Piloté par Mad, Ben et Franck. /! GROSSE ANNONCE : Vendredi 24 Janvier 2025, au cinéma Les lumières de la ville (Rumilly, 74150) Présentation, projection et discussion autour du film A bout de course de Sydney Lumet, dans le cadre des nuits de la lecture 2025 Un grand merci à Stéphane, aux équipes de la médiathèque et du cinéma pour leur confiance ! Les films abordés dans cet épisode : 00:01:24 : Skip générique (on juge pas promis) 00:07:19 : Thunder Road, Jim Cummings (2018) 01:37:58 : Buried, Rodrigo Cortés (2010) 03:42:18 : BLINDTEST - (Don't fear) the reaper, The Mutton Birds 03:53:42 : Dellamorte Dellamore, Michele Soavi (1994) Les réponses au blindtest précédent (Épisode 30 At Night) sur Burn, The Cure : Dark City, The Crow, Judgment night, Terminator, Night Crawler, The Invitation, Miracle Mile, The Addiction Rejoignez-nous sur les réseaux sociaux : TWITTER : https://twitter.com/vpoint_podcast DISCORD : https://discord.gg/mDgZZd6Czj FACEBOOK : https://www.facebook.com/podcast.vanishingpoint INSTAGRAM : https://www.instagram.com/vanishingpoint_podcast/ BLUESKY : https://bsky.app/profile/vpointpodcast.bsky.social Et sur votre plateforme de podcasts préférée ! Abonnez-vous
Our 200th Episode! 200 episodes of Hot Dates and Hot Takes on some of the weirdest, most beautiful and just plain bad movies. We've covered Oscar Winners and Razzie Winners, blockbusters and indie films, classics and guilty pleasures. To celebrate this milestone, we've invited Alexandra Kopko from the Film Bros Podcast to discuss our favorite directorial debuts. Dan and Vicky and Alex offer their top tens and a fun list of alternates. From the Gerwigs to the Raimis to the Lumets, hear the films that paved the way for some of the greatest careers in film - and some that were one and done! It's an epic chat, out longest show EVER! Dan and Vicky also discuss their usual recently seen - a bevy of great TV and film offerings. Our socials: hotdatepod.com https://thefilmbros.podbean.com FB: Hot Date Podcast Twitter: @HotDate726 Insta: hotdatepod
Wicked gives us the secret origin of the Wicked Witch of the West from The Wizard of Oz. We dive a little deeper into what makes her so unique.Wicked is shaping up to be one of the biggest cinematic hits of the holiday season this year, following on from its wild success first as a bestselling novel and then as an even more successful Broadway musical. Is there the equivalent of an EGOT for adapted properties? Because if so, Wicked just needs a video game or something to qualify.At the heart of Wicked, however, is the sympathetic origin story of the formerly nameless Wicked Witch of the West from the classic Wizard of Oz story. Given both a name and a significant backstory in Wicked, we learn that her trademark green skin wasn't the manifestation of some inner character flaw, but rather a somewhat magical mishap brought about by her mother consuming a potion while pregnant with the future villainess. We admit that delving into the realm of pure magic on Does it Fly? has occasionally proven difficult, but in the case of Elphaba, there's something to the question of just how green a person can get, and the possible causes.Watch the latest episode of Does it Fly? right here or check it out on our YouTube page to learn more. FURTHER READING Do you want to delve a little deeper into the facts, concepts, and stories Hakeem and Tamara referenced in today's episode? Of course you do! Book Learnin' Wicked is first based on Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire, which also spawned the sequels Son of a Witch, A Lion Among Men, and Out of Oz.Of course, all of this goes back to L. Frank Baum's original children's novel, The Wonderful Wizard of Oz. But did you know that book had a whopping thirteen sequels? Oz mythology is vast!The Evolution of Skin Color in HumansMelanin is what gives everyone their skin color, and understanding how and why various skin tones evolved is the foundation of our discussion about the (potential) science of green skin. Read more here.Don't Turn Green!As a quick PSA, here's a guide to how you can keep any copper oxide in jewelry from giving your skin that (lovely?) Oz-like green tint.When People Actually Turned GreenHypochromic anemia, or chlorosis, was a condition that did indeed leave some folks with green-ish skin. We usually try to do a little better than just Wikipedia links in these notes, but because chlorosis isn't really an issue these days, there's not a ton of contemporary writing about it. So start with this Wikipedia entry, and if you want to dig deeper there are two scientific journal articles you can try to access here and here. There will be a quiz next week! (not really)ThalidomideSince the origin of the Wicked Witch's green skin begins with her mom drinking a potion, an example Hakeem cites in this episode is the tragedy surrounding use of Thalidomide during the mid-20th century, in which expectant mothers took a drug that was supposed to help with morning sickness and instead caused severe physical issues with their babies. A full history can be found here, but please beware of disturbing imagery.SUGGESTED VIEWING Oz-related screen adaptations are pretty much too numerous to list, and too varied in quality to really get into in the space we have here. But here are the ones we recommend…The Wizard of Oz (1939)MGM's 1939 musical classic is rightfully the most inescapable, culturally dominant version of the Oz mythos ever put on screen. It's also the most beloved. Almost impossible to imagine anyone reading this isn't aware of it in some capacity.The Wiz (1978)Sydney Lumet and Joel Schumacher's screen adaptation of the stage play which updated the Oz story for a more modern audience features a cast that includes no less than Diana Ross as Dorothy Gale, Richard Pryor (!) as the Wiz, and the legendary Lena Horne as Glinda, the Good Witch of the North.Return to Oz (1985)Long before taking the lead role in The Craft, Fairuza Balk took her turn as Dorothy Gale in a movie that, while essentially a sequel to the 1939 film, is actually more frightening and disturbing than The Craft! Absolutely worth your time.Wicked Part I (2024)Director Jon M. Chu's anticipated adaptation of the book and Broadway musical boasts an absurdly all-star cast including Cynthia Erivo as Elphaba, Ariana Grande as Galinda, Jeff Goldblum as the Wizard of Oz, Michelle Yeoh, Peter Dinklage, and more! WANT MORE FROM DOES IT FLY?For some darker fantasy realm stuff, check out our episode on Netflix's The Witcher right here!FOLLOW US!Stay in the loop! Follow DoesItFly? on YouTube and TikTok and let us know what you think! And don't forget to follow Roddenberry Entertainment:Instagram: @RoddenberryOfficial Facebook: RoddenberryTwitter: @Roddenberry For Advertising Inquiries: doesitfly@roddenberry.comCheck out the official Does it Fly? playlist, too!
Down with the sickness. Trump won the 2024 election. Halloween. I discover definitive photographic proof of life outside of Earth; “NBD,” as the kids say. Unsolved Mystery of the mysterious refugee camp(?) behind the shitty, shitty North Hollywood Golds. That movie “Find Me Guilty” with Vin Diesel, and the realization that NY DP's suck.
In this series of episodes of J.K.L. Media, hosts Jesse, Lou, and Karen delve into the classic 1957 film '12 Angry Men.' They discuss the film's background, casting, and notable facts, shedding light on director Sidney Lumet's techniques, the screenplay by Reginald Rose, and the impressive performances of the cast, including Henry Fonda and Lee J. Cobb. The hosts analyze the character dynamics, juror biases, and the psychology of decision-making within the jury room. They also reflect on the film's cultural and social impact, its portrayal of societal values, and its influence on notable figures like Supreme Court Justice Sonia Sotomayor. Throughout the episodes, topics such as the evolution of juror votes, the relevance to contemporary issues, and personal connections through jury duty are explored. The series concludes with reflections on the movie's enduring power, its depiction of justice and prejudice, and announcements about the hosts' future projects. 00:00 Welcome to J.K.L. Media 00:45 Introducing '12 Angry Men' 01:06 Behind the Scenes: Facts and Trivia 03:13 Meet the Cast: Juror by Juror 05:03 In-Depth Character Analysis 26:18 Cultural Impact and Legacy 27:32 First Impressions and Reflections 42:51 Masterful Direction and Black-and-White Cinematography 43:19 Archetypes and Character Focus 44:28 Jury Room Dynamics and Realism 45:45 Sydney Lumet's Directorial Debut 48:42 American Justice System and Jury Conduct 58:40 Character Analysis and Archetypes 01:17:39 Final Thoughts and Reflections 01:22:13 Closing Remarks and Future Plans
Sydney Lumet's Fail Safe (1964) is time capsule of nuclear paranoia, and a powerful allegory for the dangers of technology getting out of hand. Starring Henry Fonda as the President put in an unwinnable situation, he only has so long to stop a deadly nuclear accident. In order to stop the chain of events that increasingly seem inevitable, he must make some disturbing choices, and ask who's lives are worth sacrificing. Cinema Spectator is a movie podcast hosted by Isaac Ransom and Cameron Tuttle, with frequent appearances from film expert Juzo Greenwood. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored at SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom is a professional creative, digital marketer, and product manager working full-time. Isaac is the student. The podcast is a passion project between two longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.
Heather and I talk about learning filmmaking from the one and only Martin Scorsese, Goodfellas, Happyish, Monsoon Wedding, working with Sydney Lumet, safety on set and so much more. Heather's IMDB Please check us out on the web and instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert
This week on Finding Your Bliss, Celebrity Interviewer and Bliss Coach Judy Librach is joined by internationally renowned Canadian actress, Kim Roberts! Her most memorable roles include Marnie in "Schitt's Creek," Alice in "The Changeling," Christine in "The Handmaid's Tale," Maggie, in "Workin' Moms," Greta in "The Sinner," Neeva in "The Strain," Mazz in "The Doodlebops," Deborah in "SAW Ill" and "SAW IV," Mrs. Bosco in "The Cheetah Girls" and her continuing role as Mayor Goodway in "Paw Patrol," "Paw Patrol the Movie," and "Paw Patrol the Mighty Movie." Kim is a pioneer in her industry. Not only has she represented Canada on domestic and international screens for the past 30-plus years, but she is one of the first to have paved the way for artists of colour right here at home. Kim was the first Black Woman to speak in a nationally televised Canadian commercial. The spot was for Benalyn cough syrup. She is one of the co-founders of Obsidian Theatre, Canada's most prominent Black theatre company. And she has been a mentor to emerging actors throughout her career. Kim has worked alongside the best in the business, from producers and directors like Stephen Spielberg, Zack Snyder, Maya Angelou, Sydney Lumet and Atom Egoyen to actors and musicians like Drake, Robin Williams, Jackie Chan, Bill Pullman, Mariah Carey, Lindsay Lohan and Christopher Plummer. Active on the local scene, Kim was the host at Harbourfront's main stage for 12 years. She has also hosted the illumination of the Bloor Viaduct, The Pan Am Games and various other events for the city of Toronto. You can currently watch Kim in "The Changeling," streaming now on Apple TV and in season 7 of "Workin' Moms" on Netflix. Most recently, Kim has appeared as Ms. Patty in "Alert: Missing Persons Unit" on the Fox Network, CTV and HULU! For more on Finding Your Bliss, you can follow us @theblissminute on Instagram, TikTok and Facebook. Or you can visit our online magazine at findingyourbliss.com and take one step closer to finding your bliss. Listen live every Saturday at 1pm on Zoomer Radio
Vannak filmek, amelyek elválaszthatatlanok a készítésük korától, hiszen annyira egyértelműen reagálnak és reflektálnak az akkori történésekre és zeitgestre. Vannak örökzöld filmek, amelyek mondandója olyan örökérvényű, hogy szinte meg se tudnánk róla mondani, hogy nem öt, hanem ötven évvel ezelőtt készültek. És, van az a kiviteles eset, amikor a két halmaz metszi egymást. Amikor valami nagyon aktuálisból, valami egészen kortalan születik. 1964 két ilyen filmet is adott a világnak. A kubai rakétaválsághoz és az azt körülvevő atomháborús pánikhoz ugyanis egészen páratlan módon, teljesen véletlenül, gyakorlatilag egyszerre dolgozta fel a korszak (és minden idők) két legnagyobb rendezője. Ám, ami Sydney Lumet olvasatában (Bombabiztos) a legnagyobb tragédia, az Stanley Kubrick kamerái elött már röhejes bohózat (Dr. Strangelove). Két film, amelyek épp annyira különböznek, mint amilyen hasonló az alapfelvetésük. Ám, épp ezért tökéletes kiegészítései egymásnak. A Roboraptor Podcast legújabb adásában Kubrick kultikus szatírája mérkőzik meg Lumet méltatlanul keveset emlegetett drámájával. Hogyan készülnek az ikerfilmek? Ki plagizált kiről? Van-e esélye az emberiségnek az atomfegyverek ellen? Mit kéne tennünk ahhoz, hogy ne pusztítsuk el magunkat? A hülyeség vagy a gépek okozzák majd a vesztünket? Kit vinnénk magunkkal az apokalipszis utáni barlangvilágba? Kubrick cinizmusa kontra Lumet reményteljesége. Henry Fonda vagy Peter Sellers alakít nagyobbat? Kubrick szivatja a színészeit, de mi nem bánjuk. Walther Matthau meg ránk hozta a frászt! Többek között ezekről beszélgetünk a legújabb podcastben! Timecode-ok: 1:00: Felvezetés 3:00: Beszélgetünk az ikerfilmek jelenségéről 13:40: Bombabiztos vs. Doctor Strangelove, avagy hogyan tanulta meg Stanley Kubrick, hogy nem kell félni a másik bombás filmtől. 18:00: Bombabiztos kibeszélő 50:00 Dr. Strangelove kibeszélő
Quel autoportrait émouvant révèle le livre « Paul Newman, la vie extraordinaire d'un homme ordinaire » ? Pourquoi le film « Le verdict » de Sydney Lumet a révélé un autre Paul Newman ? Pourquoi la série hollandaise « The golden hour » a-t-elle connu un vrai succès critique en France ? Les découvertes musicales : Luke Combs & Tracy Chapman – Fast car Lemon Twigs - They Don't Know How To Fall In Place Sam Tompkins - Phones In Heaven New West - Those Eyes (feat. Zeph) Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
Douze Hommes en colère (12 Angry Men), de Sidney Lumet, sort en 1957. Cʹest un film en noir et blanc. Cʹest un film de procès. Cʹest un film en huis-clos. Où ça débat. Où le dialogue est roi. Une affaire criminelle où un jeune de 18 ans est accusé dʹavoir tué son père. Sʹil est condamné par le jury populaire de douze hommes, ce sera la peine de mort. Mais sʹil y a le moindre doute quant à sa culpabilité, il doit être déclaré innocent. Pourtant adapté dʹune pièce de théâtre, Douze hommes en colère est un film majeur de lʹhistoire du cinéma. Car Sidney Lumet ne laisse pas sa caméra immobile, danse sur les visages, mettant en avant tel homme ou tel autre, révélant petit à petit ses motivation profondes, sa morale, ses valeurs. Le film est une mise à nu, la démonstration par le verbe des motivations dʹun groupe mises à mal par un seul homme, le juré numéro 8. Il faut dire quʹil porté par dʹexcellents acteurs, Henry Fonda en tête, dʹailleurs également producteur. Douze hommes en colère est un classique. Il a fait lʹobjet de remakes, de citations divers, de référence. On le connaît toute et tous sans vraiment le savoir. Depuis 2007, il est inscrit au National Film Registry la bibliothèque du Congrès, pour son intérêt " culturel, historique ou esthétique ". Il ne nous reste plus quʹà entrer dans la salle du procès, écouter les accusations du procureur et la défense de lʹavocat pour nous faire notre propre opinion et savoir si nous enverrons, ou non, un jeune homme de 18 ans sur la chaise électrique. REFERENCES Sidney Lumet en interview en 1995 https://www.youtube.com/watch?v=MquOjTPL59I Lumet on Lumet https://www.youtube.com/watch?v=LxCIHvuC83c Sidney Lumet sur 12 hommes en colère https://www.youtube.com/watch?v=OrMXC_X2HU8 Sidney Lumet qui travaille sur 12 hommes en colère https://www.youtube.com/watch?v=-aFXnqbSFmA Henry Fonda et Howard Teichmann, Henry Fonda, collection Ma vie, IGE Editeur, Michel Lafon, 1981 Sidney Lumet, Faire un film, Edition Capricci, 2016
One year after our rain dance to conquer the death of cinema, film critic/novelist/historian David Thomson welcomes me back for a dreamy convo about the spiritual treasures and booby traps of noir, the western, and the screwball comedy -- three worlds of movieland he has realized and reinvented in his enchanting fiction trilogy SUSPECTS, SILVER LIGHT, and the upcoming CONNECTICUT. This is Part 1. For the forthcoming Part 2, and dozens of other subscriber-only episodes, become a patron at patreon.com/filthyarmenian to support the show and follow the full twisted adventure. Please rate, review, spread the word and follow us on twitter/instagram @filthyarmnian Story Board: Willa Cather, Irene Selznick, black and white, Billy The Kid, Wyatt Earp, Tarantino, Once Upon a Time in Hollywood (the last great western), Shirtless Pitt, Robert Towne, Heaven's Gate, the self-expression of driving, light therapy, the importance of addiction, sports, San Francisco, gold rush, Red River, Searchers, Noah Cross, Trump, Chinatown, John Huston, Wes Anderson, Mullholland Dr., Montgomery Clift, A Place in the Sun, Elizabeth Taylor, the problem with Paul Newman, Cat on a Hot Tin Roof, Sydney Lumet, Otto Preminger, Eddie Mueller, Raymond Chandler vs James Ellroy, The Big Sleep, Didion, Babitz, studio system, film set romance
This week on S&A Lindsay is joined by Movies for Life Co-Host (we're have a huge Movies for Life March) Brian Keiper. And we are going live and hoping for a four point share. It's a Double of Penelope Spheeris' Wayne's World - Party Time, Excellent (1992) & Sydney Lumet and Paddy Chayefsky's Network (1976). This is a Double of TV Programing from the scrappy independent to more polished exploitation. Our favourite TV has always been the misfits and profits, and both of these movies live in this insanity. Listen to Schlock & Awe on your favourite podcast app.
These two films, Sydney Lumet's Fail Safe and John Frankenheimer's Seven Days in May, have come up many times in our conversations on The Cine-Files and since they are both Cold War Thrillers that came out in 1964 we thought it was only natural to discuss both of them on our upcoming live show. But here is the twist... Steve has never seen Fail Safe, which John loves and John has never seen Seven Days in May which Steve Loves. Which Cold War Thriller will come out on top? You'll have to tune in to find out. If you haven't seen these incredible film you can buy or stream them right here. https://amzn.to/3Y5GpQE https://amzn.to/3HrcHib Don't forget to support The Cine-Files at https://www.patreon.com/TheCineFiles and purchase any film we feature at https://www.cine-files.net Facebook: https://www.facebook.com/TheCineFilesPod/?ref=bookmarks John @therochasays Steve @srmorris The Cine-Files Twitter @cine_files Instagram thecinefilespodcast --- Send in a voice message: https://anchor.fm/thecine-files/message Support this podcast: https://anchor.fm/thecine-files/support
Ciné-Chat'#23: Les Ciné-Buddies/experts Philippe Setbon, Laurent Vachaud et Jean Veber se penchent sur les rouages de la television avec un podcast prophétique sur le chef d'oeuvre de Sydney Lumet "Network" (1976.) SVP likez, partagez, commentez, followez et abonnez-vous partout où l'on écoute des podcasts, merci.
This week our #ChainMovie of the week, we follow Sydney Lumet from last week's #ThePawnbroker to his final film, #BeforeTheDevilKnowsYoureDead. Travis chooses the next #LinkInTheChain.Travis visits #TheCrown, and George watches #Creed2.Then, both discuss #BlackPanther2 #WakandaForever, and #Blockbuster on @Netflix*As always, shout Out to Siren Divine @ twitch.tv/sirendivine and Game Of Beardz @ Twitch.tv/gameofbeardz
Comment l'excellente Allison Janney le prouve-t-elle dans « Lou » ? Avec quel projet ambitieux le groupe « Roÿksopp » revient-il après huit ans d'absence ? Et Billy Joël, comment fête-t-il ses 50 ans de carrière ? Pourquoi la série « The bear » a-t-elle un style qui rappelle Sydney Lumet ? Que nous préparent les plateformes pour Halloween ? A quoi ressemble le nouvel album de Gaz Coombes, ancien membre du groupe « Supergrass » ? Et Cerrone, le roi du disco, à 70 ans, il tient la forme ? Toutes ces questions trouvent leurs réponses dans « La semaine des 5 heures » de ce vendredi 14 octobre
Show Notes We're robbing a bank this week as we watched Sydney Lumet's 1975 biopic Dog Day Afternoon. Al Pacino is magnetic as the “mastermind” of a failed bank heist. Queer identity, the poverty cycle, and the absolute boneheaded-ness of police are on display in this humanist heist film. Recommendations: Light and Magic (Disney +); American Horror Story (Hulu) – the latest season Next up: The Wild Bunch (1969) Email us at latecomers@gmail.com Twitter: @latecomerspod Find Amity @ www.amityarmstrong.com and @AmityArmstrong on Twitter Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/ This podcast is powered by Pinecast.
Kevin and Sarah return from a restful vacation to review a high-octane action movie, Bullet Train. Will the movie hit its target, or is it really a slow train to nowhere? Then, Kevin and Sarah turn their sights toward another high-adrenaline movie premise for the Watchlist segment. This time, it's the bank robbery in Sydney Lumet's 1975 movie Dog Day Afternoon. Follow us on Twitter @SeeBelievePOD Support the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices
Kevin and Sarah return from a restful vacation to review a high-octane action movie, Bullet Train. Will the movie hit its target, or is it really a slow train to nowhere? Then, Kevin and Sarah turn their sights toward another high-adrenaline movie premise for the Watchlist segment. This time, it's the bank robbery in Sydney Lumet's 1975 movie Dog Day Afternoon. Follow us on Twitter @SeeBelievePOD Support the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices
Today we discuss Sydney Lumet's 1982 Legal Drama, The Verdict, starring Paul Newman.
Career Q&A with Michael Shannon on January 8, 2016. Moderated by Jenelle Riley, Variety. Academy® Award nominee Michael Shannon is making his mark working with many of the industry's most honored talents and treading the boards in the world's most respected theatres. With over forty roles in film, Shannon's credits include Siofra Campbell's thriller THE PRICE, Werner Herzog's SALT AND FIRE, Matthew M. Ross' FRANK & LOLA, Liza Johnson's ELVIS & NIXON, Peter Sollett's FREEHELD, Jeff Nichols' MIDNIGHT SPECIAL and TAKE SHELTER, John McNaughton's THE HARVEST, Jake Paltrow's THE YOUNG ONES, Zack Snyder's MAN OF STEEL, Ariel Vromen's THE ICEMAN, David Koepp's PREMIUM RUSH, Liza Johnson's RETURN Marc Forster's MACHINE GUN PREACHER, Floria Sigismondi's THE RUNAWAYS, Werner Herzog's MY SON, MY SON, WHAT HAVE YE DONE and BAD LIEUTENANT, Sydney Lumet's BEFORE THE DEVIL KNOWS YOU'RE DEAD, Oliver Stone's WORLD TRADE CENTER, William Friedkin's BUG, Curtis Hanson's LUCKY YOU, Michael Bay's BAD BOYS II, Curtis Hanson's 8 MILE, David McNally's KANGAROO JACK, Cameron Crowe's VANILLA SKY, Michael Bay's PEARL HARBOR, John Waters' CECIL B. DEMENTED, Noah Buschel's THE MISSING PERSON and Shana Feste's THE GREATEST, Ramin Bahrani's 99 HOMES, and Sam Mendes' REVOLUNTIONARY ROAD. For all his roles on screen, Shannon maintains a connection to theatre. In 2012, Shannon appeared opposite Paul Rudd, Ed Asner, and Kate Arrington in “Grace” at the Cort Theatre. For his portrayal of 'Sam,' a distrustful and lonely computer genius who had recently lost his fiancé in a car accident, Shannon was nominated for a 2013 Distinguished Performance Drama League Award. In 2010, he led Craig Wright's off-Broadway play, “Mistakes Were Made,” at the Barrow Street Theater. Directed by Dexter Bullard, Shannon portrays 'Felix Artifex,' a small time theatre producer, who gets in way over his fast-talking head when he takes on an epic about the French Revolution. The play received its world premiere at A Red Orchid Theatre in Chicago in 2009 with the same cast and director. The critically acclaimed production garnered numerous accolades for Shannon, including an Outstanding Lead Actor Lortel Award nomination, an Outstanding Actor in a Play Drama Desk Award nomination, an Outstanding Solo Performance Outer Critics Award nomination, and a Distinguished Performance Drama League Award nomination. Additional theatre credits include “Uncle Vanya” (Soho Rep Theatre), “Our Town” (Barrow Street Theatre), “Lady” (Rattlestick Theatre), “The Metal Children” (Vineyard Theatre), “The Little Flower of East Orange” (Public Theatre), “The Pillowman” (Steppenwolf Theatre), “Bug” (Barrow Street Theatre, Red Orchid Theatre and Gate Theatre), “Man From Nebraska” (Steppenwolf Theatre), “Mr. Kolpert” (Red Orchid Theatre), Killer Joe (SoHo Playhouse, Next Lab Theatre and Vaudeville Theatre), The Idiot (Lookingglass Theatre), The Killer (Red Orchid Theatre), and Woyzeck (Gate Theatre). On television, Shannon's credits include Martin Scorsese's HBO series, “Boardwalk Empire,” co-starring Steve Buscemi and Kelly Macdonald. Based on Nelson Johnson's book of the same name, the series centers on an Atlantic City liquor distribution ring at the onset of Prohibition. In the series, Shannon portrayed 'Nelson Van Alden,' a dedicated senior agent with the Treasury Department who has a strong interest in controlling bootlegging. Michael Shannon grew up in Lexington, Kentucky and began his professional stage career in Chicago, Illinois.
This week, Shaun is joined by Jeremy (@jeremobie), host of the excellent Fleapit After Dark podcast, to discuss all the ins and outs of Sydney Lumet's feature film debut, 12 Angry Men. They get into the film's production history and stories, the craftsmen of those in front of and behind the camera, some of the other versions of the story that have been done over the years, and as always, some semi-relevant tangents. Settle in, we have as long as it takes. Where to find Jeremy: Twitter: https://twitter.com/Jeremobie Soundcloud: https://soundcloud.com/user-677598804 YouTube: https://www.youtube.com/c/Jeremobie/featured ► Facebook: https://www.facebook.com/zooboxpodcast ► Odysee: https://odysee.com/@ZooBox:7 ► YouTube: https://www.youtube.com/c/ZooBox1 ► DLive: https://dlive.tv/Shaun-Zoo-Box ► Alt YouTube: https://www.youtube.com/user/thenaturalgamers1 ► iTunes: https://podcasts.apple.com/us/podcast/zoo-box/id1481669986 ► Spotify: https://open.spotify.com/show/55VagZqO5PyBvJSpzBuEIY ► Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly96b29ib3hwb2RjYXN0LnBvZG9tYXRpYy5jb20vcnNzMi54bWw&hl=en ► Anchor: https://anchor.fm/zoo-box ► Twitch: https://www.twitch.tv/shaunzoobox ► Twitter: https://twitter.com/ShaunZooBox ► Twitter: https://twitter.com/DanZooBox ► Instagram: https://www.instagram.com/zooboxpodcast CONTACT US DIRECTLY: zooboxpodcast@gmail.com
Episode 36 of The Blank Canvas Podcast with Mark Isham. Classically trained. Pioneer of electronic music. One of the jazz greats. Combine this with his willingness to create new musical worlds, working in virtually any medium or genre, well, it’s the perfect alchemy for a film and television music composer. Originally from NY City, Mark Isham studied piano and violin, but the trumpet captured his imagination and became his signature instrument. By the age 15 was playing in jazz clubs, while performing San Francisco symphony. In the early 80’s Mark began experimenting with electronic music and quickly gained notoriety for his work in the new age genre, the self titled Mark Isham album won a Grammy award and Grammy nominations for the follow up albums Castalia and Tibet. Mark collaborated with the likes of Chick Corea and Herbie Hancock; his Blue Sun album and Miles Remembered: The Silent Way Project and the ARIA award nominated Bittersweet album with Kate Ceberano, are regarded with awe in the jazz world. Mark Isham’s signature trumpet sound is heard on albums of music icons including Bruce Springsteen, Willie Nelson, Ziggy Marley, Joni Mitchell, The Rolling Stones, Chris Isaak, and Van Morrison. Mark has scored films for the most acclaimed directors; Robert Altman, Robert Redford, Jodi Foster, Sydney Lumet, Frank Darabont, John Ridley, Gavin O’Conner and Brain De Palma Movie highlights include Oscar-winning movies Crash, A River Runs Through It, Warrior, Judas and the Black Messiah. Along with Golden Globe winning Bobby and The Black Dahlia. Recent TV highlights include Once Upon a Time, American Crime, Little Fires Everywhere (which he garnered Mark's sixth Emmy nomination), Godfather of Harlem and HBO’s The Nevers. Prolific doesn’t even begin to describe Mark’s creative output; Over 400 movies & television series scored, 4 billion $ box office gross of movies scored, created over 200 albums, over 200 nominations and 57 major awards. This is an insight into the mind and process of a musical genius. Mark shares his experience working with Robert Redford, Jodi Foster and Aussie directors Gillian Armstrong & Scott Hicks - and we get to play some of his music! ISHAM.COM The Nevers - Binge / Foxtel (Australia) Godfather of Harlem - Stan (Australia) Bittersweet - Mark Isham / Kate Ceberano (all major music platforms) W: https://theblankcanvaspodcast.com.au/ IG: https://www.instagram.com/leerogers12/ SOCIALS Insta: @theblankcanvaspodcast FB - The Blank Canvas Podcast Twitter: @blankcanvaspod THE BLANK CANVAS TEAM Produced by Lee Rogers & Rien MacDonald. Audio support by Jason Murphy/GASinc Music by Rodrigo Enrique Bustos. See omnystudio.com/listener for privacy information.
Today Seth and I discuss the 1975 classic, Dog Day Afternoon. Starring Al Pacino, Charles Durning, Chris Sarandon and John Cazale and directed by Sydney Lumet.
Dans ce nouvel épisode, nous accueillons Frank Beauvais, cinéphile, cinéaste et grand amateur de musique, dont le dernier film « Ne croyez surtout pas que je hurle » nous avait mis face bien trop tôt à l’impossibilité d’accéder au dehors.Avec lui, nous avons discuté de comment internet a transformé la cinéphilie, a donné accès à des milliers de films et à des évènements de cinéma (des festivals, des projections) à tous, malgré un accès interdit aux salles. Nous avons aussi évoqué le groupe Facebook « La loupe », cet espace d’échange gratuit de films rares et oubliés pour les cinéphiles.Ce portrait tout en grand écart convoque des films résonnant avec notre étrange époque (Jeanne Dielman de Chantal Akerman, et L’homme qui dort de Bernard Queysanne et George Perec ), mais aussi des films qui délivrent, qui font exploser nos horizons resserrés, que ce soit le truculent « They Live » de John Carpenter, ou le très beau « Running on empty » de Sydney Lumet qui nous fait traverser l’Amérique à la recherche de la liberté. I. PORTRAIT - 3'17 Une voix off de cinéma : celle de Ludmila Mikaël dans Un homme qui dort (Bernard Queysanne, Georges Perec, 1974) - 03:17 Une drogue de cinéma : le « scat » de The Faculty (Robert Rodriguez, 1998) - 10:34 Un mère de cinéma : Jeanne Dielman dans Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975) - 14:16 II. CIRCONSTANCES & CONDITIONS DE VISIONNAGE - 17'55 Voir un film chez soi : quels moments, quel dispositif ? - 17:55 Le rapport conflictuel au support physique (DVD, Blu-ray…) - 22:16 III. Mémoire & sommeil - 28:08 Le fonctionnement de la mémoire de spectateur/cinéphile de Frank CARTE BLANCHE - 32:46 They Live (John Carpenter, 1988) IV. Cinema & Transmission - 42:01 La place croissante d’internet dans la cinéphilie : le groupe Facebook La Loupe comme espace de téléchargement et de partage vertueux. V. Film-refuge/Film-miroir - 52:36 Miroir : James White (Josh Mond, 2015) Refuge : A bout de course (Sidney Lumet, 1988)
Dans ce nouvel épisode, nous accueillons Frank Beauvais, cinéphile, cinéaste et grand amateur de musique, dont le dernier film « Ne croyez surtout pas que je hurle » nous avait mis face bien trop tôt à l’impossibilité d’accéder au dehors.Avec lui, nous avons discuté de comment internet a transformé la cinéphilie, a donné accès à des milliers de films et à des évènements de cinéma (des festivals, des projections) à tous, malgré un accès interdit aux salles. Nous avons aussi évoqué le groupe Facebook « La loupe », cet espace d’échange gratuit de films rares et oubliés pour les cinéphiles.Ce portrait tout en grand écart convoque des films résonnant avec notre étrange époque (Jeanne Dielman de Chantal Akerman, et L’homme qui dort de Bernard Queysanne et George Perec ), mais aussi des films qui délivrent, qui font exploser nos horizons resserrés, que ce soit le truculent « They Live » de John Carpenter, ou le très beau « Running on empty » de Sydney Lumet qui nous fait traverser l’Amérique à la recherche de la liberté. I. PORTRAIT - 3'17 Une voix off de cinéma : celle de Ludmila Mikaël dans Un homme qui dort (Bernard Queysanne, Georges Perec, 1974) - 03:17 Une drogue de cinéma : le « scat » de The Faculty (Robert Rodriguez, 1998) - 10:34 Un mère de cinéma : Jeanne Dielman dans Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975) - 14:16 II. CIRCONSTANCES & CONDITIONS DE VISIONNAGE - 17'55 Voir un film chez soi : quels moments, quel dispositif ? - 17:55 Le rapport conflictuel au support physique (DVD, Blu-ray…) - 22:16 III. Mémoire & sommeil - 28:08 Le fonctionnement de la mémoire de spectateur/cinéphile de Frank CARTE BLANCHE - 32:46 They Live (John Carpenter, 1988) IV. Cinema & Transmission - 42:01 La place croissante d’internet dans la cinéphilie : le groupe Facebook La Loupe comme espace de téléchargement et de partage vertueux. V. Film-refuge/Film-miroir - 52:36 Miroir : James White (Josh Mond, 2015) Refuge : A bout de course (Sidney Lumet, 1988)
【本期话题成员】郑诗亮，《上海书评》执行主编王霖，《阿加莎·克里斯蒂自传》译者【时间轴】06:15 舞台剧观众可能更喜欢大团圆结局09:50 《无人生还》开创推理小说文学划时代的“暴风雪山庄”13:00 亲身体验战争给阿加莎提供了新鲜的创作素材14:50 “女人结婚要找考古学家，因为考古学家喜欢老的”17:45 翻拍阿加莎的经典作品高风险高收益21:30 《捕鼠器》翻拍版本数量创造吉尼斯纪录25:40 阿加莎的波洛与柯南道尔的福尔摩斯形似神不似36:00 大陆推理文学出版一直依赖台湾译者39:00 台湾侦探书屋如今卖出的咖啡比卖出的书本还多42:15 推理出版现状抑制了新作品的创作和流通【音乐】The Nutcracker, Op.71, TH.14 / Act 1:No. 2 March - The National Philharmonic OrchestraMusic for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 12, Finale - Daniel Adni / Kenneth Alwyn您可以通过网易云音乐、Spotify搜索「忽左忽右BGM」，获得节目完整歌单。【logo设计】杨文骥【后期制作】hotair【制作总监】王若弛【收听方式】推荐您使用Apple播客、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过网易云音乐、喜马拉雅、蜻蜓FM、荔枝FM、三联中读、芒果动听、阿基米德收听。【本节目由JustPod出品】【互动方式】微博@忽左忽右leftright 微博@播客一下 微信公众号：忽左忽右Leftright微信公众号：播客一下联系方式：contact@justpod.fm
【本期话题成员】郑诗亮，《上海书评》执行主编王霖，《阿加莎·克里斯蒂自传》译者【时间轴】06:15 舞台剧观众可能更喜欢大团圆结局09:50 《无人生还》开创推理小说文学划时代的“暴风雪山庄”13:00 亲身体验战争给阿加莎提供了新鲜的创作素材14:50 “女人结婚要找考古学家，因为考古学家喜欢老的”17:45 翻拍阿加莎的经典作品高风险高收益21:30 《捕鼠器》翻拍版本数量创造吉尼斯纪录25:40 阿加莎的波洛与柯南道尔的福尔摩斯形似神不似36:00 大陆推理文学出版一直依赖台湾译者39:00 台湾侦探书屋如今卖出的咖啡比卖出的书本还多42:15 推理出版现状抑制了新作品的创作和流通 【音乐】The Nutcracker, Op.71, TH.14 / Act 1:No. 2 March - The National Philharmonic OrchestraMusic for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 12, Finale - Daniel Adni / Kenneth Alwyn您可以通过网易云音乐、Spotify搜索「忽左忽右BGM」，获得节目完整歌单。【logo设计】杨文骥【后期制作】hotair【制作总监】王若弛【收听方式】推荐您使用Apple播客、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅收听。【本节目由JustPod出品】【互动方式】微博@忽左忽右leftright微博@播客一下微信公众号：忽左忽右Leftright微信公众号：播客一下联系方式：contact@justpod.fm
【本期话题成员】郑诗亮，《上海书评》执行主编王霖，《阿加莎·克里斯蒂自传》译者【时间轴】06:15 舞台剧观众可能更喜欢大团圆结局09:50 《无人生还》开创推理小说文学划时代的“暴风雪山庄”13:00 亲身体验战争给阿加莎提供了新鲜的创作素材14:50 “女人结婚要找考古学家，因为考古学家喜欢老的”17:45 翻拍阿加莎的经典作品高风险高收益21:30 《捕鼠器》翻拍版本数量创造吉尼斯纪录25:40 阿加莎的波洛与柯南道尔的福尔摩斯形似神不似36:00 大陆推理文学出版一直依赖台湾译者39:00 台湾侦探书屋如今卖出的咖啡比卖出的书本还多42:15 推理出版现状抑制了新作品的创作和流通 【音乐】The Nutcracker, Op.71, TH.14 / Act 1:No. 2 March - The National Philharmonic OrchestraMusic for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 12, Finale - Daniel Adni / Kenneth Alwyn您可以通过网易云音乐、Spotify搜索「忽左忽右BGM」，获得节目完整歌单。【logo设计】杨文骥【后期制作】hotair【制作总监】王若弛【收听方式】推荐您使用Apple播客、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅收听。【本节目由JustPod出品】【互动方式】微博@忽左忽右leftright微博@播客一下微信公众号：忽左忽右Leftright微信公众号：播客一下联系方式：contact@justpod.fm
【本期话题成员】郑诗亮，《上海书评》执行主编王霖，《阿加莎·克里斯蒂自传》译者【时间轴】06:15 舞台剧观众可能更喜欢大团圆结局09:50 《无人生还》开创推理小说文学划时代的“暴风雪山庄”13:00 亲身体验战争给阿加莎提供了新鲜的创作素材14:50 “女人结婚要找考古学家，因为考古学家喜欢老的”17:45 翻拍阿加莎的经典作品高风险高收益21:30 《捕鼠器》翻拍版本数量创造吉尼斯纪录25:40 阿加莎的波洛与柯南道尔的福尔摩斯形似神不似36:00 大陆推理文学出版一直依赖台湾译者39:00 台湾侦探书屋如今卖出的咖啡比卖出的书本还多42:15 推理出版现状抑制了新作品的创作和流通 【音乐】The Nutcracker, Op.71, TH.14 / Act 1:No. 2 March - The National Philharmonic OrchestraMusic for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 12, Finale - Daniel Adni / Kenneth Alwyn您可以通过网易云音乐、Spotify搜索「忽左忽右BGM」，获得节目完整歌单。【logo设计】杨文骥【后期制作】hotair【制作总监】王若弛【收听方式】推荐您使用Apple播客、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅收听。【本节目由JustPod出品】【互动方式】微博@忽左忽右leftright微博@播客一下微信公众号：忽左忽右Leftright微信公众号：播客一下联系方式：contact@justpod.fm
【本期话题成员】 郑诗亮，《上海书评》执行主编 王霖，《阿加莎·克里斯蒂自传》译者 【音乐】 The Nutcracker, Op.71, TH.14 / Act 1:No. 2 March - The National Philharmonic Orchestra Music for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 12, Finale - Daniel Adni / Kenneth Alwyn 您可以通过网易云音乐、Spotify搜索「忽左忽右BGM」，获得节目完整歌单。 【logo设计】杨文骥 【后期制作】hotair 【制作总监】王若弛 【收听方式】 推荐您使用Apple播客、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过网易云音乐、喜马拉雅、蜻蜓FM、荔枝FM、三联中读、芒果动听、阿基米德收听。 【本节目由JustPod出品】 【互动方式】 微博@忽左忽右leftright 微博@播客一下 微信公众号：忽左忽右Leftright 微信公众号：播客一下 联系方式：contact@justpod.fm
【本期话题成员】郑诗亮，《上海书评》执行主编王霖，《阿加莎·克里斯蒂自传》译者【时间轴】06:15 舞台剧观众可能更喜欢大团圆结局09:50 《无人生还》开创推理小说文学划时代的“暴风雪山庄”13:00 亲身体验战争给阿加莎提供了新鲜的创作素材14:50 “女人结婚要找考古学家，因为考古学家喜欢老的”17:45 翻拍阿加莎的经典作品高风险高收益21:30 《捕鼠器》翻拍版本数量创造吉尼斯纪录25:40 阿加莎的波洛与柯南道尔的福尔摩斯形似神不似36:00 大陆推理文学出版一直依赖台湾译者39:00 台湾侦探书屋如今卖出的咖啡比卖出的书本还多42:15 推理出版现状抑制了新作品的创作和流通 【音乐】The Nutcracker, Op.71, TH.14 / Act 1:No. 2 March - The National Philharmonic OrchestraMusic for the Sydney Lumet's 1974 Movies "Murder on the Orient Express": No. 12, Finale - Daniel Adni / Kenneth Alwyn您可以通过网易云音乐、Spotify搜索「忽左忽右BGM」，获得节目完整歌单。【logo设计】杨文骥【后期制作】hotair【制作总监】王若弛【收听方式】推荐您使用Apple播客、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅收听。【本节目由JustPod出品】【互动方式】微博@忽左忽右leftright微博@播客一下微信公众号：忽左忽右Leftright微信公众号：播客一下联系方式：contact@justpod.fm
David: When a military prison devoted to regimentation, correction and the rebuilding of wayward units fails to manage its own, the hierarchy of power turns upon itself. As those who covet power scramble to avoid responsibility it all twists and twists again into a Rubic’s cube of blame and counter blame. We salute the departing Sean Connery with this not-quite-obscure-but-lesser-known anti-Bond vehicle directed by Sydney Lumet. Jules: A rare pleasure for those interested in well-constructed plots and characters who are just complex enough to support the dramatic conceit. Adroit and affecting work from all, especially Connery.
Entre le réalisateur et le scénariste, il y a un élément indispensable : le storyboardeur. Si vous ne connaissez pas bien ce métier, Sylvain Despretz est un maitre du genre : Ridley Scott, Tim Burton, JJ Abrams ou encore Stanley Kubrick font partie des réalisateurs avec qui il a travaillé. Il vient de sortir un livre qui retrace son travail et sa vision du métier. La façon dont il parle de cinéma vous donnera certainement très envie de le lire ! Le dessin n'est pas une fin pour lui, c'est un moyen. Écoutez vite cet épisode pour comprendre comment ! Un épisode sorti récemment mais qui est un maillon beaucoup plus lisible dans la suite des derniers replays. [Première diffusion le 1er juin 2020 : S02 E09] Vous pouvez soutenir le podcast ici et le suivre sur Instagram Nous parlons de Le film Les dents de la Mer (Jaws) de Steven SpielbergJo Alves, chef décorateur sur le filmShakespeare et MolièreBérénice de RacineHergé, Franquin, Tillieux Le réalisateur Raul daSilva Les dessinateurs Gotlib, Alexis, Yves Got (Le Baron Noir), Jean-Claude Forest(Hypocrite) La maison d'édition L'AssociationLes Humanoïdes AssociésAstérix et la Serpe d'OrMoebius et Blueberry Le peintre Frank Frazetta Le film Gladiator de Ridley ScottSuperman de Tim BurtonAlien de Jean-Pierre Jeunet Le réalisateur David Fincher Le film 1917David Lynch Le new Hollywood des années 70 Ses objets culturels inspirant Battleship Island de Ryoo Seung-wan Les films de Sydney Lumet et de William Friedkin La guitare classique de Steve Hackett (guitariste de Genesis)King Crimson et Robert Fripp Les oeuvres de Sylvain dont on parle Son film sur BrandX Son prochain livre chez Caurette et le financement participatif Ses travaux à la galerie Arludik et Daniel Maghen Où suivre Sylvain Sur son instagram Sur son site Sur blogspot A propos de l'animateur Je suis Alexandre Soubrier, réalisateur de films graphiques. Vous pouvez me trouver sur twitter, facebook, instagram, vimeo. J'ai même un site sur lequel je poste quelques réalisations et sur lequel vous pouvez me contacter. Le court extrait de musique vient du magnifique album de Wax Taylor "Tales of Forgotten Melodies".
On October 31st, we were deeply saddened to hear of the passing of the legendary actor Sean Connery. He was someone that was held in high esteem by all of us in the cave. We decided to do a special show in his honor so we did a bit of a search for some less popular starring vehicles to look at for the podcast. We start off with 1966's "A Fine Madness", from director Irvin Kershner, which intends to be a comedy but unfortunately fell VERY flat for us. It DOES have a great supporting cast, and a handful of interesting moments, but overall was a relic from a different time, and not in the best way. We follow that up with the very impressive "The Offence" from 1973. Directed by another legend, Sydney Lumet, it is VERY challenging to watch. It does allow Connery to really shine as an actor, and reminded us all just how effective he could be. Please let us know your favorite Connery performance, and also what you'd like to see on future shows but getting it touch with us. Please send emails to flickersfrom@yahoo.com or flickersfrom@gmail.com. You can also reach us on Facebook, Instagram and Twitter.
Modeste hommage à une légendes du cinéma mondiale, icône absolue dans la première incarnation de James Bond : Sean Connery récemment décédé à l'âge de 90 ans. Au programme en son honneur, la première rencontre avec un réalisateur qui le suivra de longues années : La Colline des Hommes Perdus de Sydney Lumet, sorti en 1965. Le film débute sur l’arrivée de Joe Roberts (incarné par Sean Connery) et de quatre autres soldats qui découvrent l’enfer qui les attends dans ce camp au milieu duquel se dresse une colline artificielle, dédiée à être inlassablement gravie par les prisonniers en guise de punition. Le scénario est adapté d’une pièce du même nom écrite par Ray Rigby et il remportera le prix du meilleur scénario en 1965 à Cannes. Bonne écoute !
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Maurice, born in France before World War II, began his career as an apprentice sound editor on the Maysles’ brothers’ classic documentary, Salesman, and as sound assistant for Gimme Shelter. For over 40 years, he has been sought out by the leading filmmakers of his generation for his artistry, creative intuition, and meticulous editing direction. His collaborators have included: Brian DePalma, Francis Ford Coppola, Bob Fosse, Sydney Lumet, David Mamet, Martin Scorsese, Paul Schrader, Bruce Weber, and Jan Kadar, just a few of the many award-winning filmmakers who have relied on his understanding of sound. His best known work on feature films includes: Apocalypse Now, Carlito’s Way, The Godfather, Chicago, The Cider House Rules, Desperately Seeking Susan, Heist, Reds, Scarface, The Spanish Prisoner, The Taking of Pelham One Two Three, and The Winslow Boy, a few of 112 film credits.
Hello! In our on-going quest to keep our content up on Patreon (please stop deleting our shit for no reason ok thanks), this week Liam rides out the Mel Gibson hurricane in Force of Nature before celebrating the birthday of a truly great director, the late great Sydney Lumet. Andy takes a reluctant bite of the Apple (hey hey) and finds the delicious juicy fruit by taking a chance on See. Unintentional puns ahoy! FEATURING - FILM RELATED NEWS SHOCK HORROR - MEL GIBSON LOSING HIS GODDAMN MIND - A MORALLY DUBIOUS STORM - HAPPY BIRTHDAY SYDNEY WE HAVE SOME QUOTES - A SHOT IN THE DARK - ANDY DEFIES THE CRITICS ONCE MORE - TYPHOON TRIVIA DO YOU SEE WHAT I DID THERE - YES WE FUCKED UP BY FORGETTING ONE OF OUR FACTS TEN MINUTES AFTER WE SAID IT WHAT DO YOU EXPECT WE ARE FOOLS
Tim and Edson discuss the 2007 melodramatic thriller, Before the Devil Knows You're Dead, currently streaming on HBO. Why? Because Philip Seymour Hoffman could fill in any and all story gaps with superior acting. How cool is it that Sydney Lumet rolled with two cameras the whole shoot? What's with all these theatre rats being in a film together? How does training and work in theatre prepare you for film? What are the many facets and questions that come up around representation (specifically of Black characters)? All that and more in this fifth episode of "That's That: A Philip Seymour Hoffman Retrospective". This episode's guest is friend and filmmaker, Edson Jean. You can find Edson in the real world (or email him at 1edsonjean@gmail.com...I told you I was gonna put your email in the show notes man). Check out his IMDb here. "That's That" is sponsored by One County Film Company, produced and hosted by Timothy Mark Davis, edited by Ryan Arnst, with show music composed by Jessica Rae Huber, and artwork by Drew Hanagen. Additional music from Shahead Mostafafar. Our next episode will take us through the short films and music videos that PSH participated in and feature DISTINGUISHED guest, Samantha Sweeting Davis. Here are the links so you're ready for the deep dive: Back Beyond Master deleted scenes (2013) The Fifteen Minute Hamlet (1995) [pro tip: do a free trial of Indie Flix Shorts!] Mattress Man Commercial short (2003) [here is the original this was based on] Michael Penn: Try Music Video (1997) Aimee Mann: Save Me Music Video (1999)
Musique, Ciné, Bouquins et Culture en Vrac !Emission #50 animée par : Jérémie Grima, LeBon Deun, Bertrand Pinsac, Wilhem Hørn et Michel Jovet.Au programme :CINE ZONE : * The Last Starfighter, de Nick Castle (film)* Serpico, de Sydney Lumet (film)* Oz, de Tom Fontana (série)* Du Plomb dans la Tête, de Walter Hill (film)TALK SHIT, GET SHOTGAME ZONE* Lust for Darkness
Coralie Fargeat is a French writer and director who made her feature film debut with 2017's Revenge, now streaming on Shudder. Coralie started her career in France as an AD, and shortly after realizing that she wanted to be a director, she made a short and took it on the festival circuit. The short opened many doors for her, and from there, she wrote multiple screenplays and took writing classes, all of which collectively helped her find her voice as a filmmaker. This path led her to pitching the concept of Revenge to multiple producers, ultimately striking a deal. In this interview, we hear more details about Coralie's filmmaker origin story, how to be an assertive director, and tips for creating your own local filmmaking community and support system. All of this, and so much more on today's episode of The Nick Taylor Horror Show. Here are some key takeaways from this conversation with Coralie: Prep your materials. In addition to the script for Revenge, Coralie wrote a 40-page treatment that described the story, plot, subtext, and visual cues in stark detail. This really conveyed to producers that she had a real clear vision for this project. She also did a ripomatic treatment reel that showcased tonal references of music, movie clips, and images that further defined the movie. All of which gave the producers more confidence in the movie and in her. Conflicts are inevitable. Sometimes in the heat of the moment on a grueling set while you're over time and over budget, you don't always have time to explain things. And as much as I hate to say it, according to many directors, sometimes you don't always have time to be nice. Yes, as a director, you should strive to make every effort to be as respectful and kind to your cast and crew as possible, and as Chelsea Stardust mentioned in a previous episode when it comes to filmmaking, “it's chaos, be kind.” However, throughout the course of making films sometimes, you will have to enter conflicts assertively so you can get what you need. There's a difference between being an asshole and being strategically aggressive. If you're a miserable fuck face on set who yells and screams all day every day, your crew will check out instantly and underperform. And you'll deserve it. But if you're too nice, you run the risk of being taken advantage of. There's no clear answer here, but this is an eventual scenario that all directors will have to face and figure out on their own. Coralie discussed her own struggles with this, but how inevitably, she had to get things done her way by whooping some asses here and there, but she did so strategically. Eli Roth tells a story about the first day on the set of Hostel. He and a bunch of his crew members bonded over drinks the night before production, and he went back to his hotel room early, but the crew stayed out drinking and showed up on set completely hungover. Thinking that Eli was their friend, they felt entitled enough to do this without consequences. They were wrong. As a result, they dragged ass on set, and without batting an eye, Eli yelled and screamed at the guilty parties and even fired some of them. As harsh as this may sound, this set a precedent on his sets that this type of behavior will not be tolerated. If it's not your nature to be aggressive or assertive, it's important that you think about the bigger picture. Coralie touched on something so obvious but I rarely hear directors mention it, and that is that you are going to have to live with your film for the rest of your life. Every frame, every detail, every decision will be etched in stone. So those moments on set when you have to fight to get what you need or fight to get something done the right way, are all worthwhile battles because you only get one shot. Film is permanent. Do not let anybody off the hook, especially yourself. Stare into the void. If you're a first time filmmaker, nothing can prepare you for your first movie. Yes, make shorts, go to film school, read Making Movies by Sydney Lumet, and watch every single special feature making-off that you can. But, things will inevitably go wrong, there will be things you don't know how to handle, crew members may turn on you, effects may break down, and that scene you agonized over, might not end up working. Now, the way that you respond to these things, the way that you handle yourself when you're at the mercy of all the things that go wrong on set, that's directing. Coralie mentioned how her work as an AD led her to realize that directing is problem-solving. Because of this, she was able to approach her first film with confidence, despite not entirely knowing what she was doing. But, she figured it out along the way and made a kickass movie regardless. A lot of would-be directors get daunted by the thought of their first movie or spend too much time preparing, or over-educating themselves instead of just doing it. Successful first-time filmmaking is a messy process and largely a matter of jumping head first into a difficult shoot and flailing your way through to make your days and somehow, by the grace of god, making a good movie in spite of it all. As important as preparation and education are, as a filmmaker, you can never be fully prepared for the difficulties your movies will bring you. You'll simply gradually get better with every single film that you make. So if you're approaching your first film, embrace feeling stupid, embrace feeling unprepared, embrace impostor syndrome, and embrace the fact that you don't really know what you're doing. Because nobody ever really does until they get a few films under their belt. Build a collective. I was shocked to hear Coralie mention that horror and genre films were not widely accepted in France despite the French extremist horror movement. As a result, Coralie built a community of other aspiring genre filmmakers who would learn from each other, pool resources, and ultimately become a support system. They would even invite industry professionals, like writers, directors, and producers, to share their experiences on filmmaking and work with first-time filmmakers. These kinds of relationships are priceless. Not just from a networking perspective but from a life perspective. As the saying goes, you become the sum total of the five people you spend the most amount of time with, so if you want to be a filmmaker, spend time around other filmmakers. Are you in a small town with not a lot of film people? Turn to social media, hold meetings via Skype, Zoom, or whatever. OR, start a podcast :) You'll need a community, a family, to fall back on when the going gets tough, and Coralie attributes her ability to overcome the many difficulties she experienced producing her first movie, to this community that she built. So find your tribe or build it from scratch. ----- Produced by Simpler Media
John Victor Shea is a great American actor in theater, film and television going back to the mid 1970’s when he performed in his Broadway debut in “Yentl” after graduating from the Yale School of Drama, with an M.F.A in Directing under Robert Brustein, with mentoring by Robert Penn, Sydney Lumet and George Roy Hill. He first became known for his feature film role in 1982 playing Charles Horman in “Missing” with the Academy Award winning director, Costa Gravas. In his 45 year career he has acted in over 91 film and television projects including his iconic role as Lex Luther in the 1990’s TV series : “The New Adventures of Superman”. In this episode we talk about his entire career as an actor and discuss many amazing intimate stories of working with great artists that have never been told before. John is very generous in sharing his immense knowledge of the film and television business. This episode is a real treat for all of our listeners. CONVERSATIONS WITH CHARLIE YOUTUBE: https://tinyurl.com/vrtzr64 SPOTIFY: https://tinyurl.com/wvjfav4 APPLE PODCASTS: https://tinyurl.com/w7n8br2 WEBSITE: www.thepodmatrix.com www.conversationswithcharlie.com
A first glimpse at the tense drama 12 Angry Men. The book, by Reginald Rose, was first published in 1954 and he went on to write the first TV screenplay. Henry Fonda was keen to produce and star in it, managing to bring it to the silver screen under the brilliant direction of Sydney Lumet in 1957. It went on to be nominated for 4 Academy awards, I guarantee this classic, powerful movie will not disappoint!
Où l'on parle de cinéma, de dessin, de devenir artiste et de prendre le bon chemin Sylvain Despretz est un dessinateur au trait pur et fluide, clair et compréhensible, beau et simple. Ce n'est pas un hasard quand on sait que son maître était le génial Moebius (Jean Giraud), le dessinateur de Blueberry. Mais le dessin a surtout été pour lui un outil pour approcher les plus grands réalisateurs de cinéma. Et il a plutôt bien fonctionné puisqu'il a réussi à travailler pour Ridley Scott, qui a préfacé son prochain livre, Tim Burton, JJ Abrams, ou encore Stanley Kubrick. Découvrez donc comment Sylvain a obtenu de manière très originale son premier emploi dans le cinéma, comment il a appris à réaliser des films et ce que représente le dessin pour lui. On parle aussi de techniques de cinéma, de cadrage, de narration... Enfin, une discussion passionnante autour de l'art, des parcours et des choix de vie ! Vous pouvez soutenir le podcast ici Suivez le podcast sur Instagram Nous parlons de Le film Les dents de la Mer (Jaws) de Steven SpielbergJo Alves, chef décorateur sur le filmShakespeare et MolièreBérénice de RacineHergé, Franquin, Tillieux Le réalisateur Raul daSilva Les dessinateurs Gotlib, Alexis, Yves Got (Le Baron Noir), Jean-Claude Forest(Hypocrite) La maison d'édition L'AssociationLes Humanoïdes AssociésAstérix et la Serpe d'OrMoebius et Blueberry Le peintre Frank Frazetta Le film Gladiator de Ridley ScottSuperman de Tim BurtonAlien de Jean-Pierre Jeunet Le réalisateur David Fincher Le film 1917David Lynch Le new Hollywood des années 70 Ses objets culturels inspirant Battleship Island de Ryoo Seung-wan Les films de Sydney Lumet et de William Friedkin La guitare classique de Steve Hackett (guitariste de Genesis)King Crimson et Robert Fripp Les oeuvres de Sylvain dont on parle Son film sur BrandX Son prochain livre chez Caurette et le financement participatif Ses travaux à la galerie Arludik et Daniel Maghen Où suivre Sylvain Sur son instagram Sur son site A propos de l'animateur Je suis Alexandre Soubrier, réalisateur de films graphiques. Vous pouvez me trouver sur twitter, facebook, instagram, vimeo. J'ai même un site sur lequel je poste quelques réalisations et sur lequel vous pouvez me contacter. Le court extrait de musique vient du magnifique album de Wax Taylor "Tales of Forgotten Melodies".
In this episode, we look at the absolute masterpiece that is 12 Angry Men. It was also the debut for great filmmaker Sydney Lumet. If you're enjoying these episodes then please rate and review us on iTunes. As always our social media links are at the bottom of the notes. Drop by and say hello, we can't wait to talk movies with you. E-mail us at manvfilm@gmail.com Graham Youtube: Man v Film Twitter: @Grahamdoh Facebook: Man v Film Instagram: Man v Film Letterbox: Grahamdoh Bryan Youtube: Bryan Lomax Movie Talk Twitter: @BryanLomax Facebook: Bryan Lomax Movie Talk Letterbox: Bryan Lomax
If you’re an actor who’s signed on to share scenes with Michael Shannon, you’ve got yourself a bit of a dilemma. On one hand, you can count on people watching; on the other, you can be pretty certain they won’t be watching you. To be fair, nothing could be further from Shannon’s intent; co-stars and directors routinely praise his generosity and dedication to the success of any project he’s in. It’s just that the guy is – inherently, chronically and helplessly – riveting. Evidence of this seemingly hypnotic power came to light most publicly with his fairly small role in Revolutionary Road. Variety wrote, “The pic’s startling supporting turn comes from Michael Shannon, who’s mesmerizing as the clinically insane son of local realtor and busybody… When Shannon is onscreen, it’s impossible to watch anyone else.” In that instance, “anyone else” included Leonardo DiCaprio and Kate Winslet. Or take 99 Homes, which Time magazine called “a showcase for Shannon, who magnetizes all eyes, like a cobra in the corner.” Those are just two in a canon of some of the most consistently beaming reviews an actor could ever hope to paste in his scrapbook, though Shannon doesn’t seem like the kind of guy to keep one. If he did, it would be encyclopedic, as he’s piled up over 50 award nominations and an impressive number of wins over a career that comprises at least 100 film, TV and stage credits. So why is he not a household name? Hard to say, unless actors have to become “stars” to claim any permanency in our memory banks. What’s more confounding is that Shannon never planned to be an actor. He was a troubled, late-blooming kid who floundered in school and only defaulted to drama to get out of sports. He left school at 16 and with no formal training, was on stage in a year, TV the year after, and in Groundhog Day the year after that. Shannon tried working with an acting coach only once in his career, and said it was the worst audition he ever had. With fate apparently having done the heavy lifting, an impressive range of directors were quick to capitalize, including Michael Bay, Cameron Crowe, Oliver Stone, Peter Bogdanovich, Sydney Lumet, and even Tom Ford. As did HBO, casting him as Boardwalk Empire’s repressed G-man Nelson Van Alden. But no one has taken better advantage of Shannon’s facile embodiment of complex characters than Jeff Nichols, who directed him in Take Shelter, Midnight Special, and Shotgun Stories. Nichols has said, “Shannon makes me a better writer. He certainly makes me a better director. I wanted [Midnight Special] to be a very lean screenplay in terms of narrative and exposition, and if you’re writing that part for Mike, he’s going to be able to fill those spaces with all the subtext that you don’t want to have to write about. He can carry all of that on his face, and that makes him a very powerful tool for a writer/director like me.” What more directors need to take advantage of is Shannon’s range, which seems to be hiding in plain sight. He’s known for playing menacing, angry, possibly crazy guys whose ability to keep it all just beneath the surface keeps us in their thrall – quiet bears you do not want to poke. While he plays them subtly and brilliantly, he also made a surprisingly good low-key romantic lead in Frank & Lola. His comic chops are most evident on the stage, where he still spends as much time as possible. Look no further than his portrayal of showbiz huckster Felix Artifex in the comedy Mistakes Were Made, a role he’s reprised several times to wildly enthusiastic crowds and ticket sales. The New York Times theater critic Charles Isherwood said Shannon shouldered the part “with a full arsenal of gifts: a subdued but strong natural presence, a voice rich in grit and capable of imbuing Felix’s wheedling and needling with a variety of emotional colors, a keen understanding of how pathos can feed comedy and vice versa.” Roger Ebert put it more succinctly: “His performance in Mistakes Were Made was one of the most amazing I have ever seen.” Given that it’s a one-man play, it may also be the only performance in which Shannon risked being upstaged. For all the taut wiring that sparks below his surface, Shannon says he’s learned to relax a bit more these days, and that approach has made him a better actor. Besides begging the question whether it’s possible for him to be any better, it also demonstrates a broad interpretation of the word “relax”. He already has eight projects in the works for next year, including Horse Soldiers, a Special Forces drama with Chris Hemsworth, and Signature Move, which he’s executive producing. He admits he may have a small problem turning down a great script. All the better for us. Maybe Shannon wasn’t looking to become an actor, but sometimes fate just gets things right.
Each Year in Review podcast we give ourselves a homework assignment to watch a movie we're all interested in. For the 1982 Year in Review we watched Sydney Lumet's The Verdict.
Each Year in Review podcast we give ourselves a homework assignment to watch a movie we're all interested in. For the 1982 Year in Review we watched Sydney Lumet's The Verdict.
Dans cet épisode numéro 8, je m'attarde sur un film malheuresement trop peu connu : Running on Empty de Sydney Lumet sorti en 1988. Un grand film d'un grand réalisateur avec notamment River Phoenix dans le rôle principal.
Quizmasters Lee and Marc are joined by Quizmommy Kyle Anne, who will be hosting our new weekly Know Nonsense Trivia Challenge at Gather in Cape Coral, for a hint-heavy slate of trivia. The three Quizmasters also take on a double shot of Rate My Question. Missed Corrections “Yes, Lee, snowmobiles did exist in the 1920's... and yes, there were Model-T ones. The first snowmobile ever was built in Maine in 1908.” - Tim, MN ”Just listened to your podcast for the first time on Spotify. Not that it matters, but the Jetsons aired in the 1960s, not the '70s.” - Adam Round One MARVEL COMICS - According to the Marvel comic books, before marrying Luke Cage, Jessica Jones dated which character after being set up by Carol Danvers? DRUGS - What chemical substance was known as the Business Man’s trip in the 1960s, as a user could access the full depth of it in considerably less time than with other substances? BOB ROSS - Speaking as though he was giving a private lesson to a single student, from 1983 to 1994, painter Bob Ross hosted what show on PBS? VISUAL FX - What is the first movie to feature a computer generated human form? SUMMER SONGS - According to Rolling Stone Magazine, what 1964 Martha and the Vandellas tune, with lyrics co-written by Marvin Gaye, is the best summer song of all time? CLASSIC MOVIES - Name 3 actors who star in the Sydney Lumet directorial debut 12 Angry Men. Rate My Question ETYMOLOGY - “The name of what metal is derived from the German word for fairy or sprite?” - submitted by Dallas U.S. GEOGRAPHY - “What are the four state capitals that have the word ‘city’ in them?” - Abbey Round Two METRIC SYSTEM - The United States, Myanmar and what West African country on the Atlantic Ocean are the only three in the world to not use the metric system? INVENTIONS - Developed as an internal tool and marketed as “a fast, extremely accurate electronic slide rule” in 1971, what what the first company to bring pocket calculators to market, which is also the first Top 20 company to ever have been run by a woman (as ranked by Fortune magazine)? 90s MUSIC - Who was the bass player of the 90s grunge band Dogstar? WORLD WAR II - In what country what country was Anne Frank living when it became occupied by the Nazis? PACIFIC TERRITORIES - What country is responsible for maintaining Easter Island? SCIENCE & PHILOSOPHY - “Hormesis” is the scientific term for what quote about resilience by German philosopher Freidrech Nietzsche? Final Questions EUROPEAN TRADITIONS - Europeon tradition requires family members to tell who important news, such as births, marriages or deaths in order to avoid ”serious calamity” in the family, as well as their associates? MUSICAL INSTRUMENTS - Which mostly defunct instrument gained popularity in the 1950s after being exclusively featured in the 1949 British film noir The Third Man? BLACK HISTORY - Moses Fleetwood Walker was the first African American to do what in 1884? Weekly Wrap Up June 6, 2019 @ No. 3 Craft Brews & Beer Bar - Peanut the Dog Brought Her Little Green Luftwaffe (68 pts.) June 12, 2019 @ Bury Me Brewing - Dr. Tran and the Moon Women (72 pts.) Upcoming LIVE Know Nonsense Trivia Challenges June 18,2019 – Cape Coral FL – 6:00 PM @ Gather (KNOW NONSENSE QUESTION: TBD) June 19, 2019 – Fort Myers, FL – 7:00 PM @ Bury Me Brewing Co. (KNOW NONSENSE QUESTION: 80s HORROR MOVIES) June 20, 2019 – Cape Coral, FL – 7:30 PM @ No. 3 Craft Brews & Beer Bar (KNOW NONSENSE QUESTION: 80s MOVIES) Thank you Thanks to our supporters on Patreon. Thank you, Quizdaddies – Tommy (The Electric Mud) and Tim (Pat's Garden Service) Thank you, Team Captains – Kristen & Fletcher Thank you, Proverbial Lightkeepers – Elyse, Aaron, Sarah, Brina, Karly, Kristopher, Josh, Gil, Shaun, Lucas and Max Thank you, Rumplesnailtskins – Steven, Efren, Mike J., Mike C. If you'd like to support the podcast and gain access to bonus content, please visit http://theknowno.com and click "Support." Special Guest: Kyle Anne.
Join us as we discuss veracity v. storytelling, our very different taste in films, and how corrupt New York was in Sydney Lumet’s 1973 classic, Serpico. Watch and Learn.
Dakota Arsenault and Sammy Feilchenfeld decide to revisit Sydney Lumet’s landmark debut film, 1957’s 12 Angry Men starring Henry Fonda. The idea for this episode stems from Dakota and Sammy who requested a list of their favourite movies for a friend. Dakota mentioned 12 Angry Men as one of his favourite films and called it a drama/thriller, which Sammy had initially rebuked. Upon a rewatch, the guys realized just how prescient the subject matter is, especially in the current political climate where xenophobia and racism, especially in privileged white male culture pervades thinking. For a “bottle episode” film that takes place entirely in one location the film is remarkable in building tension and fleshing out an ensemble of characters who all get their time to shine. Follow the show @ContraZoomPod and Dakota @Dgapa on Twitter. --- Send in a voice message: https://anchor.fm/contrazoompod/message
Mike and Josh sit down with Actor, Eugene Byrd. Eugene started acting at 7 years old in Philadelphia and reveals when he knew acting was his destiny. From how Eugene was cast to play 'Eugene' on The Cosby Show to acting advice from legends like Johnny Depp and Robert Mitchum on the set of the film "Dead Man,” Byrd’s career has been anything but dull. And, if you ever wanted to know Eugene's auditioning tips for the role of a crackhead or how to order a Philly Cheese Steak, you'll want to listen to this episode of Second Meal.
Arrancamos 2019 con una peli súper-mierder de Sydney Lumet (ah, ya sabes cuál); inauguramos sección con el enigmático Sr Swait, Cualquier Tiempo Pasado Fue Peor, donde nos ilustra con sus reflexiones respecto a Vox (los teclados) y la Traición de los 60. Para terminar, Carlotta Escribano recupera Rat Girl, las memorias de Kristin Hersch en su Hotel Chelsea. Las canciones: 1 Tropical Fuck Storm - Chamaleon Paint 2 B-52's - Rock Lobster 3 The Animals - Dont let me be Misunderstood 4 Allah- Las - Catamaran 5 Throwing Muses - Hate My Way 6 Throwing Muses - Counting Backwards
1 livre, 1 lecteur, émission présentée par Florence Berthout qui reçoit Isabelle Gibbal-Hardy qui viendra parler du livre « Faire un film » de Sydney Lumet
Hoo boy, it is hot out! How better to spend a sweltering summer day than holed up inside a bank after a robbery goes spectacularly wrong? Amy and Steve discuss the classic 1975 crime caper, Dog Day Afternoon. But first, they have to get their love of Sydney Lumet out there in the open; few are better, or more unloved these days. We lament the passing of 1970s Al Pacino...but then remember that he's been killing it on HBO these past many years, so I guess it's okay that he hasn't been nominated in over 25 years? Forty years on, just how does the central motivation work in our "enlightened" times? All this, the heat, humidity, a look at America's love for the outlaw and goddamn New Yorkers, this week on the podcast. Thanks for listening! Write us, won't you? The address is oscarwatchpodcast@gmail.com, and follow us on social media @oscarwatchpod
Dakota Arsenault and Sammy Feilchenfeld decide to revisit Sydney Lumet’s landmark debut film, 1957’s 12 Angry Men starring Henry Fonda. The idea for this episode stems from Dakota and Sammy who requested a list of... The post 64: A Revisit of 12 Angry Men appeared first on LIVE IN LIMBO.
Jess and Andrew are MAD AS HELL, and aren't going to take this anymore! We take a trip back to 1976 for Paddy Chayefsky and Sydney Lumet's masterpiece "Network". We give a chance to Netflix originals "What Happened to Monday", and check out "Welcome to Me", "Short Term 12", and "Green Room". Andrew continues his journey through the "Black Mirror", and we both bleed through the eyes from our assignment, "Ichi the Killer". We hope you enjoy this episode as much as we did researching it! AndrewWatchesMovies.com Film diary: https://letterboxd.com/andrewmartin/films/diary/ Twitter: https://twitter.com/AndrewWatchesTV Moses's Soundcloud: https://soundcloud.com/user-298402626 Mike Dietrich's Instagram: https://www.instagram.com/mike.dietrich.art/
As well as playing lead roles on Broadway, Ilana Levine has worked with iconic film directors including Sydney Lumet and Robert Altmann. We talk about her experiences working with, and learning from actors who have won Tony Awards and Academy Awards. She has appeared in many television shows including Law and Order and Seinfeld. As you'll hear, Ilana is married to an actor and they have two kids. Ilana is very candid about the struggles they faced as they worked to create a stable, loving environment for the kids to grow up in while pursuing the mercurial success of careers in show business. Click here for her podcast "Little Known Facts." Follow on Instagram. Follow on Twitter.
Frank Vincent is an acclaimed actor, musician, comedian, author and producer. He was born in North Adams, Massachusetts of first generation Italian-Americans and raised in the Greenville section of Jersey City, New Jersey. Frank's father, an amateur actor, introduced him to show business at an early age. Frank acted in school plays and studied music at St. Paul's grammar school. He played piano, trumpet and drums, but his love for the drums soon took center stage. Frank spent his adolescence playing and traveling with various national championship drum and bugle corps. This passion evolved into playing in small combos at various nightclubs. He then met record producer Bill Ramal who became his musical mentor. In time, he became a successful recording drummer for such prominent names as Don Costa, Paul Anka, Del Shannon, Trini Lopez and the Belmonts. He found himself playing 5-6 nights a week and recording 3-4 days a week. His insatiable desire for performing soon came to the forefront and his drum playing became secondary. At this pace, he developed a stage personality and learned the meaning of comedic timing and discipline, which would soon lend itself to his acting career. In 1975, Frank made his feature film acting debut in Ralph DeVito's "Death Collector". Martin Scorsese saw his work and cast him in the 1980 Academy Award-nominated film of the decade, "Raging Bull"... From that point until the present day, Frank has appeared in numerous television shows, music videos and over fifty feature films. Frank has demonstrated the ultimate degree of versatility as an actor from his Raging Bull's arrogant "Salvi", to his Do The Right Thing's soaking wet "Charlie", Jungle Fevers racist "Mike Tucci", Casino's suave "Frankie Marino" and his "Go home and get your shine box" Goodfella "Billy Batts"... Frank has worked with some of the greatest directors of our time, notably Martin Scorsese, Brian De Palma, Spike Lee, John Sayles, Andrew Bergman and Sydney Lumet... He has acted with such greats as Robert De Niro, Joe Pesci, Bruce Willis, Demi Moore, Richard Dreyfuss, Anthony Quinn, Sharon Stone, Adrien Brody and Sylvester Stallone, among others... His voice is featured in the multi-million dollar PlayStation game series Grand Theft Auto as "Don Salvatore Leone" as well as in DreamWorks' hit animated film "Shark Tale"... Frank is also the spokesperson for "Permanent TSB," one of the largest banks in Ireland... In addition, his career has taken him from recording with great musical legends to working on music videos with such names as Bruce Hornsby, Hype Williams, Nas, DMX, Method Man and T-Boz. Most recently, Frank starred as feared New York mob boss "Phil Leotardo" on HBO's epic series The Sopranos. Leotardo's simmering vendetta with "Tony Soprano" brought exhilarating excitement to millions of viewers week-after-week... Frank also penned a top-selling book entitled, "A Guy's Guide to Being A Man's Man," which was published by Penguin Putnam. GQ Magazine said, "It's awesome!"... Frank also recently starred as the lead in the upcoming movie, "Chicago Overcoat". Fans are sure to be pleased with Frank's riveting performance as an aging hit man who comes back for one last score. Over the years, Frank has received many awards for his various achievements on and off the screen. In 2002, he was awarded a Lifetime Achievement Award presented by the Back East Picture Show at the Hoboken Film Festival. That same year he received the Italian-American Entertainer of the Year Award presented by the Italian Tribune. In 2005, he received the Lifetime Achievement Award from the Garden State Film Festival. In 2006, Frank received the Honorary Branford Fellow from Branford College, Yale University. That same year he received a Best Supporting Actor Award for the film "Remedy" at the International Film and Screenplay Festival. Frank was a cast member when The Sopranos received the Emmy Award in 2007. In 2008, Frank received the coveted SAG Award for Outstanding Performance by an Ensemble in a Drama Series for The Sopranos. Frank currently resides in New Jersey and Florida, and has many film and television projects in the works.
John and Steve go back to 1957 to explore the first film from director Sydney Lumet. 12 Angry Men is a tense, courtroom drama starring Henry Fonda, Lee J. Cobb, and a world class ensemble. It's as relevant today as it was 60 years ago. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thecine-files/message
Following the closing arguments in a murder trial, the 12 members of the jury deliberate the verdict of an inner-city teen-- which could mean death if found guilty. As the twelve men try to reach a unanimous decision while held up in a room, on the hottest day of the year, one juror (Henry Fonda) casts considerable doubt on elements of the case. Personal issues soon rise to the surface, and conflict threatens to derail the delicate process that will decide one boy's life.Noah and Jonesy deliberate on Sydney Lumet's 1957 feature film debut. They dive deep into how Lumet creates drama and action in a film that is set in a single location through pacing, camera angles, and depth of field. Does a film set in one place deserve to be one of the best? Was the teen troublemaker truly guilty?Next: Apocalypse Now
In which Thom and Andru spend some quality time as a dramaturgical diad: recounting Andru's recent road shoot, bemoaning their status as Xbox dilettantes, taking comfort in the awkwardness of Wil Wheaton, expressing cautious optimism about some of this year's summer blockbusters, and remembering Sydney Lumet while ruminating on the possibility of Network finally beginning to show it's age. Also, that Tron Legacy game is pretty darn good... if only it went by a different name. Music by Paul & Storm
Network.Ce sera cette semaine notre troisième émission sur Network(1976) de Sydney Lumet et Paddy Chayefsky. Le première en duo. Que peut-il nous rester à dire sur cette bombe?
Network.Ce sera cette semaine notre troisième émission sur Network(1976) de Sydney Lumet et Paddy Chayefsky. Le première en duo. Que peut-il nous rester à dire sur cette bombe?
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