Podcasts about cannes 2023

En este episodio, se habla de la problemática relación del wéstern con la representación de la Historia, pero también como un arma para reescribir el pasado. Felipe Gálvez Haberle es un director y montajista chileno. Antes de estrenar su primer largometraje en el Festival de Cannes en 2023 y obtener allí el premio FIPRESCI de la sección Una cierta mirada, Gálvez dirigió algunos cortometrajes seleccionados en Rotterdam, BAFICI y la Semana de la Crítica de Cannes. Desde hace 15 años trabaja como montajista y ha colaborado en importantes películas latinoamericanas como El gran movimiento, de Kiro Russo; Princesita, de Marialy Rivas, y La última tierra, de Pablo Lamar. En conversación con la programadora y crítica Pamela Biénzobas, Felipe habla de su ambiciosa ópera prima y de la reescritura como un acto radical en el montaje y en el set.Este es un episodio especial de MUBI Encuentros realizado en el marco del Festival de Cannes 2023 que tendrá una versión en audio y en video. Hosted on Acast. See acast.com/privacy for more information.

En este episodio se habla de la relación de los cineastas con su contexto social. Amat Escalante es un director y guionista mexicano que se ha preocupado por retratar en su filmografía de manera frontal y provocadora la cruda violencia de su país. Sus primeros tres largometrajes se estrenaron en el Festival de Cannes: Sangre y Los bastardos hicieron parte de la sección "Una cierta mirada" y en 2013 compitió con Heli por la Palma de Oro, obteniendo el Premio a Mejor Dirección. En 2016, presentó en la Competencia Oficial del Festival de Venecia La región salvaje, una película con elementos de ciencia ficción que de nuevo le otorgó el Premio a Mejor Director. Recientemente, estrenó en la sección Cannes Premieres 2023 su quinto largometraje Perdidos en la noche. En conversación con la programadora y crítica Pamela Biénzobas, Amat habla de su relación con la ciudad de Guanajuato como fuente de inspiración y de su interés por establecer un diálogo cada vez más cercano con el público de su país. Este es un episodio especial de MUBI Encuentros realizado en el marco del Festival de Cannes 2023 que tendrá una versión en audio y en video. Hosted on Acast. See acast.com/privacy for more information.

Les journalistes et experts de RFI répondent également à vos questions sur l'intervention militaire israélienne en Cisjordanie, sur la rivalité entre Elon Musk et Mark Zuckerberg et sur la rencontrer entre les opposants et la commission électorale en RDC. Jénine : retour sur la plus importante opération israélienne depuis 20 ans Israël a mis fin à son opération militaire à Jénine en Cisjordanie. Pourquoi cette ville était-elle la cible de l'armée pour cette opération ? Ont-ils atteint leur objectif ? Peut-on s'attendre à d'autres opérations militaires dans les jours à venir ?  Avec Sami Boukhelifa, correspondant permanent de RFI à Jerusalem Musk-Zuckerberg : la guerre est déclarée ? Elon Musk, le patron de Twitter et Marck Zuckerberg, celui de Meta ont annoncé sur les réseaux sociaux leurs intentions de s'affronter dans un combat de MMA. Comment expliquer cette animosité entre ces deux génies de la tech ? Le combat aura-t-il réellement lieu ou s'agit-il d'une stratégie de communication ? Avec Dominique Desaunay, journaliste spécialiste des questions numériques, auteur de la chronique Un monde de Tech RDC : un report des élections inévitable ? Plusieurs candidats déclarés de l'opposition ont rencontré le président de la Céni. Parmi eux, Adolphe Muzito. L'ancien Premier ministre a présenté un plan de sortie de crise. Pourquoi estime-t-il que le glissement du calendrier est inévitable ? Est-il possible que la Céni accepte ses propositions ? Avec Christian Moleka, politologue, coordinateur de la dypol, la dynamique des politologues. Guinée : un alphabet révolutionnaire pour le pulaar Deux frères guinéens, Ibrahima et Abdoulaye Barry, ont remporté un prix au festival de Cannes Lions 2023 pour la création de leur alphabet en pulaar, l'ADLaM. En quoi consiste ce système d'écriture ? Comment en ont-ils eu l'idée ? L'alphabet des frères Barry est-il accessible à tous ? Avec Abdoulaye Barry, cofondateur avec son frère Ibrahima Barry du système d'écriture ADLaM. 

En este episodio, se habla de la libertad y la poesía cinematográfica como alternativa al realismo imperante en el cine latinoamericano. Rodrigo Moreno es un director, productor y guionista de Argentina. Tras colaborar en largometrajes antológicos de ficción que fueron pilares del Nuevo Cine Argentino, dirigió en solitario El custodio, estrenado en 2006 como parte de la selección oficial de la Berlinale, competencia a la que regresó cinco años más tarde con Un mundo misterioso. También dirigió Reimón y Una ciudad de provincia, obras presentadas en Róterdam y BAFICI con las que se acercó al registro documental. Su filmografía se ha caracterizado por señalar las problemáticas laborales y sociales, a través de personajes que en ocasiones dan cuenta de la incertidumbre y el goce del ocio. Recientemente, estrenó Los delincuentes en la sección Una cierta mirada de Cannes 2023.En conversación con la programadora y crítica Pamela Biénzobas, Rodrigo habla de su interés por regresar a algunos gestos esencialmente cinematográficos y la relación del cine con el tiempo presente. Este es un episodio especial de MUBI Encuentros realizado en el marco del Festival de Cannes 2023 que tendrá una versión en audio y en video. Hosted on Acast. See acast.com/privacy for more information.

C'est un fait divers qui a défrayé la chronique en Tunisie en 2015 : le départ de Tunisie de deux adolescentes ayant rejoint Daech pour faire le jihad. Leur mère, Olfa Hamrouni, avait remué ciel et terre et mobilisé les médias pour retrouver ses deux filles aînées. La réalisatrice tunisienne Kaouther Ben Hania a vu dans cette histoire plus qu'un fait divers : l'histoire d'une malédiction, ou la reproduction de la violence, du patriarcat, de génération en génération. Elle a convaincu Olfa et ses deux filles cadettes, Eya et Tayssir, de participer à un film en compagnie d'actrices : deux jeunes jouant les filles aînées disparues, « dévorées par le loup », et la star Hend Sabri interprétant Olfa.« Les filles d'Olfa » est sans doute l'œuvre la plus impressionnante de la compétition du dernier festival de Cannes, impressionnante par son ampleur, son ambition et son dispositif qui mêle fiction et documentaire, analyse très fine et profonde de la reproduction de la violence, et déconstruction politique et sociale. À l'affiche de notre cinéma ce samedi, le journal du cinéma et la correspondance de Romain Chanson en Afrique du Sud sur la 3ème saison de la série « Shuga ».

Here's a question. What terrifies you? This week's episode marks a couple of important moments.  It's the first of a series that I recorded last week at the Cannes Lions festival of creativity.  I have come to learn that Cannes is invaluable on two levels. First, for the people you meet and the relationships you build and develop. Many of the most important and meaningful relationships in my life have been forged and developed over the years at Cannes. And second, because Cannes, in my experience, is where the future first appears. Not on the main stages, but in the whispy smoke of quiet conversations and afterthoughts that happen away from the spotlight, and that, if you're paying attention, tell you that something is changing.   In the months leading up to this years festival, in a series of conversations that I had with Simon Cook - the CEO of Cannes - he and I came to learn that there are two things we both want to change.  We want to change the expectations and structure of modern leadership.  And we both want to change ourselves. Simon is rare. A leader in a highly visible position, unafraid to show who he really is. Together, we agreed that this year, we would share a stage at Cannes to discuss our own, very personal journeys and why we think they are reflective of a still quiet but rapidly emerging new form of leadership. One in which vulnerability is an expectation. Here's a question. What terrifies you? Today's episode was recorded last week at Cannes in front of a group of 37 young creatives from 29 countries who had won places to the Roger Hatchuel Student Academy. It's the most intimate expression that Simon or I have ever shared publicly of who we are. Our hope is that this helps to catalyze a shift across the creative industries of how leadership is evaluated and what it is fair to expect of each other - and ourselves. 

This is our spoiler-free Review for Indiana Jones and the Dial of Destiny. Join us as we go on one last journey as we discuss how the latest entry in this franchise is missing the magic that made the originals such classic adventures.Indiana Jones and the Dial of Destiny is in theatres June 30th, 2023.Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord  HERE

This is our spoiler-free review for Wes Anderson's latest film, Asteroid City. Join us as share our thoughts on this enchanting journey into an imaginative cosmos from the visionary filmmaker and if it "Cratered" on arrival, or is it deserving of the award The Collapsing Star Ribbon of Success.Asteroid City in select theatres on Friday, June 16th and nationwide and across Canada on Friday, June 23rd 2023Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord  HERE 

Interview de Thomas Watine qui nous parle de Oika Oika, la société de vente à domicile de jeux de société qu'il a fondée.

On this special bonus episode of Cinemaholics, we discuss Asteroid City, the latest movie from writer/director Wes Anderson. His new feature has a few things in common with his previous one, The French Dispatch, particularly when it comes to his ability to convince almost every recognizable actor in Hollywood to show up. And show up they did for this quirky sci-fi romantic comedy drama about a Junior Stargazer convention in a 50s desert town where events take an alienating turn, so to speak. Asteroid City was directed and written by Wes Anderson and is based on a story by Anderson and Roman Coppola. The ensemble cast includes Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Steve Park, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Hong Chau, Willem Dafoe, Margot Robbie, Tony Revolori, Jake Ryan, and Jeff Goldblum. The film premiered at the 2023 Cannes Film Festival and opens in limited release on June 16 through Focus Features. It will later go wide on June 23. Our intro music this week is “Gato” by TyLuv. & Strehlow. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Twitter. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

Mad' et Cargo s'entretiennent avec Océane Tréhel, contributrice et bénévole pour le site de gestion de ludothèque Myludo.

A segunda parte da nossa cobertura de Cannes 2023 ganhou uma convidada especialíssima. Trouxemos Paula Ferraz (assessora de imprensa especializada em cinema) de volta à Varanda e com Chico Fireman muito debate sobre os premiados e outros destaques que já estamos ansiosos para descobrir. Bom Podcast!

Drou et Elodie s'entretiennent avec Unt' Margaria et Vincent Bonnard qui se partagent le rôle de rédacteurs en chef du magazine Plato.

Die Filmfestspiele von Cannes sind zu Ende und Jenny Jecke und Patrick Wellinski waren live dabei. In dieser Folge erzählen sie Christian vom neuen Scorsese "Killers of the Flower Moon", Jonathan Glazers Überraschung "The Zone of the Interest" und vielen weiteren Filmen.

Ep. 186: Cannes #14 with Manohla Dargis of The New York Times Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The 2023 Cannes Film Festival series joyously concludes with our traditional grand finale: a discussion with Manohla Dargis, chief film critic of The New York Times, live from Cannes. Dargis reveals what might be her favorite film of the festival, and then we discuss too many titles to list here in full, ranging from Catherine Breillat's Last Summer and Wang Bing's Youth to Wes Anderson's Asteroid City and Sean Price Williams's The Sweet East. Thank you to all our listeners! And please support the production of this podcast by signing up at: rapold.substack.com Music: “Monserrate” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Ian and Sam fill you in on all the things you need to know about the 2023 Cannes Film Festival. Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

Eric Kohn is back from Cannes and ready to talk with Anne Thompson about all the latest movie buzz, deals and potential award contenders. Learn more about your ad choices. Visit megaphone.fm/adchoices

A vincere è stato il film “Anatomie d'une chute” della regista e sceneggiatrice francese Jutine Triet, terza donna ad aggiudicarsi la Palma d'oro nella storia di Cannes.

If you've been following the podcast and the Film Comment Letter, you'll know that for the last two weeks, we've been reporting from the 2023 Cannes Film Festival. Before the festival ended last Sunday, Devika Girish, Co-Deputy Editor of FC, gathered Justin Chang, Dennis Lim, and Rachel Rosen—all of whom serve on the selection committee of the New York Film Festival—for a look back at the Cannes that was. As experienced festival veterans, the three reflected on the trends of this year's festival, including the preponderance of long films, experiments with historical representation, and hybrids of fiction and documentary. They also discussed some of the festival's late premieres, including films by Catherine Breillat and Hong Sangsoo. We hope you enjoy the conversation—and keep your eyes on filmcomment.com for more Cannes wrap coverage, coming later this week: https://www.filmcomment.com/blog/category/festivals/cannes/cannes-2023/

ddschutz et Polgara s'entretiennent avec Jean-Manuel Mascort, gérant de la boutique Le Comptoir des jeux, membre du CA du Groupement des Boutiques Ludiques et créateur de la collection Territoires de jeux consacrée aux jeux du monde.

Cannes 2023 has wrapped—and as news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood the feed, we'll be reporting on all the cinematic goings-on, with our on-the-Croisette crew of Film Comment contributors ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. As the tide of cinema ebbs from the shores of the Riviera, FC Co-Deputy Editor Devika Girish was joined by Frédéric Jaeger (editor at critic.de and programmer), Caitlin Doherty (editor at the New Left Review), and critic James Wham to discuss later-day standouts including Alice Rohrwacher's La chimera, Ken Loach's The Old Oak, Wim Wenders's Perfect Days, Nuri Bilge Ceylan's About Dry Grasses, Tran Anh Hung's The Pot-au-Feu, and more. Subscribe to the Film Comment Letter today for a steady stream of Cannes coverage, providing everything you need to know about the 2023 edition: www.filmcomment.com/newsletter-sign-up/

Deux ans après la Palme d'Or de "Titane", la France brille à nouveau à Cannes grâce à Justine Triet. Avec "Anatomie d'une chute", la réalisatrice devient la troisième femme à recevoir le prestigieux trophée sur la Croisette et inscrit son nom aux côtés de ceux de Jane Campion (« La Leçon de Piano ») et Julia Ducournau. Présente au 76e Festival de Cannes tout au long de ces douze jours de cinéma, la Rédaction d'AlloCiné revient sur cette Palme d'Or et sur le reste des lauréats du Jury de Ruben Ostlünd, dont le choc « The Zone of Interest » de Jonathan Glazer, chouchou de la presse depuis sa présentation en Compétition. Ce dernier podcast, c'est aussi l‘occasion pour la Team AlloCiné de vous partager ses derniers coups de cœur et ses meilleurs souvenirs de cette parenthèse cannoise. Bravo à Justine Triet, vive le cinéma et à l'année prochaine ! N'hésitez pas à partager, noter, commenter l'émission et à vous abonner à AlloCiné Podcasts. Tous nos épisodes sont à retrouver sur les plateformes de podcast, dont Deezer, Spotify, Apple Podcasts, Acast...Crédits :Journaliste - présentatrice : Yoann SardetJournalistes - chroniqueurs : Laetitia Ratane, Vincent Garnier, Corentin Palanchini, Clément Cuyer, Brigitte Baronnet, Thomas DesrochesRéalisation & Montage : Arthur Tourneret Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

El Festival de Cannes tiene muy claras sus líneas editoriales. Por un lado, quiere defender y homenajear a los grandes tótems del cine de autor europeo. Esos creadores que el certamen descubrió en sus inicios, que apoyó y hasta les dio Palmas de Oro. Son también bastiones de las salas y de un cine político capaz de mirar a la realidad actual. La sección oficial de este año es un reflejo del cine mundial y de las preocupaciones sociales: el perdón por las atrocidades cometidas en el pasado, la desigualdad como generador de conflictos políticos y sociales y las nuevas identidades en un mundo que ha cambiado completamente. También una defensa del cine como único medio capaz de cambiar el final de la historia y de hacernos felices. En este episodio especial repasamos lo mejor de la edición de 2023 con 'La zona de interés' de Jonathan Glazer, Scorsese, Indiana Jones, Víctor Erice, Kaurismaki, Justine Triet, Ken Loach y Alice Rohrwacher.

It's prime Cannes I Kick It time baby! The 76th Annual Cannes Film Festival is in high gear and we are here to break it down. We talk Thierry, the critical reactions to the competition, and the tenor of this year's fest with our very own Emilio on the ground reporting live! To round it all out we take another Cannes Rewind look at a prominently featured filmmaker, this time looking at KILLERS OF THE FLOWER MOON's Martin Scorsese and the last time he was in competition with AFTER HOURS! Our twitter is @CannesIKickIt Our instagram is @CIKIPod Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @clatchley @imlaughalone @jcpglickwebber

Cannes 2023 is here—and as news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood the feed, we'll be reporting on all the cinematic goings-on, with our on-the-Croisette crew of Film Comment contributors ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. For our latest episode from the shores of the Riviera, critics Mark Asch, Miriam Bale, and Kevin B. Lee join FC Co-Deputy Editor Devika Girish for a discussion of their recent festival viewing, through which they trace a thematic thread of performance. The four touch on Justine Triet's Anatomy of a Fall, Wes Anderson's Asteroid City, Víctor Erice's Close Your Eyes, Martin Scorsese's Killers of the Flower Moon, Aki Kaurismäki's Fallen Leaves, Wei Shujun's Only the River Flows, Kleber Mendonça Filho's Pictures of Ghosts, and more. Subscribe to the Film Comment Letter today for a steady stream of Cannes coverage, providing everything you need to know about the 2023 edition: www.filmcomment.com/newsletter-sign-up/

Cannes 2023 is here—and as news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood the feed, we'll be reporting on all the cinematic goings-on, with our on-the-Croisette crew of Film Comment contributors ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. On today's episode, FC co-deputy editor Devika Girish is joined by Dennis Lim, Artistic Director of the New York Film Festival, for a special joint interview with Todd Haynes, whose new film, May December, is one of the unanimous favorites of this year's lineup. The film was inspired by one of the great scandals of the 1990s: Julianne Moore plays Gracie, a woman who, twenty years ago, was convicted of having an affair with a 13-year-old, a lover (played by Charles Melton) with whom she now lives a cozy married life. Natalie Portman plays an actress who arrives at Gracie's home to do research for a movie based on the affair and starts probing into the couple's lives, slowly pulling down bother both their and her own façades. Haynes turns the tabloid-fodder source of the script into a remarkably witty, dark, and intelligent meditation on the ways in which we construct and consume identity. Devika and Dennis talked to Haynes about his references for the movie, his thoughts on the term camp, why he loves zooms, and much more. Subscribe to the Film Comment Letter today for a steady stream of Cannes coverage, providing everything you need to know about the 2023 edition: www.filmcomment.com/newsletter-sign-up/

Nanni Moretti presenta “Il sol dell'avvenire”, già uscito nelle sale in Italia, Alice Rohrwacher gareggia con “La chimera” e Marco Bellocchio con “Rapito”.

Cannes 2023 is here—and as news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood the feed, we'll be reporting on all the cinematic goings-on, with our on-the-Croisette crew of Film Comment contributors ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. Our latest episode covers Cannes 2023 as it crosses the midpoint, with critics Lovia Gyarkye, Abby Sun, and Kelli Weston joining FC Co-Deputy Editor Devika Girish to discuss some of the festival's buzziest films, including Martin Scorsese's Killers of the Flower Moon, Todd Haynes's May December, Joanna Arnow's The Feeling That the Time for Doing Something Has Passed, Molly Manning Walker's How to Have Sex, and more. Subscribe to the Film Comment Letter today for a steady stream of Cannes coverage, providing everything you need to know about the 2023 edition: www.filmcomment.com/newsletter-sign-up/

Cannes 2023 is here—and as news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood the feed, we'll be reporting on all the cinematic goings-on, with our on-the-Croisette crew of Film Comment contributors ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. On our latest episode from sunny shores of Southern France, critics Jonathan Romney and Giovanni Marchini Camia join FC co-deputy editor Devika Girish to discuss two of the festivals most fascinating films: Jonathan Glazer's much-anticipated The Zone of Interest, and Lisandro Alonso's mysterious western Eureka. Listeners be advised: spoilers abound—along with our critics' typically insightful, in-depth analysis. Subscribe to the Film Comment Letter today for a steady stream of Cannes coverage, providing everything you need to know about the 2023 edition: www.filmcomment.com/newsletter-sign-up/

Nicolas Smeers, le fondateur de la société AZAO, détaille les 2 pans de son activité : l'édition et l'impression de jeux de société en petite quantité au micro de Lana et Cyrus.

Chico Fireman, direto de Cannes num episódio rápido com os principais destaques da semana do festival. Bom Podcast

Le monde du cinéma reste sensible au débat sur la place des femmes dans le cinéma. Si Rima Abdul-Malak s'interroge sur la présence de Johnny Depp à Cannes, elle souhaite que Cannes reste un lieu de débat.

Harrison Ford s'est dit ému par l'accueil du cinquième volet de la saga Indiana Jones, présenté lors du festival de Cannes.

On today's episode, FC co-deputy editor Devika Girish sits down with Oscar-winning filmmaker Steve McQueen, whose new documentary Occupied City was one of the early standouts at the festival. It's a more than four-hour opus that combines a voiceover drawn from a book written by Bianca Stigter, McQueen's collaborator and spouse, about the Nazi occupation of Amsterdam, with footage of the city shot by McQueen in the last three years. The result is a haunting superimposition of the past and the present that makes us think about the ways in which the spaces we occupy today are resonant with history. Devika talked to McQueen about the genesis of the film, the experience of making it during the pandemic, and why it feels so crucial to revisit history right now. Subscribe to the Film Comment Letter today for a steady stream of Cannes coverage, providing everything you need to know about the 2023 edition: www.filmcomment.com/newsletter-sign-up/

Cannes 2023 is here—and as news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood the feed, we'll be reporting on all the cinematic goings-on, with our on-the-Croisette crew of Film Comment contributors ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. For our second episode from the Riviera, critics Beatrice Loayza and James Wham and programmer and critic Inney Prakash join FC co-deputy editor Devika Girish discuss some recently screened high-, low-, and in-between–lights, including Sean Price Williams's The Sweet East, Hirokazu Kore-eda's Monster, Wim Wenders's Anselm, and Wang Bing's epic Youth (Spring). Subscribe to the Film Comment Letter today for a steady stream of Cannes coverage, providing everything you need to know about the 2023 edition: www.filmcomment.com/newsletter-sign-up/

AlloCiné est au Festival de Cannes. Le coup d'envoi de la 76e édition a été donné ce mardi 16 mai, avec Jeanne du Barry, le nouveau film de Maiwenn, avec Johnny Depp. Le film est sorti simultanément partout en France.Nous allons vous partager notre avis, et nous avons aussi recueilli l'avis du public juste après la projection officielle cannoise que nous vous proposerons d'entendre. Dans la 2ème partie de l'émission, nous ferons le point sur les grands rendez-vous de cette 76e édition du Festival de Cannes. Quels sont les films qui vont faire parler ? Quels sont les films les plus attendus ? Quelles sont les pépites que nous allons surveiller ? Vous saurez tout !N'hésitez pas à partager, noter, commenter l'émission et à vous abonner à AlloCiné Podcasts.Tous nos épisodes sont à retrouver sur les plateformes de podcast, dont Deezer, Spotify, Apple Podcasts, Acast...Crédits :Journaliste - présentatrice : Brigitte BaronnetJournalistes - chroniqueurs : Mégane Choquet, Thomas Desroches et Maximilien PierretteRéalisation : Arthur Tourneret et Alexandre EarMontage : Alexandre Ear Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

L'édition 2023 du Festival international du Film de Cannes est lancée, avec toujours la même recette...

Écoutez l'interview de Tristan Debroise, développeur de l'application MeepleQuest, au micro de Lana et Benofx de Proxi-Jeux lors du Festival International des Jeux de Cannes 2023.

Cannes 2023 is here—and as news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood the feed, we'll be reporting on all the cinematic goings-on, with our on-the-Croisette crew of Film Comment contributors ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. First up, critics and frequent FC contributors Jordan Cronk and Jessica Kiang join FC co-deputy editor Devika Girish  to open the proceedings with some lively discussion of early festival films—including Maïwenn's Jeanne du Barry, Steve McQueen's Occupied City, Marie Amachoukeli's Ama Gloria, and Cédric Kahn's The Goldman Case—before previewing this year's lineup. Subscribe to the Film Comment Letter today for a steady stream of Cannes coverage, providing everything you need to know about the 2023 edition: https://www.filmcomment.com/newsletter-sign-up/

Interview de Joël Gagnon des pubs ludiques Randolph réalisée par Mad' et Cargo lors du Festival International des Jeux de Cannes 2023.

Lors du FIJ 2023, Elodie et Drou ont pu intercepter Théo Rivière dans un agenda bien chargé pour aborder avec lui son métier d'auteur de jeu de société.

Interviewés à Cannes lors du dernier FIJ, Rachel Candelon et Arnaud Bourez sont venus nous parler de Neoludis, distributeur de jeux.

Interviewés à Cannes lors du dernier FIJ, Rachel Candelon et Arnaud Bourez sont venus nous parler de Neoludis, distributeur de jeux.

Anne and Eric talk about the just announced Cannes 2023 lineup, Beau is Afraid and Succession. Learn more about your ad choices. Visit megaphone.fm/adchoices

Écoutez l'interview de Timothée Decroix réalisée par Benofx et Lana lors du Festival International des Jeux de Cannes 2023.

For Episode 338, I am joined by Lauren Cohen, Giovanni Lago & guest Karl Delossantos. Today we're discussing which films we believe will be announced this week for the official 2023 Cannes Film Festival lineup. We also review the polls, react to the trailers for "Hypnotic," "Blue Beetle," and "Extraction 2," answer your fan-submitted questions, and more! Thank you all for your continued support. Please take a listen and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Écoutez l'interview de Fabien Gridel et Yoann Levet réalisée par Mad' et Cargo lors du Festival International des Jeux de Cannes 2023.

It's the question on everyone's lips every March... Who will win the Palme D'Or this year? Well, we decided to apply the typical madness of March to this question, and have Andy, Cullen, and Emilio take on a bracket seeded by Jesse. Who will win? Who will be this year's (Bad) Cinderella story? How far will Alice Rohrwacher be able to go? What Yorgos Lanthimos movie is more likely to play Cannes? All these questions and more are answered in our very own March Madness Episode! Our twitter is @CannesIKickIt Our instagram is @CIKIPod Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @clatchley @imlaughalone @jcpglickwebber

Écoutez l'interview de Marie Giordana réalisée par Drou et Elodie de Proxi-Jeux lors du Festival International des Jeux de Cannes 2023.

Écoutez l'interview de Baptiste Derrez réalisée par Mad' et Cyrus de Proxi-Jeux lors du Festival International des Jeux de Cannes 2023.