City in Western Crete, Greece
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The final installment of a five-part pilgrimage to the 2026 BIG EARS festival. At Big Ears, the Polish pianist and composer moved between two modes: the orchestral expansiveness of her piano concerto Non Fiction with the Knoxville Symphony Orchestra, and the arpeggiated synth patterns of her solo electronic alter ego Chilling Bambino—a love letter to her Prophet 8 and a chance to escape the rigor of classical composition for smaller, weirder rooms. She discusses why she created the alias ("people who don't know Hania Rani can just enter with curiosity"), the value of creating space to think in an overscheduled world, and the festival's ethos of genre refusal, where listening means staying with what you don't yet understand.Sound Propositions should be available wherever you get your podcasts, so please keep an eye out and subscribe (and rate and review, it helps others who might be interested find us). You can support Sound Propositions on Patreon if you are so inclined, or send a one-time donation via PayPal. The first two seasons are also available on Bandcamp. I'm very grateful for any support, which will help ensure future episodes.Interview recorded in Knoxville, 29 March 2026Produced and mixed in St Louis, July 2026Episode 41: THE PILGRIMAGE - Part 5: WAITING ROOM - with Hania RaniLINKSHania RaniBandcampSheet MusicNon FictionSonic Liberation Front / Radio alHaraBig EarsTRACKLISTARTIST – “TITLE” (ALBUM, YEAR)Hania Rani, “I.III Meno Mosso” (Non Fiction - Piano Concerto in Four Movements, 2025)SP INTROHania Rani presents Chilling Bambino, [excerpt] (Live at Tivoli Vredenburg 2025-11-09)Patrick Watson, “je te laisserai des mots (instrumental)” (2010)Hania Rani, “II.II Presto” (Non Fiction - Piano Concerto in Four Movements, 2025)Portico Quartet, “With, Beside, Against (Hania Rani Remix)” (Portico Quartet / Hania Rani, 2021)Hania Rani presents Chilling Bambino, [excerpt] (Live at Tivoli Vredenburg 2025-11-09)Hania Rani, “IV. Semplice” (Non Fiction - Piano Concerto in Four Movements, 2025)Hania Rani presents Chilling Bambino, [excerpt] (Live at Tivoli Vredenburg 2025-11-09)Hania Rani, “Struggle” (On Giacometti, 2023)Hania Rani, “There Will Be Hope” (Inner Symphonies, 2021)Hania Rani, “Waiting” (Music for Film and Theatre, 2021)—-Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro.
W najnowszym odcinku Podkastu Tygodnika Powszechnego Anna Goc rozmawia z Hanną i Błażejem Kmieciakami.Hanna Kmieciak, córka Błażeja Kmieciaka, koordynatora do spraw ochrony zdrowia psychicznego w Biurze Rzecznika Praw Obywatelskich, opisała swoją historię w mediach społecznościowych. „W wieku 13 lat zachorowałam na depresję. Cięłam się i biłam, żeby mniej czuć, jak boli. Potem przyszedł strach i zmęczenie. Ataki paniki do nieprzytomności. Podejrzenie dwubiegunowości. W światowy dzień walki z depresją proszę, nie bądź obojętny, nie bądź sam” – napisała.W podkaście „Tygodnika Powszechnego” opowiadają wspólnie o tym, jak depresja dziecka zmieniała całą rodzinę. I jak dbając o naszych bliskich, którzy cierpią psychicznie, zatroszczyć się także o siebie.Zapraszamy do słuchania.Wspieraj podkast na https://patronite.pl/tygodnikpowszechny
Our latest guests on Soundtracking are composers Isobel Waller-Bridge and Hania Rani, who joined Edith in conversation at a very special event organised by Dirty Soup Music, live at Soho House in London. A previous guest on the show, Isobel is responsible for scoring the likes of Emma, The Phantom Of The Open and Wicked Little Letters. Hania, meanwhile, topically provided British broadcaster ITV with their theme music for the England men's football team, and won the European Film Award for Best Composer for her score for Sentimental Value. Speaking of which, you can check out my chat with the direct and star of that film, Joachim Trier and Stellan Skarsgaard respectively, at edithbowman.com
A four week coronial inquest has been set down to investigate the death of a young man who died in a Coles supermarket in Alice Springs last year.Northern Territory Coroner Elisabeth Armitage will oversee the inquest into the death of Kumanjayi White from April 5th to 30th next year.The 24-year-old Warlpiri man died while being restrained by police officers in a Coles supermarket in May 2025.No charges have been laid over the incident.U-S Vice President J-D Vance claims an "historic" ceasefire agreement with Iran will "transform" the Middle East.Washington and Tehran say they've reached a deal to end military operations, following weeks of conflict.It's expected to be officially signed on Friday in Switzerland, but details of what it contains are still emerging.Meanwhile, U-N Secretary-General Antonio Guterres says the agreement represents a "critical step towards the peaceful settlement of the conflict".Prime Minister Anthony Albanese is calling for the circumstances around the death of a nine-year-old Perth girl killed in Pakistan to be examinedHania Ahmed was on holiday with her family, visiting relatives when local police mistook them for armed robbers.Hania was fatally shot, and her brother and father were wounded.WA Premier Roger Cook has confirmed officials from the Department of Foreign Affairs and Trade are assisting her family.For more news, politics and current affairs podcasts go to ABC listen.
Twórczyni popularnego kanału @concept_talerzykowy opowiada o sympatii dla miejsc z talerzykami, zwłaszcza dla Baken, którego szef kuchni - Michał Toczyłowski naprawił jej przykre doświadczenia z krakowską karpatką
#współpracapłatna #klient Czy „Taniec z Gwiazdami" to naprawdę tylko niewinna, rodzinna rozrywka? Czy może program, w którym za kulisami trwa wojna o wpływy, sympatie i miejsce w telewizji? W najnowszym odcinku WojewódzkiKędzierski gośćmi są zwycięzca tej edycji Gamou Fall oraz ci, którzy wiedzą o tym programie absolutnie wszystko — Hania Żudziewicz i Jacek Jeschke. Skąd było wiadomo, że Gamou wygra… jeszcze przed finałem? Od którego momentu ON sam przestał mieć wątpliwości? Kto był prawdziwym faworytem produkcji? Ile w tym programie zależy od talentu, a ile od telewizyjnej układanki? Padną nazwiska. Niewygodne pytania. I konkretne kwoty! Ile zarabia się w "Tańcu z Gwiazdami". Co znaczy, że Piotrkowi "pękło konto"?! Czy Kuba zdecyduje się na udział w kolejnej edycji? Czy Polsat Ile razy Edward Miszczak przychodził do tancerzy z reprymendą? Czy to dlatego Hania i Jacek odchodzą z programu? Gamou. Jak dorasta się między islamem a chrześcijaństwem? Jak często miał poczucie odmienności we własnym kraju? Czy będąc w Senegalu usłyszał kiedyś: „wracaj do siebie"? Dlaczego pasja do MMA zaczęła się nie z marzeń… a z konieczności? I ile razy naprawdę musiał używać siły poza salą treningową? O ambicjach, bolesnych stereotypach, telewizji i świecie, w którym każdy gra jakąś rolę. A propos. Co łączy Gamou Falla z Katarzyną Figurą? Zostańcie z nami
Feuilletöne - Der Podcast mit wöchentlichem Wohlsein, der den Ohren schmeckt
Und da ist die Woche auch schon wieder rum und wir sind wieder da. Fast zumindest, denn Thorsten ist mal wieder Solo unterwegs. Es wird 'Good Entertainment' von M. Lucky und 'Sentimental Value' von Hania Rani gehört. Danach geht es dann noch darum Ambiguität auszuhalten.
Karachi Protests, Hania Aamir & Cancel Culture, Social Security for Women - Aurat March Karachi #TPE
Two years ago, the world heard the voice of five-year-old Hind Rajab during her last phone call with the Palestine Red Crescent Society. Trapped in a car surrounded by Israeli tanks, Hind spoke to the dispatcher as she waited for help, alone, and surrounded by the bodies of her uncle and cousins, before her voice was lost… “The Voice of Hind Rajab.” The Oscar-nominated docudrama recreates that devastating call between Hind and the PRCS control room. In this episode of This is Palestine, we speak with filmmaker Kaouther Ben Hania about her film “The Voice of Hind Rajab.” Kaouther takes us through the moment she first heard Hind's voice, the decision to turn that devastating call into a film, and the process of making the film and recreating the call. As the film brings Hind's voice to the world, it also serves as a powerful call to demand justice and accountability for Israel's brutal crimes that stole her life. Thank you for tuning into This is Palestine, the official podcast of The IMEU! For more stories and resources, visit us at imeu.org. Stay connected with us: Instagram: https://www.instagram.com/theimeu/ Twitter: https://twitter.com/theIMEU Facebook: https://www.facebook.com/theIMEU/ For more insights, follow our host, Diana Buttu, on: Twitter: https://twitter.com/dianabuttu
Kaouther Ben Hania joins Soudade Kaadan to discuss The Voice of Hind Rajab. Kaouther reflects on what it was like working with such challenging subject matter, how staying focused on the importance of the story helped her and her crew remain motivated, and the power of telling a story that truly resonates.
We speak to acclaimed director Kaouther Ben Hania about her powerful 2025 docudrama The Voice of Hind Rajab – a film that tells the story of the Israeli killing of a six-year-old Palestinian girl who was trapped in a car under fire in Gaza. See omnystudio.com/listener for privacy information.
On Truth & Movies this week, we discuss Nia DaCosta's 28 Years Later: Bone Temple, the latest chapter in the long-running post-apocalyptic saga. We also review Kaouther Ben Hania's The Voice Of Hind Rajab and speak to Ben Hania alongside actor Erin Kellyman and director Nia DaCosta. Joining host Leila Latif are Ada Enechi and Kambole Campbell.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.
Polish composer Hania Rani discusses her ambitious new work, Non Fiction, a piano concerto, which was both released as an album and premiered at the Barbican Hall in London, and her score for Sentimental Value, winner of the Grand Prix award at the Cannes Film Festival – starring Renate Reinsveh and Stellan Skarsgård.
"The Voice Of Hind Rajab" is a docudrama film written and directed by Kaouther Ben Hania. It follows the Red Crescent response to the killing of Hind Rajab, a five-year-old Palestinian girl, by the Israel Defense Forces during the Israeli invasion of the Gaza Strip. It stars Saja Kilani, Motaz Malhees, Amer Hlehel, and Clara Khoury. The film had its world premiere in the main competition of the 82nd Venice International Film Festival, where it won the Grand Jury Prize and other six parallel prizes. It has been selected as the Tunisian entry for the Best International Feature Film at the 98th Academy Awards, earning a spot on the Oscar shortlist. At the 83rd Golden Globe Awards, it was nominated for Best Non-English Language Film. Ben Hania was kind enough to spend some time talking with us about her work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Willa. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
Alexander Skarsgård (“Pillion”) on earning acclaim for a daring performance in a small British indie film tackling subject matter most studios avoid, while director Kaouther Ben Hania (“The Voice of Hind Rajab”) on watching her film reach new audiences as awards season unfolds and how she remains focused on ensuring Hind Rajab's voice is not forgotten. Also, the Roundtable dissects the SAG-AFTRA Actor Awards, while giving final predictions for this weekend's Golden Globes. Learn more about your ad choices. Visit megaphone.fm/adchoices
C'est une petite fille dont le cas tragique a bouleversé le monde : Hind Rajab avait 6 ans, des yeux noisette rieurs et de longs cheveux ondulés. Le 29 janvier 2024, elle se retrouve coincée dans une voiture bombardée par l'armée israélienne à Gaza. Le film «La Voix de Hind Rajab», qui mêle fiction et documentaire, relate ses longues heures d'attente pour obtenir du secours. Après La belle et la meute, l'homme qui a vendu sa peau et les filles d'Olfa, la réalisatrice tunisienne Kaouther Ben Hania porte à l'écran un crime de guerre tragique. Le 29 janvier 2024, Kaouther Ben Hania monte dans la voiture de ses oncles et tantes avec ses cousins pour quitter le quartier Tel al-Hawa de Gaza, quartier évacué par l'armée israélienne. Le 29 janvier 2024, cette voiture dans laquelle se trouve la fillette est la cible d'un tank. Tous les passagers sont tués, sauf Hind Rajab qui va, pendant de longues heures, implorer l'aide des secouristes du Croissant Rouge Palestinien. Son histoire dramatique est devenue le symbole des atrocités commises à Gaza, un génocide des Palestiniens, a estimé la commission d'enquête du Conseil des droits de l'homme des Nations unies. Dans La Voix de Hind Rajab, qui sort sur les écrans français après avoir ému aux larmes les festivaliers de la Mostra de Venise, Kaouther Ben Hania reconstitue avec des acteurs le centre du Croissant Rouge Palestinien à Ramallah et fait entendre les véritables enregistrements audio des appels désespérés de la fillette. À l'affiche également de notre cinéma, le festival Ciné Regards Afrique qui se tient en région parisienne et accueille ce samedi soir (29 novembre 2025) le réalisateur Ottis Ba et Oumy Mbaye, l'actrice principale du film sénégalais Dent pour dent.
durée : 00:58:23 - Plan large - par : Antoine Guillot - Ce samedi, nous recevons Kaouther Ben Hania pour son film "La voix de Hind Rajab" et Guillaume Ribot qui, avec "Je n'avais que le néant", retrace la genèse de "Shoah" de Claude Lanzmann, et aussi N.T.Binh. - réalisation : Anne-Laure Chanel - invités : Kaouther Ben Hania Cinéaste; Guillaume Ribot Réalisateur de documentaire et photographe; N.T. Binh Journaliste, critique, enseignant de cinéma (Université Paris 1 Panthéon-Sorbonne)
durée : 00:58:24 - Plan large - par : Antoine Guillot - Ce samedi, nous recevons Kaouther Ben Hania pour son film "La voix de Hind Rajab" et Guillaume Ribot qui, avec "Je n'avais que le néant", retrace la genèse de "Shoah" de Claude Lanzmann, et aussi N.T.Binh. - réalisation : Anne-Laure Chanel, Anne-Vanessa Prévost - invités : Kaouther Ben Hania Cinéaste, Guillaume Ribot Réalisateur de documentaire et photographe, N.T. Binh Journaliste, critique, enseignant de cinéma (Université Paris 1 Panthéon-Sorbonne) Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:58:24 - Plan large - par : Antoine Guillot - Ce samedi, nous recevons Kaouther Ben Hania pour son film "La voix de Hind Rajab" et Guillaume Ribot qui, avec "Je n'avais que le néant", retrace la genèse de "Shoah" de Claude Lanzmann, et aussi N.T.Binh. - réalisation : Anne-Laure Chanel, Anne-Vanessa Prévost - invités : Kaouther Ben Hania Cinéaste, Guillaume Ribot Réalisateur de documentaire et photographe, N.T. Binh Journaliste, critique, enseignant de cinéma (Université Paris 1 Panthéon-Sorbonne) Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:58:23 - Plan large - par : Antoine Guillot - Ce samedi, nous recevons Kaouther Ben Hania pour son film "La voix de Hind Rajab" et Guillaume Ribot qui, avec "Je n'avais que le néant", retrace la genèse de "Shoah" de Claude Lanzmann, et aussi N.T.Binh. - réalisation : Anne-Laure Chanel, Anne-Vanessa Prévost - invités : Kaouther Ben Hania Cinéaste, Guillaume Ribot Réalisateur de documentaire et photographe, N.T. Binh Journaliste, critique, enseignant de cinéma (Université Paris 1 Panthéon-Sorbonne) Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Hind Rajab's phone call to the Palestinian Red Crescent in January 2024 was, for director Kaouther Ben Hania, the "tipping point" in the ongoing Israeli attacks on the Gaza Strip. As the Franco-Tunisian filmmaker releases her latest film "The Voice of Hind Rajab", she tells us about re-creating the story of the five-year-old girl who was killed by the Israeli army following a lengthy phone call with Red Crescent staff who were working tirelessly to arrange her rescue.
durée : 03:58:31 - La Grande matinale - par : Sonia Devillers, Benjamin Duhamel, Florence Paracuellos, Anne-Laure Sugier - A 7H50, Benjamin Duhamel reçoit Emmanuel Grégoire, député PS de Paris, candidat à la mairie de Paris. L'invité du Grand entretien à 8h20 est l'écrivain Boualem Sansal. Le Grand portrait de Sonia Devillers est Kaouther Ben Hania, réalisatrice du film “La Voix de Hind Jarab” Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:28:33 - Les Midis de Culture - par : Marie Labory - Avec son film "La Voix de Hind Rajab", la cinéaste tunisienne Kaouther Ben Hania rend hommage à Hind, six ans, tuée par un tir israélien à Gaza, ainsi qu'aux membres du Croissant Rouge palestinien restés plusieurs heures au téléphone avec la fillette qui ont tenté, en vain, de lui porter secours. - réalisation : Laurence Malonda - invités : Kaouther Ben Hania Cinéaste
The now London-based Polish pianist and composer Hania Rani quickly attracted fans with her 2019 album of solo piano works in the post-classical style, a blend of classical lyricism and minimalist patterns. Her later albums expanded to include electronics, and her voice; she is equally versed in the music of composers like Philip Glass and bands like Radiohead. But her new record is something different – a four part piano concerto with orchestra, called Non Fiction, which is a reflection on the human cost of war. The work was recorded at Abbey Road Studios, with a 45-piece orchestra and experimental instrumentalists Rakhi Singh (Manchester Collective), Jack Wylie (Portico Quartet), and percussionist/composer Valentina Magaletti. Hania Rani performs the piano part of the opening movement of the piece Non Fiction, and other original works, in-studio. Set list: 1. Non-Fiction I - Sonore 2. Nostalgia 3. F Major
PJ & Bill are back with another edition of Squash Radio, looking back at a less than dramatic US Open. While Mostafa Asal and Hania El Hammamy took home the titles, SquashTV was the real winner with their stellar production, showcasing the sport like never before! Squash Radio is sponsored by Sunrise Courts, the only US based squash court manufacturer, growing squash one court at a time!
W “Kulturze na weekend” Hania Rani: wywiad o nowym albumie „Non Fiction”, projekt Chilling Bambino i muzyka do filmów. Hania Rani pianistka i kompozytorka, wkrótce wydaje nowy album zatytułowany “Non Fiction”. Autorka wielu płyt m.in. “Music for film and theatre” czy współautorka duetu Hania Rani & Dobrawa Czocher opowiada o swoim nowym projekcie Chilling Bambino - czy to hołd dla Childish Gambino? Rozmawiamy też o tym, czym dla Hani Rani jest muzyka i film, jak lubi pracować? I jak do tego doszło, że reżyser Joachim Trier zaprosił ją do współpracy przy filmie “Wartość sentymentalna”, który dostał tegoroczne Grand Prix w Cannes?
The New York Times calls pianist Hania Rani "a shooting star in a genre of pop-inflected minimalist music often referred to as neoclassical, or alt-classical." Next month, she'll release the new piano concerto, Non Fiction, which she previews at WNYC's studios.
Comment se forge-t-on une conscience politique ? Par le hasard des rencontres ? Par expérience personnelle ? Ou par transmission familiale ? Le film de la semaine est un récit d'initiation, le portrait d'un jeune homme à peine sorti de l'adolescence dont les yeux vont se dessiller à mesure qu'il va s'intéresser aux circonstances de la mort de son père et découvrir les injustices qui ravagent son pays : Madagascar. Kwame a 20 ans et tente de gagner sa vie dans les mines clandestines de saphir jusqu'à ce qu'un événement tragique le pousse à retourner dans sa ville de Tamatave. Ainsi commence Disco Afrika, Une histoire malgache, le premier long métrage de Luck Razanajoana qui montre comment Kwame va progressivement passer d'un individualisme de survie à la découverte d'un esprit collectif pour que s'améliore la situation de son pays, rongé par la corruption. À l'affiche de notre cinéma également ce samedi, le film primé à la Mostra de Venise : la Voix de Hind Rajab, de Kaouther ben Hania, qui fait un tabac lors d'avant-premières en Tunisie. Et nous reviendrons, bien sûr, sur la mort de Claudia Cardinale dans le journal d'Elisabeth Lequeret. Musiques : Gasoline de Obongjayrar (Playlist Rfi) et Beckett de Nesles.
ANSA - di Francesca Pierleoni.Tanti appelli contro la guerra. L'Italia con Rosi, Porcaroli e Covi
One of my favourite film critics Bilge Ebiri from Vulture joins me to talk about Olivier Assayas' The Wizard of the Kremlin, Kathryn Bigelow's A House of Dynamite, and Kaouther ben Hania's The Voice of Hind Rajab. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
One of my favourite film critics Bilge Ebiri from Vulture joins me to talk about Olivier Assayas' The Wizard of the Kremlin, Kathryn Bigelow's A House of Dynamite, and Kaouther ben Hania's The Voice of Hind Rajab. Learn more about your ad choices. Visit megaphone.fm/adchoices
Witajcie, witajcie Młode Umysły! LAMU w tym sezonie nie powiedziało jeszcze ostatniego słowa! Przed nami odcinek 9, a w nim wiele celnych obserwacji i pytań dotyczących naszego ciała…
ANSA - di Francesca Pierleoni.È il giorno di Valeria Bruni Tedeschi ma anche di Hind Rajab.
In this episode of Keeping Abreast, Dr. Jenn Simmons welcomes Dr. Hania Bednarski, a breast surgeon pioneering cryoablation as an alternative to conventional breast cancer surgery.For decades, breast cancer treatment has changed little—yet Dr. Bednarski is forging a new path, reducing trauma while preserving women's wholeness. She shares her journey from trauma and hand surgery into breast care, and ultimately into cryoablation. Together, she and Dr. Jenn explore why this approach matters, how it's performed, and what it means for the future of breast cancer care.The conversation challenges assumptions about mammograms, chemotherapy, lymph node surgery, and hormones. Both physicians stress the importance of autonomy, personalized treatment, and a future where patient choice—not rigid protocols—guides care.This episode is essential for women navigating breast health, practitioners curious about new frontiers, and anyone passionate about transforming medicine from invasive to empowering.In This Episode, You Will Learn:How Dr. Bednarski's career led her to cryoablationWhy conventional surgery can cause lasting traumaWhat cryoablation is, how it works, and who it helpsWhy informed consent and patient choice matterThe pitfalls of mammograms and over-diagnosisHow cryoablation may engage the immune systemWhy lymph node surgery is diagnostic—not curativeThe truth about estrogen and breast cancer riskHow financial incentives block innovation
Witajcie, witajcie Młode Umysły; w piątym odcinku LAMU sezonu 2025 zajmiemy wynalazkami i potęgą ludzkiej innowacji… czyli pomysłowości!
Wasze ulubione besties czytają historie podesłane przez obserwatorów
Podpredseda Demokratov Juraj Šeliga je obvinený z trestného činu podnecovania. Tvrdí, že trestné oznámenie na neho mal podať poradca premiéra a obhajca Daniela Bombica David Lindtner. Parlament chce amnestovať aj Šeligov prípad porušenia opatrení z čias covidu, no on zaplatenú pokutu naspäť žiadať nebude. Rozpráva aj o prípade, kde mal údajne Norbert Bödör zasiahnuť proti Finančnej správe SR, ktorá kontrolovala nelegálnu výrobu cigariet.V podcaste s Jurajom Šeligom sa dozviete:– od 1. minúty – za čo ho vlastne obvinili;– po 2:00 – že trestné oznámenie na neho zrejme podal David Lidntner, poradca premiéra a obhajca Daniela Bombica;– od 4:00 – na základe čoho tvrdil, že koalícia ide pomôcť Marianovi Kočnerovi;– po 8:00 – že obhajca Daniela Bombica má plné ústa slobody prejavu, ale na druhej strane ju potláča;– od 9:40 – v akom štádiu sú trestné stíhania predsedu Demokratov Jaroslava Naďa;– po 14:00 – že spájanie atentátnika Juraja Cintulu s Demokratmi je len tvorba nepriateľa;– od 15:00 – že ak minister športu zasahuje do hokejovej reprezentácie, ide o situáciu ako za komunistov;– po 16:00 – že Peter Kotlár je len nástrojom propagandy Roberta Fica;– od 17:00 – či sa ho bude týkať covidová amnestia;– po 18:00 – že rentu pre Maroša Žilinku považuje za úplatok za trestné konania zastevené 363-kami;– od 18:30 – ako s tým súvisí sestra Roberta Fica;– po 19.30 – že transakčná daň je zrušiteľná;– po 21:00 – že Slovenský štát bola štátnosť za cenu kolaborácie s diablom a cirkev by ho mala jednoznačne odsúdiť;– od 24:00 – či by Demokrati hlasovali za Ficove ústavné zmeny;– po 26:00 – že KDH by nemalo kolaborovať s Ficom, keď sa snaží tváriť ako ochranca konzervatívnych hodnôt;– od 29:00 – že pri novej nemocnici vo Vajnoroch sa nebude dať kontrolovať financovanie;– po 32:00 – ako mal nitriansky oligarcha zasiahnuť do vyšetrovania výrobne nelegálnych cigariet a či preto skončil šéf KÚFS;– od 41:00 – ktoré strany v zóne ohrozenia by sa mali spájať pred voľbami;– po 43:00 – že Igor Matovič klame a Demokrati neblokujú jeho účasť na opozičných protestoch;– po 46:00 – kde by konsolidovali Demokrati.
TODAY ON THE ROBERT SCOTT BELL SHOW: Beljanski Integrative Cancer Conference: Zach Bynum, Better Way Health, Dr, Henry Ealy, Energetic Health Institute, Dr. Beth McDougall, Your Pristine Blueprint, Dr. Hania B. Bednarski, Serenity Surgery and Wellness, ENCORE - Jennifer Sharp, Vaccine injury journey, Political transformation, Film Anecdotals, and More! https://robertscottbell.com/beljanski-integrative-cancer-conference-zach-bynum-better-way-health-dr-henry-ealy-energetic-health-institute-dr-beth-mcdougall-your-pristine-blueprint-dr-hania-b-bednarski-serenity-surger/
PJ and Bill are back, recapping Optasia and Mostafa Asal's return to #1. After reviewing the latest episode of the "Big 3", they are joined by the #1 player on the Women's tour and one of the stars of the documentary, Nouran Gohar, discussing a myriad of topics, including her injury, rehab, Ramadan, when she plans to be back on court, her relationship with Nour and Hania, and of course, that world class coffee maker! Subscribe & share!
NASZA KSIĄŻKA:https://www.empik.com/ukryte-miedzy-wierszami-zurnalista-julia-kohman,p1574899481,ksiazka-p?fbclid=IwZXh0bgNhZW0CMTAAAR1vwE_F3H1P7zyKXV8QlH5f-W5V3FRSk4TD4eLVopBJzQwN4fVZB3_W0LE_aem_ohq3jI-fTt1yUohE115EOg#DetailedData___Wypróbuj angielski online w Tutlo podczas bezpłatnej lekcji próbnej od Żurnalisty https://go.tutlo.com/zurnalista
Spotkanie z młodą polską pianistką, kompozytorką i wokalistką, której muzykę określa się mianem nowoczesnej klasyki. Hania Rani – po raz drugi odbywa swoją trasę koncertową w Australii. Wystapiła już w Melbourne i Perth, a jeszcze przed nią koncerty w Adelajdzie oraz 25 lutego w Sydneyskiej Operze.
PJ and Bill breakdown last weeks TOC: Diego quits, Farag and El Hammamy take the titles while MES gives us a match for the ages! Download and share!
A mechanical engineer by day, Hania Zataari felt compelled to put her skills to use as the war intensified in Lebanon. Hailing from the south, one of the worst hit areas in the country, she has created a chatbot on WhatsApp that simplifies access to much-needed aid. BBC Trending follows Hania as she helps to bring aid to those affected by the war between Israel and Hezbollah. We also speak to people who have been helped by her chatbot and an aid volunteer to paint a picture of how Hania's chatbot might be streamlining the service, as well as aid organisations who have shed light on the trials and tribulations of getting to people in south Lebanon.
"The more you curate the quality of your information diet and the type of advice that you're surrounded by, the higher the quality of your output will be able to be as well." — Hania Szymczak in today's Tip 1832 Learn more about Hania at DailySales.Tips/1832 Have feedback? Want to share a sales tip? Email: scott@top1.fm
Hania Rani, utalentowana i wrażliwa pianistka, kompozytorka i wokalistka. Z rozbrajającym uśmiechem mówi, że w Polsce „nikt jej nie zna”, czego dowodem są reakcje publiczności za każdym razem, gdy dostaje Fryderyka. Przyznaje, że tworzy dla inteligentnych słuchaczy i że rynek muzyczny w naszym kraju jest niewielki. Jak zaczęła się jej zagraniczna kariera? Skąd zna Jakuba Józefa Orlińskiego? Dlaczego nie słucha Dawida Podsiadło? Hania opowie nam o miejscach, w których grała, o tym, jakim jest szefem i dlaczego Męskie Granie to dla niej kompromis artystyczny. Dowiemy się, dlaczego zainteresowała się muzyką Ciechowskiego, skąd u niej pasja do Beatlesów i co zawdzięcza rodzicom, a co pierwszej pani profesor, która powtarzała, że „pianista nie gra tylko w dniu, w którym nie je”. Zapraszamy na rozmowę z Hanią Rani, która odbyła się w Muzeum Sztuki Nowoczesnej w Warszawie. Partnerem odcinka jest Invest Komfort #płatnawspółpraca #wojewódzkikędzierski #haniarani #podcast
This week, two major terrorist leaders were assassinated in the Middle East. Hamas' Ismail Haniyeh was killed in an explosion in Tehran, just a day after top Hezbollah leader Fuad Shukr was killed in an Israeli airstrike on Beirut in retaliation for the horrific rocket attack that killed 12 children on a soccer field in northern Israel. What does this mean for Israel and the wider region? Is this a major setback for Iran and its terror proxies? Tune in to hear what AJC Jerusalem Director Lt. Col. (res.) Avital Leibovich, who visited the site of the terror attack in Majdal Shams, has to say. Episode Lineup: (0:40) Avital Leibovich Learn: What to Know About Hamas Terror Leader Ismail Haniyeh What to Know About Hezbollah's Escalation Against Israel Listen: Aviva Klompas is Fighting the Normalization of Antisemitism on Social Media On the Ground at the Republican National Convention: What's at Stake for Israel and the Middle East? Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts. Transcript of Interview with Avital Leibovich: Manya Brachear Pashman: This week marked 300 days of captivity for the 115 remaining hostages kidnapped by Hamas terrorists on October 7. There was also a major development: confirmation that an operation in July led to the death of Hamas' military leader Muhammad Deif. But there were two more assassinations this week, the leaders of two terror groups targeting Israel. On Wednesday, we learned that Hamas terror leader Ismail Haniyeh was killed in an explosion in Tehran shortly after meeting with Iran Supreme Leader Ayatollah Ali Khamenei. Haniyeh had been in Tehran for the inauguration of its new president. This just a day after top Hezbollah leader Fuad Shukr was killed in an Israeli airstrike on Beirut in retaliation for the horrific rocket attack that killed 12 children on a soccer field in Golan Heights. AJC Jerusalem director Avital Leibovich is with us now to discuss these developments. Avital, welcome back to People of the Pod. Avital Leibovich: Thank you. Manya. Good to be here. Manya Brachear Pashman: So, Avital, my first question is, are we safer now than we were at the start of the week? Do two fewer terror leaders lead to less terror? Avital Leibovich: Well, I would say the world in general is a safer place with the absence of Shukr and Haniyeh. However, the neighborhood here is not changing. And unfortunately, we are still surrounded by vicious enemies, who still are seeking to see our erosion and eradication. So while I'm very happy with your outcome in the last 24 hours, I also know there's still a lot of reason for concern. Manya Brachear Pashman: So tell us about these terror leaders. Who was Ismail Haniyeh? And what was his role with Hamas? Avital Leibovich: Sure. So Ismail Haniyeh, who's also, by the way, has another name, which is Abu al-Abed, he actually served as the number one political leader of Hamas since May 2017. He actually substituted in this role, Khaled Mashal and other terrorists, and before that, he actually served as the prime minister of the Palestinian Authority just for a very brief, short time between 2006 and 2007. And he actually became very close to a Hamas leader called Ahmed Yassin. And basically, he really grew into the very radical agenda of Hamas. Interesting enough, his background was totally different. I mean, even worked in Israel in the city closest to Gaza called Ashkelon. So he knows the country. He knows the mentality. So in addition to this, he also began to do some terror activity after the three years of working in Ashkelon in Israel. And then he initiated different kinds of activities. Among them was the kidnapping of Gilad Shalit, a soldier who we'll remember. And after being involved in the terror realm and the political realm, he decided to focus more on Hamas' agenda, on Hamas' charter. And basically, what we have seen in the last couple of years are a few things. Number one, Hania got very rich, because he received millions and millions of dollars from the Qataris. Number two, he left Gaza and he spent the last years of his life in Qatar, in lavish hotels and apartments, enjoying great life. And this is also an indication of how much does he care about the people of Gaza. And I want to connect to the current war and give you a quote of who Haniyeh was because I see that some of the media outlets have the nerve to call him a moderate negotiator. Therefore, I'd like to help them and share with you the following quote, which was said on October 27 — that was the first day where the IDF entered Gaza following the October 7 massacre. So he said, "We need the blood of women, children, and the elderly of Gaza, so it awakens our revolutionary spirit." This is the moderate guy that international media is referring to in their reports. He was a radical, he was a terrorist, and we had a very good opening of our day this morning when we heard the news. Manya Brachear Pashman: And Fuad Shukr, what was his role with Hezbollah? Avital Leibovich: He also, you know, this is a name which is not known, I think, to many people, but he does have a French connection and an American connection — of course, an Israeli connection. The guy was number two in the level of seniority in Hezbollah. He was actually the manager of the army in a way of the Hezbollah military apparatus. But more than that, he was a strategist, and he knew what direction should Hezbollah take in the next years. He was in charge of developing the entire missile industry that Hezbollah had, including the accurate missiles. In other words, he was a strategist but also was a practical man. Now, here's the connection that he had to the US and to France. In 1983, he was one of the orchestrators of the attack in the marine base in Beirut. On that terrible day, 241 American marines lost their lives, but 70 French soldiers were killed as well. So as you can imagine, this terrorist Fuad Shukr has 40 years of terror activities, primarily against Israel, but also against Israeli allies. So again, I think it was a very courageous and accurate Israeli operation. And more than anything, Manya, it shows the amazing level of intelligence, where that person was exactly in which room, in which building, in which floor, and to be able to very surgically act in the right time, at the right moment and target him, I think that shows a lot for the Israeli intelligence capabilities. Manya Brachear Pashman: Was Haniyeh part of the ceasefire and hostage release negotiations? Avital Leibovich: So if you look at the title that Hanieyeh had, which is the head of the political branch of Hamas, you could think that he had some impact on the decision making process with the hostage deals. But I can tell you that he had really no impact, very little impact. Because from the analysis that we have here in Israel, the main decision maker is Sinwar. Now the question is, will the death of Haniyeh have an impact, number one on Sinwar? And therefore, number two on the hostage deal? Now, I'm not sure it will have an effect. I have to say. Sinwar is known as the longtime rival of Haniyeh. So in other words, he will not be mourning his death. But he had the last word with regard to any of the discussions on the hostages. And at the end of the day, Sinwar said numerous times, that he's willing to die. And his ultimate goal is to make sure that Hamas has some sort of a controlling Gaza. He understands today Sinwar, that Hamas will no longer control the government, therefore, he's willing to compromise. For example, let's say Hamas will be giving the role of being in charge of the renovations in Gaza. Or perhaps they will be in charge of the education system and so on, in other words, just to have some sort of a stronghold inside Gaza in terms of governance of some sort. Now, if that will not be a part of any possible deal, then Sinwar has no interest to give a positive answer to a deal. Manya Brachear Pashman: I am curious why Haniyeh would have met with Ayatollah Ali Khamenei before his death? Avital Leibovich: Hamas and Iran have different kinds of cooperation. We have seen that across the region. In other words, we have seen Hamas representatives in Lebanon, working alongside Nasrallah, the health Hezbollah, but also meeting the Iranian foreign minister, when he came to Lebanon for visits. We understand that this time around there is a clear interest which Iran supports, is to target Israel as much as possible. And obviously Iran prefers a proxy like Hamas to be representative of its own goals and intentions. And therefore you saw Haniyeh last time, was last night paying respects for the inauguration ceremony in Iran. And according to what I'm hearing, he was also hosted in a Revolutionary Guards facility. In other words, whoever targeted Haniyeh had a great level of intelligence by knowing how to get to that specific building. But moreover, this is a very secure area, because the Revolutionary Guards are considered the body which is the most guarded of all bodies in Iran. They're the ones controlling the budget of the Iranian government. They're the ones operating Hezbollah and other militias and proxies. So in other words, the fact that it was a Revolutionary Guards headquarters, Antonia was there and despite of all this information, the security system around him cracked. I think that sends a very loud and clear message to the Iranians. Manya Brachear Pashman: How is the relationship between Iran and Hamas and the relationship between Iran and Hezbollah different? Can you explain that to our audience? Avital Leibovich: First of all, I mean, you know, Iran is the chief orchestrator of everything that we have been seeing here since October 7, but actually before that as well. Now, I would say that with Hezbollah, it's a long love story between the two. Actually, Hezbollah was founded by Iran, quite shortly after the revolution in '79. When the country became a fundamentalist Islamist and obviously, took the wrong path, distancing itself from the Western world. Iran actually built Hezbollah, founded Hezbollah, first the military wing, and then adding three years later the political wing. And the idea was to use them in order to attack Israel. And this is very convenient. Think about it, Iran is 1300 kilometers away from Israel. It's not convenient to fire a rocket all the way from that country to Israel. But let's say you want to use simpler means and within half an hour to take an operation out, it's easier to use someone who's bordering with Israel. So gradually, we saw Hezbollah taking over almost the entire country. And everything had to do with Iranian funding. Now, in order to have Iranian funding in terms of sanctions, Iran and Hezbollah, found alternative options like laundering money, like a whole chain of drug trafficking in Syria and other countries. So they found solutions to do that. By the way, Iran is doing the same thing with the Houthis in Yemen, also using them as a proxy. Because you know, this is the most poor country in the region, huge unemployment rates, you can recruit 10s of 1000s and hundreds of 1000s of people, as long as you pay them a very minimal salary. Now, as for Hamas, Hamas was built a little bit later. It's actually an offshoot of the Muslim Brotherhood, so not directly of Iran. However, sometimes there are joint interests between different terror groups. Actually, Iran founded the Islamic Jihad in Gaza, in 79, right after the revolution, because he thought this would be the main actor controlling Gaza with the best assets and so on. But with the course of the years, when Hamas controlled Gaza, and was able to develop its terror means rockets, drones, etc, then, of course, Iran moved to cooperate with Hamas, according to its needs for Iran, it's, of course, more worthwhile to use the blood of Palestinians than the blood of Iranians to sacrifice Palestinians and not the Iranians. This is how they see it. At the end of the day, Iran now wishes to resume to the situation of being a major empire as it used to be, a Persian empire decades and decades ago. So this is the longtime dream, I would say. And the proxies are just another, I would say detail in the path to reach that dream. Manya Brachear Pashman: Now, Hezbollah did not claim responsibility for the attack that killed a dozen children on a soccer field. Why not? They're usually proud of the death and destruction that they wreak. Why did Israel target the terror group anyway? Avital Leibovich: Look, say a few words about this tragic event that took place just a few days ago in a very small, beautiful, pastoral village called Majdal Shams, which, by the way, means the tower of sun. It's on the Syrian border, and the other side is on the Lebanese border. And, you know, people asked me if this is the first time that Hizballah ever targeted Druze or targeted Muslims. Now this specific village was targeted five times already by Hezbollah. Saturday, obviously, was the deadliest of all the five. It was 6:18 in the afternoon, beautiful summer day, lots of kids outside. I visited the soccer field where it happens. And the rockets left, really not a chance for those kids who were playing there. Although there was actually a shelter right there, maybe two feet from where the rocket hit the ground. They really didn't have a chance to make it and go into the shelter. And unfortunately, those poor 12 year old kids, ages 10-16, died in place. We still have over 30 people hospitalized, many of them are kids as well. And I have to say, Manya, that I saw a village who has been traumatized. People are still wearing black clothes. There are black flags hanging everywhere inside the village. The pictures of the kids are, you know, pasted everywhere, on the squares just on random villages and walls of buildings. I also went to one of the bereaved families. And you know, you sit there with a parent who lost his 12 year old boy named Johnny [Wadeea Ibrahim]. And he tells you about his dreams. And he says to me, you know, these dreams will never be fulfilled. And he says to me, we don't even know how to digest what happened to us. So, for Hezbollah, they don't really care who they're firing at, whether it's Jews or Arabs, or Muslims or Christians, whoever, they don't care if it's in the eastern Galilee, or the Western Galilee, or the Golan. All these areas are relevant for the Hezbollah fire since October 8. Manya Brachear Pashman: Well, Hezbollah did not take responsibility. Why not? Avital Leibovich: So here is the mistake. Hezbollah actually made the mistake. Hezbollah has a TV station, which is its mouthpiece, just like Hamas's TV station mouthpiece is Al Jazeera. Hezbollah's is Al Mayadeen. Now, immediately after an attack, a Hezbollah attack, Al Mayadeen immediately publishes responsibility taking by Hezbollah always every time. And by the way, we're talking about an average of eight attacks a day, every day. And that's what they did here too. On Saturday, they immediately took responsibility in the name of Hezbollah. Unfortunately, for them, after 20 minutes, they understood the extent of the mistake they did, and deleted, of course, this responsibility, and then they made up their own narrative. The narrative was that a misfiring of an Iron Dome interceptor, mistakenly killed the kids, like Israel's fault is that the kids died. Now, this narrative, if you think it was only the social media, then think again, they sent the foreign minister of Lebanon to the media to repeat it. But they also did something more. They sent the head of the Druze community. It's the same blood and flesh of the Druze in the Golan. They sent him to the press to declare that it was not a Hezbollah rocket. So they understood that they will pay a price of some sort. I'm sure they understood that I'm not sure they understood the extent of the intelligence Israel had. And now of course, they're threatening to target Israel. I think the next 48 hours will reveal where we're heading. Manya Brachear Pashman: And you talk about the incredible intelligence that led to the precise explosion in Beirut as well as the death of Haniyeh. Has Israel taken responsibility for his death and what it claimed credit if it was responsible, Avital Leibovich: Up to this minute, Israel did not take any responsibility for Haniyeh's death. Of course, yes, for the Hizballah number two guy Fuad Shukr, but not for Haniyeh. As a matter of fact, the Prime Minister ordered the Cabinet members and the ministers not to speak publicly on the issue. And basically, there's been a lot of quiet from the political echelon here since the morning. Manya Brachear Pashman: And you touched on what my last question is, and that is, how will this elevate the tensions? Does this raise the chance of a war between Israel and Lebanon, Israel, and Iran, these assassinations? Avital Leibovich: So I would say we are already in a war to some extent with Hezbollah, because Hezbollah has fired more than 6000 rockets since October 8. And I've counted 43 Israeli casualties since October 8. So we are talking about an active war in a sense, I think that there is a good reason to believe that both Hezbollah and Iran will react to these two targets. I'm not sure in which way. I do think that Hezbollah still has the notion and the strategy of not completely escalating the situation to a full scale war. I'm sure that Nasrallah is sitting in his bunker in the darkened neighborhood, seeing the footage from Gaza and understanding Israel's capability and does not want to turn Beirut into a similar kind of situation. And he also saw the building last night and he also understood the extent of the intelligence capability. So I think he will have to react in such a way that on the one hand, he could be proud that he did something but on the other hand, would not engage in a full scale war. Iran, on the other hand, is a different story. Because three months have passed since April 14 in which Iran decided to gift us with hundreds of drones and different kinds of ballistic missiles. And from their perspective, it failed. It failed because Israel has a great defense system. It also failed because the US led the great coalition of countries who supported the interception attempts in April 14. However, and this is a big however, Iran learned its lessons. Iran learned why it failed in April. And therefore, my concern is that they will take these lessons and implement them in whichever reaction they will have. I'm not sure it will be tomorrow morning. Tomorrow, they will celebrate Haniyeh in the big funeral in Iran, and then there will be additional mourning days in Qatar. So it may take a few days, but I have no doubt that they will both, Hezbollah and Iran react. Manya Brachear Pashman: Avital, thank you so much for just explaining all of these developments and what they mean. Avital Leibovich: Of course, I just hope that for once they will be able to talk about positive things and not only terror and wars. Manya Brachear Pashman: We hope so too. We hope so too. Thank you so much. Avital Leibovich: Thank you and Am Yisrael Chai.