Podcast appearances and mentions of Roman Coppola

Kerstin grew up in Germany and later moved to Los Angeles after completing theatre training and earning a degree in business. Her career quickly gained momentum, landing her national commercial roles, billboard campaigns, and hosting/modelling opportunities with Telemundo. With a strong foundation in comedy and improv, paired with a distinct voice, she soon became a standout contender for a starring role in Teachers. Her television credits include American Horror Story: Roanoke (directed by Angela Bassett), Flaked opposite Will Arnett, and Rescue Dogs. Kerstin has worked with acclaimed directors such as Rocky Morton, Roman Coppola, Ryan Murphy, and Nick Ball—demonstrating her versatility in comedic and dramatic roles. Most recently, she appeared in The Righteous Gemstones, sharing the screen with Danny McBride, Walton Goggins, and John Goodman. Over the years, she's also collaborated with celebrated talents like David Schwimmer, Amy Schumer, Anthony Anderson, Tina Fey, and Kathy Bates. In today's episode, we discuss health and fitness, including how women can spot early signs of menopause. But that's just the beginning—we also explore powerful lessons in lifestyle, navigating a professional career, and balancing life as a content creator, entrepreneur, and parent. This episode is packed with actionable tips, insights on overcoming adversity, and more!Chapters:  0:00 – Hey there! Let's dive in1:36 – Are you drinking your calories? Let's talk7:55 – Menopause check-in: Signs to look out for14:10 – How do you juggle everything? Work, life, content & biz20:34 – Lifting isn't just for the boys: Strength training for women23:44 – Real talk: Your mirror might be your best coach28:28 – Kerstin gets real about being on set36:05 – Do you have a following, or a true community?→ CONTACT KERSTIN SCHULZE ON SOCIAL MEDIA ← INSTAGRAM: https://www.instagram.com/kerstin__schulze/?hl=enIMBD: https://www.imdb.com/name/nm7854901/bio/PARTY AND DIET INSTAGRAM: https://www.instagram.com/partyanddiet/WEBSITE: https://partyanddiet.com/?fbclid=PAZXh0bgNhZW0CMTEAAacH9rxhgjazSknhQNKQPSSGVG2uFBpnx4o0-Q9L-9KbU43EI0nOwyk6O-E2Qg_aem_yIe1fH1qOYjildGOtQgJ1w

The Phoenician Scheme is a 2025 espionage black comedy film produced, written and directed by Wes Anderson from a story he conceived with Roman Coppola. The film features an ensemble cast that includes Benicio del Toro, Mia Threapleton, Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend, Hope Davis, F. Murray Abraham, Charlotte Gainsbourg, Willem Dafoe, and Bill Murray. An international co-production between the United States and Germany, it was produced by Anderson's company American Empirical Pictures and Steven Rales's company Indian Paintbrush.Anderson talked about the film in June 2023 while promoting Asteroid City; he said it had already been written before the 2023 WGA strike began. That September, he revealed that del Toro and Cera were planned to join the cast, and he hoped to begin filming soon after the 2023 SAG-AFTRA strike ended. The rest of the cast signed on between January and June 2024. Filming took place at Babelsberg Studio in Germany, between March and June 2024, with cinematographer Bruno Delbonnel. Frequent Anderson collaborator Alexandre Desplat returned to compose the score.The Phoenician Scheme had its world premiere in the main competition of the 2025 Cannes Film Festival on May 18, 2025,[3] and was released theatrically in the United States by Focus Features on May 30, with a release date of June 29, 2025 set for Germany by Universal Pictures. The film received generally positive reviews.

In this episode, we welcome Amanda and Michael Drexton. Known as The Drextons, this filmmaking duo has their directorial debut, entitled Sour Party, releasing soon. Their film was the winner of the Andrews/Bernard Award, presented by Decentralized Pictures, Steven Soderbergh and Roman Coppola. In our chat, they share their backstories, pathways into filmmaking, and about the making of this project. They also talk about getting distribution — and offer practical advice for other creatives working their way up. “The Making Of” is presented by AJA:Introducing the all-new KUMO 6464-12GRedesigned for maximum reliability and performance, KUMO 6464-12G is a high-capacity 12G-SDI router featuring 64x 12G-SDI inputs and 64x 12G-SDI outputs that enables cost-effective signal routing for production and post. Ganged dual- and quad-port routing configurations let users combine multiple inputs and outputs for Dual Link video and key, 4K, UltraHD, and Quad Link 8K workflows. KUMO offers seamless routing of uncompressed, compressed, or camera raw signals. Learn more.High-Capacity Storage Meets Pro-Level DockingThe OWC Gemini delivers the best of both worlds—massive dual-drive storage and essential connectivity in one sleek Thunderbolt solution. Perfect for post-production pros, it offers RAID-ready backup, 2.5Gb Ethernet, an SD card reader, and ports for all your gear. Whether you're editing footage or offloading media, Gemini keeps your workflow fast, organized, and ready for anything. Explore it hereFeatured Event: DCS Pre-Cine Gear Kickoff PartyThursday, June 5 | 6PM - 9PM PDTJoin us as Canon hosts the Digital Cinema Society and fellow creatives from the HPA, CML, SMPTE, LACPUG, Filmmakers Alliance, PERG, and LAPPG.Enjoy great food, drinks, raffle prizes, & mingle with fellow creatives as we gear up for Cine Gear Expo 2025! Event is open to all, but confirmed RSVPs are mandatory. Free parking available…Free RSVP hereOne-Lens 360 Plates. Seamless by Design.IgelkottPlates.com offers the only plug-and-play driving and environment plates made specifically for virtual production. No stitching, no setup fuss—just clean, calibrated material designed to drop into any pipeline with zero surprises. Built for real-time workflows and in-camera results.Learn more hereNew Solutions from Videoguys:The Move 4K is the latest PTZ camera from PTZOptics, featuring auto-tracking for a more intelligent video production workflow. The Move 4K is available in 12x, 20x, or 30x zooms, and is capable of 4K at 60fps (1080p at 60fps over SDI), future-proofing your technology investment while still accommodating HD and Full HD video resolutions equipment. The Move 4K offers high performance in low-light scenarios, PoE+ capabilities, and a built-in tally light. The PTZOptics Move 4K is starting at $1,999.00 and is available at Videoguys.comExplore it hereCheck out the ZEISS Otus ML:Now on sale, the Otus ML 1.4/50mm photography lens from ZEISS is the new generation of high-quality optics for your photographic art. Find it at your favorite photo retailer!Learn more herePodcast Rewind:May 2025 - Ep. 81…“The Making Of” is created by Michael Valinsky.Promote your products or services to over 170K filmmakers, TV & broadcast production pros, and content creators reading this newsletter. Email us at mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Regular episodes of the show will be returning next week! But here is an update about my short film "BREEDER" that you may or may not have seen me post about before. Thank you to Decentralized Pictures, Jed Shepherd, Eduardo Sanchez, and Roman Coppola! Learn more about your ad choices. Visit podcastchoices.com/adchoices

This month we sit down with Vulture critic Angelica Jade Bastién, author of the newsletter Madwomen & Muses, where she recently started writing about “Movies That Fuck.” In honor of “cinematic sensuality,” we chat about Bram Stoker's Dracula (1992), Francis Ford Coppola's ode to ahistorical melodrama and doomed romance. We get into: Roman Coppola's practical effects, Keanu's accent work, crossing oceans of time to find you, Michael Ballhaus (and whether this is the dark b-side of The Age of Innocence), Eiko Ishioka with the muscle armor and tiny glasses, do young people want to be turned on by the movies (or at all), and more.--Further reading/viewing: The Costumes are the Sets (a 15-minute doc on the film's Oscar-winning costumes), and James Hart on the transformation of Dracula's script.--The Bright Wall/Dark Room Podcast is hosted by⁠⁠ Veronica Fitzpatrick⁠⁠ &⁠ Chad Perman⁠⁠, produced by⁠⁠ Eli Sands⁠⁠, and edited by ⁠⁠Buczar⁠⁠. Our theme music is composed by Chad. --This episode is sponsored by ⁠Galerie⁠, a new kind of film club where you can chat directly with filmmakers, watch groundbreaking movies, and discover stories that bring you closer than ever to the craft and culture of cinema.To enjoy one month of Galerie for free—and then receive 50% off the next three months—visit ⁠Galerie.com⁠ and enter the code “BWDR” when you sign up.

Director Francis Ford Coppola, VFX director Roman Coppola and special makeup FX artist Greg Cannom

This weeks episode is with indie filmmaker Marc Coleman who joins us to chat how he made his debut 'calling car feature film ManFish for £13K and got it released on Shudder! Marc has a great chat with fellow filmmaker Giles Alderson about horror comedy filmmaking starting with his Gone in Sixty Seconds award winning Empire short mixing the Chuckles Brothers with two Tom Hardy's and making a 10ft testicle and carrying it around in a shopping trolley!! We also chat Acting to Directing. Shorts to Features Rehearsals The importance of filmmaking collaboration and teamwork. Negotiating contracts and sales and merchandising. ManFish is out now on Shudder, Sky, Prime and Hulu. Members Club is out now on Sky and Prime. Check out Marc Coleman's work https://www.marcsspace.com/film HORROR FILMMAKING INITIATIVE FUND Horror legends Jed Shepherd, Roman Coppola and Eduardo Sanchez bring an amazing opportunity to all filmmakers who have a passion for the horror genre. If you have ambitions to create a short horror film, this award is for you. https://app.decentralized.pictures/awards/672410812a5d37c4350a5252?action=submitProject SHORT FILM SHOWCASE Center Frame https://www.centerframe.com/industry-showcase. WATCH our interview with Elizabeth Olsen and Carrie Coon on YouTube here https://www.youtube.com/watch?v=V-TU39BmwLI&t=167s. PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, produced and edited by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on The Stack we speak with Roman Coppola and Johan Chiaramonte on their new magazine, ‘Enthousiasmos', featuring Luca Guadagnino on the cover. Plus: US author and stationery connoisseur Brett F Braley-Palko. See omnystudio.com/listener for privacy information.

Emily Blunt is in early talks to join Steven Spielberg's new UFO film at Universal Pictures, described as a "two-hander" with Blunt taking on one of the two major roles. Spielberg, who conceived the story, will collaborate with writer David Koepp and producer Kristie Macosko Krieger. Spielberg's recent works include the Oscar-nominated The Fabelmans and West Side Story. Blunt, fresh off her first Oscar nomination for Oppenheimer, is known for her roles in Sicario, Edge of Tomorrow, and The Devil Wears Prada. The film's release date is yet to be announced.

In this week's show, John talks with Jared Silvia about the 2023 film, Asteroid City, and look at how Wes Anderson and co-writer Roman Coppola counterbalances surges of emotion with layers of artifice, which is a mixed metaphor, we know.

There's maybe no working filmmaker more associated with film fashion than Sofia Coppola. But in this brief history of her super-stylish body of work, we figure out the thematic stitching inside those perfect fits.Host Rico Gagliano talks with Coppola, her brother (and collaborator) Roman, and her award-winning costume designers past and present, to learn how the director depicts her characters' search for identity in beautiful, difficult worlds.Season 5, titled Tailor Made, dives deep into the worlds of film and fashion. Each episode tackles a landmark movie that captured a major fashion look of an era, and then decodes what that look meant—to the culture that spawned it, the people who wore it, and the audiences who watched it on screen.Sofia Coppola's PRISCILLA will stream exclusively on MUBI in the UK, Germany, and many other countries starting March 1. It is currently in cinemas in many countries. For tickets and showtimes, visit mubi.com/priscillaHOW TO HAVE SEX is streaming exclusively on MUBI in the UK, Turkey, and Latin America. The film is currently in US theaters and will come soon exclusively to the platform in the US as well. Find upcoming US showtimes and tickets here.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.The article mentioned in this episode: "She Says Good-bye to Him in Pants" by Roxana Hadadi for Vulture.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Your earthbound stellar hosts fly into the movie that is ASTEROID CITY (2023) directed by Wes Anderson and written by Wes Anderson and Roman Coppola. “I highly recommend this episode of Unsane Radio.” Samaritan LINKSUnsane Radio WebsiteTarr and Fether's WebsitePsycho Cinema FBUnsane Radio FBUnsane Radio TwitterPsycho Cinema YTHeavy Metal Horror Podcast FBHeavy Metal Horror Podcast … Continue reading "Unsane Radio 0254 – Asteroid City"

Welcome back everyone! We hope everyone had a great October / Halloween / Spooky Season.  As we head into the holidays Zack and Jenny follow up with the questions nobody ever bothered to ask about our coverage of Bram Stoker's Dracula. We threw a little bit of shade by omitting Peter Cushing as Van Helsing in our main episode, so we make sure to give him some love in this one.  We talk about the Spanish language Dracula filmed at night on the same sets as the Tod Browning version.  Have you ever heard of that, we hadn't? We go through the films for Francis Ford Coppola.  From nudie flicks, to possible the first slasher, the Godfather, to Captain EO.  This guy has done it all. We pause for a moment to look at a movie ratings site to try to determine the most forbidden film we have covered.  Spoiler alert, Dracula is pretty low on the list because there is no cursing. We go over how the trippy special effects were created, and how they were mostly parlor tricks that would have been available to the makers of the original Dracula.  We also talk about the 2nd unit director, Roman Coppola, and his influence on one of our favorite filmmakers. We dig up a 5000 year old fart joke, ponder the Steven Segal film Under Siege spending 4 weeks at #1 in the box office, dig into a newspaper from the day of release, and even find a copy of the motorcycle magazine Easyrider at an estate sale and try to figure out what was going on when this was released.

In this episode, we spoke with Decentralized Pictures Co-Founders Leo Matchett and Mike Musante. Along with Roman Coppola, these three founded the innovative film production company that's helping to fund many independent projects, as well as provide a home for mentorship and other support for emerging filmmakers. Mr. Matchett serves as CEO of the company and Mr. Musante as its Head of Production. In our conversation, Leo and Mike share their backstories and pathways into producing — plus the complete story of Decentralized Pictures. We also discussed the state of the independent film industry, and much more. The Making Of is presented by AJA Video Systems:Exciting new solutions and updates from AJAAJA rolled out powerful new products and updates this fall – from KONA X, its next-gen I/O card for ultra-low latency video capture/playback and Desktop Software v17 to a feature-packed AJA HDR Image Analyzer 12G update, and new 12G-SDI openGear conversion solutions. Get acquainted with the latest from AJA via the What's New Page.  ZEISS Conversations:Gather round, horror fans! Join us for ZEISS Conversations on Halloween as we explore the spine-chilling work of Cinematographer James Kniest! Be sure to register now to get the inside scoop on his projects such as the iconic Annabelle, which is the second installment of The Conjuring universe, and his spooky work on The Haunting of Bly Manor and American Horror Stories. Plus, get an exclusive look at what went into crafting Mike Flanagan's 2022 “The Midnight Club,” including Kniest's strategic selection of ZEISS Supreme Prime Radiance lenses. Don't miss out on the chance to learn from a master filmmaker who'll share how he employs various camera techniques, lensing, lighting and composition for creating the most frightening scenes. Halloween has never looked scarier! Register now for an unforgettable and interactive virtual event on Oct 31st at 12pm PST. Sign up HereFilm Book of the Month:American Cinematographer's Shot Craft: Lessons, Tips & Techniques on the Art and Science of CinematographyA collection of Jay Holben's SHOT CRAFT column from American Cinematographer magazine. A treasured series of educational pieces on the art and science of cinematography.An extraordinary book for the film student and refresher for the seasoned pro, SHOT CRAFT is written in an easy-to-read tone that explains the technical and complicated in simple language. It is a must-have for everyone working in the art of visual storytelling in motion pictures. A curated selection from the first five years of SHOT CRAFT providing insights on: cinematography fundamentals, formats, exposure, lighting & electricity, optics, travel & locations, filmmaking techniques, relationships, communication and career.  Available from Adakin Press: hereOWC Thunderbolt Go DockThe OWC Thunderbolt Go Dock is the first of its kind, full-featured Thunderbolt dock with a built-in power supply and 11 ports, for additional ease and connectivity while on the Go. It's a one-dock solution that works with all past, present and future Thunderbolt and USB devices and accessories. Check it out hereGreat Film & TV Music at No Cost to You!All you need to do is provide music cue sheets for your qualified projects. It's Really That Simple. In addition to most TV Shows & Feature Films, even TV Pilots can qualify. We're not talking about music that sounds like it should be free. This is cutting-edge underscore used daily on a global basis by Hollywood's Major Film & TV Studios. Browse herePodcast Rewind:October 2023 - Ep. 19…The Making Of is produced by Michael Valinsky.To promote your products or services to over 7,270 top film and TV industry pros receiving this newsletter, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Since the start of the pandemic, more than 90 colleges have merged or closed permanently. One of these schools, Lincoln College, closed its doors with only about one month's notice in May of 2022 — after 157 years. Due to the pandemic and a ransomware attack, administrators say the school was unable to retain, recruit, or fundraise. Since then, students have been left scrambling and many have dropped out. Alan Jinich and Max Strickberger, recent graduates of the University of Pennsylvania and producers of the Generation Pandemic Project about the impact of Covid on young people around the country, set out to follow this story last year. Lincoln College was a small private college in central Illinois — the only school named after Abraham Lincoln in his lifetime. But instead of attracting local students, the school drew many from three hours north: Chicago's south and west sides. More than 40% were first generation college students and, even though the town is 95% white, the university was a Predominantly Black Institution. Students, alumni, and faculty described the community as deeply closeknit and, for many, a “second chance.” For some, it was also a refuge from gun violence. After the sudden closure announcement, dozens of students confronted President David Gerlach expressing grief, frustration, and concern over what might happen to those who didn't have a safe home to return to. It was the start of a fundraising predicament that drove a wedge between students' grassroots efforts and administrators. How much money is enough to stay open? What's at stake for Lincoln's brittle economy? We follow voices from across the community — professors, administrators, locals, students dispersed across the Midwest, and a member of Lincoln's last graduating class. More than a year after closing, many continue to reel. The campus is still up for sale, but a new vision for Lincoln may soon be on the horizon. Produced by Alan Jinich and Max Strickberger with soundtracks by Reed Rosenbluth and support from the Sachs Program for Arts Innovation. A special thank you to Pati and Danny Jinich for their endless support (and SUV), Deborah and Adam Strickberger for their lifelong role modeling, and for all those who helped along the way: Ron Keller, Tim Rivera, Ms. Linda, Aundrae Williams, Jaylah Bolden, Spencer Davis, David Gerlach, Scott Raper, Seth Goodman, Aaron Butler, David Upchurch, Julia Figueroa, Klaudia Blaszcyk, Dougie Barron, and the Rose family. Thanks also to Nikki Silva and The Kitchen Sisters (and The Kitchen Sisters thank these young producers!) You can follow more of Alan and Max's work at www.generationpandemicproject.com or on instagram @generationpandemic_ The Kitchen Sisters Present is produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Brandi Howell and Nathan Dalton. We're part of Radiotopia from PRX, a curated network of some of the best podcasts out there. Visit kitchensisters.org for more stories and info about upcoming events — like our annual Bowling with Grace Party and fundraiser at Mission Bowling Club, San Francisco, October 28, 2023, with celebrity guest bowlers Boz Scaggs, Alice Waters, Samin Nostrat, Roman Mars, Roman Coppola, Wendy MacNaughton, Song Exploder's Hrishikesh Hirway, KQED's Alexis Madrigal, Ear Hustle's Nigel Poor & Earlonne Woods, Rebecca Solnit… and so many more.

In this episode of the Musicbed Podcast, Young Replicant explores the value of replacing early confidence with technique and discusses why filmmakers should own their weaknesses and weirdness. Young Replicant (AKA Alex Takács) is known for his high concepts and visual poetry. He's directed videos for Lorde, Alt-J, and Flying Lotus and worked with brands like Sprite and Adidas. Talking Points: Never settling on one technique Accepting weaknesses and weirdness as strengths Growing up around filmmaking Stripping treatments down the essentials Using style as a message Working with intention as your only plan Show Notes: Tibor Takács – https://www.imdb.com/name/nm0847749/ The Gate (1987) – https://www.imdb.com/title/tt0093075/ Sabrina the Teenage Witch (1996) – https://www.imdb.com/title/tt0117534 Cinfex Magazine – https://en.wikipedia.org/wiki/Cinefex Ergatta – https://ergatta.com/ Ergatta - Game On – https://vimeo.com/659831991 Andrew Levy – https://www.pda.inc/ Sam Wilkes – https://www.pda.inc/ Sam Dew – https://www.instagram.com/sam_dew/?hl=en Sam Dew "MOONLIT FOOLS" – https://imvdb.com/n/young-replicant Frank Mobilio – https://frankmobilio.com/ Joe Nankin – https://www.joenankin.com/ M83, "We Own The Sky" – https://www.youtube.com/watch?v=sWsUNbdc5IM Animal Collective – https://myanimalhome.net/ Iamamiwhoami – https://ionnalee.com/?lang=en_US The Seven Faces of Jane (2022) – https://www.imdb.com/title/tt15345936/ Julian Acosta – https://www.imdb.com/name/nm10640147/ Roman Coppola – https://www.imdb.com/name/nm0178910/ The Director's Bureau – https://thedirectorsbureau.com/ Chris Chang – https://thedirectorsbureau.com/contact/ Bentonville Film Festival – https://bentonvillefilm.org/ Brought to you by Musicbed, the filmmaking industry's music licensing platform of choice. Learn more: ⁠musicbed.com⁠. About Musicbed:Musicbed is the leading sync licensing platform for authentic music from relevant artists. We're a one-stop licensing agency representing a curated roster of authentic artists, bands, and composers for film, TV, and advertising. From leading composers to tour-tested bands, and rising singer/songwriters, we believe music brings emotion and has the power to amplify your story.

Nesse 11o filme da carreira do cultuado diretor Wes Anderson, nós vamos revisitar algumas formulinhas que ele usa desde que começou pos trabalhos, lá nos anos 90: ::- Cenas longas com enquadramentos perfeitamente simétricos;- A parceria com seu amigo de roteiro Roman Coppola, com quem trabalhou anteriormente em diversas produções;- A presença de figurinhas carimbadas em sua carreira, como Jason Schwartzman, Edward Norton, Adrien Brody, Tilda Swinton e Willem Dafoe;- Elencos muito, mas muito recheados!::Aqui em Asteroid City, conhecemos uma minúscula cidade ficcional em pleno deserto americano, por volta de 1955. Lá, uma espécie de convenção de Observadores Cósmicos, organizada com o objetivo de juntar estudantes e pais de todo o país para uma competição escolar com oferta de bolsas escolares, é espetacularmente perturbada por eventos que mudarão o mundo.::O elenco, só para não variar, é pesadíssimo. Além dos protagonistas Scarlett Johansson e Jason Schwartzman, temos as presenças luxuosas de Tom Hanks, Edward Norton, Steve Carelll, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Matt Dillon, Willen Dafoe e grande, GRANDE elenco.::Coloque seu fone, aumente o volume e Senta que lá vem Spoiler!

Asteroid City is Wes Anderson's 11th feature film. It's written and directed by Anderson from a story by Anderson and Roman Coppola. It's a comedy-drama, sort of sci-fi thing with a play-within-a-TV-show-within-a-movie structure. The ensemble cast is predictably ridiculous and includes the likes of Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, and Adrien Brody, Liev Schreiber, and Hope Davis. There are more. I didn't even mention Willem Dafoe or Steve Carell or Margot Robbie. Or others. And: The OceanGate Titan disaster isn't the sort of thing The Nose usually covers. But collective internet obsession is, and so The Nose is interested in the internet's collective, dark, ongoing obsession with the OceanGate Titan disaster. Some other stuff that happened this week, give or take: America Is… What one piece of culture captures the true spirit of our country? We asked 17 columnists to find out. The Case Against Travel It turns us into the worst version of ourselves while convincing us that we're at our best. How Review-Bombing Can Tank a Book Before It's Published The website Goodreads has become an essential avenue for building readership, but the same features that help generate excitement can also backfire. If you love film, you should be worried about what's going on at Turner Classic Movies Turner Classic Movies Is a National Treasure The channel has an astounding degree of control over a crucial part of American cinema. It should become a public resource available to all. Want to suffer Hollywood's wrath? Mess with TCM, you dirty rats! Few things are sacrosanct in streaming TV's chaotic revolution. But as Warner Bros. Discovery's top exec recently learned, Turner Classic Movies is still zealously protected. This Broadcast TV Genre Continues to Thrive. (What Are Game Shows?) “Wheel of Fortune,” “Jeopardy!” and “Family Feud” continue to attract big audiences even as streaming upends viewing habits. Fifty Years of Hip-Hop in a World That Could Not Exist Without It The musical genre of sociopolitical change, cultural transformation, excess, and fabulousness enters its next half century. Virginia Woolf classic joins growing list with ‘ludicrous' trigger warnings To the Lighthouse from 1927 now carries warning that the book ‘reflects the attitudes of its time' It's Getting Hard to Stage a School Play Without Political Drama At a time when lawmakers and parents are seeking to restrict what can and cannot be taught in classrooms, many teachers are seeing efforts to limit what can be staged in their auditoriums. A ‘Cage Match' Between Elon Musk and Mark Zuckerberg May Be No Joke Talks over a matchup between the two tech billionaires have progressed and the parameters of an event are taking shape. GQ Editor Who Pulled Critical David Zaslav Story Is Producing Movie for Warner Bros. GUESTS: David Edelstein: America's Greatest Living Film Critic Sam Hadelman: Works in music public relations and hosts The Sam Hadelman Show at Radio Free Brooklyn Carolyn Paine: An actress, comedian, and dancer; she is founder, director, and choreographer of CONNetic Dance Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

With the release of Asteroid City later this week, Matty G wanted to look back at another Wes Anderson movie. It took all of his Khaki Scout training to come up with Moonrise Kingdom. So join us as the Captains relive their painful elementary school romances and the times they almost got stabbed in a battle royale.  Starring - Jared Gilman, Kara Hayward, Bruce Willis, Edward Norton, Bill Murray; Directed By - Wes Anderson; Written By - Wes Anderson, Roman Coppola; Music - Alexandre Desplat; Cinematography - Robert D. Yeoman; Editing - Andrew Weisblum.Website: https://amoviepodcast.com/Twitter: @ItsaFilmPodcastInstagram: @toomanycaptainsproductions

Asteroid City is a 2023 American science fiction comedy-drama film directed and co-produced by Wes Anderson from a screenplay by Anderson and a story by Anderson and Roman Coppola. The film features an ensemble cast that includes Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Steve Park, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Hong Chau, Willem Dafoe, Margot Robbie, Tony Revolori, Jake Ryan, and Jeff Goldblum. Its metatextual plot simultaneously depicts the events of a Junior Stargazer convention in a retrofuturistic version of 1955, staged as a play, and the creation of the play. The project was first announced in September 2020 as an untitled romance film, with Anderson writing and directing. Originally set for Rome, filming took place in Spain between August and October 2021, with cinematographer Robert D. Yeoman and COVID-19 safety precautions in place. Several sets in Chinchón, resembling a desert landscape and a mock train station, were used for the shoot. The post-production process included editor Barney Pilling and composer Alexandre Desplat in his sixth collaboration with Anderson. The official title was revealed in October 2021. Asteroid City had its world premiere at the 76th Cannes Film Festival on May 23, 2023, where it competed for the Palme d'Or. It was released in the United States via a limited theatrical release on June 16, 2023, before expanding to a wide release on June 23, 2023, by Focus Features. The film received positive reviews from critics. --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

On this special bonus episode of Cinemaholics, we discuss Asteroid City, the latest movie from writer/director Wes Anderson. His new feature has a few things in common with his previous one, The French Dispatch, particularly when it comes to his ability to convince almost every recognizable actor in Hollywood to show up. And show up they did for this quirky sci-fi romantic comedy drama about a Junior Stargazer convention in a 50s desert town where events take an alienating turn, so to speak. Asteroid City was directed and written by Wes Anderson and is based on a story by Anderson and Roman Coppola. The ensemble cast includes Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Edward Norton, Adrien Brody, Liev Schreiber, Hope Davis, Steve Park, Rupert Friend, Maya Hawke, Steve Carell, Matt Dillon, Hong Chau, Willem Dafoe, Margot Robbie, Tony Revolori, Jake Ryan, and Jeff Goldblum. The film premiered at the 2023 Cannes Film Festival and opens in limited release on June 16 through Focus Features. It will later go wide on June 23. Our intro music this week is “Gato” by TyLuv. & Strehlow. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Twitter. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

Hello everyone and welcome to Some Like It Scott's newest Countdown miniseries: the Wes Anderson Countdown. To honor one of the great still-working indie writer-director auteurs, who's next film ASTEROID CITY comes out later this year, Scott, Scott, and Jay will be watching all 10 of the American filmmakers' works to-date, from his origins with the '90s heist-comedy BOTTLE ROCKET, all the way to his latest feature, 2021's star-studded anthology drama THE FRENCH DISPATCH. Join us each week over the next 10 weeks as we progress through Anderson's full oeuvre in the buildup to ASTEROID CITY!   On part 7 of the Anderson Countdown, Scott, Scott, and Jay revisit MOONRISE KINGDOM, Wes Anderson's return to the coming-of-age comedy-drama. Directed by Anderson and co-written with Wes regular, Roman Coppola, MOONRISE KINGDOM tells the story of two disaffected, pre-teen, star-crossed lovers on the small New England island called New Penzance. Sam Shakusky (Jared Gilman) is a much-disliked orphaned Khaki Scout at Camp Ivanhoe, under the command of Scout Master Randy Ward (Ed Norton), but when he absconds from Camp to meet up with his romantically inclined pen pal, Suzy Bishop (Kara Hayward), who herself feels depressed and deeply disconnected from her parents and three younger brothers, a great search begins involving Scout Master Ward's entire trooper, Suzy's family, and the island's local sheriff, Captain Duffy Sharp (Bruce Willis). Sam and Suzy rendezvous in the wilderness, hike, camp, and fish, all with the goal of reach a specific, yet-to-be-revealed location, but with their families and fellow Khaki Scouts hot on their trial, the rest of the film explores the sensibilities of young love, strained parenting, and tenuous mental health, all with a tenderness that hasn't always been as prominent in Anderson's filmography. The countdown crew reflects on what this film says about Anderson's evolving tenderness, his renewed knack for exposing unfound talent, and discuss at length whether this might be Bruce Willis's last great performance.

Miguel Faus est un jeune réalisateur catalan qui vit désormais à Londres, passionné de cinéma, de collectibles, et de l'esprit originel du web3… Il était donc tout naturel pour lui de vouloir financer son premier film “Calladita”, en utilisant la vente de NFT…Aujourd'hui nous étions avec notre avocate maison et spécialiste de cinéma, Me Ingrid-Méry Haziot, pour une interview fleuve de Miguel qui a très gentiment accepté de répondre à toutes nos questions en français et à nous raconter cette fantastique aventure et également sa rencontre avec Decentralized Pictures créé par Léo Matchett, Roman Coppola et Steven Soderbergh, qui lui a permis de clore son tour de table et de finaliser son projet…Une histoire qui pourrait inspirée bon nombre de jeunes réalisateurs… To be continued…Pour aller plus loin:* Site web officiel de “Calladita”* Compte Twitter de Miguel Faus* Compte Twitter de Calladita* Site web officiel de Decentralized Pictures* Compte LinkedIn de Me Ingrid-Mery Haziot This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.nftmorning.com

Hello everyone and welcome to Some Like It Scott's newest Countdown miniseries: the Wes Anderson Countdown. To honor one of the great still-working indie writer-director auteurs, who's next film ASTEROID CITY comes out later this year, Scott, Scott, and Jay will be watching all 10 of the American filmmakers' works to-date, from his origins with the '90s heist-comedy BOTTLE ROCKET, all the way to his latest feature, 2021's star-studded anthology drama THE FRENCH DISPATCH. Join us each week over the next 10 weeks as we progress through Anderson's full oeuvre in the buildup to ASTEROID CITY!   On part 5 of the Anderson Countdown, Scott, Scott, and Jay return to talk all about Wes Anderson's 2007 family comedy-drama, THE DARJEELING LIMITED. Directed by Anderson and co-written by Anderson with now-frequent collaborator Jason Schwartzman and with first-time co-writer Roman Coppola, THE DARJEELING LIMITED stars Anderson regulars Owen Wilson and Schwartzman, alongside Adrien Brody as 3 estranged brothers: Francis (Wilson), Peter (Brody), and Jack (Schwartzman), who meet aboard a train in India, The Darjeeling Limited, for the first time in over a year since their father's funeral. All three men are still mourning their father's death in various ways, and having recently survived a near-fatal motorcycle accident, Francis wishes to reconcile with his brothers during a journey of spiritual self-discovery through South Asia. His motives are not entirely pure, however, as he also is covertly searching for their mother, Patricia (Anjelica Huston) whom all three brothers have not seen for many years since she abandoned them and their father for convent life. Francis's controlling nature emerges quickly, as he plans a strict itinerary for the three of them and confiscates their passports to prevent either Peter or Jack from leaving early. As the train journeys through the Indian countryside and to various spiritual sites, tensions rise between the trio, and in order to regrow their fraternal bond and properly mourn their father's death, Francis, Peter, and Jack will have to look past their differences and accept each other for who they are. The countdown crew give their thoughts on Anderson's fifth film, including the performances of its three leading men, the twists and turns their journey takes through India, and whether the themes of family and loss ultimately coalesce well together.

This week we get to the bottom of federation taxes and trade routes, so hop into your pod racer and join us as we discuss George Lucas' 'Star Wars: Episode 1 - The Phantom Menace' (1999). I'm joined by Russell Bailey and Larry Reid to talk all things Jar Jar Binks, Obi Wan and Sofia and Roman Coppola's fleeting cameos in this film.RUSSELL BAILEY on TWITTERNOT JUST FOR KIDS on TWITTERNOT JUST FOR KIDS on APPLE PODCASTSNOT JUST FOR KIDS on SPOTIFYLARRY REID on TWITTERYOUR MOVE CREEP! on TWITTERYOUR MOVE CREEP! on INSTAGRAMYOUR MOVE CREEP! on SPOTIFYBREADCRUMBS COLLECTIVE on TWITTERBREADCRUMBS COLLECTIVE on INSTAGRAMSUPPORT CAGED IN on PATREONCAGED IN TV on YOUTUBEBuy a T-shirt on Etsy (Uk Only)Buy A T-shirt on TeePublicCAGED IN on TWITTERCAGED IN on INSTAGRAMCAGED IN on LETTERBOXDCAGED IN on FACEBOOKEMAIL CAGED IN NOWCaged In is apart of the Breadcrumbs Collective, head over to the WEBSITE to get all episodes of this show as well as other great shows. Get bonus content on PatreonSupport this show http://supporter.acast.com/cagedinpod. Hosted on Acast. See acast.com/privacy for more information.

Two longtime friends, Taylor and Bailey spoil, review, and discuss the 2012 film "Moonrise Kingdom" screenplay by Wes Anderson and Roman Coppola and directed by Wes Anderson. During their discussion they touch on various topics such as the various interpretations of the film, urban legends, and key fobs! This episode features spoilers for Moonrise Kingdom starting at 11:15. Check out our link tree to see our Instagram, Twitter, YouTube Channel, or join the Facebook group at https://linktr.ee/2idiots1podcast Please feel free to email questions, comments, or anything else to 2idiots1podcast2022@gmail.com.

In our dramatically changed world, accessibility for all is crucial to the survival of filmmaking. Kicking the doors wide open brings much-needed oxygen to the greenlighting process. What if we went against the grain of the quick-to-market blockchain hype and made talent discovery a non-profit mission? This conversation between filmmakers Roman Coppola, Tiffany Lin, tech visionary Leo Matchett and entertainment lawyer Barbara Bruni investigates how film can thrive by taking it outside board rooms and into the hands of the people who watch and love them.  Co-founded by Coppola, Matchett and American Zoetrope's VP of Production Michael Musante, Decentralized Pictures (DCP) fuels the next generation of independent filmmakers as a 501(c)(3) non-profit. Tiffany Lin is the winner of DCP's beta test among recent USC graduates.

“I HAVE CROSSED OCEANS OF TIME TO FIND YOU”On this week's episode, we talk about the classic 1992 film, Bram Stoker's Dracula, directed by Francis Ford Coppola starring Gary Oldman, Winona Ryder, Anthony Hopkins, and Keanu Reeves. Celebrating its 30th anniversary this year, we revisit the film to see if what many people consider to be one of the definitive interpretations of Dracula stills holds up. We talk about Francis's goal with the film, wanting to be true to the original novel written in 1897, and to differentiate this story from the classic 1931 Bela Lugosi film from Universal Pictures. He wanted to create a grandiose telling, with sets and costume and visual effects that were nothing short of extraordinary and that would pay an homage to classic silent film era techniques but while using modern technology to make sure they had no limitations in what they could show. We dissect the story, talking about why we liked the film, and trying to see what may be holding us back from loving it. Because for as grandiose as the film may be, that's no guarantee that everything will work perfectly. Is this an example of style over substance? We talk about the A-list cast present, from young new talent like Keanu Reeves and Winona Ryder to Hollywood veterans like Anthony Hopkins and Gary Oldman, what is the chemistry like among them all and are there some actors we feel that might not well suited for the film?Lastly, we go over the production of the film, from talking about costumes that were created by Eiko Ishika, who would win an Academy Award for her work in this film, to the visual and special effects created by Coppola's son, Roman Coppola, and some of the things they had to do in order to get some of the more elaborate shots needed. And we go over some of the more controversial acting decisions Francis implemented on set in order to get the best possible performances from everyone, including having Gary Oldman whisper into the cast ears some potentially problematic things. So join us for our discussion of Francis Ford Coppola's telling of Bram Stoker's Dracula. Music is from Triune Digital and audio clips pulled from movies we will be reviewing in other episodes.Artwork by @jannelle_o

Cuando escuchamos el nombre de Gael García Bernal, es imposible no hablar de todos los éxitos que ha tenido dentro y fuera de la pantalla. Desde el año 2000, él ha sido toda una sensación nacional e internacional gracias a sus interpretaciones en cintas verdaderamente innovadoras, pues ha trabajado con cineastas como Alfonso Cuarón, Alejandro Gonzalez Iñarritu, Pablo Larraín, M. Night Shyamalan, Pedro Almodóvar, Roman Coppola, entre otros. Y aunque sus trabajos han sido reconocidos en grandes premios como los Oscars, los BAFTA y los Globos de Oro, Gael García siempre ha sentido un gran compromiso con su país y las causas sociales y políticas que más lo aquejan, por lo que también ha impulsado el arte en México a través de diferentes trabajos de producción, con eventos como el Festival Ambulante y ahora con su serie documental: El Tema, la cual busca hablar de la crisis climática que vive México. Siempre con el objetivo de brindar nuevas oportunidades y dar luz a problemáticas y temas que no se suelen tocar mucho en el cine y la televisión. Por eso el día de hoy démosle la bienvenida a Hablando de Cine Con…

The writer and podcaster David Moscrop, a contributing columnist for the Washington Post, returns to the pod from Ottawa to discuss a Spooky Season classic, Francis Ford Coppola's lavish adaptation of Bram Stoker's Dracula, a film that turned 30 years old this year but like a vampire has barely aged a day. Coppola followed up The Godfather Part III with an ambitious gothic horror with an all-star cast, filmed entirely indoors on sets and soundstages. His visual effects supervisor was his son Roman Coppola, and they decided use techniques from the early days of cinema to adapt a novel from the same period. We discuss the film's “naive visual effects”, the over-the-top aesthetic from sets to costumes to performances, the film's horniness which greatly influenced future vampire stories, and we try to mount a defense for the enduring knock against this film, the mannered turn by Keanu Reeves as Jonathan Harker. Plus: we discuss Ontario Premier Doug Ford trying to weasel out of having to testify at the Emergencies Act inquiry in Ottawa. Sign up for the Junk Filter Patreon to support the show directly and access dozens of bonus episodes! https://www.patreon.com/junkfilter Follow David Moscrop on Twitter, listen to his podcast Open To Debate, and subscribe to his new Substack! From Den of Geek, “Bram Stoker's Dracula and the Seduction of Old School Movie Magic”, an in-depth discussion with Roman Coppola of the film's visual effects, by David Crow, October 16, 2020 Trailer for Bram Stoker's Dracula (Francis Ford Coppola, 1992)

A year after the death of their father, three brothers travel across India by train in an attempt to bond with each other. Hotel Chevalier was written and directed by Wes Anderson. It stars Jason Schwartzman and Natalie Portman. The Darjeeling Limited was directed by Anderson and was written by Anderson, Schwartzman and Roman Coppola. It stars Owen Wilson, Adrien Brody, Jason Schwartzman, Amara Karan and Anjelica Huston.  FOLLOW US ON LETTERBOXD - Zach1983 & MattCrosby Thank you so much for listening! Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean In lieu of recommendations, we each give our rankings of Wes Anderson's filmography.   

Decentralized Pictures, the nonprofit co-founded by Roman Coppola, is enabling on-chain voting to greenlight and fund film projects. CEO Leo Matchett tells Dan Roberts and Stephen Graves how the anti-crypto stigma in Hollywood is fading, how Web3 can bring more diversity to the film world and disrupt the traditional gatekeepers, and how he first got into crypto when he and Coppola set up a Bitcoin miner in an empty sound stage. Of course, the guys also list their favorite movies. For more from Decrypt, visit decrypt.co and follow @decryptmedia on Twitter. Hosts, guests, and credits: Dan RobertsTwitter: @readDanwrite Stephen GravesTwitter: @stephengraves Leo MatchettTwitter: @dcp_leo and @DCP_Foundation Podcast art by Grant Kempster gm from Decrypt is a Redd Rock Music PodcastInstagram: @reddrockmusicwww.reddrockmusic.com Hosted on Acast. See acast.com/privacy for more information.

Decentralized Pictures, the nonprofit co-founded by Roman Coppola, is enabling on-chain voting to greenlight and fund film projects. CEO Leo Matchett tells Dan Roberts and Stephen Graves how the anti-crypto stigma in Hollywood is fading, how Web3 can bring more diversity to the film world and disrupt the traditional gatekeepers, and how he first got into crypto when he and Coppola set up a Bitcoin miner in an empty sound stage. Of course, the guys also list their favorite movies. For more from Decrypt, visit decrypt.co and follow @decryptmedia on Twitter. Hosts, guests, and credits: Dan RobertsTwitter: @readDanwrite Stephen GravesTwitter: @stephengraves Leo MatchettTwitter: @dcp_leo and @DCP_Foundation Podcast art by Grant Kempster gm from Decrypt is a Redd Rock Music PodcastInstagram: @reddrockmusicwww.reddrockmusic.com Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

'Summer Camp Month' rows along on Late to the Movies with 2012's Moonrise Kingdom! Ben, Cory, Greg, and Ray discuss Wes Anderson's very funny ode to childhood, coastal New England, and the 1960's. Directed by Wes Anderson, written by Anderson and Roman Coppola, and starring Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton, Jason Schwartzman, Bob Balaban, Jared Gilman, and Kara Hayward.

Chris Ballew is the frontman for the Seattle rock band The Presidents of the United States of America. He also makes children's music under the pseudonym “Caspar Babypants.”  He has a new solo record out now titled “Soul Unfolded” and another one coming out in July called “Primitive God.” In this episode we discuss his new music and the creative process, plus making music & videos with the Presidents, how they got the Drew Carey theme song, working with Beck, getting drunk with Dave Grohl and more! Very fun episode! 0:00:00 - Intro0:00:49 - Things in Common & Seattle Living 0:04:20 - Making Music to Make People Feel Good 0:05:55 - Nap Dance & New Album "Soul Unfolded" 0:09:20 - Keyboards & Sounds 0:16:25 - Primitive God & Making Music 0:18:41 - Caspar Babypants TV Show0:22:16 - Staying Creative, Meditation & Ram Dass 0:25:55 - Lump & Music Video 0:27:55 - Roman Coppola & Other Music Videos 0:30:24 - Kicks, Energy & Beck 0:33:45 - Dealing with Fame & Success 0:36:55 - The Drew Carey Show Theme Song 0:38:45 - Doing Live Shows & Performing 0:43:15 - Freedom, Providing Joy & Collaborating 0:47:49 - Famous People 0:49:10 - Psychedelic Journey & Influences 0:51:10 - Movies 0:53:42 - PEPS, Well Spring & Mary's Place 0:55:35 - Drunk with Dave Grohl in the Late 90s 0:58:45 - Krist Novoselic 1:02:10 - Outro Chris Ballew website:https://chrisballew.orgPEPS website:https://www.peps.orgWell Spring Family Services website:https://wellspringfs.orgMary's Place website:https://www.marysplaceseattle.orgChuck Shute website:http://chuckshute.comSupport the show

Mon, 16 May 2022 10:00:00 +0000 https://efm-industry-insights.podigee.io/26-neue-episode a68d0dc4744597c4d0a6bee7f942bffd Industry Insights – The EFM Podcast is presented by the European Film Market of the Berlinale. Hosted by curator-producer Nadia Denton and industry analyst Johanna Koljonen, it delves deep into the rapidly evolving film industry. This episode, featuring guest speakers Mike Musante, Tiffany Lin and Mbali Ndhlovu, deals with the subject of equity and inclusion in the creative tech industries by exploring the intersections of marginalised professionals and creatives with tech platforms, organisations and communities. From algorithms to blockchain and from the giants of Silicone Valley to the start-up tech scenes of the Global South, this episode begs the important questions of how tech can be decolonised by removing its embedded biases, how it can be used to democratize access and how it can provide a platform for previously underserved and unheard communities. Mike Musante is the head of Film Production and Acquisitions at American Zoetrope. He is an attorney, admitted to practice in New York. He practiced corporate law for 10 years before becoming a full-time creative film producer in 2013. He has collaborated closely with such film greats as Roman Coppola, Gia Coppola, Ted Kotcheff, Martha Coolidge, Fred Roos, Richard Chew, and Stellan Skarsgård. During his tenure at American Zoetrope, he has guided the team through the productions of Mainstream, On the Rocks, The Godfather 50th Anniversary, The Outsiders Musical, The Complete Novel of The Outsiders film, as well as several other films that are about to drop! And of course, co-founding Decentralized Pictures with Roman Coppola and Leo Matchett. Decentralized Pictures (DCP) is a 501c(3) nonprofit organization based on an idea that artistic talent may be discovered in innovative ways. Through user consensus we have set up a democratic film fund and online community of creatives, film-fans, and industry professionals who will decide which projects audiences most want to see and support. Submit your idea, and if the world is excited about your vision, we'll help you make it. We'll help finance it, and introduce you to the people who will help you execute your project in a professional way. We love to discover great talent and curate content. We hope you do too. Tiffany Lin is a Taiwanese-American filmmaker born and raised in the San Francisco Bay Area. A 2020 graduate of USC's film and television production program, Tiffany has worked extensively across live action, animation, and virtual reality. Her work has been recognized at festivals both domestically and abroad; a short film she wrote was also a semifinalist for the 2020 Student Academy Awards. Her most recent short POACHERSwas the winner of the 2021 Decentralized Pictures Alumni Beta Test, a new decentralized film funding platform backed by American Zoetrope. Through her films, Tiffany is interested in exploring unconventional and nuanced perspectives on the American Dream. Mbali Ndhlovu is a certified digital and communications strategist based in Johannesburg with a passion for digital connection and community. Born and raised in the historically and culturally rich Soweto and currently residing in Rosebank, Johannesburg, she has been active in the digital space for more than 14 years. Mbali has worked with some of the largest tech companies, whilst at the same time working towards empowering others like her in the sector. As a social entrepreneur, data researcher and founder of the youth platform I Know A Guy, her milestones include winning Facebook's Icon for Change award in 2019, her work as South Africa's national equality and inclusion ambassador in the tech industries for the Startupgrind as well as founding RebuildSA to to coordinate over 69 000 volunteers and donors to dispatch aid and assistance during South Africa's major civil unrest in July 2021. Alongside her passion for networking, pretending to understand code and creating strategic partnerships, she also co-heads the communities, the Startupgrind (Johannesburg chapter), She Said So (South Africa), TWAA, Adanian Labs, Media Plug and Cartel Thinktank. Mbali's work has been profiled across Forbes Africa, SABC, BBC Radio, CNBCAfrica as well as the Sunday Times, and she has been a speaker at a plethora of events hosted by Facebook, TikTok, Google for Startups, Nestlé (All4Youth) and Uber (Tech4Safety). This podcast episode has been curated in partnership with Goethe-Institut. The Berlinale's European Film Market is the first international film market of the year, where the film industry starts its business. Industry Insights - The EFM Podcast puts a spotlight on highly topical and trendsetting industry issues, thereby creating a compass for the forthcoming film year. The year-round podcast is produced in cooperation with Goethe-Institut and co-funded by Creative Europe MEDIA. full no Technology,Entertainment Business,Inclusion,Berlinale,European Film Market,Film Business,Diversity,Decolonization European Film Market

In 2014, Molto Groovy Christmas remade holiday favorites inspired by Italian and French movie soundtracks from the 1960s. Tracks also reference Esquivel, Jimmy Smith's soul-jazz, and other out-there sounds, and the project as a whole is defined by unlikely, psychedelic textural juxtapositions over gently funky grooves. The album came with a mystery, though. The cover reads, “Roman Coppola and Alessandro Cassella presents,” but it's not until you open the package that you discover who actually made the music. That task fell to Italian musician and producer Carlo Poddighe, who arranged the songs and played all the parts.   This week, Carlo Poddighe tells the story of the album and talks about the fun and the challenges that accompany having a studio full of the vintage gear needed for a project like this one.    Molto Groovy Christmas isn't on Spotify or Apple Music, but CDs and mp3s are available through Amazon and a few vinyl copies remain for sale at the album's Bandcamp page.    Poddighe talks about the influence of a number of Italian soundtrack composers including Ennio Morricone, the best known in the United States. A Morricone track is included, as is a track from the 1995 album Vampyros Lesbos Sexadelic Dance Party, a very psychedelic collection of soundtrack music that prompted renewed interest in European soundtrack music from mid-‘60s to the early ‘70s.  If you haven't already done so, please subscribe to Twelve Songs wherever you get your podcasts so that you don't miss an episode.   

In the first episode of A24 On the Rocks, these cinephiles begin their journey of reviewing every single A24 film in chronological order. The first movie? A Glimpse Inside the Mind of Charles Swan III, starring Charlie Sheen and directed by Roman Coppola. We discuss Charlie Sheen's pop culture relevancy in 2012 and his fall from grace, on top of reviewing the movie and giving our letter grade. Caution: movie spoilers. 

Decentralized Pictures Foundation (DCP) co-founders Roman Coppola, Leo Matchett, and Michael Musante chat with Trey Elling during SXSW 2022 about blockchain philanthropy fueling the discovery of indie filmmakers and the financing of their films. Topics include: An explanation of Decentralized Pictures, or DCP (1:28) What inspires Roman to want to help others (1:52) Blockchain's role in what DCP is trying to do (3:34) Why they're so enthusiastic about DCP (5:00) Roman's experiences working with Wes Anderson (9:20) What is Roman's "Bill Murray story"? (10:06)

The French Dispatch - Movie Review - Ray Taylor Show Subscribe: InspiredDisorder.com/rts Binge Ad Free: InspiredDisorder.com/plus Show topic: A love letter to journalists set in an outpost of an American newspaper in a fictional twentieth century French city that brings to life a collection of stories published in "The French Dispatch Magazine".Director: Wes Anderson Writers: Wes Anderson(screenplay by), Roman Coppola(story by), Hugo Guinness(story by) JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Members only discounts and dealsRay Taylor Show AD-FREE + Bonus EpisodesLive Painting ArchiveComplete Podcast Back CatalogueRay's Personal Blog, AMA and so much MORE!Sponsored By:InspiredDisorder.com/tmf The Many Faces - Original abstract ink portraits by Ray Taylor. Code: RTS for 25% OFF. StationHouseCoffee.com and @StationHouseCoffee on Instagram for premium small batch, single source coffee.InspiredDisorder.com/Ting $25 CREDIT! The best carrier. The best coverage.Same low rates, now with three coast-to-coast networks.Daily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links

The French Dispatch - Movie Review - Ray Taylor Show Subscribe: InspiredDisorder.com/rts Binge Ad Free: InspiredDisorder.com/plus Show topic: A love letter to journalists set in an outpost of an American newspaper in a fictional twentieth century French city that brings to life a collection of stories published in "The French Dispatch Magazine".Director: Wes Anderson Writers: Wes Anderson(screenplay by), Roman Coppola(story by), Hugo Guinness(story by) JOIN Inspired Disorder +PLUS Today! InspiredDisorder.com/plus Membership Includes:Members only discounts and dealsRay Taylor Show AD-FREE + Bonus EpisodesLive Painting ArchiveComplete Podcast Back CatalogueRay's Personal Blog, AMA and so much MORE!Sponsored By:InspiredDisorder.com/tmf The Many Faces - Original abstract ink portraits by Ray Taylor. Code: RTS for 25% OFF. StationHouseCoffee.com and @StationHouseCoffee on Instagram for premium small batch, single source coffee.InspiredDisorder.com/Ting $25 CREDIT! The best carrier. The best coverage.Same low rates, now with three coast-to-coast networks.Daily Podcast: Ray Taylor Show - InspiredDisorder.com/rts Daily Painting: The Many Faces - InspiredDisorder.com/tmf ALL links: InspiredDisorder.com/links

This week I'm getting my whimsy on, riding a bike around France, and cooking for some cops, all while discussing the latest Wes Anderson flick ‘The French Dispatch', with the help of the wonderful Julio from The Contrarians! Find Julio and his wonderful show on twitter @ContrarianPrime or on their website https://wearethecontrarians.com/ The French Dispatch of the Liberty, Kansas Evening Sun, or simply The French Dispatch, is a 2021 American anthology comedy film written, directed and produced by Wes Anderson from a story he conceived with Roman Coppola, Hugo Guinness and Jason Schwartzman. It features a large ensemble cast, and follows three different storylines as the French foreign bureau of the fictional Liberty, Kansas Evening Sun newspaper creates its final issue. We Watched A Thing is supported by Dendy Cinemas Canberra. The best Australian cinema chain showing everything from blockbusters to arthouse and indie films. Find them at https://www.dendy.com.au/ If you like this podcast, or hate it and us and want to tell us so - You can reach us at wewatchedathing@gmail.com Or, Twitter - @WeWatchedAThing Facebook - @WeWatchedAThing Instagram - @WeWatchedAThing and on iTunes and Youtube If you really like us and think we're worth at least a dollar, why not check out our patreon at http://patreon.com/wewatchedathing. Every little bit helps, and you can get access to bonus episodes, early releases, and even tell us what movies to watch.

This week Ian Harries of The Podcast Nobody Asked For hops in a Junior Turbo-Prop XJ750 to Trash Island to talk all things Wes Anderson, Stop motion and canines. The film at hand is Isle Of Dogs (2018), our Coppola Connections come from Jason Schwartzman and Roman Coppola who share Stro By credits along with Wes Anderson and Kunichi Nomura. THE PODCAST NOBODY ASKED FOR on TWITTERTHE PODCAST NOBODY ASKED FOR on INSTAGRAMTHE PODCAST NOBODY ASKED FOR WEBSITETHE PODCAST NOBODY ASKED FOR on APPLE PODCASTSBREADCRUMBS COLLECTIVE on TWITTERBREADCRUMBS COLLECTIVE on INSTAGRAMSUPPORT CAGED IN on PATREONBUY A PRINT NOW CAGED IN on TWITTERCAGED IN on INSTAGRAMCAGED IN on LETTERBOXDCAGED IN on FACEBOOKEMAIL CAGED IN NOWCaged In is apart of the Breadcrumbs Collective, head over to the WEBSITE to get all episodes of this show as well as other great shows. Get bonus content on PatreonSupport this show http://supporter.acast.com/cagedinpod. See acast.com/privacy for privacy and opt-out information.

Moderator Jake Ryan, director Wes Anderson, writer Roman Coppola, actors Bill Murray and Edward Norton and president of Criterion Peter Becker

Movies First with Alex FirstEpisode 937Answering the big question...should I see this movie? The French Dispatch (Comedy, Drama, Romance)A love letter to journalists set in an outpost of an American newspaper in a fictional twentieth century French city that brings to life a collection of stories published in "The French Dispatch Magazine".DirectorWes AndersonWritersWes Anderson (screenplay by) * Roman Coppola(story by) * Hugo Guinness(story by)StarsBenicio Del Toro * Adrien Brody * Tilda Swinton – IMDbTrailer: https://www.imdb.com/video/vi780780313?playlistId=tt8847712&ref_=tt_pr_ov_vi New: To listen on your favourite app, your one click listen link: https://link.chtbl.com/moviesfirst Movies First RSS : https://www.spreaker.com/show/2648009/episodes/feed Stream podcast episodes on demand from https://www.bitesz.com/show/movies-first-reviews/ (mobile friendly). For more from Alex visit our new website: https://moviesfirstpodcast.com or www.bitesz.com

Puntata a cura di Untimoteo.Oggi il podcast parla di Mozart in the Jungle (2014-2018, 4 stagioni, Prime Video). Una commedia brillante e romantica firmata da Roman Coppola e Jason Schwartzman con un ottimo Gael Garcìa Bernal e una perfetta Lola Kirke: e al centro la musica classica.Hailey e Rodrigo sono una giovane oboista che cerca di emergere e un talentuoso direttore d'orchestra passionale e imprevedibile. Il loro tormentato rapporto di stima, amore e amicizia si protrae per 4 stagioni: attorniati da divertenti comprimari, mostri sacri del cinema (Malcolm Mcdowell) e qualche passo falso (Monica Bellucci come cantante lirica..)."5 minuti 1 serie" è il format del podcast di Mondoserie che racconta appunto una serie in poco più di cinque minuti. Senza fronzoli, dritti al punto.Parte del progetto: https://www.mondoserie.it/Iscriviti al podcast sulla tua piattaforma preferita: https://www.spreaker.com/show/mondoserie-podcast Collegati a MONDOSERIE sui social: https://www.facebook.com/mondoseriehttps://www.instagram.com/mondoserie.it/ https://twitter.com/mondoserie_it https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ https://www.linkedin.com/in/mondoserie/

In einer Pandemie-Sonderfolge wurden euch in diesem Podcast unter anderem die Filme von Wes Anderson nahegelegt, um auf andere Gedanken zu kommen. Ob sich sein neuester Streifen „The French Dispatch“ ebenfalls dafür eignet, hört ihr in dieser Episode. Titel (englisch): The French DispatchJahr: 2021Regie: Wes AndersonDrehbuch: Wes Anderson, Roman Coppola, Jason Schwartzman, Hugo Guinness Kamera: Robert D. YeomanMusik: Alexandre […]

The French Dispatch of the Liberty, Kansas Evening Sun is a 2021 romantic comedy-drama anthology film written, directed, and produced by Wes Anderson from a story he conceived with Roman Coppola, Hugo Guinness, and Jason Schwartzman. The film stars a star-studded ensemble cast featuring Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray, and Owen Wilson. Its plot follows three different storylines as the French foreign bureau of the fictional Liberty, Kansas Evening Sun newspaper creates its final issue. Additional cast members in The French Dispatch include Liev Schreiber, Edward Norton, Willem Dafoe, Saoirse Ronan, Elisabeth Moss, Jason Schwartzman, and Anjelica Huston. The project was first mentioned in August 2018 as an untitled musical set after World War II. That December, the film was officially announced, with Anderson calling it a "love letter to journalists." Filming took place between November 2018 and March 2019, with cinematographer Robert Yeoman, in the city of Angoulême, France. During post-production, editing was completed by Andrew Weisblum and the musical score was composed by Alexandre Desplat. Following a delay from 2020, The French Dispatch had its world premiere at the Cannes Film Festival on July 12, 2021, and was theatrically released in the United States by Searchlight Pictures on October 22, 2021. The film received generally positive reviews from critics, with praise for the production design and performances. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

This is my review of The French Dispatch. First half is spoiler free, second half gets into spoilers (with a fair warning beforehand). The French Dispatch of the Liberty, Kansas Evening Sun is a 2021 American comedy-drama anthology film written, directed, and produced by Wes Anderson from a story he conceived with Roman Coppola, Hugo Guinness, and Jason Schwartzman. The film stars an ensemble cast featuring Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Bill Murray, and Owen Wilson. Its plot follows three different storylines as the French foreign bureau of a fictional Kansas newspaper creates its final issue. Additional cast members in The French Dispatch include Liev Schreiber, Edward Norton, Willem Dafoe, Saoirse Ronan, Elisabeth Moss, Jason Schwartzman, and Anjelica Huston. The project was first mentioned in August 2018 as an untitled musical set after World War II. That December, the film was officially announced, with Anderson calling it a "love letter to journalists." Filming took place between November 2018 and March 2019, with cinematographer Robert Yeoman, in the city of Angoulême, France. During post-production, editing was completed by Andrew Weisblum and the musical score was composed by Alexandre Desplat. Listen to my thoughts and afterward, please share your opinions or questions. RESOURCES/LINKS: -Coach or Consultant Services: https://philsvitek.com/lets-work-together/ -Podcast Services: http://philsvitek.com/podcastservices -Love Market Film (available now): https://www.amazon.com/Love-Market-Amy-Cassandra-Martinez/dp/B09DFS3FTZ/ref=sr_1_14 -Patreon: https://www.patreon.com/philsvitek -Merchandise: https://shop.spreadshirt.com/phil-svitek---360-creative-coach/ -Instagram: http://instagram.com/philsvitek -Facebook: http://facebook.com/philippsvitek -Twitter: http://twitter.com/philsvitek -Financially Fit Foundation: http://financiallyfitfoundation.org -Master Mental Fortitude Book: http://mastermentalfortitude.com -Elan, Elan Book: http://philsvitek.com/elan-elan -In Search of Sunrise Film: http://philsvitek.com/in-search-of-sunrise

Are we ready to talk about Keanu's best role in cinema? Ok, so it might not be exactly that, but I have a LOT of love for Francis Ford Coppola's lavish, sublime and gorgeous adaptation of Bram Stoker's Dracula. So much so that I don't even mind Keanu's stilted performance - it's no way as bad as many say it is, although that might be my bias shining through. It's a visual treat for the eyes, with stunning costume design by first-time costume designer Eiko Ishioka and incredibly practical in-camera special effects, headed by first-time visual effects director Roman Coppola (son of Francis Ford Coppola), as well as an unforgettable lead performance by the one and only Gary Oldman as Count Dracula; an icon of literature, TV and cinema for almost 100 years. This movie showed us that love, lust, sexual desire and terror are not mutually exclusive, and Coppola's vision would not only give us the only Academy Award-winning adaptation of the Dracula story, but also shape the way vampires (and the legendary Count himself) are portrayed in modern cinema. I love you too much to condemn you. I would love to hear your thoughts on Bram Stoker's Dracula! GET IN TOUCH.... Twitter https://twitter.com/verbaldiorama (@verbaldiorama) Instagram https://www.instagram.com/verbaldiorama (@verbaldiorama) Facebook https://www.facebook.com/verbaldiorama (@verbaldiorama) Letterboxd https://www.facebook.com/verbaldiorama (@verbaldiorama) Email verbaldiorama [at] gmail [dot] com Website https://my.captivate.fm/verbaldiorama.com (verbaldiorama.com) SUPPORT VERBAL DIORAMA.... Leave a 5-star rating/review: https://podcasts.apple.com/gb/podcast/verbal-diorama/id1453296967 (Apple Podcasts) or https://www.podchaser.com/podcasts/verbal-diorama-803268 (Podchaser) Join the Patreon: https://verbaldiorama.com/patreon (https://verbaldiorama.com/patreon) Thank you to all the patrons Simon E, Sade, Jardiel, Claudia, Simon B, Laurel, Derek, Jason, Kristin, Cat, Andy, Mike, Griff, Luke, Emily, Michael, Scott, Mark, Brendan, Ian, Lisa, Sam, Will and Jack. Buy Merch! https://verbaldiorama.com/merch (https://verbaldiorama.com/merch) Tees, mugs, hoodies and totes are available! EPISODE THANKS TO.... Most excellent patrons: Andy from Geek Salad for his Patron thoughts. You can find him @geeksaladradio on Twitter Derek and Laurel from The Midnight Myth for their Patron thoughts. You can find them @TheMidnightMyth on Twitter Subscribe, follow and listen to Geek Salad and The Midnight Myth in your podcast app of choice! And also to Patron Claudia for her thoughts! Twitter peeps @aliceoliverTV @MoviesWork Instagram folk @contrarianprime @stuntgoatanimation Facebook chums None this time Theme Music: Verbal Diorama Theme Song Music by Chloe Enticott - https://www.facebook.com/watch/Compositionsbychloe/ (Compositions by Chloe ) Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio Support this podcast

In this episode we talk with model, actress, and producer: the amazing Kate Amundsen. Kate has had a long career in modeling, and moved further into acting as a way to challenge herself in different ways, and later into producing as a further challenge. Kate shares with us her motivations, backstories, and insights into the making of the movie "Donna: Stronger Than Pretty", which is based on a true story, and about many other entertaining stories from her life. In addition, find out about her interest in Judy Garland, and what's coming in the near future from Kate. We thank her for coming by to chat with us, and hope you enjoy this really interesting episode. Kate's Bio: Kate Amundsen is an actress and model born and partly raised in Los Angeles. She got her start in the mountains of Utah and New Mexico where she starred in the classic homemade VHS videos as Barry Springer- the epic spin off of the classic Jerry Springer, and the rest is history! Kate convinced her parents to move back to LA at 13 and it quickly worked out in her favor. She has been fortunate enough to travel the world for work, starring and working alongside some of the best in the biz such as Roman Coppola, Amy Poehler and Julia Roberts to name a few. Kate is proud to have landed the leading role for the feature film "Donna", in which she has won Best Actress in several film festivals across the country. You can also catch her making appearances on TV shows such as "Shameless", "Ray Donovan" "The Mindy Project, and "Criminal Minds" to name a few. Kate is currently studying with Stuart Rogers at Stuart Rogers Studios.  

We are starting a new series here at Contra Zoom. A24 is putting out some of our favourite films and we want to revisit them and fill in the gaps for movies we have missed. We plan on going through every A24 episode, in order (except for some select new releases along the way). We start with the very first film A24 ever distributed, the Roman Coppola directed A Glimpse Inside the Mind of Charles Swan III starring Charlie Sheen, Jason Schwartzman, Bill Murray, Katheryn Winnick, Patricia Arquette and Aubrey Plaza. We also take the A24 four question quiz, make a double billing pairing and play "Would You Rather". Our double bill pairings are The Royal Tenenbaums (Dakota's pick) and Lost in Translation (Rachel's pick). If you haven't heard our deep dive into the origins of A24, listen to episode 108: A History of A24 Films and episode 109: Top Ten A24 Films. Check out Rachel's interview with A'ziah King, the real life Zola from the new movie of the same name. Check out Rachel's website for more great reviews and interviews and follow her on Twitter. Listen to Contra Zoom on Anchor, Apple Podcasts, Spotify, Google Play, Overcast, RadioPublic, Breaker, Podcast Addict and more! Please rate and review the show on Apple Podcasts, or wherever you listen. Send us a screenshot of your 5 star rating and review to contrazoompod@gmail.com and we will send you free swag! Thank you Eric and Kevin Smale for creating the awesome theme music and Stephanie Prior for designing the logo. Follow the show on Twitter, Instagram and Facebook. --- Send in a voice message: https://anchor.fm/contrazoompod/message

Jenny Kleiman is a talented filmmaker and an electric personality. She's pitched to Roman Coppola. She's pitched feature films to Sony. Recently Austin Film Festival X No Film School declared her “Top 5 Screenwriters to Watch for 2021.” Having been in writing groups with her, I'm not surprised. Hear Jenny discuss life as a professional director & screenwriter and its many highs and lows. Timecodes 00:01:17 | The Value of Writing Groups 00:05:42 | Pitching “Mozart in the Jungle” to Roman Coppola 00:15:08 | First Steps to Becoming a Director 00:20:49 | Directing Your Own Work is Hard 00:27:04 | First Feature Film “Fleurs” 00:31:20 | Being a Great Director 00:32:32 | Evaluating Your Movie's Budget 00:35:33 | How to Attract Talent to Your Script 00:39:46 | Most Depressing Times in the Industry 00:44:59 | A Day in the Life of a Director 00:48:55 | Working the Wound 00:52:44 | Writing as Therapy 00:59:39 | Write More Diverse Characters! 01:17:10 | Writing Problems 01:28:54 | Simplest Elements of a Good Script 01:45:39 | Tragedy: Not Small Death, But Small Births 01:54:18 | Is It Easy to Sell Content During a Content Boom? 02:03:53 | Marketing 02:12:04 | Early Projects 02:19:55 | Adulting as a Freelancer/ Creative 02:25:35 | Do What Makes You Feel the Most Present 02:28:04 | Art Gets You High 02:30:56 | Critiquing Religion/ Jewish Stuff 02:34:34 | Pitching Movies 02:45:47 | Creativity is a Disease 02:55:34 | Outro

As the one year anniversary of the pandemic passes by Episode 19 jumps into  with special guests Roman Coppola and Jennifer Furches. Learn the inside scoop on their many achievements and their latest projects while reviewing the March 2021 police log. The group enjoyed a bottle of the RC Reserve Syrah, that was originally produced in preparation for Roman's 40th birthday. Learn the inspiration behind the slight change seen on each label. A bottle of the "family wine" was also savored while learning about the Ikea bag measurement unit. Highlights of the episode include crystal balls, history of Inglenook winery, and the excess consumption of alcohol. Enjoy another delightful episode of Nine One Wine. 

This week we're discussing the (underappreciated?) Wes Anderson film The Darjeeling Limited. We talk about its fantastic soundtrack, abandonment issues, the fine line between heavy-handedness and clarity, icky train encounters, India on film, and how many aliens you could beat up. The Darjeeling Limited is a 2007 American comedy-drama film directed by Wes Anderson which he co-produced with Scott Rudin, Roman Coppola and Lydia Dean Pilcher and co-wrote with Coppola and Jason Schwartzman. The film stars Owen Wilson, Adrien Brody and Schwartzman as three estranged brothers who agree to meet in India a year after their father's funeral for a "spiritual journey" aboard a luxury train. The cast also includes Waris Ahluwalia, Amara Karan, Barbet Schroeder and Anjelica Huston with Natalie Portman, Camilla Rutherford, Irrfan Khan and Bill Murray in cameo roles. Watch recent & upcoming ILTYS2 movies here: https://drive.google.com/drive/folders/1mvRuuLuwjP26n_138AYxnsW0Zj-iGkqc?usp=sharing

This week Jeanette Bår joins me on the hunt for answers on the island of New Penzance when we look at Moonrise Kingdom. This is the first double Coppola film, with both Roman Coppola on writing duties and Jason Schwartzman in front if the camera in Wes Anderson's 60's set coming of age comedy. There's tangents aplenty as well as the usual dive into the guests relationship to the Coppola family.Jeanette Bår is one third of Sudden Double Deep, the world's best triple bill linked by a world in the title podcast alongside previous guest Daryl Bår and friend of the podcast, Matt Brothers.Is this film streaming? CLICK HERE to find out.Unfortunately there's no PATREON episode this week.JEANETTE BÅR on TWITTERSUDDEN DOUBLE DEEP on TWITTERSUDDEN DOUBLE DEEP on APPLE PODCASTSSUDDEN DOUBLE DEEP on ACASTSUDDEN DOUBLE DEEP on SPOTIFYBREADCRUMBS COLLECTIVE on TWITTERBREADCRUMBS COLLECTIVE on INSTAGRAMSUPPORT CAGED IN on PATREONBUY A PRINT NOW CAGED IN on TWITTERCAGED IN on INSTAGRAMCAGED IN on LETTERBOXDCAGED IN on FACEBOOKEMAIL CAGED IN NOWCaged In is apart of the Breadcrumbs Collective, head over to the WEBSITE to get all episodes of this show as well as other great shows. Get bonus content on PatreonSupport this show http://supporter.acast.com/cagedinpod. See acast.com/privacy for privacy and opt-out information.

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia(orm.es, 00,00h). Unrisen Queen semifinalistas para la mejor canción rock y mejor composición en THE UK SONGWRITING CONTEST con 'Rock it'. Arctic Monkeys han publicado el video grabado en directo de “Arabella” como avance del álbum “Arctic Monkeys. Live At The Royal Albert Hall”, que se publica este viernes, y que tiene fines benéficos.Joan of Arc se despiden con Tim Melina Theo Bobby, su último disco que se publica este viernes y estrenan "feedback 3/4" . Hoy sale nuevo single de Roldán con una remezcla que ha hecho Estrella Fugaz de otro de los temas del disco ."Cabalga" . Angel Calvo y Mena dos de las bandas fundadoras de Grabaciones Vistabella estrenan un single conjunto, titulado 'Mirar atrás". Muzz anuncian ep de versiones con una delicada versión de "nobody wants a lonely heart" de siempre infravalorado Arthur Russell , y darán el viernes su primer concierto para todo el mundo. The Strokes han estrenado el videoclip correspondiente a The Adults Are Talking, una de las canciones extraídas de su último disco The New Abnormal. El vídeo ha sido dirigido por Roman Coppola, hijo del mítico Francis Ford Coppola. V**gra boys regresan al pasado con ritmo sincopado, saxos y sintetizadores en "creatures", nuevo adelanto de Welfare jazz, su nuevo disco. Leiva es número 1 de álbumes en España con ‘Madrid Nuclear’. Repasamos la lista de ventas. “Si mi rayo te alcanzara” es el nuevo número de Xoel López y estrena videoclip para Vampiro Blanco. La Zowi enseña su lado más vulnerable con Nada. ‘Sólo tengo ojos para ti’ es una pequeña canción de amor grabada por Víctor Algoray Raúl Querido y co-producida y mezclada por Guille Mostaza. ‘Autorretrato’, tercer adelanto del próximo álbum de Tulsa. En 2012 Dylan lanzó un álbum inquietante al que había puesto el nombre de Tempest, mismo título que la última obra escrita de Shakespeare. Se difundieron rumores de que era su último álbum, su obra de despedida, su canto del cisne. La última canción del disco se llamaba Roll on John, un increíble, bello, controvertido y magnífico tributo a su viejo amigo John Lennon. Entrevista: Nacho Para (Bantastic Fand), que presentan 'Someboy's world' en El Batel

Otto und Sabrina reden mit Robert Ludl, wichtigste Wiener Instanz im Bereich Interior Design, in der dritten und letzten Folge der Miniserie über den verschrobensten Filmemacher, Heiland der Millennials und über dessen letzten drei Filme: Moonrise Kingdom (2012), The Grand Budapest Hotel (2014) und Isle of Dogs (Ataris Reise, 2018) von Wes Anderson. In einer Folge, die wie wenig andere, unter dem leuchtenden Stern des Schöngeistes steht, werden auch wieder dringende, in Mendl's Schachteln verpackte Fragen beantwortet: Ist 'sich verlieben' schon ein Treatment für einen Film? Welches Hotel kleidet seine Pagen lila? Und wieso möchte man mit einem Inneneinrichter über Zeichentrickfilme reden? Hängt euch den roten Pelz um, nehmt eure Tabletten gegen die Hundegrippe und vergesst um Himmels Willen eure guten Manieren nicht... Außerdem möchte Titelverteidiger Otto wieder beim Filmquiz brillieren. Schlussroller -> Top 3 Interiordesign Filme

Otto und Sabrina reden mit Jan Hestmann, FM4 Filmkritiker und Social Media Chefe, in der zweiten Folge der Miniserie über den verschrobensten Filmemacher, Heiland der Millennials und über dessen durchwachsene Mittelphase: The Life Aquatic with Steve Zissou (Die Tiefseetaucher, 2004), The Darjeeling Limited (inkl. Hotel Chevalier, 2007) und Fantastic Mr. Fox (Der fantastische Mr. Fox, 2009) von Wes Anderson. In einer Folge, in der Bonmotscherln und Powerpointen ausgeteilt werden wie Ohrfeigen auf der Belafonte, werden auch wieder dringende Fragen in absoluter Stop-Motion-Manier beantwortet: Wo beginnt bzw. endet der Wiener Speckgürtel? Wie oft muss man Speed gesehen haben um sich als Fan(atisch) bezeichnen zu können? Und wieso hat noch nie jemand Jan und den Hest-Man in einem Raum gesehen? Setzt die rote Haube auf, haltet euer Zugticket bereit und nehmt euch diesmal noch mehr Zeit als sonst - ihr werdet sie brauchen... Zusätzlich hofft Otto wieder auf seinen ersten Sieg beim Filmquiz. Schlussroller -> Top 3 Fernweh Filme

Hey, everyone! Today we’re talking to Leigha Monier-Williams. Leigha’s worked with some huge brands, such as Target, United Airlines, Snapchat, and Uber, as well as working with directors Roman Coppola and Lauren Greenfield. Some of her latest notable work is with Jonah Hill on the Adidas Originals account. Some things you’ll hear about in this episode are: How production companies and directors are selected for projects, How she became a producer, How to set boundaries at your company, and how to properly pronounce…‘Adidas.’ Producing Adidas originals. Growing up in a family of artists. Transitioning from NYC > to LA > back to NYC. Leigha’s bridge between college and work - Chelsea Pictures. How big agencies and clients pick production companies and directors. Balancing between personal life and work at Johannes Leonardo. Communicating and resolving conflict with coworkers and producers. Mistakes on the job. Only giving a task to someone you know can accomplish the task within the time frame that it’s needed. Setting boundaries and respecting parameters at work in the commercial advertising industry. Documentary filmmaking. Focus on what you want to do now and not what you want to become in ten years. Where can we become kinder and help others in the ad industry. Leigha misses people, Enneagram 3’s, and Extreme Ownership. Adidas Originals / Directed by Jonah Hill- https://johannesleonardo.com/project/change-is-a-team-sportFavorite Commercial: Cadillac - Don’t You Dare - https://www.youtube.com/watch?v=566IfJwOBAEFavorite Movie: Blue by Krzysztof Kieslowski - https://www.imdb.com/title/tt0108394/?ref_=nm_flmg_dr_8Favorite Docs: Minimalism - https://www.imdb.com/title/tt3810760/ and Super Size Me - https://www.imdb.com/title/tt0390521/Leigha’s Website - https://mindfulfilm.com/email - layamowill@gmail.com Mastered by Sophia Wade SoundIntro mixed by Micheal Hartman

James Mockoski, head of production and archives at American Zoetrope joins us this week to discuss his work supervising the restoration department for Director Francis Ford Coppola’s production company. We discuss his recent work on the 4K Dolby Atmos release of Apocalypse Now: Final Cut and other titles including The Conversation, The Godfather and Lost in Translation. ABOUT AMERICAN ZOETROPE: American Zoetrope (also known as Zoetrope Studios from 1979 until 1990) is a privately run American film production company, centered in San Francisco, California and founded by Francis Ford Coppola and George Lucas. Opened on December 12, 1969, the studio has produced not only the films of Coppola (including Apocalypse Now, Bram Stoker's Dracula and Tetro), but also George Lucas's pre-Star Wars films (THX 1138, American Graffiti), as well as many others by avant-garde directors such as Jean-Luc Godard, Akira Kurosawa, Wim Wenders and Godfrey Reggio. American Zoetrope was an early adopter of digital filmmaking, including some of the earliest uses of HDTV. Four films produced by American Zoetrope are included in the American Film Institute's Top 100 Films. American Zoetrope-produced films have received 15 Academy Awards and 68 nominations. Initially located in a warehouse on Folsom Street, the company's headquarters have since 1972 been in the historic Sentinel Building, at 916 Kearny Street in San Francisco's North Beach neighbourhood. Coppola named the studio after a zoetrope he was given in the late 1960s by the filmmaker and collector of early film devices, Mogens Skot-Hansen. "Zoetrope" is also the name by which Coppola's quarterly fiction magazine, Zoetrope: All-Story, is often known. American Zoetrope is now owned entirely by Coppola's son and daughter, directors Roman Coppola and Sofia Coppola, while a majority of the film library is now owned by Lionsgate. www..zoetrope.com/american-zoetrope

 Pittsburgh’s most famous magician, Lee Terbosic, visited the P100 Podcast for this episode, sharing stories from the road and close to home, the legacy of Harry Houdini and the success of the downtown theater Liberty Magic. Elsewhere in the episode:— A look at why Super Bowl ads aren’t always worth the multimillion-dollar cost incurred by the brands who can afford it.— We talk about the major investments being made in Oakland and what it means for one of Pittsburgh’s most vibrant neighborhoods.— Our next Pittsburgh Polyphony features a look at the compilation album "Pittsburgh City Limits," from the production trio One800.This episode is sponsored by WordWrite:Centuries before cellphones and social media, human connections were made around fires, as we shared the stories that shaped our world. Today, stories are still the most powerful way to move hearts, minds and inspire action.At WordWrite, Pittsburgh’s largest independent public relations agency, we understand that before you had a brand before you sold any product or service, you had a story.WordWrite helps clients to uncover their own Capital S Story – the reason someone would want to buy, work, invest or partner with you through our patented StoryCrafting process. Visit wordwritepr.com to uncover your Capital S story.Logan Armstrong:        You are listening to The P100 Podcast, the biweekly companion piece to The Pittsburgh 100, bringing you Pittsburgh news, culture, and more because sometimes 100 words just isn't enough for a great story.Paul Furiga:                  Welcome back to another edition of The P100 Podcast, the audio companion to The Pittsburgh 100 e-zine. I'm Paul Furiga. I'm the Publisher of The Pittsburgh 100, and the CEO of WordWrite Communications, alongside Dan Stefano, our Editor of The Pittsburgh 100 and brand journalist at WordWrite. Hey, there, Dan.Dan Stefano:                That's quite an introduction there, Paul. I normally just rush straight through it.Paul Furiga:                  I don't think you should, Dan. So Dan, what have we got coming up in this amazing episode?Dan Stefano:                I would say it is amazing.Paul Furiga:                  It's magical, isn't it, Dan?Dan Stefano:                Well, it's an exciting week because we are just ahead of Super Bowl Sunday here, so we're going to open up things with a discussion about Super Bowl ads.Paul Furiga:                  Yes.Dan Stefano:                Yeah. We're going to talk about how they might not be worth the money. I know few things are worth $5.6 million, although I wouldn't mind having some in my pocket.Paul Furiga:                  Sure.Dan Stefano:                I probably wouldn't spend it on that, but yeah. After that we're going to have a great conversation. It'll be me and Logan Armstrong who's not here right now, but he'll be joining us for a talk with Lee Terbosic. You could say he's Pittsburgh's most famous magician, and he's got some great stories to talk about, just basically magic in the area, Liberty Magic, new theater. He even gets into a discussion about David Copperfield, the time he got to meet him and really cool stuff.Paul Furiga:                  Great.Dan Stefano:                Following that, we're going to discuss some big developments in Oakland, and Paul, you're really interested in that, right?Paul Furiga:                  I am indeed. Oakland is home to Pitt, and not only where Logan went to school but one of my daughters, and been following Oakland for the better part of 25 years, first when I was editor of The Business Times, and now here at WordWrite. Still a lot going on over there.Dan Stefano:                Well, this WVU grad doesn't really hold that against your daughter or Logan.Paul Furiga:                  Well, thanks, Dan.Dan Stefano:                But Logan, he will also be joining us again with the Pittsburgh Polyphony segment at the end of the show here and we've got another great track for you to listen to, but yeah. I guess we're going to get to it then, right?Paul Furiga:                  Let's go.Dan Stefano:                Okay.Paul Furiga:                  All right, Dan, big weekend coming up, and I don't mean the list of home projects I have. I am talking about the Super Bowl. You going to watch?Dan Stefano:                Despite there not being any Steelers in it I supposed I will because that's just what you do as an American on Super Bowl Sunday. Right?Paul Furiga:                  It is what you do if you're an American male, now.Dan Stefano:                Females too, my wife's watching. We're actually going to host a-Paul Furiga:                  I agree. I do not want to be a sexist here at all. However, I do want to add that for those people who aren't as much into what's happening on the field, the Super Bowl has become, what we really want to talk about, the Super Bowl of advertising. Right?Dan Stefano:                That's very accurate, yeah. This year for a 30 second spot – $5.6 million, which is a pretty good chunk of change.Paul Furiga:                  It is. The game's on Fox, and we've got the San Francisco 49ers, and the Kansas City Chiefs. As you pointed out, two teams that most Pittsburghers don't care anything about.Dan Stefano:                We are actually hosting a Chiefs’ fan at our house for the game. She's a former co-worker of my wife, and she has not too many other Chiefs’ fans to watch the game with, so she's going to come over. I guess we'll have some sort of rooting interest.Paul Furiga:                  So, like it's a-Dan Stefano:                She's not a Patriots or Ravens fan, so we can root for it.Paul Furiga:                  Well, that's kind of the test. If the Steelers aren't in, and you just don't want to have anybody rooting for the Ravens, or the Patriots. Right?Dan Stefano:                Accurate.Paul Furiga:                  Now, Pittsburgh is in the game.Dan Stefano:                That's true. They are in the game.Paul Furiga:                  Kraft Heinz is going to do one 30-second commercial during the second quarter, according to the Pittsburgh Post-Gazette story by Teresa Lindeman, good friend of mine. It's going to promote Heinz ketchup, and a new experimental variation.Dan Stefano:                Right, this is what brings sriracha into the fold here, Ketcharacha, or something along those lines.Paul Furiga:                  HoneyRacha, my friend. Let's get the flavor blend correct there.Dan Stefano:                They've got too many blends these days, Paul. It's ridiculous.Paul Furiga:                  Dan, it's ketchup. The company's done very well for more than 100 some years on this very simple, enjoyable condiment.Dan Stefano:                That's right. There's nothing wrong with just plain ketchup.Paul Furiga:                  Well, they got pickles too, in the beginning.Dan Stefano:                I don't want mayo with it. I don't need all these other things.Paul Furiga:                  Dan, there's a Heinz flavor just for you. I am sure.Dan Stefano:                Yeah, it's called ketchup.Paul Furiga:                  Right, the point here though is, as you know, what about these Super Bowl ads? They cost so much money, and what really is the impact. This is kind of a perennial question in the marketing world, and we're marketing people, so maybe we can offer some insight, right? I must say that I get asked this question all the time this time of year. People want to know whether it's worth the amount of money that these things cost. The favorite answer of any consultant, including in our business, is it depends. Wouldn’t you agree, Dan?Dan Stefano:                I'd say that's accurate. The depending is really who you're advertising to, and what type of advertising you're showing here.Dan Stefano:                There's a really good study from Stanford. This is about five years ago, but they found that the most effective ads were the ads that could connect their products to the sports viewership, the people who view sports. The idea of watching sports, how many ads are we going to see for beer companies out there today.Paul Furiga:                  Only one beer company because for more than 20 years, Budweiser has been the only beer to advertise in the Super Bowl.Dan Stefano:                Absolutely, yeah.Paul Furiga:                  Which, the study you're referencing, I thought this was a fascinating conclusion of the study. They looked at, like you said, the brands that are associated with viewing sports, duh, beer, soda, snacks-Dan Stefano:                Pop, but yeah.Paul Furiga:                  Yeah, here in Pittsburgh it's pop, and that, but anyway.Dan Stefano:                Just catching you.Paul Furiga:                  Thank you very much for correcting my failure to use Pittsburgh-ese.Dan Stefano:                Before I interrupt you, yeah.Paul Furiga:                  Budweiser, they looked at Budweiser, and they estimated that the sales of Bud went up $96 million, or almost 16% in the weeks following Super Bowl. Now, they also looked at pop, Coke and Pepsi. Now Coke and Pepsi both advertise in the game during the years that the study covered. Guess what? They cancelled each other out.Dan Stefano:                Yeah, that's what the interesting part of the study here says is whenever there's competition in the ads that's whenever, as you said, it cancels each other out, and they don't really see a boost from this, and it becomes less worth it to advertise in the Super Bowl. That's fascinating to me. Why do you think that is?Paul Furiga:                  What of the other things, there's another study that was done in 2017 by a company called Communicus. Generally speaking people are watching the ads for entertainment value. In my view they're the best short films that you can see at any given time.Dan Stefano:                I saw Michael Bay is directing one this year.Paul Furiga:                  Yeah.Dan Stefano:                Yeah, that's pretty wild.Paul Furiga:                  Well, the Heinz, the Kraft Heinz ad, is being directed by Roman Coppola who I believe is the son of the legendary film director. His daughter, his son, maybe a few other family members are actively involved in doing films, and TV, and stuff like that.Dan Stefano:                Godfather Part 4 where we only have 30 seconds of plot left.Paul Furiga:                  There you go.Dan Stefano:                Yeah.Paul Furiga:                  Yeah, these things draw talent. The study that I'm referencing from 2017 found that 80% of the people watching the Super Bowl, eh, no impact whatsoever from the ads in terms of buying behavior although they found them entertaining. Really, this is kind of the stereotypical thing where we started this segment. The people who care about the football on the field watch for the football, and those who get dragged to the party where people are watching the football they have something to watch too, and that's the advertising.Dan Stefano:                True.Dan Stefano:                All right, we're joined by a very special guest. He might be Pittsburgh's most famous magician. He's toured all over the country, across the world. He's appeared in some big acts with big names in his profession, big celebrities, and importantly he's never forgotten his Pittsburgh roots, helping to open Liberty Magic downtown in the cultural district. It's been open for about a year now, opened in February, 2019. He is Lee Terbosic. Thanks for coming.Lee Terbosic:               Thanks for having me, man.Dan Stefano:                We're really happy to have you. As I just mentioned, Lee, Liberty Magic is a relatively new venue, strictly for magic. It's close quarters. About what, maybe 80 seats or so?Lee Terbosic:               We have 70 seats, right at that 70-seat mark.Dan Stefano:                70 seats, okay, so really intimate space. If you're seeing some magicians, and they're doing sleight of hand tricks you're right there to see it. It's really cool stuff. They bring in magicians all over the world.Dan Stefano:                Can you describe your role in helping get it started, and how it's been doing for a year?Lee Terbosic:               Yeah, we've been doing very well. I'm happy to report I did 100, let me see if I got this right. Yeah, I hit 100 shows publicly last year just at Liberty, so I did three runs. I did an eight-week run of my show, In Plain Sleight, which is essentially all my standup comedy magic, illusions, mentalism. It was my touring college show that I took, and reworked, and re-marketed, and flipped, and had fun with, so I brought that to Liberty this year. Then I brought the... We sold out. Every show sold out for that run for eight straight weeks. I was going to come back in the fall with the show as well, this fall. But during that, over the span of this past year, I had a TV series come out on Discovery Channel called Houdini's Last Secrets.Lee Terbosic:               When I wrapped on filming that, there was some stuff that I still wanted to work on offstage. As I was working on it I developed this idea of wanting to bring a Houdini show where I would play Harry on stage to life. Now I have this beautiful venue with all this creative freedom to come up with stuff, and so I decided to create a show called The Life and Death of Harry Houdini. We decided to run that performance. I was working on that all last year, all summer writing it, scripting it, scoring it, everything from filming a documentary, all kinds of crazy stuff. But, the idea was to bring it to fruition for two weeks in October, the last two weeks of October because they're always such a big magic month, and it always circulates around because of Harry Houdini's death on October 31st of 1926.Dan Stefano:                Oh on Halloween.Lee Terbosic:               Halloween, yeah. We originally promoted that show. We put tickets on sale for just the two weeks. The show sold out in one day, all two weeks of the run, so we decided. The trust came back to me, and said, "Hey Lee, there's a pretty big demand for the show." I said, "Okay, well let's do it another two weeks."Lee Terbosic:               The thing about that is that in the show I was doing a stunt. I do the upside down straight jacket escape in the show, and so by me agreeing to extend the show two more weeks that's me agreeing to extend me putting my life on the line every single night.Dan Stefano:                Right, to remind everybody, back in I think it was 2016 you did this over... Was it over Penn Avenue, or Liberty?Lee Terbosic:               No, Houdini 100 took place on November 6th, 2016 at the corner of Liberty and Wood, so just down, right there on the corner.Dan Stefano:                You were hung pretty high in the air on that one.Lee Terbosic:               I was 100 feet up, upside down in a straight jacket.Dan Stefano:                I know Liberty Magic doesn't quite have 100 foot ceilings.Lee Terbosic:               We don't have that high of a ceiling, but it's like a 25, 28 foot ceiling height. Then we were able to find this really, really ingenious rig that we installed into the theater. I was able to be about, when my feet were up there I was about a foot from the ceiling with my feet because of the contraption. Then my head was... If you look up in the audience you're three feet away from me. I'm really hanging over top of you doing the straight jacket escape. This is as close as you can get to having it done, and being able to see it, but it didn't start just this year. I've been doing residencies in the city since 2015. That was the time period where I told my agent, and my manager. I was like, "Hey guys, I've been on the road a lot. I want to come home."Lee Terbosic:               I came home, and I started doing residencies at Dave & Buster's with a show called Bamboozled. Then I have a residency still to this day, I still have it going. It's called 52 Up Close at Hotel Monaco. That's just for 52 people at a time, and I'm only doing the show 52 times a year now.Dan Stefano:                You grew up in one of the southern neighborhoods in the city.Lee Terbosic:               I was a city kid actually, so I was born and raised in the City of Pittsburgh, Lincoln Place. Then I went to, when I was in my teenage years I moved to Baldwin. I went to Baldwin High School. Then from Baldwin, I went to Robert Morris University.Dan Stefano:                It's nice to see somebody come back, and try to give back to the culture of the city here, and you touched on it. Is there... People don't think of magicians quite as often. Do you feel like the culture still has really an interest in it, the profession?Lee Terbosic:               It is more than ever right now. We are in – I call it the magic renaissance period. Every year something's hot, and Hollywood always... You always know it's hot because Hollywood jumps on it, and they explode it. When magic's hot there was a ton of magic movies. It has peaks and valleys, and sometimes standup comedy's the hot thing, but magic has definitely had its due, I guess. That's because of all these amazing shows that are now promoting magic in the right way, like America's Got Talent and these great magic themed shows on television. That's getting the audience's attention out there to see it live, and that's one of the problems. You can't see magic live. You only watch it on your phone, or on television because most people might know about the Magic Castle in Hollywood, but other than that they're like, "Oh, I can see a magician maybe in Las Vegas", but they don't know that we have it right here. It's in New York. It's popping up in every city across the country now.Lee Terbosic:               The same way how a comedian tours the country, and goes to comedy clubs, you're starting to see that happen with magic now. Magicians are literally getting the chance to go to the Chicago Magic Lounge, perform there, perform at Liberty Magic in Pittsburgh, hit the Magic Castle in Hollywood. It's like that circuit is starting to come alive.Logan Armstrong:        Yeah, and it's nice to have an intimate venue, like Liberty Magic, like you said, where it's more of that up close, sleight of hand kind of things. When you first got into magic was that your passion, those up close, intimate sleight of hand, or did you like doing those bigger stunts, or how did it all start for you?Lee Terbosic:               It really, for me, started with sleight of hand. I was drawn to a pack of cards, learning card tricks, and fooling people, my parents, and my sister. Then it slowly kind of morphed because you have to figure out who you are on stage, and that can take time, and especially when you're a young kid because I was just bouncing all over the place. I loved David Copperfield. I loved Lance Burton. I loved Penn & Teller. I loved all these guys, and they all had their own thing. I'm a young kid that's into magic, so I'm absorbing everything. I'm a sponge.Lee Terbosic:               Over those few years of coming up, I dabbled in a little bit of everything from making my sister disappear to mind reading stuff, to trying big illusions, and stuff like that. As I grew as an entertainer, and grew as a performer I realized what my strong suits were, and what the stuff I really dug, and so I veered into that type of magic in which, for me, was a pack of cards. I'm obsessed with doing card tricks, but over time I saw avenues like learning escapes, and my infatuation with Harry Houdini, and that comedy magic, and illusions, Amazing Jonathan, all these different personalities that were out there were in one hand or not shaping me as a performer for what to bring to the audience.Logan Armstrong:        You mentioned Harry Houdini as a big influence, and you obviously had the huge stunts, Houdini 100 back in 2016. Are there any other upcoming, crazy stunts that we can expect, or anything big for you on the horizon?Lee Terbosic:               Yes, I'm always working on something. My infatuation with him began in 2010. Every kid who gets into magic knows who Harry Houdini is, but I read his stuff as a kid, but I wasn't mesmerized by him back then because, like I said, I had so many magicians to look into, and figure out, and try to find out how all this stuff was happening. For me it was when I was in, it was in 2010. I was in New York City with my mentor, and fellow Pittsburgh magician, Paul Gertner, and Paul has had a big influence in my career. When I was helping him produce his show in New York before we left he asked me. He said, "Lee, do you want to see if we can find Harry Houdini?" At that moment I was like, "Wait a minute. We're going to go find Harry Houdini right now? What do you mean? Where's he at?"Dan Stefano:                That's quite a trick.Lee Terbosic:               That's quite a trick, right, like he's been dead for a long time. But, he goes, "No, he's buried I think in the cemetery right up in Queens." My history, the little history I had of Harry at that moment, I assumed that he had been buried in his hometown, which was Appleton, Wisconsin. I'm thinking, "Why would he be buried in Queens?" That's when Paul was like, "No, New York was a big part of his life, and helped shape him, and duh, daduh, daduh", and so we went and found Harry that day.Lee Terbosic:               That was in 2010. We went to his grave, and we stood there. It was kind of cool to be with another magician, and learning with him. When I got back Paul gave me a book. It's called the Taschen Magic Book. It's this giant coffee table book, very pretty. That night when I was going through the pages of that book I stumbled upon the photo of Harry Houdini doing the upside down straight jacket escape in Pittsburgh . And that was the moment that I went, "Wait a minute." It hit home. It came full circle. I was just at his grave in New York. Now I'm standing in my living room in Pittsburgh, and this dude played my city, and did the biggest trick I've ever seen in this city. I'm going, "Well, I have this information now. It's dated." I could figure out where it was in Pittsburgh. I was like, "I have to bring this back to life for this generation." That was when I set out to create Houdini 100. Then since then I've done the show, Houdini's Last Secrets, where I did a whole bunch more of his tricks on television, and then brought it to the stage with The Life and Death of Harry Houdini.Lee Terbosic:               We're working on a documentary right now from all the stuff that I was able to shoot over the summer. I shot at the Magic Castle in Hollywood with a guy named John Cox. I filmed at the Houdini Museum in New York City with Roger Dryer. Then I also got a special invitation tour, invite only, from the people that own Harry Houdini's actual home in New York. It's in Harlem. It's called 278 West 113th Street. He bought the house in 1905, and he lived there up until the day he died in 1926, so he lived there about half his life with his family, and his wife.Lee Terbosic:               I was all these things. I was so fascinated with his home, and so that's when I, when I was figuring all these things about his house I decided to make my live show a performance in his living room, so when you come to see The Life and Death of Harry Houdini at Liberty Magic you literally saw me on stage portraying Harry Houdini, but in his home at 278 in Harlem.Dan Stefano:                Did you recreate?Lee Terbosic:               Yeah, we did because it was all, the whole performance was centered around the bookcase. Now, if you remember in 2016 I recreated the photo of Houdini 100. That was one of the big things. I took the photo from 1916, and I got the exact same image of me doing it in 2016. It's the exact same spot Harry was hanging in the city.Lee Terbosic:               When I was doing my research about Harry Houdini's house I found this photo, which is an iconic photo, of Harry standing against a bookcase with all these books. If you Google it, it's one of the first photos that pop up. Well, I found out that photo was taken in his home at 278. That bookcase was very special to Harry Houdini. It housed all of his collection of secrets. It literally was the jewels of magic right there in that photo.Lee Terbosic:               Well, when he died all of his magic got broken up all around the world, and that house was obviously sold, but that bookcase in that home remained to this very day. But, in 2016, or 2017 when that house went on sale that bookcase disappeared out of the living room. And if you look at the photo it's a gigantic, beautiful bookcase, and you're going, "How did this disappear out of this photo?" Well, the one person that made it disappear was David Copperfield. He is now the biggest collector of magic in the world.Lee Terbosic:               Over the years, over the past 30 years, his collection, he has bought up everything Harry Houdini, and he's taken it all to a secret warehouse in Las Vegas, and that's where his collection lives. In the magic world we refer to it as the Smithsonian of magic because it is unbelievable, but yet it's still a secret. It's the secret where it's at. It's in the secret warehouse, and it's his museum. The only way to see this stuff is by David Copperfield. He's the only one that will allow people in and out to see it.Lee Terbosic:               Once I had figured out all these things about Harry's house, and this bookcase, and I was like, "Well, the only thing I got to do is I got to get into this. I got to go see David. I got to get into this museum." That's what I did. I hit up my... Going back, on the Discovery show I did that show with a guy named George Hardeen, and George Hardeen's claim to fame is that he is the great grand-nephew of Harry Houdini, so I'm friends with the family now. I'm in the family, so I know that if I took George Hardeen, a Houdini, and I put him in front of David Copperfield, the biggest Houdini collector out there, and lover of magic, and Harry Houdini, I knew that I would see something special something happen, so that's what I did.Lee Terbosic:               I hit up George. I said, "George." He lives in Arizona. I said, "Hey man, do you want to meet me in Las Vegas? I want to take you to something." He was like, "Sure." So, we all-Dan Stefano:                That's all you said, "I just want to take you somewhere."Lee Terbosic:               He's like, "Oh dude, Vegas, I'm in." He's such a fun guy. George met me in Las Vegas. My friends from England came over, and we all went and saw David Copperfield that night. We got front row tickets. Then I arranged for a meet-and-greet back stage. Then we went back backstage, and I introduced. It was really cool. I got to introduce George Hardeen, a Houdini, to David Copperfield. It was in that moment that David Copperfield was meeting George where I can see David literally becoming a kid. He's like, "Wow." You could see the resemblance, and so that night he took us to see the museum, a private tour by David Copperfield of his museum, and he let us see, and touch all the Houdini stuff, but that bookcase that was in the home. That bookcase is in his collection. What David Copperfield did is he took me to the exact same location on that bookcase, and he posed me, and he took a photo on my phone. He took the photo, and I recreated that photo from the bookcase from Harry Houdini.Dan Stefano:                Wow, that's pretty amazing.Logan Armstrong:        Wow, that's incredible.Lee Terbosic:               It's been a wild ride the last couple years, but obviously still working on more to answer your question. I still have some more stuff I'm working on.Logan Armstrong:        Well, once you visited that I'm sure you have a ton of secrets-Lee Terbosic:               Oh my God, man.Lee Terbosic:               It opened up a can of worms because getting to sit down, and talk to David Copperfield about Harry Houdini, and just his infatuation with him, and the stuff that he was able to uncover. These things are just implanting in me. I'm just going, "Oh boy, where's this going to take me next?"`Dan Stefano:                That's amazing the impact. Yeah, the impact he still has on that profession.Lee Terbosic:               Absolutely.Dan Stefano:                There's a lot of different types of magic. There are these big escapes. There's also the smaller sleight of hand. What do you think is the unifying theme of all of that, and why people are still into magic, and why people are going down to Liberty Magic, and selling out?Lee Terbosic:               You know what? That's a great question. I think it's the you have to see it with your own eyes because I think in this day and age people have become so skeptical of stuff. Everything, fake news, and deep state, and now there's videos where it's like Obama talking, but it was obviously made by some other algorithm. It's that type of skepticism that has come full circle where people are just going, "Screw it. I'll go see it live. I got to see it from my own two eyes."Dan Stefano:                Lee, can you tell us how people can follow you online, so your social accounts, and any way they can get online to see shows at Liberty Magic too?Lee Terbosic:               Absolutely, follow me at leeterbosic, L-E-E-T-E-R-B-O-S-I-C, on Instagram, Facebook. You can visit www.leeterbosic.com, 52upclose.com, and then for everything for Liberty, that's all run through the trust, so it's trustarts.org. Then /libertymagic. So, you can find all the upcoming shows, and other magicians that are coming to play that city, and when I'll be back as well.Dan Stefano:                That's great, well, Lee, thank you so much for coming, and everybody just try to get down to Liberty Magic. It's absolutely worth the trip. I've been myself.Lee Terbosic:               Come see me.Dan Stefano:                Thanks, Lee.Logan Armstrong:        Centuries before cell phones and social media human connections were made around fires as we shared the stories that shaped our world. Today stories are still the most powerful way to move hearts, and minds, and inspire action. At WordWrite, Pittsburgh's largest independent public relations agency we understand that before you had a brand, before you sold any product or service, you had a story. WordWrite helps clients to uncover their own Capital S Story, the reason someone would want to buy, work, invest, or partner with you through our patented story crafting process. Visit wordwritepr.com to uncover your Capital S Story.Paul Furiga:                  All right everybody, in this segment we want to talk about economic development. No, don't turn off the podcast just yet because we want to talk about sports, and we want to talk about medicine.Dan Stefano:                Sports, now you've got my attention.Paul Furiga:                  See, there you go, Dan.Dan Stefano:                And I've taken medicine before.Paul Furiga:                  I think you guys both have some perspective. You've taken medicine before?Dan Stefano:                Yeah.Paul Furiga:                  Dan, you're married to a doctor. You have a little bit more insight than that. Give yourself some credit, dude.Paul Furiga:                  All right, so recently in the news two fairly major announcements related to Oakland, University of Pittsburgh, UPMC. University of Pittsburgh has announced a $250 million campaign to upgrade its sports facilities dubbed by the athlete director, Heather Lyke, as Victory Heights, very cool thing. We're going to dig into that a little bit.Paul Furiga:                  The other thing we want to do is just offer a little perspective here. Most people don't know this, but where the universities are in Oakland, and where most of the region's major medical centers are is like the fourth largest employment center in the entire state of Pennsylvania. People from outside the region, they look at Pittsburgh, and they're like, "Oh steel, blah, blah, blah, blah." Some people are into the, "Oh, it's eds and meds", but they really don't understand, I don't think, what's happening in Oakland. It's now become a place where you've got these great universities, but you've also got a lot of economic activity.Paul Furiga:                  For instance, Victory Heights gets announced, and the same day UPMC Enterprises, which is the venture capital arm of UPMC, who knew a hospital system had that, announces one billion dollars in life sciences investments over the next four, five years.Dan Stefano:               That's enormous.Paul Furiga:                  It's incredible, right? Now, the thing about that is we don't see that as much as what we're probably going to see with Victory Heights. If you're listening to this podcast, and you don't even like sports I got to tell you. It's really bad up there, and Dan is a former sports journalist, and-Dan Stefano:                Currently, yes.Paul Furiga:                  ... Logan is a Pitt grad. I'm sure you guys have some perspective on that. Dan, what do you think?Dan Stefano:                Yeah, that area where Victory Heights is going to be, and I guess that's the upper campus. Logan, you're the grad. You know exactly, a little bit better than I do, but I don't want to say it's a depressed area, or anything, and they've definitely improved some aspects I believe in terms of their soccer stadiums, and their baseball, softball, but you've got the Fitzgerald Field House up there, which is decades old now. I think it pre-dates, maybe it goes beyond the '50s. I don't have the exact age on it, but I don't think there's any air conditioning there. I know teams are kind of, whenever they try to practice there, it's really crowded. I think what we saw on some of the reporting on this that the wrestling team – half of their team can practice at one time because they're worried about what if they get the entire team out there, the other weight classes, they're going to bump into each other.Dan Stefano:                This is needed to replace certain facilities, replace the Fitzgerald Field House with a 3,500 seat arena, where the wrestling team, the volleyball team, the other teams can compete, new arena there, a performance center, an indoor track. This will bring Pitt up to the level that other ACC schools are, and just other universities that are of the same level in terms of these public universities that have giant athlete departments.Dan Stefano:               These types of investments are needed from time to time at universities. A lot of people think, "Well, okay, it's just athletics", and you think volleyball, and wrestling, and gymnastics, and all of that. They aren't the revenue producing sports, but it helps enrich the university. I think a lot of this is going to be done with donor money. There's going to be some financing that's going to be involved in it. As any of these projects go it's probably going to go over budget a little bit. You hope not, but it probably will. You have to have this happen from time to time, and Heather Lyke, who's the AD there, kudos to her for actually bringing something like this to fruition. It's been talked about, maybe not in this exact structure for a while, for Pitt Athletics here. The Victory Heights label, I don't know how long that label has been on it, but she made this happen pretty quick in what has been a relatively short tenure right now with Pitt.Dan Stefano:                Logan, I know you've probably got be excited to see something like this happen as a recent Pitt grad.Logan Armstrong:        There's mixed emotion about it. There's a lot of things, and there's a lot of pros and cons in having a campus in a city environment, and one of the things that's going to happen is this new 3,500 seat arena that they're building on the lawn next to the Pete, that takes up a big area of green space that you don't really have much anywhere else on Pitt's campus.Logan Armstrong:        But, like you said, it's definitely needed that there's going to be some facility updates, and renovations because, yeah. The Fitzgerald Field House is old, and there's definitely some renovations that could be of great benefit to other sports teams even if they're not the most revenue generating, but they're also planning on replacing the student recreation center, the gym, and the Pete, and outsourcing that somewhere else. But, I'm hoping that the Fitzgerald Field House becomes a student, not a student athlete, but a student recreational athletic center where they're going to be able to replace some of the facilities that aren't needed to be quite up to standard for say the basketball team, or the football team, but for other gyms, and recreationally athletic facilities that are coming.Logan Armstrong:        Definitely excited for the investment in the athletic teams. I just hope that it's done with care.Paul Furiga:                  With students in mind.Logan Armstrong:        Yes, exactly.Paul Furiga:                  That's the perspective you have. Just a couple of statistics to give people some perspective. This billion dollar UPMC Enterprises investment and life sciences companies that's going to occur. It's going to be largely invisible compared to Victory Heights, and what you were just talking about, Logan. Here's where Pitt ranks nationally. It is number five in the country for academic research grants, primarily from the National Institutes of Health. We all love Pitt sports except for those of us, Dan, who went to WVU, or some other school. No Pitt team ranks there, and that's a big part of what Victory Heights is about.Dan Stefano:                Women's volleyball team was very good this year though.Paul Furiga:                  The women's volleyball team is fantastic. As you pointed out, the wrestling team is great. Heather Lyke, she's dynamic. I met her. I've seen her speak. She makes a great case for why this kind of investment is really relevant to the overall health of a university because you used this term, Dan, non-revenue producing sports, and however you feel about college athletics, a lot of the negative attention towards college athletics goes towards those revenue-producing sports, basketball, men's football. These non-revenue producing sports at Pitt, the Fitz. It's 68 years old. There's no air conditioning, and that's where just about every team does its training, and practicing except for basketball, and for football.Paul Furiga:                  To put some things in perspective, Craig Meyer from the Post Gazette did a really excellent story last August. In 2017 Pitt spent nearly $81 million on athletics. That's a heck of a lot of money, right?Dan Stefano:            Right.Paul Furiga:                  Ranked ninth of the 15 ACC schools, and while they increased spending 36% over a five-year span dating back to 2012, the third sharpest increase of any ACC school, they only ranked ninth. They are just way, way, way behind.Paul Furiga:                  There is an award that is given every year in collegiate athletics. It's called The Learfield IMG Director's Cup, and basically the top 150 largest division one universities in the country can compete for this cup. Pitt usually ranks around 135 or something.Dan Stefano:                Right, I think this kind of collates the success of all the athlete programs together.Paul Furiga:                  Yes, everything. It's how they recruit, how the students perform academically, how they rank, the win/loss record. I'm sure that's everybody's thinking about, "Oh, it's just win/loss record." It's a lot more than that. It's a point system, and it also is tied to how each sport performs in the NCAA championships. Again, just for perspective Pitt ranked behind Vermont, Middle Tennessee State, Montana State, Illinois State, and New Hampshire. If you're a Pitt fan, a fan of anything Pitt, that's probably not the competition set that you want to have yourself ranked-Dan Stefano:                That's not to knock those universities, but Pitt being a-Logan Armstrong:        Middle Tennessee State was the one that knocked off Michigan State in the first round of that March Madness a few years ago, remember.Dan Stefano:                That is true.Logan Armstrong:        Never forget.Dan Stefano:                We're not impugning these teams that are in the say 1AA ranks, but Pitt, if it's going to call itself a top tier school, and it's going to rank as one of the higher public universities in the U.S., as it typically does, probably your athletics should be up there too at a certain level. But, as you mentioned, in terms of development in Oakland we're not stopping at athletics here in the city. There's quite a bit going on, and the university's pretty deeply enmeshed in that.Paul Furiga:                  That's really the point that I think merits the segment on the podcast today is we're going to see stuff happen with Victory Heights. It's long overdue. Hail to Pitt for those of you who are Pitt grads, or care about Pitt.Logan Armstrong:        Yes.Dan Stefano:                Some people, Health Pitt maybe.Paul Furiga:                 I paid to put a daughter through Pitt, so HTP. For everybody else, remember this is part, like you said Dan, of a bigger picture where the universities, in this case Pitt, and affiliated institutions like UPMC, continue to be huge economic drivers.Dan Stefano:                Yeah, sure. Then we can clean up South Oakland next where Logan used to live.Logan Armstrong:        It has its charms.Paul Furiga:                   Sure it does. I do like the Mad Mex.Logan Armstrong:        The OG Mad Mex.Paul Furiga:                  Right.Logan Armstrong:        Okay, for this episode's Pittsburgh Polyphony where taking a step back from just looking at a single artists, and we're actually going to look at local production group that all went to California University of Pennsylvania together called One800. They've been doing some crazy work. They used to work solely with a Pittsburgh artist, My Favorite Color, who I believe I'm mentioned on here before, but they've just recently put out an album with a slew of Pittsburgh artists that range from hip-hop, to R&B, to pop, and they're doing some really cool things.Dan Stefano:             Is the album called Toll Free?Logan Armstrong:         The album is not called Toll Free, but I think we need to get in touch with them for the next tape they do.Dan Stefano:                There's many marketing opportunities here to be had, Logan come onLogan Armstrong:         Yeah, so the album is actually called Pittsburgh City Limits, which fairs well with the talent roster that they have on it, but it has artists from Clara Kent, to Mars Jackson, Pick Patek, Young Guy Burkett, some of these names that I've mentioned before, but, as I've said, they're all out of California University of Pennsylvania. Cody Maimone, Jeremy Rosinger, and Don Pomposelli, they're the three that have been working hard, and they've been doing some really cools things. A lot of times artists will tell you that the Pittsburgh music scene is supportive, and other times it's not so much, so it's nice to see these guys coming together, and really spreading some light onto Pittsburgh artists.Logan Armstrong:        It's the first thing, the first type of project I've seen like this coming out of the city.Dan Stefano:                Yeah, it sounds really great. As you said, people want to be supportive of each other in this community because it's hard to make it out from a city of this size, and really anywhere in the music industry, even if you're somewhere in Los Angeles, or something where there's a million people trying to make it the same way, or New York City, so it's something kind of special too that it comes from a small town, like California where I suppose, did these people meet in a university down there?Logan Armstrong:        Yeah, they met at university. They all went to Cal U together. I'm not sure if that's where they met My Favorite Color, but yeah. These three guys have been at it for a few years. And so how this album came about is they dubbed it the Pittsburgh Sessions. They would get these artists in there, in their home studio, and just vibe with no real preconceived notions of what kind of stuff they wanted to make. They just bring the artists in, and go with the flow with whatever happened. It came out with a really great project. There's some real nice songs on there.Dan Stefano:                What are we going to hear from Pittsburgh City Limits today then?Logan Armstrong:        We got a great one for you. It features the Pittsburgh artist Walkney, who I think I failed to mention earlier, but Walkney. The song's called Bad Reputation, so it's a nice upbeat tune, maybe a little reprieve from this horrible Pittsburgh weather we got here, so we hope you enjoy it.Dan Stefano:                You got a great reputation by my books there, Logan. 

Brother Josh hosts and Pappy, Brett, Brother Jordan and Stevie are all aboard. Join us for this spiritual journey! The Darjeeling Limited by Wes Anderson. ********************** Estranged brothers Francis (Owen Wilson), Peter (Adrien Brody) and Jack (Jason Schwartzman) reunite for a train trip across India. The siblings have not spoken in over a year, ever since their father passed away. Francis is recovering from a motorcycle accident, Peter cannot cope with his wife's pregnancy, and Jack cannot get over his ex-lover. The brothers fall into old patterns of behavior as Francis reveals the real reason for the reunion: to visit their mother in a Himalayan convent. Release date: October 26, 2007 (USA) Director: Wes Anderson Cinematography: Robert Yeoman Film series: Hotel Chevalier Screenplay: Wes Anderson, Jason Schwartzman, Roman Coppola

País Estados Unidos Dirección Wes Anderson Guion Wes Anderson (Historia: Wes Anderson, Roman Coppola, Kunichi Nomura, Jason Schwartzman) Música Alexandre Desplat Fotografía Animation, Tristan Oliver Sinopsis Después de que todas las mascotas caninas de Megasaki City sean exiliadas a una isla que es un vertedero, un niño de 12 años emprende un viaje para buscar a su perro extraviado.

Yogapodden #36 The Yoga Radio Sessions New York tour. From big business yoga at Y7, already on 12 locations in New York and counting, with lots of merch (after all Americans are experts in the field of merchandise…), hip-hop, Slow Burn and Flow Hard (whoops almost forgot the ™-symbol!), to the psychedelic experience of Woom via Yoga To The People, the latter an old donation-based favourite. Yoga Radio Sessions goes to New York to take the pulse on yoga, a city where there are probably most yoga studios per capita in the world. Three takes on yoga. Woom integrates vinyasa, ashtanga, taoism, dance, chinese medicine, iyengar yoga, sacred geometry, myofascial release - and more - into their very own blend. And don´t forget the visuals, from fireplaces to geometrical patterns all over the room, excellent sound system added. On the Woom menu there´s also special classes with sound experiences.  Inspired by Dr. Stanislav Grof’s Holotropic technique, students practice a powerful form of breath that enables to disconnect from the “monkey mind” and reach heightened states of awareness and a deeper state of meditation. A variety of overtone-emitting instruments are played, including gongs, Himalayan singing bowls, tuning forks, bells, chimes and more. In the future, with a more lax jurisdiction towards psychedelic substances, they hope to add various types of mind-expanding, self-exploring medicines to the practice. In other words: a fully equipped multi-sensory psychedelic yoga studio. And the music? Yes. Guns ´n Roses too. Meet the founder of Woom Elian Zach-Shemesh in an inspiring talk about yoga, life and the art of keeping keeping on in a highly competitive scene. Thanks to my daughter Valerie for the tips about these studios. • www.y7-studio.com • https://yogatothepeople.com/ • https://www.woomcenter.com Elians favourite books: “Conversations with God Volume One” by Neil Donald Walsh “Jitterbug Perfume” by Tom Robbins “The Holotropic Mind” by Stanislav Grof Other stuff mentioned in the pod: "Isle of Dogs" by Wes Anderson & Roman Coppola "DMT - The Spirit Molecule" by Rick Strassman "How to change your mind" by Michael Pollan PS: We tried to meet the founder of Yoga To The People and Sarah Larson Levey who created Y7 Studios, but did not succeed. This time. …and, if you´re interested in another way of integrating powerful sound with yoga, visit this webpage: • www.yogadjsessions.com Reach us on info@yesyoga.se We´re on the web, Instagram and Facebook. See you there and on the frequenzies. Soundtrack: “Consciousness” by DJ Food All suggestions, opinions and pecan fudge pies can be directed to info@yesyoga.se Keep track on what´s going on in the yoga world in Sweden on www.yogatrender.se (you have to handle Swedish though). Wonderful yoga mats in cork at www.naturligyoga.se

As the son of legendary filmmaker Francis Ford Coppola, Roman's career seemed on track to follow directly in his father's footsteps--but that hasn't been quite the case.

Love him or hate him, Wes Anderson makes films like no other filmmaker around. He returns to animation with his latest feature, Isle of Dogs, enlisting a dream cast of voices and canine conundra. Your good doctors look at Anderson’s career as a whole to see where this latest outing fits in his unique universe. Another modern-day masterpiece, or has he finally gone to the dogs? Unleash it here...   Tags: Isle of Dogs; Wes Anderson; Rankin-Bass; Aardman Animations; Wallace & Gromit; The Curse of the Were-Rabbit; Fantastic Mr. Fox; Moonrise Kingdom; The Darjeeling Limited; Saturday Night Live; Tristan Oliver; Rushmore; The Royal Tenenbaums; Bill Murray; Jason Schwartzman; Gene Hackman; Columbo; The Grand Budapest Hotel; The Life Aquatic with Steve Zissou; Bottle Rocket; Owen Wilson; Luke Wilson; Starsky & Hutch (film); Wedding Crashers; Armageddon; Zoolander; Vince Vaughn; Cars; You, Me and Dupree; Night at the Museum; Drillbit Taylor; Marley & Me; Hall Pass; Midnight in Paris; Bored to Death; Welcome Back, Kotter; Robert Altman; Edward Norton; Bob Balaban; Jeff Goldblum; Frances McDormand; Garrett Morris; Scarlett Johansson; Harvey Keitel; Yoko Ono; Tilda Swinton; Ken Watanabe; Fisher Stevens; Liev Schreiber; Courtney B. Vance; Morgan Freeman; Roman Coppola; Koyu Rankin; Bryan Cranston; George Clooney.  

Synopsis: Set in Japan, Isle of Dogs follows a boy's odyssey in search of his lost dog. Director: Wes Anderson Writers: Wes Anderson (story by), Roman Coppola (story by) Stars: Bryan Cranston, Koyu Rankin, Edward Norton What I liked: Animation, Art Direction, Cast What I didn't like: Pacing, Lack of certain character and storyline development What to watch for: The different forms of animation for certain elements and how they were used. --- Support this podcast: https://anchor.fm/ride-home-reviews/support

Stream episodes on demand from www.bitesz.com (mobile friendly). Isle of Dogs (Animation, Adventure, Comedy) Set in Japan, Isle of Dogs follows a boy's odyssey in search of his lost dog. Director: Wes Anderson Writers: Wes Anderson (story by), Roman Coppola (story by) Stars: Bryan Cranston, Koyu Rankin, Edward Norton - (IMDb) Movies First RSS feed: https://audioboom.com/channels/4673419.rss Subscribe, rate and review Movies First at all good podcatcher apps, including Apple Podcasts (formerly iTunes), Stitcher, PocketCasts, audioBoom, CastBox.fm, Podbean, Spreaker etc. For more, follow Movies First on Facebook, twitter and Google+: Facebook - @moviesfirst twitter - @ moviesfirst Google+ - https://plus.google.com/u/1/b/116201551232774363704/108207704769091029605 YouTube Channel: https://www.youtube.com/channel/UCatJQHaVabIvzCLqO16XvSQ If you're enjoying Movies First, please share and tell your friends. Your support would be appreciated...thank you. #movies #cinema #entertainment #podcast #reviews #moviesfirst #isleofdogs #wesanderson #alexfirst Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Quiet teenager Marc Hall arrives as a new student at Indian Hills High School in Agoura Hills, California. Soon after arriving, he is befriended by fame-obsessed Rebecca Ahn. While at a party at Rebecca's house, Rebeca encourages Marc to sneak away with her and the pair check unlocked vehicles on the street, taking valuables such as cash and credit cards. The two begin hanging out after school, and Marc begins to see Rebecca as a sister figure. When he briefly mentions that one of his wealthy acquaintances is out of town, she persuades him to join her in breaking into his house. Stream online: https://amzn.to/2L5CDD3

Quiet teenager Marc Hall arrives as a new student at Indian Hills High School in Agoura Hills, California. Soon after arriving, he is befriended by fame-obsessed Rebecca Ahn. While at a party at Rebecca's house, Rebeca encourages Marc to sneak away with her and the pair check unlocked vehicles on the street, taking valuables such as cash and credit cards. The two begin hanging out after school, and Marc begins to see Rebecca as a sister figure. When he briefly mentions that one of his wealthy acquaintances is out of town, she persuades him to join her in breaking into his house. Stream online: https://amzn.to/2L5CDD3 Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true

Quiet teenager Marc Hall arrives as a new student at Indian Hills High School in Agoura Hills, California. Soon after arriving, he is befriended by fame-obsessed Rebecca Ahn. While at a party at Rebecca's house, Rebeca encourages Marc to sneak away with her and the pair check unlocked vehicles on the street, taking valuables such as cash and credit cards. The two begin hanging out after school, and Marc begins to see Rebecca as a sister figure. When he briefly mentions that one of his wealthy acquaintances is out of town, she persuades him to join her in breaking into his house. Stream online: https://amzn.to/2L5CDD3

Chris Ballew is the lead singer and ‘basitarist’ of the triple platinum selling alternative rock group The Presidents Of The United States of America. He also releases childrens music under the pseudonym Caspar Babypants. With his POTUSA’s songs “Lump”, “Peaches”, “Kitty” and “Love Everybody” Ballew’s music was basically the soundtrack to my youth. Between his decades in the music industry, his billboard chart topping hits, his work with director Roman Coppola, his multiple Grammy Award nominations and his immense creative output there’s a lot we could have talked about. Instead, we sat in silence for 25 minutes. He used that time to package CDs for a charity fundraiser.

Exploring the Church of Scientology’s reaction to the revealing new documentary ‘Going Clear’ and diving head first into the world of sex, drugs and classic music of ‘Mozart in the Jungle’. Guests: In this episode we speak with Kim Masters, Editor-at-Large of the Hollywood Reporter and host of KCRW's The Business, to get insights into how the Church of Scientology is reacting to the controversial new documentary on HBO – ‘Going Clear’. Blair Tindall, oboist and author of the memoir "Mozart in the Jungle: Sex, Drugs, and Classical Music" talks about her experiences in the New York City classical music scene and working with Roman Coppola and Jason Schwartzman on the TV series based on her book.

Andrew Johnstone started out dreaming to be an artist and accidentally became a designer. He's started Empty Magazine after a night drinking with a friend when they decided it would be a good idea to start a magazine. He found himself pitching an original idea for what has become an international design conference - called Semi Permanent - in Barcelona with co-founder Murray Bell. It's now in it's 11th year. They've had all sorts of amazing guests, who range from Pixar animator Andrew Gordon to Roman Coppola to this year's star catch Tony Hawk. Not bad for a boy from the 'Gong. Full show notes and playlist at http://fbiradio.com/program/out-of-the-box/2014-05-15

On this episode Alan & Chris review the highly praised documentary "Searching for Sugar Man" and then square off on the worth of Roman Coppola's second film "A Glimpse Inside the Mind of Charles Swan III". After they call a truce they move on to movie news items of interest and offer up a suggestion for a movie to catch up on. Joint Recommendation – Sleepwalk With Me

Roman Coppola talks about his second feature film as director, his Oscar nomination, and working with Charlie Sheen.

For this week's MovieFilm Podcast, Brian emerges from the hyperbaric chamber that is “film post-production” to get caught up on the latest out of La-La-Wood. In Headlines, we discuss the total floppage of Sylvester Stallone's latest actioner Bullet to the Head (not to mention why sixty-somethings shouldn't use growth hormones), and also talk about why Warner Bros. reboot of Godzilla sounds promising, why their plans for Justice League don't, and the latest news on the upcoming Star Wars: Episode VII. All that, plus discussions on the Super Bowl trailers for this summer's most anticipated flicks, Zaki's interview with writer/director Roman Coppola on writing Moonrise Kingdom and directing A Glimpse Inside the Mind of Charles Swan, and just in time for Valentine's Day comes Sean's movie quiz on romantic comedies. As always, You can stream it below or

Filmspotting may miss Ron Burgundy and his musk, but this week Adam and Josh focus on the filmmakers they've been missing with a countdown the Top 5 Directors Who Need a Comeback. Plus, a review of Roman Coppola's first film in 12 years, "A Glimpse Inside the Mind of Charles Swan III," starring Charlie Sheen and Bill Murray, and the second Marx Bros. Marathon movie, "Monkey Business." This episode is presented by Shutterstock (Use code FILM2) and Audible. :00-3:38 - Billboard / Audible 3:42-20:43 - Top 5: Directors Who Need... Music: Liam Hayes, "Fokus" 21:58-23:23 - Sponsor: Shutterstock 23:39-33:33 - Massacre Theatre 33:34-41:15 - Polls / Notes 41:15-56:49 - Marx #2: "Monkey Business" Music: Liam Hayes, "A Glimpse Inside" 57:56-1:05:01 - Donations 1:05:21-1:18:36 - Review: "...Charles Swan III" 1:05:21-1:33:31 - Top 5: Directors Who Need... (cont.) 1:33:32-1:36:13 - Close MUSIC - Liam Hayes NOTES - Audible recommendations: A Team of Rivals; The Perks of Being a Wallflower; Middlesex - Massacre Theatre winner: Matt Lawson LINKS - Josh's "Charles Swan" review - 70mm Film Fest at Music Box - Kidman in "Stoker" (mentioned in Bonus) PARTNERS - MoviePass - Fandor.com/Filmspotting - The Q&A with Jeff Goldsmith- iTunes Learn more about your ad choices. Visit megaphone.fm/adchoices

Reviews of Andres Muschietti’s MAMA, Roman Coppola’s A GLIMPSE INSIDE THE MIND OF CHARLES SWAN III, and Don Coscarelli’s JOHN DIES AT THE END.

Brandon Cronenberg, son till filmregissören David Cronenberg (Crash, Rabid, Scanners) gör en satir om kändishysteri där människor injicerar sig med kändisars sjukdomar som ett sätt att komma nära sin idol. Och premiärvisar den på filmfestivalen i Cannes. Kan det bli än mer komplicerad blandning av ironi och nepotism? Roger Wilson har träffat Brandon Cronenberg. I vår lilla genomgång av barn som går i sina filmskapande föräldrars fotspår har turen nu kommit till far och son Miyazaki. Fadern - Hayao Miyazaki räknas med verk som Spirited away, Det levande slottet och Min granne Totoro som en av världens främsta animatörer, och hans Studio Ghibli är avsändare för en lång rad animerade mästerverk. Men när äldste sonen Goro tackade ja till att göra film av Ursula K Le Guins fantasyserie om Övärlden blev pappan rasande. För bara ett par veckor sedan släpptes en dvd i Japan med en dokumentär som skildrar konflikten - titeln är ungefär "300-dagarskriget mellan far och son Hayao Miyazaki och Goro Miyazaki. Nina Asarnoj har studerat den här bråket mellan far och son. Katrine Boorman har valt att göra sin regidebut med Me and me dad, en dokumentär om sin pappa, regissören John Boorman (Den sista färden, Hope and Glory, Skräddaren i Panama). En film som är en sorts blandning mellan regissörsporträtt och personligt hållen videodagbok. Ett filmprojekt som Katrin Boorman beskriver som ett sätt för henne att få bättre kontakt med sin pappa. Man kan förstås se på det här med att tillhöra en filmfamilj på ett avslappnat sätt. Att det kanske inte är mer dramatiskt än vad det annars är att ta samma yrke som någon av sina föräldrar. Lite så tänker jag att det kanske är för Roman Coppola. Son till Francis Ford Coppola, och bror till Sophia Coppola. Just nu bioaktuell som medförfattare till Wes Andersons Moonrise Kingdom, men annars aktiv bland annat i pappas gamla företag American Zoetrope, filmbolaget som bland annat producerade pappans legendariska filmer Gudfadern och Apocalypse Now. Men som nu också är firman där hans barn gör sina knäck. Och som ibland blir kontaktade av personer som gärna vill ha namnet Coppola i sina eftertexter. Berättar Roman Coppola för Kino. Dessutom möter du regissören Moussa Touré, vars film Le Pirouge, handlar om unga senegalesiska män som försöker fly till Europa i en liten öppen fiskebåt. Ett problem som varit stort i Senegal. I veckans kino berättar han om flykten och passar även på att ge Sarkozy en känga för hans afrikapolitik. Om igen är programpunkten där Kinos lyssnare får berätta vilken film de sett flest gånger. Veckans berättelse handlar lite grand om när det blir för mycket av det goda. Att det faktiskt kan finnas en gräns för hur många gånger man kan se en film. Och filmen i fråga är mycket passande Måndag hela veckan. Filmen från 1993 där Bill Murray spelar den cyniske väderpresentatören Phil som fastnar i tiden, och får uppleva samma dag om och om igen för att lära sig en läxa om att uppskatta livet. Thomas Kaiserfeld skrev till Kino och berättade om sin Måndag hela veckan-upplevelse och Anders Bennysson ringde upp honom för att ta reda på mer. Programledare: Roger Wilson Producent: Lisa Bergström

Moonrise Kingdom av hyllade amerikanske regissören Wes Anderson är invigningsfilm på den 65:e filmfestivalen i Cannes. En stjärnspäckad rulle med namn som Edward Norton, Bruce Willis, Tilda Swinton och Jason Schwartzman på rollistan. Och Kino är förstås på plats för att se, rapportera och analysera från inledningen av världens största filmfest. Cannesfestivalen fyller 65 och är alltså på väg att gå in i pensionsåldern. Men är den pensionsmässig eller en vital 65-åring? Ja, det är en av frågorna som Kino ska försöka besvara den här gången i Cannes. Och vi börjar väl från början, med invigningen. I onsdags var det alltså dags för den högtidlga öppningen, och invigningsfilm var Moonrise Kingdom av regissören Wes Anderson. En berättelse om två tolvåringar som rymmer tillsammans. En sorts Romeo och Julia-historia med barn, och där Anderson blandat in scoutkåren Khaki-scouterna, en isolerad ö med en massa fyrtorn, och två otroligt lillgamla barn på flykt undan vuxenvärlden. Medförfattare till Andersons manus är Roman Coppola.  Men Cannes är inte bara en marknadsplats för film, det är också en arena där filmarbetare kan knyta kontakter och visa upp sig. En yrkeskategori som lätt blir osynlig bland alla filmstjärnor och demonregissörer är filmproducenterna. Så varje år utnämner Svenska filminstitutet årets Producer on the Move i Cannes. I år är det den Sandra Harms, född 1980, och producent på Sonet Film, som fått äran att representera Sverige. Sandra Harms ligger bakom filmer som Teresa Fabiks "Prinsessa" och under 2011 fram till nu, har hon arbetat med storfilmen Bekas. En historia om två hemlösa kurdiska småpojkar som inspirerade av att ha sett Superman på byns biograf,  bestämmer sig för att åka till Amerika. Filmen, som från början var en kortfilm, bygger delvis på regissören Karzan Kaders egna erfarenheter och spelades in i kurdiska Irak mitt under den arabiska våren. Nina Asarnoj träffade henne. Det kommer med 100% säkerhet bli en man som tar hem Guldpalmen i år och det beror på att det bara är manliga regissörer som är med och  tävlar i huvudserien. När juryn samlades för en presskonferens, så ställde flera journalister frågan om mansdominansen i huvudtävlingen. I tävlingsjuryn sitter Ewan Mac Gregor, Jean Paul Gautiler, Alexander Peyne, Diane Kruger, Hiam Abbas, Emmanuelle Devos, Raoul Peck och Andrea Arnold. Och lite typiskt nog var det just Andrea Arnold som fick svara på  jämställdhetsfrågan.... 1995 tävlade Theo Angelopoulos i Cannes med "Odysseus blick". Men till sin stora besvikelse fick han inte Guldpalmen utan "bara" Juryns stora pris. När han stegade fram och tog emot priset var hans enda kommentar: "If this is what you have to give me, I have nothing to say". Sen lämnade han scenen och den förstummade publiken, smet snabbt iväg bort från alla journalister och pressfotografer. Tre år senare (1998) fick Angelopoulos dock äntligen Guldpalmen i Cannes för "Evigheten och en dag". Lars Lönroth berättar om Odysseus blick:

Recorded on February 07, 2010. Could we be anymore self important? This week on Gutter Trash, we review the Roman Coppola film CQ. We talk about the Coppola dynasty, discuss nasty bathrooms and predict the Super Bowl score (Jason was close, possibly cheated). We share tales about chaos at the Art Institute, and I get … Continue reading