Podcasts about hirokazu kore

Released as an exclusive Patreon post at the end of 2024, we're now releasing this video podcast to publicly to commemorate ONE HUNDRED EPISODES! What a milestone. See you at 1000!  The summer of 2024 saw Ben, Wilson, and Eli all together in the same place for the first time in six years! To mark the momentous reunion, we recorded a special video episode. It's time to go all the way back to the start by revisiting the work of the podcast's first director, Hirokazu Kore-eda, with 2008's Still Walking. Learn about our history together, hear our musings on the complications of family, and watch as Wilson gets six pounds of blueberries.LinksBen's video essay on Still WalkingWe're still walking over at our FREE patreon, discord server, and our socials @ www.deepcutpod.comTimestamps00:00:00 Intro00:05:50 Plot summary00:07:25 General thoughts00:14:10 Gifting interlude00:24:53 Still Walking continued00:27:43 Story and characters00:37:01 Deliberate cinematography, use of space00:42:36 Food00:47:43 Non-judgmental filmmaking00:50:23 Melodrama?00:52:22 Yoshio scene00:54:15 Atsushi01:01:06 Blue Light Yokohama01:04:35 Tokyo Sonata comparisons01:06:10 Stealthy emotional narratives01:12:02 What does Kore-eda not show us?01:16:58 Best food, best outfit01:19:57 Closing thoughts01:25:29 Longest outro ever

Orbital di Samantha Harvey, romanzo vincitore del Booker prize, segue la vita quotidiana di sei astronauti. Il regista giapponese Hirokazu Kore-eda firma la serie tv dell'anno: Asura. A Parigi è stato annunciato un grandioso piano di rinnovamento per il museo del Louvre. Sistemi nascosti è un libro a fumetti che spiega come funzionano alcune infrastrutture di cui non possiamo fare a meno.CONValentina Pigmei, giornalista che collabora con Internazionale Emilio Cozzi, giornalista, podcaster ed esperto di spazioJunko Terao, editor di Asia di InternazionaleGiuliano Milani, storico  Alberto Emiletti, giornalista di Internazionale KidsSe ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità . Vai su internazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Produzione di Claudio Balboni e Vincenzo De Simone.Musiche di Carlo Madaghiele, Raffaele Scogna, Jonathan Zenti e Giacomo Zorzi.Direzione creativa di Jonathan Zenti.Orbital: https://www.youtube.com/watch?v=VT6BZ6gyYYYAsura: https://www.youtube.com/watch?v=M61cAu_kGD4&t=6sIl nuovo Louvre: https://www.youtube.com/watch?v=WcBvQ9qsX_E&t=1083sSistemi nascosti: https://www.youtube.com/watch?v=oA1KaUztWB0

Netflix's Asura marks the fourth iteration of the Takezawa sisters' story—last seen on-screen in the 2003 film Like Asura, which was nominated for Best Film in Japan. This year, acclaimed director Hirokazu Kore-eda (Shoplifters) expands the tale into a seven-episode series set in 1979 Tokyo, where four sisters discover their father's affair and watch their family bonds fray under hidden resentments and shifting alliances. Adapted from Kuniko Mukōda's classic Ashura no Gotoku, Asura blends humor and heartbreak with Kore-eda's signature humanistic touch. Tune in as we discuss the episodes, the critical reception, and our ultimate rating. Welcome to Today's Episode!

Les sorties cinéma et séries de Katia Peignois, chroniqueuse/critique de cinéma pour, entre autres, la revue belge de cinéma Surimpressions et l'asbl CinéFemme : - Rabia - Le dernier Souffle - Plateforme : Asura (Netflix) Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back and we got an interesting one here, showcasing international cinema. We have two films – Hirokazu Kore-eda's 2023 Japanese drama “Monster” vs. İlker Çatak's 2023 German thriller “The Teacher's Lounge”. Two films revolving around teachers and their complicated relationships with their students. Which one wins? Let's find out! Aftershow: – Brad continues his […]

Per tuttiLa clip e l'immagine sono tratte dal film "L'innocenza" (regia Hirokazu Kore'eda, produzione Toho, Gaga Films, 2023 all rights reserved)

The summer of 2024 saw Ben, Wilson, and Eli all together in the same place for the first time in six years! To mark the momentous reunion, we recorded a very special video episode. It's time to go all the way back to the start by revisiting the work of the podcast's first director, Hirokazu Kore-eda, with 2008's Still Walking.  Listen to the first 15 minutes of our very FIRST video podcast discussing Hirokazu Kore-eda's Still Walking here, or WATCH it in its entirety on our Patreon. Available to all subscribers for FREE! Learn about our history together, hear our musings on the complications of family, and watch as Wilson gets six pounds of blueberries. Walk on over to our FREE patreon, discord server, and our socials @ www.deepcutpod.com

It's about time, after 3 and a half years we got a brand spankin' new trailer. If you're new to Deep Cut, welcome! If you're a long-time fan, share this with your friends!  Deep Cut: A Film Podcast is a director-focused film podcast featuring deep-dive discussions about international, art-house, and independent cinema. Each episode we discuss either a director's most popular film or a "Deep Cut Pick": a personal favorite chosen by one of us: Wilson Lai, Benjamin Yap, and Eli Sands. We've covered movies from filmmakers like Hirokazu Kore-eda, Agnes Varda, Éric Rohmer, Kelly Reichardt, Wong Kar-wai, S.S. Rajamouli, Bong Joon-ho, and more! Looking for film recommendations off the beaten path? This is the pod to follow! Available wherever you get your podcasts! Find our FREE patreon, discord server, and all our socials @ http://www.deepcutpod.com

Em A Criada, Park Chan-wook nos mostra que o trambique é uma instituição mundial respeitadíssima e que maior que ele, talvez, só o amor

Cardy, Matt, and Mat are here this week to talk about cursed meals they've eaten. Before all of that, though, there are thoughts on the madness that is Furiosa: A Mad Max Saga, why Hellblade 2 isn't quite working for them, the intriguing concept behind sci-fi survival game The Alters, and another of Cardy's foreign film recommendations in the shape of Hirokazu Kore-eda's Monster. As ever, there's also the regular dose of madness thanks to your feedback, including multiple unseasoned ground beef recipes. Send in your food nonsense to ign_ukfeedback@ign.com (or questions and thoughts about games, TV, and films – we should probably stay on topic at least 60% of the time).  Learn more about your ad choices. Visit megaphone.fm/adchoices

After a mother (Ando Sakura) discovers that teacher's bullying is behind her young son's sudden strange beahvior, she storms into his school demanding an explanation. Continually left without satifactory answers-and with an increasingly distressed child-she furiously escalates her concerns to the school board and the media. But as the story unfolds through the multilayerd perspectives of mother, teacher, and child, the real truth gradually emerges-and proves much more complex than anyone could have expected.Starring Sakura Ando, Eita Nagayama, Soya Kurokawa, Hinata Hiiragi, Mitsuki Takahata, Akihiro Kakuta, Shido Nakamura, and Yuko TanakaMusic by Ryuichi SakamotoCinematography by Ryuto KondoScreenplay by Yuji SakamotoEdited and Directed by Hirokazu Kore-eda

In Hirokazu Kore-edas neuestem Film „Die Unschuld“, im Original „Monster“, geht es um Familie und darum, dass Dinge oft ganz anders sind, als sie auf den ersten Blick wirken.

Monster (Japanese: 怪物, romanized: Kaibutsu) is a 2023 Japanese psychological dramatic mystery thriller film directed and edited by Hirokazu Kore-eda from a screenplay written by Yuji Sakamoto. It stars Sakura Andō as a mother who confronts a teacher after noticing disturbing changes in her son's behavior. The film marks the first time Kore-eda has directed a film he did not write himself since Maborosi (1995). The film was the last scoring project by Ryuichi Sakamoto, who died two months before its release; the film is dedicated to his memory. Monster had its world premiere at the 76th Cannes Film Festival on 17 May 2023, where it competed for the Palme d'Or and was honored with the Queer Palm as well as the Best Screenplay award. The film was released in Japan on 2 June 2023. It received widespread critical acclaim with singled out praise towards its screenplay, direction, acting, editing and musical score and vastly appeared in numerous lists of top ten year's best. --- Send in a voice message: https://podcasters.spotify.com/pod/show/popcorn-junkies/message

This week, Amon interviews Ramata-Toulaye Sy about her feature debut, BANEL & ADAMA (07:01) while we review the film (26:04). We also take a look at Hirokazu Kore-eda's MONSTER (56:49) and go on a road trip with DRIVE-AWAY DOLLS (33:37). Plus, in our HOT TAKE (01:12:52), we talk the highs and lows of this year's Academy Awards.

Hasan Cömert ve Kaan Karsan, her Perşembe saat 22.00'de haftanın sinema, televizyon gündemini ve ilgilerini çeken her şeyi konuşuyor.00:00 | Giriş04:43 | Oscar'dan Kalanlar: Protestolar ve Glazer'ın Konuşması07:40 | Son of Saul'un Yönetmeni Glazer'ı Eleştirdi12:05 | Törendeki Soytarılıklar15:06 | Sandra Hüller'den Shitshow'a Geçit Yok18:02 | Haftanın Klasiği Adayları: The Graduate, The Face of Another, Walkabout, A Woman Under the Influence21:50 | Yeni Alien Filmi28:37 | Asghar Farhadi ve İntihal Davası 33:15 | Ferhat Göçer, Şarkısının Kuru Otlar Üstünde'de İzinsiz Kullanıldığını Söyledi38:00 | Giancarlo Esposito ve Robert De Niro'nun Saçma Açıklamaları42:55 | Ayo Edebiri Yönetmenlik Yapacak 47:45 | Mark Ruffalo'nun Kalitesi50:30 | Ari Aster ve Lanthimos'un Yeni Filmleri1:00:10 | Michael Jackson'ın Biopic'i Geliyor1:05:02 | All of Us Strangers ve Poor Things Disney+'a Geliyor1:07:15 | Lily Gladstone'un Dizisi Geliyor1:08:28 | Hirokazu Kore-eda'dan Samuray Dizisi1:11:23 | Paul Thomas Anderson'ın Yeni Filminin Vizyon Tarihi  1:13:48 | Tarkan'dan Yeni Albüm1:19:50 | X-Men 97 Haftaya Yayında1:20:30 | Ready Player One'ın Devamı Geliyor1:24:44 | Bahar ile Taş Kağıt Makas'ın Yapımcısı Aynı1:29:45 | The Holdovers'a İntihal Suçlaması1:33:37 | Soru: Todd Field Sineması1:39:35 | Letterboxd'a Diziler Geliyor1:42:06 | Sam Raimi'li Spider-Man 4 İhtimali 1:51:20 | The Batman 2 Vizyon Tarihi Ertelendi 2:02:14 | Sydney Sweeney Scorsese ile Çalışmak İstiyor2:05:14 | Benny Safdie'den OpenAI'ya Tepki2:13:50 | Ev Köşesi: Sahip Olmaktan Memnun Olduğumuz Şeyler2:17:44 | Haftanın Klasiği: The French Connection (1971)

Look here, film snobs. Perhaps you've already looked ahead to round two and seen that the topic is pop culture depictions of the afterlife. I'm gonna disappoint you right now and tell you that we do not get to Hirokazu Kore-eda's 1999 masterpiece After Life. That's just a thing you'll have to contend with as you trudge through the lowbrow muck we've provided you. But it makes for a great game nonetheless! Adam, Chloe, and Paul have a great time talking piracy, jamming out to songs sung by characters in cars, and (you guessed it) exploring pop culture depictions of what happens after we die. Despite all that, this episode is not morbid at all, and hews to the light tone you've come to expect of this show by this point. SUPPORT THE SHOW FOR MORE EPISODES PER MONTH

We go back to our Deep Cut roots with Kore-eda's latest, but don't call us Monster(s) for skipping out on the previously released Broker! Awarded the Queer Palm at Cannes in 2023, Monster is a return to form (and Japan) for Kore-eda, igniting a sprawling conversation about the film and its connections to his larger ouevre. We debate the film's visual treatment, the limits of its Rashomon-esque structure, and share our thoughts on what kind of story the ending is really trying to tell. Jessica Yeung's Review Kore-eda Interview with Filmmaker Magazine (2009) Ben's Video Essay on Still Walking (Spoilers!) Find refuge from the storm in our ⁠Discord⁠⁠⁠⁠ server! Keep up with Deep Cut on ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠.

Hello and welcome to an all new episode of Some Like It Scott! On this week's episode, the two Scotts review MONSTER, the latest drama film from legendary Japanese auteur, Hirokazu Kore-eda. After they discuss the narrative construction, give their view on the ensemble cast of performances, and dissect the rich themes of the film, the co-hosts turn their attention to casting news for SNL 1975, as well as the announcement that Ryan Coogler and Michael B. Jordan will be re-teaming on a new genre project. See time codes below:   3:36 - MONSTER review 55:32 - SNL 1975 casting update 1:02:24 - Ryan Coogler + Michael B. Jordan new project   Next time: Oscar Nominations   Patreon: www.patreon.com/MediaPlugPods

It's Arthouse Friday here at Breakfast All Day, as we continue catching up with acclaimed and Oscar-shortlisted international films. First, we review "Fallen Leaves," the amusingly understated romance from Finnish auteur Aki Kaurismäki. Next, we discuss "Monster," a heartbreaking, "Rashomon"-style drama from Japanese master Hirokazu Kore-eda. Then we wrap up with a spoiler conversation about the German film "The Teachers' Lounge," which we reviewed earlier this week, because so many of you asked for it. And for our Patreon subscribers, we recap the excellent season 5 finale of "Fargo" on Hulu as well as episode 2 of Marvel's "Echo" on Disney+. Join us and share your thoughts!   * Be sure to tune in Tuesday at Noon PST for our Oscar nominations livestream over at our Breakfast All Day YouTube channel. We'd love to hear your thoughts! https://youtube.com/live/VpCxdI7E7OE?feature=share   * Get weekly goodies in your inbox with Christy's Saturday Matinee newsletter! Subscribe here and start your weekend off right: https://christylemire.com/  

We begin our deep dive into the abundance of excellent films of 2023, a year that still saw fewer new releases than is typical of pre-pandemic cinema but gave us far more exciting, risky, and unusual movies of quality than we've gotten used to. It was a year of big swings by filmmakers, actors, and studios—most of which paid off, and familiar "comfort fair" from old favorites that still delivered excellence, as well as a fairly resounding rejection of the same-old-same-old corporate franchise product. It was a year that gave us Barbenheimer, the best Godzilla movie since the original, some terrific biographical documentaries, a slew of memorable dance sequences, two Hirokazu Kore-eda features, and six Nicholas Cage pictures! In this show, we focus on the smaller films that might have flown under people's radar, and we'll return next month to talk about the big awards movies.

Arlis and Brian chat about Hirokazu Kore-eda's MONSTER on this week's Art House Rewind!

Welcome back, Screamers to part two of our look at the films of Hal Hartley. Today we're digging into the made-for-PBS film 'Surviving Desire,' and the finale of the Long Island Trilogy (Long Island is a terminal moraine), 'Simple Men.' We also discuss Hirokazu Kore-eda's latest film--and his first Japanese-language film since 2018--'Monster.' As a bonus, Jason imagines a world where James Van Der Beek was nominated for an Oscar for his star turn in 'Varsity Blues.'      Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

Another year is at its end, but before we say au revoir Cole and Zach join to discuss a big round of new releases, including Hirokazu Kore-eda's Monster, Trần Anh Hùng's The Taste of Things, and Jonathan Glazer's The Zone of Interest before biting into our follow up to last year's Disney top 10 - our favorite Pixar animated feature films.

On this episode, JD and Brendan gleefully discuss Hirokazu Kore-eda's latest film MONSTER! *While we tried to avoid spoilers, we may have failed when talking about the ending sequence of the film. We didn't give it away directly, but a warning for spoilers just in case.  Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

Fresh from submitting their Chicago Film Critics Association ballots, Adam and Josh share their favorite film performances of the year. (Timecode will not be precise with ads; chapters may start early.) Open (00:00:00-00:01:48) Supporting Actor (00:01:48-00:12:07) Supporting Actress (00:12:07-00:24:54) Notes, Massacre Theatre (00:24:54-00:42:15) Lead Actor (00:42:15-00:57:02) Lead Actress (00:57:02-01:12:08) Notes/Links: Chicago Film Critics Assoc. Winners Filmspotting Live in L.A. on Jan. 13 Robert Downey Jr.'s Third Act Promos: Regal Unlimited (use code FILMSPOT23) MONSTER, from director Hirokazu Kore-eda, is now playing in select theaters nationwide. Find showtimes and get tickets at https://wellgousa.com/films/monster  Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Contact us: https://letterboxd.com/filmspotting @filmspotting on Threads https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm @larsenonfilm on Threads https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

Ya vimos #Wonka y no creerán lo que sucedió. Lo cierto es que si esperábamos una gran película ya que la dirigue Paul King, el mismo de Paddington 1 y 2. El tipo es garantía. Hablamos también de los chocolates que nos gustan, qué originales.Este fin de semana hay mucho que ver, #Blackberry finalmente llega a salas, una película sobre la historia del famoso smartphone que conquistó al mundo hasta que se encontró con su Waterloo: el iPhone.Nuevas películas de Aki Kaurismaki y de Hirokazu Kore-eda: #FallenLeaves y #Monster.Eso y mucho más hoy en Filmsteria Hosted on Acast. See acast.com/privacy for more information.

Mamma mia! We've got-a some-a sleepy pasta for-a you to taste-a this-a week! In our latest, much-awaited installment of PORCH CLASSICS, we're handing the reins to Producer Ben, who has chosen to spotlight a forgotten comedy about “the world's horniest pizza man who cannot die.” Lawrence Kasdan's I LOVE YOU TO DEATH is a feast of bizarre performances (Italian-face Kevin Kline, Serb-face Joan Plowright, Stoner-face William Hurt) and tonal miscalculations. All this to say - it's a very FUN movie to talk about. This episode is sponsored by: Uncommon Goods (uncommongoods.com/check) MONSTER by Hirokazu Kore-eda (wellgousa.com) AuraFrames.com (CODE: CHECK) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! Buy some real nerdy merch at shopblankcheckpod.myshopify.com or at teepublic.com/stores/blank-check

Lee Chang-dong's story of incredible loss and grief, of where community can be found and where it cannot, Secret Sunshine (2007) shows the failings of a religion designed to solve status quo middle class problems under capitalism, but reminds us that there is still hope. Hirokazu Kore-eda (director of Spine 554: Still Walking) called this the best film of the 21st century so far, and he may be right, but while Secret Sunshine is a must see, it's hard to imagine having the emotional fortitude to watch it twice.

In this episode, we discuss Hirokazu Kore-eda's After Life, including the film's documentary aesthetic, how Kore-eda communicates information visually, and the way exposition is made engaging.See where After Life is available to watch.Supplemental Material:The Criterion Collection's After Life Blu-rayBFI's After Life Blu-rayAfter Life: In Memoriam by Viet Thanh NguyenOn the Novelistic Afterlife of After Life by Hirokazu Kore-edaAfter Life Press KitAdditional Audio Sources:After Life TrailerThe Criterion Collection's After Life Blu-rayIf you'd like to support the show, subscribe to the podcast on Apple Podcasts, Spotify, or wherever you listen to your podcasts, leave a review on Apple Podcasts, and share the podcast with someone who might enjoy it.If you have any thoughts, comments, or questions about the show, you can email us at scenebyscenepodcast@gmail.comFollow us on Letterboxd: Joe | Justin

If you want to enjoy a film that explores the complications of real life struggles, look no further. From one of our favorite directors Hirokazu Kore-eda, comes the very human tale of pride, family dynamics and loss. Released on May 21, 2016 in Japan. Hirokazu Kore-eda also wrote and editied this film. 

Director Hirokazu Kore-eda joined me for an episode of Carolyn Talks..., to share his persptives on what the monster is in his latest dramatic feature MONSTER (Kaibutsu), starring Hiiragi Hinata as Hoshiwaka Yori a young boy whom no one understands or seems to care for, Sōya Kurokawa as Mugino Minato a shy boy who believes he's become a monster, Sakura Andō as his mother whose actions to protect her child lead to extreme unintended consequences.Co-written with Sakomoto Yuji, #Monster was scored by Sakomot Ryuichi before his passing in 2022. The film had its North American premiere at the 2023 Toronto International Film Festival.Visit the official TIFF.net site to learn more about the festival and regular film programming throughout the year.Follow me on Twitter, Instagram and TikTok at: @CarrieCnh12My Social Media hashtags are: #CarolynTalks #DramasWithCarrie #SaturdayNightSciFi #SHWH #SHWHCarolynTo offer monetary support of my work donate to my GoFundMe at https://gofund.me/1bd5b682or give to my PayPalwww.paypal.com/paypalme/carolynhinds0525Any and all financial support is deeply appreciated and valued.Go to https://authory.com/CarolynHinds to find links to all of my published writing, and podcasts; So Here's What Happened!, Carolyn Talks..., Beyond The Romance. Hosted on Acast. See acast.com/privacy for more information.

Directed by Hirokazu Kore-eda, Monster begins with the story of Minato (Soya Kurokawa), a young man who lives with his mother. Having lost his father as a young child, Minato begins behaving oddly, claiming that his brain has been switched with a pig. Confused and frightened for her son, Minato's mother assumes that this is caused by his teacher Hori (Eita Nagayama). But, when she approaches the school for answers, she finds little solace, leaving her wondering how to help her son snap back into reality. In this 1on1, we speak to Kore-eda about the making of a Monster, the myth of normal and the power of perspective.

Episode 65: After Life (1998) — Available on all your favorite podcast platforms

In the latest episode, Perry is joined by story coach Erin Rodgers to discuss Hirokazu Kore-eda's 1998 film, After Life. They share their memories of discovering this film and dive into some of the themes this movie raises about memory and life.NOTE: There was an error with a previous version of this episode file. The error has been fixed. Sorry for the inconvenience.Hosted by Perry ConstantineGuest-Starring Erin RodgersVisit Storystar Coaching to learn more about Erin and check out her YouTube, Instagram, and find out about her storytelling anthologyJapanOnFilm.comTwitterInstagramFacebookDiscordWe Made This on TwitterWe Made This Network

Hosts John Cribbs & Christopher Funderburg discuss (possibly) their favorite film of the year, Hirokazu Kore-eda's Shoplifters. This episode, recorded in 2018, was released from behind our Patreon paywall. Enjoy it. Think about it. Perhaps someday... learn to love it.

Cannes 2023 is here—and as news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood the feed, we'll be reporting on all the cinematic goings-on, with our on-the-Croisette crew of Film Comment contributors ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. For our second episode from the Riviera, critics Beatrice Loayza and James Wham and programmer and critic Inney Prakash join FC co-deputy editor Devika Girish discuss some recently screened high-, low-, and in-between–lights, including Sean Price Williams's The Sweet East, Hirokazu Kore-eda's Monster, Wim Wenders's Anselm, and Wang Bing's epic Youth (Spring). Subscribe to the Film Comment Letter today for a steady stream of Cannes coverage, providing everything you need to know about the 2023 edition: www.filmcomment.com/newsletter-sign-up/

Ep. 174: Cannes #2 with Mark Asch on Jeanne du Barry, Kore-eda's Monster, Sweet East, The Goldman Case Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The 2023 Cannes film festival series continues, live from Cannes! This episode I talk with critic Mark Asch about recent Cannes highlights (and otherwise), including Maiwenn's festival opener Jeanne du Barry, Hirokazu Kore-eda's Monster, Sean Price Williams's The Sweet East, and Cedric Kahn's The Goldman Case. Stay tuned for more episodes with a glittering array of brilliant critics. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Monserrate” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Greetings, all... it is hump day yet again. Today, you've arrived and reached The Searchers' Trading Post, where we offer you goods at a bargain price: 6 movie reviews in 70 minutes. The three of us have traded amongst ourselves to give some popular films and hot commodities a very brief moment in the sun, if you will. This series of episodes we will do every so often to give ourselves a bit more leeway with our review picks and provide you listeners with a lot of content (in brevity). The basic idea is to give each respective host a movie to watch and review in about 10 minutes. The movies in this edition of Trading Post are as follows (with timestamps): 00:00:30 - Breaking Away (1979), directed by Peter Yates and starring Dennis Christopher, Dennis Quaid, Daniel Stern & Jackie Earle Haley 00:14:45 -Tampopo (1985), directed by Juzo Itami and starring Tsutomu Yamazaki, Nobuko Miyamoto, Kōji Yakusho, & Ken Watanabe 00:24:01 - Grand Prix (1966), directed by John Frankenheimer and starring James Garner, Eva Marie Saint, Yves Montand, Toshiro Mifune, & Antonio Sabàto 00:35:36 - Still Walking (2008), directed by Hirokazu Kore-eda and starring Hiroshi Abe, Yui Natsukawa, You, Shohei Tanaka, Kirin Kiki & Yoshio Harada 00:46:31 - Love Affair (1939), directed by Leo McCarey and starring Irene Dunne & Charles Boyer 00:59:24 - Broadcast News (1987), directed by James L. Brooks and starring William Hurt, Albert Brooks & Holly Hunter 01:11:31 Ratings We hope you enjoy! ----more---- Submit your mailbags to us at thesearcherspodcast@gmail.com. Please rate us a 5/5, and review us on Apple, Spotify or wherever you listen to us. Thank you! Follow us on Letterboxd.com if you'd like to see what we've recently watched and to read our individual movie reviews! Ben, Chris, & Kevin Our episode catalogue: https://searchersfilmpodcast.podbean.com/  

durée : 00:03:42 - La chronique cuisine d'Elvira Masson - Makanai, dans la cuisine des maiko est une mini-série dramatique, adaptée d'une bande dessinée à succès d'Aiko Koyama et créée par Hirokazu Kore-eda,

This week on the InSession Film Podcast, Ema Sasic of Next Best Picture joins us to review Hirokazu Kore-eda's new film Broker and we discuss our Top 5 Scenes of 2022! - Review: Broker (4:48) - Notes / Discussion (47:44) - Top 5 Scenes of 2022 (1:07:25) Thanks for listening and be sure to subscribe on iTunes, Google Play, Stitcher, Soundcloud or TuneIn Radio! Apple Podcasts: https://podcasts.apple.com/us/podcast/insession-film-podcast/id605634337 Spotify: https://open.spotify.com/show/5LIi40D5BTFnsRMP57O5nG IHeartRadio: https://www.iheart.com/podcast/269-insession-film-podcast-30916083/ Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9pbnNlc3Npb25maWxtLmxpYnN5bi5jb20vcnNz?ep=14 Podchaser: https://www.podchaser.com/podcasts/insession-film-podcast-195831 Stitcher: http://www.stitcher.com/podcast/insession-film Soundcloud: https://soundcloud.com/insession-film TuneIn Radio: http://tunein.com/radio/The-InSession-Film-Podcast-p522717/ Listen Now: http://insessionfilm.com/listen-now/

World-renowned director Hirokazu Kore-eda's ("Shoplifters") latest film "Broker" had its world premiere at the Cannes Film Festival, where actor Song Hang-ho ("Parasite") won the festival's Best Actor prize. The South Korean film was later picked up by NEON and is now playing in New York and will be opening in Los Angeles on December 28th. Both director/writer Hirokazu Kore-eda and actor Song Kang-ho were kind enough to spend time with us separately talking about their work in the film, which you can listen to down below. Thank you for listening. We hope you enjoy it!   Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Kevin and Sarah weigh the cost of greatness, and whether or not Damien Chazelle manages to pull off the gargantuan undertaking that is Babylon, his 3-hour epic about the silent era of Hollywood. Then, Sarah and Kevin turn their attention to Hirokazu Kore-eda's latest, Broker. Follow us on Twitter @SeeBelievePOD Support the Seeing & Believing Patreon! Learn more about your ad choices. Visit podcastchoices.com/adchoices