Podcasts about hirokazu kore

Daniel Blake Schwartz breaks down how Tribeca Best U.S. Narrative Feature winner Cotton Fever grew out of years spent collecting stories during his own experience with addiction and recovery, ultimately transforming those fragments into a deeply personal debut feature. Drawing inspiration from filmmakers like Andrea Arnold and Hirokazu Kore-eda, Schwartz pursued a style rooted in realism, empathy, and lived experience rather than conventional dramatic structure.The film evolved from a self-funded short into an award-winning feature through grassroots fundraising, community support, a first-time filmmaker grant from Panavision, and the eventual attachment of actors Kyle Gallner and Sosie Bacon. Along the way, Schwartz navigated the uncertainty of first-time feature directing, discovering that some of the film's strongest moments emerged from vulnerability, collaboration, and instincts that couldn't always be explained on the page.At its core, Cotton Fever is a reminder that the most powerful stories often come from the experiences we're most hesitant to revisit. The challenge isn't always finding something meaningful to say. It's having the courage to tell the story that's already closest to you.What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week. Support the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Ep. 404: Jessica Kiang on Cannes 2026: Sheep in the Box, The Dreamed Adventure, Too Many Beasts, The Unknown, La Perra, Colony Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. At the 2026 Cannes Film Festival I sat down with Jessica Kiang of Variety and the Berlinale for our customary epic pod by the light of French Riviera sun. Among the films discussed were Sheep in the Box (directed by Hirokazu Kore-eda), The Dreamed Adventure (Valeska Grisebach), Too Many Beasts (Sarah Arnold), The Unknown (Arthur Harari), La Perra (Dominga Sotomayor), and Colony (Yeon Sang-ho), plus a final word on her levitatingly good absolute favorite of the festival. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Il primo film di Hirokazu Kore'eda è un capolavoro. Maboroshi No Hikari (1995) è un'opera di fantasmi, silenziosa e devastante. In questo episodio assistiti da Cesare, la nostra recensione completa e perché questo film è il punto di partenza imprescindibile per capire uno dei registi che più amiamo.Seguici anche su Instagram: @effettovertigo_podcast

Terzo recap da Cannes79! Ospiti:Andrea ChimentoMarco RomagnaArgomenti:00:00 - Sheep in the Box (Hitsuji no hako), Hirokazu Kore'eda (Concorso)03:30 - Visitation (Heimsuchung), Volker Schlöndorff (Cannes Première)06:50 - Moulin, László Nemes (Concorso)11:15 - Garance, Jeanne Herry (Concorso)14:27 - Aqui, Tiago Guedes (Cannes Première)17:18 - El ser querido, Rodrigo Sorogoyen (Concorso)23:34 - Paper Tiger, James Gray (Concorso)29:16 - L'inconnue, Arthur Harari (Concorso)Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatariSpotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cwApple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw==Logo creato da:Massimo ValentiSigla e post-produzione a cura di:Alessandro Valenti / Simone MalaspinaPer il jingle della sigla si ringraziano:Alessandro Corti e Gianluca NardoPer la gestione dei canali social si ringrazia:Selene Grifò

durée : 00:27:55 - Les émissions culturelles de France Culture - par : Lucile Commeaux - Au programme de ce débat critique spécial Cannes, trois films japonais : "Soudain" de Ryûsuke Hamaguchi, "Sheep in the Box" de Hirokazu Kore-eda et "Quelques jours à Nagi" de Kōji Fukada. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma, Josué Morel Rédacteur en chef de la revue Critikat Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

On retrouve Enora, Daphné et Juliette sous le soleil de la Croisette pour non pas une, non pas deux, non pas trois, non pas quatre (etc...) mais bien HUIT chroniques (et oui, l'équipe de PopCorn charbonne à Cannes). Au programme aujourd'hui : La Gradiva, de Marine Atlan (Semaine de la critique)Siempre soy tu animal materno / Ton animal maternel, de Valentina Maurel (Un certain regard)El ser querido /L'être aimé, de Rodrigo Sorogoyen (Compétition officielle)Le bois de Klara, de Volker Schlöndorff (Cannes première)Paper Tiger, de James Gray (Compétition officielle)Full Phil, de Quentin Dupieux (Séance de minuit)Les matins merveilleux, de Avril Besson (Séance spéciale)Sheep in the box, de Hirokazu Kore-eda (Compétition officielle)Bonne écoute ! Chroniques : Enora, Daphné & JuliettePrésentation et montage : Juliette

Per la prima volta in carriera il regista giapponese si confronta con la fantascienza. Ne viene fuori un film molto umano dalle riflessioni interessanti.

Vi porträtterar Barbra Streisand som får Hederspris i Cannes, träffar succéförfattaren Lisa Ridzén i Jämtland och författaren Leonardo Paduro på Kuba dessutom Klassikern om Both sides now. Lyssna på alla avsnitt i Sveriges Radios app. Filmfestivalen i Cannes har dragit igång och i år är Hollywoods närvaro påtagligt mindre än den brukar vara. Juryordförande är den sydkoreanske filmskaparen Park Chan-wook och med i kampen om Guldpalmen är bland annat regissörer som Pedro Almodóvar, Asghar Farhadi, Pawel Pawilkowski och Hirokazu Kore-eda. Alla stjärnor förvisso, men när priserna delas ut 23 maj, blir det också med stjärnglans från Hollywood – Barbra Streisand får ta emot en Hedersguldpalm med motiveringen "Hon är den legendariska sammansmältningen mellan Broadway och Hollywood, mellan varieté- scen och storfilmsduken..." I dagens P1 Kultur tecknar Björn Jansson hennes porträtt.MÖTE MED DEN KUBANSKA FÖFATTAREN LEONARDO PADURALeonardo Padura är Kubas internationellt mest kände författare och han är översatt till mer än 20 språk, dock inte svenska. Paduras mest kända roman är "Mannen som älskade hundar", men numera får han inte sin böcker utgivna i hemlandet. Ändå fortsätter han att göra som han alltid gjort, skriva böcker och essäer. Ett priviligierat liv i ett land som annars präglas av en allt djupare ekonomisk och politisk kris. Lotten Collin, Sveriges Radios Latinamerika-korrespondent, har träffat den alltmer pessimistiska författaren.SUCCÉFÖRFATTAREN LISA RIDZÉNS LÅNGA VÄG TILL ANDRA ROMANENLisa Ridzéns debutroman "Tranorna flyger söderut" från 2024 har översatts till 43 språk och sålts i över 275 000 exemplar i Sverige. Dundersuccén borde bädda för Lisa Ridzéns bästa tid i livet, men en olycka satte stopp för all ork och arbete med hennes nästa roman. P1 Kulturs reporter Joakim Silverdal åkte hem till författaren i den jämtländska byn Heglede för att få höra hur det är med henne.KLASSIKERN: BOTH SIDES NOW AV JONI MITCHELLVeckans klassiker handlar om en låt som har åldrats parallellt med sin upphovskvinna - den kanadensiska-amerikanska sångerskan och låtskrivaren Joni Mitchells ”Both sides now”. Filmaren Richard Dinter har följt den i spåren, från mitten av sextiotalet till stora scenen på klassiska Newportfestivalen många decennier senare.Programledare Jenny TelemanProducent Maria Götselius

It's time for the Cannes Film Festival jury to begin weighing up the 22 films competing for the Palme d'Or. FRANCE 24 film critic Emma Jones is on the French Riviera to walk us through the main themes emerging from this year's competition. The official selection boasts a strong Asian presence, with one South Korean film in competition and three Japanese features, including Hirokazu Kore-eda's "Sheep in the Box".

On this episode, Shadan is joined by our own Maxance Vincent to discuss this year's Cannes lineup! The festival will see new films from the likes of Ryusuke Hamaguchi, Pedro Almodóvar, Pawel Pawlikowski, Hirokazu Kore-eda, Marie Kreutzer, Ia Sachs, Na Hong-Jin, Asghar Farhadi and many more! We are about to feast with this year's Cannes Film Festival. Visit https://insessionfilm.com/store for merch and more! Thanks for listening and be sure to subscribe! Become an ISF VIp today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @ShadanLarki

Em Swing Girls jovens entediadas descobrem que basta um empurrãozinho (ou uma intoxicação alimentar bem forte) para descobrir uma paixão que as une por algo maior — jazz! Bem-vindos à Locadora do Nicolas, a investigação ordenada e sazonal sobre o audiovisual internacional! Com PJ Brandão, Rudy e Jotapê. COLABORE COM NOSSO APOIA.SE! Indicações do episódio: Round About Midnight (Makoto Wada, 1999) Assunto de Família (Hirokazu Kore-eda, 2018) Linda Linda Linda (Nobuhiro Yamashita, 2005) Sumo Do, Sumo Don't (Masayuki Suô, 1992) Meu Esconderijo Secreto (Shinobu Yaguchi, 1997) E no próximo episódio... Foi anunciado Duna de Jodorowsky, mas, cá entre nós, vai ser As Aventuras de Paddington 2. Nos encontre por aí: Grupo de ouvintes do Nicolas no Telegram Bluesky: @hqsemroteiro / @rudylonia / @jumbopaulo / @podcastnicolas Instagram: @hqsemroteiro / @ahistoriadacamisa / @roberto_rudiney / @jumbopaulo / @podcastnicolas Letterboxd: @rudylonia / @jp_martins - Lista no Letterboxd com todas as indicações já dadas na Locadora! TikTok:@hqsemroteiro / @rudyloniaa / @rudyball Créditos: Edição: Roberto Rudiney Arte: JP Martins Voz de veludo do início: Bruna Soares

Ya en el aire, el decimoctavo episodio de Cierra el libro al salir, el de quién quiere leer un libro si puede acariciarlo. Podéis encontrar todos los capítulos en las siguientes plataformas: Anchor: https://is.gd/2NtWpC Ivoox: https://is.gd/N7ZRLF Google: https://is.gd/QPSxqF Spotify: https://is.gd/HgJODw Apple: https://is.gd/ronrw0 Spreaker: https://is.gd/tcF9JV Youtube: https://is.gd/lIEI9e En este episodio de Cierra el libro al salir, correspondiente al mes de junio de 2020, te ofrecemos los siguientes contenidos: 0:00 Presentación. 4:05 Desnoticias muy friquis. 20:10 Cuéntame un libro: Ana y Fernando se cuentan Un asunto de familia, de Hirokazu Kore-eda. 39:00 Reseña borgiana: Ana nos habla de El libro sonámbulo, de Tito Fluxá. 49:30 Entrevista a destiempo. Hoy hablamos con Roberto Bolaño. 59:30 Oído por ahí desescalado. 1:03:00 Despedida y cierre. Puedes comprar los libros de los que te hablamos donde te apetezca, pero nosotros te sugerimos que lo hagas a través de una pequeña librería y que te dejes aconsejar por los libreros. La sintonía del programa es de Charles Matuschewski y los arreglos de nuestras voces de Elmar Geissler. Las cortinillas animadas son de Jara Vicente. Cualquier sugerencia o crítica, incluso malintencionada, nos la podéis enviar a hola@cierraellibroalsalir.com. Búscanos en facebook (sobre todo), o en twitter o en instagram o en youtube, prometemos contestar de inmediato. Esto es todo por esta vez. Dentro de un mes, otro episodio. ¡Ah!, no olvidéis cerrar el libro al salir. #bolaño #kore-eda #literatura #cierraellibroalsalir

David Freyne's new Eternity shoves a thematically rich afterlife scenario into a romcom-shaped container, resulting in an above-average example of the genre that nonetheless feels like it's only scratching the surface of its narrative potential. That leaves us with a lot of logistical questions to mull in our discussion of the film — several of which Tasha addressed in her pair of conversations with Freyne over at Polygon — and also a lot of points of contrast when we bring Hirokazu Kore-eda's After Life back in for Connections. After Life and Eternity look and feel very different as they navigate the ins and outs of their respective postmortem bureaucracies, but both are ultimately concerned with characters being forced to make a single choice that will define their afterlives, what that choice says about what truly matters, and what the things we most value say about us.  Those ideas pop up again in Your Next Picture Show, where Tasha offers an enthusiastic recommendation for the 2020 Edson Oda film Nine Days as an unofficial companion piece to After Life. Please share your thoughts about After Life, Eternity, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Josh Safdie's Marty Supreme and Robert Rossen's The Hustler Learn more about your ad choices. Visit megaphone.fm/adchoices

The new fantasy romcom Eternity turns on a scenario familiar from any number of films that imagine life after death as a bureaucratic process, but its focus on characters forced to make big, symbolic choices for big, symbolic reasons is particularly reminiscent of After Life, Hirokazu Kore-eda's 1998 movie in which the recently departed are given one week to select a memory to take with them into the great beyond. While the functional logistics of After Life's post-life waystation are ultimately secondary to its heady ideas about memory and filmmaking, that doesn't stop us from talking through the ways this specific setting informs those ideas, and the various questions that arise from it. Then in Feedback, we tackle a listener's consternation with some of the choices Train Dreams makes in adapting its source material.  Please share your thoughts about After Life, Eternity, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

The fine, upstanding gentlemen of Pod Casty for Me, Jake Serwin and Ian Rhine, return to discuss Hirokazu Kore-eda's After Life, which follows a group of recently deceased people entering a state of limbo where counselors  (also deceased) help them locate their most important memory and then go about the work of turning that memory into a film that they will watch forever in eternity. The film adopts, at least in part, a docu-fiction quality, assembling talking head interviews with several non-actors telling their memories directly to camera before becoming a treatise on art-making itself, considering how cinema reflects and retains memory. We begin with a discussion of Kore-eda's formalism, and how the director embraces both the erudite affect of slow cinema and the melodramatic dramaturgy of classical narrative to mixed effect. Then, we engage the film's high concept premise, how its emboldened by its ambiguities and where the film still feels grafted to terrestrial quotidian experience. Finally, we ponder the wide array of films that deal with the afterlife as a bureaucratic machine, and whether applying systemic order to something like death is a comforting fantasy or a cloistering nightmare. Read Hirokazu Kore-eda's director statement on After Life.Listen & Subscribe to Pod Casty for Me.Follow Pod Casty for Me on Twitter.Join us on Thursday November 6th, 2025 6pm PT/9pm ET for a virtual screening of FAILED STATE + Q&A w/ Dir. Christopher Jason Bell.Purchase tickets HERE.Hit Factory Patrons can RSVP at Patreon from our pinned post.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish.

'Art is labour'. This is a statement from composer Jung Jae-il, the man behind the iconic scores to Bong Joon-ho's Parasite, Okja, and Mickey 17, the Netflix smash hit Squid Game, and Hirokazu Kore-eda's Broker, amongst other works. For Jung Jae-il, the art of composing a score is work.For Jung Jae-il, artists like Roxette, Metallica and Björk are notable influences on his work, with Pina Bausch's dancing leaving a lingering mark on his mind. It's these kinds of artists who influenced Jung Jae-il on his solo album, Listen, released in 2023.For Jung Jae-il, there is a clear delineation between art for the self and art for a job, and it's with his work on Parasite that the distinction is felt, while his passion for his album Listen shows an artist in harmony with his craft.These are just some of the things discussed in the above interview with Jung Jae-il, recorded ahead of his performance of the live score for Parasite at the 2025 Melbourne International Film Festival.Jung Jae-il participates in a conversation with Caitlin Yeo on 23 August at MIFF, with the composer performing a live score for Parasite on 23 August over two sessions at MIFF. Tickets are available here.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

'Art is labour'. This is a statement from composer Jung Jae-il, the man behind the iconic scores to Bong Joon-ho's Parasite, Okja, and Mickey 17, the Netflix smash hit Squid Game, and Hirokazu Kore-eda's Broker, amongst other works. For Jung Jae-il, the art of composing a score is work.For Jung Jae-il, artists like Roxette, Metallica and Björk are notable influences on his work, with Pina Bausch's dancing leaving a lingering mark on his mind. It's these kinds of artists who influenced Jung Jae-il on his solo album, Listen, released in 2023.For Jung Jae-il, there is a clear delineation between art for the self and art for a job, and it's with his work on Parasite that the distinction is felt, while his passion for his album Listen shows an artist in harmony with his craft.These are just some of the things discussed in the above interview with Jung Jae-il, recorded ahead of his performance of the live score for Parasite at the 2025 Melbourne International Film Festival.Jung Jae-il participates in a conversation with Caitlin Yeo on 23 August at MIFF, with the composer performing a live score for Parasite on 23 August over two sessions at MIFF. Tickets are available here.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

Released as an exclusive Patreon post at the end of 2024, we're now releasing this video podcast to publicly to commemorate ONE HUNDRED EPISODES! What a milestone. See you at 1000!  The summer of 2024 saw Ben, Wilson, and Eli all together in the same place for the first time in six years! To mark the momentous reunion, we recorded a special video episode. It's time to go all the way back to the start by revisiting the work of the podcast's first director, Hirokazu Kore-eda, with 2008's Still Walking. Learn about our history together, hear our musings on the complications of family, and watch as Wilson gets six pounds of blueberries.LinksBen's video essay on Still WalkingWe're still walking over at our FREE patreon, discord server, and our socials @ www.deepcutpod.comTimestamps00:00:00 Intro00:05:50 Plot summary00:07:25 General thoughts00:14:10 Gifting interlude00:24:53 Still Walking continued00:27:43 Story and characters00:37:01 Deliberate cinematography, use of space00:42:36 Food00:47:43 Non-judgmental filmmaking00:50:23 Melodrama?00:52:22 Yoshio scene00:54:15 Atsushi01:01:06 Blue Light Yokohama01:04:35 Tokyo Sonata comparisons01:06:10 Stealthy emotional narratives01:12:02 What does Kore-eda not show us?01:16:58 Best food, best outfit01:19:57 Closing thoughts01:25:29 Longest outro ever

Orbital di Samantha Harvey, romanzo vincitore del Booker prize, segue la vita quotidiana di sei astronauti. Il regista giapponese Hirokazu Kore-eda firma la serie tv dell'anno: Asura. A Parigi è stato annunciato un grandioso piano di rinnovamento per il museo del Louvre. Sistemi nascosti è un libro a fumetti che spiega come funzionano alcune infrastrutture di cui non possiamo fare a meno.CONValentina Pigmei, giornalista che collabora con Internazionale Emilio Cozzi, giornalista, podcaster ed esperto di spazioJunko Terao, editor di Asia di InternazionaleGiuliano Milani, storico  Alberto Emiletti, giornalista di Internazionale KidsSe ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità . Vai su internazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Produzione di Claudio Balboni e Vincenzo De Simone.Musiche di Carlo Madaghiele, Raffaele Scogna, Jonathan Zenti e Giacomo Zorzi.Direzione creativa di Jonathan Zenti.Orbital: https://www.youtube.com/watch?v=VT6BZ6gyYYYAsura: https://www.youtube.com/watch?v=M61cAu_kGD4&t=6sIl nuovo Louvre: https://www.youtube.com/watch?v=WcBvQ9qsX_E&t=1083sSistemi nascosti: https://www.youtube.com/watch?v=oA1KaUztWB0

Netflix's Asura marks the fourth iteration of the Takezawa sisters' story—last seen on-screen in the 2003 film Like Asura, which was nominated for Best Film in Japan. This year, acclaimed director Hirokazu Kore-eda (Shoplifters) expands the tale into a seven-episode series set in 1979 Tokyo, where four sisters discover their father's affair and watch their family bonds fray under hidden resentments and shifting alliances. Adapted from Kuniko Mukōda's classic Ashura no Gotoku, Asura blends humor and heartbreak with Kore-eda's signature humanistic touch. Tune in as we discuss the episodes, the critical reception, and our ultimate rating. Welcome to Today's Episode!

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that's quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda's Netflix show that's about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it's time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we're looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik's article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

The summer of 2024 saw Ben, Wilson, and Eli all together in the same place for the first time in six years! To mark the momentous reunion, we recorded a very special video episode. It's time to go all the way back to the start by revisiting the work of the podcast's first director, Hirokazu Kore-eda, with 2008's Still Walking.  Listen to the first 15 minutes of our very FIRST video podcast discussing Hirokazu Kore-eda's Still Walking here, or WATCH it in its entirety on our Patreon. Available to all subscribers for FREE! Learn about our history together, hear our musings on the complications of family, and watch as Wilson gets six pounds of blueberries. Walk on over to our FREE patreon, discord server, and our socials @ www.deepcutpod.com

It's about time, after 3 and a half years we got a brand spankin' new trailer. If you're new to Deep Cut, welcome! If you're a long-time fan, share this with your friends!  Deep Cut: A Film Podcast is a director-focused film podcast featuring deep-dive discussions about international, art-house, and independent cinema. Each episode we discuss either a director's most popular film or a "Deep Cut Pick": a personal favorite chosen by one of us: Wilson Lai, Benjamin Yap, and Eli Sands. We've covered movies from filmmakers like Hirokazu Kore-eda, Agnes Varda, Éric Rohmer, Kelly Reichardt, Wong Kar-wai, S.S. Rajamouli, Bong Joon-ho, and more! Looking for film recommendations off the beaten path? This is the pod to follow! Available wherever you get your podcasts! Find our FREE patreon, discord server, and all our socials @ http://www.deepcutpod.com

Cardy, Matt, and Mat are here this week to talk about cursed meals they've eaten. Before all of that, though, there are thoughts on the madness that is Furiosa: A Mad Max Saga, why Hellblade 2 isn't quite working for them, the intriguing concept behind sci-fi survival game The Alters, and another of Cardy's foreign film recommendations in the shape of Hirokazu Kore-eda's Monster. As ever, there's also the regular dose of madness thanks to your feedback, including multiple unseasoned ground beef recipes. Send in your food nonsense to ign_ukfeedback@ign.com (or questions and thoughts about games, TV, and films – we should probably stay on topic at least 60% of the time).  Learn more about your ad choices. Visit megaphone.fm/adchoices

After a mother (Ando Sakura) discovers that teacher's bullying is behind her young son's sudden strange beahvior, she storms into his school demanding an explanation. Continually left without satifactory answers-and with an increasingly distressed child-she furiously escalates her concerns to the school board and the media. But as the story unfolds through the multilayerd perspectives of mother, teacher, and child, the real truth gradually emerges-and proves much more complex than anyone could have expected.Starring Sakura Ando, Eita Nagayama, Soya Kurokawa, Hinata Hiiragi, Mitsuki Takahata, Akihiro Kakuta, Shido Nakamura, and Yuko TanakaMusic by Ryuichi SakamotoCinematography by Ryuto KondoScreenplay by Yuji SakamotoEdited and Directed by Hirokazu Kore-eda

Look here, film snobs. Perhaps you've already looked ahead to round two and seen that the topic is pop culture depictions of the afterlife. I'm gonna disappoint you right now and tell you that we do not get to Hirokazu Kore-eda's 1999 masterpiece After Life. That's just a thing you'll have to contend with as you trudge through the lowbrow muck we've provided you. But it makes for a great game nonetheless! Adam, Chloe, and Paul have a great time talking piracy, jamming out to songs sung by characters in cars, and (you guessed it) exploring pop culture depictions of what happens after we die. Despite all that, this episode is not morbid at all, and hews to the light tone you've come to expect of this show by this point. SUPPORT THE SHOW FOR MORE EPISODES PER MONTH

We go back to our Deep Cut roots with Kore-eda's latest, but don't call us Monster(s) for skipping out on the previously released Broker! Awarded the Queer Palm at Cannes in 2023, Monster is a return to form (and Japan) for Kore-eda, igniting a sprawling conversation about the film and its connections to his larger ouevre. We debate the film's visual treatment, the limits of its Rashomon-esque structure, and share our thoughts on what kind of story the ending is really trying to tell. Jessica Yeung's Review Kore-eda Interview with Filmmaker Magazine (2009) Ben's Video Essay on Still Walking (Spoilers!) Find refuge from the storm in our ⁠Discord⁠⁠⁠⁠ server! Keep up with Deep Cut on ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠.

Hello and welcome to an all new episode of Some Like It Scott! On this week's episode, the two Scotts review MONSTER, the latest drama film from legendary Japanese auteur, Hirokazu Kore-eda. After they discuss the narrative construction, give their view on the ensemble cast of performances, and dissect the rich themes of the film, the co-hosts turn their attention to casting news for SNL 1975, as well as the announcement that Ryan Coogler and Michael B. Jordan will be re-teaming on a new genre project. See time codes below:   3:36 - MONSTER review 55:32 - SNL 1975 casting update 1:02:24 - Ryan Coogler + Michael B. Jordan new project   Next time: Oscar Nominations   Patreon: www.patreon.com/MediaPlugPods

It's Arthouse Friday here at Breakfast All Day, as we continue catching up with acclaimed and Oscar-shortlisted international films. First, we review "Fallen Leaves," the amusingly understated romance from Finnish auteur Aki Kaurismäki. Next, we discuss "Monster," a heartbreaking, "Rashomon"-style drama from Japanese master Hirokazu Kore-eda. Then we wrap up with a spoiler conversation about the German film "The Teachers' Lounge," which we reviewed earlier this week, because so many of you asked for it. And for our Patreon subscribers, we recap the excellent season 5 finale of "Fargo" on Hulu as well as episode 2 of Marvel's "Echo" on Disney+. Join us and share your thoughts!   * Be sure to tune in Tuesday at Noon PST for our Oscar nominations livestream over at our Breakfast All Day YouTube channel. We'd love to hear your thoughts! https://youtube.com/live/VpCxdI7E7OE?feature=share   * Get weekly goodies in your inbox with Christy's Saturday Matinee newsletter! Subscribe here and start your weekend off right: https://christylemire.com/  

We begin our deep dive into the abundance of excellent films of 2023, a year that still saw fewer new releases than is typical of pre-pandemic cinema but gave us far more exciting, risky, and unusual movies of quality than we've gotten used to. It was a year of big swings by filmmakers, actors, and studios—most of which paid off, and familiar "comfort fair" from old favorites that still delivered excellence, as well as a fairly resounding rejection of the same-old-same-old corporate franchise product. It was a year that gave us Barbenheimer, the best Godzilla movie since the original, some terrific biographical documentaries, a slew of memorable dance sequences, two Hirokazu Kore-eda features, and six Nicholas Cage pictures! In this show, we focus on the smaller films that might have flown under people's radar, and we'll return next month to talk about the big awards movies.

Welcome back, Screamers to part two of our look at the films of Hal Hartley. Today we're digging into the made-for-PBS film 'Surviving Desire,' and the finale of the Long Island Trilogy (Long Island is a terminal moraine), 'Simple Men.' We also discuss Hirokazu Kore-eda's latest film--and his first Japanese-language film since 2018--'Monster.' As a bonus, Jason imagines a world where James Van Der Beek was nominated for an Oscar for his star turn in 'Varsity Blues.'      Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

On this episode, JD and Brendan gleefully discuss Hirokazu Kore-eda's latest film MONSTER! *While we tried to avoid spoilers, we may have failed when talking about the ending sequence of the film. We didn't give it away directly, but a warning for spoilers just in case.  Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

Fresh from submitting their Chicago Film Critics Association ballots, Adam and Josh share their favorite film performances of the year. (Timecode will not be precise with ads; chapters may start early.) Open (00:00:00-00:01:48) Supporting Actor (00:01:48-00:12:07) Supporting Actress (00:12:07-00:24:54) Notes, Massacre Theatre (00:24:54-00:42:15) Lead Actor (00:42:15-00:57:02) Lead Actress (00:57:02-01:12:08) Notes/Links: Chicago Film Critics Assoc. Winners Filmspotting Live in L.A. on Jan. 13 Robert Downey Jr.'s Third Act Promos: Regal Unlimited (use code FILMSPOT23) MONSTER, from director Hirokazu Kore-eda, is now playing in select theaters nationwide. Find showtimes and get tickets at https://wellgousa.com/films/monster  Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Contact us: https://letterboxd.com/filmspotting @filmspotting on Threads https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm @larsenonfilm on Threads https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

Ya vimos #Wonka y no creerán lo que sucedió. Lo cierto es que si esperábamos una gran película ya que la dirigue Paul King, el mismo de Paddington 1 y 2. El tipo es garantía. Hablamos también de los chocolates que nos gustan, qué originales.Este fin de semana hay mucho que ver, #Blackberry finalmente llega a salas, una película sobre la historia del famoso smartphone que conquistó al mundo hasta que se encontró con su Waterloo: el iPhone.Nuevas películas de Aki Kaurismaki y de Hirokazu Kore-eda: #FallenLeaves y #Monster.Eso y mucho más hoy en Filmsteria Hosted on Acast. See acast.com/privacy for more information.

Mamma mia! We've got-a some-a sleepy pasta for-a you to taste-a this-a week! In our latest, much-awaited installment of PORCH CLASSICS, we're handing the reins to Producer Ben, who has chosen to spotlight a forgotten comedy about “the world's horniest pizza man who cannot die.” Lawrence Kasdan's I LOVE YOU TO DEATH is a feast of bizarre performances (Italian-face Kevin Kline, Serb-face Joan Plowright, Stoner-face William Hurt) and tonal miscalculations. All this to say - it's a very FUN movie to talk about. This episode is sponsored by: Uncommon Goods (uncommongoods.com/check) MONSTER by Hirokazu Kore-eda (wellgousa.com) AuraFrames.com (CODE: CHECK) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! Buy some real nerdy merch at shopblankcheckpod.myshopify.com or at teepublic.com/stores/blank-check

If you want to enjoy a film that explores the complications of real life struggles, look no further. From one of our favorite directors Hirokazu Kore-eda, comes the very human tale of pride, family dynamics and loss. Released on May 21, 2016 in Japan. Hirokazu Kore-eda also wrote and editied this film. 

Director Hirokazu Kore-eda joined me for an episode of Carolyn Talks..., to share his persptives on what the monster is in his latest dramatic feature MONSTER (Kaibutsu), starring Hiiragi Hinata as Hoshiwaka Yori a young boy whom no one understands or seems to care for, Sōya Kurokawa as Mugino Minato a shy boy who believes he's become a monster, Sakura Andō as his mother whose actions to protect her child lead to extreme unintended consequences.Co-written with Sakomoto Yuji, #Monster was scored by Sakomot Ryuichi before his passing in 2022. The film had its North American premiere at the 2023 Toronto International Film Festival.Visit the official TIFF.net site to learn more about the festival and regular film programming throughout the year.Follow me on Twitter, Instagram and TikTok at: @CarrieCnh12My Social Media hashtags are: #CarolynTalks #DramasWithCarrie #SaturdayNightSciFi #SHWH #SHWHCarolynTo offer monetary support of my work donate to my GoFundMe at https://gofund.me/1bd5b682or give to my PayPalwww.paypal.com/paypalme/carolynhinds0525Any and all financial support is deeply appreciated and valued.Go to https://authory.com/CarolynHinds to find links to all of my published writing, and podcasts; So Here's What Happened!, Carolyn Talks..., Beyond The Romance. Hosted on Acast. See acast.com/privacy for more information.

Episode 65: After Life (1998) — Available on all your favorite podcast platforms

Hosts John Cribbs & Christopher Funderburg discuss (possibly) their favorite film of the year, Hirokazu Kore-eda's Shoplifters. This episode, recorded in 2018, was released from behind our Patreon paywall. Enjoy it. Think about it. Perhaps someday... learn to love it.

Cannes 2023 is here—and as news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood the feed, we'll be reporting on all the cinematic goings-on, with our on-the-Croisette crew of Film Comment contributors ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. For our second episode from the Riviera, critics Beatrice Loayza and James Wham and programmer and critic Inney Prakash join FC co-deputy editor Devika Girish discuss some recently screened high-, low-, and in-between–lights, including Sean Price Williams's The Sweet East, Hirokazu Kore-eda's Monster, Wim Wenders's Anselm, and Wang Bing's epic Youth (Spring). Subscribe to the Film Comment Letter today for a steady stream of Cannes coverage, providing everything you need to know about the 2023 edition: www.filmcomment.com/newsletter-sign-up/

Ep. 174: Cannes #2 with Mark Asch on Jeanne du Barry, Kore-eda's Monster, Sweet East, The Goldman Case Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The 2023 Cannes film festival series continues, live from Cannes! This episode I talk with critic Mark Asch about recent Cannes highlights (and otherwise), including Maiwenn's festival opener Jeanne du Barry, Hirokazu Kore-eda's Monster, Sean Price Williams's The Sweet East, and Cedric Kahn's The Goldman Case. Stay tuned for more episodes with a glittering array of brilliant critics. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Monserrate” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

This week on the InSession Film Podcast, Ema Sasic of Next Best Picture joins us to review Hirokazu Kore-eda's new film Broker and we discuss our Top 5 Scenes of 2022! - Review: Broker (4:48) - Notes / Discussion (47:44) - Top 5 Scenes of 2022 (1:07:25) Thanks for listening and be sure to subscribe on iTunes, Google Play, Stitcher, Soundcloud or TuneIn Radio! Apple Podcasts: https://podcasts.apple.com/us/podcast/insession-film-podcast/id605634337 Spotify: https://open.spotify.com/show/5LIi40D5BTFnsRMP57O5nG IHeartRadio: https://www.iheart.com/podcast/269-insession-film-podcast-30916083/ Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9pbnNlc3Npb25maWxtLmxpYnN5bi5jb20vcnNz?ep=14 Podchaser: https://www.podchaser.com/podcasts/insession-film-podcast-195831 Stitcher: http://www.stitcher.com/podcast/insession-film Soundcloud: https://soundcloud.com/insession-film TuneIn Radio: http://tunein.com/radio/The-InSession-Film-Podcast-p522717/ Listen Now: http://insessionfilm.com/listen-now/

World-renowned director Hirokazu Kore-eda's ("Shoplifters") latest film "Broker" had its world premiere at the Cannes Film Festival, where actor Song Hang-ho ("Parasite") won the festival's Best Actor prize. The South Korean film was later picked up by NEON and is now playing in New York and will be opening in Los Angeles on December 28th. Both director/writer Hirokazu Kore-eda and actor Song Kang-ho were kind enough to spend time with us separately talking about their work in the film, which you can listen to down below. Thank you for listening. We hope you enjoy it!   Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture