Podcast appearances and mentions of Matt Dillon

A nerd, a jock, a princess, a werewolf, and a gender-swapping journalist walk into 1985… This week, Jovial Jay and Shua take a nostalgic trip back to high school to celebrate the teen comedies that defined a generation on Enjoy Stuff Whether you were eating lunch in the library, building your dream girl, or skiing the K12, teen comedies in 1985 tapped into real adolescent emotions with totally tubular exaggeration. It's been 40 years since these iconic films hit theaters—so grab your Walkman, fluff your bangs, and join us as we Enjoy Teen Movies! News A coffee table made out of VHS tapes goes viral, mixing nostalgia and furniture   George Lucas highlight narrative art at SDCC   Starfleet Academy teaser drops, setting up a return to Star Trek's future   Strange New Worlds renewed for 5th and final season   H.E.R.B.I.E. and the Fantastic Four join the Avengers Campus lineup   Spinal Tap II drops a trailer—get ready to crank it to 11 again this September   RIP Tom Lehrer—brilliant satirist and mathematician   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Shua is fascinated by Huge* (*if true), a smart and engaging YouTube show hosted by Cleo Abram that tackles big ideas with clarity and positivity. Jay fell down a retro rabbit hole with Wild Rides (1982), a Nickelodeon doc/music special hosted by a young Matt Dillon and set to rollercoaster footage with music from The Who, Steely Dan, Hendrix, and more.     Sci-Fi Saturdays -  This week on Sci-Fi Saturdays Jay analyzes the rebooted Robocop (2014). It has a slicker suit, sharper tech, and a whole lot more Michael Keaton, but does it hold up to the original? Read Jay's full breakdown on RetroZap.com. Also check out his latest work on MCULocationScout.com including “Fantastic Four-apalooza!” and coverage of Agents of SHIELD Season 5. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU. Enjoy Teen Movies!  1985 was a banner year for teen comedies, giving us characters we loved, related to, and sometimes cringed at. These movies didn't just entertain, they helped define Generation X adolescence. Why did these films resonate so much? Because the '80s were overflowing with disposable teen cash, hungry studios, and an army of rising stars like Michael J. Fox, Molly Ringwald, Anthony Michael Hall, John Cusack, and more. They gave us escapism, identity, and some truly quotable lines.   Did one of these movies speak to you? Did you own the soundtrack? First person that emails me with the subject line, “Two Dollars!” will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com 

Kerouac's Road: The Beat of a Nation explores how the legacy of Jack Kerouac's iconic novel On the Road reflects in today's America. The film interweaves stories of modern-day “on-the-roaders” who share connections to Kerouac's life, alongside those influenced by him or knew and loved him. Featured participants include Josh Brolin, W. Kamau Bell, Natalie Merchant, Matt Dillon, Jay McInerney and Joyce Johnson. On the Road remains as relevant today as it was in the 1950s, but both the book and Kerouac himself have never been explored in this way before. While based on the American road, On the Road inspired people globally to get out of where they are and engage in the world around them. In an era defined by screens and constant connectivity we can all still learn from the book and Kerouac's journey, and what it means to engage in real time with the path we're on.The documentary features Michael Imperioli, W. Kamau Bell, Josh Brolin, Matt Dillon, Natalie Merchant, Ann Charters, David Amram, Jay McInerney, Kim Jones, Jean-Christophe Cloutier, Joyce Johnson, Diana Langley, Tenaj Melendras, Faustino Melendras, Amir Staten, Angel Staten, and Karlynne Staten. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Kerouac's Road: The Beat of a Nation explores how the legacy of Jack Kerouac's iconic novel On the Road reflects in today's America. The film interweaves stories of modern-day “on-the-roaders” who share connections to Kerouac's life, alongside those influenced by him or knew and loved him. Featured participants include Josh Brolin, W. Kamau Bell, Natalie Merchant, Matt Dillon, Jay McInerney and Joyce Johnson. On the Road remains as relevant today as it was in the 1950s, but both the book and Kerouac himself have never been explored in this way before. While based on the American road, On the Road inspired people globally to get out of where they are and engage in the world around them. In an era defined by screens and constant connectivity we can all still learn from the book and Kerouac's journey, and what it means to engage in real time with the path we're on.The documentary features Michael Imperioli, W. Kamau Bell, Josh Brolin, Matt Dillon, Natalie Merchant, Ann Charters, David Amram, Jay McInerney, Kim Jones, Jean-Christophe Cloutier, Joyce Johnson, Diana Langley, Tenaj Melendras, Faustino Melendras, Amir Staten, Angel Staten, and Karlynne Staten. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Mark Lanegan was grunge's darkest secret – a gravel-voiced hellraiser who ran dope for Kurt Cobain, scared Liam Gallagher into quitting Oasis, and nearly lost his arm (and his mind) chasing the next high. He brawled his way out of a dead-end town, made as many enemies as friends in the music industry, and somehow kept singing through it all. From crack dens to concert halls, his life was pure rock ‘n roll noir – violent, haunted, and painfully real. This episode contains themes that may be disturbing to some listeners, including depictions of suicide. If you or a loved one are thinking about suicide, help is available 24 hours a day at the 988 Lifeline. To see the full list of contributors, see the show notes at ⁠⁠⁠www.disgracelandpod.com⁠⁠⁠. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠⁠⁠GET THE NEWSLETTER⁠⁠⁠ Follow Jake and DISGRACELAND: ⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠YouTube⁠⁠⁠ ⁠⁠⁠X⁠⁠⁠ (formerly Twitter)  ⁠⁠⁠Facebook Fan Group⁠⁠⁠ ⁠⁠⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

From 2007 - S. E. Hinton, author of "The Outsiders," one of the most significant novels of the last half century. The occasion of this interview was the release of the special 40th anniversary edition of the novel (from Penguin). The novel was eventually made into an outstanding film starring Patrick Swayze, Matt Dillon, and Ralph Macchio - and is now enjoying new life as a Tony Award-winning Broadway musical.

Have you seen The Outsiders? Well, this is kind of like that. No really. It's based on a book by the same author and stuff. We're talking 1983's Rumble Fish which focuses on Rusty James who idolizes his brother and, for some reason, gangs. This one stars an incredible cast that includes Matt Dillon, Mickey Rourke, Diane Lane, Dennis Hopper, Laurence Fishburne, Tom Waits, Sofia Coppola, and of course, Nicolas Cage! Directed by the Francis Ford Coppola! Thanks for joining us. Let's hit it.Then we run our little computer system thingy to find out what movie joins the Wheel-O-Cage next! Don't forget to check out our social media pages to see the next Wheel-O-Cage spin and find out what movie we're reviewing next on the show! Plus, CAGE-O Bingo!Links: ⁠⁠⁠comingofcage.com⁠⁠⁠Merch Store: ⁠⁠⁠https://www.teepublic.com/stores/derricostudios?ref_id=7261⁠⁠⁠Reddit: ⁠⁠⁠https://www.reddit.com/r/comingofcage/⁠⁠⁠Apple Podcasts: ⁠⁠⁠https://podcasts.apple.com/us/podcast/coming-of-cage/id1625687655⁠⁠⁠Spotify: ⁠⁠⁠https://open.spotify.com/show/1mVw6A52QjbMeQicIlj4i7⁠⁠⁠Spreaker: ⁠⁠⁠https://www.spreaker.com/podcast/coming-of-cage–6057154⁠⁠⁠RSS Feed: ⁠⁠⁠https://anchor.fm/s/fbf3c75c/podcast/rss⁠⁠⁠Join our Film Forum for news, memes, spoiler conversations, tournaments, polls, and more: ⁠⁠⁠Facebook.com/groups/ScreenHeroes⁠⁠⁠A Derrico Studios ProductionHosted by Derreck Mayer & Ryan CoutureExecutive Producer & Editor: Derreck Mayer

Join us as we start our Kids in Trouble month with Over the Edge, the 1979 masterpiece about a subdivision that didn't remember that kids made up 25% of their population, leading to a ton of kids in trouble. Written by Charles Haas and Tim Hunter, directed by Jonathan Kaplan, and starring Michael Kramer, Matt Dillon and Vincent Spano, along with a bunch of unknown actors. It's one of the best movies depicting the disaffected youth, ever made.

In 1972, Bernardo Bertolucci's Last Tango in Paris pierced the cinema landscape with its gritty and unrelenting portrayal of animalistic sex, grief, and urban malaise.Marlon Brando stars as Paul, a recent middle-aged widower who meets 20-year-old Jeanne (Maria Schneider) while looking for an apartment. The two decide to shack up for three hedonistic days, blocking out the sad concerns of the world outside. The result is a portrait of mutual and self-destruction, helmed by a director so bent on "authenticity" that he permitted an actual assault to take place on his set.This year, co-writer/director Jessica Palud brought us Being Maria, a biopic about Schneider and the aftermath of Last Tango's scandalous shoot/release, with Matt Dillon and Anamaria Vartolomei turning in commendable interpretations of the film's iconic actors.In today's episode, Ian and David examine both films and walk through the various reasons neither come close to being as memorable (or, frankly, as good) as they ought to be--outside the sensationalism inherent in the infamous "butter" scene. They also look at critic Pauline Kael's 1972 New Yorker review and how it brushes right up against contemporary social mores.Show LinksWatch the Being Maria (2025) trailer.Being Maria is now available On Demand and on Blu-ray, courtesy of Kino Lorber.Keep up with all of David Fowlie's film criticism at Keeping It Reel.As mentioned in the show, you can read critic Pauline Kael's 1972 review of Last Tango in Paris.Plus! Listen to Ian and David's other recent (and very raucous) reviews of:The Unholy Trinity (2025) A Real Pain (2025)Rebel Ridge (2024)Duchess (2024)The Old Oak (2024)What Remains (2024)

In celebration of Pride Month, John and Darin are watching In & Out, starring Kevin Kline, Tom Selleck, Joan Cusack, Matt Dillon, and Bob Newhart! [...]

Hey everyone, welcome back to Psychic Friday! I'm Judy Croon, and if you saw our 2025 predictions video earlier this year—you weren't alone! Over 28,000 of you watched it. Thank you so much! Here it is if you want to check it out again. https://www.youtube.com/watch?v=-KJyhBuxlNc Today, we're taking a look at what's already unfolding from those predictions—and Psychic Nikki is here with some fresh insights for June 2025. Buckle up—things are getting spooky accurate! Psychic Nikki, known as the "Psychic to the Stars," is a Toronto-based clairvoyant recognized for her celebrity clientele and media presence. Her notable clients include Cher, Rod Stewart, Matt Dillon, Shirley MacLaine and Tom Cruise. Nikki has appeared on several international television shows and has been featured in various media outlets such as The Toronto Sun, The Globe and Mail, and the National Post. She is known for making numerous predictions, including events involving public figures and global occurrences. Here is Nikki's website if you want to book her or see her predictions throughout the years including 2025. Http://www.PsychicNikki.com or call you can call her at 416-961-7976

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

What would it be like to see this thing fresh? To get to the first twist and be like "what?!?!" None of us got to enjoy that, they ruined it with marketing to really hammer us with the horny.Matt Dillon is a high school teacher. Denise Richard's, his student, is really working hard to seduce him. Her and her friend get all soapy washing his jeep as part of a school fundraiser type thing and then she sends her friend away and goes into his house. Sharp cut and she is running out. What happened? This is a court room thriller? But wait, what about all the kissing in the tv commercials???Will this work on us old men? Is it a good movie? Tune in! Watch the bone-o-meter and see where it takes us!

On Eavesdroppin' comedy podcast this week, Geordie and Michelle ponder - do we have a guardian angel?Across cultures and religions, spirits, guides and guardian angels are constantly referenced. But do they exist? And do you believe in guardian angels? Have you ever had a sign from your guardian angel? or been saved from disaster by a voice from above? Michelle looks at these questions and more, revealing the two times she's heard wisdom from her guardian angel, plus a look at stories from the internet of people who've averted disaster because of guidance from their GAs. Plus, Michelle dives into the world of Lorna Byrne, a self-confessed angel whisperer, who give some tips on how to talk to your guardian angel and why they love it! We also feature a story of Archangel Michael from our modern mystic, Tameera, before Geordie reveals her own brush with her guardian angel, a mini dive into the religious side of angels, and Oracle Card mystic Doreen Virtue and her born-again renouncement of her previous work - was she really an instrument of the devil? Plus, Aleister Crowley's Thelema, messages from your angel, self love and a pondering about whether any of us really have a cosmic cheerleader or are we our own guardian angels?So pop on your headphones, grab a brown lemonade and join Geordie & Michelle for this week's episode, plus chit-chat about Geordie stalking Mick Hucknall in the chicken aisle, Matt Dillon, sound baths and more, only on Eavesdroppin' podcast. And remember, wherever you are, whatever you do, just keep Eavesdroppin'! *Disclaimer: We don't claim to have any factual info about anything ever and our opinions are just opinions not fact, sooorrrryyy! Don't sue us! Please rate, review, tell your friends and subscribe in all the usual places – we love it when you do! Support us on Patreon: https://www.patreon.com/eavesdroppinDo write in with your stories at hello@eavesdroppinpodcast.com or send us a Voice Note!Listen: www.eavesdroppinpodcast.com or https://podfollow.com/eavesdroppinYouTube: https://www.youtube.com/channel/UCqcuzv-EXizUo4emmt9PgfwFacebook: https://www.facebook.com/eavesdroppinpodcast#GuardianAngels #AngelMessages #SpiritualGuidance #DivineProtection #AskYourAngels #AngelWhispers #HeavenlySupport #SoulConnection #SpiritualAwakening #AngelPodcast #lornabyrne #aleistercrowley #eavesdroppin #eavesdroppinpodcast #eavesdroppincomedypodcast #podcast #comedy Hosted on Acast. See acast.com/privacy for more information.

On this dig back into a past Patreon episode, Doug talks way more about QVC than anyone should when discussing any film, let alone a fantastic horror/comedy, Jamie invites listeners to break into your community pool and skinny dip, and we both invent a movie starring Bruce Campbell & Matt Dillon called Big Brother Burce. Never listen to strange recordings left in your Air B&B, understand that you can't drown your own hand, and join us as we discuss the delight that is, Eve Dead II!Evil Dead II is a 1987 film written and directed by Sam Raimi and starring Bruce Campbell, Sarah Berry, Dan Hicks, Kassie Wesley DePaiva, Denise Bixler, Richard Domeier & Ted Raimi..Visit our YouTube ChannelMerch on TeePublic Follow us on TwitterFollow on InstagramFind us on FacebookVisit our Website

"AI scares us now, but I believe in a good story telling" The post Matt Dillon, interview with the actor at the Riviera International Film Festival appeared first on Fred Film Radio.

Revisiting Paul Haggis' Divisive Oscar Winner! Twenty years ago, Paul Haggis' "Crash" shocked the world by winning Best Picture at the Academy Awards. Join us as we dissect this controversial film starring Sandra Bullock, Don Cheadle, Matt Dillon, and an all-star cast, examining its impact, its enduring themes, and why it continues to spark debate. From the performances of Jennifer Esposito, William Fichtner, and Terrence Howard to the script co-written with Robert Moresco, we'll leave no stone unturned in this anniversary retrospective. Where To Watch Crash

This week Donald picked the 1983 coming of age drama film The Outsiders. Directed by Francis Ford Coppola and based on the 1967 novel of the same name by S. E. Hinton, in a small Oklahoma town in 1964 the rivalry between two gangs heats up when one gang member accidentally kills a member of the other. The film stars C. Thomas Howell, Rob Lowe, Emilio Estevez, Matt Dillon, Tom Cruise, Patrick Swayze, Ralph Macchio, and Diane Lane. Come join us!!! Website : https://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod                            

There's Something About Mary is a hilariously offbeat romantic comedy from the minds of the Farrelly Brothers that pushed the boundaries of humor in the late ‘90s and became an instant classic. The story follows Ted Stroehmann (Ben Stiller), a lovable but perpetually unlucky-in-love guy who hasn't gotten over his high school crush, Mary Jensen (Cameron Diaz). After a disastrously awkward prom night incident, Ted hires a shady private investigator (played by Matt Dillon) years later to track Mary down—only to find that he's not the only one trying to win her heart.As romantic rivals pile up and outrageous situations unfold—including a dog fight, a fish-hooked eyelid, and one very infamous hair gel scene—There's Something About Mary delivers a mix of sweet romance, slapstick chaos, and unforgettable shock comedy. Powered by standout performances, a quirky soundtrack, and the Farrellys' signature gross-out humor, the film became a cultural phenomenon, grossing over $369 million worldwide on a $23 million budget.Whether you're watching it for the first time or reliving the laughs, There's Something About Mary remains one of the boldest and most memorable comedies of its era.If you are new to the podcast then please consider following us on the platform that you love, we can be found most anywhere that you listen to your favorite podcasts. Please leave us a rating and review if you listen on iTunes and a 5 star rating if you listen on Spotify. If you like what you hear then please share the show with your friends and family. If you would like to help support the podcast by donating a small amount or any custom amount you choose then please visit the following link:https://retrolife4u.com/supportThis is not a membership or anything just a way for you to help support us without paying a reoccurring monthly fee when you feel like you are able to help. If you have any questions, comments, suggestions for shows or you have a question you would like us to read on air then email us at retrolife4you@gmail.com You can find us on social media at the following places:FacebookInstagramTik TokYouTubeRetro Life 4 You Website

Headlines with Kevin Bacon and Matt Dillon almost kissing in the movie Wild Things Mark calls in and wonders where the term “going to town” came from

Agents Scott and Cam, along with guest operative Scott McCrea, author of Targets West, learn about the importance of tradecraft in father/son bonding while decoding the 1985 Gene Hackman & Matt Dillon spy drama Target. Directed by Arthur Penn. Starring Gene Hackman, Matt Dillon, Gayle Hunnicutt, Josef Summer, Guy Boyd, Viktoriya Fyodorova, Herbert Berghof and Ilona Grübel. Make sure to purchase Targets West on Amazon, and check out more of Scott's work at his website.  You can also follow Scott on X and Instagram. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes.

For this week's episode of Pedal To The Metal Theater, we are checking out the classic 1992 film Singles, which was written and directed by Cameron Crowe and it evolves around this story of singles in Seattle trying to navigate their love lives deep in the epicenter of a musical revolution in the early 1990's. The film stars Bridget Fonda, Matt Dillon, Campbell Scott, Kyra Sedgwick, Bill Pullman, and many more. Plus as a bonus, we have a track from Irish alternative rock band The Greeting as we check out Over. Check out The Greeting on Bandcamp, Facebook, & Instagram. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter.com/pedal_radio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/eddiespedaltothemetalradioshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram.com/pedaltothemetalradioshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pedaltothemetalradioshow.blogspot.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/pedaltothemetalradio⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@pedalmetalradio.bsky⁠

Oscar Award Winning BEST MOVIE - CRASH has a lot of controversy around it's acclaim. Stephen will explain and unpack that with Trevor. This films cast is staggering, Sandra Bullock, Don Cheadle, Matt Dillon, and so many more - all with stories that intersect in the strangest of ways. But the film highlights the racial and social inequities and tensions of the time, and frankly today.

Greg and Eli recap yesterday's Sweet Sixteen action and look ahead to tonight's slate. Also, Tiger basketball radio analyst Matt Dillon joins the show to recap Memphis's season in totality and how they will proceed this offseason.

This week we're excited to present a conversation from the 20205 edition of the just-concluded Rendez-vous with French Cinema with Being Maria cast members Matt Dillon and Anamaria Vartolomei. Being Maria is now in select theaters, courtesy of Kino Lorber. Actors don't choose roles,” actor Daniel Gélin (Yvan Attal) tells his daughter Maria Schneider (Anamaria Vartolomei). “Roles choose them!” After her galvanizing performance as a young woman seeking out an illegal abortion in Audrey Diwan's Happening (ND/NF 2022), Vartolomei delivers another indelible portrait of a woman in extremis with writer-director Jessica Palud's second feature, moving beyond Schneider's encounter with director Bernardo Bertolucci on the set of Last Tango in Paris, during the shoot of the infamous “get the butter” scene (which the actress repeatedly identified as a violation of her consent), to contemplate the actress's larger life and legacy. The shoot itself is meticulously reconstructed—featuring a remarkable turn by Matt Dillon as Schneider's significantly more famous costar and scene partner, Marlon Brando—in order to contextualize the private and public fallout from Schneider's equally iconic and traumatizing breakout performance. Palud was herself an assistant director for Bertolucci at age 19 (the same age Schneider was during the production of Last Tango) and brings a welcome eye for complexity to an unsparing, compassionate reframing of a much-discussed incident—rooted firmly in the perspective of the actress at its center. This conversation was moderated by FLC Assistant Programmer Madeline Whittle.

Tiger basketball radio analyst Matt Dillon joins the show to preview Memphis's first round matchup of the NCAA Tournament against Colorado State.

Tiger basketball radio analyst Matt Dillon joins Greg and Eli to preview Memphis's AAC tournament quarterfinal matchup against Wichita State.

Gunsmoke || (013) Doc Holiday || (014) Gentleman's Disagreement || Broadcast: July 19, 1952; July 26, 195201:10 ... In the Gunsmoke episode titled "Doc Holiday", which aired on July 19, 1952, Doc Holliday arrives in Dodge City. In this episode, Doc Holiday is a friend of Matt Dillon's and a law-abiding gunman. 32:05 ... Gentleman's Disagreement -- Ed Beaudry comes to Dodge to kill Bert Wells. A showdown seems inevitable, but Beaudry is found dead first!: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#dramaclassics #oldtimeradio #otr #radiotheater #radioclassics #luxradio #cecilbdemille #gunsmoke #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :

Memphis Tigers radio analyst Matt Dillon joins Greg and Eli to preview the team's regular-season finale against South Florida and what to look forward to in the postseason.

Send us a textDan and Mike are back with another episode of the Oh Brother Podcast! This time, they're looking at the 1989 cult classic Drugstore Cowboy. Directed by Gus Van Sant (director of Mala Noche & Good Will Hunting), this film was just recently re-released as a part of the Criterion Collection. This week, Dan and Mike look over the film, including extra insights provided by the criterion release.Cinematographer and Producer Johnny Derango Actress Karissa Lee StaplesSupport the showOh Brother Podcast: Subscribe on YouTube Listen on all podcast platforms Follow us on Instagram Leave a 5-star rating/review on Apple Podcasts

This week we are joined by returning guest Ashley Casseday (Keep It Weird/The Losers Club)! For Garrett and Ashley this movie welcomed them into adulthood far too soon. Kit on the other hand was finally able to transition into adulthood after seeing this for the first time in her mid 30's! It's time to breakout those scratched up Full Screen Unrated DVD's and see how much you actually remember from this bizarre 90's classic!

NFL analyst Joe DeLeone joins Greg and Eli to report from the Draft Combine in Indianapolis. Also, Tiger Basketball radio analyst Matt Dillon joins the show to preview Sunday's rematch against UAB.

Join us on Ron's Amazing Stories as we explore the most iconic western series of all time: Gunsmoke! This groundbreaking show first graced our screens in 1952 and kept us hooked until 1975, totally changing how we saw westerns. Gunsmoke wasn't just about the wild west; it showed that westerns could be for grown-ups too, with deep stories and complex characters. Today, we have two stories from Gunsmoke's first season:  First up, we have “Doc Holiday,” which aired on July 7, 1952. This show mixes a historical person with fiction. Get ready to be intrigued by the relationship between Matt Dillon and the legendary gunfighter, Doc Holiday. And for our second story, “The Brothers,” which aired on September 6, 1952, buckle up because it's a wild ride! Two brothers come to Dodge City to sell a herd of cattle, but things aren't as the seem. This one was known for its great writing, and great acting. So, grab some popcorn and join us as we revisit these classic tales and uncover the stories behind them. Whether you're a die-hard fan or just starting to explore Gunsmoke, there's something for everyone here. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at . Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod () and is Licensed under . Other pieces are in the public domain. You can find great free music at which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from , stream it on or on the mobile version of . Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on . Check your local listing or find the station closest to you at this . Social Links: Contact Links:

For the 12th episode of Pop Apocalypse, Matt Dillon welcomes the philosopher, artist, and musician Haela Ravenna Hunt-Hendrix. Haela is best known as the songwriter and singer for the black metal band, Liturgy, which has released six full albums and one EP. We discuss Haela's early relationships to Christianity and metal music, her philosophical training, and her recent conversion to Orthodox Christianity. Along the way, we explore her philosophical system of Transcendental Qabalah and how it informs records such as H.A.Q.Q., Origin of the Alimonies, and 93696.

The Ringer's Bill Simmons, Van Lathan, and Joanna Robinson revisit one of the most controversial Best Picture–winning films of all time, Paul Haggis's ‘Crash,' starring Don Cheadle, Matt Dillon, Thandiwe Newton, Sandra Bullock, Terrence Howard, and Michael Peña. Watch this episode on our Ringer Movies YouTube Channel! Producer: Craig Horlbeck Video Producers: Jack Sanders and Chia Hao Tat Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tiger basketball radio analyst Matt Dillon joins the show to discuss the current state of the team and to preview their matchup on Sunday against Florida Atlantic.

Matt Dillon had a birthday this week. He was going after Cameron Diaz in the movie There's Something about WHO??

Today co-host Samantha Cieslinski  or The Running Wine Mom,  Listen to The Running Wine Mom podcast on all platforms, or check it out along with her coaching, coaching and book at http://therunningwinemom.com/National Drink Wine Day.  Entertainment from 1986.  King of England had is brother drowned in a vat of wine, first air mail flight, first cow to fly in an airplane.  Todays birthdays - Jack Palance, George Kennedy, Yoko Ono, Dennis DeYoung, Cybill Sheppard, John Hughes, Juice Newton, John Travolta, Vanna White, Matt Dillon, Dr. Dre, Molly Ringwald, Intro - God did good -  Diana Corcoran   https://www.diannacorcoran.com/Bottle of wine - FireballsHow will I know - Whitney HoustonThere's no stopping your heart - Marie OsmondBirthdays - in da club - 50 Cent    https://www.50cent.com/Walking on thin ice - Yoko OnoBabe - StyxMoonlighting theme - Al JurreauQueen of hearts - Juice NewtonSandy - John TravoltaWhell of Fortune openingKeep their heads ringin - Dr. DreExit - I'll never know if I don't ask - Buck Ford   https://www.buckford.com/countryundergroundradio.comcooolmedia.com

It's physical media time with Erik Childress and Peter Sobczynski guiding you through this week's releases which includes a pair of late indie staples from the ‘80s now in 4K. There's a pair of John Candy comedies from the same decade, Burt Reynolds directing a comedy about suicide and one about the life of Frances Farmer. Pick your poison in Richard Dreyfuss directing porn (within the movie) and the unspeakable horrors of Roger Corman mutant rapists. Keanu Reeves is a demon hunter and David Fincher gets upgrades for his underrated B-movie thriller and the origin story of another demon. 0:00 - Intro 2:37 - Criterion (Crossing Delancey 4K, Drugstore Cowboy 4K) 19:24 - Kino (Summer Rental, Uncle Buck 4K, Frances) 41:13 - MGM (Inserts, The  End, Uptown Girls) 1:01:51 - Shout (Humanoids from the Deep 4K) 1:13:16 - Warner (Constantine 4K) 1:21:52 - Sony (Panic Room 4K, The Social Network 4K) 1:41:21 – New Theatrical Titles On Blu-ray (Last Summer, The Lord of the Rings: The War of the Rohirrim, Nosferatu, The Order, September 5, Weekend at Taipei) 1:46:15 – New Blu-ray Announcements

The Athletic's Katie Woo joins the show to recap the Cardinals offseason from an insider perspective and previews their Spring Training campaign. Also, Tiger basketball radio analyst Matt Dillon joins the show to break down Memphis's road win at USF and to preview Sunday's test at Wichita State.

Sorry, ref! Mega media personalities Samara Gill (@samara.gill) and Matt Dillon (@mattdillon1983) join me for the first of a regular bi-weekly pop culture segment here on Talk To Me Taylor to not spare your feelings and tell you what we really think. This week, we hit: Super Bowl, Kendrick Lamar's halftime, Beyonce's country Grammy, New York gone morally BROKE per Matt's time at NYFW, and more.

Tigers radio analyst Matt Dillon joins Greg and Eli to recap Memphis's 83-71 victory over Tulsa and to preview this weekend's rematch at home against Temple.

"Is that hair gel?" Yes, the Farrelly brothers really laid the gags on thick (eww) in the 1998 smash, There's Something About Mary. Ben Stiller's Ted took on a murderous hitchhiker, a drug-fueled dog, and a devious Matt Dillon, all for the chance to win the heart of Cameron Diaz. But now, decades later, does this 2-hour rom-com succeed in explaining why? Would this comedy work without its grosser moments? And did the flick's treatment of characters with mental and physical challenges make our co-hosts cringe or cackle? The Old Roommates zip up and revisit it all through their middle-aged lens. Listen to this.Old Roommates can be reached via email at oldroommatespod@gmail.com. Follow Old Roommates on social media @OldRoommates for bonus content and please give us a rating or review!#CameronDiaz #BenStiller #MattDillon  #PeterFarrelly #BobbyFarrelly

We have to return some videotapes! Al & Siena are peeling off the mask of sanity in this serial killer-stuffed episode on THE HOUSE THAT JACK BUILT (2018) x AMERICAN PSYCHO (2000)! Hear the lengths Christian Bale went to in order to scare Bret Easton Ellis, learn which murder almost kept Matt Dillon from taking the role of Jack, and discover what sound is used for foley in that infamous business card showdown sequence on this tastefully thick edition of Splice & Splatter. Splice & Splatter is presented by the Jean Cocteau Cinema in Santa Fe, New Mexico with new episodes out every other Monday!THIS VIDEO IS SPONSORED BY BEASTLY BOOKSSAVE 10% OFF ONLINE WITH CODE SPLICE10 AT CHECKOUT!Hosts: Al LaFleur and Siena Sofia BergtProducer: Warren LangfordTheme Song: Theodore SchaferFollow us on social media at linktr.ee/spliceandsplatterpodEnjoy full length video episodes on Youtube and behind-the-screams on Patreon!Support the show

Welcome to The Video Store Podcast. Each week, I recommend four films you might want to check out, whether you're looking for something to rent or just want to expand your movie knowledge. This week, I'm diving into a themes that are timeless and relatable: rebellion, youth, and the struggles of growing up. The four films I'm highlighting are Over the Edge (1979), Times Square (1980), River's Edge (1986), and Pump Up the Volume (1990).Over the Edge (1979)This cult classic explores suburban boredom and teenage rebellion. It was loosely inspired by a real-life incident in California during the 1970s, where teens rioted in response to restrictions imposed by their parents and local authorities. It's notable for being Matt Dillon's film debut. He plays Richie, one of the kids at the center of the chaos. Directed by Jonathan Kaplan, the film's gritty realism was a little too much for studios at the time, it barely saw a release but later gained a loyal following through home video. The soundtrack, packed with Cheap Trick and The Cars, perfectly captures the direction of rock music of the late '70s.Times Square (1980)This film might not be as polished, but it's bursting with energy and heart. Directed by Allan Moyle, who later did Pump Up the Volume, it tells the story of two misfit girls who form a punk band and try to take over New York City. The movie feels raw, both in tone and execution, and the soundtrack is amazing, featuring artists like The Ramones, Talking Heads, and Patti Smith. Tim Curry has a supporting role as a late-night DJ, and his performance ties the whole rebellious tone together. The production was troubled, with studio interference cutting down the original vision, but what remains is still unforgettable. I love the way it capture the city itself as a character.River's Edge (1986)This is a darker take on teenage life, based on a true crime story where a group of teens reacted disturbingly casually to a murder in their group. It's an unsettling and atmospheric film, directed by Tim Hunter, who went on to direct episodes of Twin Peaks. Keanu Reeves gives one of his early standout performances, alongside Crispin Glover, who turns in an incredibly strange and intense portrayal as Layne, the self-proclaimed leader of the group. Dennis Hopper is also in this, playing Feck, a creepy recluse with a dark past. The film captures the nihilism of the mid-'80s, reflecting on the emptiness some teens felt during that time. This didn't appeal to me at the time because I didn't feel that same nihilism, but the older I have gotten, the more I can appreciate it.Pump Up the Volume (1990)This film is a little more hopeful, but it's still about rebellion. Christian Slater stars as Mark, a shy high schooler who runs a pirate radio station at night, encouraging his fellow students to fight back against corruption and conformity. It's another film by Allan Moyle, and you can feel his knack for capturing the spirit of young outsiders. The film touches on some surprisingly heavy issues, but it balances that with humor and energy. I think every kid who saw this thought about what their own pirate radio station would sound like.If you're looking for something to watch this week, all four of these films tap into the raw emotions of youth, with characters who are struggling to be heard in a world that doesn't always want to listen. Check them out, and let me know what you think.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

We've arrived at the end of our year long study of the films of Lars von Trier and we wish we could say that we hate seeing him go but it's been a very, predictably, rough year. Today we discuss his last feature film that stars a pretty ageless Matt Dillon who is a serial killer. He recounts his life of horror to the poet Virgil in 5 distinct incidents that he shares. It's “THE HOUSE THAT JACK BUILT” from 2018. A character study late in the career of the notorious director. The film also stars Uma Thurman, Bruno Ganz, Riley Keough and some other character actors we've seen all year long in von Trier films. What works about this study in psychopathy and what doesn't? We also revisit our scores of Lars's films over the past year and there have been some adjustments since our discussions. Join us as we say goodbye to Lars von Trier films (at least for a bit) and at the end of the episode we reveal who the director of 2025 will be that we will spend the entire year discussing their catalog. Next year's director might even be more controversial than Lars! Hear us tell of it. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Sarah Giencke describes herself as halfway between being a Gen Y and a Gen Z. However she describes herself, she is a life-long Wisconsin person. She finally migrated to Madison Wisconsin around nine years ago.   After college she held a few sales jobs, but four years ago she decided to start her own business. Today she uses a somatic/embodiment tool called TRE®. Her work is dedicated to helping individuals & leaders reconnect back to their bodies, and to build a relationship with their nervous systems.   We have a fascinating and informative discussion about stress, trauma and the differences between them. I think that what Sarah will discuss with us is worth everyone hearing and exploring. She is the Founder of Riset Resiliency, a wellness consultancy on a mission to reduce suffering in the workplace by co-regulating nervous systems. What, you may ask, is “co-regulating”? Listen to our episode and discover for yourself.       About the Guest:   Sarah Giencke is a Nervous System and Resilience Coach, Certified in TRE® (Tension & Trauma Releasing Exercises). She is the Founder of Riset Resiliency, a wellness consultancy on a mission to reduce suffering in the workplace by co-regulating nervous systems. Her work is dedicated to helping individuals & leaders reconnect back to their bodies, and to build a relationship with their nervous system. She also helps people become trauma informed, and provides her clients with a somatic/embodiment tool called TRE®.  Through her work, Sarah educates her clients on the core concepts of the nervous system, empowering her clients with this essential knowledge. Sarah helps people reclaim power and balance over their nervous systems so that they can live less stressful and more peaceful lives - moving from being reactive towards being responsive. Having an intimate relationship to trauma, Sarah deeply understands the connection between the body's trauma response and adverse life effects - being easily triggered, hypervigilant, and experiencing physical pain. Sarah found TRE® over 4 years ago when she took a TRE® class at her gym; despite being hesitant about this strange "shaking" sensation, Sarah decided to continue down the TRE® path. It wasn't until she brought the practice into her own home, where her practice grew and where she felt the power of neurogenic tremoring.  Fast forward 4 years, Sarah is now a certified TRE® practitioner (from Red Beard Academy, in Madison, WI) who teaches others this incredible self-regulation tool. Sarah emphasises creating safety with her clients so they too can experience the power of tremoring. Sarah helps her clients gain self-agency & self-awareness - something that gets lost when we experience trauma. Clients have said that Sarah helped them create space in their lives, improving their daily lives and overall wellbeing. Outside of her work, Sarah loves to regulate her nervous system through meditation, being in nature, going for walks, journaling and playing tennis.   Ways to connect with Sarah:   Website: Risetresiliency.com Email: sarahg@risetresiliency.com LinkedIn: https://www.linkedin.com/in/sarahgiencke/       About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/   https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well, hi everyone, and welcome to another edition of unstoppable mindset where inclusion, diversity and the unexpected happen and meet and today, how about we get to do some unexpected kinds of things, our guest, our our conversational colleague this time is Sarah Gienke, and Sarah is, among other things that she will describe herself, is a nervous system and resilience coach, and she asked me, before we started the recording, if we could do a grounding session. I'm anxious to see what that's about. But I stole the show first by saying, I'd like to ask you, Sarah, first of all, welcome to unstoppable mindset. We're really glad you're here.   Sarah Gienke ** 02:03 Thank you so much for having me, Michael,   Michael Hingson ** 02:06 and I'd like to ask if you'd just tell us a little bit about kind of the early Sarah, growing up, and whatever you want to tell us,   Sarah Gienke ** 02:12 sure. So I was born in Bay View, Milwaukee, and lived there for about five or six years, and then we moved to Muskego. Grew up there with my two older brothers, my mom and dad, we had a beautiful backyard with some woods and the pool. So it's very natural for me to be nature inclined. So I love all things being naturey. And of course, as you can imagine, potentially growing up with two brothers, kind of a little bit of a tomboy, so wasn't afraid.   Michael Hingson ** 02:45 And then, of course, washed out for sister. Yeah, exactly, exactly.   Sarah Gienke ** 02:51 And so yeah, wasn't afraid to pick up frogs or search for salamanders. And, you know, just enjoy nature before screens were invented. Geez. You know, I identify as a zillennial. So I'm a, I'm a late millennial, very early Gen Z, kind of in this, like overlap area of a couple years. And so I wasn't born with screens. You know, in my hand, we obviously had TVs and would watch VHS, and then we moved to CDs and learned how to write cursive and and also type at the same time. And I think that is a key component into my identity, because I grew up with technology, very comfortable with it, but also I feel like I'm straddling both sides, kind of that old world and the new New World, which I don't think we're going back so got a very unique perspective.   Michael Hingson ** 03:50 I hear that more people are learning cursive again than did for quite a while.   Sarah Gienke ** 04:00 I have heard that. And I've also heard quite the opposite, that some schools are completely eliminating it. Yeah, I've heard that too. Yeah, it's kind of a, it's kind of a wild, wild scene right now, when it comes, yeah,   Michael Hingson ** 04:15 it is, I think that there's, there's value in learning how to read and write, and people should learn to do that. And I don't know whether it's totally equivalent. In some ways it is, but there's a big argument that for blind people, well, you don't need Braille anymore because you can read books by listening to them, and you you don't need Braille because there's so much available and audio and an unlimited vocabulary, text to speech on your computer. The only problem with all of that is, if you buy into that, you don't learn to read to spell, you don't learn good grammar and sentence structure. And I would think that to a degree, there is some truth to. Fact that cursive is different than just typing on a keyboard. You're learning a little bit more about your main way of communicating, which is with characters, whether they're printed or written or typed. It's value to have all of that. Oh, absolutely.   Sarah Gienke ** 05:15 I honestly have never heard anyone say that we don't need Braille. I would, I don't think I would ever say that. I think people learn different styles. So why would we eliminate that? You know, like that doesn't make sense, because,   Michael Hingson ** 05:29 unfortunately, a lot of the so called experts in the field say, Well, you got all these other means you don't need braille, and that's why Braille is only right now covering about 10% of all blind people, and it used to be over 50% literacy rate. It has dropped a significant amount. It may be coming back up a bit, but they're really mistaken, if they sell us short, and the value of learning Braille is the same as for the value of learning print and you being able to read, there are just things that you're not going to get from audio books or anything else that you will get from truly being able to read, which is what Braille permits.   Sarah Gienke ** 06:10 Yeah, and also, like the use of your imagination, right? When we read, especially non fiction, we're imagining this whole narrative and story going on in our brain. So I feel like that's a huge aspect that people would miss out on as well   Michael Hingson ** 06:24 they would, and you can get some of it from audio, but it isn't the same. You're still a little bit more limited, because you are somewhat drawn in by the reader, the narrator, as opposed to truly looking at it yourself. I spent a weekend very recently in Seattle with the radio enthusiasts of Puget Sound, which is an organization that that does a lot to preserve old time radio. And what we did was we created 18 radio shows, so I was one of the actors in some of the shows, and had a lot of really neat discussions about the concept of radio and what radio was in the 40s and 30s and 50s, until TV came along and really invaded people's imaginations, because now you really didn't get To imagine it. It's what the director and the casting people decided Matt Dillon should look like as a marshal, as opposed to what you heard when you heard William Conrad, who was the radio voice of Matt Dillon, and it was a totally different kind of image that came about. And that's true with a lot of radio versus television that you you don't get the same thing from television, because now it's what you see on the screen rather than what you imagine in your mind. So, yeah, it's interesting. That's super   Sarah Gienke ** 07:54 interesting. I did not know that you had a radio background. I That's fascinating. I mean, it makes sense. You've got such a great voice, so might as well use it   Michael Hingson ** 08:04 well. I did radio in college too, so it was a lot of fun to to do that, and didn't do a lot with it, other than using it to communicate when I did sales and other things like that after college. But it's a lot of fun and and you So you grew up chasing frogs and salamanders and all that, and did, where did you go to college? Or did you do that?   Sarah Gienke ** 08:25 Yeah, of course, I did. Well, I shouldn't say of course, because not everyone goes to college, but I did. And I actually went to UW Waukesha. So I went there, I got my associate's degree and all my gen Ed's done, partially because I wasn't ready to leave yet and be on my own, but also financially, I just didn't know going and it just made more sense. And very grateful for that experience, because it led me actually out to Madison, Wisconsin, which is where I am now. I've been out here for nine years or so, and I finished my bachelor's degree at Edgewood, Edgewood College, and that was a liberal arts degree, a liberal arts school of the Dominican branch. Not that that really matters, but it's, you know, a differentiator, I guess, for some. And I studied interpersonal, organizational communications, which really means being able to connect with people and build really great relationships when it comes to organizations   Michael Hingson ** 09:28 Cool, well, and what did you do with that? Then, when you, when you got out of college, well,   Sarah Gienke ** 09:34 I, let's see, I kind of got into the tech world. I just started going to a lot of different networking events and things, and found someone who was running a startup, and they were like, Hey, come join our team. And so I had a short stint at that organization, and then moved, and I was doing sales there, and then I moved to curate, which is another gov Tech. Company, and did sales for them for quite some time, and had another brief role at a L and D firm, kind of getting into the culture realm. And then when I was there, I really decided I wanted to pursue my certification for Tre. And I was like, You know what? I really like this, and I'm going to finish my certification and then launched my company. So here I am fully stepped into my own business and also doing some other side contracting work in the HR realm.   Michael Hingson ** 10:30 So and how do you like being an entrepreneur? Oh,   Sarah Gienke ** 10:33 gosh, you know, I feel like I've always been of entrepreneurial spirit. You know, the the term being an intra intrapreneur, and it's hard. It is not for everyone, and still, still kind of fitting into my britches, if you will, figuring out how do you maneuver being an entrepreneur. But I ultimately love it for the flexibility being able to represent myself and to pick and choose the kinds of things that I want to work on   Michael Hingson ** 11:05 well, and I think that's that's valuable and important, that you can really decide what exactly you want to do. The other thing about being an entrepreneur that I find fascinating, and I think it's one of the reasons a lot of people don't necessarily succeed at it as well as they could, is you've got to really be disciplined, especially when you're the one that is the captain of the ship. You've got to learn what a captain has to do, and you may find innovative ways to bury that, but there are still processes and procedures that you have to do as the entrepreneur in charge, if you will, and that that is something that not everyone is able to do. The whole discipline concept, yeah,   Sarah Gienke ** 11:51 for sure, it's something I'm still settling into and re redefining every day or every week, figuring out where to put my time and my energy, and how do I balance it all? And yeah, so it's definitely, definitely a change,   Michael Hingson ** 12:06 and that's okay. It's something that you'll always be doing, and it's good that you question it, and it's good that you look at it, and maybe every day, at the end of the day, kind of think, how did this go? How did that go? Was this as good as it could be? And so you will always, if you're doing it right, be looking at how you can improve the process. Or you decide this worked out really well, I'm going to stick with it and look for ways to improve it as we go forward, whatever it is, yes,   Sarah Gienke ** 12:33 exactly, exactly. And creating that path, seeing the need, and then creating something to fill that need that's there, I think is really exciting. And collaboration with others as well who are doing the work that's been something I've been recently exploring quite a bit.   Michael Hingson ** 12:51 Well, tell me a little bit more about what you do. And you said you wanted to do a grounding session, and we should do that, whatever that is all involved. So I'm going to leave that all up to you.   Sarah Gienke ** 13:00 Okay, well, um, you know, maybe we'll, we can. We'll put all   Michael Hingson ** 13:04 the responsibility on you.   Sarah Gienke ** 13:08 I'm used to it. Um, so actually, let's continue with the conversation, and sure you can close out with a grounding. I think that would be good. Well,   Michael Hingson ** 13:17 tell so tell me about tre you mentioned that, and I know it's a registered item, but tell me about Tre. What does tre stand for, and and what is it?   Sarah Gienke ** 13:30 Yeah, so tre stands for attention and trauma releasing exercises. It's essentially, very much akin to yoga. And what did? It consists of a series of intro exercises, which lightly stretch and then fatigue muscles so that we can then tap into this innate shaking modality. Its technical name is called neurogenic tremoring, which all mammals can do. If you have a dog at home, which my God, all if you do, I have a   Michael Hingson ** 14:01 guide dog who's over here, very comfy on his bed.   Sarah Gienke ** 14:05 There you go. Well, he must be very relaxed. He is. I assume you've probably seen him scared, right? Yeah. Like, what does he get scared at? Like, what are some of his triggers?   Michael Hingson ** 14:20 Well, he has a couple things. The most recent thing, he's not generally afraid of thunder and lightning and so on. But last week, we had one cloud storm cell come through that dumped a bunch of rain for about a half hour. But more important, there was an incredible amount of thunder and lightning, and I didn't really hear the thunder and lightning, so I opened the door. It was about 730 night to let him out, and he just backed up from the door and was panting very heavily and just would not go out. And I'm not going to force him, because I then heard all the thunder, and I went, Oh, I cannot. Understand that, but still that bothered him. Another thing that bothers him is we do have some smoke detectors in the house, and I'm don't know whether you have a smoke detector, but when the battery starts to run out, they chirp at you, and he doesn't and he doesn't like that either.   Sarah Gienke ** 15:14 Okay, okay, well, I don't know if at either of those stimulus or stimuli, if that makes him shake. But a lot of dogs do shake at lightning or thunder the Veiled person, and so that is the dog's natural way of discharging the stress from that trigger, right? But what has happened in humans is we have learned to suppress it. We've conditioned ourselves not to shake because we label it at it as weak or weird or vulnerable. You know, for example, when you see someone talking up on stage or even doing a podcast and they get nervous, what do we think about them? What do we label them?   Michael Hingson ** 16:00 Yeah, I hear you. We we say, well, what's wrong with you? Exactly?   Sarah Gienke ** 16:03 And so it's actually nothing that's wrong with them, no natural way of trying to rid themselves of the rush of the chemicals of adrenaline and cortisol that go through the body when we have that physiological reaction. And so what tre does is helps us come out of those states. It helps us get back to a state of safety and groundedness, which I hope to get into in a little bit perhaps now   Michael Hingson ** 16:33 we'll see. If you'd like to I will comment coincidentally, at the beginning of the pandemic, I realized, and it's been a while since we've chatted, but you may remember, I worked in the World Trade Center on September 11 and escaped with a previous guide dog who was afraid of thunder and lightning, but nothing bothered her on September 11, because it wasn't thunder and lightning, and in the building, when the plane hit 18 floors above us. It wasn't a very loud explosion, anyway. But the point of saying that is that I had spent a lot of time learning what to do in an emergency situation at the World Trade Center, and just learning all about the complex reason being, I ran an office for a company, and so it was important for me to know what to do in the case of an emergency or any any, any unexpected situation, because I might very well either be the only one in our office or there might be other people. But they rely on as sighted people looking at signs and so on, which may or may not even be available to you in an emergency situation. So it's important to really know what to do, rather than figuring, oh, I can just use the signs. And so I learned all of that, and what I discovered about me later, well, after September 11, is that, because I learned all of that, I had developed a mindset that says, You know what to do in an emergency. And so when there was one, I immediately had this mindset kick in, and other things started to happen where I observed what was going on around me. For example, someone in my office was yelling, we got to get out of here. The building's on fire. I could see fire and smoke, and there are millions of pieces of burning paper falling outside our window, and I could hear debris falling outside our window. So I believed him when he said there were burning pieces of paper falling outside the window. But I was also observing something else, namely, a dog sitting next to me, wagging her tail, yawning, going, who woke me up? I was sleeping real good here, and you guys are disturbing my rest. What's going on? And what that told me, because I was focused and had learned to focus, what that told me was, whatever's going on isn't such an immediate emergency that we can't try to evacuate in an orderly way. Didn't mean we shouldn't evacuate, but we could evacuate in an orderly way. Another way of saying, not to say, I'm not afraid, but rather to say, you can control fear. You can learn how to deal with the fear that you have and use it as a very powerful, supportive, positive tool, rather than, as I put it, blinding you or overwhelming you.   Sarah Gienke ** 19:32 Wow. What an example. I knew, of course, that you had been in the the Twin Towers when 911 happened. But yeah, you had not shared that tidbit with me before. That's that is an incredibly powerful story and skill to have, and thank goodness for your calm and collectiveness like amidst you know, one of the worst. First disasters our nation has ever faced, you made calm and you helped people get down the stairwell like that is, wow.   Michael Hingson ** 20:09 Well, and now we've written a book about it. And then the book is entitled, it'll be published in August. It's from Tyndale house, and the book is entitled, live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith. And the idea is that I really learned a lot of those skills by observing and working with eight guide dogs and then also my wife's service dog when they were both alive. Fantasia. But the the idea is that dogs, for example, have a lot to teach us about teamwork, being brave and being supportive, and the very fact that we can be a lot more able to deal with fear if we are in a teaming environment and support and allow ourselves to be supported by teammates.   Sarah Gienke ** 21:03 Yeah, I love that. It's the that collective, collective mentality, instead of the individualistic one we sell off choose,   Michael Hingson ** 21:13 yeah, so same way. It's coming out in in August. It's available for pre order, and I'm looking forward to seeing how well it's received. I hope it's received well, and that lots of people will be interested in it, because I think we need to recognize that fear doesn't need to blind us, or fear doesn't need to overwhelm us. We can deal with it like with anything in our lives, if we choose to, but that's a matter of choice, and learning how to be able to make that choice work.   Sarah Gienke ** 21:47 Yeah, and well, you can count me in for a copy, because I definitely, I definitely want to read your book.   Michael Hingson ** 21:55 I'll email you, I'll email you the information about the pre ordering of it. Great.   Sarah Gienke ** 22:00 Thank you. And I'll, I'll probably end up making a LinkedIn post about this. So, oh, please. Well, I   Michael Hingson ** 22:05 hope so please,   Sarah Gienke ** 22:07 yes, of course. But what I think you're really talking about here, Michael, is resilience. You know, making that choice to not get overwhelmed, which can easily happen, and is totally okay if it happens, but the harm of it is when we are stuck in that heightened state for long periods of time, that's when we're going to experience some adverse effects or or when we experience it over and over and over and over again, what we call a theory our window of tolerance, that's going to keep getting shorter and shorter so you're going to get more triggered and triggered and not be able to move through that situation. So the work with tre is helping you increase that window of tolerance so that you can withstand more adversity without getting as triggered or triggered at all, and really remaining in control over your emotions,   Michael Hingson ** 23:09 which makes perfect sense, and it's kind of what we've been talking about. And the fact is, you can do that. What's the difference between stress and trauma? You make a distinction between the two, yeah, and talk about how they can both be stuck in our bodies and so on which, which is, of course, getting back again to what you're talking about with tre but yeah, I'd love to hear your thoughts on that.   Sarah Gienke ** 23:29 So I think of stress and trauma as kind of a continuum. On one side we have stress, and on the other side we have trauma, and as things increase in intensity, or over time, we're going to experience trauma. But to kind of give the listeners here a very concrete explanation, I actually, I actually Googled this, and this is what chat generative AI came up with, with which I thought was really interesting. Stress is a natural human response to the mental or physical tension caused by a difficult situation. It can be a one time occurrence or happen repeatedly over a period of time. Stress, though, this is the key differentiator, is that it can be positive or negative. It can motivate you to achieve those goals and get out of your bed and light a fire under your butt in the morning, or it can cause you to lose sleep. That what we would call the eustress, which is good stress, versus distress, which is bad stress. And we really want to teeter right in the middle there, where we're not dipping too far into one way or the other, because if we don't have enough stress, we're going to just kind of lay around and not do much. But if we have too much, we're going to go completely overwhelmed and most likely shut down on on the other side of the spectrum. So trauma is defined as a distressing or disturbing event that increases our lack of personal. Control. So, like we were talking about before losing control over emotions, it can and most, most definitely leaves an impression on us, kind of like if you were to put your hand into some Play Doh and then take your hand back, that impression is still there. And so it can be, really any experience that overwhelms one's normal coping mechanisms, and it leaves the person feeling helpless. And one key differentiator for me is when someone is talking and they talk about their life as like a pre or a post, that's a huge different. That's a huge key indicator that they've experienced some trauma, which obviously, with you going through 911 that's a huge trauma that you've experienced. And I don't know if you want to get into that on this call, but I would personally be curious to learn, like, what was that experience like, and what did you do to heal yourself?   Michael Hingson ** 25:59 What's really funny about your question is my answer. Ironically. You know, we always hear about the media and how obnoxious they could be and all that, but soon after September 11, the media heard about my story, and I started getting phone calls and asked to be interviewed and so on, and I talked with my wife about it, and she was probably a little bit more skeptical than I, but I'm the guy who was professionally selling in the family, so I thought I could deal with it. We agreed that if it would help people move on from September 11 at the time, if it would help people learn more about blindness and guide dogs, and if it would help people maybe understand that they could deal with these kinds of things, and I would allow the interviews to happen. The other part about that was that it also then led to people beginning to call me and asking me to come and talk about September 11, and not only that, but to talk about other topics that I have expertise in, and I still do that today. So I'm always looking for speaking opportunities. So anybody out there who is listening, who needs a speaker, love to chat with you. But for me, like with anyone, I think when you have something happen to you, or you're facing some situation, there's always value in talking about it. And for me, getting so many interviews, literally hundreds, with the most intelligent questions to the most asinine, inane questions that you can imagine, and having to answer all of them without getting upset, that was probably the thing that helped me the most, because I allowed myself, and I put myself in a position to talk about it,   Sarah Gienke ** 27:50 yeah, like externally, externally processing it, yeah. That makes total sense.   Michael Hingson ** 27:55 Yeah. Because I think anyone who is in a in any kind of a situation, or even if you're looking for a solution to a problem, there's a lot of value in collaboration and not taking the position well, only I can solve this, nobody else can. You don't know that. But more important collaboration, teamwork, trust or just talking it out never hurts.   Sarah Gienke ** 28:25 Yeah, that's so true, and that's what I mentioned earlier, is collaborating with others, right? Seeing it in perspective, I I kind of want to, like, bring your question and something that you just said now together. So okay, you were asked earlier, like, how does trauma get or stress get stuck and stored in our body? Well, when we don't process it, it stays within us. So we have something called the stress response cycle, where, if you think of a circle at the top, we're calm, or what we call homeostasis, maybe you're in like the state, the formal state called ventral vagal, which is ease and calm, and you're experiencing joy. And then if you move to, you know, one side of the circle, you're going to encounter the trigger, or that external stimulus that's got you kind of little bit riled up. And then you continue along the circle to the bottom, where then you're going to experience one of the the stress or trauma responses. We've got fight, flight, freeze or fun. And then if you continue to close the loop, we would move back to calm, you know, letting the body settle down. But as I had alluded to earlier, lots of us get stuck in that response state. So I'd be curious, did you feel any like physical ailments or anything kind of develop as a result of your experience in 911 or with 911   Michael Hingson ** 29:53 No, actually, I did not. The only thing that happened to me, really was walking down. And basically mathematically, we calculated roughly 1400 63 stairs at least going down the next day. I was as stiff as a board, and was really stiff for a week. So I was glad that we had built an accessible home for my wife, because she was always using a wheelchair. She was born with scar tissue on her spinal cord. So she was paralyzed from like right below the breasts on down so she could drive and so on. But she used a chair, and so we put an elevator in the home, because it had to be where we were building. Had to be a two story home. I used that elevator for a week, a lot more than she did. So because I couldn't go up, I couldn't walk upstairs or downstairs, and my office was in our basement. My home office was in our basement. So that that was a, I think it was that the adrenaline wore off, and the next day, as I said, I was stiff. And was stiff for about a week. She said, you walk like an old man. So,   Sarah Gienke ** 30:57 geez, I could only imagine. I mean, yes, obviously, like the physical exercise of going down that many stairs like, you know, after a gym session, gym session, even, you know, we're a little little tight or or sore the next day or two, but, but what I'm almost, I'm speculating here is that could have have happened to you, or, you know, many others, is when you experience that we tense up like our entire body, and so that is actually what inhibits us from being able to tremor, to release it. So, you know, there's like this unthawing process that happens with clients and people that explore this modality so that we can actually get to the place where we experience the tremoring. That's why we stretch and do these light exercises, so you can tap into it. Otherwise, we're just going to tighten up and forget about it. Well, the   Michael Hingson ** 31:54 other thing is, and people have asked me, Did you feel survivor's guilt or anything like that, a remorse? And the answer is, I have to say no. And the reason I didn't was because I realized pretty early on that, like with the media starting to be interested, and people started to call and saying, Would you come and speak? And then we made the decision for me that speaking was a whole lot more fun, and selling life and philosophy was a whole lot more rewarding than selling computer hardware. And so I chose to do that starting at the beginning of 2002 although I did a speech or two before even then. But the bottom line is that I realized that there's something that I should do with my life because of what happened. And I think it's important that in anything that we do, in any situation that we face, the reality is that we may not have had control over that situation happening. And I'm not convinced today that we could have predicted September 11, I'm not sure that there was enough data ever produced that would have allowed us to figure it out. I don't know, but that's my thought. But we always have control over how we deal with what happens to us, and that's the issue,   Sarah Gienke ** 33:16 yeah, well, I gotta say I think you're one heck of a resilient guy. I mean, I don't know, I haven't interacted with a lot of 911 survivors, but I will say, and I will bet, that a lot of them probably are not as resilient as you, as you are, and maybe it is due to your blindness and having having to be resilient already that you were just, you know, more capable to handle that experience. I don't know, but, yeah, it's sure an inspiration. That's for sure. Well, I   Michael Hingson ** 33:52 hope that that it helps people. And one of the reasons that we wrote live like a guide dog that'll be coming out is hopefully even during this election year, people will read it and take a step back and think about what's going on and not let those who want to promote fear blind us to making more intelligent decisions, whatever that happens to be. We don't take enough time at the end of the day, or at the beginning of the day to analyze our own lives, and I'll take at the end of the day. We don't take enough time to just even while we're lying down getting ready to fall asleep, going How did it go today? What worked? What didn't work? Why did I react this way to this or that, could I have done it differently? And self analysis is something that can help lead to learning a lot more about controlling the fear reactions of the other things that we face and how we deal with them.   Sarah Gienke ** 34:58 Yeah, absolutely. Self awareness. Progress. And through self awareness, we explore things to help us self regulate meaning, regulating over our emotions and how we're reacting to things, and then ultimately getting to a place of self agency, you know, having that discipline and and regaining that back, which often gets lost when we experience hardships. Yeah,   Michael Hingson ** 35:25 what can people do to relieve stress? What are the kinds of things that the body needs? Really? I think we've talked about that a little bit, but yeah,   Sarah Gienke ** 35:32 there are so many different ways to relieve stress for your body, or AKA, self regulate your nervous system. Some of my favorite things to do, even since being a little girl, is being in nature. I just feel so connected to the earth when I step outside. And whether that's going for a stroll locally here or going up north and being surrounded in the in the woods, people can dance. Dancing is a huge way to release stress from the body and also have a creative outlet to express what you might be experiencing. Others might rely on adjacent techniques to tre such as like tapping or the EFT Emotional Freedom Technique where people tap in different areas to release. I am excited to explore that more myself. I haven't quite yet.   Michael Hingson ** 36:29 We did a podcast on that a few weeks ago. Oh,   Sarah Gienke ** 36:32 well, then perfect. I'll have to give a lesson. And so, yeah, like I said, there's a there's so many different ways to regulate yourself and to kind of continue on that list, breath work, also singing. I think people don't know this, but singing or humming is an excellent way to stimulate what we call the vagus nerve. So that's a bundle of nerves in our nervous system that really controls a lot of things. And so when we hum or we sing, that vibration touches on that bundle of nerves and brings us down into states of groundedness, connection, etc. So I don't know if you've ever been in choir, but I'm also a huge, huge choir fan or choir nerd, and so I always wondered, how did I get through school? School is extremely stressful, whether it's high school or college, and I was singing. I was singing for like, almost two hours every day, and so I think that was a huge way for me to come back down and to also feel connected to others. So yeah,   Michael Hingson ** 37:35 yeah. Well, I like, I like to sing, and I've always enjoyed karaoke, no less. But by the same token, just singing for myself, whether anyone else is around or not, it is a good way, and we do need to do things to take our minds off of the things that we think are stressful, which may or may not really be stressful at all. I think it was Mark Twain who said, or one of the people who said, The problem with most of the things that we're afraid of is they're never going to come through and come true anyway. Yeah,   Sarah Gienke ** 38:08 well, that sounds like that's a nervous system that's heightened, that's in hypervigilant state, looking for all the possible outcomes and mostly negative things, if we're being transparent of how things could turn out, which is just such an icky way to live, and I know exactly what that's like.   Michael Hingson ** 38:28 Well, one of the lessons that we talk about and live like a guide dog comes from Roselle, who was the guide dog who was with me in the World Trade Center, and after September 11, like a day or two later, I called the veterinarian department at guide dogs, and I said, is any of this? Because they, by that time, had learned that I was in the complex we let them know. But I asked, How will all this affect Rozelle? And the response was, did anything threaten or hurt her specifically, like did a brick come at her and hit her or anything like that? And I said, No, absolutely not. They said, well, then nothing. When we got home that night, I took her harness off and I was going to take her outside, but she would have none of it. She went to her toy box, got her favorite tug bone, and started playing tug of war with our retired guy dog, Lenny, and the two of them just played for a while. Roselle didn't even need to go outside. But the point was, it was over for her, and what the veterinarian said was, it's over. Dogs don't do what if? When something like that happens, they may react if something directly affects them, but it still is, they don't do, what if it's a particular situation. But in rose L's case, there was nothing. So dogs don't do what if, and we spend so much time, what if, in. That it drives us crazy.   Sarah Gienke ** 40:03 It really does. I feel called out here, but it's true, and I think that's that's really has to do with their prefrontal cortex. So like the front of their of their brain, humans have different prefrontal cortexes we've evolved to have it be much more complex. And so yeah, dogs kind of, they're just in the present moment. They're like, alright, yeah, like you said, it's over, and now I'm here playing with my with my bestie, yeah, yeah, you   Michael Hingson ** 40:38 you sound like though you've experienced some of these things that have been, what if creators and so on. Oh,   Sarah Gienke ** 40:44 totally. I mean, I think that's part of the human experience. And through, through nervous system regulation and through techniques like meditation and mindfulness, we can really rewire our brains and our bodies to not live in that fear state, to live in a live and work from a place of groundedness, centeredness, openness, curiosity, and I think ultimately, when you're in that type of energy, you're attracting, you're attracting things to You, instead of being more negative and being fearful and like pushing things away, yeah,   Michael Hingson ** 41:24 what kinds of things would you suggest to recommend to help regulate our nervous system and deal with some of these issues that we are talking about?   Sarah Gienke ** 41:34 Yeah, so as I had mentioned before, you know, getting out in nature and walking, um, exercise can be good for for that meditation, breath work, tapping and then, you know, obviously, I'm a huge advocate for Tre. I think tre gets to the root of things quite quickly, and it has a tremendous impact, not just from your first time on, but compounding. Just like any kind of self care ritual that we would do, when we do it over time and continuously, we're going to see exponential growth, especially if we layer it with other things. So if you're going to therapy or things like that, and you're layering it with tre or breath work or tapping, I think that there's a magic combination for all of us that we have to kind of explore and discover the different things that work for our bodies. Because I tell you, I say to people, you know, tremoring, everyone can tremor but tremoring is not for everyone. And what I mean by that is not everyone's ready to do this deeper work, you have to be ready to meet yourself at those deeper levels. So if you're just kind of getting on that healing journey or self regulation nervous system journey, I'd say start with something a little lighter, like try, try mindfulness techniques or meditation, something like that. Dip your big toe in. Don't you jump right into the bath right away.   Michael Hingson ** 43:03 Yeah, there's no need to do that. But you know, what do you say to the person who says, Oh, I don't have time to do any of that. I'm too busy. I've got too much stuff to do. I've got to get these projects done, and so on and so on and so on. Yeah,   Sarah Gienke ** 43:19 gosh, I get it, because I even struggle with that, with my own self sometimes, you know, we're human. We've got a lot on our plates, and I think it's a couple things. One, it's knowing that in order to go fast, we kind of need to slow down. It's just like when we were in college and you pulled an all, all nighter to study for your exam, and then you show up to the exam and you're exhausted and you don't remember anything, versus, you know, at midnight or whenever you went to bed, just closing the book and saying, You know what, I did the best that I could, and I'm going to go to sleep, and you're going to wake up much more refreshed. And so that same kind of concept applies to this work, is knowing that we need to slow down so that we can show up and be fully our best selves, for ourselves, for our partner partners, for our our kids, our employees, our workplace. So it's, it's that, and then also on the flip side is, if you just keep going and going, you're gonna, you're gonna hit a wall at some point and potentially reach burnout. So the analogy that I like to give that's very common in this world is that our nervous systems are like a car, and so what we're trying to do is find the optimal speed for ourselves, for our bodies. So what kind of pace Are we moving at internally? And so our sympathetic nervous system, which is one side, is the gas pedal. And if we're on that gas pedal, you know, pedal to the metal all the way, we're going to run out of gas. That car is going to start to run. Down, and eventually you're going to be on the side of the road asking for help. So basically, it's really about prevent, preventing that and and bringing in some of the other side, which is the parasympathetic nervous system, which is the rest and digest. That's the the brake pedal. We don't want to be fully on break, because then we'll just be going nowhere. But we want to, we want to find that optimal range where it feels really good.   Michael Hingson ** 45:28 And the reality is, each of us have our own gifts, and the gifts that you have are not necessarily the gifts that I have, which are not necessarily the same as someone else has, and no one should be criticized for the gifts that they have or don't have.   Sarah Gienke ** 45:48 Absolutely, absolutely,   Michael Hingson ** 45:52 yeah, and it happens too often.   Sarah Gienke ** 45:54 It does, and also knowing that no one's perfect and that if that's a skill you want to work on, great, you've acknowledged that, and now you can take a step forward to work on the skill that you want to work on. In this example, it's regulating your nervous system.   Michael Hingson ** 46:16 What is CO regulation? And why is that an important concept?   Sarah Gienke ** 46:19 Oh, that's a great question. So when we are babies and we fall down and we scrape our knee, and our parents pick us up and they coddle us, and they soothe us from crying and screaming out in pain, they are co regulating with us. They are helping us calm down, get back to that centered state Petrova once again. And so we keep doing that over and over and over again. And through that, we learn to be able to self regulate on our own. And that's the work that that I do with clients, is helping them through co regulation with me learn how to get to self regulation. Because, unfortunately, even though that's how we're supposed to learn self regulation through our parents, a lot of us have not learned that, and that's, I think, just partially a generational thing. I think there's a whole change and shift, as I was mentioning earlier with Gen Z prior to pressing record, that is really taking accountability for how we're showing up and how we're interacting and so a huge part of that is that self regulation. So both are essential to create safety, especially in groups, in communities, in workplaces. You know, for example, our, you know, our nervous systems are, always, are, always are tuning to one another, like when a boss comes into a meeting and they're all fostered and uptight and just huffing and puffing. You can feel that that is tangible energy, and they are not in a regulated state. And so when our nervous systems can kind of talk to one another and one's remaining, remaining grounded, not also getting heightened, then we can calm, we can help calm each other down. So it's kind of like this concept of taking care of one another in a community context.   Michael Hingson ** 48:22 You know, one of the things I hear a lot, and I think I've said it myself, is that today, we seem to have so many more people who have no boundaries, and they just think they they own the road or whatever the case happens to be. I don't know whether that is really true, but it seems like it is all too often today, more the case that things that we would never have thought of doing and would never do years ago, people do all the time. Now. Do you think that's really true, that people have less boundaries, or they haven't learned how to regulate or look at different points of view. Is that a gender or not gender, but a generation issue or anything like that?   49:10 Well, that's   Michael Hingson ** 49:11 is that a very open question? Yeah,   Sarah Gienke ** 49:13 yeah. It's a very nuanced question, because, like anytime we talk about a population of people, we don't want to just generalize because one fits into that box. You know, there may be some overlapping or overarching, I should say, characteristics or similarities that you find, but, yeah, we want to be careful when we're talking about groups in general. So I I would actually say that people are getting more boundaries. I think that there's some generations before us that necessarily didn't have boundaries. It was self impression too, that was taught. You know, boundaries were more porous. But. Younger generation as much as they want to, as much as they are seen, sometimes as challenging or X, Y and Z. I think they're really resetting, not to plug the name of my business, but they're resetting the threshold in which how we show up in the world, what our boundaries are, regulating our emotions, being able to then have an important conversation with people, um, instead of just avoiding or brushing it under the rug. So that's kind of my take on it. What do you what do you see? That's   Michael Hingson ** 50:34 my impression, too, and that's what I've actually heard from from people that younger people maybe have really started to realize and are catching on to having boundaries, having values, being a little bit more methodical about what they do and that they're and that older people and people will classify me as that arena, since I'm 74 probably had boundaries. But there's that middle ground, or that middle set of people that that didn't really and haven't really dealt with boundaries, maybe as appropriately as they should, and how that will affect things other than the younger generation is catching on and seeing it and doesn't like it, but, but I agree with   Sarah Gienke ** 51:24 you, yeah, and I think we could substitute the word boundaries and for trauma, because ultimately, what it really comes down to is that self inner work, because what's happened prior is Just passing on trauma through behaviors, but also genetically. And so it finally has come to a point in the time where we're like, No, we're not going to continue these behaviors. We're not going to continue to pass this on. We're going to face it and we're going to process it through the work that I do with clients or and other other modalities that I mentioned, so that we can then ultimately move forward coming from our authentic selves, instead of coming from a trauma response, such as being a people pleaser or being angry all the time, because that's not really who we are. That's coming from a place of that fright, of having to protect ourselves, and like I can only imagine a world where we are all regulated and showing up as our authentic selves. I can't even imagine, like, what greatness would come from it, collaboration and invention and, yeah, just all those awesome things that we're constantly trying to strive for.   Michael Hingson ** 52:39 And someday, maybe we'll get there,   Sarah Gienke ** 52:42 maybe. And that's okay that we're not there yet, because my mission is to help reduce that suffering one person at a time by helping co regulate with them. So Well,   Michael Hingson ** 52:55 tell us more about your business reset and what it is, and how you do, what you do, and so on.   Sarah Gienke ** 53:02 Yeah, so reset, resiliency, wellness, consultancy, and what I do is I help people reconnect back to their bodies, back to their nervous systems, teaching them about their nervous system, giving them very essential information that I think we should be learning in schools, but we are not. And also really providing them with trauma, informed knowledge and a somatic embodiment tool that we mentioned before called Tre. So really that's what I do, is I teach people, I educate them, and then provide them with something which I guide them through over several weeks, and then I kind of set them free, because my goal is not to work with people forever, which is kind of contrary to a lot of business ideas. However, because of my my history and my path and my story, I know the importance of, kind of like going through that graduation piece, of getting that self agency back so that you don't have to rely on anybody to do this work. You have this tool in your toolbox for the rest of your life, and it's quite transformative to say to say it in a small way. So   Michael Hingson ** 54:14 where do your clients come from?   Sarah Gienke ** 54:18 My clients come from referrals, a lot of word of mouth, and they come from me, messaging people on LinkedIn and posting on social media, and working on having I'm working on having a better SEO as well, but I getting website visits and, um, also just really providing people information and showing them the importance of this work, and then being attracted to me,   Michael Hingson ** 54:53 you do a lot of the work virtually.   Sarah Gienke ** 54:56 Yes, I do virtual work, and I also do in person work as well. So. I currently teach in person classes at home yoga in Madison, and I do my in person sessions there as well. And then, yeah, anyone that's not in that vicinity, we meet virtually,   Michael Hingson ** 55:16 that's cool. So that if people want to reach out to you, they certainly can do that. And I would assume that you can interact with people virtually, that you don't need to necessarily have them right there on the spot with you.   Sarah Gienke ** 55:30 Yes, you certainly can do this work virtually. I've worked with handfuls of clients virtually. I also like in person as well. But it really just boils down to location and where you're at. And either way, we're going to have a great program together and get you this tool and teach you this tool   Michael Hingson ** 55:53 so you've been doing this business. So first of all, reset is spelled, how, R, i,   Sarah Gienke ** 55:59 s, e, t, so just check I actually thought of it when I was meditating one day. I was thinking about the words rise and set, and then they kind of just overlapped. And I was like, wow, that is clever e to the i and b, rise and set. And so that is a nod to polyvagal theory, which is really the theory that all my work is based off of, which is how our nervous system we get triggered, the sympathetic comes on, we rise up and then helping people settle back down. So that's why the the logo is in kind of an arch, or kind of like a curve. It's also mimicking that what   Michael Hingson ** 56:41 kind of people typically would come to you? Maybe another way to put that is what who are? Who is Tre, really, for   Sarah Gienke ** 56:52 my teacher of Tre, always joke tre for anyone who's stressed tends to traumatized. Oh, there we   Michael Hingson ** 56:59 go. That's a few people on the planet. Yeah, right,   Sarah Gienke ** 57:02 but I will say who I tend to work with is, I do work with men, but I tend to work with more women than men, but it's really those people who are in transition in their lives. So I've, for example, worked with a woman who was in a sales job, she just wanted to absolutely, you know, just not do that. It wasn't, it wasn't fulfilling her. And so she was in a huge transition, and she ended up through our work, it helped. It helped her create time and space, and allowed her to then launch her own business and go after her own dreams. I've also worked with a another male who was working at a coffee shop, and he decided, You know what, I think I want to be the next owner. And so he was going through some huge transition there, and while we were working together, you know, decided to move forward with the sale. And now he's full owner of that coffee shop, stepping into his dream. So I think it's kind of tapping onto that, tapping into that authenticity and not being scared and letting our hindrances hold us back, but rather feeling coming from a place of calm and ease and authenticity and moving through that   Michael Hingson ** 58:23 and really thinking about it and recognizing that sometimes it's okay to step out and take a chance, but do it wisely. Don't just do it arbitrarily.   Sarah Gienke ** 58:33 Yeah, definitely, you definitely want to have some thought put into it. And, yeah, that's that can take some time. But I do ultimately think that it's worth a chance. Um, it's worth a opportunity. You have one life, and you might as well step out and try. I'd rather say, Oh, well, that didn't work then. Well, I don't know if that ever would have worked. That's the kind of camp that I'm pet. I'm in so   Michael Hingson ** 59:01 well you don't know until you try or study on it. Yeah, exactly.   Sarah Gienke ** 59:07 And then I also just wanted to mention too that I will be coming out with some courses soon as well. And so those aren't really aimed for leaders and organizations to become more trauma informed, and so you don't have to have experienced trauma to go through this. I think that this is work. This is literally what I think is the future of our workplaces, pretty much leadership, 2.0 if you will, and helping leaders understand and have more self awareness of themselves and how they come across and how they might have some conditioning around their past experiences and how they show up, but also understanding for their employees and what might be coming up from them or or how we're interpreting things. You know, for example, someone showing up late, well like. Get curious around that instead of just jumping into conclusions.   Michael Hingson ** 1:00:04 Yeah, all too many people probably don't take enough time to necessarily understand the people around them, especially those that they lead, and really get to know them and recognize them for who they are and what they can do. But that doesn't work unless you really take the time to to learn about them   Sarah Gienke ** 1:00:26 exactly. It's all about really relationships. So a lot of trauma is relational. It's on that one to one context. So understanding those dynamics and understanding all the pieces that come into play is going to make you such a better leader. Um,   Michael Hingson ** 1:00:48 yeah, yeah, by by any definition. Well, if people want to reach out to you and and maybe explore working with you and you helping them, or just understand more about what you do, how do they do that? Yeah, yeah, they can or learn about your new courses coming out soon. Yeah, I'm huge   Sarah Gienke ** 1:01:05 on LinkedIn, so you can follow me there. I post a lot of content. My name is Sarah ginky, G, i, e, n, C, K, E, you can also email me at Sarah at reset, resiliency.com, so after the at sign it's R, i, s, e, t, R, E, S, I, L, i, e, n, C, y.com, or you can click on my website, reset, resiliency.com, book an intro. Call with me. I'd love to learn more about what's going on in your life and see if this modality can can help you.   Michael Hingson ** 1:01:39 Well, I hope people will reach out, and I hope that people who listen and watch learned a lot today. I did, and so did I. I value that a lot. I value getting the chance to learn different things from people. So I want to thank you for for being here and for doing this, and certainly any of you out there, we'd love to hear from you and get your thoughts on what we did today, please feel free to email me. It's Michael M, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, I, B, e.com, or go to our podcast page, which is w, w, w, dot Michael hinkson.com/podcast, and Michael Hinkson is spelled M, I C, H, A, E, L, H, I N, G, S O n.com/podcast, so please, love to get your thoughts. Really would appreciate you reviewing our podcast, especially we love five star reviews, so please do that, and we want to hear from you, and I know that Sarah would like to hear from you as well. So we hope that that will all happen, and Sarah for you and anyone listening, if you know of anyone else who ought to be a guest on unstoppable mindset, love to hear from you, and anyone who you think ought to come on, please just email and introduction, and we will always respond to that. I believe everyone in the world has stories to tell, as Sarah has proven today, right?   Sarah Gienke ** 1:03:10 Thank you, and just so grateful to be on this podcast with you, Michael, you have such an incredible story and such an inspiration. So thank you. Well,   Michael Hingson ** 1:03:22 thank you for being here, and we'll have to do it again sometime. All right, sounds   1:03:26 like a plan.   Michael Hingson ** 1:03:33 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

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