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5 episodes with bad cinderella
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3 episodes with bad cinderella
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2 episodes with bad cinderella
4 episodes with bad cinderella
3 episodes with bad cinderella
2 episodes with bad cinderella
J Savage, also known as Jonathan, starting March 11, you can catch him at the Imperial Theatre, (where he made his Broadway debut), in the highly anticipated Broadway production of SMASH! Also a singer/songwriter, Jonathan took his pandemic experience and wrote his critically acclaimed one man show, Farewell to the West. Three months into quarantine, he bought a one way ticket West, got a camper van and moved to Yellowstone National Park to teach preschool to the rangers' kids. He fell in love with a true mountain man who taught him how to climb, ski, ride horses and live a full mountain life. With 11 original songs he dives deep into the emotional and physical tug-of-war of his two major yet conflicting passions: the outdoors and musical theatre. The show was see at both Feinstein's/54 Below and The Green Room 42 last year. After a year and a half away in the mountains, Jonathan moved back to New York City in August of 2021 on his 25th birthday. It was that day be promised himself that if he would come back to pursue his dreams, then he was going to do two things this year: his first solo backpack trip and book Broadway. A year later both those dreams came true. Within the same week, he did his first solo backpack in Yosemite and auditioned for Bad Cinderella on Broadway. After making his Broadway debut in 2022, J spent most of 2023 in what he likes to call his New World Stages Residency, performing in both A Sign of the Times and Empire: The Musical (Ethan O'Dowd). Want to try our Broadway fitness program for free? www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
J Savage, also known as Jonathan, starting March 11, you can catch him at the Imperial Theatre, (where he made his Broadway debut), in the highly anticipated Broadway production of SMASH! Also a singer/songwriter, Jonathan took his pandemic experience and wrote his critically acclaimed one man show, Farewell to the West. Three months into quarantine, he bought a one way ticket West, got a camper van and moved to Yellowstone National Park to teach preschool to the rangers' kids. He fell in love with a true mountain man who taught him how to climb, ski, ride horses and live a full mountain life. With 11 original songs he dives deep into the emotional and physical tug-of-war of his two major yet conflicting passions: the outdoors and musical theatre. The show was see at both Feinstein's/54 Below and The Green Room 42 last year. After a year and a half away in the mountains, Jonathan moved back to New York City in August of 2021 on his 25th birthday. It was that day be promised himself that if he would come back to pursue his dreams, then he was going to do two things this year: his first solo backpack trip and book Broadway. A year later both those dreams came true. Within the same week, he did his first solo backpack in Yosemite and auditioned for Bad Cinderella on Broadway. After making his Broadway debut in 2022, J spent most of 2023 in what he likes to call his New World Stages Residency, performing in both A Sign of the Times and Empire: The Musical (Ethan O'Dowd). Want to try our Broadway fitness program for free? www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, special guest co-host Rachel Fabi joins Brian for the goods and bads of Pittsburgh sports, Cinderella musicals, and New York Times crosswords. If you're able, please support These Puzzles Fund Abortion 5 at abortionpuzzles.com. Presale is available now, with puzzles available as early as March 1. If you get bored (how could you?!), write something for the Fill Me In wiki. And if you're feeling philanthropic, donate to our Patreon. Do you enjoy our show? Actually, it doesn't matter! Please consider leaving us a 5-star review on Apple Podcasts. This will help new listeners find our show, and you'll be inducted into the Quintuple Decker Turkey Club. Drop us a note or a Tweet or a postcard or a phone call — we'd love to hear from you. Helpful links: Apple Podcasts link: https://podcasts.apple.com/us/podcast/fill-me-in/id1364379980 Google Play link: https://player.fm/series/fill-me-in-2151002 Amazon/Audible link: https://www.amazon.com/item_name/dp/B08JJRM927 RSS feed: http://bemoresmarter.libsyn.com/rss Contact us: Email (fmi@bemoresmarter.com) / Facebook / Twitter / Instagram We're putting these words here to help with search engine optimization. We don't think it will work, but you probably haven't read this far, so it doesn't matter: baseball, crossword, crosswords, etymology, game, hunt, kealoa, movies, musicals, mystery, oscar, pizza, puzzle, puzzles, sandwiches, soup, trivia, words
U Guys, in this episode I am joined by Maiga Vidal and Linedy Genao (Broadway's On Your Feet!, Bad Cinderella) to discuss their new musical, Cafe Con Leche. They explore the origins of the show, the importance of cultural representation in theater, and the personal connections that inform their work. The discussion highlights the challenges and joys of creating a bilingual musical that resonates with diverse audiences while honoring the Latinx experience. Maiga and Linedy share insights on character development, the significance of family dynamics, and the need for authentic storytelling in the arts. When also joined by director Hector Flores, the creators of 'Cafe Con Leche' delve into the intricacies of storytelling, character development, and the vital role of music in their new musical. They explore themes of identity, the power of cadence in performance, and the collaborative nature of theater-making. They highlight the challenges and joys of creating a rom-com musical, emphasizing the importance of authenticity and connection in both the narrative and the characters' journeys. U Guys are invited to follow the ongoing development of the show and its creators' journeys on socials! They're so lovey, U don't wanna miss this episode. Follow Linedy on Instagram: @linedygenao Follow Maiga on Instagram: @maigavidal Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices
In breaking theatrical news, composer Andrew Lloyd Webber and producer Michael Harrison have jointly announced details about their next new musical collaboration in an exclusive interview with Deadline's Baz Bamigboye. Based on the film THE ILLUSIONIST, the new project will be Lloyd Webber's first new musical venture since BAD CINDERELLA and will see him collaborating with screenwriter Chris Terrio and musician Bruno Major. It will also be directed by Jamie Lloyd, the Olivier Award winning director of the current SUNSET BOULEVARD revival, which recently opened on Broadway after a hugely successful West End run. Check out today's theatre news recap for all of the details we know so far including when to expect this show on stage, where we might see it, as well as Mickey-Jo's thoughts about this announcement... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
U Guys, Chicago on Broadway's current Fred Casely, Jaquez is here! This week's BroadwayWorld Recap has all of the latest Bway updates! Then I am joined by Jaquez, a Broadway performer whose talent knows no bounds. Jaquez currently plays Fred Casely in Chicago on Broadway, and has previously been seen in King Kong, Mrs. Doubtfire, Bad Cinderella, and Motown. We talk about his upbringing in Chicago (the city, not the musical), and how roller skating led him to a career in dance and performance. We touch on his experience studying at NYU, and his life on tour with Matilda. He shares about the ups and downs of a life on Broadway, and how it pays to be kind. Jaquez is simply the best, U don't wanna miss this episode! Follow Jaquez on Instagram: @justjaquez Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices
JoAnn M. Hunter – DirectorHunter's work has had many homes across Broadway, the West End, Australia, and Asia. Herprevious work includes UNMASKED: The Music of Andrew Lloyd Webber (Paper Mill Playhouse), aswell as the world premieres of August Rush, Beatsville, A Sign of the Times, and the musical version of the Jerry Lewis classic The Nutty Professor. Most recently Hunter's directorial work was seen on the West End in November 2023 with a staged concert of the new rock musical SuperYou. Hunter began her remarkable career as a performer. She graced the stage in over a dozen shows on Broadway including Thoroughly Modern Millie, Kiss Me Kate and Chicago. In addition to directingand performing, Hunter is a sought-after choreographer. Most recently, her work was seen inAndrew Lloyd Webber's Bad Cinderella. Additionally, she choreographed Joseph and the AmazingTechnicolor Dreamcoat (London Palladium), Disaster (Broadway), On A Clear Day (Broadway), and School of Rock (Broadway/West End/International). Apart from her talent, Hunter is the perfect director for a production about female empowerment and honoring one's family and roots. As Hunter fondly says, she's made in America, but was born in Japan to a Japanese mother and an American father of Irish/Scottish decent. But no matter where she's lived or traveled, Hunter's home is the theater.
Send us a Text Message.In this episode of The Music in Me, we're pulling back the curtain on some of Broadway's most notorious flops! We'll explore the glitzy, glamorous, and sometimes downright disastrous world of shows that, despite all the hype and big names, just couldn't make it on the Great White Way. From the heart-wrenching story of Merrily We Roll Along to the supernatural spectacle of Carrie: The Musical, and the high-flying chaos of Spider-Man: Turn Off the Dark, we'll dig into what went wrong and why these shows flopped so hard. But it's not all doom and gloom—some of these musicals have since found a second life and a dedicated fanbase. So, sit back, relax, and join me as we dive into the drama, the intrigue, and, of course, the unforgettable music of Broadway's biggest flops!BROADWAY MUSICAL FLOPS MENTIONED...Merrily We Roll Along (1981)Carrie (1988)Spider-Man: Turn Off The Dark (2010)King Kong (2018)The Cher Show (2018)Diana: The Musical (2021)Beetlejuice (2019, 2022)Bad Cinderella (2023)Bonus show: Moose Murders (1983)Dua Lipa: The Queen of Dance-Pop (Episode 52) Support the Show.Keep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno
Dylan and Connor are joined by Grace McLean (Suffs, Natasha, Pierre and the Great Comet of 1812). On a sweet summer's day, this icon called in from upstate to get into some DRAMA. Grace is known for delivering show-stopping, standout performances on stage, and she brings that same energy to the pod! We cover her remarkable career, starting with her current turn as President Woodrow Wilson in Suffs on Broadway. Brushes with Bill Clinton, HRC's Tonys regalia, and the brilliance of Shaina Taub are all covered. Grace walks us through her multiple (!!!) times playing male characters, with hopes of Sweeney Todd alongside friend of the pod Max Jenkins. We reminisce on Grace's iconic Broadway debut as Marya in Natasha, Pierre and the Great Comet of 1812, as well as returning to the Imperial Theatre in Bad Cinderella alongside her hunks and Carolee Carmello. Listen in for behind the scenes tales from Grace's time in Sleep No More, the process of writing her musical In the Green, and hilarious tales from her country estate. We had the best time with Queen Grace McLean. You can see her slay in Suffs 8 times a week on Broadway, as well as in Penelope at Joe's Pub this Monday, July 22!Follow Grace on InstagramTickets to see Penelope at Joe's Pub on 7/22! Follow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanSupport the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!
Depois de dois anos da Parte 2, finalmente finalizamos a trilogia sobre Andrew Lloyd Webber. Rafael Nogueira e Rafael Oliveira falam sobre os musicais Sunset Boulevard (1993), Whistle Down the Wind (1998), The Beautiful Game (2000), The Woman in White (2004), Love Never Dies (2010), The Wizard of Oz (2011), Stephen Ward (2013), School of Rock (2015), Cinderella (2021), Bad Cinderella (2023) e mais! Venha escutar e saber mais sobre o trabalho deste incrível compositor. Para a PARTE 1 da trilogia: #135 – Andrew Lloyd Webber, Parte 1 (feat. Rafael Oliveira) PARTE 2 #136 – Andrew Lloyd Webber, Parte 2 […]
It's been a hot minute since I've podcasted, and I have truly missed it like crazy. It has been one heck of a year, and I have truly been SUPER BUSY. However, when it comes to releasing episodes, I really want to continue to share my passions with the world, so I have decided to start a new series through this podcast called "Episodes from the Vault." Every episode is going to feature an interview I have done over the past year, and despite the extremely overdue release, I still want to share it with whoever will listen. Without further ado, this is Episodes From the Vault. Larkin Reilly made her broadway debut in the Andrew Lloyd Webber musical, Bad Cinderella. Despite the short run on Broadway, she got to perform in an original company of a musical. Since this interview, Reilly has been on the road touring with Beetlejuice: The Musical in the ensemble and covering Lydia Deetz. --- Support this podcast: https://podcasters.spotify.com/pod/show/jayme-starr/support
"The musical of a generation! The show that changed musical theatre forever! The last musical to top the pop charts!" There's always plenty of hyperbole surrounding HAIR. This week, we're getting to the heart of it, and you might be surprised by how relatable it feels. Jordan Dobson (HADESTOWN, A BEAUTIFUL NOISE, BAD CINDERELLA, WEST SIDE STORY) joins us from the Signature Theatre in Arlington, Virginia where he's currently starring in HAIR as Claude. Together, he and Jeff discuss the context of the show, its creators, and its 2024 relevance. Don't worry, there's also plenty of time to discuss astrology and being upstaged by nudity. Get your tickets now to see Jordan and his talented tribe in HAIR through July 7th at www.sigtheatre.org! You should also definitely follow Jordan on Instagram @jordandobson_ Speaking of tribes, thank you for all your kind messages and comments lately. Keep them coming! Stay up to date with "A Musical Theatre Podcast" on Instagram, TikTok, and X. Be sure to subscribe to PATREON! for only $1 a month to receive bonus episodes like our recent "Listening Party" with Jayke Workman of THE RINK. We also have great designs on our TeePublic Store that can be put on all kinds of merchandise (including tank tops!!!) The profits we receive are donated to Broadway Cares/Equity Fights AIDS. Most of all, thank you for being part of this wonderful podcasting community! Learn more about your ad choices. Visit megaphone.fm/adchoices
Originally from San Juan, Puerto Rico; Julio grew up moving all over the country, stopped in Pennsylvania to get his BFA from Penn State, and moved to NYC six months before Covid-19 took over. Since then Julio made his Broadway and Principal debut in BAD CINDERELLA as the understudy for Prince Sebastian. This past Sunday he also just opened his second Broadway as a swing in LEMPICKA. Other credits include: WHITE CHRISTMAS (Phil Davis, CSTC), THE GREAT GATSBY (Papermill Playhouse), THE GRISWOLDS' BROADWAY VACATION (The 5th Avenue Theatre), TITANIC (Fleet, Milwaukee Rep), 42nd St (Billy Lawlor, The Rev), and MAMMA MIA (Sky, NSMT). Thanks to Coach Joe for helping stay nice and strong to keep up with the Broadway schedule!!! And yes before a matinee totally works! I could honestly do any day I have a matinee so whatever is best for the photographer I can make sure I'm at the theatre early whenever they're available. -Julio Try out your own Broadway fitness program via an app at no cost and no catch! www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Originally from San Juan, Puerto Rico; Julio grew up moving all over the country, stopped in Pennsylvania to get his BFA from Penn State, and moved to NYC six months before Covid-19 took over. Since then Julio made his Broadway and Principal debut in BAD CINDERELLA as the understudy for Prince Sebastian. This past Sunday he also just opened his second Broadway as a swing in LEMPICKA. Other credits include: WHITE CHRISTMAS (Phil Davis, CSTC), THE GREAT GATSBY (Papermill Playhouse), THE GRISWOLDS' BROADWAY VACATION (The 5th Avenue Theatre), TITANIC (Fleet, Milwaukee Rep), 42nd St (Billy Lawlor, The Rev), and MAMMA MIA (Sky, NSMT). Thanks to Coach Joe for helping stay nice and strong to keep up with the Broadway schedule!!! And yes before a matinee totally works! I could honestly do any day I have a matinee so whatever is best for the photographer I can make sure I'm at the theatre early whenever they're available. -Julio Try out your own Broadway fitness program via an app at no cost and no catch! www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Mike Baerga / @mikebaerga (a native Puerto Rican-Houstonian,) Choreographed and Produced for HBO'S EMMY Nominated Reality Show, We're Here, Showtime Network King Mo Fight, New York Fashion Week, RuPaul's Drag Race: Shangela's Big Apple Circus, World Pride 2021 Stonewall-inn. Broadway: The Heart of Rock and Roll Bad Cinderella King Kong Miss Saigon Want to try a free two week Broadway fitness program on an app with your own coach? www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Mike Baerga / @mikebaerga (a native Puerto Rican-Houstonian,) Choreographed and Produced for HBO'S EMMY Nominated Reality Show, We're Here, Showtime Network King Mo Fight, New York Fashion Week, RuPaul's Drag Race: Shangela's Big Apple Circus, World Pride 2021 Stonewall-inn. Broadway: The Heart of Rock and Roll Bad Cinderella King Kong Miss Saigon Want to try a free two week Broadway fitness program on an app with your own coach? www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices
On this episode I talked with Jordan about discusses his journey to becoming an actor, including his inspiration from watching conductors in shows like Wicked, his Broadway debut in West Side Story, how he became the standby for Tony, why he chooses to advocate for the normalization of having alternates and covers for roles on Broadway, working on the Maestro with Bradley Cooper and how his background in theater helped him adapt to screen acting, his experience playing Orpheus in Hadestown and his favorite song to perform, his role in the Neil Diamond musical, A Beautiful Noise, and how he arranged and sang the song "Shiloh" on the cast recording, working with Andrew Lloyd Webber on Bad Cinderella, the close-knit cast of the Bad Cinderella, meeting Audra McDonald, and much more! --- Support this podcast: https://podcasters.spotify.com/pod/show/backstagewithbeccab/support
This year Mickey-Jo headed to New York City for the very first time for two trips to Broadway! During his visits he saw 22 Broadway shows (as well as a handful of concerts, off-broadway shows and regional productions) and in this episode, he's ranking them! From Merrily we Roll Along and Hadestown to Bad Cinderella and Funny Girl, he saw plenty of plays and musicals featuring stars like Lea Michele, Ben Platt and Daniel Radcliffe. Stay tuned to find out his favourite and most disappointing Broadway shows of 2023! • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Mitchell Zhangazha (Ain't Too Proud / Dear Evan Hansen) returns to co-host The West End Frame Show! Andrew and Mitchell discuss Hamilton (UK Tour, Manchester Palace Theatre), A Very Very Bad Cinderella (The Other Palace Studio) and Pacific Overtures (Menier Chocolate Factory) as well as the latest news about Mamma Mia I Have A Dream, the WhatsOnStage Awards, Here You Come Again, Red Pitch and more. Mitchell was last on The West End Frame Show two years ago whilst he was understudying Evan and Jared in the West End production of Dear Evan Hansen (Noel Coward Theatre), for which he won the Best Understudy or Swing Award at the Black British Theatre Awards. He went on to play Dick & Others in Dolly Parton's Smoky Mountain Christmas Carol (Southbank Centre) before playing Eddie Kendricks in the West End premiere of Ain't Too Proud (Prince Edward Theatre). Mitchell's credits also include understudy Goldie Wilson in the world premiere of Back To The Future (Manchester Opera House), Our Lady of Kibeho (Theatre Royal Stratford East), Stevie Wonder & understudy Berry Gordy in Motown The Musical (Shaftesbury Theatre), Little Moe in Five Guys Named Moe (Edinburgh Fringe) and Curly in Peter Pan (West End). Mitchell worked extensively as a child, playing Young Simba in The Lion King (West End) and Young Michael Jackson in Thriller Live (West End and UK & Europe tours), whilst also appearing in the original West End cast of Chitty Chitty Bang Bang (London Palladium), Caroline Or Change (National Theatre), Porgy and Bess (West End) and Oliver (Theatre Royal Drury Lane). Follow Mitchell on Instagram: @mitchzhangazha Hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This week Vidar was reviewing the story of one 16 year-old who overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight with Everybody's Talking About Jamie as the current tour visited the Birmingham Hippodrome Theatre for the dry run on Friday 13 October at 7.30pm with description by Professional Audio Describers Jonathan Nash and Julia Grundy.. About Everybody's Talking About Jamie WINNER! Best New Musical, WhatsOnStage Awards, London. Following a record-breaking three-year West End residency, sold-out UK & Ireland Tour and Amazon studios award-winning film, the smash-hit and critically acclaimed musical Everybody's Talking About Jamie is on tour again. Jamie New is sixteen and lives on a council estate in Sheffield. Jamie doesn't quite fit in. Jamie is terrified about the future. Jamie is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. This ‘Funny, outrageous, touching' (Daily Telegraph), musical sensation is to be experienced by all the family and not to be missed! Casting includes Ivano Turco as Jamie (Get Up, Stand Up, Bad Cinderella), John Partridge as Hugo/Loco Chanelle (Cabaret, La Cage Aux Folles, Chicago, Eastenders), Shobna Gulati as Ray (The Rise and Fall of Little Voice, Everybody's Talking About Jamie, Coronation Street, Brassic), Hayley Tamaddon as Miss Hedge (Dancing On Ice, Everybody's Talking About Jamie), Rebecca McKinnis as Margaret (Everybody's Talking About Jamie, Dear Evan Hansen, We Will Rock You, Les Miserables) and Talia Palamathanan as Pritti (Everybody's Talking About Jamie Tour and film). Set to an original score of catchy pop tunes by lead singer-songwriter of The Feeling, Dan Gillespie Sells and writer Tom MacRae (Doctor Who). Choreographed by Sadler's Wells Associate Artist Kate Prince (Into The Hoods, Some Like It Hip Hop, SYLVIA, Message In A Bottle). For more about Everybody's Talking About Jamie and the current tour do visit the following website -https://everybodystalkingaboutjamie.co.uk Image: RNIB Connect Radio Bright Green 20th Anniversary Logo
RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This week Vidar was reviewing the story of one 16 year-old who overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight with Everybody's Talking About Jamie as the current tour visited the Birmingham Hippodrome Theatre for the dry run on Friday 13 October at 7.30pm with description by Professional Audio Describers Jonathan Nash and Julia Grundy.. About Everybody's Talking About Jamie WINNER! Best New Musical, WhatsOnStage Awards, London. Following a record-breaking three-year West End residency, sold-out UK & Ireland Tour and Amazon studios award-winning film, the smash-hit and critically acclaimed musical Everybody's Talking About Jamie is on tour again. Jamie New is sixteen and lives on a council estate in Sheffield. Jamie doesn't quite fit in. Jamie is terrified about the future. Jamie is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. This ‘Funny, outrageous, touching' (Daily Telegraph), musical sensation is to be experienced by all the family and not to be missed! Casting includes Ivano Turco as Jamie (Get Up, Stand Up, Bad Cinderella), John Partridge as Hugo/Loco Chanelle (Cabaret, La Cage Aux Folles, Chicago, Eastenders), Shobna Gulati as Ray (The Rise and Fall of Little Voice, Everybody's Talking About Jamie, Coronation Street, Brassic), Hayley Tamaddon as Miss Hedge (Dancing On Ice, Everybody's Talking About Jamie), Rebecca McKinnis as Margaret (Everybody's Talking About Jamie, Dear Evan Hansen, We Will Rock You, Les Miserables) and Talia Palamathanan as Pritti (Everybody's Talking About Jamie Tour and film). Set to an original score of catchy pop tunes by lead singer-songwriter of The Feeling, Dan Gillespie Sells and writer Tom MacRae (Doctor Who). Choreographed by Sadler's Wells Associate Artist Kate Prince (Into The Hoods, Some Like It Hip Hop, SYLVIA, Message In A Bottle). For more about Everybody's Talking About Jamie and the current tour do visit the following website -https://everybodystalkingaboutjamie.co.uk Image: RNIB Connect Radio Bright Green 20th Anniversary Logo
In this episode, we take a look at Andrew Lloyd Webber's latest musical Bad Cinderella or Cinderella. Talking about the fight to get this musical to open, the strange plot that doesn't really make much sense and its famous and viral rebrand. There were too many links for the description so they can be found in the Google doc linked below https://docs.google.com/document/d/1N_OXO_ejnOKIx3TQqfrBqBNyM8xx1G3F1ybb2jkZWIk/edit?usp=sharing Find us on socials: Instagram: @wrongaboutmusicals tiktok:@wrongaboutmusicals Twitter: @wrongabmusicals Youtube: YourWrongAboutMusicals
Fresh off his Broadway run as Prince Sebastian in Andrew Lloyd Webber's, Bad Cinderella, Jordan Dobson is starring in HAIR at Two River Theater. U Guys, this week's BroadwayWorld Recap has everything, including casting notices and all the tea on a new non-replica production of a very 'popular' Broadway show! Then I am joined by Bway performer and musician, Jordan Dobson, to talk about his incredible career, including his current starring role as Claude in HAIR at Two River Theater in Red Bank, NJ. Jordan shares about his experience working with titans of the musical theater industry, including Andrew Lloyd Webber, Stephen Sondheim, Michael Mayer, and more. We talk about Jordan's introduction to music through his upbringing in the church, and his journey to NYC and the Broadway stage, making his Bway debut as Tony in the buzzed-about revival of West Side Story. He touches on working on A Beautiful Noise; The Neil Diamond Musical, alongside Neil Diamond himself in the rehearsal room. Jordan is such a delight, U don't want to miss this episode! Follow the pod on Instagram: @ohmypoduguys Connect with Jordan Dobson on Instagram: @jordandobson_ Learn more about your ad choices. Visit megaphone.fm/adchoices
When Bad Cinderella closed in June of this year, it signified the first time in 43 years that Broadway was without an Andrew Lloyd Webber musical, and it became the second shortest run ever for one of his musicals on Broadway. Bad Cinderella also represented the second collaboration between Lloyd Webber and lyricist David Zippel. Their first show together was The Woman in White, which began in London in 2004 (starring Michael Crawford) and then opened at the Marquis Theatre the following year (starring Maria Friedman). By the time Woman in White came to New York, it had been 10 years since Sunset Boulevard and it would be another 10 till School of Rock. During this interim, between 1997 and 2015, Lloyd Webber didn't have an original musical or revival last more than 9 months on Broadway (including the Evita revival I previously did an episode on), so I guess you could say he was in a bit of a dry spell. Nonetheless, The Woman in White could've and probably should've done better, and in this episode we'll explore some of the reasons it didn't—and how a white rat ended up stealing the show. Follow on Instagram and listen to Closing Night on your favorite podcast app. --- Closing Night is a production of WINMI Media with Patrick Oliver Jones as host and executive producer. Dan Delgado is the editor and co-producer, not only for this podcast but also for his own movie podcast called The Industry. Maria Clara Ribeiro is co-producer, and a big thank you goes to Leah Horowitz for sharing her experiences with this short-lived show and its talented cast. Click here to find the transcript for this episode and a full list of links and resources used. Learn more about your ad choices. Visit megaphone.fm/adchoices
Part 2 of Andrew Lloyd Webber's blind stab at teen pop realness.
Music by Andrew Lloyd WebberLyrics by David ZippelBook by Emerald Fennell & Alexis ScheerOpened on Broadway March 23, 2023
From the archives! Back in April, when the award season controversies were still on the far horizon, the Action Pack brought in member Tori to discuss the Tony Award nominations. Join the Action Pack as they examine both the original musical nominees (& Juliet, Almost Famous, Bad Cinderella, A Beautiful Noise, Kimberly Akimbo, KPOP, New York, New York, Shucked, Some Like It Hot) as well as the musical revival nominees (1776, Bob Fosse's Dancin', Camelot, Into the Woods, Parade, & Sweeney Todd: The Demon Barber of Fleet Street)! We took a look at both previous and nominable productions, talking about history and more, as well as adding our usual amount of fun and games!
Grace McLean called “electrifying” by The Huffington Post and “phenomenal” by The New York Times, Grace McLean is a multi-hyphenate actor-singer-writer. In addition to performing in the New York theater scene on Broadway and off, Grace also makes time for her acclaimed original music. Stephen Holden of the New York Times says “Ms. McLean's voice is a flexible instrument with unexpected reserves of power...Behind her playful adventurousness lies a well of passion.” Grace is a Writer In Residence at Lincoln Center Theater where her first original musical IN THE GREEN was commissioned and produced, received a 2020 Richard Rodgers Award, and a Lucille Lortel Award for Outstanding Lead Actress in a Musical. She has had two artistic ambassadorships with the US State Department touring Pakistan (2015) and Russia (2018), and her band performed in both the 2015 and 2016 Lincoln Center American Songbook series. Grace is a Broadway Women's Fund's Woman to Watch (2021), Jonathan Larson Grant recipient (2021), a member of The Civilians R&D Group (2019-2020), MacDowell Fellow (2018) and Lincoln Center for the Performing Arts' Emerging Artist (2017). Grace McLean & Them Apples have released 2 EPs, “Make Me Breakfast” and “Natrural Disaster,” and are looking forward to releasing a full length album in early 2024. The IN THE GREEN original cast album is available from Ghostlight Records. Learn more: www.gracemclean.com https://twitter.com/thatgracemclean https://www.instagram.com/thatgracemclean/ Connect more: https://www.chonacas.com/podcast/ https://www.instagram.com/shesallovertheplacepodcast/ https://www.linkedin.com/in/katiechonacas/ Thank you, I hope you enjoyed the episode, please share with one person! Please leave a 5 star & review on Apple Podcasts as it really supports me as an Independent Podcaster :)
Hear ye, hear ye! You're invited to a royal ball - and we hear it's “Bad.” It's Bad Cinderella, y'all!Paul, Jill, and returning guest Nelson Bettencourt huddle in the town square, wondering: didn't this composer do some better stuff first? Is one “bad” for having internalized misogyny? And why don't we just officially rename this “Carmello Cast” already?We got MERCH y'all! Visit Spring to check out our mugs, t-shirts, hoodies and more!Instagram: @monkeysandplaybillspod Email: monkeysandplaybillspod@gmail.com Patreon: patreon.com/monkeysandplaybills Ko-Fi: https://ko-fi.com/monkeysandplaybills We gratefully acknowledge the support of the Canada Council for the Arts, as well as our producing partners the Crescent Arts Centre, on this season of Monkeys and Playbills.
In their debut episode, Adam and Anthony go way, way back many decades ago to 1968, when Andrew Lloyd Webber wrote his first musical, Joseph and the Amazing Technicolor Dreamcoat (with lyricist Tim Rice), which Anthony appeared in a few decades later, in the show's North American tour with Donny Osmond. They get so deep into the history that they decide to save their recap of the 1999 video for the next episode. They also cover some recent Lloyd Webber news, including the closing of The Phantom of the Opera and Bad Cinderella on Broadway, and talk about what Andrew Lloyd Webber songs are giving them life this week. Follow @howtolovehimpod
Comedian extraordinaire Fortune Feimster joins Scott to talk about hanging with Arnold Schwarzenegger on the Netflix series FUBAR, her Live Laugh Love stand-up comedy tour, and one of her first jokes about strawberries. Then, songwriter Lord Andrew Lloyd Webber returns to talk about his musical Bad Cinderella closing on Broadway. Plus, content creator Mr. Monster stops by to talk about his next big island viral video.
Connor and Dylan are joined by Linedy Genao (Bad Cinderella, On Your Feet). It's not your podcast… it's your BAD podcast. On the eve of Bad Cinderella's final leg of Broadway performances, the twins meet with the star of the show herself: Linedy Genao. Listen to this leading lady discuss being the first person to sing an original Andrew Lloyd Webber song, the shirtless hunks of the kingdom, and how it feels to lead a company. She dishes on falling in love with Jordan Dobson onstage and how she fell in love with her husband Anthony offstage. Linedy gets real about dealing with online chatter and rising above hate. We also discuss In the Heights, Queen Charlotte on Netflix, Ham 4 Ham, RuPaul's Drag Race All Stars season 8, and the end of Succession. Catch Bad Cinderella before it leaves Broadway on June 4.Follow Linedy on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by Connor
A star is on the rise and she's making her big splash in Andrew Lloyd Webber's new Broadway show, Bad Cinderella. Her name is Linedy Genao. The Brooklyn native plays the leading role of Cinderella putting her own twist to the character. And this is not the Disney version we all know of.
This week we throw caution to the wind and engage with our BAD sides with special guest Princess Weekes in discussing ALW's doomed production that no one asked for. Angie, Princess, and Kaveh all agree that Prince Charming is really, really, ridiculously good looking.80K Hours is a nonprofit that aims to help people find a fulfilling career that does good too! Go to 80000hours.org/musicalsplaining for a free in-depth career guide and begin a meaningful path to success.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
If you're One of the Smart Ones, you might know that Music, Money, Love are the three things you need for Happy Endings, or so New York, New York the musical tries to tell us. So join us in this episode as we shed some Light on the show and its multitude of characters that try to make it here! -- Cindy had the chance to attend the BCEFA Easter Bonnet Competition this year, and you can check out some highlights (including the Bad Cinderella bonnet that she mentions). If you've followed along with the Hamildrops, you might recognize one of the songs in this show. One of the highlights of the show was a construction site dance number, that resolves to look like a familiar picture in the end. If you've never been to the Whispering Gallery at Grand Central, you can try it out for yourself. This score contains 13 songs of pre-existing material, as nicely outlined by Playbill (it was ultimately determined not eligible for a score Tony). -- Since the cast album hasn't come out yet, the music used in this episode were sourced from promotional materials put out by the show, as well as recordings of the existing songs: Cheering for Me Now (Colton Ryan and OBC) I'm One of the Smart Ones (Liza Minnelli) Gold (Lin-Manuel Miranda) Wine and Peaches (John Reardon) I Love Music (John Kander and Fred Ebb) My Own Music (OBC) A Simple Thing Like That (John Kander and Fred Ebb) Can You Hear Me (Lin-Manuel Miranda and Colton Ryan) Marry Me (Jason Alexander) Sorry I Asked (Liza Minnelli) Music, Money, Love (Colton Ryan) New York, New York (Anna Uzele) But the World Goes 'Round (Anna Uzele) Or, if you want an Apple Music playlist of the songs on streaming, you can listen to that here. — Follow us on Twitter and Instagram @BottomlessBway, our blog at https://bottomlessbway.home.blog/, or email us at bottomlessbway@gmail.com! You can also leave feedback in this 30-second survey.
This week we jump on stage with Broadway star Morgan Higgins as she takes us through her illustrious yet still burgeoning career. We talk the early days of not wanting to go to auditions, to starring in a Nickelodeon movie, to a short lived singing competition called Rising Star. She did a lot as a young performer, but was only getting started. More recently she was a back-up singer for John Mellencamp's Farm Aid performance and begun work on his untitled play before the pandemic. She has reached the first peak of her journey currently as she stars in Broadway's "Bad Cinderella" a modern, gritty take on a classic. This was an extremely amazing conversation and one you will not want to miss!_____________________________________Bad Cinderella website to Grab Tickets before the curtains close on June 4th: https://badcinderellabroadway.com/Morgan's Instagram: https://www.instagram.com/morgannhigginss/—————————————————————Link to all things Not in a Huff Podcast: https://linktr.ee/notinahuffpodcastPlease follow/subscribe to the podcast to get the new episodes when they come out each week and rate us on Apple Podcast and Spotify! :)
TikTok: @FromTheMezzanine_PodcastInstagram: @FromTheMezzanine_PodcastFacebook Page: @FromTheMezzaninePodBroadway Spotify PlaylistMusical Theatre & Broadway lovers, your new From the Mezzanine episode has arrived! I HAVE BIG NEWS, HUGE!!! Listen to find out what the future holds for FTM! Then we cover news stories relating to the TONY's vs. Writer's Strike. Lindsey gets on her soap box to rant about Bad Cinderella closing. ENJOY!Broadway GrossesTikTok: @FromTheMezzanine_PodcastInstagram: @FromTheMezzanine_PodcastBroadway Spotify Playlist: https://open.spotify.com/playlist/5t55fULcCqN0NMmK4OnfOA?si=89c08b1a8bb34d95
Se revela la fecha de lanzamiento de la temporada 2 de Good Omens con un nuevo póster, Pronto podrás ir rápido en Sonic the Hedgehog Crocs, Disney Plus comenzará a agregar contenido de Hulu como parte de la 'experiencia de una aplicación', Tom Holland ha estado sobrio durante más de un año, dice que filmar 'The Crowded Room' lo llevó a 'un poco de crisis en casa', El cierre de 'Bad Cinderella' en Broadway pone fin a la racha de 43 años seguidos en Broadway de Andrew Lloyd Webber, Todas las producciones afectadas por la huelga de WGA. --- Send in a voice message: https://podcasters.spotify.com/pod/show/giant-metal-robotto/message
Nancy Drew Musical in Works, ‘Ted Lasso’ Star to Make U.S. Stage Debut, Watch ‘Bad Cinderella’ Act II Opening “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day. Any and all feedback is appreciated: Ashley Steves: ashley@broadwayradio.com | @NoThisIsAshleyGrace Aki: grace@broadwayradio.com read more The post Today on Broadway: Friday, May 12, 2023 appeared first on BroadwayRadio.
‘Bad Cinderella’ Sets Closing, Is Lea Michele Heading to the Kit Kat Klub? Jodi Benson Meets Halle Bailey on ‘Little Mermaid’ Red Carpet “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day. Any and all feedback is appreciated: Ashley Steves: ashley@broadwayradio.com read more The post Today on Broadway: Thursday, May 11, 2023 appeared first on BroadwayRadio.
It is the first time in nearly 4 decades that Weber will not have a play on Broadway.
Just over a week after it received no nominations for this year's TONY Awards, the Broadway production of Andrew Lloyd Webber's new musical BAD CINDERELLA has announced it will close on 4th June. Check out the new episode for Mickey-Jo's thoughts on this closing announcement, the reasons behind it and what this means for Andrew Lloyd Webber's 43 year Broadway streak... Predict the TONY Awards winners to win a $1000 TodayTix Theatre Token: https://www.show-score.com/mickeyjo • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Quicker episode today, got through the struggles of Bad Cinderella and found out that Liam has a virus on his computer! I guess pirated sheet music isn't quite worth it.
Connor and Dylan are back with TWIN TALKS: Tonys Edition! Hot on the heels of the Tony Awards nominations hosted by Myles Frost and Lea Michele, they dissect the surprises, snubs, and selection by this year's committee. It's a breakdown of the performance categories, celebrating friends of the pod Annaleigh Ashford, Colton Ryan, J Harrison Ghee, NaTasha Yvette Williams, Jordan Donica, and Julia Lester. They also read aloud listener-submitted DraxMoi, including the omission of certain shows (A Beautiful Noise, Bad Cinderella) and the inclusion of others (KPOP, Ain't No Mo'). This episode is every theatre-lovers' dream of discourse and of course, DRAMA. Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!Follow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by Dylan
If you've been listening to the show for a while now, then you already know that ILOVE LOVE LOVE going to see musicals on Broadway in NY and sometimes morelocally at Broadway in Richmond! Recently I did an episode about my experienceat the newest show on Broadway that I saw during the preview stages, called“Bad Cinderella”! I was in the very first row for this show with the orchestraliterally right below my view and the actors on stage so close, I could see everyexpression and every dab of sweat!! Hi! Thanks for tuning in to another episodeof “Live with Squacky”! I'm your host, Val Kelly, otherwise known asSquackyvoice. I'm SO excited about my special guest today, Morgan Higgins.Morgan is making her Broadway debut in a principal role in Andrew LloydWebber's fantastic new musical, “Bad Cinderella.”She's a recent graduate of NYU Tisch School of the Arts. Her work can beseen in “Lost in the West” (Nickelodeon), “Mr. Student Body President”(Amazon), “Orange is the New Black” on Netflix, “City on a Hill” onShowtime. She has also performed with John Mellencamp and was acontestant on the first season of ABC's “Rising Star.”In this interview, we chat about how Morgan got started in the industry, her experience in acting school at NYU, what she did when she booked her first principal role on Broadway in "Bad Cinderella" and so much more!! This was such a fun chat! I really hope you enjoy it! For more info on Morgan, visit her IMDb page HERE! To book tickets to go see Morgan and the rest of the amazing cast in "Bad Cinderella" on Broadway, click HERE!Follow Morgan on Instagram @morgannhigginss or on TikTok @itsmorgannhigginss and follow Bad Cinderella on Instagram and TikTok @badcinderellabway !!For more info on Val Kelly visit her website HERE. To find out more about the Mid-Atlantic Voiceover "Get Inspired" Conference taking place on November 10-12, visit the website here: https://www.midatlanticvo.com/"Live with Squacky" was mixed and mastered by everybody's favorite VO tech, Uncle Roy Yokelson of Antland Productions. "Live with Squacky" is sponsored in part by Mid-Atlantic Voiceover, LLC and Antland Productions.
JORDAN DOBSON / @jordandobson (Prince Sebastian). Broadway: Hadestown (Orpheus), A Beautiful Noise (Shilo, OBC), West Side Story directed by Ivo Van Hove (Tony). Select regional: Austen's Pride, Into the Woods (ACT of Connecticut); The Wanderer (Paper Mill Playhouse); Cabaret, Gypsy (Arden Theatre Co.); The Color Purple (Theatre Horizon). Upcoming film: William in Netflix's Maestro directed by Bradley Cooper. Much love to his incredible family and Dave at Creative Talent Company! https://builtforthestage.com/ - fill out the form and ask about our next fitness challenge! www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices
JORDAN DOBSON / @jordandobson (Prince Sebastian). Broadway: Hadestown (Orpheus), A Beautiful Noise (Shilo, OBC), West Side Story directed by Ivo Van Hove (Tony). Select regional: Austen's Pride, Into the Woods (ACT of Connecticut); The Wanderer (Paper Mill Playhouse); Cabaret, Gypsy (Arden Theatre Co.); The Color Purple (Theatre Horizon). Upcoming film: William in Netflix's Maestro directed by Bradley Cooper. Much love to his incredible family and Dave at Creative Talent Company! https://builtforthestage.com/ - fill out the form and ask about our next fitness challenge! www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices
How did one of Broadway's newest shows become a cringeworthy TikTok trend that earned tens of millions of views?Rolling Stone internet culture reporter CT Jones discusses how Bad Cinderella became an ironic trend for audiences. How did the show's development and debut on London's West End hurt the Andrew Lloyd Weber production? What does cringe mean in the context of trends and why does it drive discourse? How can we differentiate between genuine enthusiasm and ironic enthusiasm from fans on social media?About CT JonesCT Jones is an internet culture reporter for Rolling Stone focused on creator culture and LGBTQ+ news.Keep up with CT JonesTwitter | Linktree | Rolling Stone ArticlesShow Notes and Resources:Even TikTok Couldn't Save Broadway's ‘Bad Cinerella' - Rolling StoneLinedy Genao spray paint video - TikTokMorbius gets resurrected by memes, flops on its first day back in theatres - The VergeSpitgate
Your favorite podcast hosts Jason A. Coombs and Samantha Tuozzolo are back with two amazingly talented and insightful guests, Sami Gayle and Morgan Higgins who play the “Evil Step Sisters' Adele and Marie in Andrew Lloyd Webber's ‘Bad Cinderella', currently playing at the Imperial Theatre on Broadway. The Dynamic Duo share why audiences are loving the new musical and why you need to get your tickets if you haven't yet . Before closing out the episode with a fun game of “Cinderella Through the Years Trivia”, Sami shares why she decided to pursue film producing with the support of her brother. While Morgan dives into her audition process for her role of ‘Marie'. Tickets for “Bad Cinderella” are currently on sale! Episode 67 opens with Samantha and Jason sharing a mic check where they discuss the upcoming Crystal Theatre production of “A Spinnin Tale”, featuring Samantha on Saturday, April 22 and about film and screenplay submissions for the Bridgeport Film Fest! Lastly, the exclusive video can be found here on Broadway World and an audio only version is available on Apple Podcasts, Spotify, Audible or any of your other favorite podcast apps. Info on Sami Gayle and Morgan Higgins: Follow Sami on Instagram Follow Morgan on Instagram Follow Morgan on Tik Tok Tickets for “Bad Cinderella” Mic Check Links: Survival Jobs Broadway World Exclusive Video/Article Crystal Theatre in Norwalk, CT Bridgeport Film Fest: Save 50% on Film/Screenplay Submissions with code: BFFSJP Info on Your Hosts: Broadway World Article on our Season 2 Launch Party Follow Samantha: Instagram. | Samantha's Official Website here Follow Jason on Instagram | Twitter. Check out Jason's Official Website here Check out and support The Bridgeport Film Fest Important Links: Native Land Map US Interior Indian Affairs NPR: "How To Help Puerto Rico" Article How to Help the People of Florida Article Abortion Funds Website Plan C Pills Website National Write Your Congressman Link How to help Uvalde families NPR Article Where to Donate to Support Access to Abortions Right Now Support Us... Please! If you're feeling generous, Buy Us A Coffee HERE! Please don't become complacent: Support the Black Mamas Matter Alliance Support Families Detained and Separated at the Border. Support the AAPI Civic Engagement Fund. Support Black Trans Folx here Donate to the Community League of the Heights (CLOTH) Support the People of Palestine How to be an Ally to the AAPI Community 168 Ways to Donate in Support of Black Lives and Communities of Color The New York Times: On Mexico's Border With U.S., Desperation as Migrant Traffic Piles Up PBS: How to help India during its COVID surge — 12 places you can donate Covid quarantine didn't stop antisemitic attacks from rising to near-historic highs Opening and Closing Theme Music: "One Love" by Beats by Danny | Game Music: "Wake Up" by MBB. If you enjoy Survival Jobs: A Podcast be sure to subscribe and follow us on your preferred podcast listening app! Also, feel free to follow us on Instagram and Twitter! Thank you!!
When Andrew Lloyd Webber's latest musical BAD CINDERELLA opened on Broadway at the end of March 2023, the reviews were brutal. Join Mickey-Jo for a roundup of some of the first published reviews as we go through the quips, the side swipes and the suggestions made by New York's critics. • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Two great friends who love musical theatre converse about "The Phantom of the Opera" and "Bad Cinderella."
Kaiya is a civil rights lawyer and a lifelong thespian who uses her legal expertise to empower theatre community members to stand up for their rights and create truly safe and equitable spaces. And she is here with a greatest hits/concept/song collection that helped get her through college. Topics include: everything everywhere all at once, Kickstarter, Melancholy of being in your 20s, Amicus Briefs, the ouroboros of law and culture, Shucked, Bad Cinderella (for, like, a while), and being a lawyer with a passion for theatre. Kaiya Lyons Dot Com YouTube: Are Kerrigan & Lowdermilk Breaking Up?!? | From B | [Bree] Lowdermilk Featured recordings: Our First Mistake - Kerrigan-Lowdermilk (2011) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2023 is THE YEAR OF BARBRA celebrating the filmography of Ms. Barbra Joan Streisand! Patreon • Twitter • Facebook • Email
It hasn't been so long since the newest iteration of Cinderella started playing on Broadway, and we're here to bring our thoughts on this reimagining where Beauty Is Our Duty, but also Beauty Has a Price. Were the critics unfair to the show? Let us know your thoughts! Christine was a bit congested when recording this episode, so apologies for the dip in quality! -- How intoxicated are you allowed to be while watching Bad Cinderella, in comparison to other social events? This TikTok has all the answers. Apparently, the Hot Nuts song is a thing. If you want to hear Andrew Lloyd Webber's origin story as told by Tim Rice, check out his podcast (also, can anyone tell us what Get Onto My Cloud even means??) Lyricist David Zippel is fairly accomplished in other theater projects, notably the recent stage adaptation of Disney's Hercules which includes a new song, To Be Human As expected, Jesse Green of the New York Times did indeed hate this show. But the reviews weren't all bad... -- Music featured in this episode: Andrew Lloyd Webber's “Cinderella” (Original Album Cast Recording) Apple Music / Spotify / Amazon Music Bad Cinderella - Linedy Genao Apple Music / Spotify / Amazon Music I Know I Have A Heart (Because You Broke It) - Linedy Genao Apple Music / Spotify / Amazon Music Hot Nuts (Get Em from the Peanut Man) - Georgia White In My Own Little Corner - Julie Andrews Some Enchanted Evening - Paulo Szot — Follow us on Twitter and Instagram @BottomlessBway, our blog at https://bottomlessbway.home.blog/, or email us at bottomlessbway@gmail.com! You can also leave feedback in this 30-second survey.
It's the question on everyone's lips every March... Who will win the Palme D'Or this year? Well, we decided to apply the typical madness of March to this question, and have Andy, Cullen, and Emilio take on a bracket seeded by Jesse. Who will win? Who will be this year's (Bad) Cinderella story? How far will Alice Rohrwacher be able to go? What Yorgos Lanthimos movie is more likely to play Cannes? All these questions and more are answered in our very own March Madness Episode! Our twitter is @CannesIKickIt Our instagram is @CIKIPod Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @clatchley @imlaughalone @jcpglickwebber
Join us on the opening night red carpet of Andrew Lloyd Webber's Bad Cinderella on Broadway. Hear from stars like Linedy Genao and Grace McLean, creative team members like Tony-winner Gareth Owen, and celebrity attendees like Alex Brightman (Beetlejuice), RuPaul's Drag Race star Loosey LaDuca and TikToker Chris Olsen. In this episode you will hear from celebrity guests like: Alex Brightman, Amber Gray, Carson Kressley, Loosey LaDuca, Wendell Pierce, and the cast and creative team of Bad Cinderella including: Linedy Genao, Grace McLean, Sami Gayle, Cameron Loyal, Christina Acosta Robinson, Savy Jackson, Raymond Baynard, Lauren Boyd, Tristen Buettel, Ben Lanham, Angel Lozada, Sarah Meahl, Michael Milkanin, Larkin Reilly, Julio Rey, J Savage, Dave Schoonover, Tregony Shepherd, Paige Smallwood, Lucas Thompson, Alena Watters and more. Got kindness tips or stories? Please email us: artofkindnesspodcast@gmail.com Follow us @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen to the Show Right Click to Save GuestsCold Town Collective Spring Tide News From the Road - Lacey Cannon GonsalesWhat We Talked AboutSweeney Todd Bad Cinderella Kander and Ebb Way Six Recoups Ragtime Concert I can get it for you wholesale Casey Nicholaw goes on in Hot International Thespian Festival Matt & Laura Sittin' in a Tree Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)
This week, Brian is joined by musical theater connoisseur Rachel Fabi for an in-depth analysis of Bad Cinderella. Actually, yes -- but we also talk crosswords and most notably draw your attention to These Puzzl3s Fund Abortion, a charity puzzle pack in support of reproductive healthcare. All that, plus a new contest puzzle (!!!) from Stephanie Lane and Norah Sharpe (aEiS). If you get bored (how could you?!), write something for the Fill Me In wiki. And if you're feeling philanthropic, donate to our Patreon. Do you enjoy our show? Actually, it doesn't matter! Please consider leaving us a 5-star review on Apple Podcasts. This will help new listeners find our show, and you'll be inducted into the Quintuple Decker Turkey Club. Drop us a note or a Tweet or a postcard or a phone call — we'd love to hear from you. Helpful links: Apple Podcasts link: https://podcasts.apple.com/us/podcast/fill-me-in/id1364379980 Google Play link: https://player.fm/series/fill-me-in-2151002 Amazon/Audible link: https://www.amazon.com/item_name/dp/B08JJRM927 RSS feed: http://bemoresmarter.libsyn.com/rss Contact us: Email (fmi@bemoresmarter.com) / Facebook / Twitter / Instagram / Google Voice (315-510-9892) We're putting these words here to help with search engine optimization. We don't think it will work, but you probably haven't read this far, so it doesn't matter: baseball, crossword, crosswords, etymology, game, hunt, kealoa, movies, musicals, mystery, oscar, pizza, puzzle, puzzles, sandwiches, soup, trivia, words
Scott sits down with a former student, Alyssa Carol, for a heartfelt and lovely conversation about Alyssa's pathway towards higher education at the University of Michigan's famed Musical Theatre BFA and making her Broadway debut as an original Broadway cast member in Andrew Lloyd Webber's brand new musical, BAD CINDERELLA. And while in many ways Alyssa is living what from the outside looks to be a Broadway Cinderella story… she comes to the podcast to share her personal journey to this moment to highlight the fact that the road to Broadway is rarely glamorous or picture book perfect, but this journey is often a deeply satisfying, valuable and artistically illuminating process. Alyssa Carol is a performing artist originally from Orange County, CA. She grew up dancing, singing and acting and eventually attended the Orange County School of the Arts to study Musical Theatre from 7th-12th grade where she discovered a deeper sense of her artistry and the cathartic nature of performing. And I had the privilege to be her conservatory director for her junior and senior year at OCSA. She is currently completing her last semester at The University of Michigan in their BFA Musical Theatre program remotely from NYC… so that she could join the original cast as a swing of the Broadway production of Andrew Lloyd Webber's BAD CINDERELLA covering 9 tracks and triumphantly made her Broadway debut during previews on March 9th. At the University of Michigan she was featured in productions of The House of Bernarda Alba, Hair, Michael McElroy's Sonnets, Soliloquies and Soul, The Wild Party; she made her professional debut as the female swing in The Ogunquit Playhouse staging of The Nutty Professor; At OCSA, she played Charity in SWEET CHARITY, Olive in The 25th Annual Putnam County Spelling Bee, was in the ensemble of OCSA's productions of Jasper in Deadland, Footloose as an Associate Choreographer (with Emily Baggerly) on an epic production of EVITA. On a personal note, Alyssa is a light in this world and a ferocious quadruple threat - actor, dancer, singer AND creative/maker. She is a wonderful example of leading with the love of an artform, and practicing that abundant mindset at every turn of the creative process. In this episode, we talk about the many facets of her talent and creative interest; what helped her be her authentic self in audition settings; How she decided to say YES to a school like University of Michigan; And a touching story of being guided by the legendary Broadway dancer and choreographer, Ann Reinking, just weeks before her passing. If you'd like to reach Alyssa Carol you can find her at: Instagram: @aalyssacarolTo see footage of Alyssa's Ann Reinking exchange from a Zoom master class conducted with Broadway Arts Community:click hereBad Cinderella - NOW on Broadwayhttps://badcinderellabroadway.com/Buzzsprout - Let's get your podcast launched! Start for FREESupport the showTo find out more about The Creative College Journey and services we have to offer, please visit our website and sign-up for our mailing list: www.creativecollegejourney.com Introduction voice-over: Sara CravensOr find our host Scott Barnhardt on Instagram.
TikTok: @FromTheMezzanine_PodcastInstagram: @FromTheMezzanine_PodcastFacebook Page: @FromTheMezzaninePodBroadway Spotify PlaylistMusical Theatre & Broadway lovers, your new From the Mezzanine episode has arrived! We recap the reviews from Parade's opening night and Bad Cinderella, and dish on our excitement for the upcoming SMASH musical headed to Broadway! Then we head in to our Story from the Stage covering Legally Blonde, The Musical. Parade ReviewBad Cinderella ReviewAndrew Lloyd Webber Son's AnnouncementSMASH Musical Coming to BroadwayStory From the Stage: Legally Blonde, The Musicalhttps://www.talkinbroadway.com/page/regional/sanfran/s877.htmlhttps://www.nytimes.com/2007/04/30/theater/reviews/30blon.htmlhttps://playbill.com/article/the-oral-history-of-legally-blonde-the-musical-the-search-for-elle-woodshttps://variety.com/2008/legit/news/legally-blonde-to-close-1117992794/https://www.theatrely.com/post/lilli-cooper-laura-bell-bundy-and-eric-mccormack-will-star-in-broadway-comedy-the-cottagehttps://legallyblonde.fandom.com/wiki/Legally_Blonde_(musical)#Musical_numbershttps://www.broadwayworld.com/grosses/LEGALLY-BLONDEhttps://www.sfgate.com/magazine/article/Blonde-Ambition-Author-Amanda-Brown-marvels-at-2565659.phphttps://tinyurl.com/5xr8y8ckhttps://playbill.com/article/blonde-ambition-laura-bell-bundy-goes-to-elle-and-back-in-legally-blonde-com-139763https://www.youtube.com/watch?v=ZN7eEe1zERcTikTok: @FromTheMezzanine_PodcastInstagram: @FromTheMezzanine_PodcastBroadway Spotify Playlist: https://open.spotify.com/playlist/5t55fULcCqN0NMmK4OnfOA?si=89c08b1a8bb34d95
A Gavin solo episode for this week, but boy was it fun! SO much news to get through, and review roundups for Sweeney Todd and Bad Cinderella.
Reviews for ‘Sweeney Todd,’ ‘Bad Cinderella’; Nicholaw Joins ‘Some Like It Hot’; Jon Hamm Joins ‘Mean Girls’ “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day. Any and all feedback is appreciated: Ashley Steves: ashley@broadwayradio.com | @NoThisIsAshleyGrace Aki: grace@broadwayradio.com | @ItsGraceAkiJames read more The post Today on Broadway: Monday, March 27, 2023 appeared first on BroadwayRadio.
Entre puñetazos que se vuelven novelas, como el famoso golpe de Vargas Llosa a García Márquez en 1976 ; entre cines que buscan sobrevivir en esta sociedad hiperenclaustrada; con música de Pierre Boulez sonando en el Carnegie Hall y la nostalgia de los musicales que duraban décadas en escena, como los de Andrew Lloyd Webber y su nueva Bad Cinderella que no augura la misma permanencia en esta época donde el tiempo se ha atomizado y nada dura; En medio de estas noticias de actualidad Flor Magallanes y Joel Almaguer charlan, compartiéndonos sus puntos de vista y sus propias dudas. Un programa de Sala Prisma Podcast. 2023
Grant Dirt Alert: Gwyneth Paltrow testified today in the ski trial. She thought the collision was a sexual assault. Luann de Lesseps storms out of ‘Bad Cinderella' after seeing Bethenny Frankel. Kate Bosworth and Justin Long Are Engaged! Millie Bobby Brown's debut novel is inspired by her grandma's ‘very personal' WWII story. Plus, the rest of today's headlines. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On this FURiday the #GossipPups Tinkerbelle and Belle spill the tea on their busy busy week on set modeling and then attending the red carpet opening night of BAD CINDERELLA on Broadway!!!! Then they tackle:POP culture: Andrew Lloyd Webber will not attend opening of Bad Cinderella due to son's illness, Courtney Cox cleans hollywood walk of fame stars to promote new company, Twitter to charge $$$$ for all blue check verification starting April 1st.andPUP culture: Diane Keaton's companion is her dog, The biggest dog in the world, Hero Dog saves owner in ditch, and Can dogs talk through buttons?!?!?Follow Tinkerbelle and Belle! Instagram: @TinkerbellethedogTikTok: @TinkerbelleAdogFacebook: Tinkerbelle the DogYoutube: Tinkerbelle the dogTwitter: @TinkerbelleadogHave a question for us? Email us at GossipPups@gmail.com!SHOP: Tinkerbelle the Dog & Belle's 2024 CalendarSHOP: Tinkerbelle the dog & Belle Merch
Tonight, Andrew Lloyd Webber's BAD CINDERELLA officially opened at the Imperial Theatre on Broadway. Having been invited to review the show's final preview performance in New York, Mickey-Jo bringing you his comprehensive thoughts of the changes to the show and their impact. • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Why isn't Andrew Lloyd Webber going to be there?
Tune in as Michael Jamin talks with his good friend, actor Rick Negron who plays King George in Hamilton. Discover what he has to say about being the first Latino King George, doing his first show in his home country of Puerto Rico alongside Lin-Manuel Miranda who was acting as Hamilton, and his overall Hamilton touring and acting career experience.Show NotesInstagram: https://www.instagram.com/rick_negron/?hl=enIMDB: https://www.imdb.com/name/nm0624508/?ref_=nmmi_mi_nmIBDB: https://www.ibdb.com/broadway-cast-staff/rick-negron-107348The Spokesman-Review: https://www.spokesman.com/stories/2022/apr/28/youll-be-back-in-playing-king-george-iii-in-hamilt/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutomated Transcript:Rick Negron (00:00:00):That's still the case nowadays for a lot of young dancers and, and musical theater types. They go to New York and they take dance classes and they take voice lessons, and they take acting classes, and they get that picture and resume ready, and they go to open calls. And if you're talented and you're lucky sometimes you, you get an equity show, a, a union show from an open call. It's tough. And you have to, you have to hit that pavement. And sometimes, you know, getting to know, being in the right place at the right time. I, I, I was mentioning to you before that I, I booked this H B O commercial and I met more a dancer on that show who said, Hey, you'd be right for the show. And one of the guys is leaving the show and they're having auditions at the theater, and you should go. And that's how I got my first Broadway show.Michael Jamin (00:00:50):You're listening to Screenwriters. Need to hear this with Michael Jamin.Michael Jamin (00:00:58):Hey everyone, it's Michael Jamin. Welcome to Screenwriters. Need to hear this. If you are an aspiring theatrical actor, I got a present for you and we're gonna unwrap him right now. And his name is Rick Negron. And he's been my buddy for many years. He's at my wedding. We go back, Rick. Now Rick is most famous for probably, he's done a ton of stuff though, but he's probably most famous for playing the role of king George in the touring company of Hamilton, which he's been doing for four years. But he's done a ton of Broadway stuff. We're gonna talk about him. He's also done voices. I didn't know this, but he was also he does vo he did some voices in Red Dead Redemption as well as grand Theft Auto, which I wanna know all about that as well. But mostly I wanna talk about his incredible theatrical acting career. Rick, thank you so much. Thank you so much for . ForRick Negron (00:01:47):What? Michael Jamin? I'm in the room. I'm, I'm in the room where it happens, man.Michael Jamin (00:01:52):, this is the room. This, what people don't realize is that I recorded some of this and I bone, I didn't, I didn't record, so, yeah. And this is, this is part two of our interview. I had a record over cuz I wasn't recording. StuffRick Negron (00:02:03):Happens. And you know what, Michael, you, you and I can talk till the cows come home. This is not a problem.Michael Jamin (00:02:09):This Rick's great guy, and he's gonna tell us all about. I, I, I had, so there's so much I wanted to get outta you, but first of all, what I, we were talking about is, you've been doing Hamilton, you've been King George and Hamilton, the first Latino King George, I might say, which is a big deal. And so yeah, you've been touring the country from city to city, and I kind of really wanted to talk to you about like, what is your, what is your day like when you go up on stage, you know, what are you doing before, what you're doing all before that, before you got on stage, because it's a, you've been done. How many performances have you said you're done? This,Rick Negron (00:02:44):I'm over 900 easily. I'm close to like nine 50. I, I, I don't count 'em, but every time the, the company management has like, oh, this is our 900th performance, I just kind of go, well, I've only missed maybe about between vacations and days that I've been sick. Maybe I've missed 30 at the most over a four year period. , that's, I've, I've done a lot of performancesMichael Jamin (00:03:11):And, and we were talking about this and your character, like I, I've, I hate to make you repeat it, but how do you get, like, how do you get psyched up before each show when you do that many shows? How are you, what's your process before you, you run on stage?Rick Negron (00:03:27):Well, this, this character is a real gift in the sense that it's beautifully written. Mm-Hmm. , it's just three songs. honestly, Uhhuh . I'm on stage for a little over 10 minutes, but it's so well written that if I just hook into the words of, of the songs, I got 'em. Uhhuh you. I, I, I can, I can hook my myself into that myself, into that character very easily, just with the words. But the other gift is that I have time to get ready. So when every, when the show, when we are at places and the show starts, that's when I get my wig on. Mm-Hmm. I still have 15 minutes to do some vocal warmups and get dressed. And are youMichael Jamin (00:04:12):To being like tea with lemon? What are you sit, what are you doing that day?Rick Negron (00:04:16):Nah, nah. I, I mean, I'm not a huge tea guy unless, unless I'm having some vocal distress. And then I do like a nice warm tea with honey and lemon if I'm, if, if my voice is a little wonky or my throat's a little sore. But the main thing for me for vocal capacity is sleep. If I get less than seven hours, my voice suffers. If I eat a lot of cheese and dairy, that's gonna be a lot of gunk on the vocal courts.Michael Jamin (00:04:45):But if you're nervous the nightRick Negron (00:04:46):BeforeMichael Jamin (00:04:47):Hmm. But if you're nervous, if you have, if you get stage nerves and you can't sleep the night before , right? I mean, no. Are you, are you beyond that?Rick Negron (00:04:55):Yeah, I'm beyond that. I mean, I've been in the business long enough that, that I, I get nervous. Uhhuh and God knows, I was nervous the first time I did the show in front of an audience in Puerto Rico of all places. Right. That's where we opened, right. With Lynn Manuel Miranda back in the role of Hamilton after being a away from it for a few years. That was a dream job because I'm from Puerto Rico and I literally went back homeMichael Jamin (00:05:23):To a heroRick Negron (00:05:23):Welcome star and one of the biggest shows on Broadway with Lynn Manuel Miranda and me playing the king. Yeah. I was born like four blocks away from the theater that we were at. It was just crazy sauce. So yes, I was incredibly nervous opening night. And there was my wife, my sister-in-law, in the audience you know, yes. Really nervous. But did I lose sleep the night before? No. I slept like a baby. No, really? My nerves don't really hit me until I start putting on that costumeMichael Jamin (00:05:51):. Really? Yeah. I see. I would imagine to me, I mean, I know it's a big deal to be star of a movie, but to me this to me seems like a bigger deal. What you, what you're doing in terms of, it seems like a you are lead in this giant freaking play that, I mean, one of the biggest plays, you know, of our, of our time on. Seriously. Yeah. Yeah. And you are these, you play this character who the minute he walks on stage, the place goes nuts cuz you hit a home run and then you walk out, you're the home run guy. Exactly. Bye. Hello. No. ExpectRick Negron (00:06:21):Bye. And by the way, no expectation. I'd literally walk on stage and the place goes bananas. And I haven't saidMichael Jamin (00:06:26):A word. Right. They love you before. You haven't even said anything. I mean, what a huge, I don't know. I just think this is like, I don't know, if I were an aspiring actors, that would be the part. I don't see how you, I don't know how, where you go from here, Rick Rick Negron (00:06:41):. It's all downhillMichael Jamin (00:06:43):.Rick Negron (00:06:45):No, I guess listen, it, the beauty of it is also that I've had this really long career mm-hmm. and, you know, I started out as a chorus boy on Broadway and then worked myself into understudy and then did some roles. And then finally at, at a ripe old age. I've gotten this great job and I've really, I'm at the point in my life where I'm really enjoying it. Yeah. I'm enjoying the process. I'm enjoying the traveling cuz I, I, I've toured some, but I haven't toured a lot. And this tour has been to some really great cities all on the west coast up and down the west coast. Yeah, the mountain west. In the winter I got some snowboarding in, in Salt Lake City, Denver. I,Michael Jamin (00:07:33):Where are you supposed to do that with you if you break your leg?Rick Negron (00:07:36):Yeah, I'm not supposed to do that. Can we delete that from the podcast? ? We can take that out. . It's in the past. I don't care. Okay. I, I stayed on the bunny slopes. I Right. I really took it easy. But then we spent summer in Canada, which was amazing. I was up in Calgary in the summer and went up to band for the first time in my life. And my wife, Leslie, who you know well, came up to visit and we stayed on Emerald Lake and I just spent two months in Hawaii. So this tour has just been amazing. Well, it started out in Puerto Rico, as I said, right. For a month with Manuel Miranda. And then we went to San Francisco and sat for a, a year in San Francisco. So I got to live in San Francisco Right. For a year and experienced that incredible city until the pandemic. And then we shut down for a year and four months before we started up again.Michael Jamin (00:08:27):And then, and then So how did you start? We, how did you start? Like, you know, take me back. I know you, I know you were, take me back to when you were a child. Did you, I mean, this is, did you dream of being a Broadway star like this? Like, what happened? Who, who dreams of that? Like who, how, I mean, you all dream of that, but who achieves it, I guess?Rick Negron (00:08:46):Well, a lot of people do. A lot of people do. And, and, and not everybody has the path that I had, but some of us get bitten by the bug early on. And I got bitten by the bug when I was 10. Right. And my mom was the drama teacher at school. And I guess I blame her for everything. But this mustMichael Jamin (00:09:06):Be the be like, you must be the, the crowning achievement in her, in her in her life.Rick Negron (00:09:12):Yeah. She's, but I did, she's pretty proud. And I have ano another sister who also went in into theater and and so the whole family kind of w it was the family thing we all sang. Right. we all did mu mu musicals in the local community theater and children's theater. So it was a family thing for us growing up. But I'm the one that sort of got bitten hard. And then I got involved, like at 14 mm-hmm. a choreographer. I was doing a, a mu a children's theater show, said, Hey, you've got some talent as a dancer. Come take, I'll give you a scholarship at my little dance school. And so after school at 14, I would go take ballet, jazz, tap and acrobatics after school with Susan Cable, who luckily was a great dance teacher. She had been a, a chorus person on Broadway.(00:10:05):Wow. And, and, and that's what, how I started in my dance career. And then it kind of took off. And by the time I got to college I thought I was gonna be a, a concert dancer. I was in college, I was sort of groomed to, to, to possibly go into the Paul Taylor Dance company. And I actually was not on scholarship. I was a intern with a Paul Taylor dance company for a while until I realized I'm making no money. I'm working super hard and I've always wanted to be on Broadway. That was my realMichael Jamin (00:10:42):Dream. So those people don't interchange those concert dancers. Don't, they don't.Rick Negron (00:10:46):Some do it. Usually the concert dancers, if they can sing.Michael Jamin (00:10:52):Right.Rick Negron (00:10:54):Will, will sort of move into the musical theater world and sometimes move back into the concert dance world. One of the great concert dancers of all time who I met when he was super young, Desmond Richardson mm-hmm. he was a lead dancer with the Alban AI company for many, many, many years. I mean a God in the dance world. And now he owns his own owns, he runs his own dance company, complexions. And he's a great choreographer. And he was in the bad video with me back in the day with Michael Jackson. Right.Michael Jamin (00:11:30):So Rick was in the, I should say for the, I don't wanna gloss over this. Rick. Rick was in the a dance for, in the Michael Jackson's bad video directed by Martin Scorsese. Yeah. Was Quincy Jones produced?Rick Negron (00:11:41):Yeah, 1985. I was, I was a chorus dancer at the time. I was in I was doing my second Broadway show. The mystery of Evan, Dr. My dance captain was Rob Marshall. went on to direct Chicago, the movie and many other movies since then. And, and while I was doing the show, there was this audition for the bad video and yeah, it was, it was really surreal. I took vacation from, from the Broadway show to do the video and, and, and got to meet Michael who was really sort of like, it was two people in that body. I mean, he was super shy and, and sort of very reserved, but the minute the cameras went on it, he was, he became somebody else. Right. And he was a perfectionist. 25 takes sometimes e every setup. And Scorsese was famous for just burning through film. Easy 20 Takes the video was supposed to shoot for two weeks, and I think it went for four. And this is a music video. It was the first SAG music video at the time, by the way.Michael Jamin (00:12:44):Really?Rick Negron (00:12:45):Anyway, Desmond Richardson was a young dancer at the time. There were a lot of young New York dancers in, in that show. And he famously went into the Avid Ailey company, but then he also worked on Fosse the Musical. And he also worked on Chicago. The, the movie with me. I, I got to work on Chicago, the movie cuz I had this great relationship with Rob Marshall and, and I was invited to audition. I didn't get, the dancers don't usually just get the job. You still have to come in and audition. Right. But even though, you know, the people involved it just is the way it is. And, and there was, and, and Desmond and, and I, we bump into each other all the time and we have so many memories. You know, going back 20, what is that, 85? 1985 was the bad video.(00:13:35):And I, I still bump into 'em. I I've been into 'em at the opening of the new USC school a few years ago. The School of Dance there at usc, the Kaufman School of Dance, I think it's called. But anyway yeah, people go in in from the dance world into musical theater and they go back and forth. Not a lot. Actually. We have one member of our, our of our of our Hamilton company, Andrew who was a modern dancer in the dance world and then moved into musical theater. And,Michael Jamin (00:14:04):But you were telling me how, and this is kind of important cause people are gonna be like, well, how do I break in? And you were, I mean, what, as you were explaining, it's like, it's basically you had this, you were just, you were in the circle, you were just there, and then things le one thing leads to enough simply because you put yourself there. Right. So how did you, what was your first break? How did you get that? I mean,Rick Negron (00:14:24):Every, everybody, everybody has a, a different story about first breaks. And when I was starting out, it was really different. Things have changed, you know, in all these years. Now, if you go to the right school, you can get into the right you know casting director workshop. And they see, oh, really? You, and, and maybe you get an agent out of that workshop and, and you know, it's, it, when I started out it, that wasn't the case when I started out. You go to New York, you start taking dance class at all the big dance studios where all the other Broadway dancers are taking dance class mm-hmm. . And then you pick up Backstage. Mm-Hmm. newspaper, and you go to the open equity calls for every show. I remember my first open equity call was for cats, the national tour, right after Cats had opened on Broadway.(00:15:14):And I, I had four callbacks. I got really close to booking cats, but I didn't. And and I just kept going to open calls. And that's still the case nowadays for a lot of young dancers and, and musical theater types. They go to New York and they take dance classes and they take voice lessons and they take acting classes and they get that picture and resume ready and they go to open calls. And if you're talented and you're lucky sometimes you, you get an equity show, a a union show from an open call. It's tough. And you have to, you have to hit that pavement. And sometimes, you know, getting to know, being in the right place at the right time. I, I, I was mentioning to you before that I, I booked this H B O commercial and I met one, a dancer on that show who said, Hey, you'd be right for the show. And one of the guys is leaving the show and they're having auditions at the theater and you should go. And that's how I got my first Broadway show by somebody suggesting that I go audition and I showed up at the theater and auditioned. And that night I got the job. And that's how I got my first Broadway show. The moreMichael Jamin (00:16:24):People, you know, the more you work, the more you hear andRick Negron (00:16:27):The more you Exactly. Yeah. You're in the mix. You have to in be in the mix and you have to network. And nowadays that involves, as you know social media and getting, getting followers and, and and, and putting out videos of yourself, singing and putting out videos of yourself, dancing and putting out videos of yourself, acting. I mean there's all that stuff that's going on now that wasn't going on when I started. But is, is is the new reality of how do you get into the business really. Okay. And, and when young, when young people ask me how, you know, how do I get started? And I say, well, in your hometown, get involved. Do the, do the school musicals, but get involved with the community theater. In any way you can. If, if you want to be an actor, but you know, there isn't a role for you do the work on the sets.(00:17:19):I worked on sets in community theater. Mm-Hmm. , I helped my mom. She, she was makeup artist too. And so I helped with makeup and I, I did lights. I, you know, I did all kinds of stuff just to be in the room. Right. Just to see other people work, to, to network, to meet people. And and I'm glad I did because I kind of know my way around all the different elements of theater. You know, I know what Alico is. I know, you know what all the different microphones are that they use in theater. And I, I always, I always befriend the crew. I think , as an actor, we can tend to be insular andMichael Jamin (00:17:57):Oh reallyRick Negron (00:17:58):Hang out with just the actors. I hang out with the crew. The crew knows what's up. Uhhuh , the crew knows where the good, the good bars are in town. They, you know, the crew is, and, and they're the ones that watch your back. When you're on the road.Michael Jamin (00:18:13):Now you were explaining to me the, and I didn't know the difference between, cuz you as the king, king, king George, you have two understudies, but there's also swing actors. Explain to me how that all works.Rick Negron (00:18:24):So in the show, you usually, you have the ensemble, which is what we used to call the chorus. Yeah. And then you have the leads. And in the ensemble you usually have two male swings and two female swings. So those individuals are not in the show nightly, but they literally understudy all the f the, the females understudy, all the females and the males understudy. All the males. And that's usually a case. They have two male and two female. In Hamilton, we have four female swings and four male swings. I think I'm right. Three or four. We have a lot. And that's because Hamilton is such a, a beast of a show. It's so hard. Physically. People get injured, people get tired.Michael Jamin (00:19:06):It's like being a professional athlete. It's no different.Rick Negron (00:19:08):Yeah. Yeah. And you're doing it eight times a week. And after a year it's repetitive motion for a lot of dancers. Oh. So I always tell those dancers, don't just do the show. Go, go and do yoga. Go do a dance class cuz you have to work your muscles a different way. Otherwise you're gonna get repetitive motion injuries. Wow. You know, like the same person that that screws on the, you know, back in the day when they screwed down the, the toothpaste cap every day that those muscles every day, all day long are gonna get messed up.Michael Jamin (00:19:37):But do they have like a trainer or doctor on set at all times?Rick Negron (00:19:40):We have a personal train PT, physical therapist right on tour with us. Most heavy dance shows will have that on tour. Because they need, they need the upkeep. The dancers, especially in this show work so hard. They, they need somebody to help them recover from injury. And, and just keep their bodies tuned up.Michael Jamin (00:20:04):And so let's say you get, you're in Hamilton, let's say you're, you're a swing or whatever, but, and then you're on tour, they what, give you a per diem? Or do they put you up in housing? How, like what is the, what is that really like to be?Rick Negron (00:20:15):So let me I'm, I'm gonna finish the whole understudy thing because Oh yeah. You have the swings and then you have the understudies, which are people in the chorus who understudy the leads. But then you also have standbys. And the standbys aren't in the show. Right. But they're backstage and they understudy anywhere between 2, 3, 4, 4 different characters. And so at the drop of the hat, they can say, Hey, you're on tonight for Burr, or you're on tonight for Hamilton. It, it can happen five minutes before the show. You can know way in advance cuz you know that character's going on vacation and stage management has told you, oh, you're gonna do the first five of, of, of the, of the vacation or the first four and somebody else is gonna do the other four. So you may know ahead of time and you can ask or tell your friends and family to come see you do that role. Right. Cause you know, ahead of time. But many times you, you find out last minute that somebody is sick or, or doesn't fe or hurt their knee or whatever. Or even in the middle of the show, sometimes somebody will twist an ankle and boom, we have a new bur in act two. It, it's, it's happened not a lot, but it's happened often enough that the understudies come in, warmed up and ready to go.Michael Jamin (00:21:26):But you explained to me even before every performance, even though you've done the same freaking songs for 900 times, you still mentally prepare yourself. You go through, you rehearse each, each song that you go through. So you walk yourself through it. But I can't even imagine if, like, if you, how do you prepare yourself for four different roles possibly. You know, like how do you do that? It's like you, it'sRick Negron (00:21:49):Crazy. Yeah. They, they, I know some of them will go over like difficult passages in the show because there's, there's moments in the show, like for Lafayette he's got in guns and ships. He's got some, some rap that are so fast. Yeah. That I, I know the understudies will go over those, what, what we called the, the, the moments when you can trip up. You go over those moments before you go on, but the rest of you can't go through the entire show. Right. Just pick and choose those moments where you can like go backstage and just go over your words and make sure they're, they're, you know, under your belt. I go over my words because I sing the same tune three times, but with different lyrics. Right. And the, and the trap is to sing the wrong lyric in the wrong song, which I had done. And it's, there's nothing more embarrassing and gut wrenching than to sing the wrong lyric in the wrong song. And you just have to find your way back. And it, they call it walking into the white room. And because literally what does that will happen and your mind will, your mind will explode, your armpits will explode with sweat. Your eyeballs will get this big, your throat will dry. It is flight or flight or flight moment.Michael Jamin (00:23:07):Yeah. AndRick Negron (00:23:08):It's so hard to, to like try to grasp the right lyric. And, and you're in, you're literally in a white room. Yeah. And you're going, oh shit. How, how do I get back?Michael Jamin (00:23:20):Right.Rick Negron (00:23:21):And for me it's a little easier cuz my song is nice and slow, but can you imagine being Hamilton and you're rapping a mile a minute and you go into the white roomMichael Jamin (00:23:29):And do you guys talk about that? OhRick Negron (00:23:32):Yeah. Yeah. Famously on Broadway, there, there, there was a something called Burst Corner. Uhhuh which was, I, I forget who started it, but I think , they, they told 'em not to do it anymore. It was something where they post on Instagram or Facebook. Oh. so-and-so, you know, said this instead of what they should have said, you know, basically coming out and, and owning your faux PAs during a live show. Right. I remember when I did Manda La Mancha with Robert Gole on tour. He used to make up lyrics sometimes. And we, and one of the guys in the show started jotting them down. And at the end of the tour, they basically roasted him at a, at the closing night party with all the lyrics that he made up throughout, throughout the entire thing. And he was not amused.Michael Jamin (00:24:20):He was not amused. I was gonna say, IRick Negron (00:24:23):Was not amused with that one. Okay. But my favorite faux pod of his was we were in Nashville and he started singing Impossible Dream. And he's sang to dream the Impossible Dream to fight the unat of a fo to carry Moonbeams home in a jar.Michael Jamin (00:24:41):And there was like, what?Rick Negron (00:24:44):That's a big Crosby song. Oh, funny. Carry Moon Beams Home in a Jar. It's an old Bing Cosby song. And he just pulled that lyric outta nowhere and inserted it into the impossible dream. And everybody backstage just went,Michael Jamin (00:24:59):What do he say? Oh my God. That's hilarious.Rick Negron (00:25:03):But you know, I I'm, I'm, I might be roasting Robert Gole at the moment, but everybody's had those moments. Yeah. Especially in Hamilton, it happens cuz the, the words are coming fast and furious and boy, if you miss that train or you screw up, oh, it's hard to get back on.Michael Jamin (00:25:18):And I imagine ifRick Negron (00:25:20):You do, everybody does. Everybody, if youMichael Jamin (00:25:21):Do it one too many times, are you looking at unemployment?Rick Negron (00:25:24):Mm-Hmm. ? No. Really? No. Yeah. I mean, nobody does it one too many times. Uhhuh, . I mean, some understudies have more bumps in the road than others. Uhhuh. . But you, you, you know, we give them a lot of grace because being an understudy is really hard. Yeah. And so when somebody's honest and understudy you, everybody has their, their, their side view mm-hmm. just because they, they might be in the wrong spot in a certain moment or cross a little differently than the usual guy. So you just have to have some grace. Don't get upset if they're in the wrong spot. You know, just maybe nudge them a little bit or pull them or, or, or just watch out for them and don't bump into them because, you know, somebody is on. I, because I've understudied so many in so many shows, I have a lot of empathy for, for understudies and swings and, but I, I, I don't, in my experience, and I've been in a ton of shows, I haven't been around somebody who's messed up so much that they've got gotten fired. Usually when somebody's not up for the task creatives know during rehearsals that they're not cutting it. Uhhuh . And then so somebody will get, will get let go. Right. the only other time I, I remember somebody lost their voice and, and took time off and came back and lost their voice again. And it was just a situation where they couldn't do the job. Their voice just, wow. Their voice just couldn't ha hack it. And so, you know, those are tough and difficult moments. They don't happen often, but it happens.Michael Jamin (00:27:09):Wow. Yeah. And now you were also telling me, which I thought was fascinating, is that your character, because he's the king, you were talking, you know, how, how your character has evolved, you playing the same exact part has evolved over, over all these years of you playing it.Rick Negron (00:27:24):Yeah. It's, it's been a gift. I'm, I'm, you know, I've realized early on that theater really is my thing. Even though I did some TV and film when I moved to la I, I didn't, I didn't really love the work. Right. It sort of felt a little bit empty just in the sense that, you know, you sit in a trailer for hours and hours and then you get a couple of rehearsals and you shoot and you're done. And that's it. You know, and it's on, it's out there for posterity and you walk away from the, from the gig going, oh, I could have done this, I could have done that. But in theater, you get to redeem yourself every night. You know, if you screwed up the night before, you, you make it better the next night. And I love that about theater.(00:28:07):And and so for, for me I just get better over time and people say, oh, but don't you get tired eight times a week a year. I don't. I I like to, I like to tell people that it's, it's almost like being a potter. You have the same, you know, square block of clay and you're making that same pot. But every time you're doing something a little bit different and you're learning from the, the, the, yesterday when you made that pot, today you're making the same pot, but you learn something new, you discovered something new, making this pot, it's still the same pot, but you're, you may be doing a little filigree or a little curve here, or a little something different. So every night you get to shape this pot a little bit differently. And that's, for me, that's the, the beauty of it.(00:28:59):That's the challenge. I remember early on with, with this, with this character, I was in rehearsals and the the associate director Patrick Vassell said, you know, Rick, this is interesting. Most guys come in with a really large, over the top take on the king. Mm-Hmm. , you're coming in with a very spare low-key take on it. I mean, we're gonna build you up, which is usually not the case with this character. And build, build him up. Not make him bigger, but just give him more depth. Okay. And that was the rehearsal process for me. And then when I started working with Thomas Kale the, the director of Hamilton right before we opened in Puerto Rico, he said, the trick to this guy is to make him, make him as simple and as small as possible because the king can, with one finger kill a whole community. Right. Know, he just has to say, those people are gone and they're gone. So he doesn't have to do much. He has all this power. So that, that was like the best bit of information for me. And so the challenge is over time is to do less.Michael Jamin (00:30:14):Right. AndRick Negron (00:30:14):Still with all the homework that you've done and the character work that you've done, but do less. And I, and I was telling you this before, that you walk out on stage Yeah. And the audience goes crazy. And, you know, there's all this expectation and sometimes you get suckered in by this adoring audience to do more. Right. But you have to fight that feeling and do less. And that's,Michael Jamin (00:30:38):It sounds like though you got conflicting notes though. No. They directed the eight. Well,Rick Negron (00:30:43):I think because in rehearsal I was still sort of finding my way with him. Uhhuh . And instead of making this broad fabish character, which is how somebody who starts with King George and thinks, oh, I'm just gonna do this and make him big and fabish. Right. that's sort of a two-dimensional view of, of the king. And I came in with a lot of research about the guy and thinking, I, I, I don't wanna make him this two-dimensional caricature. Right. I really wanna make him a, a guy who is number one dangerousMichael Jamin (00:31:21):Uhhuh ,Rick Negron (00:31:21):Who has a lot of power and who, who is feeling jilted, but won't allow you, you can't break up with me. Right. I'm breaking up with you. You know, that kind, that kind of dynamic in this, in the first song specifically. And so I came in with that and he said, that's great. Now we're gonna just work and put more layers on him, but not necessarily make him bigger, but just give him more layers.Michael Jamin (00:31:52):Let me ask you the, because when you're in, when you say, you know, you're the analogy of making a pot, are you going into the performance thinking, I wanna try this today? Or are you so into character you forget and, and somehow it it organically arises?Rick Negron (00:32:10):I try to stay in, in the more organic realm.Michael Jamin (00:32:13):Uhhuh, ,Rick Negron (00:32:14):Because I think that's where the really good stuff is. The stuff that just pops out of you.Michael Jamin (00:32:20):But you can't make that happen. That's the problem. Yeah.Rick Negron (00:32:23):If, if, if I plan somethingMichael Jamin (00:32:26):Mm-Hmm.Rick Negron (00:32:26):, I, I feel like it, it feels fabricated a little bit. Right. And so I, I try not to, but sometimes I'll get a note from, we have a resident director that travels with us, and also sometimes the director or the associate director will show up to whatever city we're in and will watch the show and give us notes and say, you know, in this moment, maybe try this or try that. And so I really pay attention to those notes and I try to implement them, but I try not to I try not to quote unquote fabricate them or, or, or think too much on it. I try to, maybe, maybe the best thing that I can say is I'll tr I'll try on my own four or five different ways to achieve that note. Mm-Hmm. . Okay. I can, I can, I can make it more dangerous in this section if I lean into this word or if I, you know, take a pause or whatever it is. I'll come up with four or five different ways to get the note across and then let whatever which one pops out pops out when it, when I do the performance. So I give myself some choices. So I don't, so I don't get, I don't pigeonhole myself into a specific choice, which then feels fabricated and fake.Michael Jamin (00:33:51):Right. But do you ever get into the part and then n notice, oh, I, I just slipped out of it. I, I'm, I'm, I'm observing myself now. I'm not in the partRick Negron (00:34:00):Happens all the time.Michael Jamin (00:34:02):And what do you do? How do you get back inRick Negron (00:34:04):The words the text will save you for every writer out there. Thank you. Because the text will save you. You have to get back into, into what it is you're saying. When, whenMichael Jamin (00:34:16):You, but the words are in your head that you don't, you're not reading something, they're in your head.Rick Negron (00:34:19):You're in your head, but in your head. I've been doing this so long that I can be in the middle of my performance and going, Hmm. That wasn't good. Right. Like, I'll be criticizing myself while I'm doing it,Michael Jamin (00:34:31):But that's not good. Now you're out of character.Rick Negron (00:34:33):Now I'm out of character. Now I'm in my head. Right. And the first thing that I'll do is I'll, I'll bite something. I'll bite a word or I'll, I'll make a gesture. Or basically I'll snapped my myself out of that.Michael Jamin (00:34:47):Do it.Rick Negron (00:34:48):I guess. I didn't silence my phone.Michael Jamin (00:34:51):That's okay. So,Rick Negron (00:34:52):Interesting enough. That's, that's the resident director of Hamilton just texted me.Michael Jamin (00:34:57):. He can wait. It's not important.Rick Negron (00:34:59):No. She, she, luckily this is she. Yes. Better. Sherry Barber. Amazing director.Michael Jamin (00:35:05):So we that's my next question though. I wanna talk about that. But, so, all right. So you snap so you, you, you get back into it with a physical, something physical, a gesture or something.Rick Negron (00:35:14):Physical or, or, or, or vocal. Yeah. Or some different intention. Yeah. Just mix it up. Right. Mix it up. Yeah. Do something different that, that's gonna get you outta your head.Michael Jamin (00:35:27):Right. I mean, I mean, I would think that we, that way my fear is going up, going up, forgetting, oh, what, what's my line? Line? Oh,Rick Negron (00:35:34):It is, that's every actor's fear. And, and, and if anything keeps me nervous, it's that, it's the fear of, of messing up. But the, and people say, oh, how do you get over being nervous? And I always say, you, how, how do you get to Carnegie Hall? Yeah. Practice, practice, practice. Confidence comes from being, I can sing that song with another song, playing over a loud speaker. That's how well I know that song.Michael Jamin (00:36:04):Really. With another song playing. There'sRick Negron (00:36:05):Another song playing over the loud speaker. And I can sing my song while that song is playing. That's how much in the bones in my cell that song is. See, I just have to, I, I rehearse, rehearse, rehearse, rehearse, rehearse.Michael Jamin (00:36:18):Do you think it's possible to over rehearse?Rick Negron (00:36:21):Yeah.Michael Jamin (00:36:22):Uhhuh. . Yeah.Rick Negron (00:36:24):But I mean, for me, you know, every actor's different. For me, my comfort, what gives me my comfort zone is, and, and gives me confidence, is feeling like I, I know this inside out, left, right. I, I know ev Yeah, I know this. I got this Uhhuh . That's how I getMichael Jamin (00:36:46):There. But, but you don't feel that way in opening night cuz you haven't done it 900Rick Negron (00:36:49):Times. No, no, no. You haven't done it 900 times. So you just, you you, I go back to my yoga and I, I I do some deep breathing mm-hmm. and I try to focus on the intentions of the character. What is he trying to do?Michael Jamin (00:37:05):Do you, do you sometimes kick yourself? Like, do you feel like, oh, I wasn't in the Tonight Show. I was, I tried. I wasn't in it. I wasn't in it. OhRick Negron (00:37:14):Yeah. I walked out, I walk off stage sometimes and go, Ooh, that was terrible. Or whatev, you know, I'm, I'm my worst critic. Right. And sometimes I walk away and go, oh, that was good.Michael Jamin (00:37:26):Right. Because you're justRick Negron (00:37:27):Lost. I don't pat myself on the back as often as I should. Uhhuh , I'm usually more critical of myself. And, you know, and now I try, I try to not beat myself up as much as I used to. I try to be a little kinder to myself, but yeah, I totally walk away sometimes going, oh, that was, that was not your best.Michael Jamin (00:37:46): . And, and so these, these directors, like, what do they, what's their job? Because they didn't direct the show. The show has been choreographed. It's been directed. Now they're just jo they're just there every night to make sure it doesn't go off the rails.Rick Negron (00:37:59):Yeah. PrettyMichael Jamin (00:38:00):Much tune things.Rick Negron (00:38:01):Yeah. And the really good ones, like, like sh like our our resident director Sherry they're there to keep it fresh. And so she's constantly feeding you ideas. Hey, what, what if we do this? What if we do that? How about, how about, you know, and, and that's, she, she's great at bringing new ideas to something that we've been doing for four years,Michael Jamin (00:38:27):But I'm not sure how much I would wanna hear that if I were you. Like, you know what I'm saying? Like, oh, I love it. This is what I You love that.Rick Negron (00:38:34):I love it. I love trying new stuff. I love messing about with that pot that I'm creating. Oh, what about, why, why don't you do a lip on, on, on the top? Oh, yeah, yeah. Do it. We'll curl out the lip on the top. I've never done that before. Right. Why don't we do that? You know, I did something a few months ago at the end of the song, the song I famously go, famously I should say the, the king famous famously says, and no, don't change the subject. And he points at somebody in the audience and he gets, he, it's a rare moment where he gets upset. Uhhuh . And that's, and, and if you've seen the Disney Plus, Jonathan Gruff famously just spits all over the place. It just is, it's, it's an explosion of saliva. And it's, it's a brilliant moment. I think. I think his take on the king is, is wonderful and he sings it so well. And and I usually point, they want you to usually point in sort of the same area of the, you can point anywhere, but they, they usually take point over here. And I always point over there, and one night, man, this is maybe about four or five months ago, one night at the end of the song, I went, I went,Michael Jamin (00:39:45):I'm watching youRick Negron (00:39:46):Uhhuh . Like, I pointed to my eyes and I pointed to that person who I had pointed to earlier in the song. And no, don't change the subject as if that's my one nemesis in the room. And I'm just saying, I'm watching you . And it got such a reaction, right. That I kept it, it's been my new little bit until I, until I decide I don't want to, or until, you know, the associate director walks in and goes, you know what? I don't like that thing that you do at the end, cut it. And I'm like, okay, it's gone. Right. Well, think of something else. You know, unless there, there's always, there's always something right. That I can think of. And that's, that's the fun part that I can always improve it, I can always make it better. I can always have fun with it.Michael Jamin (00:40:29):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You could unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Michael Jamin (00:40:53):I'm surprised you, I mean, I, I would wa I'm curious like, but you allowing yourself to watch, you know, Jonathan Grots version as opposed, you know, is that, are you, do you, you know, what's that like, you know, cause character yoursRick Negron (00:41:08):Now. Yeah. I saw him do it originally on Broadway when I saw the show in previews. And then of course I saw him do the Disney Plus version. And then when we were in rehearsals in 2018 for our company, we were the third national tour to go out when we were in rehearsals, they said, oh, you you know, you can go stand back in the, at the back of the house at the Richard Rogers and watch the Broadway company. And at that point, the king was Ian I'm forgetting Ian's last name, but he's, I think he's still the king right now. He's been there for a long time. He's brilliant. Uhhuh as the king. And I watched him play the King while I'm in rehearsals for the King. Right. And for me, I wish I could see all the kings really? Because really they all do something different. And, and you, and, and the stuff that's really good. You wanna steal it, man. You wanna, but can you, I mean, love that,Michael Jamin (00:42:00):But can youRick Negron (00:42:00):Take it from the best baby steal from theMichael Jamin (00:42:02):Best stuff from the best.Rick Negron (00:42:04):Interesting. Yes. I mean, you gotta make it your own. You can't do the exact same thing. Right. But, but it, for me, it feeds me as an actor. I'm like, oh, what a cool idea. I should, I can do a version of that or Right. Or so. Oh, that makes me think of something else. You know, I, I I, yeah. I I love it. DoMichael Jamin (00:42:20):You get together and talk with the other kings at all? Yeah.Rick Negron (00:42:23):I've met the king that's on on Zoom, actually. I haven't met him in person, but the guy Peter Matthews who, who does the Angelica tour and he's been doing it for a while. Most of the Kings. It's a, it's a nice gig. So yeah, you stick around right. As long as you, you know, want to, or as long as they'll have you. Right. And Hamilton's been really great about, you know, letting us stay. But Peter Peter's really a funny guy and I haven't gotten to see his king because obviously I'm doing it at another part of the country while he's doing it. But I would love to see him play the King. Really. yeah. And Rory O'Malley, who played it here in la, he did the first national, he I think Tony Winter for book of Mormon. Fantastic guy. I met him in San Francisco when he came to see our company. I'd love to see his cane cuz he's a great singer and, you know, everybody's got their, their their take on him. And I, I find it fascinating to see what somebody does with, with this character.Michael Jamin (00:43:25):Right. Cuz there's so much, there's so much. Yeah. That's so much how much constantly reinvented fun,Rick Negron (00:43:29):Fun role and,Michael Jamin (00:43:30):But by still, but you still gotta remain true to what the words are and what the intention of the words. But it still can be interpreted while still being true to thoseRick Negron (00:43:38):Words. Which, which is the beauty of, of, of, of Hamilton and, and I give a lot of credit to the creative team, is that yes, you have to sing the words and sing the melody, but you get a lot of creative license to, to make it your own Uhhuh . And so if you see our company of Hamilton and then you see the Broadway company of Hamilton, it's almost like two different shows. Right. It's the same show. But because you have different actors in those roles, it's pretty remarkable the difference in the companies.Michael Jamin (00:44:10):And tell me a little bit more about some of the other Broadway and traveling, because you've had such a resume, man, such a resume.Rick Negron (00:44:17):. Well, you know, I, I started back in the eighties as a, as a Chorus Boy and, and doing some really cool shows. Man La Mancha, the Goodbye Girl, theMichael Jamin (00:44:27):GoodbyeRick Negron (00:44:27):Girl leader of the Pack. I, I did, I did In The Heights on Broadway Right. For a couple of years. That's when I, I actually did a workshop of In the Heights in 2005 with Li Manuel Miranda and the whole gang, and I got to meet them back then. So they've been good loyal friends since then. Yeah. And, and have kept me employed for many years. I hand, you know, hats off to them . Oh, I do have hair by the way, but it was kinda messy. So I put on my, my hat. YouMichael Jamin (00:44:58):Could have worn your wig, your powdered wigRick Negron (00:45:01):. Oh yeah. IMichael Jamin (00:45:02):Used to wear, Hey, I'm always in characterRick Negron (00:45:04):. Yeah, A actually I have I'm, I have a few weeks off right now, which is why I'm home in la Right. Because we just did Hawaii and, and the show had to pack up and, and be put on the ship to come back to the us So they shipped, the show changed and that's how we, how it got to Puerto Rico too, which is why it makes it kind of difficult to send those shows to the, the Islandss because they have to ship it.Michael Jamin (00:45:29):But even still, how long does it take to set up for them to build, you know, build the set?Rick Negron (00:45:36):Well the shipping of it took a, takes about two weeks.Michael Jamin (00:45:40):All right. But once you're,Rick Negron (00:45:41):But then once it all gets there, our crew can, can put the set up in day and a half.Michael Jamin (00:45:47):Wow. Okay.Rick Negron (00:45:48):It's, it's like, it's all been carefully crafted. It's like Lincoln Logs, everything fits together, butMichael Jamin (00:45:54):Stages are different sizes. That's what I don't understand.Rick Negron (00:45:57):Well, they ahead of time, the, the production management and, and, and, and company management, they sit together and they go, okay, these are the cities that we're doing, which is the smallest theater we're in Uhhuh , that, those are our dimensions. We can't, we can't get bigger than that.Michael Jamin (00:46:15):But you can put a smaller on a bigger, on a stage, you can put a small,Rick Negron (00:46:19):Yeah, yeah. And the show, I mean, the show was made for the Richard Rogers, which is a pretty small theater. I mean, it's an old 1920s Broadway theater, Uhhuh , that seats about 1300. So it's pretty small. And the stage backstage is kind of small too. So most of the theaters that we do on, that we go to on the road are much bigger than the Richer Rogers. Okay. So they just, you know, they just do black baffling on the sides and just make it more of a letter box. And it works. It works. As long as we're not in a place that's smaller than our set. And some shows have what they call a jump set, which means that while we're in one city, we have a, a second set that goes to the next city and gets built. And so that we close in, in Boise on a Sunday and we open in Salt Lake City on a, on a Tuesday, you know, but let's say one day.Michael Jamin (00:47:13):But let's say that you're doing a dance number and the stage is this big and your's, the dancer, you know. Okay. Six pace steps to get my next mark on a bigger stage. It's, isn't it more steps or No,Rick Negron (00:47:23):No, no, because you're, you're, regardless of the size of the stage you are set. It remains the same.Michael Jamin (00:47:30):Okay. So no one will go out of that.Rick Negron (00:47:32):Yeah, no. Yeah. We'll, we'll we'll never stretch it. Right. The set itself never gets stretched. If anything, the, the theater will come in with, with black you know what the, what they call the legs, those are, you know, a break a leg comes fromMichael Jamin (00:47:48):No,Rick Negron (00:47:48):Literally they, you know, break a leg is good luck. But it literally means the legs are those black drapes that come down in the front and also in each wing.Michael Jamin (00:47:59):Okay. SoRick Negron (00:47:59):When you, when you, when you go on stage, sometimes you have to move that drapery to get on stage or to, if you're gonna go in front of the, the, the in front of the curtain, you, you, you move it with your arm, you break the leg.Michael Jamin (00:48:15):So you're not, so you're not literally break. Okay. So you're,Rick Negron (00:48:18):You're not literally breaking the leg, you're not breaking anything. Parting, parting the drapery to go on stage.Michael Jamin (00:48:23):Oh. So this is very interesting. This is gonna be, yeah.Rick Negron (00:48:25):Yeah. It's a little theater trivia for Yeah. The, the folks out there.Michael Jamin (00:48:30):Fascinating. Now. Okay, so on a regular day, you go to a town, your new, your your new city or whatever, and they give you a per diem to Yeah. Goodbye lunch and get out apartmentRick Negron (00:48:42):Diem. The union sets a weekly per diem. And that is for you to spend as you wish. Uhhuh, . And then also company management way ahead of time will say we have three or four different hotels that we've negotiated a special deal for and choose which one you want to stay in. And these are the prices and these are the amenities and people choose from that list of hotels. But a lot of people nowadays are doing Airbnb, especially on a tour where you sit in a city for four weeks, five weeks, six weeks. The shortest stays we've ever had have been two weeks. But we've, we've done six weeks. And so a lot of people do Airbnbs cuz you have a kitchen and you have a washer dryer and more, you know. But isMichael Jamin (00:49:26):It, is staying in a hotel more fun? Is that dorm living, is that more fun for the cast?Rick Negron (00:49:31):Some, no, I don't think it's more fun for them. Some stay in the hotel cuz it'll be right next to the theater. And that's convenient. Yeah. Especially if we are in Denver and it's seven degrees outside. Being, you know, li living right near the theater is really cool when it's, when the weather's bad. But most people, a lot of people nowadays, they're getting Airbnbs and they're rooming together. So three or four people can get a really cool house.Michael Jamin (00:49:57):But I'm picturing Rick Negron (00:50:00):And, and they save money because they're rooming together. Right. So, you know, the rent, their ability to pay rent, I mean now they can use their per diem to live on, not just for their place to stay. They canMichael Jamin (00:50:12):Have you shared, have you shared apartments or No. Does the king, does the king have his own place now?Rick Negron (00:50:16):, I'm too old to have roommates. You're tooMichael Jamin (00:50:18):That crap.Rick Negron (00:50:18):I had roommates in my twenties and thirties. I'm done. But the only roommate I have is my wife. And CauseMichael Jamin (00:50:24):You're right.Rick Negron (00:50:24):But she's not really my roommate. SoMichael Jamin (00:50:26):My like, my naive opinion of what it must be like is like in high school when you're in the play it's like, you know, or even at a high school, you know, community, you are like, Hey, it's the, we're all the, it's the group, we're the gang, we're doing everything together. But once you become a pro, that's not the way it is. Huh? It's not likeRick Negron (00:50:45):It is at first it is, it's the honeymoon phaseMichael Jamin (00:50:49):Real. Okay. Where you're like hanging out togetherRick Negron (00:50:51):Where we all just meet and Oh, I know that person. We did a show together a long time ago. And so we become a little bit of a clique and then the, the cliques start happening early on. But we're one big happy family. Right. And we have opening night parties and you know, and all that occurs early on. But then the clicks really start creating Right. You know, the, the peop certain people start to hang out together. We had the, an our, our company's called an Peggy cuz each separate tour has a different name. There's the Angelica tour, the Philip Tour. These are characters in the show. Right. And Peggy is the third Skylar sister. So we became the third company. So we are called the An Peggy tour and we're, and there's a group of us we're called the, an Peggy Alpine Club. And literally, literally a bunch of us who like to hike and, and do outdoorsy stuff. We went snowboarding and skiing a lot in the winter. We, a lot of us got scuba cert certified for our Hawaii stay. Wow. And we've done incredible hikes all over the place. So that's our little clique. But also, you know, people that have, are married and right on tour together or have ki there's a few people that have kids on tour. They get together a lot.Michael Jamin (00:52:07):So and they bring their fam, they bring their kids on onto tour with them.Rick Negron (00:52:10):Yes. There's some people that do that. Yes. But some, some, someMichael Jamin (00:52:16):Like little kids are like high school age. Like you can't be like a high school-aged kid.Rick Negron (00:52:20):No. Most, most of 'em have young kids. You gotta understand. I, I'm working with a bunch of 20 and 30 year olds. Right. And I'm the oldest guy by far in, in, in, in, in the, in the company.Michael Jamin (00:52:30):What's that like being the oldest guy in the company?Rick Negron (00:52:33):Oh, I love it. Love. I used to be the youngest guy then I was, you know, in the same age as everybody. I love it because I as a king too. I, I have plenty of time to sort of mentor everybody. Yeah. And so I've become a little bit of, I, I'm the cheerleader. I check in on everyone and say, how you doing? I'm, I used to be a ma massage, massage therapist. So a anytime peop people are having issues. I, I'm close friends with our, our physical therapist that tours with us. So we work on people sometimes together in tandem.Michael Jamin (00:53:03):What is it they're worried? What is it they want mentoring at the, the career strategy? Like what, youRick Negron (00:53:08):Know, that this career strategy, sometimes it's just dealing with personalities in theater sometimes there's some, some headbutting. Um-Huh. sometimes people are just having problems with a, a particular, an understudies having a problem with a new character that they're understudying or, you know, there's issues on stage with somebody who doesn't quite know where they're supposed to stand at a certain point. Right. And all that is internal stuff that should be worked out with the dance captains and the stage management and, and the resident director. But you know, unfortunately, actors, you know, we have huge egos and, and they're also very fragile egos. And so there's a, a, a bit of nuance involved and people get their, their panties in a twist. And I'm, I'm usually the guy that comes around and, and talks people off the ledge sometimes. AndMichael Jamin (00:54:02):I would imagine we be very hard even, especially for the new guy or the new woman coming in, youRick Negron (00:54:06):Know? Yeah. And I, I I, I, I tend to be the welcome wagon too. Right. You're the new ones. Come on, I'm the king. You know, I'll show you the ropes.Michael Jamin (00:54:13):Wow.Rick Negron (00:54:14):So, so that's, I, I like taking that mantle, not just because I'm the king, but also because I'm sort of the senior member of the Right. And I've been around the block and people have asked me, you know, I'm sick and tired of show business. I want to do something else. And I'm like, you know, that's, I hear that I've, I've had that conversation many, many times in my career.Michael Jamin (00:54:34):Interesting. So why, yeah. I would think, see, right, you've made the touring company of Hamilton, it's pretty much the peak, you know, like, you know, forRick Negron (00:54:41):A lot of 'em want to do Broadway. So they're, you know, they're still focused on doing that Broadway show. And some of them have done Broadway, have done the tour, and, you know, they wanna settle down and meet somebody and have a Right.Michael Jamin (00:54:53):So they want to, is that, is that what the problem is? They, you know, they're done with the business. What, what's the problem?Rick Negron (00:55:00):Well, I mean, you know, you, we've got the new kids who are just starting out who wanna know about, you know, how do I get my, my foot in Broadway? You know, and there's those kids, and then they're the ones that have been around for a while who wanna maybe transition out of, out of the business and, and want some there was one girl who was interested in massage therapy. Oh, wow. And I said, you wanna become ao? Okay. Well, this is what you need to do. And matter of fact the union has something called what is it called? Career Transition for Dancers, which is a, a, a program where you can get grants to do some further education. So if you wanna learn how to be a massage coach, wow. Get a grant through the union. And, you know, I know some of this stuff so I can impart some of that knowledge. And for the young kids who, you know, I wanna get on Broadway, I'm like, okay, well, to get on Broadway, you have to be in New York. And while you're on tour, you know, can't do that. It's hard to get into that audition for that Broadway show. ButMichael Jamin (00:55:57):Are you still in those circles? I mean, it seems like you, I don't know. It seems like you must know. I don't know. You're, I, I guess I'm completely wrong. If you were you know, a dancer on the touring company, Hamilton seems like it wouldn't be that hard to, to find out about an audition on Broadway. And certainly wouldn't be that hard to get a job, because you're obviously really good.Rick Negron (00:56:18):Yeah. and we've had a few people leave our tour to go do a Broadway, Broadway show. I mean, actually, we just lost like two or three people to, one Girl is doing Bad Cinderella. She left our show to Do Bad Cinderella, which is a new Broadway show, a new Andrew League Webber show. Mm-Hmm. . Another guy just left our show to do the, the Candor Nbb, New York, New York that's opening on Broadway soon. So that does happen luckily with the advent of auditioning remotely via video that's helped things out a lot nowadays, so that if you're in Portland on tour, you can send in an audition via video for something back in New York.Michael Jamin (00:57:02):Even dancing. You can, like, you pull the camera back and you do some dance steps. I mean,Rick Negron (00:57:06):Is that what you do? Yeah. Or sing a song or, or, or, or read a scene. Okay. depending on what's needed. And sometimes you, you are able to take a personal day and fly back to New York and audition for something. Right? Yeah. Michael Jamin (00:57:23):Cause I would think, and I, I don't know. Obviously, I don't know it, I would think that if you're in Ham, the touring company of Hamilton, you're practically on Broadway and it's like, it's almost the same circles, except this is where the job is, you know?Rick Negron (00:57:34):True. But if you've been on tour for a year, you'd like to settle down and stop living out of a suitcase. I It'sMichael Jamin (00:57:39):Hard to be on the road.Rick Negron (00:57:40):Yeah. Or you've been doing Hamilton for a while and you just wanna do something different. Yeah. There's those, those kids, you know, they're hungry, they wanna do different stuff. Yeah. They don't wanna be on tour on Hamilton for four years like I have, but I've done a lot of stuff andMichael Jamin (00:57:53):Yeah. What, let's talk about what other, what, yeah, let's talk about some other, we, we, I think we got off track of your other Broadway shows and, and Off Broadway and not touring shows, rather.Rick Negron (00:58:01):Well, you know, I started, I started out young in the biz at 10 cuz my mom was a drama teacher. And then I sort of worked my way through community theater and children's theater and all that. And, and then I was a concert dancer in college and studied for who? Well, I, in college I studied modern dance in, in ballet. But when I got outta college, I, I was an
"I was one of those little girls that danced around the living room to the record of CATS and my mom would yell at me not to jump because it would make the record skip." This episode features Robin Masella who was Demeter in the 2016 Broadway Revival of CATS. Hear Robin discuss her thoughts on Demeter, the relationships she played throughout the show, and her defense of Grizabella for her Jellicle choice. Plus, Robin talks about what to expect when you come to see her in Andrew Lloyd Webber's new show Bad Cinderella. Check out Robin on Instagram: @robinmasella Check out Bad Cinderella: www.badcinderellabroadway.com Produced by: Alan Seales & Broadway Podcast Network Instagram & Twitter: @TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of "Live with Squacky" I chat about a recent show I had the opportunity to see on Broadway called, "Bad Cinderella"! It was SO fantastic and inspiring, I just had to tell you guys about it! I also chat about the seasons of life and how it's never too late to pursue your dreams! I hope you enjoy and find some inspiration in this episode! "Live with Squacky" was mixed and mastered by everybody's favorite VO tech, "Uncle" Roy Yokelson of "Antland Productions." "Live with Squacky" is sponsored in part by Mid-Atlantic Voiceover, LLC and "Antland Productions." For more information about the upcoming MAVO2023 "Get Inspired" VO Conference taking place on November 10-12, 2023 at the Westin Dulles Hotel in Herndon, VA, please visit our website at www.midatlanticvo.com or register via Eventbrite HERE! Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
It's Monday, Marth 20th, and this week we are bringing our deep thoughts on one of Broadway's most talked about new shows, Andrew Llyod Webber's BAD CINDERELLA. Did we love it? Did we hate it? You'll have to listen and find out. We also discuss the fifth studio album from Disney alum Aly & AJ - WITH LOVE FROM— and our experience and opinions on Betty Who's BIG TOUR and the 25th Anniversary of RIVERDANCE. POP MUSIC DROP (BOP or FLOP) - Playlist updated here. If you liked this episode, don't forget to subscribe to this podcast and leave us a review. Share your thoughts with us on this episode below:On Instagram: @halfhourpodcastOn TikTok: @halfhourpodcastOn our website: www.twoworldsentertainmentllc.com
SOS, girlfriends! Marla Mindelle, star of TITANIQUE, joins Matt & Bowen on Las Culturistas in the heart of Pisces-season, the beginning of the Receivassiance, and the aftermath of a cathartic SZA concert to discuss cringe vs. camp through the lens of Angela Basset-did-the-thing, Countess Luann and Bad Cinderella, "honest discovery" in acting, becoming a musical theater assassin as a result of a weaponized BFA, How To Tell If Someone's Gay, overcoming stage fright, being an alum of Ellen's Stardust Diner, what *really* earns a low Uber rating, Titanic as monoculture, Titanique as a New York theater sensation, the memefication of Jennifer Coolidge, Facebook Marketplace culture and this year's Best Actress Oscar race, among many other subjects! Titanique is extended through September 10th and if you do not see it, you are a fool! GO!See omnystudio.com/listener for privacy information.
We lost Liam at the end of the show, but had so much fun and the debut of field reporter Nick Sokolofsky. He gave us his full rundown of the experience that is Bad Cinderella, and we dove into the plethora of news from this week.
Lauren Boyd is Broadway triple threat: actor, dancer, singer currently on Broadway in Andrew Lloyd Webber's BAD CINDERELLA, where she is part of the original Broadway cast! Lauren played Woman 1 and understudied Peggy Schuyler/Maria Reynolds in HAMILTON on Broadway for 6 years prior to this newest adventure. You've seen her perform across the country in WICKED and WEST SIDE STORY. Lauren founded an organization called Broadway Babes which brings the joy of showtunes and movement to our senior citizen friends! This week is a reunion of sorts. I am deeply grateful for Lauren. We've known each other for 12 years now - we originally met on the National Tour of WICKED in 2011 and her kindness continues to be a blessing. We talk about faith, forgiveness, dreaming, intentionality, lessons and more. We honor your courage to share, Lauren. Be sure to give us a follow, leave a rating and review! Thank you for being here. @laurenmboyd @Bway.Babes Produced by @OnairwithQ
DJ Martin sits down to talk about his career throughout all facets of Broadway marketing and discusses the future of theatre for generations to come. DJ is the owner and founding partner of Bond Theatrical Group which works hand in hand with marketing, social media, and tour booking for iconic Broadway productions and international tours. Currently, they represent Shucked, Bad Cinderella, Moulin Rouge!, Dancin, Life of Pi, Six, Jagged Little Pill, Lempicka, and many more in several different aspects. This episode is specifically special to me because DJ is a graduate of Boonville High School and was part of the exact same Thespian Troupe I proudly call home now. It was so amazing to connect with him and discuss his upbringing in New York City. In this episode, he and I discuss: The basis of Broadway Marketing and the roots of Bond Theatrical Growing up in the midwest (Southern Indiana area) as it relates to the theatrical scene College-level careers behind the scenes in Publicity, Marketing, and Production behind the most influential theatre Case studies into Andrew Lloyd Webber's DJ party after the reopening night of Phantom of the Opera! The pandemic's effect on Diana the Musical and the campaigns that changed the scope of theatrical social media management Future longevity and scope of accessibility, representation, and inclusion for both Broadway marketing as well as general connectivity behind-the-scenes And much more!! Check out Bond Theatrical's work! Website: bondtheatrical.com Instagram: @bondtheatrical Thank you so much for being here and for your support!! I hope this show continues to be a resource for artists of all interests to find the place they deserve in this wonderful industry… Join me for future interviews and content below! BPN.fm/RealTalk Instagram: @_RealTalk_Pod Twitter: @_RealTalk_Pod TikTok: @RealTalkPodcast Facebook: Real Talk with Mason Bray Learn more about your ad choices. Visit megaphone.fm/adchoices
Consider yourself warned - Ian saw Bad Cinderella and won't let it go. But aside from that, Sam offers to sell his semen before going full douche, and the ghost of Rachel past is here. We also discover coffee as a metaphor, Artie loves nudie magazines, Quinn and Santana are back, and Corrina and Ian fundamentally disagree on their artists of choice.If you do the naked thing, you're always gonna be remembered for it.@gleeaggressive@epicadventureof@ibroskigleeaggressive@gmail.comSupport this show http://supporter.acast.com/gleeagressive. Hosted on Acast. See acast.com/privacy for more information.
Broadway Spotify PlaylistTikTok: @FromTheMezzanine_PodcastInstagram: @FromTheMezzanine_PodcastFacebook Page: @FromTheMezzaninePod#TimesUpTonyAwards: End Gendered Performance CategoriesHi FTM Listeners! In this episode we break down the response from the first preview of Bad Cinderella. Our Story from the Stage is so FETCH! We are talking about Mean Girls, the musical! Mean Girls links:Broadway Worldhttps://tinyurl.com/42xyf7c2https://tinyurl.com/yc7bej3xhttps://tinyurl.com/39jyw5schttps://tinyurl.com/95tkmxv5https://www.vulture.com/2013/03/whats-going-on-with-the-mean-girls-musical.htmlVulture Tina Fey Interviewhttps://www.whatsonstage.com/london-theatre/news/mean-girls-musical_37421.htmlTina Fey CastingEW CastingVulture Mean Girls ReviewWashington Post ReviewNY Times Closinghttps://www.playbill.com/article/tina-fey-tim-meadows-join-mean-girls-movie-musical-casthttps://deadline.com/2021/01/mean-girls-broadway-tina-fey-closing-musical-covid19-shutdown-1234666902/TikTok: @FromTheMezzanine_PodcastInstagram: @FromTheMezzanine_PodcastBroadway Spotify Playlist: https://open.spotify.com/playlist/5t55fULcCqN0NMmK4OnfOA?si=89c08b1a8bb34d95
Your favorite podcast hosts Jason A. Coombs and Samantha Tuozzolo are back with the grounded, charming and superbly gifted actor Jordan Dobson, who will be playing ‘Prince Sebastian' in Andrew Lloyd Webber's “Bad Cinderella” at the Imperial Theatre this spring! Jordan spills the tea on everything from his audition process in front of “Andrew”, working alongside co-star Linedy Genao and why audiences need to flock to the theatre to see this musical extravaganza when previews begin on Friday, February 17. Before closing out the episode with a silly game of “Fairy Tale Trivia”, Jordan shares how Broadway can be even more inclusive to Performers of Color and what is feeding his soul artistically when not on the stage. Tickets for “Bad Cinderella” are currently available at the official website here. Episode 64 opens with Samantha and Jason sharing a mic check where they gush over previous guest Linedy Genao and her current single “I Know I Have A Heart (Because You Broke It)” from ‘Bad Cinderella' currently streaming on all music platforms! The exclusive video can be found here on Broadway World and an audio only version is available on Apple Podcasts, Spotify, Audible or any of your other favorite podcast apps. You can support the podcast and the hosts at www.buymeacoffee.com/SurvivalJobsPod and on Instagram at @surivaljobspod | @SammyTutz | @JasonACoombs. Info on Jordan Dobson: Follow on Instagram "Bad Cinderella" Tickets Mic Check Links: Survival Jobs Broadway World Exclusive Video/Article Linedy Genao single “I Know I Have A Heart (Because You Broke It)” Article: "How To Support Tyre Nichols Family After His Death" Important Links: Native Land Map US Interior Indian Affairs NPR: "How To Help Puerto Rico" Article How to Help the People of Florida Article Abortion Funds Website Plan C Pills Website National Write Your Congressman Link How to help Uvalde families NPR Article Where to Donate to Support Access to Abortions Right Now Info on Your Hosts: Broadway World Article on our Season 2 Launch Party Follow Samantha: Instagram. | Samantha's Official Website here Follow Jason on Instagram | Twitter. Check out Jason's Official Website here Check out and support The Bridgeport Film Fest Support Us... Please! If you're feeling generous, Buy Us A Coffee HERE! Please don't become complacent: Support the Black Mamas Matter Alliance Support Families Detained and Separated at the Border. Support the AAPI Civic Engagement Fund. Support Black Trans Folx here Donate to the Community League of the Heights (CLOTH) Support the People of Palestine How to be an Ally to the AAPI Community 168 Ways to Donate in Support of Black Lives and Communities of Color The New York Times: On Mexico's Border With U.S., Desperation as Migrant Traffic Piles Up PBS: How to help India during its COVID surge — 12 places you can donate Covid quarantine didn't stop antisemitic attacks from rising to near-historic highs Opening and Closing Theme Music: "One Love" by Beats by Danny | Game Music: "Wake Up" by MBB. If you enjoy Survival Jobs: A Podcast be sure to subscribe and follow us on your preferred podcast listening app! Also, feel free to follow us on Instagram and Twitter! Thank you!!
This episode is also available as a blog post: https://thecitylife.org/2023/02/11/a-new-single-from-andrew-lloyd-webbers-highly-anticipated-new-broadway-musical-bad-cinderella-released-just-in-time-for-valentines-day/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support
We are so excited to be joined this week by actor, singer and dancer Jonathan Savage who will be making his Broadway debut this year in Andrew Lloyd Webber's latest musical “Bad Cinderella”. Jonathan shares his experience recovering from a serious vocal injury, the importance of trusting yourself and your process, and his impulse decision to pack up and Yellowstone for a year at the very start of the pandemic. Bad Cinderella begins previews on Broadway on February 17th and officially opens March 23rd. Thanks for tuning in! If you enjoyed the episode, please subscribe to the channel to never miss an episode!
Full ‘Bad Cinderella,’ ‘Good Night, Oscar’ Casts Announced; Ethan Slater Joins ‘Wicked’ “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day. Any and all feedback is appreciated: Ashley Steves: ashley@broadwayradio.com | @NoThisIsAshleyGrace Aki: grace@broadwayradio.com | @ItsGraceAkiJames Marino: james@broadwayradio.com | @JamesMarinoJennifer McHugh: read more The post Today on Broadway: Thursday, December 8, 2022 appeared first on BroadwayRadio.
Matt “Maestro” Mattei is a music director and piano player for theaters and schools all over the Bay Area, plus he is the biggest Andrew Lloyd Webber fan on this hemisphere! He even runs a Lloyd Webber Facebook fan group! Noah and Xandra chat with their friend of over a decade about all things Lord Andrew. Matt shares his takes on why Bad Cinderella isn't as bad as it looks, the true power of a spectacle musical, radio pop on Broadway, what actually works about Love Never Dies, and more! Catch Matt in the orchestra pit at Coastal Rep Players' Christmas in Oz, December 1st through 18th. Buy tickets here! Follow us on Instagram! @TheatreWorld_Readings @WonderXandra @BenderNoah Leave us a review on Apple Podcasts! Tell a friend!
British director Laurence Connor has a knack for knowing what audiences want. He has directed or revived some of the most successful musicals ever produced, including a hit new production of Andrew Lloyd Webber's first musical, Joseph and the Amazing Technicolor Dreamcoat. Also, the Australian comic opera Love Burns by Graeme Koehne and Louis Nowra is revived by the State Opera of South Australia, and we meet Lieutenant Colonel Christopher Johnston, writer of First Casualty at Queensland Theatre, to find out what compelled the veteran of Iraq and Afghanistan to bring the brutality and complexity of war to the stage.
British director Laurence Connor has a knack for knowing what audiences want. He has directed or revived some of the most successful musicals ever produced, including a hit new production of Andrew Lloyd Webber's first musical, Joseph and the Amazing Technicolor Dreamcoat.Also, the Australian comic opera Love Burns by Graeme Koehne and Louis Nowra is revived by the State Opera of South Australia, and we meet Lieutenant Colonel Christopher Johnston, writer of First Casualty at Queensland Theatre, to find out what compelled the veteran of Iraq and Afghanistan to bring the brutality and complexity of war to the stage.
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The fiends take a moment to remember and celebrate the best show on Broadway in the wake of its closing. And also be very sad about it. Topics include the Broadway show closing epidemic, why Bad Cinderella might be genius, yearning for emotional truth, and the 19-hour flight we want to catch to Gander. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/dramafiends/support
This week the POPGAYS are coming to you live from the Stupid Old Studios as part of the inaugural Podfest! They discuss Heartbreak High, celebrities' home designs, and the "bury your gays" trope on TV. Jordan fills us in on Bad Cinderella, Charlie on Lil Nas X's mid-show emergency, and Aurelia on Gisele Bündchen's soft-witch vibes. Enjoy lovelies.Follow us on Insta & TikTok @popgayspod
Jim Ambler is an accomplished actor who kickstarted his career in the original broadway companies of Footloose and Saturday Night Fever, going on to tour all over the world in major productions of The Producers, West Side Story, Damn Yankees, and others, until he returned to his home in the Bay Area, where he's been performing all over the place ever since. We talk about Jim's time developing the original broadway production of Footloose, our takes on the new Bad Cinderella, the joys of touring with Cats, hilarious onstage mishaps, and more! Catch Jim in the upcoming Sunday in the Park with George at San Jose Playhouse, November 19 through December 11! More info here! Follow us on Instagram! @TheatreWorld_Readings @WonderXandra @BenderNoah
Facebook Page: @FromTheMezzaninePodInstagram: @FromTheMezzanine_PodcastTikTok: @FromTheMezzanine_PodcastBroadway Spotify Playlist: https://open.spotify.com/playlist/5t55fULcCqN0NMmK4OnfOA?si=89c08b1a8bb34d95In this episode of From the Mezzanine, we cover the latest Broadway news such as Bad Cinderella coming to Broadway as well as a new play that just opened called Leopoldstadt. Our Story from the Stage is all about the creation of Broadway's Beetlejuice! You're in for a wild ride. For more information on these stories, check out the sources below.Story #1: Bad Cinderalla Coming to BWAY in Marchhttps://www.today.com/video/andrew-lloyd-webber-linedy-genao-perform-bad-cinderella-149846085669 https://www.hollywoodreporter.com/lifestyle/arts/andrew-lloyd-webber-cinderella-broadway-1235231086/Story #2: Leopoldstadt, a new play on Broadwayhttps://www.playbill.com/article/reviews-see-what-critics-had-to-say-about-broadways-leopoldstadtStory from the Stage: BEETLEJUICE!https://www.youtube.com/watch?v=WQ6hViRIDHkhttps://www.youtube.com/watch?v=sZ-XsR1pJIkhttps://www.youtube.com/watch?v=Dr9s7lecAJ4https://www.youtube.com/watch?v=npDYmiT4mCUhttps://www.washingtonpost.com/entertainment/theater_dance/alex-timbers-brings-his-sly-vision-to-tim-burtons-beetlejuice/2018/09/04/85c7e542-a86b-11e8-b76b-d513a40042f6_story.htmlhttps://www.gutenbergthemusical.com/https://www.youtube.com/watch?v=2UfdxuZXf6Ehttps://www.youtube.com/watch?v=CrmjLxLk204https://www.looper.com/133002/the-untold-truth-of-beetlejuice/https://www.teenvogue.com/story/sophia-anne-caruso-the-come-uphttps://en.wikipedia.org/wiki/Sophia_Anne_Carusohttps://variety.com/2019/legit/reviews/beetlejuice-review-broadway-musical-1203194763/TikTok: @FromTheMezzanine_PodcastInstagram: @FromTheMezzanine_PodcastBroadway Spotify Playlist: https://open.spotify.com/playlist/5t55fULcCqN0NMmK4OnfOA?si=89c08b1a8bb34d95
Jordan Luke Gage (Clyde in Bonnie & Clyde) co-hosts The West End Frame Show! Andrew and Jordan discuss the opening of The Theatre Cafe Diner, & Juliet starring Collette Guitart, Billy Nevers & Joe Foster, Ruckus and Wicked as well as the latest news about Newsies, Bad Cinderella, The Wizard of Oz, Rebecca Wickes and lots more. Since making his theatrical debut as Marilyn in Taboo at the Brixton Clubhouse, Jordan Luke Gage has become one of the UK's biggest theatrical stars. Jordan's West End credits include being the first replacement Strat in Bat Out Of Hell (Dominion), originating the role of Romeo in & Juliet (Manchester/Shaftesbury), starring as JD in Heathers (Theatre Royal Haymarket) and most recently he played Clyde in the UK premiere of Bonnie and Clyde (Arts).Jordan is currently preparing for two sold out solo shows at the new venue HERE at Outernet on 23rd October ahead of playing Fabrizio Naccarelli in a concert staging of The Light in the Piazza at the Alexandra Palace Theatre on 27th November. Follow Jordan on Instagram: @jordanlukegageJordan previously appeared on S6 Ep7 of our interviews podcast, In The Frame.Hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Listen to the Show Right Click to Save GuestsMorgan Theatre Co Matt & BenGaslight Baker Blithe Spirit What We Talked About Lea Michelle in Funny Girl review Leopoldsdadt Cost Of Living This Beautiful Future RIP Charles Fuller Light in the Piazza postponed Hocus Pocus One Shubert Alley California small theatre bill Most produced play Bad Cinderella Space DogsThank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)
ALW’s “Bad Cinderella” Coming to Broadway, Stars to Lead LA-Premiere “2:22 – A Ghost Story,” “Space Dogs: Comes to BroadwayHD “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day. Any and all feedback is appreciated: Ashley Steves: ashley@broadwayradio.com | @NoThisIsAshley Grace read more The post Today on Broadway: Tuesday, October 4, 2022 appeared first on BroadwayRadio.
This episode is also available as a blog post: https://thecitylife.org/2022/10/03/andrew-lloyd-webbers-bad-cinderella-to-open-at-broadways-imperial-theatre-next-spring/ --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support
Nearly a week after Hurricane Ian smashed into Florida and carved a path of destruction that reached into the Carolinas, 78 deaths have been blamed on Ian, with 71 of them reported in Florida. A Florida sheriff issued a blunt warning to potential looters. President Joe Biden promises to “rebuild it all” after visiting Puerto Rico on Monday to survey damage from Hurricane Fiona, as tens of thousands of people remain without power two weeks after the storm hit. Biden says he's “committed to this island,” and acknowledges that Fiona was only the latest in a string of disasters that have battered the U.S. territory in recent years. Biden will visit Florida on Wednesday. Three scientists have jointly won this year's Nobel Prize in physics for their work on quantum information science that has significant applications, for example in the field of encryption. Alain Aspect, John F. Clauser and Anton Zeilinger were cited by the Royal Swedish Academy of Sciences for discovering the way that particles known as photons can be linked, or “entangled,” with each other even when they are separated by large distances. The city council of Kyiv says it is providing evacuation centers with potassium iodine pills in preparation for a possible nuclear strike on the capital, Ukraine's largest city. Potassium iodine pills can help block the absorption of harmful radiation by the thyroid gland if taken just before or immediately after exposure to nuclear radiation. North Korea has conducted its longest-ever weapons test, a nuclear-capable ballistic missile that flew over Japan and could reach the U.S. Pacific territory of Guam and beyond. The launch early Tuesday forced the Japanese government to issue evacuation alerts and halt trains. Former President Donald Trump has gone to court against CNN, a familiar target when he was president. He's seeking $475 million in damages, saying the network's reports are trying to short-circuit any future political campaign. Trump's lawsuit, filed in U.S. District Court in Florida, focuses primarily on use of the term “The Big Lie” about Trump's false claims of widespread fraud that he says cost him the 2020 presidential election. Last month, new auto prices averaged $45,622, the fourth-highest monthly price on record, according to J.D. Power. In addition, average auto loan interest rates hit 5.7% between July and September, up from 4.3% a year ago, with terms stretched to average over 70 months, Edmunds said. In sports, one National League team clinched a wild card spot while another tried to clinch a division crown, Albert Pujols passed another milestone, the 49ers continued to dominate the Rams and Tua Tagovailoa will get next Sunday off. Wall Street rallied to its best day since July as falling bond yields eased some of the pressure that's battered markets. The S&P 500 rose 2.6% Monday, the latest swing for a scattershot market that's been mostly falling this year on worries about a possible global recession. Ukrainian forces have scored more gains in their counteroffensive across a broad front. The troops advanced Monday in the very areas Russia is trying to absorb. Prosecutors are saying at the opening of the most serious case to reach trial in the attack on the U.S. Capitol that the founder of the Oath Keepers extremist group and four associates planned for an “armed rebellion” to stop the transfer of presidential power. Apple Music is about to reach a huge milestone, offering its eye-and-ear-popping 100 millionth song on the streaming service. The music giant tells The Associated Press that internal data indicates Apple Music will reach the heady mark on Monday. Every day, 20,000 singers and songwriters release music on the service. Bono's next tour will be without U2 or a new album to support. He will, instead, be promoting his memoir “Surrender: 40 Songs, One Story,” which comes out Nov. 1. The Supreme Court began its new term Monday with a new justice on the bench, the public back in the courtroom and a spirited debate in a case that pits environmental protections against property rights. The new member of the court, Justice Ketanji Brown Jackson, wasted no time joining the lively give-and-take, asking questions throughout nearly two hours of arguments in the dispute over the nation's main anti-water pollution law, the Clean Water Act. The long list of celebrities promoting cryptocurrencies just got shorter. Kim Kardashian is being barred from doing so for three years — and will pay a $1 million fine — to settle federal charges that she recommended a crypto security to her 330 million Instagram followers without making clear that she was paid to do so. Andrew Lloyd Webber is saying goodbye to his last remaining show on Broadway and welcoming another. The musical theater icon announced Monday that his retooled version of “Cinderella” will land in New York at the Imperial Theatre in February with new songs, a new leading lady and a new title: “Bad Cinderella.” The actor and activist who declined Marlon Brando's 1973 Academy Award for “The Godfather” on his behalf in an indelible protest of how Native Americans had been portrayed on screen has died. Sacheen Littlefeather was 75. In this week's religion roundup, Jewish pilgrims gathered in Ukraine despite the war, Brazil's president exhorted evangelicals to help keep him in office, and the Vatican imposed disciplinary sanctions on a Nobel Peace Prize-winning Bishop. —The Associated PressSee omnystudio.com/listener for privacy information.
Hello hello! On today's wafflecopter, we talk about...• Simon still having his shoes on 5 hours after getting home from work.• Lorra grafting.• Lorra's 'Goodfella's wives at a BBQ' outfit.• Our son arriving from uni in the UK.• Tonnes of DIY before he gets here.• Our youngest and the Mumiso(?) shop.• Bad Cinderella song covers.• Our thoughts on watching 'The Batman' & 'Bad Guys'.• The World cup of #HAWTSL updates (including Hellman's gravy mayo, Best Bruce, Best Takeaway, Best Chips, Best Tea, Best Bruce Willis Thing, Best Airport Duty Free Treat & Worst People in the Cinema).• 24hrs of the worst mother/daughter farting ever witnessed.• Daughter dramas on the airport run later.• A great '99' joke for all husbands to se every single night forever.If you'd like to get in touch or whatever, this is where we can be found...SIMON TWITTERLORRA TWITTERSIMON INSTALORRA INSTAFANTASY REBOOT (Our other podcast)See you next time! xSupport this show http://supporter.acast.com/husband-wife-sentenced-to-life. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Catherine Manx --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Catherine Manx --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Wild and free Cinderella, You can laugh, you can groan, If you think I won't ignore you… We're off to Belleville this week via the Gillian Lynne Theatre - that's right, we've gone to a theatre! It's a very special, spoiler-filled episode as we discuss Sir Andrew Lloyd Webber's brand new musical Cinderella! Starring Carrie Hope Fletcher, and a phenomenal debut from Ivano Turco, we find that Beauty Has A Price, as we experience a Bad Cinderella like never before! Will Sir Andrew Lloyd Webber, responsible for so many of Danny's favourites on this Podcast, have another Moment of Triumph? Will his winning streak remain Unbreakable? Or will Danny be Unfair and say So Long to Cinderella? Download now to find out our verdict! Music: purple-planet.com
The ism is heavy! Diego and M.O. are back another week live from The Playas Club to drop their unique blend of gems on everything under the sun. This week they discuss mass shootings, COVID shots not be permanent, spooky time: Bad Cinderella, and so much more!!! Leave us voice comments in the comments section, call the hotline at (916) 538-4190 to leave text messages and voicemails or hit us up by email at wesomeplayas@outlook.com Shoutout our sponsors Jack The Spiritual, for card readings text (405) 437-1550, Blue Gloves LLC for commercial and residential cleaning call (616) 752-0289 and Beautifully Unorthodox Designs at http://etsy.com/shop/beu2fullyunorthodox. Subscribe to the show, rate our show with five stars and review the show as well. It really helps us out with the algorithm and sponsors #WeSomePlayas #WSP #DubDollaSignP #PlayasClubAlumni #AudioDopeKingpins #SilverSurferWave --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/wesomeplayas/message
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