Podcasts about charanjit singh

Welcome to A Century Of Stories: India presented by IDFC FIRST Bank! Welcome to @ACenturyOfStories presented by @IDFCFIRSTBank Discover the groundbreaking story and sounds of Charanjit Singh, the unsung pioneer of acid house! Decades before the genre took off, this Indian musician fused classical ragas with futuristic synths on his 1982 album Ten Ragas to a Disco Beat. Using just the Roland TB-303 and TR-808, Singh unknowingly predated the acid house movement by years. Was he ahead of his time or simply following his own musical instincts? Watch to explore his influence on electronic music history!

"Think Pachanga Boys' Time…but with soul." The register chimed loudly. He glanced up at the queue of customers steadily gathering and took a deep breath. It was going to be a long hot day. The shop was small and crowded, outside in the street it was scorching, the block was on fire in the midst of the summer and everyone and everything was looking for relief. He would be their answer… He wasn't sure how it had come to be this way, that he was the one to serve. Yet here he was… From time to time he'd have to check himself, check anything, check something. Then the chime would ring out again… The made ace, insanely brilliant Brian d'Souza aka Auntie Flo, releases ‘Aker The Lion God' on 31st October, a precursor to his upcoming album ‘In My Dreams (I'm A Bird and I'm Free)', out on 21 November.  PRE-SAVE ALBUM ~ Inspired by field recordings from New Zealand and Brazil, the environmental sounds of a conch shell and a bassline influenced by Charanjit Singh's proto-acid house work is worked into some altogether more ethereal.

  or direct download here.Two Toppers in one month? That's madness! Christmas madness? New Year's fever?? Hanukkah insanity??? And yet it is so. Features music by The Cyrkle, Heavenly Melody, Feebe N' the Ragweed Patche, Sam Cooke, Nichts, Leo Kottke, Charanjit Singh, Penny Saints, Tide Cartwright, Heavenly Melody (again), JJ Cale, Peter Peter Ivers Band, Dave Frishberg, Jimmie Dale Gilmore, The Sandals, The Soul Stirrers (with Sam Cooke), and Chrome off their Alien Soundtracks LP.

Today's Lost in Music on the Breakfast Show had a bit of a twist. Instead of focusing on a genre, theme or decade of music, tom focused on the sound of the Roland TB303 bassline synthesizer for international 303 appreciation day (the 30th of March) The TB303 is by now a legendary instrument as it is responsible for the sound behind some of the biggest dance music records in history and has been used widely in pop music since its release in 1982 This wasnt always the case though. The TB303 was originally designed to replicate the sound of bass guitar so that it could replace bass players in a band. It turned out that it did a pretty terrible job of imitating a bass guitar though and pretty quickly these machines ended up stocking the shelves in second hand shops all over the world. Despite it's shortcomings at replicating a bass guitar, the 303 has a unique sound character of its own. This was first put to use on record by Indian musician Charanjit Singh who is credited as the first person to combine a 303 with electronic beats in 1982, predating the birth of the Genre Acid House that would make the 303 world famous by 5 years. Acid House arrived though when a TB303 ended up in the hands of some boundary pushing young kids in Chicago who had a group called Phuture. They realized that the 303 could make a pretty interesting and quite addictive squelching sound if you pushed it to its limits and in doing so they created what is widely understood to be the first acid house tune Acid Tracks. in 1988 a DJ called A Guy Called Gerald used the TB303 to amazing effect in creating Voodoo Ray, a track which is considered one of the most popular and influential Acid House tunes and which introduced the Acid House sound to the masses in the UK. From its initial rejection as an instrument that doesn't do what it supposed to do, through its adoption as the source sound of one of dance music's most influential genres, The TB303 went on to be used widely by producers of Pop Music over the years. It can be heard in classic pop hits such as Orange Juice's 'Rip it Up And Start Again,' and modern pop music by the likes of Tame Impala in their track 'Breath Deeper' and Aaliyah in her track 'Try Again'. We hope you enjoyed this look back at the legacy of this peculiar and influential instrument on this week's 'Lost In music'.

Why people are criticizing Punjab CM Charanjit Singh Channi's statement on Uttar Pradesh and Bihar? My Youtube Channel- bit.ly/2LiPAgC My Instagram Page - www.instagram.com/politicsarca/ My Facebook Page - www.facebook.com/politicsarca My Twitter Page- twitter.com/politicsarca #politicsarca #punjab #charanjitsinghchanni #congress #uttarpradesh #bihar --- Send in a voice message: https://anchor.fm/politicsarca/message

In this episode, the Chief Minister of Punjab, Charanjit Singh Channi, joined Indian Express' Ravish Tiwari and Manraj Grewal Sharma to discuss the politics of Punjab, the state's economy, its society, the importance of education, and a lot more.Tune in!

On September 26, 15 Cabinet Ministers took oath as new ministers in Punjab at the Raj Bhavan in Chandigarh, a week after Charanjit Singh Channi was announced as the new chief minister of the poll-bound state. This and more in our weekly news update from Punjab.

आज FYI के इस एपिसोड में साहिबा ख़ान बात करेंगी पंजाब की सियासत की। आख़िर क्यों Captain Amarinder Singh को मुख्यमंत्री पद से इस्तीफ़ा देने को कहा और क्यों आख़िर में Charanjit Channi को कांग्रेस ने चुना मुख्यमंत्री। आपको लेकर चलेंगे Aaku Srivastava के पास जो Navoday Times के संपादक हैं।  उनसे जानेंगे कि पंजाब की सियासी हवा किस ओर चल रही है। 

Congress leader Charanjit Singh Channi is the next chief minister of Punjab. He was unanimously elected for this position by the Congress Legislative Party after the resignation of Captain Amarinder Singh, just months away from the Punjab assembly election.

Yusra Hasan brings you the news from Punjab, Jammu and Kashmir, Andhra Pradesh, Chhattisgarh and Russia. See acast.com/privacy for privacy and opt-out information.

On Saturday, after months long drama, Punjab Chief Minister and Congress veteran Captain Amarinder Singh resigned from post. The party has now picked Charanjit Singh Channi for the position, who will Punjab's first CM from the Dalit community.In this episode, hosted by Shashank Bhargava, we take a look at what led to Amarinder Singh's resignation, why the Congress picked Channi, how it will affect the party, and the role of the Congress Central leadership in the entire matter.Guests: Indian Express' Manraj Singh Grewal, Kanchan Vasudev, and Manoj CG.

Launched exactly 100 days ahead of the Tokyo Olympic Games, In its first episode, Hockey Te Charcha engaged in a freewheeling conversation Harbinder Singh. Listen to the legendary Centre Forward recollect India's glorious campaign at the 1964 Tokyo Olympic Games where the Indian Men's Field Hockey Team led by Charanjit Singh defeated arch-nemesis Pakistan 1-0 in a thrilling final. This historic feat became India's 7th Gold Medal winning campaign at the Olympic Games. You can follow us and leave us your feedback on Facebook, Instagram and Twitter @hockeyindia and Hockey India Official Website hockeyindia.org.

Bicep - "Sundial" from the 2021 album Isles on Ninja Tune. London-based electronic duo Bicep dig into their Northern Ireland childhoods on their latest LP Isles, and today's Song of the Day takes us from Ireland to India. Belfast-born producers Matt McBriar and Andy Ferguson used a snippet of the song "Jab Andhera Hota Hai" from the 1973 Bollywood film Raja Rani.  “This is probably one of the simplest tracks on the album, it grew from a faulty Jupiter 6 arp recording. Our trigger isn't working properly and the arp skips notes randomly. This was a small segment taken from a recording of Andy just playing the arp live whilst we were just trying to figure out what was going wrong. We actually loved what it had produced and wrote some chords around it, guided by the feeling of this recording.” “In regards to the sampling, Indian music has always fascinated us since the blog days, discovering it was the possible birthplace of Acid house via Charanjit Singh’s Ten Ragas to a disco beat.” “Living in East London, Indian influence and music is everywhere and over the past few years we’ve both become huge fans of Bollywood film scores, particularly the female soprano performances. The haunting melancholic epicness really strikes a chord with both of us. We feel we can relate to how similar it is to the Irish folk we grew up around from the likes of the Clannad.” Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.

As we try to differentiate our mix curation with the inclusion of our first mix from a label instead of it being representative of a single individual, none felt as unique in that sub-category as Amarrass Records. Started by Ankur Malhotra and Ashutosh Sharma in 2009, the label, management, booking and vinyl pressing agency stood apart from most of the music industry, which was looking at the West-imported strands of music modern Indian culture, by turning its focus towards the 21st-century face of India’s traditional arts that had been pushed further into the fringes. Highlighting that very face in all its variety, the label has stitched together works from its artists and events for their Wild City mix. The selections make the case that even the traditional arts aren’t without modern adventures as Amarrass’ early signing the late Padma Shri award-winner Kamaicha-player Sakar Khan conjures a wall of lute’s screeching, reminiscent of Steve Reich with ‘Train No. 2’. The contemporary re-contextualisation of folk arts continues through artists like Barmer Boys, one of the label’s most popular offering, meanders through the placating Malian kora-playing with works by Vieux Farka Tourè and Madou Sidiki Diabatè before offering some of the folk music in its most puristic shades. From the latter, the prowess of Lakha Khan, the recent Padma Shri winner and one of the last Sindhi Sarangi players, and Rehmat-e-Nusrat cut through. Bringing the colourful journey to a conclusion, Ravana’s dub backdrop sneaks in behind the hyperlocal spoken-word style of Jumme Khan, from their collaborative album ‘Dubfounded’ before a final flourish with the legendary Charanjit Singh, the Indian pioneer whose ‘10 Ragas To A Disco Beat’ is now celebrated as the first acid-house album. For tracklist and more information: https://www.thewildcity.com/mixes/18365-wild-city-203-amarrass-records

How does the 'singer's singer' approach a cover of Bob Dylan or Billie Holiday? "They're just songs, now" she says. And the story of how a chance finding of tapes at a design school in Ahmedabad, India changed what we know about the history of electronic music.

Den svenska apan (Nasalis larvatus suecica) listas som art eller underart (Muntiacus muntjak montanus) till skandinavisk muntjak, en insektätare besläktad med mullvadar och igelkottar. Arten var klassad som utdöd sedan 1921, men 1996 fångades ett livs levande exemplar av apan i skogarna utanför Orsa i Dalarna. Några år senare hittade dessutom forskare ytterligare exemplar i Norrbottens träskmarker och 2008 fångades tre individer levande och försågs med radiosändare. Liksom Joakim Pirinen i prosasamlingen Den Svenska Apan rör sig Lasse Ståles alter ego Lost Johansson mellan obygd och glesbygd i sitt sökande efter utrotningshotade djur som återvänt till vår biologiska mångfald. Det självbetitlade debutalbumet ljudlägger den inställda klassresan med nedslag i svårmodig acid, finsk instrumentalboogie och smältande permafrost. För vänner av Eden Ahbez, Charanjit Singh, Don Slepian och Golden Ivy. Lars-Olof Ståle-Johanssons debutalbum som soloartist kommer efter drygt 30 år bakom spakarna med bland annat The Cardigans, Brothers of End och Jaen Haven samt som en av sex ständiga ledamöter i Malmö Inre. Lars-Olof Johansson-Ståle, Studio Malmö Inre 2018-2020. Saxofon på Finska nätter och sång på Lalala av Ida Karlsson. Mastring Darren Ziesing. Foto Anders Andersson & Johan Sundell. Artwork Tomas Melinder. Lost Johansson - S/T - LP Tracklist: A1 Blocket A2 Kniven och jag i Topocalma A3 Lalala A4 Den svenska apan B1 Finska nätter B2 Guincho B3 61° 7’ N, 14° 28’ Ö 250 ex, guldvinyl Release-datum 21 augusti 2020.

Queijo Quente é o podcast em que um jornalista musical e uma POC falam sobre música, sobre pop e sobre música pop. No episódio #007, Guilherme Guedes (@gguedes) e Lohan Abdala (@h4n0l0) analisam a guinada indiefolk de Taylor Swift em "folklore", seu novo álbum; comentam lançamentos de Billie Eilish, Jorja Smith, Honey Dijon e do aclamado Black is King, novo filme de Beyoncé; por fim, contam a história de Ten Ragas to a Disco Beat, de Charanjit Singh, o álbum que foi acid house antes de existir o acid house. Link para o texto Black Is King: uma Análise Decolonial - https://www.sp-arte.com/editorial/black-is-king-uma-analise-decolonial/ Músicas do episódio: Taylor Swift - the 1 Taylor Swift - Look What You Made Me Do Taylor Swift - cardigan Taylor Swift - seven Taylor Swift - mirrorball Taylor Swift - this is me trying The National - I Am Easy to Find Taylor Swift ft. Bon Iver - exile Bon Iver - Re: Stacks Beyoncé - FIND YOUR WAY BACK Beyoncé - BLACK PARADE Billie Eilish - my future Honey Dijon - Not About You (feat. Hadiya George) Jorja Smith - By Any Means Phuture - Acid Trax Charanjit Singh - Raga Bhairav Charanjit Singh - Raga Kalvati Trilha sonora original por DJ blablinia blablac

Judy Collins' extraordinary voice and life, and her enduring connection to the song Amazing Grace. And how a chance finding of tapes at a design school in Ahmedabad changed what we know about the history of Indian electronic music.

Johanz Westerman, beter bekend als Thee J. Johanz, is één van de eerste Groningers die house introduceerde in het Noorden. Hij is groot fan van funky grooves, houdt van experimenteren en noemt zichzelf een echte hybrid. Naast zijn label Ballyhoo Records geeft hij les aan de Academie voor Popcultuur in Leeuwarden.  Een last-minute cancellation van een podcastgast levert stress op hier op DATkantoor. We appen nerveus rond en ik raas als een orkaan door mijn mentale rolodex. Dan komt het bericht van onze producer Irie: 'Thee J. Johanz is een toffe gast, een oud-docent van me en heeft vanavond tijd.' Een paar uur later loopt Johanz zonder aan te bellen rond bij ons op de gang boven Simplon. 'Er is ook niets veranderd hier', verzucht hij en loopt nonchalant na een korte groet de WC in. 'Ik was bezig met het masteren van een track toen Irie me berichtte. Normaal gesproken laat ik me niet afleiden als ik zo gefocust ben. Maar nu had ik zoiets van: waarom ook niet, ik maak dit morgenochtend wel af.' Zelf ken ik Johanz niet. We hebben elkaar weleens de hand geschud in de backstage van De Oosterpoort en zijn naam is vaak gevallen tijdens mijn zeer korte carrière als manager bij Van Rossum Electrowerken. Daarom kijk ik uit naar dit gesprek met de gezonde dosis plankenkoorts. Wie is deze man? Al snel blijkt dat we geen aanlooptijd nodig hebben. De man tegenover me barst los en hij zit vol verhalen, anekdotes en kennis. Ik laat snel alle voorbereide vragen varen en zet vol in op mijn eigen nieuwsgierigheid. Hoe zag de elektronische muziekscene er dertig jaar geleden uit in Nederland? En in Groningen? Waar liggen de roots van het genre Acid? Wat heeft Johanz betekent voor het muzikale landschap hier in Stad? Johanz beantwoordt mijn vragen kalm en met de nodige diepgang. 'Ik heb nooit alleen maar techno gemaakt. Mijn interesses liggen in alle soorten muziek, maar waar ik blij van word is een gezonde spanning tussen intelligente humor en een nieuwsgierige zoektocht naar het onbekende, het experimentele.' Zijn label Ballyhoo Records reflecteert die eclectische smaak. Tracks als More Cowbell! en Night of the Invisible BodySNADchers zeggen al genoeg. Het experimentele heeft Thee J. Johanz al vanaf het begin van zijn carrière gehad. 'Ik draaide mijn eerste plaatjes op mijn veertiende en richtte op een gegeven moment mijn eigen drive-in op.' Met een lachje: 'Drive-In Draait Door noemde ik die. Met van die schedeltjes op een banner. Dan wisten mensen gelijk wat ze in huis haalden.' Wat haalden ze dan in huis? 'Alles. Van punk, funk en disco tot oerrap en new wave. Ik draaide de eerste hiphop-plaat voordat het hiphop heette.' Die attitude heeft Johanz nog steeds. Al moet het allemaal niet te bombastisch. 'Daar houd ik niet zo van.' Het is dan ook niet verbazingwekkend dat deze oldschool ninja een aantal jaren de wereld overvliegt met Indiase held Charanjit Singh - bekend van Ten Ragas To A Disco Beat. "Dat waren hele mooie jaren. We hebben overal gestaan, van clubs in New York tot de Berghain in Berlijn.' Singh is ondertussen overleden, maar de liefde voor India is nooit uit Jonhaz verdwenen. 'Ik ben één twaalfde Indiaas', grapt de producer. Echt? 'Yes. Ik ben een maand in het jaar te vinden in India. Vaak gaan we dan naar Goa, een heel mooi plekje waar in de jaren tachtig Belgen, en later wij ook, begonnen te experimenteren met elektronische muziek en Indiase folk.' Hij vindt daar zijn rust en inspiratie, bovendien is het weer een stuk beter. De studio van de producer staat vol met vintage synthesizers, drumcomputers en samplers. Zelf ben ik daar nooit geweest, maar een snelle google-search op afbeeldingen en zijn naam laten weinig aan de verbeelding over. Na wat vragen over zijn most impressive war room deel ik mijn recentelijk opgedane kennis dat synthesizers analoge instrumenten zijn. Hoe dan? Johanz lacht ingetogen. 'Nu gaat het nerdie worden. Ben je er klaar voor?' Enjoy deze aflevering met Thee J Johanz bij BETER OP PAPIER! S/O naar onze matties van DATmag. en tech-team Eric Imthorn, Jasper Bosgraaf en Irie Weergang. Volg ons op Podbean, Soundcloud, Spotify en iTunes. Wees niet skeer, vijf sterren to the max.

Les Tympans de Magellan, c'est un podcast mensuel qui fait voyager vos oreilles. Chaque mois, un nouveau pays mis à l'honneur à travers une liste de morceaux soigneusement choisis. Le pays du mois : Pour ce cinquième épisode, on file en Asie et on vous emmène en Inde ! Tracklist : A. R. Rahman - "Bharat Humko Jaan Se Pyara Hai" Charanjit Singh - "Raga Todi" Trilok Gurtu - "Milo" Debashish Bhattacharya & Bob Brozman - "Tagore Street Blues" Shivkumar Sharma, Brij Bhushan Kabra & Hariprasad Chaurasia - "Rag Pahadi" Mumford & Sons, Laura Marling & Dharohar Project - "To Darkness / Kripa" zzz - "cocacola" Humeysha - "Majestic" R. D. Burman - "Mehbooba Mehbooba" Zakir Hussain - "You and Me" Ustad Bismillah Khan - "Raga : Tilak Kamod " Shakti With John McLaughlin - "Face to Face" Sharda - "Jack and the Beanstalk" Envoyez vos morceaux Vous avez jusqu'au 17 mars 23:59 pour envoyer un titre indien accompagné de votre commentaire à wazoo@xsilence.net Nous sélectionnerons certains des morceaux reçus pour les diffuser et lirons le commentaire associé. • Générique de début : Depeche Mode - "World in My Eyes"• Générique de fin : Wyatt / Atzmon / Stephen - "What a Wonderful World" Retrouver le podcast : XSilence | Facebook | Twitter | iTunes | Podcloud

SuperPAP e Simone vi accompagnano nella prima puntata di Tutto tranne il Calcio Pregianza Free (che è in Texas). Una grande puntata che vi infilerà uno dietro l’altro un documentario sulla fine del mondo secondo DiCaprio, una radio di sola musica d’organo e infine tutto ciò che è video ma che non è film. Un coacervo di bellezza gratuita a Tutto tranne il Calcio, come sempre con la playlizzi di Caizzi e i nipponapoletani.Punto di non ritorno: il documentario sull’ambiente di Leonardo DiCaprio. Gratis, online e in italiano (GRATIS)https://www.youtube.com/watch?v=qluqp4xmkqIAtos, tutta la musica per organo in streaming 24h su 24h 7 giorni su 7 (GRATIS)http://www.atos.org/atos-theatre-organ-radioPrelinger Archive: 6600 filmini amatoriali (e pubblicità e video educativi) raccolti dal 1983 ad oggi. E tutti per voi (GRATIS)https://www-muehlen.archive.org/details/prelinger&tab=collectionCOSA ABBIAMO ASCOLTATO (A CURA DI MARCO CAIZZI)Charanjit Singh - Raga Bairagi (dall'album Synthesizing: Ten Ragas toa Disco Beat):http://www.dailymotion.com/video/x2zmcir_d1-45rpm-raga-bairagi-charanjit-singh-synthesizing-ten-ragas-to-a-disco-beat-1982_musicIncredibilmente l'acid (intesa come acid-house o acid-techno) non è natadagli afroamericani fine '80 di Chicago come tutti noi pensavamo! Ma ènata nel 1982 IN INDIA! Charanjit Singh infatti si era postol'obiettivo di prendere alcuni famosi raga indiani (forma circolare dimusica spirituale indiana fatta dai droni di sitar indiani, dai sapetequali sono su!) e renderli popolari innestandoli su dei "disco beats".Dato però che sceglie usare una roland 303 per la linea di basso e un808 per quella di batteria il suono è ACID. Ne vengono fuori dei ragaacid che potrebbero essere roba da ecstasy anni '90 con lo smiley.Sroeng Santi - Kuen Kuen Lueng Lueng: https://youtu.be/pp4Be4G57KsSkrannosissimo e divertentissimo pezzo heavy-funk Thai che parte tipocover storta di Iron Man dei Black Sabbath, per poi diventare a buffoun bel funk cicciotto peso dalle tipiche sonorità scacione '70sthailandesi. Proprio quel bel gusto di super-piccante + arachidi +quella foglia limonosa/saponosa che usano sempre nella cucina Thai.EVVIVA!!!Haruomi Hosono - Funiculì Funicolà:https://www.youtube.com/watch?v=iYdk1BsAI2MQui il genio assoluto di Haruomi Hosono (bassista, sintesista ecompositore fondatore anche della Yellow Magic Orchestra con il piùfamoso Ryuichi Sakamoto) coverizza a modo suo (ovverojappo-kitsch-electro-eXoTico) questo ever green del pop napoletano! WI JAPPONAPOLETANI!

SuperPAP e Simone vi accompagnano nella prima puntata di Tutto tranne il Calcio Pregianza Free (che è in Texas). Una grande puntata che vi infilerà uno dietro l’altro un documentario sulla fine del mondo secondo DiCaprio, una radio di sola musica d’organo e infine tutto ciò che è video ma che non è film. Un coacervo di bellezza gratuita a Tutto tranne il Calcio, come sempre con la playlizzi di Caizzi e i nipponapoletani.Punto di non ritorno: il documentario sull’ambiente di Leonardo DiCaprio. Gratis, online e in italiano (GRATIS)https://www.youtube.com/watch?v=qluqp4xmkqIAtos, tutta la musica per organo in streaming 24h su 24h 7 giorni su 7 (GRATIS)http://www.atos.org/atos-theatre-organ-radioPrelinger Archive: 6600 filmini amatoriali (e pubblicità e video educativi) raccolti dal 1983 ad oggi. E tutti per voi (GRATIS)https://www-muehlen.archive.org/details/prelinger&tab=collectionCOSA ABBIAMO ASCOLTATO (A CURA DI MARCO CAIZZI)Charanjit Singh - Raga Bairagi (dall'album Synthesizing: Ten Ragas toa Disco Beat):http://www.dailymotion.com/video/x2zmcir_d1-45rpm-raga-bairagi-charanjit-singh-synthesizing-ten-ragas-to-a-disco-beat-1982_musicIncredibilmente l'acid (intesa come acid-house o acid-techno) non è natadagli afroamericani fine '80 di Chicago come tutti noi pensavamo! Ma ènata nel 1982 IN INDIA! Charanjit Singh infatti si era postol'obiettivo di prendere alcuni famosi raga indiani (forma circolare dimusica spirituale indiana fatta dai droni di sitar indiani, dai sapetequali sono su!) e renderli popolari innestandoli su dei "disco beats".Dato però che sceglie usare una roland 303 per la linea di basso e un808 per quella di batteria il suono è ACID. Ne vengono fuori dei ragaacid che potrebbero essere roba da ecstasy anni '90 con lo smiley.Sroeng Santi - Kuen Kuen Lueng Lueng: https://youtu.be/pp4Be4G57KsSkrannosissimo e divertentissimo pezzo heavy-funk Thai che parte tipocover storta di Iron Man dei Black Sabbath, per poi diventare a buffoun bel funk cicciotto peso dalle tipiche sonorità scacione '70sthailandesi. Proprio quel bel gusto di super-piccante + arachidi +quella foglia limonosa/saponosa che usano sempre nella cucina Thai.EVVIVA!!!Haruomi Hosono - Funiculì Funicolà:https://www.youtube.com/watch?v=iYdk1BsAI2MQui il genio assoluto di Haruomi Hosono (bassista, sintesista ecompositore fondatore anche della Yellow Magic Orchestra con il piùfamoso Ryuichi Sakamoto) coverizza a modo suo (ovverojappo-kitsch-electro-eXoTico) questo ever green del pop napoletano! WI JAPPONAPOLETANI!

Charanjit Singh creatied this song in 1982 . The forst song that used the tb303 in a techno style way long befor it was used in this way from the Detroit Techno scene in 1986. We made it with Roland TB303, Roland TR808 and Roland Jupiter 8. This time not an original rebuilt. We left the melos out.

Thee J Johanz is a producer, DJ and sound engineer from Holland, who has been a part of the electronic music scene, right from its early acid house days. A keen music lover, he still to this day is pushing boundaries. And one thing he's especially keen on, is the innovative electronic funk and disco sounds which were created in India in the 70s and 80s. Those who've been following the re-birth of acid house godfather Charanjit Singh will also know that he's a part of his on-stage act, controlling drums, live-mixing and generally being an all round synth geek. We first saw him DJ under his Bollywood moniker in a small basement in New Delhi. Over a year later he was back with Charanjit Singh and we asked him to play the final set of Magnetic Fields Festival. A real peak time groover, we wouldn't have had it any other way. Always exploring new frontiers, he dropped jams with complex rhythms and deep basslines, taking influence from Detroit techno, modern bass music, Latino, funky, deep, Balearic and disco. Wild City #070, is our first ever mix made up exclusively of Bollywood tracks. Well, almost. Of course it includes a bit of Charanjit Singh's 'Ten Ragas To A Disco Beat' too. Operating at such a high level of 'over the top'; Bollywood still to this day manages to infiltrate communities the world over - particularly with its prolific disco and funk infused sounds of the 70s and 80s. Sadly, a completely forgotten sound within modern day soundtracks. Praise be to Johanz, for putting together an hour of his favourite Bollywood disco/soundtrack moments for all of our ears. As is only possible, this mix represents only the very tip of the Bollywood disco-funk iceberg, so we expect to see more DJs busting out Desi disco in the near future. For now, let’s dig this: "Although I play various styles of music, this mix in particular is more in the Bollywood electro, disco, funk, soul style that I once played in Delhi. Many people came to me at the party to give me compliments. It was all very rewarding, and a great pleasure to join the experience." For a tracklist and further info, head over here: http://www.thewildcity.com/EN/music.xhtml/article/5206-wild-city-070-thee-j-johanz

Klaus Schulze, Jim Morrison, Kraftwerk, Samoa Park, Helen, Imagination, Owusu & Hannibal, Gang, Plastic Mode, Kano, KZA, Daniel Wang, Step Time Orchestra, Trio, Was (Not Was), Hercules & Love Affair, Magnum Force, Cellophane Brain, Explorer, Black Lodge, Solid State, The Sparks, Peter Richard, The Knife, Savage Progress, Francisco, Severed Heads, Richard Bone, Ultravox, YMO, Rinder & Lewis, Mantus, Charanjit Singh, Future World Orchestra, Robert Fripp, Soft Machine, Nirvana, Ananta and more...

The A/C did its best to keep up in the studio, but only a cold glass of lemonade could keep us cool after two hours of heat brought forth this week. The show starts in form with a rare gem from Charanjit Singh and moves into new tracks from Noisia, J Dilla, Matthew Dear, Hexstatic […]