Podcast appearances and mentions of eric hynes

Ep. 319: Eric Hynes on Die My Love, The Love That Remains, The Chronology of Water, Imago Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I'm back at the Cannes Film Festival to talk about the highlights with another all-star cast of guests. This episode we sat down again with intrepid regular Eric Hynes of the Jacob Burns Film Center to catch up with a few richly realized movies: Die My Love (directed by Lynne Ramsay, starring Jennifer Lawrence, Robert Pattinson, Sissy Spacek), The Love That Remains (Hlynur Palmason), The Chronology of Water (Kristen Stewart), and the documentary Imago (Déni Oumar Pitsaev). After we recorded, Imago won the Jury Prize in its section, Critics' Week. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 314: Eric Hynes on Cannes 2025: Two Prosecutors, Case 137, Two Critics Week Highlights Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 2025 Cannes Film Festival has begun and I'm back to talk about movies with another all-star cast of guests. For this episode I sit down with Eric Hynes of the Jacob Burns Film Center to talk about movies in the early part of the festival, including Two Prosecutors (Sergei Loznitsa), Case 137 (Dominik Moll), and two highlights from Critics' Week, Reedland (Sven Bresser) and Left-Handed Girl (Shih-Ching Tsou). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Mike welcomes Eric Hynes and Edo Choi, curators of First Look 2025 at the Museum of the Moving Image, running running March 12-16 in Astoria, New York. Now in its 14th year, the festival remains a vital showcase for bold, boundary-pushing cinema from around the world.This year's lineup includes 38 films—20 features and numerous shorts—spanning 21 countries, with three world premieres and 24 U.S. or North American premieres. Each evening culminates in a Showcase Screening at MoMI's Sumner Redstone Theater. The festival opens with the U.S. premiere of Durga Chew-Bose's Bonjour Tristesse, a contemporary take on the classic novel, and closes with Giovanni Tortorici's Diciannove, an intimate portrait of a young man's journey across Italy.Mike, Eric, and Edo dive into the festival's mission of discovery, its rigorous selection process, and the importance of in-person filmmaker appearances. They also highlight First Look's unique inclusion of work-in-progress screenings and discussions, offering a behind-the-scenes look at emerging cinematic voices. Whether you're attending or just love adventurous filmmaking, this episode provides an insightful preview of what makes First Look a can't-miss event for cinephiles.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Mike welcomes Eric Hynes and Edo Choi, curators of First Look 2025 at the Museum of the Moving Image, running running March 12-16 in Astoria, New York. Now in its 14th year, the festival remains a vital showcase for bold, boundary-pushing cinema from around the world.This year's lineup includes 38 films—20 features and numerous shorts—spanning 21 countries, with three world premieres and 24 U.S. or North American premieres. Each evening culminates in a Showcase Screening at MoMI's Sumner Redstone Theater. The festival opens with the U.S. premiere of Durga Chew-Bose's Bonjour Tristesse, a contemporary take on the classic novel, and closes with Giovanni Tortorici's Diciannove, an intimate portrait of a young man's journey across Italy.Mike, Eric, and Edo dive into the festival's mission of discovery, its rigorous selection process, and the importance of in-person filmmaker appearances. They also highlight First Look's unique inclusion of work-in-progress screenings and discussions, offering a behind-the-scenes look at emerging cinematic voices. Whether you're attending or just love adventurous filmmaking, this episode provides an insightful preview of what makes First Look a can't-miss event for cinephiles.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Senior Curator of Film at the Museum of the Moving Image, Eric Hynes, is my guest in the first segment. Eric and I discuss the Museum's upcoming First Look festival to take place Wednesday, March 12th through Sunday, March 16th. First Look, MoMI's annual festival showcasing adventurous new cinema, returns for its 14th edition, offering a diverse slate of major New York premieres, work-in-progress screenings and sessions, gallery installations, and fresh perspectives on the art and process of filmmaking. This year's festival introduces New York audiences to more than three dozen works from around the world, encompassing feature and short films; fiction and nonfiction; performances and experiments. The guiding ethos of First Look is openness, curiosity, discovery, aiming to expose audiences to new art, artists to new audiences, and everyone to different methods, perspectives, interrogations, and encounters. For five consecutive days the festival takes over MoMI's two theaters, as well as other rooms and galleries throughout the Museum—with in-person appearances and dialogue integral to the experience. Each night concludes with one of five selected Showcase Screenings in MoMI's Sumner Redstone Theater.  In my segment I am joined by the film producer Jack Piatt and singer songwriter journeyman Chris Smither. They are part of the team behind a new short film, "The Singers" which premieres this weekend at SxSW. "The Singers" is a genre-bending film adaptation of a 19th-century short story written by Ivan Turgenev, in which a lowly pub full of downtrodden men connect unexpectedly through an impromptu sing-off. The film explores the complexities of masculinity and the power of vulnerability through art. Chris Smither makes his acting debut in this film directed by Sam Davis.

Ep. 304: Eric Hynes on True/False 2025: WTO/99, A Body to Live In, Resurrection, Kouté vwa, The Undergrowth Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The True/False Film Festival brings outstanding nonfiction films and filmmakers to Columbia, Missouri, each year, attracting world premieres and also curating from Sundance, IDFA, Berlin, and beyond. I sat down in Columbia with fellow True/False-goer Eric Hynes, senior curator of film at Museum of the Moving Image, to exchange some highlights from our time at the 2025 edition. Films discussed include: Resurrection (directed by Hu Sanshou), A Body to Live In (Angelo Madsen), WTO/99 (Ian Bell), The Undergrowth (Macu Machin), and Kouté vwa (Listen to the Voices) (Maxime Jean-Baptiste). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 293: Eric Hynes on Mad Bills to Pay, The Perfect Neighbor, Rebuilding, Seeds Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For the latest Sundance 2025 podcast, I spoke with Eric Hynes, curator of film at the Museum of the Moving Image, with whom I kicked off this edition's podcasts. This time we talked about a mix of films, both fiction and documentary, prize-winners and not: Rebuilding (directed by Max Walker-Silverman and starring Josh O'Connor), The Perfect Neighbor (Geeta Gandbhir), Mad Bills to Pay (Joel Alfonso Vargas), and Seeds (Brittany Shyne). Stay tuned for more! Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 289: Eric Hynes on Sundance 2025: Preview and 2000 Meters to Andriivka Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 2025 edition of the Sundance Film Festival has begun, and I kick things off with curator Eric Hynes of the Museum of the Moving Image. We talk about where Sundance's evolving plans for the future, we trade a few titles we're anticipating in the lineup, and finally we talk about a film that premiered on the first night. That would be 2,000 Meters to Andriivka, the bold new documentary from Mstyslav Chernov, whose 20 Days in Mariupol won an Academy Award (and who has been a guest on this podcast). Much more is to come, so don't be a stranger! Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 271: Eric Hynes on Conclave, Friendship, Tata, The Last Republican, Winter in Sokcho (Toronto) Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. So it turns out I had another Toronto International Film Festival episode up my sleeve, with Eric Hynes, Curator of Film at Museum of the Moving Image. We talk about the Ralph Fiennes elect-a-pope movie, Conclave (directed by Edward Berger); the Tim Robinson comedy, Friendship (directed by Andrew DeYoung); an intriguing pair of documentaries, Tata (directed by Lina Vdovîi and Radu Ciorniciuc) and The Last Republican (Steve Pink); and Platform selection Winter in Sokcho (Koya Kamura). Last but not least, we take another look at Joshua Oppenheimer's The End. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 250: Cannes 2024: Eric Hynes on Caught by the Tides, Apprendre, Cannes Classics (Brocka, Bellocchio, Insta-Wiseman) Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. On the latest episode from the 2024 Cannes Film Festival, I bring back Eric Hynes, curator of film at Museum of the Moving Image, to discuss two essential highlights of this year's edition—Jia Zhangke's Caught by the Tides and Claire Simon's Apprendre—and restorations from Cannes Classics: Lino Brocka's Bona, Marco Bellocchio's Slap the Monster on Page One, and Frederick Wiseman's Law and Order. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 243: Cannes 2024: Eric Hynes on Megalopolis, plus Napoleon and The Girl With the Needle Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 77th edition of the Cannes Film Festival is officially underway, and no film was more highly anticipated than Francis Ford Coppola's Megalopolis. To get the very latest, I connected with Eric Hynes, curator of film at the Museum of the Moving Image, fresh from a press screening of the movie, which has loomed over Cannes' opening days this year. He shared his initial thoughts about Megalopolis, which stars Adam Driver as a would-be visionary city planner, and about another competition title, The Girl with the Needle (Magnus von Horn), and a Cannes Classics selection, Abel Gance's Napoleon. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

How to Lose a Guy in 10 Days, like many Rom-Coms, is set in New York City. It's got fire escapes, taxi cabs, and a dramatic Manhattan Bridge scene. In order to understand this film, we have to understand: What is it about New York that is so ripe for romance? And what parts of the city are highlighted in this movie and why?To help us answer those questions, we're joined by Eric Hynes, the Curator of Film at the Museum of the Moving Image in New York. Hosted on Acast. See acast.com/privacy for more information.

Ep. 232: Eric Hynes on First Look and True/False 2024: Flying Lessons, There Was, There Was Not, Knit's Island, Achilles Welcome to The Last Thing I Saw with your host, Nicolas Rapold. As I did last year, I joined forces with Eric Hynes, curator of film at Museum of the Moving Image, for a double discussion, covering True/False, the Missouri nonfiction film festival, and MoMI's own annual First Look showcase in New York. We discuss titles including: Flying Lessons (directed by Elizabeth Nichols), Magic Mountain (Mariam Chachia & Nik Voigt) Knit's Island (Ekiem Barbier, Guilhem Causse, Quentin L'helgoualc'h), A Photographic Memory (Rachel Elizabeth Seed), Achilles (Farhad Delaram), Spermworld (Lance Oppenheim), I Like It Here (Ralph Arlyck), Obsolete (Sumira Roy), and There Was, There Was Not (Emily Mkrtichian). Listeners will find that many movies discussed on here and in previous episodes can be seen in First Look at MoMI (March 13 to 17). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 222: Sundance '24: Eric Hynes on Union, Sasquatch Sunset, Good One, Eno Welcome to The Last Thing I Saw with your host, Nicolas Rapold. For my latest episode on Sundance Film Festival 2024, I reconvened with Eric Hynes, curator of film at the Museum of the Moving Image. He had seen more movies, I had seen more movies, and so we talked about some highlights: Union (Stephen Maing and Brett Story), Sasquatch Sunset (David and Nathan Zellner), Good One (India Donaldson), Eno (Gary Hustwit), and Nocturnes (Anupama Srinivasan and Anirban Dutta). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 219: Sundance 2024 with Eric Hynes: Preview, Power, Black Box Diaries Welcome to The Last Thing I Saw with your host, Nicolas Rapold. January is here and it's time for the 2024 Sundance Film Festival. To kick off this year's suite of episodes, I am delighted to join forces again with Sundance stalwart Eric Hynes, curator of film at the Museum of the Moving Image. We discuss the latest edition of the festival, which is celebrating its 40th anniversary this year, and we sample a few films that screened early on. Films discussed include: Power (directed by Yance Ford), Black Box Diaries (Shiori Ito), and Agent of Happiness (Arun Bhattarai and Dorottya Zurbó). Check back for more reports from snowy-but-not-oppressively-so Park City! Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 214: Eric Hynes on award-winner "1489" and more documentary highlights at IDFA + bonus selections with Edo Choi Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. A special double episode wraps up our coverage of notable new nonfiction at the International Documentary Film Festival Amsterdam. Eric Hynes, curator of film at the Museum of the Moving Image, discusses the IDFA Best Film award-winner, Shoghakat Vardanyan's 1489, a harrowing and personal look at a family looking for a son missing in military action, and we cover other highlights including A Picture to Remember (Olga Chernykh), Chasing the Dazzling Light (Yaser Kassab), The Last (Sebastian Peña Escobar), and Behind Closed Doors (João Pedro Bim). And then, the podcast concludes with a quick bonus track: a chat with recent guest Edo Choi about a few more IDFA docs—Limitation, The Clinic, World Is Family, and Danger Zone. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 206: Eric Hynes on Toronto 2023: The Pigeon Tunnel, The Holdovers, The Peasants, American Fiction, Gonzo Girl Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. As the fall season kicks off, I have a few more titles—some slated for release in the coming months, others yet to be distributed—plucked from the ranks of the Toronto International Film Festival. I talked with Eric Hynes, curator of film at Museum of the Moving Image, about Errol Morris's The Pigeon Tunnel, Alexander Payne's The Holdovers, Cord Jefferson's American Fiction, Patricia Arquette's Gonzo Girl, and The Peasants, from Dorota Kobiela and Hugh Welchman. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 184: Cannes #12 with Eric Hynes on In the Rearview, Riddle of Fire, The Breaking Ice, La Chimera, It's Raining in the House Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The 2023 Cannes series continues, with episodes recorded live in Cannes! For the latest discussion, I chat with Eric Hynes, curator of film at the Museum of the Moving Image, about some discoveries from across the festival that people may have overlooked or missed. Titles include Maciek Hamela's In the Rearview (ACID), It's Raining in the House (Critics' Week), Riddle of Fire (Directors' Fortnight), and Alice Rohrwacher's La Chimera (Competition). I also talk about Anthony Chen's The Breaking Ice (Un Certain Regard). Stay tuned for more episodes with a delightful array of brilliant critics. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Monserrate” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Ep. 176: Cannes #5 with Eric Hynes on Todd Haynes's May December, Eureka, Pictures of Ghosts Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The 2023 Cannes film festival series continues, live from Cannes! This episode I talk with Eric Hynes, curator of film at the Museum of the Moving Image. We discuss recent Cannes premieres, including Todd Haynes's May December with Natalie Portman, Julianne Moore, and Charles Melton; Lisandro Alonso's return to feature filmmaking, Eureka; and Kleber Mendonca Filho's exquisite Pictures of Ghosts. Stay tuned for more episodes with a shimmering array of brilliant critics. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Monserrate” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Ep. 173: Cannes #1 with Eric Hynes Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. And I'm beginning my reports from the latest edition of the Cannes film festival. For my first episode, I talk with Eric Hynes, curator of film at the Museum of the Moving Image, about the 2023 slate. We palaver about the highlights, “big” and “small” titles alike, offer a few anticipatory picks. We talk about what we expect to be seeing, and the enormous value, too, of seeing the unexpected. Stay tuned for more episodes with a panoply of brilliant critics. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Monserrate” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

On this special episode of The Projection Booth, Mike talks with Eric Hynes and Edo Choi about the First Look 2023 program from the Museum of the Moving Image. Find out more at https://movingimage.us/series/firstlook2023/Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

On this special episode of The Projection Booth, Mike talks with Eric Hynes and Edo Choi about the First Look 2023 program from the Museum of the Moving Image. Find out more at https://movingimage.us/series/firstlook2023/

Ep. 168: True False 2023 with Eric Hynes on Hummingbirds, Art Talent Show, Time Bomb Y2K, more Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This week I report to you from the True/False Film Fest in Columbia, Missouri, and its international showcase of nonfiction cinema. On a sunny day I sat down with Eric Hynes, curator of film at the Museum of the Moving Image, about a number of highlights, including Hummingbirds from Silvia Castaños and Estefanía “Beba” Contreras, Time Bomb Y2K from Brian Becker and Marley McDonald, and more. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

In this episode, we turn our attention to First Look, an annual showcase of new and innovative international cinema at the Museum of the Moving Image in New York. This year's event will mark the 12th edition of the festival, which will take place March 15 - 19th. Over the course of those five days, more than 30 works from all over the world will be exhibited for the first time in New York at the museum - this includes features, short films, fiction, and non-fiction, as well as forms that fall outside the boundaries of traditional theatrical distribution. Earlier this week, I had the pleasure to sit with Eric Hynes, the Curator of Film at the Museum of the Moving Image in New York, where he heads up year-round programming as well as the annual First Look Festival, to learn more about the program. Eric is also a longtime critic and journalist, with outlets that have included the New York Times, the Washington Post, Film Comment, Rolling Stone, Slate, New York magazine, Sight & Sound, the Village Voice, and Reverse Shot, where he has been a staff writer since 2003 and writes a column on the art of nonfiction. Films discussed include: Silent Love by Marek Kozakiewicz, Fremont by Babak Jalali, Away by Ruslan Fedotov, The Taste of Mango by Chloe Abrahams, The River Is Not a Border by Alassane Diago, Jill, Uncredited (2022) by Anthony IngOther relevant links: Museum of the Moving Image, Reverse ShotFor show notes visit docsinorbit.com and be sure to follow us on social media @docsinorbit for updates.

Ep. 161: Sundance 2023 Six with Eric Hynes: Drift, Kokomo City, 20 Days in Mariupol, Mami Wata Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The Sundance Film Festival episodes come to their thrilling conclusion (I think) with a final selection of highlights, brought straight to your ears. I talk with Eric Hynes, curator of film at the Museum of the Moving Image, about Kokomo City, Drift, 20 Days in Mariupol, The Stroll, Iron Butterflies, Mami Wata, and last but not least, Talk to Me. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Ep. 158: Sundance 2023 Three with Eric Hynes Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The Sundance Film Festival is back in action, returning to in-person screenings and events after two virtual years. I caught up again with Eric Hynes, curator of film at the Museum of the Moving Image, about some of Films of Interest at the festival, including The Tuba Thieves, Rotting in the Sun, Cat Person, and Fremont. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Ep. 156: Sundance 2023 One with Eric Hynes Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The Sundance Film Festival is back in action, returning to in-person screenings and events after two virtual years. To discuss the 2023 edition and some movie highlights so far, I spoke with longtime attendee Eric Hynes, curator of film at MOMI. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Ep. 155: Snubbed! with Michael Koresky, Eric Hynes, and Edo Choi Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This month the Museum of the Moving Image starts the series “Snubbed: Great Movies, No Nominations.” The rules are simple: very fine films that were ignored, overlooked, or snubbed (if you will) by the Academy. For this episode I'm joined by the delightful series co-programmers: Eric Hynes, curator of film at MOMI; Michael Koresky, co-editor of Reverse Shot; and Edo Choi, associate curator at MOMI. Each chose a couple of films to represent the varieties of snubbage that occur when the Oscars and the history of great movies fail to intersect. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Ep. 147: Eric Hynes on IDFA 2022: Apolonia, Apolonia and beyond! Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. Every year I take in a new crop of nonfiction films from around the world at IDFA (the International Documentary Film Festival Amsterdam). Many of them will wend their way to festivals, theaters, and streaming, and I'm happy to select a few highlights with Eric Hynes, curator of film at the Museum of the Moving Image, who is also a regular IDFA attendee. Among the films we discuss is the top prize-winner of the international competition: Apolonia, Apolonia, which was 13 years in the making. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Toronto 2022 #2: How to Blow Up a Pipeline, Wendell & Wild, Eventide, Life, Victim, Cine-Guerrillas, The Fabelmans, with Eric Hynes Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The new movies keep on coming with the latest from the Toronto International Film Festival! This time I chat with Eric Hynes, curator of the Museum of the Moving Image, who shares his thoughts on Daniel Goldhaber's How to Blow Up a Pipeline, Sharon Lockhart's Eventide, Henry Selick's Wendell & Wild (with Jordan Peele and Keegan-Michael Key), Emir Baigazin's Life, Mila Turajlić's Ciné-Guerrillas: Scenes from the Labudovic Reels, Michal Blaško's Victim, and more on The Fabelmans. Check back for more films to keep an eye on! Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Rico Gagliano and Eric Hynes on Memorable Moviehouses and More Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. Recently, the MUBI Podcast launched a new season of episodes, "Only in Theaters," about the way certain films and moviehouses have intertwined histories, such as the Elgin in New York and the midnight movie phenomenon. So I invited Rico Gagliano, the host of the acclaimed MUBI Podcast, and Eric Hynes, curator of film at Museum of the Moving Image, to talk about some stand-out cinemas—both historic and personally meaningful. Our chat ranges from the Cinematheque francaise and the Tuschinski to the local theaters where each of us grew up watching movies. We also talk about recent viewing and re-watches, from recent documentaries Beba and Nothing Lasts Forever, to Paddington and the Paul Simon vehicle One-Trick Pony. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Cannes #6 with Eric Hynes: De Humani Corporis Fabrica, R.M.N., Return to Seoul, Godland, Joyland Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The highlights from the Cannes Film Festival continue with Eric Hynes, curator of film at Museum of the Moving Image, who joins to discuss body doc De Humani Corporis Fabrica (from Verena Paravel and Lucien Castaing-Taylor), Cristian Mungiu's R.M.N., and Davy Chou's Return to Seoul, plus Godland and Joyland. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Cannes #5 with Eric Hynes: War Pony, Rodeo, Brother and Sister Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The highlights from the Cannes Film Festival continue with Eric Hynes, curator of film at Museum of the Moving Image, who joins to discuss Arnaud Desplechin's Brother and Sister, starring Marion Cotillard and Melvil Poupaud, and two debut features, Rodeo (from Lola Quivoron) and War Pony (from Riley Keough and Gina Gammell). Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Ep. 117: Cannes #3 with Eric Hynes: Eo, Armageddon Time, and Ukraine documentary Mariupolis 2 Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The highlights from the Cannes Film Festival continue with Eric Hynes, curator of film at the Museum of the Moving Image. We talk on an especially lively terrace at Cannes about Jerzy Skolimowski's formally wild donkey epic Eo, James Gray's semiautobiographical Armageddon Time, and the posthumously assembled Ukraine documentary Mariupolis 2 (from director Mantas Kvedaravicius). Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. I'm back at the Cannes Film Festival after a pandemic absence and couldn't be more delighted to share the latest and greatest in films with you. For the kick-off episode, I'm joined by Eric Hynes, curator of film at the Museum of the Moving Image and writing about Cannes for Reverse Shot. We review the lineup of the 2022 edition, highlighting some titles and filmmakers, and also share a quick look at the opening film, Coupez!, from director Michel Hazanavicius (whose film The Artist won the Academy Award for Best Picture). Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

On this special episode of The Projection Booth, Mike speaks with Eric Hynes and Edo Choi, curators of the Museum of the Moving Image's First Look film festival. They discuss the mission of the festival while highlighting just a few of the many titles playing at the 2022 event.  Find out more at https://movingimage.us/

On this special episode of The Projection Booth, Mike speaks with Eric Hynes and Edo Choi, curators of the Museum of the Moving Image's First Look film festival. They discuss the mission of the festival while highlighting just a few of the many titles playing at the 2022 event. Find out more at https://movingimage.us/Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This year the True/False Film Fest welcomed guests back for another edition, fully in-person with guests from all over the globe. I try to go every year to take advantage of its delicious nonfiction smorgasbord, and joining me to talk about the selection is Eric Hynes, curator of film at the Museum of the Moving Image and a longtime attendee of the festival. We talked about the festival and films such as After Sherman, Mr. Landsbergis, The Balcony Movie, Vedette, Factory to the Workers, and GES-2. After our discussion, listen to our interview with Joe Hunting, the director of We Met in Virtual Reality, also shown at this year's edition following its triumphant premiere at Sundance. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Episode 95: Sundance 2022 #2 with Eric Hynes (Dual, We Met in Virtual Reality, A House Made of Splinters, Jihad Rehab) Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The Sundance Film Festival is here, there, and everywhere, screening in a virtual edition. We're nearing the end of a packed weekend of premieres and I joined forces once again with Eric Hynes, curator of film at Museum of the Moving Image, to begin sorting through the movies. We share initial reactions to a few including Riley Stearns's Dual, Joe Hunting's We Met in Virtual Reality, Maryna Er Gorbach's Klondike, Simon Lereng Wilmont's A House Made of Splinters, and Meg Smaker's Jihad Rehab. You can support this podcast and read show notes with links at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The Sundance Film Festival is here, there, and everywhere, screening in a virtual edition that's no less important for beginning the 2022 movie calendar. I joined forces with Eric Hynes, curator of film at Museum of the Moving Image, to talk about the independent-minded festival in general and to highlight a couple of movies that jumped out to us in the opening day (or two). You can support this podcast and read show notes with links at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week we look at some outstanding documentary highlights premiered at IDFA(International Documentary Festival Amsterdam), including Sergei Loznitsa's post-Soviet portrait Mr. Landsbergis and an exciting new voice in Diem Ha Le and her film Children of the Mist. Plus: 100-year-old Indian river boats, a Dziga Vertov premiere, egg collecting, and movies made entirely from living room windows. I'm joined by critic and journalist Eric Hynes, curator of film at Museum of the Moving Image and a regular on the podcast. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This episode I'm back with highlights from not one but two festivals: The Toronto Film Festival, and the Camden festival, which specializes in documentary. I'm joined by my fearless correspondent Eric Hynes, curator of film at the Museum of the Moving Image. This is another episode where you the listeners can support the production of The Last Thing I Saw. I invite you to show your support and get immediate access. You can do so by going to rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. This is a special episode of the podcast for a couple of reasons. It introduces a series about notable premieres at the Toronto film festival -- highlights that you'll want to know about. But it's also a special episode because it's a chance for you the listeners to support the podcast. The new episode about Toronto, with curator and critic Eric Hynes, will be followed by one with another beloved regular guest, Amy Taubin. You can support this podcast by subscribing at: rapold.substack.com Music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. It's been a while since I've really focused on a documentary on the show, and a terrific opportunity came up with the release of The Viewing Booth. The Viewing Booth is a movie that's been at festivals but for whatever reason, did not make its way to theaters until now. Which is unfortunate because it's one of the best movies I've seen about how we sort out what we think and feel about the hundreds of things we are shown each and every day—intellectually, politically, emotionally. So I was very happy to talk with the film's director, Ra'anan Alexandrowicz, and Eric Hynes, curator of film at Museum of the Moving Image, which is giving The Viewing Booth a two-week theatrical run. We talk about how the movie works and the questions it raises with its simply but ingenious concept. One final note: as you'll hear, this is my first episode in a long time that I have recorded in the great outdoors, so enjoy the mild breeze. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. We're back at the 2021 Sundance Film Festival, this time talking with critics Nicholas Russell and Eric Hynes, who will both write about the festival at Reverse Shot. The discussion covers Eight for Silver, Passing, and the nuances of criticism and reception at festivals. For complete show notes with links, sign up for my newsletter at rapold.substack.com Music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. On this episode we talk about highlights from the first days of the 2021 Sundance Film Festival with Eric Hynes, curator of film at Museum of the Moving Image. We discuss two stand-outs from this year's edition—Summer of Soul, directed by Questlove, and President, directed by Camilla Nielsson—and a documentary about a Visconti star, The Most Beautiful Boy in the World. For complete show notes with links, sign up for my newsletter at rapold.substack.com Music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. This is the 20th episode of the podcast, and we'll be sharing our highlights from the year in movies. You might notice a few likely candidates are missing, such as First Cow or Time, but that's because we tried to talk about movies that haven't been covered as much on this podcast, though a few old favorites do sneak in. It's been a long year so I got some brilliant critics to share their picks: Amy Taubin, contributing editor at Artforum; Eric Hynes, curator of film at Museum of the Moving Image; Beatrice Loayza, a widely published freelance critic; and for the first time, Jessica Kiang, a veteran of Variety and other publications. For complete show notes with links, sign up for my newsletter at rapold.substack.com Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. This week, we're trying something different. After our usual discussion of recently watched movies, I dig into a special topic with another guest. First I trade New York Film Festival highlights with critics Beatrice Loayza and Susannah Gruder. Then on the second half, I talk about the possible futures facing moviegoing and film exhibition because of the pandemic, with Eric Hynes of the Museum of the Moving Image. We'll have more of what I'm blithely calling audio magazine features in future episodes, with in-depth looks at films and filmmakers, interviews, and other stories. Movies discussed include: Dick Johnson Is Dead, On the Rocks, Smooth Talk starring Laura Dern, and Beginning. For complete show notes with links, subscribe to my newsletter at rapold.substack.com Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, a podcast where we reach out to friends to talk about what we've been watching. It's as simple as that. Joining Nicolas Rapold this time are critics Eric Hynes (curator of film, Museum of the Moving Image), Jordan Cronk (founder, Acropolis Cinema), and Beatrice Loayza, talking about their highlights from the Toronto International Film Festival. The movies include: Nomadland, The 180-Degree Rule, Pieces of a Woman, The Inheritance, Quo Vadis, Aida?, Fauna, Downstream to Kinshasa, 76 Days, and a previous favorite, Preparations to Be Together for an Unknown Period of Time. Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, a podcast where we reach out to friends to talk about what we've been watching. It's as simple as that. Joining Nicolas Rapold this time is Eric Hynes, curator of film at the Museum of the Moving Image as well as a veteran of journalism and criticism. We discussed some new possible opportunities for his film institution during these times. And then we got into the movies: Nicholas Ray's They Live By Night; an unsettling 1971 Vietnam vet film called Welcome Home, Soldier Boys; Saint Jack directed by Peter Bogdanovich and starring Ben Gazzara; The Last Dance, the Michael Jordan series; and Eyes on the Prize, Henry Hampton's landmark work about the Civil Rights Movement. Along the way, we learn about a competitive sport involving bean bags. Photo by Steve Snodgrass