Podcasts about hawkes bay

 Our guest Heatha Edwards bought a category two listed historic homestead in Hawkes Bay.

Lyndal and Darren Ludlow take a weekly dive into a space of comfort and quirk. Enjoy an eclectic blend of music, the informative, the strangely odd and the joys of life often overlooked. Normal service is resumed as TNN recount trips to the Hawkes Bay and Christchurch; inappropriate clothing, politics wrapping up and the regular irregular and unusual.

A Rottweiller dog in Hawkes Bay is helping calm people's nerves as they prepare to sit the theory test for their learner's licence. Three-year-old therapy dog Penny Pickles is part of the team at Learner Licence Theory Tararua. Many of the people they help through the test have additional learning challenges and Penny is there to offer a helping paw or four. Nikki Martin is Penny Pickles' right-hand human and spoke to Lisa Owen.

Hawkes Bay orchardists are pulling out their peach trees after Wattie's told them it's shrinking production of the canned fruitA gap in production in the wake of Cyclone Gabrielle allowed Chinese canned peaches to get a perch in the market - now they're undercutting the local offering and are here to stayGuests:Andrew Bevin - Newsroom business reporterGary Hamilton-Irvine - Hawke's Bay Today multi-media journalistLearn more:Discussion about peaches on RNZ's The PanelAndrew Bevin's story in NewsroomFind The Detail on Newsroom or RNZ Go to this episode on rnz.co.nz for more details

Lyndal and Darren Ludlow take a weekly dive into a space of comfort and quirk. Enjoy an eclectic blend of music, the informative, the strangely odd and the joys of life often overlooked. Darren's been away in the Hawkes Bay this week, so before he left TNN prepared a special episode featuring music they'd played previously and wanted to share again. They also wrap up their recent tour of Japan. This is The Fluffy Slipper Lounge.

A Hawkes Bay iwi has launched a set of bilingual books retelling the journey of their ancestor from Hawaiki to Aotearoa. Pokere Paewai reports from the launch

Chris talks about a local kaumatua who wants the river dredged so he can paddle a waka he built for the last time, the Esk Valley is being choked by dust and a call for a week-long Negroni Festival.

Aotearoa continues to have one of the highest leptospirosis rates among developed countries, with flooding (notably the Hawkes Bay floods in 2023) being one of the main catalysts.  A recent study shows that other causes include exposure to rodents, working with uncovered cuts, and handling of livestock. The carried lepto strains are currently not protected by any existing vaccines. Last week, producer Faith spoke to researcher and epidemiologist Professor Jackie Benschop from Massey University about the disease, and what needs to be done. 

Chris brings along the latest stories from the Hawke's Bay.

It's still winter for a couple more weeks and it's still pretty cold but if you're in Hastings you can Turn Up the Heat at your local library. Now in its ninth year, this adult only reading challenge is all about encouraging adults in the local community not only to read but to step outside their comfort zone and - perhaps most importantly of all - to connect. Kristen Clothier is the Learning & Discovery Team Leader for Hastings District Libraries and she joined Jesse.

Former All Blacks and Wales Fullback Shane Howarth joins the show to review round 1 of the NPC 2025 including, Waikato edging Auckland to open the competition, Taranaki retaining the Ranfurly Shield, Hawkes Bay hammer Counites & more Learn more about your ad choices. Visit megaphone.fm/adchoices

On valentine's day, Feb 14th 2023, Cyclone Gabrielle ripped through New Zealand, devastating the Hawkes Bay region with unprecedented flooding and destruction. The storm claimed the immediate lives of 11 individuals.In this 7-Part Mini series, you're going to hear first-hand accounts of what it was like to live through that experience - from those who did.Many of these stories have never been heard before.Finally we address the question many residents still ask themselves today, where was the warning?Episode One will be available July 31st for all listeners, but in order to listen to the entire podcast a Brevity+ Subscription will be required.All of our podcasts are funded by Brevity Studios thanks to our fantastic subscribers. We do not receive government funding. By subscribing you'll be supporting our ongoing work bringing you stories that matter.Credits:Narration: Ryan WolfResearch and interviews: Jacob Masters & Ryan WolfWritten by: Jacob Masters & Ryan WolfEdited by: Ryan WolfSupport this show http://supporter.acast.com/guilt. Hosted on Acast. See acast.com/privacy for more information.

Hawkes Bay Racing Interim CEO Darin Balcombe joins the show to talk about what's going on with Hawkes Bay Racing, the state of the track & facilities, moving to a new venue & more Learn more about your ad choices. Visit megaphone.fm/adchoices

Imagine that instead of your taxes disappearing into the maw of the government, they go straight into your savings account to pay for insurance and heath costs. The Panel hears from one economics professor who says this is the way to combat rising government costs from an aging population. They also talk to Phill Thornhill, the bloke behind Phill's Friendly Farm Services in Hawkes Bay who helps out when farmers need a break.

We all love a good crunchy apple – but how do they stay like that for months after being picked? Find out in this episode featuring South African-born scientist Nicolette Neiman in Hawkes Bay. We may be well out of apple picking season but there's no dearth of the fruit when it comes to our tables even in the thick of winter – here or overseas through exports for that matter. For plant physiologists like Nicolette the thrill is in finding ways to make that possible – delivering to the world, a crunchy fruit fix practically anytime of the year. In this episode of Here Now, Kadambari Raghukumar delves into the world of NZ's apple industry and what happens after the fruit is pickedGo to this episode on rnz.co.nz for more details

LOVERACING.NZ Thoroughbred Racing Update with Trackside NZ's Phillipa Morris on Mornings with Ian Smith including, highlights from the weekend, Grand National update, Hawkes Bay hurdles, Hawera today & more Learn more about your ad choices. Visit megaphone.fm/adchoices

Alexa discusses the situation in Wairoa for residents, one year on from its floods, the uproar over water rates in Central Hawke's Bay and the success of an apple bred to cope with warming climate conditions.

A fledgling Hawkes Bay business is ten of thousands of dollars out of pocket after six burglaries in just two months. Pedalista is a mobile coffee and bike repair service that operates from a commercial space in the Marewa shopping centre in Napier. Burglars hit three times in May and three times in June. Two thefts happened within 24 hours while staff were on the premises. Despite the fact the owner had invested in security, including CCTV. Owner Harry Van der Zanden spoke to Lisa Owen.

A music licensing organisation is chasing up hundreds of businesses a week asking them to pay-up for the tunes they are using, so that artists get what they are owed. A Hawkes Bay florist told Checkpoint she was called by One Music to see if she was paying licence fees, which she was not. Despite only listening to the radio on her phone out the back of her shop, the music licensing organisation told her to buy a licence or turn the music off. Onemusic Director, Greer Davies spoke to Lisa Owen.

Unerased: Made in Palestine is an exhibition by Pōneke-based artist Emily Hartley-Skudder, illustrator, maker, and activist Pinky Fang, and multi-disciplinary artist Nathan Taare, opening tonight at 250 Ponsonby Road.  The exhibition began with Pinky's mother discovering a collection of imported vintage cosmetics at an estate sale in the Hawkes Bay, of which a variety of beauty products - deodorant, hair oil, baby powder, toothpaste, and more - were labelled ‘Made in Palestine'. Notably, the products are all from pre-1948, and a number of the brands are most likely European Zionist manufacturers who had immigrated to Palestine before rebranding their labelling to “Made in Israel” in 1948. All proceeds from the exhibition go towards Convoys of Good for families in Gaza. Sofia had a kōrero with Emily Hartley-Skudder about the making of Unerased: Made in Palestine and the exhibition's kaupapa. All works are also available online, here. 

A Hawkes Bay florist has had her music listening habits nipped in the bud. Francie Croy listens to tunes on her phone while she works at her Waipukurau store. The florist was contacted by a music licensing organisation and told to turn the music off at the flower shop or buy a licence. The fee comes from OneMusic, which issues licences for certain music to be played in a commercial setting, so artists get their royalties. That includes music played while people are on hold on the phone, at a hairdressing salon, music radio in the background at the office or thumping tunes on the factory floor, there is a cost to anything outside of personal use. E-Central Flowers owner Francie Croy spoke to Lisa Owen.

Tonight on The Panel, Wallace Chapman is joined by panellists Deborah Hart and Richard Pamatatau. They discuss the idea that NZ Super should be measn tested. they do it in Australia, why not here? Also on the cards is outrage in Hawkes Bay over proposed hikes to water rates: some locals might find themsleves forking up to 7 and a half thousand bucks a year.

Ha Ha Merlot 2023, Hawkes Bay. RRP $19.00 Ha Ha means – to ‘Catch your breath' in te reo Māori A palate of plums and blackberry fruit scents, there's a light violet touch and generous fruity core. Fine tannins with medium+ acid line to frame the flavours of plums and red berry fruits. Balanced and refreshing with decent length and lots of style. Best drinking from 2025 through 2028. The Food: Merlot is one of those wines that bridges the earthy umami flavours of winter fare almost seamlessly every time. One such dish a chicken ballotine stuffed with spinach, lentils and prunes. You can substitute out the prunes for dates, raisins or even dried apricot. The natural sweetness of the fruit with the meat is what Merlot likes. Spinach and red wine tannins like each other a lot, and lentils provide the earthy theme to the dish. The lentils can be served on the side if stuffing them into a rolled-up chicken breast or leg doesn't fit your idea of using lentils in that way. The Season: 2023 was challenging to a greater or lesser degree through Aotearoa NZ. The north island was challenged by the wind and rain. Hawkes Bay where this wine was grown got smashed by cyclone Gabrielle. Producers of wine were quick to react and harvest only the best fruit to make wine. The South Island not so much at all. The bottom line is wine from the 2023 vintage on the most part are wines to drink and enjoy now. LISTEN ABOVE See omnystudio.com/listener for privacy information.

The poor health of Hawkes Bay Maori is costing lives and the region more than $120 million a year in lost productivity. That is according to a new study that investigates the link between health and work. It found the majority of lost productivity was due to Maori in the region dying prematurely due in many cases to mental illness, heart disease and diabetes. Lewis Ratapu, the co-chair of Tihei Taki-timu Iwi Maori Partnership Board spoke to Lisa Owen.

In Hawkes Bay, Hōhepa is an organisation which offers supported housing, education and employment to people with intellectual disabilities.

The unemployment rate is sitting unchanged at 5.1 percent - despite warnings it might hit a near decade long high of 5.3 percent. The numbers also show some regions have seen an uptick in the number of people out of work - with Bay of Plenty, Taranaki, and Nelson, Marlborough and West Coast all seeing a rise in unemployment rates. But it's Gisborne and Hawkes Bay that's seen the highest increase - up to 5.6 percent from 3.4 percent for the December quarter. Lucy Laitinen, the Chief Executive of the Hawke's Bay Regional Economic Development Agency spoke to Lisa Owen.

The Government has rushed through changes to the Equal Pay Act that will make it harder for workers to make claims of unfair pay based on gender discrimination They claim it save billions. Hawkes Bay care worker Crissie Chaplin got in touch with the panel to tell us how pay equity changed her life...

The Hawkes Bay has seen three shootings in 48 hours as gang conflicts heat up. A gang conflict warrant has been invoked 26 times since Thursday, leading to eight arrests. Police Minister Mark Mitchell talks to Mike Hosking about the conflict. LISTEN ABOVE. See omnystudio.com/listener for privacy information.

On the Mike Hosking Breakfast Full Show Podcast for Monday the 28th of April, how did Hawkes Bay's gang conflict warrant pan out? The Prime Minister speaks to us out of Dubai as he wings his way home about Gallipoli, the Pope's funeral and his time with Keir Starmer. Andrew Saville and Jason Pine talk the Warriors in the top 4 and Auckland FC winning the Premier's Plate. Get the Mike Hosking Breakfast Full Show Podcast every weekday morning on iHeartRadio, or wherever you get your podcasts.See omnystudio.com/listener for privacy information.

Ariki Rigby's murderer was sentenced to life in prison. Gisborne's forestry sector are looking to replant 100,000 hectares of forestry and pasture back into native bush.

Dr Jo Brown is a low key legend, a Kiwi who has reached the top of her field on the global stage.She has been the physiotherapist and performance coach for some of the biggest sports names on the planet, including Noah Lyles, Yohan Blake and Megan Tapper, NBA players, Professional football players, Australian Olympic teams and even the Jamaican bobsled team (Cool Runnings 2).One thing that was consistent with the track n field stars she worked with is that Jo was the last person everyone wanted to see before they went out on track. She has this gift, where she holds space, has their back and instills belief in people.In this episode we talk about being 'more than a physio', self awareness, the truth about high performance athletes, working with Noah Lyles and Jamaica's best sprinters and tall poppy syndrome in NZ.Dr. Jo also tragically lost her sister a few years ago when she was trying to save her children at a beach in Hawkes Bay. The children survived, but jo's sister, Amy, tragically drowned and we address how she got through her most difficult moments.She recently released the book "See Your Elephant". It goes deep into the blind spots, limiting beliefs and handbrakes that hold people back in life.We're also super stoked to have Dr. Jo on the books of B2B Speakers, so if you'd like her to share her story at your function or event, flick us a message by going to B2Bspeakers.co.nz.This episode is brought to you by TAB, download the new app today and get your bet on.Between Two Beers is now part of the Acast Creator Network, listen wherever you get your podcasts from, or watch the video on YouTube.Enjoy. Hosted on Acast. See acast.com/privacy for more information.

Esk Valley Malbec Cabernet Sauvignon Merlot 2022, Hawkes Bay RRP from $24.99. From the Gimblett Gravels sub-regional GI of Hawkes Bay The Wine: Great colour concentration leading to a bouquet of ripe dark red berry fruits, blackberry and roasted plums, a mix of sweet and bitter chocolate, cacao and baking spices. The wood smoke from use of barrel adds complexity and depth. Dry with an abundance of ripe tannins and plenty of acidity for bite and freshness, West drinking from day of purchase through 2030. The Food: Great with moderate to high protein foods – from lamb to beef and even some roast chicken. Red meat, say a steak, that is cooked medium-rare has a lot more available protein on the palate than say one cooked to medium-well, or well-done. The rarer the meat the bigger and younger a red wine can be – the protein in the flesh and any juice that might ooze from it soften tannins in the wine making it seem smoother or softer. The other consideration is the sauce and the seasoning: I don't mean tomato sauce – though this is full of sugar and salt – I mean a reduction, a jus, or a cream=based sauce will all have a reaction with the wine. One piece of advice – if you have a chili meter from 1 to 10, 1 being the least heat and 10 being the hottest of hot, don't add chili spices to the food that is intended to go with red wine beyond a 3 or 4 on the scale. Chili turns the volume up on tannin and alcohol perceptions in red wine and can easily disrupt the flavours within the dish. The season: 2022 was a very good year for wines from Hawkes Bay. With a warm and dry winter, and the earliest veraison in 30 years. Then quite a bit of rain before 30+ degree days until harvest. The wines that I have tasted are balanced, complete and will age through to 2030 for most and 2035+ for the rest. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Kiwi butchers have been doing New Zealand proud overseas at the World Butchers' Challenge. Rhys Tamanui from Hawkes Bay picked up 3rd place in the apprentice division. 

Simon Nash and Jill Upton speak with Steven Smith MW about the region he calls home and he does make it sound appealing to visit.@thewineshowaustralia @stevesmithmw @hawkesbaywine

A group of teenage drivers have been terrorizing rural road users, dwindling numbers have forced the final members of Waipawa St Peter's Anglican Church Sunday congregation to seek a new place of worship, and the National Aquarium is leaking more than $2 million of Napier ratepayer money every year.

The Postal Workers Union is outraged post boxes in Hawkes Bay have been sitting dormant for months, with members of the public continuing to put their mail in for collection. 

New Zealand is the landing place for a growing number of meteorites, and Hawkes Bay is the latest focus. 

Happy Monday Legends

Today on the show we spoke to Harvey Nelson, a farmer in the Hawkes Bay who was thrown from his horse before it landed on him, causing a compound fracture in his leg. Unable to move Harvey found himself in a creek awaiting rescue.

It's taken hundreds of hours, but a vintage car that was swamped in silt and water in Cyclone Gabrielle has been lovingly restored to its former glory and is back on the road. The 1934 Plymouth Coupe owned by Hawkes Bay pulp and paper mill Pan Pac was buried in up to two metres of flood water, along with other cars, machinery and equipment. Paul Tollison works as an operator in Pan Pac's sawmill. He lovingly restored the Plymouth and spoke to Lisa Owen.

Dr. Jacqui Snell was born and raised in Wellington, New Zealand. Veterinary Medicine was a career aspiration from childhood. She earned her veterinary degree from Massey University in 1988. Afterwards, she worked in a small animal practice in Wellington before spending a year doing locum work in London England.After returning to New Zealand, she worked at Taradale Veterinary Hospital in Hawkes Bay for 21 years, spending 16 years as an owner of the practice. She started her holistic practice, Veterinary Holistic Healthcare, in 2018, after earning a Western Herbal Certification. She completed a Graduate Diploma in Veterinary Western Herbal Medicine through CIVT in 2019.She worked part time in a holistic practice as well as a companion animal practice. She also worked part time for the Raw Essentials company, providing nutritional advice to pet parents who were transitioning their pets with health issues onto a raw food diet.Currently, she focuses completely on her holistic practice, seeing patients in person and via telemedicine.In addition to her clinical practice, she has lectured at the New Zealand Veterinary Association conferences and is the current newsletter editor for the Complementary Branch of the NZVA.Please enjoy this conversation with Dr. Jacqui Snell as we discuss her education, various clinical roles, and her current holistic practice.

It has been two years since Cyclone Gabrielle, Alexa talks to Kathryn about what has happened since.

Two teenagers living in rural Hawke's Bay are hitch hiking to school after their bus was canceled. The Brown whanau lives on a family farm on Aropaoanui Road, which connects to State Highway Two north of Napier. Until this year, 15 year old Chamon and 16 year old Laa got the bus to school and back each day, but the route has been axed. The Ministry of Education reviewed hundreds of routes last year; ditching some and merging others. Their father Mike Brown spoke to Lisa Owen.

KC Jordon's daughter was catching the school bus from the small Hawkes bay community of Te Pohue to Sacred heart College in Napier more than forty kilometres away - but the route got canned at the end of last year. So KC, a play based teacher for children with learning difficulties has quit her job at the local primary school, where her youngest daughter goes, so she can home school her eldest. Jordon spoke to Lisa Owen.

Chris discusses plans to address the drought after scorching temperatures in the region, the disappearance of Fiona Wills - a decade on, and 64,000 trees recloak Te Mata Peak. Chris Hyde is an editor for Hawkes Bay Today.

13-year-old Elly Grady's debut children's book is an oral history of her Kereru, Hawkes Bay community.

The national hīkoi for te Tiriti has arrived on Parliament's doorstep. After travelling through Hawkes Bay and Manawatu over the weekend the main convoy reached Porirua on the outskirts of Wellington on Sunday night. Māori Issues Reporter Pokere Paewai reports.

A village of relocatable houses for whanau displaced by Cyclone Gabrielle has been finished on marae land in Hawkes Bay. The collaboration between iwi, hapu, the Ministry of Business and Innovation and Omahu Marae has seen 11 homes built 20 months on from the extreme weather event. MBIE has a three year lease for the land at the marae for the temporary village. Today, families and community got to see the finished product. Meihana Watson, the general manager of Te Piringa Hapu spoke to Lisa Owen.

Hawke's Bay may have lost the Ranfurly Shield, but they're still winners off the field financially - Chris has the details.

Welcome to the Surf Mastery Podcast, where we delve into the fascinating intersections of life, sports, and the art of mastering the surf. In this episode, our host Michael John Frampton sits down with Matt Parker from Album Surf to discuss the intricacies of surfboard shaping, the evolution of surf culture, and the joys of riding different types of boards.Matt Parker is a seasoned surfer and shaper from Southern California who started crafting surfboards in his garage in 2001. Now, Album Surf is one of the largest surfboard companies, known for its diverse range of high-quality boards. Matt's philosophy on surfboard design emphasizes the harmonious blend of curves and how they interact with the water, aiming to make every board feel like an extension of the surfer's feet and mind. Episode Highlights:The Origins of Album Surf: Matt shares how he started shaping surfboards in his garage in 2001 and grew Album Surf into a renowned company.Philosophy of Surfboard Design: Discussing his unique approach to shaping, Matt explains the importance of creating boards that blend seamlessly with the water.Surfing in Southern California vs. New Zealand: A comparison of surf conditions and the surfing culture in these two iconic locations.The Evolution of Surfboard Variety: Exploring the trend of surfers, including professionals, moving away from high-performance shortboards to experimenting with various types of boards.Educational Insights: Michael and Matt discuss the importance of riding different boards to improve surfing skills and the misconceptions many surfers have about the type of board they should use.Personal Anecdotes and Experiences: Matt and Michael share personal stories about their favorite boards and memorable surfing experiences.Key Quotes:"The surfboard is a constant blending of curves and how they interact with the water, making those curves feel comfortable, like an extension of your feet and your mind." - Matt Parker"Are you actually having fun? That's what it should be about, not just projecting competency and coolness in the lineup." - Matt Parker"It's the best time to be alive as a surfer because you really have more options nowadays than you ever have in the past." - Matt ParkerFollow Matt Parker:Instagram: @albumsurfLinkedin: matt-parker-7877a17Website: albumsurf.comDon't forget to visit our new website for a free PDF download outlining Michael's top five insights from the show, and reach out if you know anyone at YouTube to help resolve access issues!Enjoy the episode and happy surfing!Full Show Transcript:Matt Parker- Welcome back to the Surf Mastery podcast. I am your host, Michael Frampton. Today's guest is Matt Parker from album serf. But before we get into that, a couple of housekeeping items. Firstly, Serf Mastery has a new website, and included on that on the front page is a free PDF download outlining my top five insights from the show and the last eight years or so of focusing on improving my own surfing. Um, so go ahead and download that puppy. Also, does anyone know anyone on YouTube? I have been denied access to my YouTube account and have exhausted all other avenues and have had a dead end. So if anyone knows anyone at YouTube, please reach out. Mike at Serf mastery.com or you can DM me on Instagram as well. Onto the show. Today's guest, like I said, is Matt Parker from album surf. Matt is a surfer from Southern California, and he started shaping surfboards from his garage back in 2001. And now album surf is one of the largest, uh, surfboard companies around. Uh, they specialize in all types of boards. And let me read a little quote from Matt's website, which sort of summarizes the way he thinks about surfboards. This is a quote from Matt. The surfboard is a constant blending of curves and how they interact with the water, making those curves feel comfortable, like an extension of your feet. And your mind is so interesting. There shouldn't be any rules about what a surfboard looks like. I love that quote and you would have seen there's so many pros that when they aren't surfing on tour, they end up on these boards, including one of my favorite surfers of all time, Margo. Yes, one of the best free surfers around. Brendan Marginson is well worth a follow on Instagram as well. He started writing Matt's boards. Anyway, without further ado, I shall fade in my conversation with Matt Parker from album surf. Com two.Matt Parker- How are things? Uh, how are things in New Zealand?Michael Frampton - Are things going swimmingly?Matt Parker- Always there. So you live in the prettiest place on Earth. How could it not?Michael Frampton - Oh, yeah. You're not wrong. Although I have to admit, I do miss California.Matt Parker- Did you have spent time out here before you lived here or just.Michael Frampton - Yeah, I lived in, uh, I lived in Point Dume Malibu for four years. Oh, cool. So I was obviously in a little bit of a bubble surfing Little doom every day, but, uh, you know, the weather, the weather alone in Southern California, I kind of felt like it was a bit monotonous. After four years there, I almost missed winter. But having come back to New Zealand and actually experiencing the four seasons, I take California any day.Matt Parker- Yeah, it's big news. When it rains here. It's like, yeah.Michael Frampton - Yeah, no one can drive in the rain in California.Matt Parker- No. Definitely not, definitely not.Michael Frampton - And then, of course you can't. Well, you're not supposed to go in the water either.Matt Parker- Uh, so. So whereabouts in New Zealand? What part are you at? Like, where do you surf at and all that?Michael Frampton - I'm in a place called Hawkes Bay, which is on the east coast of the North Island. There's nowhere really famous surf wise around here. The surf is pretty average around here, actually. We have a mass. Uh, continental shelf. So the swell comes in with a, uh, just with almost no energy left in it unless it's a certain period that seems to sneak through. Um, so, yeah, around here is not so good for surfing, to be honest. I came back here to, you know, raise the kids and I think, yeah, that sort of thing.Matt Parker- But there's pretty drivable though, right? I mean, you can get. Oh yeah.Michael Frampton - Yeah, yeah, yeah. It's you know if you're willing to drive um then yeah you can get waves, probably get good waves almost every day. Uh, in New Zealand actually, if you're willing to drive and put up with a little bit of weather.Matt Parker- Mhm. Not afraid of a little wind. Right. Find the blowing the right way. Yeah.Michael Frampton - Exactly. Well that's another big thing is I remember in Southern California so many days there's just no wind.Matt Parker- Yeah.Michael Frampton - Where you don't really get that in New Zealand maybe the first two hours of the day there's not much wind, but you'd never get a day where it's glassy until midday, like in Southern California. That's rare here.Matt Parker- Yeah. That's like the prototypical dreamy Southern California fall day where it's kind of glass a little bit offshore in the morning and kind of glassy and nice and sunny and warm all day with fun combo swells. That's kind of the ideal. It's like that a lot. I'm down in San Clemente. It's pretty clean down here, too. We live like a little valley, kind of, uh, that kind of keeps the wind cleaner here. I don't know if it's just protected a little bit from some of the, you know, more beach break spots up in Huntington and Newport, all those spots. But, um.Michael Frampton - Yeah. No, I, I've spent a little bit of time down your way as well. The Surf lowered and I got to interview Archie on my way down there and I spent some time, um, I love surfing Swami's and just that whole Encinitas area. Spent some time down there?Matt Parker- Yeah.Michael Frampton - And, uh, what opened? Part of what I wanted to talk about today was, obviously surfboards. But I remember we interviewed Devon Howard, and so I got to surf with Devon and I was surfing this like it was a Stu Jensen 94. And I would just paddle. I would just paddle right out the back as far as you can at Little Doom and surf it like Sarno, almost just catch the swell and just get long, big sweeping rides. And Devon's like, you should just be on a glider. And I was like, what's a glider? And then so I just, I just went out and bought an 11 foot Josh Hall, and that's pretty much all I surf all of the time.Matt Parker- Even further out. You weren't even like another hundred yards out would catch it even out the back. Yeah. It's amazing.Michael Frampton - Yeah. And then I'm always swapping around boards. But that 11 foot board just taught me so much about surfing. Just the sheer volume and weight and size of the board. Just you have to think about reading the waves so differently and about you know, your the space around you with other people so differently. And then when you finally do jump back on a board, a short board or whatever, I found it so much easier and more fun and easier to sort of be present after having learnt how to surf such a big surfboard. Yo. Have you experienced anything similar with playing around with lots of different boards?Matt Parker- Yeah, I, um, I, obviously I make boards and so I'm always writing something different. You know, most of the time it's rare that I ride the same board two days in a row. Um, and so I'm very used to, like the initial paddle out where, um, I, I can't try too hard, you know what I mean? I kind of have to just. Feel what the board is going to do and just kind of be open to what it feels like once I'm dropping in and just kind of riding the wave. And so it makes me, um, yeah, it's just a good little lesson every time because you can't, you can't force it. And so, uh, you remain a little bit relaxed and not try to do too much, and then you kind of feel it out in every wave is kind of like a you're learning a little bit more about what the board wants to do and what line it wants to take, and trying to figure out where the gas pedal is. And, and, uh, so that's like the discovery part of surfing for me because I surf, I tend to surf the same place every day. And it's a point break down near, uh, lowers and it's kind of a similar wave, but it's kind of a sectional point break that offers some variety. But it's the same place. You know, I'm surfing in the same spot all the time. And so the variety of boards, um, just kind of changes up. Um, it kind of removes expectations sometimes. I think sometimes if you have a board, you've written a ton and you're kind of like, oh, this is the kind of surfing I want to go do. And these are the, you know, these are the turns I'm going to do or whatever. And when you're surfing a little bit more blind to what the board is going to allow you to do, it just kind of, um, keeps you from having expectations. And then you're kind of, uh, you just find fun in different ways and new experiences every time you surf.Michael Frampton - So I think that really good top level surfers are doing that on a much more refined and accurate level because they're always so close to where the wave is breaking. There's so much in the source and they're feeling all those little bumps and nooks and obviously those sorts of boards at that speed are ridiculously sensitive. So if they're not tuned in to that, it's just not going to happen. Whereas you and I are surfing bigger boards a little further away from the power source, we kind of can get away with not being tuned in, but when we do, they're aware.Matt Parker- Yeah, their awareness level is so next level, so high. I like the little nuances and they can feel a lot of they can and can't always communicate verbally, but they definitely know what they're feeling and experiencing in a different way than most regular people.Michael Frampton - Yeah. You know, what I found that's really [00:10:00] interesting is, all of the pros, well, not all of them. A lot of the pros, when you see them out free surfing or when they take a break off tour, then they're not riding high performance shortboards. You know, Josh Kerr is a great example. Um, you know, even Steph Gilmore and Kelly Slater with fire waves just riding different boards as soon as there's not a camera and a judge looking at them, they're like, I'm on this board. Yeah, yeah, yeah. I go down to the local beach and it's waist high and onshore and it's 11 seconds and there's people out there on toothpicks pumping and getting angry. But the pro even the pros when they're surfing good waves, they're not on those high performance short boards. Are you seeing a similar trend overall in Southern California?Matt Parker- Uh, yeah. I mean, well, specifically with everybody that all the, all the guys and gals I make boards for. But no, no one that rides for us really does contest surfing. Most everyone is just kind of free surfing. And so they're definitely on the track of surfing, whatever feels good and experiencing a lot of different things. But yeah, Josh is a perfect example. I don't think he's touched a thruster since his last heat up pipe, honestly, when he retired and that was probably five years ago or something like that. Even in good waves and every kind of wave, whether he's in Indo or wherever it is, he's always writing something different. And uh, I think obviously like high performance shortboards surf. Amazing. We all love to watch surfing. We love watching contests and, you know, the sport of it all. It's always exciting and entertaining and all that. But I think that type of board, um, directs you to one type of surfing. There's, you know, like everyone's trying to kind of surf the ideal way that that board kind of pushes you to. And the judging and the contest structure is kind of, um, positioned around that ideal as well. So I think, um, when you remove that, that box that you're trying to operate in and you don't have to do the same turns and all that, you know, you're just freed up to do whatever you want to do. That's always going to be a more fun option. And for me personally, I am someone who makes boards, it's true. That's my favorite thing, is to see, uh, people that can surf at a world class level, see them surf a lot of different boards and see the different places those boards can go when it's put under the feet of very, very talented people. Because, um, because for the most part, you know, the most, most of the surf media, the most surf contests, you see these very high level surfers riding very similar type of equipment. So.Michael Frampton - Um, yeah, I've always had this analogy in terms of car racing, whereas the pros in a contest, they're in a finely tuned formula one that's customized for their style. Right. And then for some reason, we want to go race around the local racetrack, and we think we need to be in one of those cars. And yeah, sure, that when the average driver is in a high performance car, yes, you can drive it around the track, but man, it's going to be bumpy. It's going to be shaking if you're not constantly turning the car. It's just not going to be as fun as getting in a V8 supercar that's nowhere near as fast or fine tuned, but is a little more. It's got a little more given it still goes fast. So that's what I'm wondering. You see these pros, when they're surfing outside of the contest, they don't necessarily want to be in a finely tuned formula one. They just want to be in a V8 supercar and just have a little less pressure and a little more give. How does that analogy stack up for you? The car racing one?Matt Parker- Well, I like to me surfing really is about the feeling, right? And like the tactile feeling of driving a car that's fast and that wants to go and that you're feeling it. And there's a little bit of like, uh, you know, you're not going to, you're not going to crash right away, you know, like a regular driver. If they went behind the F1 car, they're probably going to crash pretty quick because they just can't handle it. Right. It's too technical to drive all that kind of stuff. So you get into something that has a better feel. But it is about the feeling. And you know, ultimately that's what we're chasing every time we surf. That's why we want to get another wave, is because you want to get that feeling again. And uh, and so the same with the pros that can surf at the highest level. You know, they're chasing the feeling the contest is like the job side of it. You know, it's ticking the box I feel in to win and do all that. But if they're freed from that, they're chasing the feeling of going fast and finding a tube and not having to fit in as many turns as they as they need to just to get the score, but to actually do the turn where the wave is, allowing them to or not, or just ride the wave.Michael Frampton - So that makes sense. Well, yeah, because I'm always dumbfounded when you see so many surfers spending so much time and money on taking these high performances. You know, they watch stab in the dark and they want to buy the latest version of the ten short boards that they already own. It really doesn't make much sense to me. And I think things are changing, but there certainly is still a large percentage of surfers that fit in that category. Uh, do you think it's trending the other way with companies like yourself and even, you know, Channel Islands are broadening their range of boards? Um, I.Matt Parker- Think it's for me, it definitely is the best time to be alive, to be a surfer, because you really have more options nowadays than you ever have in the past, and you really can ride anything. When I was when I was young, as a teenager in the 90s, surfing, it really was you. Everyone kind of had the same board. I rode the same board, no matter the conditions. It was like a six, three, 18.5, two and a quarter rockered out shortboard no matter what. If it was one foot, if it was six foot, whatever. So nowadays you really do like I think everyone's kind of experienced like, oh yeah, I can have a little bit more of a diverse quiver and it's okay if I'm riding a fish one day or I'm riding like a little stretched out worm another day, or if I'm riding a shortboard one day or whatever, it's like there's a little bit more, um, versatility and variety and, um, so it's a it's a great time to be alive, to be a surfer in that way. I think, um, uh, I just think that, yeah, there's just less rules, less rules about it, more enjoyment.Michael Frampton - Yeah. Yeah. I guess the question is, the impetus of the show is education and inspiration for better surfing, really. And I guess when I take on a client myself personally, um, one of the first things I say to them is like, why do you want to? Why are you on that board? Like, this isn't you're not surfing double overhead barrels. Like that's what their board's made for. Like just try.Matt Parker- Yeah, I think I've said this before, but I think a lot of, um, uh, just the culture of surfing is a little bit like, no, everyone wants to look competent. Right. And so a lot, a lot of surfing culture is the perception that you put out there. Right? Like, I'm the cool guy. I got the right board, I got I'm not a kook, you know, I'm wearing the right trunk. So I've got the right wetsuit and I've got the right traction pad and whatever it is, I've got the cool label. This is what I'm, you know, because a lot of people are more concerned with what, how others perceive them in the lineup, because sometimes, you know, how you're perceived in the lineup, gives you status and gives you, you know, if you're competent, you can kind of you get more waves and you get a little bit more respect from people around you. And so there's a little bit of a game that people play in trying to, um, project competency and cool and a cool factor. And I'm not a kook. And so sometimes people put too much weight on that and they're more concerned with what they look like on the beach or in the car park than they actually are.Matt Parker- And then the enjoyment they're actually getting out of it themselves, you know, like, are you actually having fun? If you mentioned like the guys that are flapping around and having a miserable time. There's always people out in the water that are having you kind of wonder sometimes. Do you actually like, what are you actually getting out of this? Do you actually enjoy what you're doing? And, uh, I don't know, every different stroke for different folks. People get different things out of it. And maybe that little social status thing is more important than the actual surfing. And I, I think that's obviously short term thinking because and it's like, that's a hollow chase that you're after because you're never going to be satisfied with that. And you shouldn't be. I don't think you should be spending too much time pursuing things for the approval of others. You know, surfing is kind of a solitary pursuit, right? You're you're the one that's doing it, and you're the one that's riding the wave, and you're the one that's having that moment and feeling it. If you're doing it for what other people think about you, I think you're missing. You're missing the point, you know?Michael Frampton - So, yeah, well, I definitely fit it in that category for a while. Um, we all do.Matt Parker- At some point, you know, in a little bit. We all do. You know everyone? No. Like I said, everybody who surfs wants to look competent. Kelly Slater doesn't want to be a kook. He wants to be the cool guy in the lineup. We all kind of have that feeling to a certain degree.Michael Frampton - Um, and there's something to be said, you know, surfing that high performance shortboard in all types of conditions you will develop a very intimate relationship with that surfboard. And when the waves do turn on, you're going to be pretty used to it. And then, you know, you're probably going to have a better surf on that day. Um, but was there a point in your surfing [00:20:00] life where that changed, like where you started riding different boards, more volume, etc.?Matt Parker- Um, yeah. Like I said, I grew up in the like, I started surfing in the late 80s, early, and then through the 90s, I was a teenager and then in the early 90s and, uh, back then it was really about just being competent enough and you just riding what everybody else wrote. And that was really all that was available was just kind of your standard shortboards for, um, I guess for, for me as, like a general public, you know, not in, you know, I didn't have any my dad surfed a little bit when he was young, but I didn't I didn't come from like a long line of family surfing and all that kind of stuff. And so probably I, I started getting curious, more curious about surfboards. Um, and that's kind of what led me into shaping a little bit is that I was interested. I, you know, you get back then this is pre-internet really, you know, but you would get little. To see different little videos. You'd see different things that were just like, oh, you know, like, that looks fun. That looks like more fun. I was surfing Newport Beach. It's two foot closeouts most of the time it's not good. It's, you know, it's hard. Like surfing is hard out there and you're riding equipment that's bad.Matt Parker- So you just have a lot of frustrating sessions and you just like, just gotta, you know, just you would see videos, you'd see guys in good waves. And so that was always like I was interested in, um, trying different boards to get a different experience. You know, I was competent enough, but I was by no means pro or anything like that. I was good enough out in the lineup to get waves and to surf and fine, but it was not. But I always felt like those boards held me back, too, you know, just the normal boards, because they kind of, you know, they you just have like, it can't be this frustrating all the time. So the interest in different boards. So I would go to different shops and I would want to get a board that was different and I could never really find one. You know, it can never really find what I was looking for. And then, um, even when I would order custom boards, you know, from local shapers, you would try to explain what I had in my brain, what I was like trying to go for. And it was never it never like it was probably my fault for not communicating that clearly what I was really after, but it never was it.Matt Parker- And so I was, uh, in design school and art school and taking all these like, sculpture and drawing and painting classes and stuff. And so it was just kind of a natural extension to get a blank and some tools and kind of experiment and just try to make something without any restrictions of what it had to look like, because I was just fooling around, you know. So that was probably the, the, the interest. And that was probably at the time when, like, um, things were coming more online and you had more access to just different things other people were doing. And so you could kind of see, uh, you know, your world was kind of opened up as far as, like, oh, there's like other shapers and all these places making different things. And there are a lot of cool things out there that I just hadn't really experienced and I didn't have. I had never tried or felt or seen in person, but like, it just kind of expanded what was possible. And, the interest level and surfing really grew. And my fun level expanded too, because it was like everything was opened up more.Michael Frampton - Um, and then it sounds like the developer or the birth of album surfboards was quite organic. You saw essentially a gap in the market, right?Matt Parker- Yeah. Why? Initially, for years I was shaping boards with no, no intention of it being a thing, being a business or anything. It was more I just wanted to try different things. And, um, the creation, the creation part of it was really fun, like just designing and trying something and the tactile thing of making something with your hands and then seeing it finished and then going and writing it was very addicting. It was very, um, yeah, just kind of opened my mind a lot. And it was just it's just it made, um, the exploration process of trying different boards, satisfying even if the surf was bad. So in the old days, you know, as a kid when I was a teenager and you're trying to just, like, do all the moves you see in the videos and you're having frustrating sessions because the waves aren't good most of the time, and you're writing boards that aren't good. You just surfing wasn't as fun. And so when I was, when I was making boards and exploring and trying these different types of shapes, just going out and seeing that it worked and making it like get down the line and get the feeling of speed that I was kind of envisioning with it was satisfying.Matt Parker- So the waves didn't have to be good, and my surfing didn't have to be amazing. And I was still, like, very satisfied and validated and surf stoked. I was inspired to go make another board and surf more because I wanted to try out these things that I was, um, that I was playing around with, but. I did that for years. Hundreds, probably a couple thousand boards before it was even, like a real, um, business I was doing. I was a designer by trade, and so I was doing like graphic design work, and that was kind of what my, uh, employment or job focus was, and was making boards was like this side, this just kind of creative art project on the side that I could just have fun with and I could usually like, um, sell, sell one to pay for another one and, you know, find it, you know, put it up like in the used rack at a shop and sell it on consignment. Just turn it over enough to learn the craft without any pressure of having to be a professional at doing it.Michael Frampton - Yeah. So. So did your entrepreneurial journey begin with the album agency?Matt Parker- Yeah, exactly. So that was I was running my own business and just doing client work, client design work that way. And um, the building the surfboards and kind of treating it like my own little micro brand was kind of also an extension of the graphic design side. So I was able to kind of like, you know, you're doing you're doing work on for clients in industries that you're not really interested in, you know, and I was like, here's, here's a chance for me to play around with design and create it and kind of like make this a fun little, like. You know, brand for fun without any, you know, strings attached. Yeah. That's pretty.Michael Frampton - And what inspired you to make the leap? To turn the surfboards into the main business?Matt Parker- Uh, there was just, uh. Well, I was doing it at night, so I would be working, like, in the day, like client work and, um, uh, designing and and, uh, getting projects done. And then I'd go home and have dinner with the family and then put the little kids to bed and go in my garage or go in my backyard and shape at night. And I was doing this a lot. So I was working a lot. I was working a full time plus job and then shaping on the side and demanding just kind of like, you know, we're just kind of we would get out, you know, I was making boards that were probably interesting and that resonated with other people that they hadn't seen either. And there was something unique about what we were doing. And so, um, the age of when we are, you know, in this last 15 years where things are just more accessible and people can find you easier, you know, it just kind of the awareness of what I was doing got out there probably faster than if it was 30 years ago. No, the people in my little community would have known. But then. So then people would just want to order a board, and then that just kind of gets to this, uh, point where, uh, the demand kind of exceeds like the time on the other side. And so just kind of realized like, oh, there's, uh, I think and by that point, too, I had made enough boards and had enough awareness of, like, just the surf industry and kind of where things, where things were that you could kind of see opportunities, uh, or openings in the market. And like, here we have something different to say, and there's people that are interested in what we're doing. So yeah, let's make a little run at it.Michael Frampton - Yeah. Well you mentioned supply and demand. I mean that is why business exists. So obviously the culture is changing. You know, people are more interested in, uh, you know, different shapes. And, uh, I would say a higher level of longevity. You get a much more longevity out of a surfboard like yours as opposed to a pop out, um, white shortboard for sure.Matt Parker- I think the other thing, too, was I made boards. I made some boards for some good surfers, some pros and things like that, and they worked really well. And so there was kind of like this validation of like, oh, okay. Like, I mean, I knew like I was like I said, I was competent enough to know that they worked for my level of surfing, and I was having an amazing time at having fun. And my friends were. But then, um, when you when I made some boards for guys that could surf really well, and then they had more fun on that too. It was kind of like, oh, you know, maybe there really is something a little different that we're doing that does work and makes sense of like we should kind of should follow that path because there's, there's something there that hasn't been tapped into yet, and it resonates with guys that can surf at the highest level. So we should kind of pursue that.Michael Frampton - Um, that leads me into a question I have about let's get into your designs a little bit. So. I remember I first got into surfing fish surfboards. I had a Christiansen fish that I used to surf a lot. And then I remember one day the waves turned [00:30:00] on, um, and rising swell. And next thing, next thing you know, I'm surfing almost double overhead waves. And I find man to to be able to surf that fish in those real good solid waves, I would have to move my feet closer to the inside rail to do a bottom turn, and then I go up to do a top turn. It would just slide outside. This is not the right surfboard, but at the same time, I don't want to be surfing a high performance shortboard. And then you look at someone like Josh Kerr surfing the twins men or the, um, insanity. I think it is in the mentor wise in double overhead waves getting barreled and doing airs on what is, I guess, hybrid or alternative high performance shape. Now, is that the kind of board that only he can ride in those waves? Or is it designed so that anyone can have a good time in those overseas waves?Matt Parker- Well, I think there's a misnomer to me, there was always a misnomer in the marketplace that high performance shortboards are for like real surfing and alternative boards are just, you know, for fun or whatever. And, um, I think if you look at the trajectory of surf of surfboards from, you know, longboards logs up into the early 60s, mid 60s to how quickly it progressed and revolutionized, like what people were riding in such a short window of time. There's so many, um, like, design steps along the way and different types of boards along the way that, like, didn't get their full, uh, fleshing out. Right. So there's a lot of ideas in that time and I, I mean, Twin Fins is a perfect example of that. Like where twin fins were really at like their height from, you know, 78 to 81 or something like that, or, you know, 77, like, what is it, 3 or 4 years or something like that, where twin fins were like the, you know, high performance little hot dog board that people were riding and that was with kind of like, I mean, nowadays, like that window of time is a is a blink, you know, three years. It's like most of us have boards that we've surfed for five, six, eight years. You know what I mean? So three years is nothing. And so, you know, you just see like, oh, the fins they were writing, they didn't have enough time to develop the right fins for them, and they didn't have enough time to think about fin placement and, and designing the rail shape and bottom contour to fit like where that goes and like what type of wave that needs to be surfed in and what blanks were available and different glassing, you know, layups and all that.Matt Parker- It was just like it was just too fast. And so, um, I've always felt like, um, alternative boards, twin fins are not, um, like a, a cop out of, like, I'm just I'm just going to screw around. Like, it's like any sort of design, any, any, any place. I'm going to take a surfboard. There's like an intended, uh, performance or design intention for that concept. And so the concept is meant to perform at a high level. It's just a different way of doing it. And um, and so like with Josh, those boards, like he has more fun and more freedom, more speed, they're easier to turn on a twin fin, you know, and so if you can make them and design it to be able to handle any type of wave, there's there's certainly obviously capable and validated by him and others in those types of waves. And so it's it's just a matter of, um, uh, backing it, backing the concept and then proving the concept and then iterating the idea and the concept enough to prove it out and refine it and get it right so that it actually does work in those types of ways.Matt Parker- But I think sometimes when, uh, like, uh, you know, shapers or whatever, if, if they're focused on one thing, if they're focused on high performance shortboards, their version of a twin fin or a fish is like a is not the main design intention. It's almost like a little, it's like a spin off of their shortboard idea. And it's like they take their shortboard idea and they kind of fatten it a little bit and just put two fins in it instead of three and, you know, maybe make it a swallowtail. We'll call it the alternative board. And to me, I'm more focused on the concept of a high performance swim fin that maybe surfs better or is more of an advantage than a shortboard would be in those waves. And so it's like, how would I design it? Where do the fins go? What does that mean for the bottom contour? Like what dimensions are we talking about. You know, and so there's so like the funnest thing about surfing is there's so many variables in the, in the types of waves in the swell and the wind conditions and the interval and the where you're surfing, the type of surfing you want to do. And so there's kind of like these endless rabbit holes of design and conceptual thinking. You can go down and create whatever. And it's so fun too, because I mean, I think surfers should be, should be very grateful and realize how fortunate that we all are.Michael Frampton - That we we we.Matt Parker- Um, participate in this pursuit where we can make all sorts of different things all the time. I mean, if you're like, if you're driving or you're, uh, skiing or whatever it is, it's much more difficult to you're not going you're not going to go make a, a ten different concepts of skis that you're going to go try out every time, every different time you go surfing. But with the surfboards you can make, you know, I can go surf today, have a session out there, get the pros and cons of the Board of Writing. I come back to design something based on that idea, shape it that day, gloss it, and be surfing something next week.Michael Frampton - Mm.Matt Parker- Something that I was intending to design for. That's just like a, it's just a cool thing that we're, we all kind of. And surfing small enough surf industry is small enough that if you're, uh, uh, motivated like you can have access to any of that, it's relatively, you know, for what that is for the for the, uh, access to that kind of R&D and design like options for different types of boards. It's relatively expensive, not super cost prohibitive. You know, if you're if you're into it, if you're committed to it, it's affordable enough. You can, you know.Michael Frampton - Mhm. Yeah I think the importance of a quiver is. Yeah I mean I don't know whether that's why you chose the name album. But you know it makes me think of a good album like Pearl jam ten which is ten really good songs, all with different moods but still the same album. You know, you can sit, you can sit down and listen to the album, or you can sit down and listen to one song and I almost see a. A surfboard quiver is like that. It's, you know, has ten surfboards that are for you, but for the different types of moods and the waves that you're surfing. But it does make me think, because there's also that Swiss Army knife surfboard that kind of does pretty good in most waves and tends to excel in sort of head high. Good waves, for sure. What's that? What's that surfboard for you within your quiver? What would that Swiss army knife board be?Matt Parker- Well, that would probably be like a board I would travel with. Right. Because you're something that you would have that you'd want to have, um, versatility for. And that would probably be like Victor's model. Like a banana. Bunches like a quad, asymmetrical quad. It's kind of a hybrid. It's definitely a performance board, but it definitely is easier to go fast. And it paddles a little bit better. And it turns out to be super easy. And it's versatile in a lot of kinds of ways. Um, it's probably something like that. Um, honestly, uh, if you have the right mindset, though, almost any board in your quiver should be able to fill that slot, I think.Michael Frampton - Yeah, that's a good point.Matt Parker- Yep. It's all I mean, there's a to me there's there's, um, you know, there's sometimes there's people sometimes we all do it where we're no matter what board you're surfing, people try to surf the same way. Right. They have like they're the way I bought them turned. This is my turn. I do, and this is my little re-entry idea. And you'll watch them out there. And it doesn't matter if they're riding their fish or mid length or short board or whatever it is, they kind of surf the same. And uh, that's fine. That's totally fine. But I, I think it's good to, um, be a little bit more open to what the board wants to do and the type of surfing that board is going to allow you to do and, and how it might open up the kind of surfing you do and the enjoyment you get out of that kind of surfing so that it makes you a little bit more versatile in what your approach is like. Victor Bernardo, who writes for us, is like is a really good example of that because I think a lot of times people when they're like when they're building a quiver, they are a little bit too narrow in scope or what like range, they're they're going for like I it happens all the time where I'll have people that they kind of they want their fish and their short board and a twin fin and everything to kind of be all within, like a little volume range, like, here's my leader, here's the leader I [00:40:00] ride, and my boards need to be within 30 to 30 1.5l.Matt Parker- And they try to fit like all their boards. And it's like, I think you're missing out if you're thinking about it in that way. So Victor is this perfect example because he's a young man, 26, 27 years old, the highest level professional surfer can surf as well as anybody in the world. Um. Competed on the show, did all that stuff right. But if you look at his quiver, it is like. From five 0 to 8 zero and everything in between. I mean, obviously he has access to a lot of boards, which helps. It makes it easy to ride a lot of stuff. But still his mindset is like his, if you were just talking about what volume he writes, he writes from 29l to 42l, you know what I mean? So his range is like this and these are all. Different types of what I would call performance sports. So even yesterday or this week we were in Hawaii.Matt Parker- He's still there right now. But we were on the North Shore this past week and he was riding A68 bungee roundtail, which is normal. His normal version is like a five 8 or 5 nine, and he was riding the six eight roundtail version that was plus volume. It was actually one of Brendan Morrison's boards that Margo left there in Hawaii. When Margo went back to Australia, Victor took it out and got a couple amazing waves of pipe, you know, on that on that board. And so it's just I and definitely not limiting his performance, actually enhancing his performance because it was something that unique that he wouldn't have maybe taken out normally, but it just kind of opened up his surfing. And I think if you remain a little bit more, um, open, open to what the board wants to do and what the waves are asking you to do, you will just have more fun. Yeah. Surfing gets to, like you were saying, just like it started right when you're riding the glider and then you go jump onto your shore board, your surfing is better because you're kind of your fundamentals are better. Your timing is a little different. You know, your mindset is a little different.Michael Frampton - So yeah, I think every board you ride opens up. You have to read the waves a little differently and look for different lines. And like you said, your timing has to be better. Or maybe it can be more lax or you're looking for a different type of wave or whatever. So I think it really just helps you to read the ocean better. I think that's the main reason why different surfboards, uh, can improve your surfing when you jump back on your favorite board because you just read the wave with more detail. Writing that glider changed my realization of how big and how fast of a section I can actually make because those boards go ridiculously fast. Um, yeah. And I surprised myself many times with what I could, what section I could get around and that literally translated to surfing other boards. I'm going to try and make that section. I'm going to get a bit lower and stay on the whitewash a bit longer. And lo and behold, surfing that big crazy board just had me making different types of waves and changing my whole perspective on reading the ocean. Um, it sounds like I agree with that. It sounds like Victor Victor needs to go longer as well.Matt Parker- He does. He rides bigger. But I think the point of a querer is to make you surf as much as possible. So no matter what the waves are, you have the right board to have fun that day. And that's really the, to me, the thing that improves you as a surfer the most is water time. So if you're surfing a lot, if you're surfing more days than you're not, you're going to get better. You read the ocean better your time, your timing is better, your strength, your paddle strength is better. All that stuff kind of comes into play the more you surf. And so if you have a quiver that motivates you to want to surf and makes you kind of no matter what the waves are, you're like, oh, I'm stoked to go out today because I have the right board and I'm going to have more fun. And you see those guys struggling and you're having fun and they're miserable. It's like, oh yeah, you made the right choice, and you have the right board to just get out in the water a lot.Michael Frampton - Yeah, I think you nailed it that that's that is the point of a quiver. So it's as simple as that. And you're right. I mean, the best thing that ultimately that you can do for your surfing is not only to surf more, but to surf more waves. And if you're on the right surfboard for the condition, you are going to catch more waves when it's knee high. Here at my local point break and there's no one out, I'm I'm literally giddy because I have an 11 foot Josh Hall and no one can compete with that because no one.Matt Parker- How did you ship that thing to New Zealand? How did you get that point there? That's what I want to know.Michael Frampton - Yeah, I know, it.Matt Parker- Just.Michael Frampton -I, I filled a container with all of my stuff. So I've got, I've got my weight, I got my weighing rich nine eight and everything. Everything here. So how. How would you if I just asked you an open question? What is a surfboard?Matt Parker- Uh, well, there's the, you know, it's foam and fiberglass and resin and all that. Right. Uh, but I think it's just it's a tool to allow you to go ride the waves. So whatever that is, it, um, comes in, comes in many forms, that's for sure. Yeah. Uh, I think it's, uh, depending on, you know, the a surfboard for pipeline, like we were where we were at last week is not a surfboard for Upper Trestles, where I surf most every other day. Very, very different tools for those different, different types of waves. And so I think it's a tool that gets you to, to catch a wave and ride a wave. Yeah.Michael Frampton - Simple. How would you describe your current relationship with surfing in the ocean, and how has it evolved over the years?Matt Parker- Um, I surf a lot. To me, it's the most important thing in my job as a designer and shaper and surfboard manufacturer is being in the water as much as I can. So I, I surf 5 or 6 days a week. And, uh, it's kind of a like daily ritual getting out there. And so I surf a lot. Um, I, I'm 47 now, so I'm definitely past my peak of, uh, I've my, my better my best days are behind me as far as, like strength and ability level and all that kind of stuff. But I definitely have more fun surfing now than I ever have in my life. And, uh, I get more enjoyment out of it and I have a better perspective on it. And so, um, you just appreciate different things about sessions that you, you skipped and you missed when you're young and immature. And so, you know, with age comes wisdom. And so I definitely yeah, I appreciate it. Every session I go out I just have a better mindset for, uh, just appreciating the opportunity to go out and surf. I live in a place where I have things like surf boards to ride and just waves most every day that are rideable. It's a real blessing. So I think that my mindset makes me appreciate it more now than ever. So. Mhm.Michael Frampton - Yeah I like that. What's I'm going to go back to. So we talked about the Swiss army, the single board. What if you could take what if you could choose three boards to travel with or just to have what those three boards be.Matt Parker- It's, you know it's funny we were because we're talking about quivers. Right. And I'm actually like, I, I don't have a great quiver because I don't have boards. I hold on to that long. The problem for me is that I'm always, uh, I'm always doing R&D and and working on new models and new boards. And so it's, it's ever changing. So my answer would probably be that if you asked me next month, it would probably be different than it would be a month ago. So it changes all the time. But if I was going to like where we live, going down to Mexico, go down there all the time and surf the points, I would for sure take some form of a fish. I've been riding, um, a version of Asher Pacey's Sunstone with a little hip, and I've been riding it as a quad a bunch lately, and I've been riding it with, um, twin fin like upright twin fins in the lead boxes and little small trailers and the quad trailer boxes, and been having a good old time on that, so I would definitely bring one of those. I'd probably bring a, uh, like a bigger board, like, uh, like one of Margot's models in Vesper or a Delma, which is like a stretched out, kind of like a slot channel. Concave bonds or little bottom quad. I definitely bring one of those. I can hang in good surf, too. And they're really nimble, easy to turn for a big board. I'll ride those six, 8 to 7, 2 to 7, four, seven, six. I have an 80I take out on that all the time. Um, definitely take that. And then I'd probably take something asymmetrical, some sort of a disorder model, which is like my high performance kind of like foolish rails outlines shifted and [00:50:00] or a bungee. Like I was saying, it's probably something to at least like to cover the bases. Yep.Michael Frampton - Okay, cool. I'm taking a whale shark, a Vespa and an insanity.Matt Parker- Oh that's good. That's a good call to the, uh, yeah. The whale shark would tick that glider box for you for sure. Uh, so I.Michael Frampton - Want one so bad just by reading the description. That's it. Yeah.Matt Parker- Uh.Matt Parker- When you're talking about that build up of that section and you're just in so early and you have fun for me, the fun of those boards is that kinetic energy of like, the speed building, like you build the speed and maintain the speed and build the speed some more. And it's just a very satisfying feeling. It's just me and I. We make longboards and I enjoy longboarding. But I prefer it if I'm riding a big bull like a big board. I prefer a glider for a big twin, like a whale shark. I have a little bit more fun just because I. I probably surf more off the back foot than I do in a walking and walking the nose and all that kind of stuff.Michael Frampton - So yeah. Same. Yeah. It's amazing if you, if you got your if you're used to it and you get your timing right, you can step back on an 11 foot board and do a cutback. And like it's so satisfying in the and you're right, it's the main reason the maintenance of the momentum of one of those big boards is such an incredible feeling. And it's amazing what sections you can make. And I've had some of the longest rides ever. Oh, I bet in and on what most people would seem as unmakeable waves just by taking that high line and trusting it. It's uh. Yeah, it's an incredible feeling.Matt Parker- Riding gliders is like it's own form of riding a foil board. It's like you're almost ride those boards. You ride those waves that, um, you know, no one else can really get into depth. Length of ride is insane on those. Yeah.Michael Frampton - And it's, um, Joel Tudor says it's the ultimate goal, right? Is Skip Frye.Matt Parker- Oh, yeah, for sure.Michael Frampton - It's the end game.Michael Frampton -Uh, but it's, uh, I mean, I've, I've surfed that board in. I was a few years ago. We had it in Malibu. There's a little doom. There's an outer reef that breaks when you get those, those 18 second northwest swells. I took my glider out there and it was double overhead barreling, and I was like, wow, maybe I shouldn't have bought this. But I managed to get such a high line and set the rail so early that I could just avoid the barrel and still have and still catch the waves and have such a rad time. So there's such versatile boards if you know how to surf them.Matt Parker- And you're doing your own step offs.Michael Frampton - Basically.Matt Parker- Oh it is towed in out the back. Yeah. It's just like being able to paddle that fast. It's amazing.Michael Frampton - Oh yeah. And that's the thing. You can pedal around so much. That's what I like about them so much too if you can see a section over there. You can just paddle over to it.Matt Parker- And that board's going to last you forever. 20 years from now, you'll still be searching roughly. You'll have that. You'll have that thing forever. Yeah. Which is special.Michael Frampton - Yeah. Was that so? Obviously it sounds like you've experienced writing. Was that the inspiration for the whale shark writing? Gliders.Matt Parker- Yeah. Just write just just because like I was saying, I'm not like I'm not a longboarder. That's walking on the nose. And you know, I'm more into just trim and glide and that feeling. And obviously you want to have a board that you can ride for us on those longboard days when it's really small and it's just soft and just little open faces. And so that was my preference was to ride that style of board. And so it was. It's just for me it's like an extension of the fish. Obviously it's taking A56 fish and making it ten six and so on. So the same kind of principle is a little bit for me. It's just putting it with a really long rail and with a different, you know, sort of rocker to fit that wave face.Michael Frampton - Yeah. Yeah. Just a side note for listeners, if you haven't written a longboard or a log, don't go out and buy a glider. It's, it's get used to a long board first because there are a lot of surfboards. And you're if you don't know how to ride them, you're just going to hurt someone.Matt Parker- You're nine. Four was a perfect little entry point.Michael Frampton - Exactly. Yeah, exactly. Now soft tops. I wanted to ask you about soft tips. You guys are making soft tops. I haven't seen or touched or ridden one of your soft tops, but they look quite different to the Cosco or the int style ones. What's your point of difference with soft tops?Matt Parker- We make them in a few different places. We have uh, some that we make that are like injected foam. And so it's where we actually took my shape to board and we made a mold, I shaped a few boards and we made molds off of these finished shaped boards. And that allows you to really put in design detail into that mold. And so like one of them has a little channel bottom, you can put real thin boxes in them. Um, they're obviously not high performance because they're phonies, you know what I mean? But there's a different mindset. There's the right day for that. Even if you surf well, obviously for beginners, they're great because you can surf them into the sand and they just float easy to catch waves. They're kind of a little bit um, they're a little bit slower. So the pacing of them kind of matches the wave when you're just kind of learning to like, ride the trim and ride the like the speed of the wave. So for people, learning is great, but for people that know how to surf, it's like those days when it's closing out and it's on the sand, or you just want to go out and have fun and fool around.Matt Parker- It's something different. So, um, so those ones we do and those are made in the US and there's just like injection foam molded soft tops. And then we also make some in Peru that are, uh, by the surfers in Peru, which are pretty sick. They're kind of more, they've got, um, a foam core and they have stringers and they're kind of like a slick bottom, like, uh, like some of the soft tops, you see. But they actually have like, real shape and they have a better flex to them. And there's real thin boxes. And those are kind of like, uh, a kind of a cool in-between where if you're like a kid or you're someone who's like kind of progressing, it's a great board to kind of progress on because you can actually turn them and you can surf them pretty decently and they're less, you know, less expensive and all that. They're made in a surf country by surfers, which is pretty cool.Michael Frampton - Yeah. Cool. Yeah. I've got a 96 INT that I absolutely love. Um and I've always huh.Matt Parker- Ah It is got really good.Michael Frampton - Yeah. Yeah.Michael Frampton - And it lasted quite a while actually. It's still going. I actually surfed it every day when I was doing lessons for a long time and then would just end up catching loads of waves on it. I love them so much because it's a boat, right? The nine six int, it's a thick, big surfboard, but because it I think because it flexes so much, it's you can ride it in lots of different types of waves and actually have it actually really turn it much easier than the same amount of surfboard if it was a stiff sort of a is that why? And then you watch Jamie O'Brien surf them and pipe like.Matt Parker- Well, it's just funny.Matt Parker- It's sometimes it looks like he has the right board for them which is insane. He's obviously a.Matt Parker- Freak but that's.Matt Parker- But to me the point of it is, it's like it's a mindset thing. When you're riding those boards, you're kind of like, you're not you're definitely not trying to win a contest. When you're riding one of those, you're definitely going out there to have fun and kind of goof around, which is really good. This is a good reset for surfing, I think, as you kind of, you know. You can't try too hard. We just.Matt Parker- Got out there and.Matt Parker- It's much easier to kind of give, give a wave away to someone else. You're not you're not going to be back paddling people to get waves when you're on those. And so you're it's just it's a good mindset to reset and have fun on them. And that's why it's amazing how many sessions you have on those where you have a lot of fun, because your mindset is in a good place and you're not you're not overdoing it, you're not overcooking it, and you're better. Perspective.Michael Frampton - Yeah, yeah, I guess you're not too worried about it cracking. If you miss time, something close to the sand or the board hits you a little bit, it's not as bad. Yeah, I've always enjoyed it. I've always enjoyed the novelty of riding a soft top. And it's stoked to see you guys making some, some, some more refined looking ones.Matt Parker- Yeah. I mean, the idea is obviously still there. The point is that they're soft tops. But if we can kind of come at it from a different angle, there's no need for us to go to the same factory that Wave storm or Cat surf makes and then just put different graphics on a soft top. Those already exist, right? Like we don't need to just have our that's just another commodity. We don't, we don't need to make another one of those. But if we can like if we can make something that's a little unique or that offers something different from everything else that's out there, and it gives a different feeling and we explore different things, then cool. We'll try it out and we'll give it a go. So.Michael Frampton - Um, cool. Well, Matt, thank you so much for your time. I got one more question I want to leave you with before we sign off, which is what's your best and worst surf advice? That you ever received?Matt Parker- Yeah, I would see. I would say me too. But the worst would be.Matt Parker- I mean, the. Matt Parker- Best would definitely be like we've been talking about is like, uh, I've said this and I've said this before, this is kind of like my running theme a little bit as far as, like, choose the board, you know, when you're going to decide what you're going to ride. Like, think about if there was no one else on the beach and no one else is out in the water like you're talking about that day when you're happy and you're the only one out. Like, what would you actually ride? What do you actually really have the most fun surfing on? And that could be a short board. It could be a high performance short board. You could be. That's the day you take it out because you're not, you know, you're kind of kooky on it, but you want to get good and that's what you want to get out of it. But to me it's like I pick the board that if I don't do it to for the approval of others, you know, like choose what you really want to ride and what you really want to experience and just go do that and go have fun and I think you'll have the most fun. Um, I'm trying to think, like what? Uh, maybe that, um, you need to have an epoxy board for a wave pool. That's the worst.Matt Parker- That's that. That's it. I don't know how applicable that is, but.Michael Frampton - I think it's going to be more and more applicable very soon.Matt Parker- Well, I think and maybe that goes in line with what I think there are in surfing. There shouldn't be hard and fast rules. You know, sometimes there's like these perceptions and there's hard and fast rules like this is what you got to do and this is the way you gotta do it. And I don't like surfing. Doesn't have to like who says who don't have to do.Matt Parker- It's that way.Michael Frampton - Yeah. There's a famous surfer I can't remember. Is it Kelly Slater? I think he surfs a door.Michael Frampton - Yeah, you can. You can surf anything. Even an old door.Matt Parker- Exactly, exactly. I know a table. I think he surfs a table, like upside down.Michael Frampton - Yeah, I think so. Yeah. And isn't there a video with Taj Burrow and Chris Ward all surfing, all sorts of objects. Yeah. So yeah, there's no rules, right?Matt Parker- Like, why are we doing this? What are we doing this for? We want to have fun. Just be out in the ocean. So.Michael Frampton - Yeah. Exactly. Uh, well, Matt, thank you so much for your time, man. Appreciate it.Matt Parker- Yeah.Matt Parker- Great to chat with you. Cool.Michael Frampton - All right. Simple as that. Thanks, man.Matt Parker- Yeah. Good to meet you.Michael Frampton - You too. Guy Kawasaki on the Surf Mastery Podcast