Podcast appearances and mentions of chris hill

The Bosnian War in the early 1990s was at the time the bloodiest conflict on European soil since World War II. Some 100,000 people were killed and more than 2 million displaced amid widespread ethnic cleansing and massacres. In 1995, the warring parties struck a power-sharing deal in negotiations just outside Dayton, Ohio, in what came to be known as the Dayton Accords. But the deal didn't really resolve the underlying problems. Bosnia continues to be plagued by ethnic division, and the country's political structure is widely seen as ineffective and unstable. Welcome to Counterpoint. On each episode, we look at one pressing question facing world leaders—from two opposing points of view.  In our season finale, we're tackling the question: Did the Dayton Accords set Bosnia up for failure? Arguing that the agreement put Bosnia on a path to perpetual crisis is Jasmin Mujanović, a senior nonresident fellow at New Lines Institute. He is the author of two books, Hunger and Fury: The Crisis of Democracy in the Balkans and  The Bosniaks: Nationhood After Genocide. And making the case that the Dayton Accords were essential to bringing peace and maintaining stability is Chris Hill. A career diplomat, Hill was part of the U.S. delegation that brokered the agreement. Most recently, he served as the⁠ U.S. ambassador to Serbia⁠ under President Joe Biden. Counterpoint is a production of Foreign Policy, in partnership with the Doha Forum. The show is hosted by Sasha Polakow-Suransky. Learn more about your ad choices. Visit megaphone.fm/adchoices

***Please subscribe to Matt's Substack at https://worthknowing.substack.com/***Matt Robison brings on two top finance experts to dive into the recent financial turmoil and explore what business leaders are thinking, impacts on personal finances, and strategies for navigating uncertainty. Chris Hill, host of Money Unplugged ( www.moneyunpluggedpod.com), provides insights on market trends and the importance of cash reserves, while Mike Morton, host of Five Minute Finance (MortonFA.com), shares strategies for personal investing during volatile times. Key topics include the influence of major tech companies, the role of international investments, and the significance of company earnings reports.00:00 Introduction to Financial Turmoil01:00 Meet the Experts: Chris Hill and Mike Morton01:50 2024 Market Overview05:38 Current Market Conditions and Predictions11:55 Professional Insights and Metrics21:38 Investment Advice for Uncertain Times28:21 Predictions and Hot Takes32:49 Final Thoughts and Podcast Highlights

The entirety of DJ & PK for April 25, 2025: HOUR ONE Josh Doan, Utah Hockey Club Dr. Chris Hill, Former Utah Athletic Director Dr. Chris Hill, Former Utah Athletic Director HOUR TWO What is Trending Hot Takes or Toast Rick the Dishwasher returns! HOUR THREE David Locke, SEG Media Pablo Mastroeni, Real Salt Lake Jaxson Dart off to the Big Apple HOUR FOUR Jaxson Dart is Big Apple-bound Slacker Radio Headlines Feedback of the Day

Hour one of DJ & PK for April 25, 2025: Josh Doan, Utah Hockey Club Dr. Chris Hill, Former Utah Athletic Director Dr. Chris Hill, Former Utah Athletic Director

The entirety of DJ & PK for April 24, 2025: HOUR ONE Mark Atuaia, Utah Football Tim LaComb, SEG Media Brandon Dart, Father of Jaxson Dart HOUR TWO What is Trending Hot Takes or Toast Tom Holmoe leaves rich legacy at BYU HOUR THREE Tom Holmoe, BYU Athletic Director Dr. Chris Hill on college football's future Dr. Chris Hill on Utah's situation HOUR FOUR Chris Hill, Former Utah Athletic Director Slacker Radio Headlines Feedback of the Day

Hour three of DJ & PK for April 24, 2025: Tom Holmoe, BYU Athletic Director Dr. Chris Hill on college football's future Dr. Chris Hill on Utah's situation

Hour four of DJ & PK for April 24, 2025: Chris Hill, Former Utah Athletic Director Slacker Radio Headlines Feedback of the Day

Dr. Chris Hill, former University of Utah athletic director, joined DJ & PK for an hour in-studio to talk about the past, present and future of college sports for the Utah Utes, BYU Cougars and the Big 12 Conference, among many others.

In Episode 542 of Spawn On Me, we're joined by Chris Hill from Cat City Games to talk about his hilarious and action-packed VR game Balls to The Wall. He shares what inspired the wild concept, how development is going, and why VR needs more games that don't take themselves too seriously.In our What's the 411 segment, we dive into two major stories shaking up the gaming world: the Communications Workers of America (CWA) is taking big steps to establish a gaming union—and we break down what that could mean for devs and the industry. Plus, Assassin's Creed: Shadows is already making waves, reaching over 2 million players. We talk about the hype, what this means for the franchise, and what players are saying.In What We've Been Playing, we go hands-on with a bunch of games we checked out during GDC this year. From indie gems to upcoming AAA titles, this segment is packed with impressions you don't want to miss.Tap in for laughs, deep insights, and all things dope in gaming. Don't forget to like, subscribe, and hit that bell so you never miss an episode!

Salford Red Devils recorded their 1st Super League win of 2025 beating Huddersfield 23-10. We spoke to Chris Hill, Shane Wright, Justin Sangare and Head Coach Paul Rowley after the win

Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.

Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.

Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.

Have you listened to the DAT Extra podcast with the Pine Tree Sale yet? That sale is tomorrow, click it on and listen to Andrew Steiner, Chris Hill, Greg Lavan and Brian Garrison outline the offering.

Listen as Andrew Steiner, Greg Lavan, Chris Hill and Brian Garrison outline what will be selling in the Spring Opportunities at Pine Tree II Sale on March 18th at the Wayne County Fairgrounds in Wooster, Ohio. The catalog is online at DairyAgendaToday.com

Advance 25 finishes strong with Dr. Chris Hill.

Advance 25 finishes strong with Dr. Chris Hill.

In this episode, Jeff and Jason welcome Chris Hill, renowned podcaster and former Motley Fool Money host, to the show. Chris discusses his new podcast venture, 'Money Unplugged,' which dives into individuals' emotional relationships with money. They explore the importance of understanding one's own risk tolerance and the nuances of financial media headlines. 01:18 Introducing Chris Hill and His New Podcast02:14 The Concept Behind Money Unplugged05:05 Guest Lineup and Show Format08:50 Personal Stories and Financial Journeys13:08 The Emotional Side of Money17:40 Reflections on Podcasting and Interviews24:25 Introduction to Chit Chat Stocks Podcast25:02 Learning from Personal Investment Mistakes25:31 Understanding Risk Tolerance29:01 The Importance of Starting Early29:41 Dividend Stocks: A Long-Term Strategy36:15 Insights on Financial Media and Market TrendsCompanies mentioned: AAPL, NVDASubscribe to our portfolio on Savvy Trader Email: investingunscripted@gmail.comTwitter: @InvestingPodCheck out our YouTube channel for more content: To get 15% off any paid plan at finchat.io, visit https://finchat.io/unscriptedListen to the Chit Chat Stocks Podcast for discussions on stocks, financial markets, super investors, and more. Follow the show on Spotify, Apple Podcasts, or YouTubeInvesting Unscripted is brought to you by Public.com* Visit https://public.com/investingunscripted *All investing involves the risk of loss, including loss of principal. Brokerage services for US-listed, registered securities, options and bonds in a self-directed account are offered by Public Investing, Inc., member FINRA & SIPC. Public Investing offers a High-Yield Cash Account where funds from this account are automatically deposited into partner banks where they earn interest and are eligible for FDIC insurance; Public Investing is not a bank. Cryptocurrency trading services are offered by Bakkt Crypto Solutions, LLC (NMLS ID 1890144), which is licensed to engage in virtual currency business activity by the NYSDFS. Cryptocurrency is highly speculative, involves a high degree of risk, and has the potential for loss of the entire amount of an investment. Cryptocurrency holdings are not protected by the FDIC or SIPC. A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. The 6%+ yield is the average, annualized yield to worst (YTW) across all ten bonds in the Bond Account, before fees, as of 12/13/2024. A bond's yield is a function of its market price, which can fluctuate; therefore, a bond's YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule (https://public.com/disclosures/fee-schedule). Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See Bond Account Disclosures to learn more.Alpha is an AI research tool powered by GPT-4.  Alpha is experimental and may generate inaccurate responses.  Output from Alpha should not be construed as investment research or recommendations, and should not serve as the basis for any investment decision. Public makes no warranties about its accuracy, completeness, quality, or timeliness of any Alpha out. Please independently evaluate and verify any such output for your own use case.*Terms and Conditions apply.2025 Portfolio Contest2024 Portfolio Contest2023 Portfolio Contest

This week we welcome back a great friend to the show, and a voice that has been missed in the podcast world. We are thrilled to have Chris Hill join us to discuss his new show Money Unplugged that has just debuted for your listening pleasure!Check out Money Unplugged here: https://www.moneyunpluggedpodcast.com/Send us a textSend your questions for upcoming show to checkyourbalances@outlook.com @checkyourbalances on Instagram

After a run through the local trail I sit down with Chris Hill. A trail runner, cyclists and coach. We talk about some common issues he sees runners struggle with and how he trains them through it. What gets him excited and his own personal running plans for the up coming year!If you would like to learn more about coach Chris Hill you can find his website here type2sports.comYou can find the Light on the Trail Instagram here,The podcast FaceBook page here ,and OH YES, the YouTube channel here!If you have any questions or ideas you can email to frankc@lottrunning.com

Chris Hill has been a tireless advocate for those struggling with mental health and addiction, dedicating the last decade to helping others find hope and support. After losing his twin brother to an accidental drug overdose in 2014, he turned personal tragedy into a mission to make a difference. Drawing from his own 20-year battle with addiction, he's worked to create resources like the 7-Day Beat Addiction Plan, launched a charity in his brother's memory, and co-founded a local homeless support group. Whether running 950 miles across the UK to raise awareness.Linkswww.beatmyaddictions.comhttps://robhillfoundation.org/https://www.samaritans.org/debbiewilliamspodcast.comSupport the show

Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.

Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.

Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.

Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.

Guest Bio: Taneea Hull began her musical career in Sioux Falls, SD, when she picked up the clarinet in her fifth grade band and studied with Chris Hill, the principal clarinetist of the South Dakota Symphony. Today, she is an active performer and teacher in the Memphis, TN area. She earned a Bachelor's Degree in Clarinet Performance from the Peabody Conservatory of Music in Baltimore, MD where she studied with Steven Barta. Taneea is principal clarinetist with the Jackson Symphony in TN and performs with other orchestras such as the South Dakota Symphony, the Memphis Symphony, the Memphis Repertory Orchestra, and the Alabama Symphony. She has been a concerto soloist with the Germantown Symphony, the Ocmulgee Symphony, and the Sioux Falls Municipal Band, and was a guest artist with her husband, performing Rhapsody in Blue and playing principal clarinet with the Florida Philharmonic Orchestra. Dawson Hull is a pianist, composer, and conductor living in Memphis, TN. A graduate from the University of Memphis, Peabody Conservatory in Baltimore and Samford University in Birmingham, AL, Dawson has appeared as a featured soloist with numerous symphony orchestras. His compositions and arrangements have been performed across the nation. Dawson is the Pastor of Instrumental Worship Arts at Germantown Baptist Church where he leads the Conservatory of Music, orchestra, jazz band, and student choir. Dawson and his wife, Taneea, who is a clarinetist, have three children. Dawson and I met in the cafeteria of the Peabody Conservatory in Baltimore, MD in 2007. We connected immediately over our shared faith and began dating and playing music together within a few months. But believe it or not, our music wasn't always so harmonious! Dawson was really good at musical details and digging deep into the emotion and meaning of the music. I was really good at rhythm and technical accuracy. We clashed a bit with our critique of each other's weak areas and some rehearsals were….interesting.  But over the past 13 years of composing and performing, we have helped each other immensely to grow in our musicianship, especially in the areas that were lacking at first. God has woven our music together just as he has woven us together in marriage and we love sharing our music with all those around us! We have been dreaming about making an album together ever since Dawson wrote the first thing for us to play - an arrangement of Be Thou My Vision. We were newly married and serving at a church that allowed us to share our music in creative ways. Dawson wrote a few more pieces for us to play there, and then sporadically added to the collection over the next few years. We had ideas for an album and wanted to start working on it but between not having quite enough music and the overwhelming process of learning how to go about making an album, our dream stalled for several years. Then, while being stuck at home in 2020, Dawson turned out about five more arrangements and we suddenly had just the right amount for an album, and enough musical success as a performing duo that we decided it was time to go for it! God weaved the pieces of the puzzle together expertly, confirming that this project was a special assignment from Him. He brought people into our lives to be involved in the production process that have encouraged and allowed us to remain committed to our purpose of serving Him and bringing Him glory through our music. It's hard to believe our dream album is finally done and ready to be shared! Learn more about Taneea and Dawson at http://www.taneeahull.com/ and https://dawsonhull.com/ Support the show at www.patreon.com/clarineat

Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.

Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.

Chris Hill  I’m a retired school teacher (Spanish) and Senior Leader from the state secondary sector with over 35 years teaching experience, often by choice in highly deprived areas, but I have also worked in more affluent areas too. Whilst working in schools I became more and more concerned during the latter years about how I was seeing young people eat – breakfast was often a 2 litre bottle of coke or cans of energy drink and a family size pack of Haribo or a whole packet of chocolate biscuits. This would then result in many students having massive sugar highs which they freely acknowledged. This brought poor attention span, disruptive behaviour, inability to focus on work or listen and often a massive crash in energy leading to sleepiness and lack of a willingness to do anything.  This was then compounded by poor sleep due to staying up late on computer games, social media or TV. Children are experiencing the worst health crisis we have ever come across and for the first time ever are likely to live a shorter lifespan than their parents.  Rates of childhood obesity, type 2 diabetes, fatty liver disease, eating disorders and mental health problems are soaring in our children and yet no one seems to do anything about it. It’s time to put a halt to this and hence The Real Food Rebellion was born- a project that sits within the Public Health Collaboration charity.  This programme is taught within the school curriculum as timetabled lessons in both Primary and Secondary sectors. We give students the knowledge to understand the difference between real food and ultra-processed food, how to read food labels correctly, how to eat and cook well on a budget and how to fight back against the tyranny of the big food companies and a government in their thrall.  The pre-pilots for the first phase of the programme are currently running in a number of schools across the country and we are inviting schools to join us for the main Pilot Programme which will run in Summer 2025. I myself have struggled with an eating disorder from the age of 11 and now at age 61 am starting to feel the physical consequences of this. It stemmed from trauma, societal expectations and the incessant yoyo dieting treadmill. I wish I had known as a teen what the Real Food Rebellion is teaching children now – it could have meant a life free from food addiction and the ensuing misery it brings. If I can save just one child from a lifetime of unhealthy food and illness then that will mean more to me than all the thousands of children out there who have learnt Spanish from me at school! Link to Show Notes on Website https://fabulouslyketo.com/podcast/207. Chris’ Top Tips It is important for young people to feel loved and that they are ok as they are. Society and social media is not the be all and end all. Please eat real food and give your children real food. Do not ever go on that first diet. Resources Mentioned Sugar Blues – William Dufty The Henry Project Bite Back Connect with Chris Hill on social media YouTube: https://www.youtube.com/@PHCukorg Website Details: https://phcuk.org https://phcuk.org/rfr/ The Fabulously Keto Diet & Lifestyle Journal: A 12-week journal to support new habits – Jackie Fletcher If you have enjoyed listening to this episode – Leave us a review By leaving us a review on your favourite podcast platform, you help us to be found by others. Support Jackie Help Jackie make more episodes by supporting her. If you wish to support her we have various options from one off donations to becoming a Super Fabulously Keto Podcast Supporter with coaching and support. Check out this page for lots of different ways to support the podcast. https://fabulouslyketo.com/support Or You can find us on Patreon: https://www.patreon. com/FabulouslyKeto Connect with us on social media https://www.facebook.com/FabulouslyKeto https://www.instagram.com/FabulouslyKeto1 https://twitter.com/FabulouslyKeto Facebook Group: https://www.facebook.com/groups/FabulouslyKeto Music by Bob Collum Recommend a guest We would love to know if you have a favourite guest you would like us to interview. Let us know who you would like to hear of if you have a particular topic you would like us to cover. https://fabulouslyketo.com/recommend-a-guest We sometimes get a small commission on some of the links, this goes towards the costs of producing the podcast.

Missionary Robert Canfield preaches the commissioning service for Chris Hill as he prepares to leave for the mission field.

Send us a Text Message.My next guest needs no introduction for many of you. His crew's presence this past year in the Red Sea was highly publicized. Not only that, he is part of a new era of “influencer” senior leaders, taking his leadership lessons outside the skin of the ship, and helping the public better understand our Navy! “Chowdah” Hill is a native of Quincy, Massachusetts. He is a 1996 graduate of Tufts University with a Bachelor of Arts in Political Science, magna cum laude; a 2006 graduate of Georgetown University's School of Foreign Service with a Master of Arts in Security Studies, with honors; and a 2016 graduate of the Naval Nuclear Power Training program. Hill was commissioned through the Navy ROTC program and received his wings of gold as a naval flight officer in 1997. Operational tours include Airborne Command & Control Squadron (VAW) 126 from 1998-2001, participating in Operations Southern Watch, Desert Fox, And Deliberate Forge; VAW-124 in 2004 as a weapons and tactics instructor; VAW-115 from 2007-2009 as a department head, participating in patrols in the Western Pacific; VAW-124 from 2012-2014 as the executive officer and commanding officer, participating in Operations Enduring Freedom and Inherent Resolve; the USS George H.W. Bush (CVN 77) from 2017 to 2019 as the executive officer, participating again in Operation Inherent Resolve; and the USS Arlington (LPD 24) as the commanding officer. He received the MacArthur Foundation Award for writing as a student at the Joint Forces Staff College in 2014. Hill assumed command of USS Dwight D. Eisenhower (CVN 69) on March 23, 2023.Unit awards include the 2014 and 2017 Battle “E” Award, the 2014 Frank Akers AEW Excellence Award, and the 2014, 2017 and 2020 CNO Safety “S” Award. He was selected as the E-2C Hawkeye Naval Flight Officer of the Year in 2001. Hill has more than 2,700 hours of flight time primarily in the E-2C Hawkeye. His awards include the Legion of Merit, Defense Meritorious Service Medal, four Meritorious Service Medals, four Air Medals, four Navy Commendation Medals, and one Navy Achievement Medal.Find ChowdahVisit my website: https://thehello.llc/THERESACARPENTERRead my writings on my blog: https://www.theresatapestries.com/Listen to other episodes on my podcast: https://storiesofservice.buzzsprout.comWatch episodes of my podcast:https://www.youtube.com/c/TheresaCarpenter76

Today's guest the always lovely Chris Hill. It's been a while since we last caught up and he has been a busy little boy. Find out all of Chris's adventures and new projects right here.   Links down below for all the goods. If you want behind the scenes and episodes 2 days early sign up for our Patreon it helps support the show in many ways.   As always thank you for listening.   Patreon https://www.patreon.com/crashcast   YouTube https://www.youtube.com/c/crashcast    Instagram https://www.instagram.com/crashcastpod/   Facebook https://www.facebook.com/crashcastpod   Twitter https://twitter.com/crashcastpod1   https://www.facebook.com/unwedsailor/mentions

The Blacklist started as an annual list of the best, unproduced screenplays in Hollywood. Nowadays, it's an awesome online platform that nurtures and empowers screenwriters from around the world, by helping them showcase their scripts and grow within the industry. In today's episode, No Film School's GG Hawkins, Jason Hellerman, and host of the Blacklisted podcast, Chris Hill, discuss: How the Blacklist got its start and what it looks like today The difference between the website and the annual list of scripts Getting multiple reports on a script Recurring themes of screenplays on the Blacklist What life is like after being on the list The importance of using action descriptions  Approaching your script with a journalistic curiosity How to avoid writing a purely factual story  The best way to approach writing a biopic Why you need to write a detailed outline Memorable Quotes “One of the best things about the Blacklist is that it intentionally gives you heat.” [15:44] “You're always pushing that rock up the hill, no matter what level you're at. The rock isn't lighter. Now it's a bigger rock.” [21:05] “Hollywood isn't just an IP delivering service. It's where dreamers go to dream big ideas.” [48:30] Mentioned The Blacklist website Listen to Blacklisted on Apple Listen to Blacklisted on Spotify  Follow Chris on X Follow Blacklisted Podcast on X  Find No Film School everywhere: On the Web https://nofilmschool.com/ Facebook  https://www.facebook.com/nofilmschool Twitter  https://twitter.com/nofilmschool YouTube  https://www.youtube.com/user/nofilmschool Instagram https://www.instagram.com/nofilmschool Send us an email with questions or feedback: podcast@nofilmschool.com!   Learn more about your ad choices. Visit megaphone.fm/adchoices

In the latest episode, The Fanbase Weekly co-hosts welcome special guests Chris Hill (writer, Rapture Burgers) and Rachel Jitsawat (writer, The Crush Chronicles) to discuss the latest geek news stories of the week, including the recent BOOM! Studios acquisition by Penguin Random House, why 66% of audiences are unsatisfied with disability and mental health representation in media, and reactions to the teaser trailer for Marvel's Captain America: Brave New World.

Cocktails with Friends Episode 30: Shark In this episode of "Cocktails with Friends," host Bob Cutler travels to Myrtle Beach to meet with Chris Hill, the bar manager at Greg Norman Australian Grill. They dive into the world of cocktails, whiskey, and the vibrant Myrtle Beach bar scene. Bob and Chris discuss everything from managing a 500-seat restaurant to creating unique cocktails that keep customers coming back. Main Topics Covered: The signature cocktails at Greg Norman Australian Grill Managing a large restaurant and staff The unique bourbon and tequila offerings Key Insights: Espresso Martini Magic: The Greg Norman Australian Grill's Espresso Martini is a crowd favorite. Made with real espresso, Liquor 43, and Grind Espresso Rum, this cocktail draws customers from far and wide. Barrel Pick Adventures: Chris shares his experience with exclusive barrel picks, including a special selection from Jefferson's Ocean program and a recent trip to Garrison Brothers Distillery. Balancing Act: Running a large-scale bar program requires balancing high-volume service with the ability to offer unique and creative cocktails. Chris emphasizes the importance of a streamlined menu that can cater to a busy environment while still offering specialty drinks. Episode Index: [00:00:00] Introduction and Overview Host introduces the episode and his trip to Myrtle Beach to visit Greg Norman Australian Grill. [00:00:20] Popular Cocktail Discussion Talk about the Espresso Martini, the number one selling cocktail at the restaurant. [00:00:40] Host Introduction Host Bob Cutler introduces himself and the purpose of his visit to meet Chris Hall. [00:01:20] Restaurant Details Chris Hall describes the size and seating capacity of Greg Norman Australian Grill. [00:02:20] Whiskey Program and Barrel Picks Conversation about the restaurant's whiskey program and various barrel picks. [00:04:00] Wine List and Customer Preferences Overview of the restaurant's wine list and the shift in customer preferences towards bourbon and tequila. [00:06:00] Introduction to Penelope Bourbon Introduction to Penelope Bourbon and the upcoming dinner event with Bourbon Lens. [00:07:00] Cocktail Program Challenges Discussion about maintaining a large cocktail program in a high-volume restaurant. [00:08:20] Garrison Brothers Honeydew Bourbon Details about the success of the Garrison Brothers Honeydew Bourbon. [00:09:00] Lower Proof Cocktails Importance of lower proof cocktails for customer enjoyment in a hot climate. [00:10:00] Myrtle Beach as a Destination Myrtle Beach as a year-round destination and balancing affordable cocktail pricing for locals and tourists. [00:11:00] Locals vs. Tourists Dynamics of serving locals versus tourists and managing customer flow. [00:12:00] Community Support Relationship between local restaurants and the importance of community support. [00:13:00] Seasonal Customer Patterns Different seasonal customer patterns, including snowbirds and regular golfers. [00:14:00] Holiday Closures Discussion on special days when the restaurant is closed for cleanup and team rest. [00:15:00] Sports Talk Fun conversation about sports, including Bill Belichick and Coach K. [00:16:00] New Cocktail Collaboration Collaboration on a new cocktail featuring Penelope Architect, simple syrup, and a custom bitter. [00:17:00] Espresso Martini Recipe Recipe and secret behind the popularity of the Espresso Martini at Greg Norman Australian Grill. [00:18:00] Barrel Picks and Partnerships Challenges and benefits of doing barrel picks and partnerships with distilleries. [00:19:00] Top Choices for Barrel Picks Chris Hall's top choices for barrel picks, including Weller and Eagle Rare. [00:20:00] Chris Hall's Bar Preferences Chris Hall's preferences when visiting other bars and the importance of trying new things. [00:21:00] Penelope Whiskey Dinner Recap Recap of the Penelope Whiskey Dinner and closing remarks; upcoming anniversary celebrations for the podcast. About the Guest: Chris Hill is the bar manager at Greg Norman Australian Grill in Myrtle Beach. With an eye for detail and a passion for whiskey and cocktails, Chris leads a team that prides itself on delivering exceptional drinks and service in a bustling 500-seat restaurant. Tune in for a behind-the-scenes look at what it takes to manage a top-tier bar program and discover some insider tips on crafting the perfect cocktail.  

Former #Utes AD Dr. Chris Hill on new era in college sports, Big 12 + more

Chris Hill is the senior director of safety for Vertical Aviation International — formerly, HAI. In his role, Chris seeks out new ways to promote and adhere to safety culture. In this conversation, Chris and I will examine the importance of open dialogue in safety; why we should feel motivated to share the lessons we've learned from our shortcomings, and withhold judgement from others doing the same. 

Welcome to a special edition of Experiencing Data. This episode is the audio capture from a live Crowdcast video webinar I gave on April 26th, 2024 where I conducted a mini UI/UX design audit of a new podcast analytics service that Chris Hill, CEO of Humblepod, is working on to help podcast hosts grow their show. Humblepod is also the team-behind-the-scenes of Experiencing Data, and Chris had asked me to take a look at his new “Listener Lifecycle” tool to see if we could find ways to improve the UX and visualizations in the tool, how we might productize this MVP in the future, and how improving the tool's design might help Chris help his prospective podcast clients learn how their listener data could help them grow their listenership and “true fans.” On a personal note, it was fun to talk to Chris on the show given we speak every week:  Humblepod has been my trusted resource for audio mixing, transcription, and show note summarizing for probably over 100 of the most recent episodes of Experiencing Data. It was also fun to do a “live recording” with an audience—and we did answer questions in the full video version. (If you missed the invite, join my Insights mailing list to get notified of future free webinars).   To watch the full audio and video recording on Crowdcast, free, head over to: https://www.crowdcast.io/c/podcast-analytics-ui-ux-design   Additional show notes, full transcription, and quotes for this episode are coming soon.

The dramatic decrease in value of Donald Trump's Truth Social stock has already erased billions in ill-gotten gains from the former President. Why the major fall, and more important, how bad could this ultimate get for Trump? We asked stock market expert Chris Hill, former host of Motley Fool Money. 00:00 The Crash of Trump's Truth Social Stock 02:03 The Meme Stock Phenomenon Explained 04:35 The Intricacies of SPACs and Their Impact 09:21 The Financial Mechanics Behind Truth Social's Strategy 20:53 Predictions and Implications for Trump

Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.

Episode SummaryCorey Quinn is joined by HumblePod CEO Chris Hill to dissect Chris's debut experience at AWS re:Invent. Together, they tackle the challenges of attending one of the biggest conferences in the IT industry, discussing its immense reach, logistical hurdles, and invaluable insights for anyone considering attending in the future. Beyond the event itself, Chris provides an intimate glimpse into the crucial behind-the-scenes efforts involved in producing exceptional content amid the chaos of AWS re:Invent, emphasizing the importance of kindness, professionalism, and superior audio quality. Discover how partnering with an experienced podcast production team can elevate any content to new heights of polish and engagement.Full Description / Show Notes(00:00) - Introduction to the Episode(01:25) - Chris's First Impressions of AWS re:Invent(02:09) - The Surprising Scale of AWS re:Invent(04:13) - Lessons Learned and Things Chris Would Do Differently at Future AWS re:Invent Events(07:52) - Balancing Content Creation, Networking, and Professionalism Under Stress(13:42) - Chris and Corey's Humorous Encounters with Security While Filming at AWS re:Invent(15:35) - Exploring AWS Services and Billing Surprises(21:12) - Significance of Professional Podcast Production(25:04) - Closing Thoughts & HumblePod Contact Information(26:19) - Closing ThoughtsAbout Chris:Chris Hill is a Knoxville, TN native and owner of the podcast production company, HumblePod. He helps his customers create, develop, and produce podcasts and is working with clients in Knoxville as well as startups and entrepreneurs across the United States, Silicon Valley, and the world.In addition to producing podcasts for nationally-recognized thought leaders, Chris is the co-host and producer of the award-winning Our Humble Beer Podcast. He also lectures at the University of Tennessee, where he leads non-credit courses on podcasts and marketing.  He received his undergraduate degree in business at the University of Tennessee at Chattanooga where he majored in Marketing & Entrepreneurship, and he later received his MBA from King University. Chris currently serves his community as the President of the American Marketing Association in Knoxville. In his spare time, he enjoys hanging out with the local craft beer community, international travel, exploring the great outdoors, and his many creative pursuits.Links:HumblePod: https://www.humblepod.com/Twitter: https://twitter.com/HumblePod LinkedIn: https://www.linkedin.com/in/chrisdhill1/ TikTok: https://www.tiktok.com/@thechristopholiesWBTB TikTok: https://www.tiktok.com/@webuiltthisbrand HumblePod IG: https://www.instagram.com/humblepod/?hl=en 

Chances are, if you've listened to investing podcasts over the past 15 years, or like listening to audiobooks on finance and investing, you've heard Chris Hill's distinctive voice. As the daily host of Motley Fool Money and other podcasts from their creation in 2008 until May of 2023, and a career in financial communications going back to the late 1990's, Chris has seen a lot. Combine that with being the voice of Morgan House's two bestselling novels, The Psychology of Money and Same As Ever, and Chris is what investing sounds like to millions of people. In this week's show, Jeff and Jason catch up with Chris, discuss his background, experiences, and lessons from and a quarter-century of observing investors, markets, and companies. Chris also gives us a small preview of what he's working on next.  Companies mentioned: AAPL ***************************************** Email: thesmatteringshow@gmail.com Twitter: @InvestingPod Check out our YouTube channel for more content:  https://www.youtube.com/@InvestingUnscripted ****************************************** Go to finchat.io/unscripted to get 25% off any paid plan today Investing Unscripted is brought to you by Public.com*. Go to Public.com and activate options trading by March 31st to lock in your lifetime rebate *Options are not suitable for all investors and carry significant risk.  Certain complex options strategies carry additional risk. Options can be risky and are not suitable for all investors. See the Characteristics and Risks of Standardized Options to learn more. For each options transaction, Public Investing shares 50% of their order flow revenue as a rebate to help reduce your trading costs. This rebate will be displayed as a negative number in the “Additional Fees” column of your Trade Confirmation Statement and will be immediately reflected in the total dollars paid or received for the transaction. Order flow rebates are only issued for options trades and not for transactions involving other assets, including equities. For more information, refer to the Fee Schedule. All investing involves the risk of loss, including loss of principal. Brokerage services for US-listed, registered securities, options and bonds in a self-directed account are offered by Open to the Public Investing, Inc., member FINRA & SIPC. See public.com/#disclosures-main for more information. ***************************************** Find the 2024 Portfolio Contest here: https://tinyurl.com/2024contest Find the 2023 Portfolio Contest here:  https://tinyurl.com/Smatterfolio2023 --- Support this podcast: https://podcasters.spotify.com/pod/show/investing-unscripted/support

Smart insights on the future of streaming and entertainment with Chris Hill, the former host of Motley Fool Money. Now that Netflix seems to have come out on top int he streaming wars, what does the mix of emerging company strategies mean for various forms of media that Americans watch, including television, movies, and sports.

Introducing Nexus, the upcoming addition to the MyWallSt Product Suite. Sign up now to be the first to learn about our groundbreaking AI-powered stock picking service, set to launch this November. We've harnessed state-of-the-art AI, advanced segmentation, and the expertise of seasoned investors to identify game-changing investment opportunities worldwide.Sign Up Now

Tickets for Horizon Live 2023, featuring the MyWallSt analyst team along with special guests Bill Mann & Chris Hill. Limited tickets are available - get yours here

Tickets for Horizon Live 2023, featuring the MyWallSt analyst team along with special guests Bill Mann & Chris Hill. Limited tickets are available - get yours here

Chris Hill, owner of HumblePod and host of the We Built This Brand podcast, joins Corey on Screaming in the Cloud to discuss the future of podcasting and the role emerging technologies will play in the podcasting space. Chris describes why AI is struggling to make a big impact in the world of podcasting, and also emphasizes the importance of authenticity and finding a niche when producing a show. Corey and Chris discuss where video podcasting works and where it doesn't, and why it's more important to focus on the content of your podcast than the technical specs of your gear. Chris also shares insight on how to gauge the health of your podcast audience with his Podcast Listener Lifecycle evaluation tool.About ChrisChris Hill is a Knoxville, TN native and owner of the podcast production company, HumblePod. He helps his customers create, develop, and produce podcasts and is working with clients in Knoxville as well as startups and entrepreneurs across the United States, Silicon Valley, and the world.In addition to producing podcasts for nationally-recognized thought leaders, Chris is the co-host and producer of the award-winning Our Humble Beer Podcast and the host of the newly-launched We Built This Brand podcast. He also lectures at the University of Tennessee, where he leads non-credit courses on podcasts and marketing.  He received his undergraduate degree in business at the University of Tennessee at Chattanooga where he majored in Marketing & Entrepreneurship, and he later received his MBA from King University.Chris currently serves his community as the President of the American Marketing Association in Knoxville. In his spare time, he enjoys hanging out with the local craft beer community, international travel, exploring the great outdoors, and his many creative pursuits.Links Referenced: HumblePod: https://www.humblepod.com/ HumblePod Quick Edit: https://humblepod.com/services/quick-edit Podcast Listener Lifecycle: https://www.humblepod.com/podcast/grow-your-podcast-with-the-listener-lifecycle/ Twitter: https://twitter.com/christopholies Transcript:Announcer: Hello, and welcome to Screaming in the Cloud with your host, Chief Cloud Economist at The Duckbill Group, Corey Quinn. This weekly show features conversations with people doing interesting work in the world of cloud, thoughtful commentary on the state of the technical world, and ridiculous titles for which Corey refuses to apologize. This is Screaming in the Cloud.Corey: Are you navigating the complex web of API management, microservices, and Kubernetes in your organization? 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Visit solo.io/screaminginthecloud today and level up your networking game.Corey: Welcome to Screaming in the Cloud. I'm Corey Quinn. My returning guest probably knows more about this podcast than I do. Chris Hill is not only the CEO of HumblePod, but he's also the producer of a lot of my various media endeavors, ranging from the psychotic music videos that I wind up putting out to mock executives on their birthdays to more normal videos that I wind up recording when I'm forced into the studio and can't escape because they bar the back exits, to this show. Chris, thank you for joining me, it's nice to see you step into the light.Chris: It's a pleasure to be here, Corey.Corey: So, you have been, effectively, producing this entire podcast after I migrated off of a previous vendor, what four years ago? Five?Chris: About four or five years ago now, yeah. It's been a while.Corey: Time is a flat circle. It's hard to keep track of all of that. But it's weird that you and I don't get to talk nearly as much as we used to, just because, frankly, the process is working and therefore, you disappear into the background.Chris: Yeah.Corey: One of the dangerous parts of that is that the only time I ever wind up talking to you is when something has gone wrong somewhere and frankly, that does not happen anymore. Which means we don't talk.Chris: Yeah. And I'm okay with that. I'm just kidding. I love talking to you, Corey.Corey: Oh, I tolerate you. And every once in a while, you irritate me massively, which is why I'm punishing you this year by—Chris: [laugh].Corey: Making you tag along for re:Invent.Chris: I'm really excited about that one. It's going to be fun to be there with you and Jeremy and Mike and everybody. Looking forward to it.Corey: You know how I can tell that you've never been to re:Invent before?Chris: “I'm looking forward to it.”Corey: Exactly. You still have life in your eyes and a spark in your step. And yeah… that'll change. That'll change. So, a lot of this show is indirectly your fault because this is a weird thing for a podcaster to admit, but I genuinely don't listen to podcasts. I did when I was younger, back when I had what the kids today call ‘commute' or ‘RTO' as they start slipping into the office, but I started working from home almost a decade ago, and there aren't too many podcasts that fit into the walk from the kitchen to my home office. Like great, give me everything you want me to know in about three-and-a-half seconds. Go… and we're done. It doesn't work. So, I'm a producer, but I don't consume my own content, which I think generally is something you only otherwise see in, you know, drug dealers.Chris: Yeah. Well, and I mean, I think a lot of professional media, like, you get to a point where you're so busy and you're creating so much content that it's hard to sit down and review your own stuff. I mean, even at HumblePod, I'm in a place where we're producing our own show now called We Built This Brand, and I end up in a place where some weeks I'm like, “I can't review this. I approve it. You send it out, I trust you.” So, Corey, I'm starting to echo you in a lot of ways and it's just—it makes me laugh from time to time.Corey: Somewhat recently, I wound up yet again, having to do a check on, “Hey, you use HumblePod for your podcasting work. Do you like them?” And it's fun. It's almost like when someone reaches out about someone you used to work with. Like, “We're debating hiring this person. Should we?” And I love being able to give the default response for the people I've worked with for this long, which is, “Shut up and hire them. Why are you talking to me and not hiring them faster? Get on with it.”Because I'm a difficult customer. I know that. The expectations I have are at times unreasonably high. And the fact that I don't talk to you nearly as much as I used to shows that this all has been working. Because there was a time we talked multiple times a day back—Chris: Mm-hm.Corey: When I had no idea what I was doing. Now, 500-some-odd episodes in, I still have no idea what I'm doing, but by God, I've gotten it down to a science.Chris: Absolutely you have. And you know, technically we're over 1000 episodes together, I think, at this point because if you combine what you're doing with Screaming in the Cloud, with Last Week in AWS slash AWS Morning Brief, yeah, we've done a lot with you. But yes, you've come a long way.Corey: Yes, I have become the very whitest of guys. It works out well. It's like, one podcast isn't enough. We're going to have two of them. But it's easy to talk about the past. Let's talk instead about the future a little bit. What does the future of podcasting look like? I mean, one easy direction to go in with this, as you just mentioned, there's over 1000 episodes of me flapping my gums in the breeze. That feels like it's more than enough data to train an AI model to basically be me without all the hard work, but somehow I kind of don't see it happening anytime soon.Chris: Yeah, I think listeners still value authenticity a lot and I think that's one of the hard things you're seeing in podcasting as a whole is that these organizations come in and they're like, “We're going to be the new podcast killer,” or, “We're going to be the next thing for podcasting,” and if it's too overproduced, too polished, like, I think people can detect that and see that inauthenticity, which is why, like, AI coming in and taking over people's voices is so crazy. One of the things that's happening right now at Spotify is that they are beta testing translation software so that Screaming in the Cloud could automatically be in Spanish or Last Week in AWS could automatically be in French or what have you. It's just so surreal to me that they're doing this, but they're doing exactly what you said. It's language learning models that understand what the host is saying and then they're translating it into another language.The problem is, what if that automation gets that word wrong? You know how bad one wrong word could be, translating from Spanish or French or any other language from English. So, there's a lot of challenges to be met there. And then, of course, you know, once they've got your voice, what do they do with it? There's a lot of risk there.Corey: The puns don't translate very well, most of the time, either.Chris: Oh, yes.Corey: Especially when I mis-intentionally mispronounce words like Ku-BER-netees.Chris: Exactly. I mean, it's going to be auto-translated into text at some point before it's then put out as, you know, an audio source, and so if you say something wrong, it's going to be an issue. And Ku-BER-netees or Chat-Gippity or any of those great terms that you have, they're going to also be translated wrong as well, and that creates its own can of worms so to speak.Corey: Well, let me ask you something because you have always been one to embrace emerging technologies. It's one of the things I appreciate about you; you generally don't recommend solutions from the Dark Ages when it comes to what equipment should I have and how should I maintain it and the rest. But there are a lot of services out there that will now do automatic transcription and the service that you use at the moment remains a woman named Cecilia, who's remarkably good at what she does. But why have you not replaced her with a robot?Chris: [laugh]. Very simply put, I mean, it kind of goes back to what I was just saying about language translation. AI does not understand context for human words as well as humans do, and so words are wrong a lot of times in auto transcription. I mean, I can remember a time when, you know, we first started working with you all were, if there was one thing wrong in a transcript, an executive at AWS would potentially make fun of you on Twitter for it. And so, we knew we had to be on our A-game when it came to that, so finding someone who had that niche expertise of being able to translate not just words and understand words, but also understand tech terminology, you know, I think that that's, that's its own animal and its own challenge. So yeah, I mean, you could easily get away with something—Corey: Especially with my attentional mispronunciation where she's, “I don't quite know what you're saying here, and neither does the entire rest of the industry.” Like, “Postgres-squ—do you mean Postgres? Who the hell calls it Postgres-squeal?” I do. I call it that. Two warring pronunciations, I will unify them by coming up with a third that is far worse. It's kind of my shtick. The problem is, at some point, it becomes too inside-jokey when I have 15 words that I'm doing that too, and suddenly no one knows what the hell I'm talking about and the joke gets old quickly.Chris: Yep.Corey: So, I've tried to scale that back. But there are still a few that I… I can't help but play with.Chris: Yeah. And it's always fun bringing someone new in to work on—work with you all because they're always like, “What is he saying? Does he mean this?” And [laugh] it's always an adventure.Corey: It keeps life fun though.Chris: Absolutely.Corey: So, one thing that you did for a while, back when I was starting out, it almost felt like you were in cahoots with Big Microphone because once I would wind up getting a setup all working and ready for the recording, like, “Great. Everything working terrifically? Cool, throw it away. It's time for generation three of this.” I think I'm on, like, gen six, or gen seven now, but it's been relatively static for the past few years. Are the checks not as big as they used to be? I mean, if we hit a point of equilibrium? What's going on?Chris: Yeah, unfortunately, Big Microphone isn't paying what they used to. The economy and interest rates and all that, it's just making it hard. But once you get to a certain level of gear, it's going to be more important that you have good content than better and better gear. Could we keep going? Sure. If you wanted to buy a studio and you wanted to get Neumann microphones or something like that, we could keep going. But again, Big Microphone is not paying what they used to.Corey: When people reach out because they're debating starting a podcast and they ask me for advice, other than hire HumblePod, the next question they usually get around to is gear. And I don't think that they are expecting my answer, which is, it does not matter. Because if the content is good, the listeners will forgive an awful lot. You could record it into your iPhone in a quiet room and they will put up with that. Whereas if the content isn't good, it doesn't matter what the production value is because people are constantly being offered better things to do with their time. You've got to grab them, you have to be compelling to your target audience or the rest of it does not matter.Chris: Yeah. And I think that's the big challenge with audio is a lot of people get excited, especially I find this true of people in the tech industry of like, “Okay, I want to learn all the tech stuff, I love all the cool tech stuff, and so I'm going to go out and buy all this equipment first.” And then they spend $5,000 on equipment and they never record a single episode because they put all their time and energy into researching and buying gear and never thought about the content of the show. The truth is, you could start with your iPhone and that's it. And while I don't necessarily advise that, you'd be surprised at the quality of audio on an iPhone.I've had a client have to re-record something while they were traveling remotely and I said, “You just need to get your iPhone out.” They took their AirPods, plugged them in and, I said, “No. Take them out, use the microphone on the iPhone.” And you can start with something as simple as that. Now, once you want to start making it better, sure, that's a great way to grow and that does influence people staying with your podcast over time, but I think in the long run, content trumps all.Corey: One of the problems I keep seeing is that people also want to record a podcast because they have a great idea for a few episodes. My rule of thumb—because I've gotten this wrong before—is, okay, if you want to do a whole new podcast, come up with the first 12 episodes. Because two, three, four, of course, you've got your ideas. And then by the—you'll find in many cases, you're going to have a problem by the end of it. Years ago, I did a mini-series inside of AMB called “Networking in the Cloud” where it was sponsored by, at the time, ThousandEyes, before Cisco bought them and froze them in amber for all eternity.But it was fun for the first six episodes and then I realized I'd said all I needed to say about networking, and I was on the hook for six more. And Ivan Pepeinjak, who's his own influencer type in the BGP IP space was like, “This is why you should stay in your lane. He's terrible. He got it all wrong.” Like, “Great. Come on and tell me exactly how I got it wrong,” because I was trying to approach it from a very surface topical area, but BGP is one of those areas where I get very wrapped around my own axle just because I've never used it in anger. Being able to pivot the show format is what saved me on that. But if I had started doing this as its own individual podcast and launched, it would have died on the vine, just because it would not have had enough staying power and I didn't have the interest to continue working on it. Could someone else come up with a networking-in-the-cloud podcast that had hundreds of episodes? Absolutely, but those people are what we call competent and good at things in a way that I very much am not.Chris: Yep. And I completely agree. I mean, 12 is my default number, so—I'm not going to take credit for your saying 12, but I know we've talked about that before. And—Corey: It was a 12-episode miniseries is why. And I remember by ten, I had completely scraped the bottom of the barrel. Then Ivan saved me on one of them, and then I did, I think, a mini-series-in-review, which is cheating but worked.Chris: Yeah. I remember that, the trials and travails of giving that out. It was fun, though. But with that, yeah, like, 12 is a good number because, like, to your point, if you have 12 and you want to do a monthly show, you've got a year's worth of content, if you do bi-weekly, that's six months, and if it's a weekly show, it's at least a quarter's worth of content. So, it does help you think through and at least come up with any potential roadblocks you might have by at least listing out, here's what episodes one, two, three, four, five and so on would be. And so, I do think that's a great approach.Corey: And don't be an idiot like I was and launch a newsletter and then podcast that focus on last week's news because you can't work ahead on that. If you can, why are you not a multi-billionaire for playing the markets? If you can predict the future, there's a more lucrative career for you than podcasting, I promise. But that means that I have to be on the treadmill on some level. I've gotten it down to a point where I can stretch it to ten days. I can take ten days off if I preload, do it as early as I possibly can beforehand and then as late as I possibly can when I return. Anything more than that, I'm either skipping a week or delaying the show or have to get a guest author or artist in.Chris: Yeah. And you definitely need that time off, and so that's the one big challenge, I think with podcasting, too, is like you create this treadmill for yourself that you constantly have to fill content after content after content. I think that's one of the big challenges in podcasting and one of the reasons we see so many podcasts fade out. I don't know if you're familiar, but there is a term called podfade, which is just that: people burning out, fading out in their excitement for a podcast. And most podcasters fade out by episode seven or eight, somewhere in that range, so to see someone go for say, like, you have 500 episodes plus, we're talking about a ton of good content. You've found your rhythm, you've found your groove. That can do it. But yeah, it's always, always a challenge staying motivated.Corey: One thing that consistently surprises me is that the things I care about as the creator and the things the audience cares about are not the same. And you have to be respectful of your audience's time. I've done the numbers on the shows that I put out and it's something on the order of over a year of human time for every episode that I put out. If I'm going to take a year from humanity's collective lifetimes in order to say my inane thoughts, then I have to be respectful of the audience's time. Which means, “Oh, I'm going to have a robot do it so I don't have to put the work in.” It doesn't work that way. That's not how you sustain.Chris: Right. In and again, it takes out that humanity that makes podcasting so special and makes that connection with even the listener so special. And I'm sure you've experienced this too. When you go to re:Invent, like, we're going to have here in just a few short months, people know you, and they probably say things and bring up things that you haven't even thought about. And you're like, “Where did you even learn that I did that?” And then you realize, “Oh, I said that on a podcast episode.”Corey: Yeah. What's weird is I don't get much feedback online for it, but people will talk to me in depth about the show. They'll come up to me near constantly and talk about it. They don't reach out the same way, which I guess makes sense. There are a couple of podcasts that I've really admired and listened to on and off in the car for years, but I've never reached out to the creators because I feel like I would sound ridiculous. It's not true. I know intellectually it's not true, but it feels weird to do it.Chris: One of the ways I got into podcasting was a podcast that just invited me to—you know, invited their listeners to sign up and engage with them. And I think that's something in the medium that does make it interesting is once you do engage, you find out that these creators respond. And where else do you get that, you know? If you're watching a big TV show and you tweet at somebody online that you admire in the show, the chance of them even liking what you said about them online is very slim to none. But with podcasting, there's just a different level of accessibility I find with most productions and most shows that makes it really something special.Corey: One thing that still surprises me—and I don't think I've ever been this explicit about it on the show, but why the hell not I have nothing to hide—Thursday evening, 5 p.m. Pacific time. That's when the automation fires and rotates everything for the newsletter and the AWS Morning Brief. Anything that comes in after that, unless I manually do an override, will not be in the next week's issue; it'll be the week after.That applies to Security as well, which means 5 p.m. on Thursday, it seals it, I write and record it and it goes ou—that particular one goes out Thursday morning the following week. And no one has ever said anything about this seems awfully late. Occasionally, there's been news the day before and someone said, “Oh, why didn't you include this?”And it's because, believe it or not, I don't just type this in and hit the send button. There's a bit more to it than that these days. But people don't need the sense of immediacy. This idea of striving to be first is not sustainable and it leads to terrible outcomes. My entire philosophy has not been to have the first take but rather the best take.Chris: Mm-hm.Corey: Sometimes I even get it right.Chris: And I mean in podcasting, too. Like, it's about, you serve a certain niche, right? Like, the people who are interested in AWS services and in this world of cloud computing listen to what you say, listen to the people you interview, and really enjoy those conversations. But that's not everybody in the world. That's not a very broad audience. And so, I think that those niches really serve a purpose.And the way I've always thought about it is, like, if you go to the grocery store, you know how you always have that rack of magazines with the most random interests? That's essentially what podcasting is. It's like each podcast is a different magazine that serves someone's random—and hyper-specific sometimes—niche interest in things. I mean, the number of things you can find podcasts on is just ridiculous. And I think the same is true for this. But the people who do follow, they're very serious, they're very dedicated, they do listen, and yeah, I think it's just a fascinating, fascinating thing.Corey: The way that I see it has been that I've been learning more from the audience and the things that people say that most people would believe, but… I make a lot of mistakes doing this, but talking to people does tend to shine a light on a lot of this. But enough about the past. Most of my episodes are about things that have previously happened. What does the future of podcasting look like? Where's it going from here?Chris: Oh, man. Well, I think the big question on everybody's mind is, do I need a video podcast? And I think that for most people, that's where the big question lies right now. I get a lot of questions about it, I get people reaching out, and I think the short answer to that is… not really. Or to answer a question I know you love, Corey, it depends.And the reason for that is, there's a lot with the tech of podcasting that just isn't going to distribute to everywhere, all at once anymore. The beauty of podcasting is that it's all based on an RSS feed. If you build an RSS feed and you put it in Apple Podcasts and Spotify, that RSS feed will distribute everywhere and it will distribute your audio everywhere. And what we see happening right now, and really one of the bigger challenges in podcasting, is that the RSS feed only provides audio. Technically, that's not accurate, but it does for most services.So, YouTube has recently come out and said that they are going to start integrating RSS feeds, so you'll be able to do those audiogram-esque things that a lot of people have done through apps like Headliner and stuff for a long time, or even their podcast host may automatically translate a version of their audio podcast into a video and just do, like, a waveform. They're going to have that in YouTube. TikTok is taking a similar approach. And they're both importing just the audio. And the reason I said earlier, that's technically not accurate is because RSS feeds can also support MP4s, but neither service is going to accept that or ingest it directly into their service from what you provide outbound.So, it's a very interesting time because it feels like we're getting there with video, but we're still not there, and we're still probably several years off from it. So, there's a lot of interest in video and I think the future is going to be video, but I think it's going to be a combination, too, with audio because who wants to sit and watch something for an hour-and-a-half when you're used to listening to it your commute or while you do the dishes or any number of other things that don't involve having your eyeballs directly on the content.Corey: We've tried it with this show. I found that it made the recording process a bit more onerous because everyone is suddenly freaking out about how they look and I can't indulge my constant nose-picking habit. Kidding. So, it was more work, I had to gussy myself up a bit more than dressing like a slob like I do some mornings because I do have young children and a deadline to get them to school by. But I never saw the audience to materialize there and be worth it.Because watching a video of two people talking with each other, it feels too much like a Zoom call that you can't participate in, so what's the point?Chris: Right.Corey: So, there's that. There's the fact that I also have very intentionally built most of what I do around newsletters and podcasts because at least so far, those are not dependent upon algorithmic discovery in the same way. I don't have to bias for things that YouTube likes this month. Instead, I can focus on the content that people originally signed up to hear me put out and I don't have to worry about it in the same way. Email predates me, it'll be here long after I'm gone, and that seems to make sense.I also look at how I have consumed podcasts, and times when I do, it's almost always while I'm doing something else. And if I have to watch a screen, that becomes significantly more distracting, and harder for me to find the time to do it with.Chris: I think what you're seeing is that, like, there's some avenues to where video podcasting is really good and really interesting, and I think the real place where that works best right now is in-person interviews. So, Corey, if you went out and interviewed Andy Jassy in person in Seattle, that to me would be something that would warrant bringing the cameras out for and putting online because people would want to see you in the office interacting with him. That would be interesting. To your point, during the Zoom calls and things like that, you end up in a place where people just aren't as interested in sitting and watching the Zoom call. And I think that's something that is a clear distinction to make.Entertainment, comedy, doing things in person, I think that's where the real interest in video is and that's why I don't think video will be for everybody all the time. The thing that is starting to come up as well is discoverability, and that has always been a challenge, but as we get into—and we probably don't want to go down this rabbit hole, but you know, what's happened to Twitter and X, like, discoverability is becoming more of a challenge because they're limiting access to that platform. They're limiting discoverability if you're not willing to pay for a blue checkmark. They're doing all these things to make it harder for small independent podcasts to grow.And the places that are opening up for it to grow are places like YouTube, places like TikTok, that have the ability to not only just put your full podcasts online now, but you can actually do, like, YouTube shorts or highlighted clips, and directly link those back to the long-form content that you're producing. So, there is some value in it, there is a technology and a future there for it, but it's just a very complicated time to be in podcasting and figuring out where to go to grow. That's probably the biggest challenge that we face and I think ultimately, that just comes down to developing an audience outside of these social media channels.Corey: One thing that you were talking about a while back in a conversation that I don't think I've ever followed up with you on—and there's no time like in front of a bunch of public people to do that—Chris: [laugh].Corey: You were talking to me about something that you were calling the Podcast Listener Lifecycle.Chris: Yes.Corey: What's your point on that?Chris: So, the Listener Lifecycle is something I developed, just to be frank, working with you guys, learning from you all, and also my background in marketing, and in building audiences and things, from my own podcasts and other things that I did prior to building HumblePod, led me to a place of going, how can we best explain to a client where their podcast is? How does it exist? Where does it exist? All that good stuff. And basically, the Listener Lifecycle is just that.It's a design—and we'll have links to it because I actually did a whole podcast season on the Listener Lifecycle from beginning to end, so that's probably the easiest way to talk about it. But essentially, it's the idea of, you're curious about a show, and how do you go from being curious about a show to exploring a podcast, to then becoming a follower of the podcast, literally clicking the Follow button. What does it take to get through each one of those stages? How can you identify where your audience is? And basically, it's a tool you can use to say, “Well, this is where my listener is in the stages.” And then once they get to be a follower, how do I build them into something more?Well, get them to be a subscriber, subscribe to a newsletter, subscribe to a Patreon or Substack or whatever that subscription service is that you prefer to use, and get them off of just being on social media and following you there and following you in a podcast audio form. Because things can happen: your podcast host could break and you'd lose your audience, right? We've seen Twitter, which we may have thought years ago that it would never go away, and now we don't know how long it's going to be there. It could be gone by the time we're done with this conversation for all we know. I've got all my notifications turned off, so we're basically in a liminal space at this point.But with that said, there's a lot of risk in audiences changing and things like that, so audience portability is really important. So, the more you can collect email addresses, collect contact information, and communicate with that group of people, the better your audience is going to be. And so, that's what it's about is helping people get to that stage where they can do that so that they don't lose audiences and so that they can even build and grow audiences beyond that to the point where they get to the last phase, which is the ‘true fan' phase. And that's where you get people who love your show, retweet everything you do, repost everything you do, and share it with all their friends every time you're creating new content. And that's ultimately what you want: those die-hard people that come up to you and know everything about you at re:Invent, those are the people that you want to create more of because they're going to help you grow your show and your audience, ultimately. So, that's what it's about. I know that's a lot. But again, like, we'll have a link in the show notes to where you can learn more about it.Corey: Indeed, we will. Normally I'm the one that says, “And we'll include a link to that in the show notes.” But you're the one that has to actually make all that happen. Here's another glimpse behind the curtain. I have a Calendly link that I pass out to people to book time on the show. They fill out the form, which is relatively straightforward and low effort by design, and the next time I think about it is ten minutes beforehand when it pops up with, “Hey, you have a recording to go to.” Great. I book an hour for a half-hour recording. I wind up going through this entire conversation. When we're done, we close out the episode, we chat a bit, I close the tab, and I don't think about it again, it's passed off to you folks entirely. It is the very whitest of white glove treatments. Because I, once again, am the very whitest of white guys.Chris: We aim to please [laugh].Corey: Exactly. Because I remember before this, I used to have things delayed by months because I would forget to copy the freaking file into Dropbox, of all things. And that was just wild to me.Chris: And we stay on you about that because we want to make sure that your show gets out and—Corey: And now it automatically transfers and I—when the automation works—I don't have to think about it again. What is fun to me is despite all the time that I spend in enterprise cloud services, we still use things that are prosumer, like Dropbox and other things that are human-centric because for some reason, most of your team are not also highly competent cloud developers. And I still think it is such a miss that something like S3, which would be perfect for this, requires that level of engineering. And I have more self-respect than that. I'd have to build some stuff in order to make that work effectively on my end, let alone folks who have actual jobs that don't involve messing around with cloud services all day.But it blows my mind that there's still such this gulf between things that sound like you would have one of your aging parents deal with versus something that is extraordinarily capable and state-of-the-art. I know they're launching a bunch of things like Amazon's IVS, which is a streaming offering, a lot of their elemental offerings for media packaging, but I look at it, it's like wow, not only is this expensive, it doesn't solve any problems that we actually have and would add significant extra steps to every part of it. Thanks, but no thanks. And sure, maybe we're not the target market, but I can't shake the feeling that there are an awful lot of people like us that fit that profile.Chris: Yeah. And I mean, you bring up a good point about not using S3, things like that. It has occurred to me as well that, hey, maybe we should find somebody to help us develop a technology like this to make it easier on us on the back end to do all the recording and the production in one place, one database, and be able to move on. So, at some point I would love to get there. That's probably a conversation for after the podcast, Corey, but definitely is something that we've been thinking about at HumblePod is, how do we reach that next step of making it even easier on our clients?Corey: Well, it is certainly appreciated. But again, remember, your task is to continue to perform the service excellently, not be the poster child for cloud services with dumb names.Chris: [laugh]. Yes, yes. And I'm sure we could come up with a bunch.Corey: One last question before we wind up calling in an episode. I know that I've been emphasizing the white glove treatment that I get—and let's be clear, you are not inexpensive, but you're also well worth it; you deliver value extraordinarily for our needs—do you offer things that are not quite as, we'll call it, high-touch and comprehensive?Chris: Yes, we do actually. We just recently launched a new service called Quick Edit and it's just that. It's still humans touching the service, so it's not a bunch of automated, hey, we're just running this through an AI program and it's going to spit it out on the other end. We actually have a human that touches your audio, cleans it up, and sends it back. And yeah, we're there to make sure that we can clean things up quickly and easily and affordably for those folks that are just in a pinch.Maybe you edit most weeks and you're just tired of doing the editing, maybe you're close to podfading and you just want an extra boost to see if you can keep the show going. That's what we have the Quick Edit service for. And that starts at $150 an episode and we'll edit up to 45 minutes of audio for you within that. And yeah, there's some other options available as well if you start to add more stuff, but just come check us out. You can go to humblepod.com/services/quick-edit and find that there.Corey: And we will, of course, put links to that in the show notes. Or at least you will. I certainly won't.Chris: [laugh].Corey: Chris, thank you so much for taking the time to speak with me. If people want to learn more, other than hunting you down at re:Invent, which they absolutely should do, where's the best place for them to find you?Chris: I mean@HumblePod anywhere is the quickest, easiest way to find me anywhere—or at least find the business—and you can find me at @christopholies. And we'll have a link to that in the show notes for sure because it's not worth spelling out on the podcast.Corey: I would have pronounced it chris-to-files, but that's all right. That's how it works.Chris: [laugh].Corey: Thank you so much, Chris for everything that you do, as well as suffering my nonsensical slings and arrows for the last half hour. We'll talk soon.Chris: You're welcome, Corey.Corey: Chris Hill, CEO at HumblePod. I'm Cloud Economist Corey Quinn and this is Screaming in the Cloud. If you've enjoyed this podcast, please leave a five-star review on your podcast platform of choice, whereas if you hated this episode, please leave a five-star review on your podcast platform of choice along with an angry, insulting comment that I'm sure Chris or one of his colleagues will spend time hunting down from all corners of the internet to put into a delightful report, which I will then never read.Corey: If your AWS bill keeps rising and your blood pressure is doing the same, then you need The Duckbill Group. We help companies fix their AWS bill by making it smaller and less horrifying. The Duckbill Group works for you, not AWS. We tailor recommendations to your business and we get to the point. Visit duckbillgroup.com to get started.

Tickets for Horizon Live 2023, featuring the MyWallSt analyst team along with special guests Bill Mann & Chris Hill. Limited tickets are available - get yours here

What kind of day has it been? (00:21) Bill Barker discusses: - The stock market reacting positively (or not) to the latest narrative around the debt ceiling debate - Nvidia's new all-time high and why we haven't reached "peak AI" yet - Listener feedback over the years and the concept of "playing to the back of the room" - A surprise guest (via audio) (20:28) Chris Hill wraps up his final episode hosting the show a salute to The Motley Fool's history and founders, the self-driven mentality of the audience, and advice from the late musician Kevin Gilbert. Companies discussed: NVDA Host: Chris Hill Guest: Bill Barker Engineers: Dan Boyd

Chris Hill loves coffee, curiosity, and people. To celebrate his run as the host of Motley Fool Money, Mary Long rounded up a few Fools to talk about what they've learned from Chris as an investor, colleague, and friend. They discuss: Why it pays dividends to ask good questions Why timing matters in the studio, but not so much in the market The importance of investing in people Companies mentioned: SBUX, V, MA, PYPL, SQ Host: Mary Long Guests: Ron Gross, Steve Broido, Alison Southwick, Bill Mann, Mac Greer, Bill Barker, Jason Moser, Chris Harris, Dan Boyd Producer: Ricky Mulvey Engineer: Rick Engdahl