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John Jeter has been music director and conductor of the Fort Smith Symphony since 1997. He is the recipient of the Governor's Award for “Individual Artist of the State of Arkansas”, the Helen M. Thompson Award presented by the League of American Orchestras, and the Mayor's Achievement Award for services to the City of Fort Smith. Jeter has guest conducted numerous orchestras in the US and Europe. His music education programs for schools reach up to 10,000 students annually. He is also involved in a growing number of music and wellness projects, and has a long history as a media guest and host. He's recently released a new album on Naxos, featuring the music of Louis Wayne Ballard, the first Native American concert composer. His music is wonderful and his life and career make for a fascinating story. You can listen to the music at the link above. Our conversation touched on numerous topics including diversity in programming, audience development, the difficulties and rewards of rediscovering a composer, and why we all need to be proactive in this! Follow the Fort Smith Symphony and John Jeter at their website. Thanks for joining me on Crushing Classical! Theme music and audio editing by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams. I have three 1:1 coaching slots available this season. You can read more or hop onto a short discovery call from my website. I'm your host, Jennet Ingle. I love you all. Stay safe out there!
Sue Ellen Thompson's poems have been read more than a dozen times on National Public Radio by Garrison Keillor, have been featured in U.S. Poet Laureate Ted Kooser's nationally syndicated newspaper column, and have received numerous awards, including the 1986 Samuel French Morse Prize, the 2003 Pablo Neruda Prize, and two Individual Artist's Grants from the State of Connecticut. She is the author of six books, her most recent one being 'Sea Nettles: New & Selected Poems' where she explores relationships between people of three generations as they evolve over decades. Currently, she also teaches at The Writers' Center in Bethesda where she mentors adult poets. To learn more about her and her workshops, go to https://sueellenthompson.com/ In this interview, Thompson and I talk about writing poetry as a teenager, why she quit her editorial job to pursue her passion, working as a freelancer, tips for writers, her workshops, her poems, and how her students encourage her. Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!
I was lucky enough to get Children's Book Author Darcy Pattison on the show this week, who has published more than 50 children's books under her own publishing house - Mims House. We talk about how to write a non-fiction picture book, exploring merchandise opportunities for your books, marketing, school visits and so much more! Enjoy the episode and enjoy my intro where I talk all about pushing yourself as an author to write more words!MORE ABOUT DARCY:Children's book author and indie publisher Darcy Pattison writes award-winning fiction and non-fiction books for children. Her works have received starred PW, Kirkus, and BCCB reviews. Awards include the Irma Black Honor award, five NSTA Outstanding Science Trade Books, two Eureka! Nonfiction Honor book, two Junior Library Guild selections, two NCTE Notable Children's Book in Language Arts, a Notable Social Studies Trade Books, and an Arkansiana Award. She's the 2007 recipient of the Arkansas Governor's Arts Award for Individual Artist for her work in children's literature.Always active, before her tenth birthday, she (almost) climbed the Continental Divide, turning back at the last twenty yards because it was too steep and great climbing shoes hadn't been invented yet. Before COVID, she rode a bicycle down a volcano in Bali, Indonesia and hiked in the U.S. Rockies. On her bucket list is kayaking the Nā Pali Coast of Hawaii and eating curry in Mumbai.LINKS:https://www.darcypattison.comhttps://mimshousebooks.comBuzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
Hi there, Today I am excited to be arts calling John Becker! (jouskaproductions.com) About our Guest: John Becker has juggled life in film, theatre, and music with teaching the arts to children and adults. He has won three Individual Artist's Awards from the Maryland State Arts Council. He was asked to write a play for the One-Minute Play Festival at Round House Theatre. His musical, Everything I Do, was read at the Kennedy Center, chosen for a workshop at Artist's Bloc, and performed at the Atlas in DC to excellent reviews. He was commissioned by Farrar, Straus, and Giroux in NY to co-write and co-direct the book trailer for Susan Coll's The Stager. His play Summit Meeting was performed at the Kennedy Center for a festival, where it was awarded 1st place by audience vote. John has had plays performed four years in a row at the Source Theatre in DC and had a play performed Off-Broadway at the Emerging Artists Theatre in New York. He has also had plays performed at the Baltimore Playwrights Festival, the Writer's Center, Company 13, the Run of the Mill Theatre (for which they won a Greater Baltimore Theatre Award), the Human Rights Arts Festival for Amnesty International, and many others. Enjoy some of John's recent projects on YouTube! The Playwright Zone 1st episode. Two men, an Israeli and a Palestinian, are trapped in an elevator in America.: https://www.youtube.com/watch?v=Cd5I1dSroOw&t=8s&ab_channel=JouskaProductions 2nd episode: A woman struggling with mental health issues has a blind date: https://www.youtube.com/watch?v=ZM70EUWZc3I&t=10s&ab_channel=JouskaProductions The Panic Room I ask two controversial questions of one left wing person and one right wing, then let them react to each other's responses while still remaining civil. 1st episode: https://www.youtube.com/watch?v=ln_tRItxzWM&t=249s&ab_channel=JouskaProductions Eugene Cheese Gets It Wrong Actress Tia Shearer Bassett and her mischievous leopard gecko, Eugene Cheese, explore fun themes, while letting kids know that it's okay to be wrong sometimes. 1st episode: https://www.youtube.com/watch?v=1mFFMcEKiTA&t=9s&ab_channel=JouskaProductions 2nd episode: https://www.youtube.com/watch?v=UtNfypvuiFg&t=7s&ab_channel=JouskaProductions Thank you so much for taking the time to talk playwriting, John! All the best and happy writing! -- Arts Calling is produced by Jaime Alejandro (cruzfolio.com). If you like the show: leave a review, or share it with someone who's starting their creative journey! Your support truly makes a difference! Go make a dent: much love, j https://artscalling.com/welcome/
A more in-depth walk-through of the application in Spanish with Tony Diaz facilitating the conversation with artists Gabriela Magana and Arielle Masson from the Latina American Women's Artists of Houston, a collective of Latin American Women Artists working in the greater Houston Area since 2017. This Spanish info session will include background and guiding questions from our panel. Video and audio includes responses to posted Q&A from live session. For more FAQs - check out https://support.houstonbanf.org for updated answers to questions posed in prior sessions. Gabriela Magana is a Houston based artist born in Mexico. Her work has evolved hand in hand with the exploration of her place as a woman and as a Latina in this age and time. Therefore, she has come to use mixed media in her paintings, as well as thick paint as an exploration of materials and storytelling. She uses the physicality of her works as a symbol to the subject matter, making the viewer feel closer to the work, and giving clues about the story behind it. Arielle Masson, being born from a Mexican mother and a French father, being bilingual from birth, and now trilingual, and, after having grown up in Europe and traveled extensively in Africa, in India, and in Latin America, and having elected to live in Houston for the past 30 years, has given up trying to define, fit and belong to any specific cultural idiosyncrasy. Her hybrid position makes her acutely aware that most people identify seamlessly with their native culture without questioning it. It is only in the movement of migration, immigration that the problem of identity arises. In turn, she understand the contemporary discourse of multiculturalism, pluralism, and today's globalism, being generated mostly by relentless human technological advancements. BIPOC Arts Network and Fund, or BANF, was created to provide resources and networks that support the vibrant Black, Latinx, Indigenous, Asian American, Pacific Islander, Middle Eastern and other communities of color of Greater Houston in fully displaying their power, values and traditions. Its goals are achieved through grant funding, advocacy, and community-building networking initiatives that revolutionize the local funding landscape, break down silos within the arts ecosystem, and welcome everyone to support and learn from BIPOC arts communities. BANF is an independent initiative funded by the generous contributions of national and local foundations, including Houston Endowment, the Ford Foundation, The Brown Foundation, Inc., The Cullen Foundation, Kinder Foundation and The Powell Foundation. Nuestra Palabra fully supports and appreciates the work of these folks and entities as we empower marginalized communities. Writer and activist Tony Diaz, El Librotraficante, hosts Latino Politics and News and the Nuestra Palabra Radio Show on 90.1 FM, KPFT, Houston's Community Station. He is also a political analyst on “What's Your Point?” on Fox 26 Houston. He is the author of the forthcoming book: The Tip of the Pyramid: Cultivating Community Cultural Capital. www.Librotraficante.com www.NuestraPalabra.org www.TonyDiaz.net Instrumental Music Produced courtesy of Bayden Records Website | baydenrecords.beatstars.com
Juan Alonso-Rodríguez describes his paintings and sculptures as an on-going exploration of abstraction based on forms both found in nature, and those conceived by human ingenuity. From horizon lines to his father's wrought iron railing designs, memories of sights and sounds of his Caribbean origins always play an integral part in his creativity. He is influenced by the organized balance, pattern, and symmetry found in nature as well as that of architecture that lives in harmony with the natural world. In the first Gage art talk of the season, Scott Méxcal interviews Alonso-Rodríguez about how he “accidentally” became a professional artist, his long career in the Pacific Northwest, being Latinx, the changing Seattle landscape, and the process of art as meditation. Cuban-born Juan Alonso-Rodríguez is a self-taught artist whose transition from music to visual arts coincided with his move to Seattle in 1982. His work has been exhibited throughout the U.S. and is included in permanent collections such as Tacoma Art Museum, Portland Art Museum, and Henry Art Gallery. He has won a Seattle Mayor's Arts Award, The Neddy Fellowship, and the DeJunius Hughes Award for Activism. In 2019 he received an Artist Trust Fellowship and the Washington State Governor's Arts Award for an Individual Artist. He was selected Lecturer for the 2021 University of Washington Libraries' Artist Images. Scott Méxcal (né McCall) is a cultural worker in the genre of socially engaged practice art. Born in Albuquerque, New Mexico, Scott's ancestors have lived on both sides of the Rio Grande for countless generations. Descended from indigenous people and Spanish/European colonizers, he has called the traditional homeland of the Duwamish people, Seattle, Washington, his home for the past 20 years. Scott has contributed to the creative cultural fabric of the city as a graphic designer, a public artist, a youth art mentor, and art activist. His work has hung in numerous exhibitions throughout the city and surrounding area. Presented by Town Hall Seattle and the Gage Academy of Art.
In this podcast, the GIA Support for Individual Artist Committee co-chairs Ce Scott-Fitts, artist development director, South Carolina Arts Commission and Celeste Smith, senior program officer, Arts and Culture, The Pittsburgh Foundation will give you a snapshot of what the committee has been working on, and what you can look forward to for this year. You will also receive a sneak peak into the committee's theme for 2022, mental health and health care for artists. We will also hear from special guest, Dr. David Fakunle, CEO, DiscoverMe/RecoverME; adjunct assistant professor, University of Florida. He will share his insights on the topic of health care for artists, and he will reinforce a much-needed perspective around how we value and support artists.
Noah & Ross sit down with poet, translator, editor, & teacher Ruben Quesada to talk about his new substack PROMOTION FOR POETS. Links of interest from this episode:Ruben Quesada website Be sure to sign up for Promotions for Poets (substack)Revelations (Sibling Rivalry Press) by Ruben Quesada Charles Olson essay on Projectice VerseHeadwaters (WW Norton) by Ellen Bryant Voigt The Art of Syntax (Graywolf) by Ellen Bryant VoigtRuben Quesada is a neurodivergent, gay, Latinx poet. A native Angeleno, Ruben was raised by Costa Rican immigrant parents. He is the author of Revelations, Next Extinct Mammal, and translator of Exiled from the Throne of Night: Selected Translations of Luis Cernuda. He is a recipient of an Individual Artist grant from the Department of Cultural Affairs and Special Events at the City of Chicago. He is producing a short documentary film on Latinx poetry. After receiving a PhD in English, Ruben moved to Illinois in 2012. Soon after, with the mentorship of founding members from Canto Mundo Poetry, Macondo, and the Institute of Latino Letters | Letras Latinas, Ruben founded the Latinx Caucus at the AWP (Association of Writing & Writing Programs) Conference. Since 2015, the Latinx Caucus has been led by a leadership team of poets and writers who represent intersectional identities from the Americas. In 2015, Ruben moved to Chicago to launch the Logan's Run Readings series. This series was the nation's only Latinx literary salon and featured poets and writers including Daniel Borzutzky, Erika L. Sanchez, David Campos, Wendy C. Ortiz, and Diego Báez. For the past 15 years, Ruben has taught literature and creative writing. He's taught at Vermont College of Fine Arts, University of California-Riverside, The School of the Art Institute, Columbia College Chicago, Northwestern University, and UCLA Writers' Program. He teaches as an Associate Teaching Fellow at the Attic Institute. Ruben has written for Ploughshares, The Kenyon Review, Harvard Review, The Rumpus, Cobalt, and Chicago Review of Books. Recently, he worked as poetry editor at AGNI and guest editor at PANK. In his spare time, he manages Mercy Street Readings, a live, literary broadcast. He is editing a special folio of LGBTQIA+ poetry for the spring 2022 issue of Pleiades magazine. Thank you for listening to The Chapbook!Noah Stetzer is on Twitter @dcNoahRoss White is on Twitter @rosswhite You can find all our episodes and contact us with your chapbook questions and suggestions here. Follow Bull City Press on Twitter https://twitter.com/bullcitypress Instagram https://www.instagram.com/bullcitypress/ and Facebook https://www.facebook.com/bullcitypress
(c) Mutley Baptist Church & Individual Artist 2021
(c) Mutley Baptist Church & Individual Artist 2021
Ep. 3: Barkha is a kathak dancer, choreographer, educator, and the artistic director of Barkha Dance Company. She shares with us how she aligned with her passion for dance and dedicated her life to the pursuit of this classical art form.A touring artist, Barkha has performed solo and ensemble works at dance festivals in India and the U.S. She has been awarded a choreographic fellowship with NJPAC and in 2020 an Individual Artist grant from MAAF/NJSCA as well as mentorship in Dance/USA Institute for Leadership. Barkha was recently awarded a consultancy fellowship with Forge NYC. Barkha teaches kathak to young and adult students while co-leading the NYC kathak practice group.You can learn more about her company here: http://www.barkhadance.com
Desi Mundo was interviewed last year, and is an Oakland-based spray paint educator, hip-hop cultural diplomat and the founder of the Community Rejuvenation Project, a pavement to policy mural organization that has produced more than 250 murals, throughout the Bay Area as well as nationally and internationally. His mural with Pancho Peskador, the “Universal Language” galvanized the Oakland community in the struggle against gentrification resulting in $20 million in community benefits, as documented in the acclaimed documentary film “Alice Street.” Desi’s legacy as an educator and youth worker in K-12 schools spans two decades. He received the “Rising Leaders” Fellowship from the Youth Leadership Institute in 2005 and has been awarded the Individual Artist grant from the City of Oakland eight times. Desi recently completed “AscenDance,” a 91 ft. tall acrylic mural on Oakland’s Greenlining Institute, with an all-woman all-star team of brush painters. AscenDance in Production (photo by Eric Arnold) The complete mural getting several layers of clear coat for lasting protection.
The Edmonton Arts Council invites everyone to the free online workshop “What the Fund? CERB, CESB, and the Individual Artist” on Monday July 13 from 7-8:30pm. To receive login information, email dcheoros@edmontonarts.ca. Produced by Rylan Kafara.
April 30, 2020, featured visual artists Bruce Farnsworth and Sheila Wyne. Bruce Farnsworth is an Anchorage based writer, artist and community organizer. He founded and directed MTS Gallery in Anchorage and Light Brigade, a multimedia collaboration of artists who stage site specific art interventions in the built and natural environment. He is Co-Lead of the Pan-Arctic 8Boxes Project. Farnsworth was the recipient of the first ever “President’s Award” from the Rasmuson Foundation, an award created by the foundation’s President and CEO to honor his work in neighborhood revitalization through the arts.Sheila Wyne is a visual artist based in Anchorage. Her studio work has been shown across the state, the Lower 48 and overseas. Her work is in permanent collections of several Alaska museums, and she has designed over 20 public artworks. Wyne has worked as a set designer with theatre companies in Alaska and the Northwest and she is core Member of The Light Brigade. Wyne has been awarded a national NEA/TCG Fellowship in set design, a Rasmuson Artist Fellowship and grants from Alaska State Council on the Arts, the NASE Development Program, the Andy Warhol and Rockefeller Foundations as well as the Governor’s Award for Individual Artist. more.
Desi Mundo is an Oakland-based spray paint educator, hip-hop cultural diplomat and the founder of the Community Rejuvenation Project, a pavement to policy mural organization that has produced more than 250 murals, throughout the Bay Area as well as nationally and internationally. His largest mural, the “Universal Language” galvanized the Oakland community in the struggle against gentrification resulting in $20 million in community benefits, as documented in the feature documentary film “Alice Street.” Desi’s legacy as an educator and youth worker in K-12 schools spans two decades. He received the “Rising Leaders” Fellowship from the Youth Leadership Institute in 2005 and has been awarded the Individual Artist grant from the City of Oakland eight times. The Universal Language mural discussed in the interview. The Universal Language mural with Destiny Muhammad, the "Harpist from the Hood".
(c) Mutley Baptist Church & Individual Artist 2020
For more than a decade and a half, the Rasmuson Foundation has stood with Alaskan artists. Their Individual Artist Awards (IAA) nourish the artist because the foundation believes artists nourish the state. Since 2004 through 2019, the foundation has granted 516 individual artist award grants, to the tune of $4.76 million, according to their website. […]
I received my B.A., magna cum laude from Harvard University in 1980 in Visual and Environmental Studies and an M.A. from Tufts University and the School of the Museum of Fine Arts in 1983. I am a recipient of grants from the Pollock-Krasner Foundation, The New York Foundation for the Arts and The National Endowment for the Arts, Individual Artist’s Fellowship program. I have been a resident at The MacDowell Colony, Yaddo, The Fine Arts Work Center in Provincetown, The Millay Colony , The Cité Internationale des Artes in Paris, The Golden Foundation and The Hermitage Artists Retreat in Florida. My paintings and drawings have been exhibited nationally and internationally for over twenty years, including solo shows in in Houston, Boston, Milan, Leipzig and San Francisco. In 2014 a five-year survey of my work was on exhibit at Colgate University. My most recent one-person show, Love, American Style, was in 2018 at Pierogi Gallery in the Lower East Side of New York. In addition to individual work I also make collaborative drawings with my husband, James Esber. This work, exhibited under the fairly transparent pseudonym “J. Fiber” has been included in numerous group shows in the United States. I have lived and worked in Williamsburg, Brooklyn since 1986. The books mentioned in the interview is by Dani Shapiro, Inheritance: A Memoir of Genealogy, Paternity, and Love. Rise Up, 2018, 78” x 64”, acrylic on canvas Make Love Not War, 2018, acrylic on wood, 8” x 10" Collaboration, by J. Fiber (aka Jane Fine & James Esber), Front and Back, 2019, acrylic and ink on paper, 30” x 22”
(c) Mutley Baptist Church & Individual Artist 2019
(c) Mutley Baptist Church & Individual Artist 2019
Linda Schandelmeier grew up on a family homestead six miles south of Anchorage in the 1950s and 60s. She moved north in 1967 to attend the University of Alaska. Her collection of poems, Coming Out of Nowhere is part memoir and part historical document. The poems celebrate the unique and nurturing aspects of homestead life, but do not shy away from unpleasant family details. Linda has one other collection, Listening Hard Among the Birches. Her poetry has been awarded numerous prizes and distinctions, including an Artist-in-Residence at Denali National Park in 2012, a Rasmuson Individual Artist Project Award in 2006, and an Individual Artist’s Fellowship from the Alaska State Council on the Arts in 1984. She is the winner of the Midnight Sun, Fejés, and Anchorage Daily News-UAA prizes for poetry. Linda’s poems have been set to music in three song cycles, one of which, Poem Against the Cold, by British composer Corey Field, was performed at Carnegie Hall. A retired biologist and elementary school teacher, and an active master gardener and political activist, Linda lives near Fairbanks, Alaska.
Enjoy our conversation with Joshua Marquez. Joshua is a music composer based in Wilmington, North Carolina. Joshua is the recipient of the 2019 Arts Friendly Award in the Individual Artist category. The Arts Friendly Awards 2019 take place at theArtWorks on October 19, from 6 – 9 PM. Tickets for the Arts Friendly Awards are available at: artsfriendlyawards2019.eventbrite.com Joshua Marquez: joshuamarquez.com GRIT Collaborative: gritcollaborative.com Click Here for Links to Joshua's Compositions =============== CERTIFIED ARTS FRIENDLY BUSINESSES: Everything happens because of them: artsfriendly.com/certified NEWSLETTER: Subscribe to our free newsletter at: artsfriendly.com/subscribe PODCAST: Subscribe to Arts Friendly Conversations on Apple Podcasts or Spotify
In this podcast, Grantmakers in the Arts gives you a front row seat into the Support for Individual Artist (SfIA) Committee. Never heard of the committee? Now is your chance to learn about it from the GIA Support for Individual Artist co-chairs, Adrianna Gallego, chief operating officer, National Association of Latino Arts and Cultures, and Eleanor Savage, program director, Jerome Foundation. They will discuss the committee’s latest data project, upcoming programming, and share what you can expect in the coming year. Continue reading for a few sentiments from exiting committee members. “In 2007 I was drafting a new mission and designing the inaugural programs for 3Arts, and I remember hunting and pecking on the Internet to try to find organizations that directly funded artists and from which I could draw inspiration. It wasn’t an easy task, to say the least. After locating a few of these rare birds, I was subsequently invited to join the SfIA committee and there, lo and behold, I discovered a determined group of iconoclasts who were advocating for the expansion of artist support. The committee was (and still is) an infusion of fuel for me and, of course, for 3Arts. By 2012, hooked on sharing ideas, practices, and dreams, I became a committee co-chair. As I exit stage left, I am enduringly inspired by the committee and our growing field and grateful that I won’t have to conduct random Internet searches to know where to find a hub of leaders who truly and deeply understand the value of supporting individual artists.” Esther Grimm, 3Arts “I first learned about the important work of the Support for Individual Artists committee when I attended my first GIA conference in Chicago in 2010 (the committee had a different name then). At that conference, GIA (through the leadership of the then SFIA committee members) shared a draft position paper on the value and importance of supporting individual artists. I was fortunate that my employer at Rasmuson Foundation was already established as a committed funder for individual artists, but this draft paper and stated commitment by the broader arts funding field was deeply influential on me. It provided a defining moment and clarity to reinforce the values I already held in my role in arts philanthropy, and as a strong case to engage others who expressed interest in the direct support of artists, but who may have been unsure how to pursue those interests further. Through subsequent years SFIA served as an anchor to consistently and unabashedly stake a claim in directing support to artists and to build a broader and even more just community to share in that claim and commitment. I consider myself extremely fortunate for the privilege of serving the arts funding field through my participation with the committee, and proud of what has been accomplished since my first encounter with this incredible group of colleagues, and the many connections made with artists throughout. I hope GIA will be able to carry on this ongoing commitment in perpetuity.” Jayson Smart, Margaret A. Cargill Philanthropies “This group was a vital part of me being effective and thoughtful about the work I was doing locally. In my time since moving to a more national role, this group has maintained an on the ground practitioner connection that is so valuable. I appreciated the candid and honest conversations that were had for the way they made me feel not so alone and, on some days, finding that much needed validation that I wasn’t crazy for thinking of doing the work in the way I was doing it.” Ruby Harper, Americans for the Arts
Individual Artist Grants Are Out There for You In this episode, my guest, Stephanie R Bridges, and I talk about everything from what it truly means to be supportive of black business owners to struggling as an artist and finally how to find and win grants that you can use to fund creative projects. This was a fun and free flowing conversation, but don't be fooled. Stephanie delves deep into the subjects and passionately delivers actionable tips for each of us to support ourselves and our community better. Connect With Stephanie Website: https://stephanierbridges.com Instagram: https://instagram.com/stephanier.bridges Facebook: https://facebook.com/stephanie.bridges.144 Twitter: https://twitter.com/i_spat YouTube: https://www.youtube.com/channel/UC2nTMnnXDsiDr5oQq_ZzhTw Support Stephanie's Creative Work Patreon: https://patreon.com/stephanierbridges Amazon (this section contains affiliate links): If I Were Part of the Animal Kingdom - https://amzn.to/2mzO4GV My Favorite Color is Blue - https://amzn.to/2uIgoLJ Fight the Air Guy - https://amzn.to/2mCJ8RQ Can We All Just Get Along? - https://amzn.to/2OdtBEC Keep the Peace Activity Book - https://amzn.to/2LydaE8 Keep the Peace Journal - https://amzn.to/2LvsUYv I SPaT: Poems Inspired by God's Grace and Mercy - https://amzn.to/2LFFamn Joylynn M. Ross: “Act Like an Author, Think Like a Business” Conference EXCLUSIVE OFFER Exclusive Buy Black Podcast Promotional Offer Register for 2 Conference Days, Get 3rd Day FREE! Type “Buy Black” when asked how you heard about the conference during Online Registration Register Here: https://www.pathtopublishing.com/copy-of-conferences-events Be a Conference Sponsor: https://www.pathtopublishing.com/sponsorship-registration Donate to Scholarship Fund: https://squareup.com/market/writings-by-joy/item/conference-scholarship-donation Connect With Me gerald@buyblackpodcast.com Download the Buy Black Podcast App https://buyblackpodcast.com/app Join the Buy Black Podcast Community Facebook Group https://facebook.com/groups/buyblackpodcastcommunity Follow me on Twitter… https://twitter.com/buyblackpodcast …and Instagram. https://instagram.com/buyblackpodcast
Out of Our Minds is a 45 year old radio show hosted on KKUP Cupertino by Rachelle Escamilla. It airs every Wednesday night from 8-9pm pst and streams live on kkup.org. This week's guest was: Jehanne Dubrow is the author of five poetry collections, including most recently The Arranged Marriage (University of New Mexico Press, 2015), Red Army Red (Northwestern University Press, 2012) and Stateside (Northwestern University Press, 2010). She co-edited The Book of Scented Things: 100 Contemporary Poems about Perfume (Literary House Press, 2014) and the forthcoming Still Life with Poem: Contemporary Natures Mortes in Verse (2016). Dots & Dashes, her sixth book of poems, won the 2016 Crab Orchard Review Series in Poetry Open Competition Awards and will be published by Southern Illinois University Press in 2017. Her poetry, creative nonfiction, and book reviews have appeared in Southern Review, The New Republic, The New York Times Magazine, The Hudson Review, The New England Review, as well as on Poetry Daily and Verse Daily. She earned a B.A. in the “Great Books” from St. John’s College, an MFA from the University of Maryland, and a PhD from the University of Nebraska-Lincoln. She has been a recipient of the Alice Fay Di Castagnola Award, the Towson University Prize for Literature, an Individual Artist’s Award from the Maryland State Arts Council, fellowships from the Sewanee Writers’ Conference, and a Sosland Foundation Fellowship from the Center for Advanced Holocaust Studies. The daughter of American diplomats, Jehanne was born in Italy and grew up in Yugoslavia, Zaire, Poland, Belgium, Austria, and the United States. In autumn 2016, she will join the Department of English at the University of North Texas as an Associate Professor of creative writing.
Amy Wright is the Nonfiction Editor of Zone 3 Press, Coordinator of Creative Writing and Associate Professor at Austin Peay State University, and the author of Everything in the Universe and Cracker Sonnets, both forthcoming in 2016. Her writing appears in a number of journals including Kenyon Review, Southern Poetry Anthology (Volumes III and VI), and Tupelo Quarterly. She was awarded a Peter Taylor Fellowship for the Kenyon Review Writers’ Workshop, an Individual Artist’s Fellowship from the Tennessee Arts Commission, and a fellowship to the VCCA. The author of four poetry chapbooks, her first prose chapbook, Wherever the Land Is, is scheduled for release in 2016. For more information, go to www.awrightawright.com.
Children's book author and indie publisher Darcy Pattison writes award-winning fiction and non-fiction books for children. Her works have received starred PW, Kirkus, and BCCB reviews. Awards include the Irma Black Honor award, five NSTA Outstanding Science Trade Books, Eureka! Nonfiction Honor book, two Junior Library Guild selections, two NCTE Notable Children's Book in Language Arts, and a 2021 Notable Social Studies Trade Books. She's the 2007 recipient of the Arkansas Governor's Arts Award for Individual Artist for her work in children's literature.In this episode, you'll learn:How to market a self-published children's bookWhether you should write for children, teachers, or parents/guardiansHow to grow your children's fiction-writing skillsShow notes:00.00 – Introduction01.50 – Come and join the gang!02.30 – Interview with Darcy Pattison.03.20 – Why go Indie as a children's author?04.30 – What has changed in the indie publishing industry in the last 8 years?06.10 – Does being a teacher help?07.25 – Mindset is the most important factor in learning to build your writing business.08.10 – Getting to know your audience.10.15 – Why focus on recent publications?11.10 – Working with short attention spans.13.50 – Do children's books get marketed towards the readers or their parents/teachers?16.00 – Why is that adult reader this story in particular?17.45 – How do you market children's books?22.00 – Trying different marketing methods.23.50 – Which book changed Darcy's life?27.20 – Where can you find out more about Darcy?Links:Darcy's websiteFree Facebook group