Podcast appearances and mentions of joe goode

Poet and dance writer Karen Hildebrand hosts this episode focusing on how text and spoken word are used in dance. Included are examples from works by Liz Lerman, Joe Goode, and Carmen de Lavallade. Hildebrand is the former editorial director for Dance Magazine, and a past editor in chief of Dance Teacher magazine.

Join us as we discuss ‘The Body as Home: Exploring the Experience of Aging' with Joe Goode, a globally acclaimed choreographer, writer and the artistic director of the Joe Goode Performance Group. In this conversation with Joe Goode, we discuss how, through his work, Joe is challenging the predominant narratives of aging and the fearfulness that accompanies the inevitable demise of the physical body. Joe shares insights about his latest performance, As We Go, as well as his approach to movement as we age. Listen & explore along with us as we delve further into the topic of our own personal & universal aging experiences. "It's about teaching people to be deeply present in what's going on at the moment, however imperfect." - Joe Goode At Home With Growing Older is proud to be your host of At Home, On Air a radio hour offering connection, community and knowledge to our participants remotely. We invite you to listen and learn from this live recorded episode of At Home, On Air with Joe Goode. Learn more, donate today, and register for the next LIVE episode of At Home, On Air: www.athomewithgrowingolder.org View the transcript: https://share.descript.com/view/7hLCmWk2Jqp

SUZANNE COSTELLO joined Stuart Pimsler Dance & Theater in New York City in 1979 and became its Artistic Co-Director in 1984. During her career with the company, she has been highlighted as a performer, choreographer, teacher, and rehearsal director. As Director of Arts & Education and Arts & Healthcare Programs for the company, she creates and facilitates the many community-inclusive projects SPDT has come to be known for nationally and internationally. Over the past decade she has received support from the National Endowment for the Arts for programs across the country that give voice to those whose stories have not been heard. Currently, she is developing a national performance project for persons with spinal cord injury, From Where I Sit, which will be premiered in Birmingham, AL in 2025. Recently, she directed the NEA project I Believe / The South Dakota Prison Project. This five-week program engaged men at the Sioux Falls Penitentiary in creating performance through writing and movement to express their non-carceral stories. Past NEA community performance projects include Our Country's Keepers at the Walter Reed Military Center, Bethesda, MD, engaging active military and veterans; Raising Our Voices for the Birmingham cancer community; and LISTEN / Stories of Cancer told through Movement, Music & Voice, commissioned by Gilda's Club of the Twin Cities, with participants impacted by cancer. https://vimeo.com/manage/videos/389513015Ms. Costello has been invited to present on this body of work at the International Conference on Culture, Health, and Wellbeing Conference in Bristol, UK, and at the International Conference on Parole & Probation in Ottawa, Canada. National presentations have included the National Organization for Arts in Health, Austin, TX; Expressive Therapies Summit, NYC, NY; and Performing Arts Alliance, Atlanta, GA; among others. Ms. Costello's choreographic work has been honored with three Individual Artist Fellowships from the Ohio Arts Council and has been commissioned by national dance companies and individual artists. She directed and choreographed CATS for Broadway at Iroquois, Louisville; Go, Dog, Go! for Metro Theater Company, St. Louis, and Stage One, Louisville; and choreographed Grimm Tales for Children's Theatre Company, Minneapolis. She has been a Guest Artist at colleges and universities across the U.S. and abroad and has twice been a Cowles Guest Artist as well as Affiliate Faculty for six years at the University of Minnesota. In New York City, Costello performed with several companies, including David Gordon Pick Up Co. and Billy Siegenfeld & Dancers. She has also worked with colleague Joe Goode in San Francisco who created a solo for her, Movie Star Life. Ms. Costello began her study of dance under Annelise Mertz at Washington University in St. Louis, where she graduated Magna Cum Laude with a B.A. in Dance.

This week we're breaking from our Health, Wellness, Food, and Drink Series to present a captivating special episode with Joe Goode — an exceptional choreographer, educator, writer, director, and actor. He is also a revered master teacher whose summer workshops and teaching residencies attract artists worldwide. Joe is the Founder of Joe Goode Performance Group, a critically acclaimed, globally touring dance and theater company. Through Joe Goode Performance Group, Joe crafts pieces that effortlessly weave dance, spoken word, music, and visual art. His latest creation, "As We Go," delves deep into the complexities of aging — embracing middle and older age, life, and mortality with profound beauty and sensitivity. The performance is currently running at the SF Yerba Buena Center for the Arts. For more information about Joe Goode and his latest work, please visit: https://joegoode.org/ Meet Joe Goode!

Fierce, Fragile, Empathetic, Political, and Poetic Art with Miguel Gutierrez Our guest today, Miguel Gutierrez, is irrevocably passionate about making works of art and creates empathetic and irreverent spaces outside of traditional discourse.  Our conversation starts with Miguel sharing more about his upbringing as the child of two immigrants, how he came to love the arts and dancing, and what he wanted to be when he grew up. He tells us about his time at Brown, Queer Activism, working with Paula Hunter, and later going full circle back to Brown. He also talks about his epic time in California in the 90s, what it was like to work with Joe Goode and John Jasperse, and what sparked his shift back to New York. This is a jam-packed episode so stay tuned for this candid, introspective, and inspiring interview. Key Points From This Episode: ·       Miguel gives us a short introduction of who he is and where he is from.  ·       How Miguel came to love dancing. ·       What he wanted to be when he grew up. ·       What happened when he showed up for school at Brown. ·       He shares about his time doing Queer activism.  ·       He tells us about his time dancing with Paula Hunter.  ·       What compelled him to go back to Brown and finish his degree. ·       He shares his Californian experience in the 90s. ·       What sparked the shift back to New York (and why Europe didn't work out). ·       What it was like working with John Jasperse. ·       Miguel tells us about his own choreography journey. ·       The kinds of day jobs Miguel has had to support himself over the years. ·       His experience of when things started to take off, his work, and what life looked like. ·       Why he hates when propriety supplants honesty and when professionalism is used to maintain the status quo. ·       Projects he is working on now and what life looks like.    “When you are younger, as a dancer, you think that if you aren't dancing professionally by the age of nothing, you're never going to make it. It's like this BS idea of what dance is, and it's fed to you from when you are little.” — Miguel Gutierrez  Miguel Gutierrez is a choreographer, music artist, writer, visual artist, educator, podcaster, and Feldenkrais Method practitioner based in Lenapehoking/Brooklyn, NY and Tovaangar/Los Angeles. His work creates empathetic and irreverent spaces outside of traditional discourse.  Connect with Movers & Shaper: A Dance Podcast on Instagram and Facebook More info links from this episode: Movers & Shapers

Kirk, Kristin and Pat visit again with attorney Mel Barnes of Law Forward to review the case of the fake electors, and attorneys Mark Leitner and Joe Goode also comment on the other new findings from the special congressional committee investigating the attack on the US Capitol. Subscribe and never miss an episode:YouTubehttps://www.youtube.com/channel/UCD7KqQDdZNyoMjtuG9YlvSQWebsite:https://up-north-podcast-ee4893.sitecast.cloud/Apple Podcast https://podcasts.apple.com/us/podcast/up-north-podcast/id1558007105?ign-itscg=30200&ign-itsct=podcast_boxRSShttps://feeds.acast.com/public/shows/up-north-podcast See acast.com/privacy for privacy and opt-out information.

Kirk, Kristin and Pat talk to attorneys Mark Leitner and Joe Goode for a Wisconsin interpretation of what's happening with the special congressional committee investigating the attack on the US Capitol. (Note: The show was recorded live on radio as severe weather was rolling through, so you will hear some interruptions about watches and warnings.)Subscribe and never miss an episode:YouTubehttps://www.youtube.com/channel/UCD7KqQDdZNyoMjtuG9YlvSQWebsite:https://up-north-podcast-ee4893.sitecast.cloud/Apple Podcast https://podcasts.apple.com/us/podcast/up-north-podcast/id1558007105?ign-itscg=30200&ign-itsct=podcast_boxRSShttps://feeds.acast.com/public/shows/up-north-podcast See acast.com/privacy for privacy and opt-out information.

Kirk, Sarah, and Pat talk to Milwaukee lawyers Joe Goode and Mark Leitner about the federal lawsuit they filed against Senator Ron Johnson and Congressmen Tom Tiffany and Scott Fitzgerald for aiding the attempted presidential coup that culminated with the insurrection of January 6, 2021. Our guests first piece together the story on how these three defendants played their part in an orchestrated conspiracy, and then discuss why they think they can win this case. See acast.com/privacy for privacy and opt-out information.

Peter Blake is a globally recognized  pioneer of the Laguna Beach fine art world, as a beacon and early champion of the California contemporary minimalist style, notably California Light and Space, his particular backing of that time in art has been validated in spades by action houses around the worlds in recent times. Bringing a level of expertise, passion, and advanced foresight into investment markets Peter has stuck to his guns in all ways, a true patron of the arts who's authenticity shines in every move he's made. Such a pleasure to present this in-depth interview with the man who's mission has elevated the art sophistication and appreciation so single handedly, Peter Blake. Peter Blake is a renowned dealer of California Light and Space who opened his eponymous Laguna Beach gallery in 1993. The Peter Blake Gallery is recognized today as the longest standing and leading exhibitor of West Coast Minimalism and is known for its rigorously curated solo and group exhibitions. The Gallery's program has an ongoing history of exhibiting artists long due for reappraisal such as Peter Alexander, Lita Albuquerque, Larry Bell, Mary Corse, Tony Delap, Fred Eversley, Joe Goode, James Hayward, Scot Heywood, John M. Miller, Helen Pashgian, and DeWain Valentine. Over the last decade the gallery has also participated in a number of prestigious art fairs including The Armory Show, Art Los Angeles Contemporary, Design Miami, Design Miami/ Basel, EXPO Chicago, and Seattle Art Fair. In 2018 Peter was elected by majority vote onto the Laguna Beach City Council, which marked a new chapter in his career and continues his ongoing commitment to his local community.

LORI MERCIL is a dancer with the Christopher Watson Dance Company, and MotionArt. Lori began her dance training with Vernon Russell in her native California, eventually earning her BFA in Dance from the University of Montana where she studied with many wonderful guest artists, including Douglas Dunn, and Joe Goode. She earned summer scholarships for further study at the Martha Graham School in NYC, and Repertory Dance Theater in Salt Lake City, and has taught and/or performed ballet, jazz, modern, and creative movement in Montana, Oregon, Japan, and the Twin Cities.  In addition to her current dance company cohorts at CWDC and MotionArt, Lori has also performed with Hauser Dance, Marciano Silva dos Santos, Link Vostok, Off-Leash Area, Una Setia, and with Marylee Hardenbergh on many site-specific dance projects, including as project manager and one of several choreographers for the 2015 Solstice River XIX. Lori has taught at Ballare Teatro, CWDC, Dancercize Kids, Hauser Dance, TU Dance, Young Dance, and Zenon, and has shown her own work at Hauser Dance, Kinetic Kitchen, Dances at the Lakes, and Christopher Watson Dance Company, and is currently a co-producer/choreographer for the recently created annual choreographers evening, 16 Feet, along with Gerry Girouard and Becky Heist. Lori is grateful for this amazing Twin Cities dance community, and is looking forward to many more enriching experiences! 

E.E. Balcos (he, him) is a  Filipino-American and is originally from Minneapolis, Minnesota. He began formal training with modern dance pioneer Hanya Holm while also engaging in the practice of contact improvisation. A successful performer and choreographer for over 35 years, he danced with numerous independent Minneapolis choreographers including Diane Aldis, Madeline Dean, Mary Easter, Jill Heaberlin, Paula Mann, Patrick Scully, Georgia Stephens, Robin Stiehm,  Lovice Weller, Laurie Van Wieren, Diane Waller,  and several dance companies including Zenon Dance Company, Shapiro & Smith Dance, Demetrius Klein Dance Company, and Sam Costa's 10,000 Dances. He worked directly and performed in the works of numerous nationally recognized choreographers and dance artists including: Chris Aiken, Danny Buraczeski, Ping Chong, Sean Curran, David Dorfman, Joe Goode, Daniel Gwirtzman, Dwight Rhoden, David Rousseve, Stephanie Skura and Bill Young. E.E. was the Artistic Director and choreographer for his company E.E.MOTION from 2007-2013 culminating with an evening-length work, Deep Water: The Murder Ballads in collaboration with composer, John Allemeier at the Knight Theatre in Charlotte, NC. This year (2021), he will be performing a new solo, Tales from the Wizard, choreographed by Bill Evans.His current endeavors apply somatic approaches to choreography, dance performance, interdisciplinary collaborations, physical resilience, and teaching. In 2021he presented at the ISMETA Conference: Engaging Embodiment and will return to the Body IQ Festival in Berlin, Germany in November;  in 2019 he presented at the C-DaRe Dance and Somatic Practices Conference in Coventry, United Kingdom; the Annual Body-Mind Centering Conference in Santa Barbara, California; and the Body IQ Festival in Berlin. Balcos is a founding member of Movement Migration, and has performed in 2019 in Campeche, Mexico; in 2018 in Pietrasanta, Italy; New York City; Roxbury, NY; and Charlotte, NC. He is an Associate Professor at The University of North Carolina at Charlotte and holds a BA in Music from The Colorado College and an MFA in Dance from The University of Iowa. This year he became a Registered Somatic Dance Educator (RSDE) through ISMETA. E.E. is also a passionate botanic gardener and photographer finding and exploring the parallels in nature and dance.

The conversation: How might attention be considered as a connecting point between contemporary dance practice and Craniosacral Biodynamics? With this question in mind, Michaela invites guest Laressa Dickey to speak about the points of overlap she has found between working with language, movement and in therapeutic settings. Together they discuss some of the basic and more complex principles fundamental to Craniosacral Biodynamics, beginning to explore more broadly the ways that this work can inform our sense of ourselves both in life and as applied to movement-based artistic practice. They also discuss:- interdisciplinary artistic practice: tensions/mysteries between forms as generative gaps- compositional resonance between dance and creative writing- rethinking the traditional client-practitioner relationship- improvisationInterviewee: Laressa Dickey's artistic work lands in the fields of writing, movement/performance, and bodywork. She has published four books of poems as well as several chapbooks. Together with sound artist Andrea Steves, Dickey published RADIO GRAVEYARD ORBIT (Sming Sming), a speculative artist's book about space junk. Her collaborative installation with Ali Gharavi, How to Pass Time with No Reference, was included in the Bergen Assembly 2019. Along with Magdalena Freudenschuss, she was commissioned by Bergen Assembly to create a series of feminist essays on the politics of care, entitled: Re:assembling Emotional Labor: On the Politics of Care. Since 2005, she's been using movement improvisation and performance to inform her writing practice, and vice versa. Her bodywork is influenced by Biodynamic Craniosacral Therapy, Body Mind Centering studies, Amerta Movement and an attuned, empathetic imagination.Interviewer: Michaela Gerussi is a Canadian dance artist based between Tkaronto (Toronto, Canada) and London, UK. Michaela's dance practice is nourished by her inquiry into the nervous system, interoception and attunement, in relation to her studies in Biodynamic Craniosacral therapy. Her work considers shifting relationships between people, places and materials, layering subtle perceptual detail with a functional, dynamic approach to movement. Her collaborative performances, intermedia and site-specific works have been presented in Montreal (QC), Toronto (ON), Sherbrooke (QC), Buffalo (NY) and Berlin (DE). She is currently completing an MFA in Creative Practice, based in London at Trinity Laban and Independent dance.Read more:- Suprapto Suryodarmo and Amerta Movement (https://www.amertamovement.co.uk/)- Bettina Mainz (http://www.bettinamainz.de/)- Body Mind Centering (https://www.bodymindcentering.com/)- Deep Listening, founded by composer Pauline Oliveros (https://deeplistening.org/)- Biodynamic Craniosacral Therapy in the UK http://www.cranio.co.uk/Keywords:Paula Mann, Bebe Miller, Joe Goode, Patricia Brown, Myung-Mi Kim, Fanny Howe, Biodynamic Craniosacral therapy, contemporary dance practice, somatic practice, Body Mind Centering, Laressa Dickey, writing

Alice Lodge is an Australian-born Angeleno who founded The LODGE, a gallery that has been called “East Hollywood’s Art Oasis.” Originally constructed as a shopping mall in 1923, the building, which still includes several artists’ studios, gained attention in the 1960s when the artists Joe Goode and Ed Ruscha rented a couple of the spaces. Alice’s upbringing greatly influenced her love for the arts. She has created a warm and welcoming ambiance; frequently opening her doors to the vibrant Los Angeles community. The gallery presents a unique and fresh program of exhibitions, featuring established and emerging talent.

"We're hoping that we can spread the wealth if you will, as far as possible” - Michelle Lynch ReynoldsIn this episode, our featured voices are Michelle Lynch Reynolds the Executive Director, and Joe Goode the founder and artistic director, of Joe Goode Performance Group. Over the last thirty-plus years, Joe Goode Performance Group has promoted understanding, compassion, and tolerance among people through innovative dance. We conducted this interview in December 2020 at the beginning of the City of San Francisco’s latest shelter in place which has now been extended indefinitely. Our interview includes Michelle discussing their end of the year fundraising campaign to support the development of upcoming creative work, their ongoing virtual educational programs, and the funding needed to cover basic overhead to help sustain the theater’s operations through the pandemic

On this edition of ST, we profile a novel and interesting group exhibit now on view at the Fred Jones Jr. Museum of Art on the OU campus in Norman; "OK/LA" is up through March 7th of 2021. As per the museum's website : "This exhibition features the work of six former Oklahomans who left the state in the late 1950s for Los Angeles: Patrick Blackwell, Joe Goode, Jerry McMillan, Ed Ruscha, Paul Ruscha, and Mason Williams. Blackwell, Goode, McMillan, and Ed Ruscha studied at the Chouinard Art Institute.... For a brief time, they identified themselves as the 'Students Five,' joined at various times by fellow students Wall Batterton and Don Moore, and they sought advertising commissions through a national ad. Each departed Chouinard and the house [that they all shared] in the early 1960s to pursue their respective careers.... Their respective contributions in various media suggest the friends held similar sensibilities. The group maintained close relationships that manifested in their work ­

Rick sits down with Joe Goode '84 to talk about his BC High story, his time as a White House Correspondent, his career path, the media landscape today, and much more! Check it out!

Since starting Zenon in 1983, Linda has earned accolades for developing thecompany’s unique modern and jazz aesthetic by commissioning repertoryworks from such choreographers as Bebe Miller, Dwight Rhoden, Bill T.Jones, Bill Young, Llory Wilson, Joe Goode, Stephanie Skura, David Dorfman,Doug Varone, Danny Buraczeski, Daniel Rousseve, Cathy Young, KeelyGarfield, Johannes Wieland, Seán Curran, Colleen Thomas and AndreaMiller. She studied at the Martha Graham School, Alvin Ailey Dance Center,the Juilliard School, and with Alvin Nikolais, Lynn Simonson and MerceCunningham. She holds a degree in dance and drama from Hollins College inVirginia. Linda has taught dance and creative movement since 1972, and hasdeveloped Zenon Dance School into a recognized training center forvocational and professional dancers. She is the mother of two amazingdaughters, Laura and Lily, and lives in St. Louis Park with her two cats, Ollieand Jack.

Erin Thompson's performance career began as a member of the Minnesota Dance Theatre in 1970. She was with that company for ten years, performing in such venues as Northrop Auditorium, O'Shaughnessy Auditorium and the The State Theater in the Twin Cities, Jacob's Pillow Dance Festival in Massachusetts and in Spoleto, Italy. She danced for a year in Montreal with jazz choreographer Peter Georges, formerly of Les Ballets Jazz, before moving in 1981 to New York City.Ms. Thompson's ten years in NYC were spent in the post-modern companies of Nina Wiener, formerly with Twyla Tharp Dance, and world renowned African American choreographer Bebe Miller. She danced on many stages in NYC including Dance Theater Workshop and the Brooklyn Academy of Music, where she performed with Nina Wiener and Dancers in the prestigious Next Wave Festival. She toured extensively throughout the U.S. and Europe, performing in Seattle, San Francisco, Boston, Chicago, Pittsburgh, Cincinnati, London, Paris, Munich, Amsterdam, Groningen, Glasgow, Heraclion and many other cities and regions.Since moving back to Minneapolis in 1990, Ms. Thompson performed for two years with the Zenon Dance Company, including works by Danny Buraczeski, Bebe Miller, Doug Varone, Joe Goode, and David Dorfman. In 1993 she and her husband Byron Richard launched their own dance company, 45 Chartreuse, performing at the Walker Arts Center, Studio 6A and Old Arizona Studios in Minneapolis and on tour in Minnesota. She has had several pieces choreographed specifically for her, including work by Jan Erkert, Shapiro and Smith, Mathew Janzceski, Cathy Young and Judith Howard with performances at the Southern Theater and Bedlam Theater in Minneapolis.In her position as Rehearsal Director for Nina Wiener and Dancers, Ms. Thompson led residency projects and taught repertory at the London Contemporary Dance Theater, the National Ballet of the Netherlands, the Boston Ballet, and in Anchorage, Los Angeles, Cincinnati, and Groningen, Holland. She has also reset Bebe Miller's work on Zenon Dance Company in Minneapolis.As a dance educator, Ms.Thompson taught ballet, pointe work and contemporary dance technique at the Minnesota Dance Theatre from 1975-1980. Her modern dance teaching over the last 3 decades includes teaching at P.S.122 in NYC, Studio Dance Tanz in Osaka, Japan, and classes at dance companies and Universities around the world while on tour. Here in Minneapolis she has taught for twenty years at the University of Minnesota Department of Theatre Arts and Dance and at Zenon Dance Company and School, as well as many guest teaching stints around Minnesota and the midwest. In 2008 Erin was invited to teach and perform at the Art of Movement Festival in Yaroslavl, Russia. Her advanced professional level modern dance classes at Zenon Dance School have been a mainstay of the Twin Cities dance community and have fostered a couple of generations of versatile and proficient dancers and teachers.Ms. Thompson received a New York Dance and Performance award, “Bessie”, in 1986 for her performance in Nina Wiener's Enclosed Time at the Brooklyn Academy of Music's Next Wave Festival. She received choreography fellowships along with her husband, Byron Richard, from the McKnight Foundation in 1993, and the National Endowment for the Arts in 1994 and 1996. In 2008, she received a Sage Award for Outstanding Dance Educator. Ms. Thompson has served on numerous dance panels and currently serves as Board President of Young Dance. In 2012 her choreography was performed by Young Dance and at the St. Paul Conservatory of Performing Artists.

To kick off the second Frieze LA art fair, ARTnews Editor-in-Chief Sarah Douglas interviewed Los Angeles collectors Ric Whitney and Tina Perry-Whitney at the Four Seasons Los Angeles, exploring ways to begin collecting art. During the panel the Whitneys spoke about their interest in patronage of such institutions as CalArts, getting to know artists as individuals, and how they got involved in the art world in Los Angeles and beyond. “All this art we live with, there’s an energy emanating from it,” said Tina. “It is a privilege to get to buy this work and live with it.” Since 2012, the couple—Ric is a music publishing and talent management entrepreneur, and Tina is president of Oprah Winfrey Network—have been building a collection that is diverse not only in terms of the artists’ ethnicity and gender, but in medium, comprising sculpture, installation, painting, and photography. Among the artists whose work they hold are Charles Gaines, Genevieve Gaignard, Joe Goode, Henry Taylor, Sadie Barnette, David Shrigley, Thinh Nguyen, and many others.

This is the first Yay Show episode I created using the Anchor.fm app (so frigging easy and fun), right after I put two existing recent episodes up here live. Sailing this ship even if it's a little on fire. Flying the plane as I build it. Laughing out loud more than once. And just trying stuff because it stokes my yay. I also talked about GG Torres, the Joe Goode venue manager, who suggested Anchor.fm to me this very day. So much yay to GG. Here's where you can find out about Women's Audio Mission. Better yet, work with them! And I bought the aforementioned baguette at Tartine Manufactury where I ran into Oliver (for today's hold hands with strangers moment, see episode 116 and 117 for more on that concept), late of Pizzetta 211 and currently of Pearl 1601 not The Pearl as I said on the episode (which is a cool event venue in SF which turns into School Night during the week, which I may just go to tonight). If you're in New Orleans, hit up Paladar 511. Paladar, Pizzetta and Pearl are Jack Murphy's restaurants and School Night is by the esteemed Traci Des Jardins, just saying. NamasYay! Lisa --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Pryce Robinson and Joe Goode are Boise State University students, Dan McKnight is a veteran who saw the war in Afghanistan from the inside. They are all opposed to continued American military presence in Iraq, Syria, Yeman and Afghanistan and they join Idaho Matters to talk about the student/veteran anti-war movement of the 21st century.

Joe Goode is the artistic director of The Joe Goode Performance Group, and a professor in the Department of Theater, Dance, and Performance Studies at UC Berkeley. He has had a meditation practice since 1979, and has incorporated Buddhist principles and meditation practices into his choreographic works. His work blends theater, dance, and spoken word, to focus on the fallibility and imperfection of being human, believing that the creative impulse is a step toward the alleviation of suffering. Support the show______________ To participate live and be notified of upcoming speakers in advance, please Like us on Facebook (https://www.facebook.com/gaybuddhistfellowship) or visit https://gaybuddhist.org/calendar/ To support our efforts to share these talks with LGBTQIA audiences worldwide, please visit www.GayBuddhist.org.There you can: Donate Learn how to participate live Find our schedule of upcoming speakers Join our mailing list or discussion forum Enjoy many hundreds of these recorded talks dating back to 1996 CREDITSAudio Engineer: George HubbardProducer: Tom BrueinMusic/Logo/Artwork: Derek Lassiter

This week on Unsavory Antics, Judy and Virg are joined by Joe Goode to discuss Is Chivalry Dead. We also discuss the ongoing beef between Mike Epps and Kevin Hart, and Joe Goode shares his unsavory view of a certain Toronto rapper. Joe also shares the how the interview he did with us (vol. 20)impacted a lot of aspiring entertainers. Catch a hilarious Unsavory Moment from Joe Goode as well. Unsavory Moment Contest is still going on. Send in your #unsavorymoment to win a chance to co host with Judy and Virg on a future episode of Unsavory Antics! Don't forget to subscribe, comment and share the show! Follow the Hosts! @judy__w @hey_virg Follow the Podcast! IG: @unsavoryanticspod Twitter: @unsavoryantics #unsavoryanticspod www.unsavoryantics.com Keep Your Liquor Strong, Keep Your Laughter Long, & Keep Your Antics Unsavory.

Along with our first-ever guest, visual artist Joe Goode, Justus and Michael discuss the crucial difference between seeking unity and seeking uniformity in the church. One crushes diversity, while the other necessitates it. How could the arts play a part in this? Stay tuned at the end for “Primary Issues,” by Brock’s Folly from their sophomore effort The Great Commoner, a song borne from the hope that there can be unity in the essentials of Christ’s . . . [ Read More ]

This week on Unsavory Antics, Judy and Virg are joined by rising star, Joe Goode! Listen as Joe explains the trials and tribulations of following your passion and making a name in Hollywood. He also shares how his daughter was the source of motivation to keep him going and how his family keeps him grounded. Current events include 45 and his attack on Jemele Hill. Volume 20 is one for the books! Don't forget to send us your #UnsavoryMoments for a chance to be featured on an upcoming show! DM the show @unsavoryanticspod on IG! Don't forget to subscribe, comment, and share the show! Follow the Podcast! IG: @unsavoryanticspod Twitter: @unsavoryantics #unsavoryanticspod www.unsavoryantics.com Keep Your Liquor Strong, Keep Your Laughter Long, & Keep Your Antics Unsavory.

Joe Goode is the artistic director of The Joe Goode Performance Group, and a professor in the Department of Theater, Dance, and Performance Studies at UC Berkeley. He has had a meditation practice since 1979, and has incorporated Buddhist principles and meditation practices into his choreographic works. His work blends theater, dance, and spoken word, to focus on the fallibility and imperfection of being human, believing that the creative impulse is a step toward the alleviation of suffering. Support the show______________ To participate live and be notified of upcoming speakers in advance, please Like us on Facebook (https://www.facebook.com/gaybuddhistfellowship) or visit https://gaybuddhist.org/calendar/ To support our efforts to share these talks with LGBTQIA audiences worldwide, please visit www.GayBuddhist.org.There you can: Donate Learn how to participate live Find our schedule of upcoming speakers Join our mailing list or discussion forum Enjoy many hundreds of these recorded talks dating back to 1996 CREDITSAudio Engineer: George HubbardProducer: Tom BrueinMusic/Logo/Artwork: Derek Lassiter

Joe Goode is the artistic director of The Joe Goode Performance Group, and a professor in the Department of Theater, Dance, and Performance Studies at UC Berkeley. He has had a meditation practice since 1979, and has incorporated Buddhist principles and meditation practices into his choreographic works. His work blends theater, dance, and spoken word, to focus on the fallibility and imperfection of being human, believing that the creative impulse is a step toward the alleviation of suffering. Support the show______________ To participate live and be notified of upcoming speakers in advance, please Like us on Facebook (https://www.facebook.com/gaybuddhistfellowship) or visit https://gaybuddhist.org/calendar/ To support our efforts to share these talks with LGBTQIA audiences worldwide, please visit www.GayBuddhist.org.There you can: Donate Learn how to participate live Find our schedule of upcoming speakers Join our mailing list or discussion forum Enjoy many hundreds of these recorded talks dating back to 1996 CREDITSAudio Engineer: George HubbardProducer: Tom BrueinMusic/Logo/Artwork: Derek Lassiter

ART OF HUSTLE introduces you to the Executive Director of Joe Goode Performance Group, Dave Archuletta. Prior to joining Joe Goode Performance group Dave served as Program Director for Bill T. Jones/Arnie Zane Dance Company, where he built the Company's first education and licensing programs from the ground up, increased earned income revenue by more than 60 percent, negotiated major commissioning agreements and oversaw the Company’s U.S. and international tours. Prior to joining the BTJ/AZ Dance Company, he was Managerial Associate in the Dance Division of IMG Artists, managing the touring and performance operations of major dance companies such as Twyla Tharp, Lyon Opera Ballet, Pilobolus, Miami City Ballet, and more. An honors graduate of UC Berkeley, Dave began his career in San Francisco as Curatorial Performing Arts Production Coordinator at Yerba Buena Center for the Arts. Dave is also an independent musician and producer. Dave "Daveytree" Archuletta has been producing music in the underground scene for over 10 years. He plays several instruments, including piano, bass and drums. Dave is a founding member of the Funk Force Collective, and the visionary SF band Run the Voodoo Down (one of the first live music acts to incorporate turntablism as a primary musical element, featuring DMC Wold Champion DJ Pash "Mackintosh" Kamber on the wheels of steel). He has produced albums for Nidecker Snowboards, LRG clothing, the Mission Burrito Project, the Funk Force Collective, and the independent release "Noah D & B.Ski Soon to Be." In 2009 "Breez Deez Treez" with rapper Breez Evahflowin, was released on Domination Recordings to wide critical acclaim. In October 2011 Dave's productions will be performed by Daniel Bernard Roumain at BAM's Next Wave Festival in New York. Thank you for subscribing! Please rate the podcast and leave comments. I look forward to building with you. More information and tons of free tips on marketing and management at: ArtOfHustle.com.

A great way to get to know fellow sangha participants, a "Dharma Duo" features two members of GBF sharing their background, what brought them to Buddhism, and how their practice and experience with the dharma has impacted their lives. ____________ Joe Goode is the artistic director of The Joe Goode Performance Group, and a professor in the Department of Theater, Dance, and Performance Studies at UC Berkeley. He has had a meditation practice since 1979 and has incorporated Buddhist principles and meditation practices into his choreographic works. His work blends theater, dance, and spoken word, to focus on the fallibility and imperfection of being human, believing that the creative impulse is a step toward the alleviation of suffering.  Support the show______________ To participate live and be notified of upcoming speakers in advance, please Like us on Facebook (https://www.facebook.com/gaybuddhistfellowship) or visit https://gaybuddhist.org/calendar/ To support our efforts to share these talks with LGBTQIA audiences worldwide, please visit www.GayBuddhist.org.There you can: Donate Learn how to participate live Find our schedule of upcoming speakers Join our mailing list or discussion forum Enjoy many hundreds of these recorded talks dating back to 1996 CREDITSAudio Engineer: George HubbardProducer: Tom BrueinMusic/Logo/Artwork: Derek Lassiter