Podcast appearances and mentions of David Dorfman

"Dance Talk” ® with Joanne Careyand special guestDavid Dorfman.In this episode of"Dance Talk” ® with Joanne Carey interviewsDavid Dorfman, the Artistic Director of the David Dorfman Dance Company. They discuss David's journey into dance, his influences, and the pivotal moments that shaped his career. David shares insights into his teaching philosophy, the importance of improvisation, and the collaborative nature of dance. He emphasizes the significance of presence in performance and the joy of mentorship in his role as a professor at Connecticut College. In this engaging conversation, David Dorfman shares his insights on the art of partner dancing, the themes of surrender and connection in his work, and the intersection of dance and war. He discusses the transformative power of dance, the importance of legacy, and how revisiting old works can be a journey through time. Dorfman emphasizes the role of dance in healing and connection, advocating for a world where everyone dances as a path to peace.Upcoming performance: Downtown to Uptown, Past to Forward.David Dorfman is the Artistic Director and Founder of David Dorfman Dance (1987), has been Professor of Dance at Connecticut College since 2004. Dorfman received a Guggenheim Fellowship in 2005 to continue his research and choreography in the topics of power and powerlessness, including activism, dissidence, and underground movements. DD has been honored with four fellowships from the National Endowment for the Arts, three New York Foundation for the Arts fellowships, an American Choreographer's Award, the first Paul Taylor Fellowship from The Yard, and a New York Dance & Performance “Bessie” Award.David was a 2019 United States Artists Fellow in Dance. His work has been commissioned widely in the U.S. and in Europe, by Dancing Wheels (Cleveland), AXIS Dance Company (Oakland), and Bedlam Dance Company (London). His forays into theater include choreography for the Tony Award-winning play,Indecent, by Paula Vogel and Rebecca Taichman, for which DD received a Lucille Lortel Award and Chita Rivera Nomination for best choreography for the play's Off-Broadway run. David traveled to London in March 2020 to set choreography forIndecent's UK premiere at the Menier Chocolate Factory. In addition, David has contributed his choreography for the upcomingWhisper House, a new musical by Duncan Sheik and Kyle Jarrow, Ibsen'sAn Enemy of the People at Yale Rep;Our Town, a co-production of Deaf West and Pasadena Playhouse;Assassins at Yale Rep; and the original musicalGreen Violin at the Prince Music Theater in Philadelphia, for which he won a 2003 Barrymore Award for best choreography. Dorfman tours an evening of solos and duets,Live Sax Acts, with dear friend and collaborator Dan Froot, most recently in New York City and at the Harare International Festival of the Arts in Zimbabwe.  As a performer, he toured internationally with Kei Takei's Moving Earth and Susan Marshall & Co.DD hails from Chicago and holds a BS in Business Administration from Washington University in St. Louis (1977). He appeared on several episodes of A Chance to Dance, a reality show on OvationTV starring Dorfman's pals, the BalletBoyz .DD continually thanks Martha Myers and the late Daniel Nagrin, for being his dance mom and dad; his late parents, Oscar and Jeanette, for inspiring him to dance to heal and instilling the importance of a good joke; and his in-house “family project”, Lisa and Samson, for sharing with him the practice of unconditional love.Info About Upcoming Performanceshttps://www.daviddorfmandance.org/calendar“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

In this episode, we delve into essential discussions on federal policy, TikTok, and the balance of power in Washington that we know will resonate with you.Heidi and Joel explore the chaos caused by a recent Office of Management and Budget (OMB) memo concerning the freeze on federal expenditures. They provide a clear-eyed analysis of the memo's implications for Americans, particularly those relying on federal assistance programs, and question the legality of specific executive branch actions.In the second half of the episode, we're joined by David Dorfman, Deputy Staff Director and Chief Counsel of the House Select Committee on China. David provides an in-depth understanding of the critical legislation affecting TikTok, clarifying misconceptions about a so-called "ban" and diving into the platform's national security concerns.Lastly, hear from TikTok user Sayen Gates, a small business owner from South Carolina, who discusses how TikTok has been crucial in growing her life coaching business and how the threat of its ban poses challenges to entrepreneurs relying on the platform.Tune in to The Hot Dish every other week as we serve up hearty discussions that matter to the heartland. We aim to ensure that the voices of 'the rest of us' are heard loud and clear in Washington.To learn more, visit https://onecountryproject.orgVisit Sayen's site: www.shadowcornerlifecoaching.com 

Scott Killian has composed scores for Zvi Gotheiner (over 30 works), Shapiro & Smith Dance, Cherylyn Lavagnino, David Dorfman, Susan Marshall, Ralph Lemon, Bebe Miller, Alwin Nikolais and Murray Louis. His works have been performed with Alvin Ailey American Dance Theatre, Limon Dance Company, Hubbard Street Dance Chicago, PACT Dance (South Africa), et al. Venues include The Joyce Theater, Lincoln Center, New York City Center, New York Live Arts, Jacob's Pillow, The Annenberg Center and many regional venues. As a dance musician, he is a regular accompanist at NYC's Gibney 890 Studios and NYU Tisch School of the Arts. As a composer and sound designer for theater, Scott has created works for over 120 professional productions in NYC and at many regional theaters. NYC theatrical venues include Manhattan Theatre Club, The Public Theater, New York Theater Workshop, MCC, Red Bull Theatre, Primary Stages and Rattlestick Theatre. Regional theatres include George Street Playhouse (over 25 productions); Berkshire Theatre Group (Resident Composer--over 50 productions), Alley Theatre (Houston), Shakespeare Theatre (DC), Seattle Repertory Theatre, A.C.T. (San Francisco). Cleveland Playhouse, Shakespeare and Company, Cincinnati Playhouse, Huntington Theatre, Williamstown Theatre Festival.

Happy Halloween! Today is the end of our Spooky Season with a review of 2002's The Ring. A journalist discovers a cursed VHS tape that causes the death of any that view it in seven days. We follow her journey to uncover the source of the footage and save herself and her young son from a terrible fate. We hope everyone has a safe and wonderful spooky evening!Directed by: Gore VerbinskiWritten by: Ehren KrugerRemake of 1998's Ringu: Directed by Hideo Nakata and Screenplay by Hiroshi TakahashiBased on the Novel by Koji SuzukiStarring: Naomi Watts, Martin Henderson, David Dorfman, and Daveigh ChaseCome on in and have a listen! What do you think of this movie? What are others like it you enjoyed? We'd love to hear from you! Please like, follow, subscribe, share.

If you would like to give us feedback on how were doing follow us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/cd6sNqvnav⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://beacons.ai/senornerdpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Smile is a 2022 American psychological supernatural horror film written and directed by Parker Finn in his feature directorial debut. Based on Finn's short film Laura Hasn't Slept (2020), the film stars Sosie Bacon as a therapist who witnesses the bizarre suicide of a patient, then goes through increasingly disturbing and daunting experiences that lead her to believe she is experiencing something supernatural. It also features Jessie T. Usher, Kyle Gallner, Kal Penn, and Rob Morgan, as well as Caitlin Stasey reprising her role from Laura Hasn't Slept. A feature adaptation of Finn's short was announced in June 2020, and the cast was added in October 2021. Principal photography began that month in New Jersey and ended in November. Originally set for release on the streaming service Paramount+, distributor Paramount Pictures opted to release the film theatrically after positive test screenings. Smile premiered at Fantastic Fest on September 22, 2022, and was released in the United States on September 30. The film received generally positive reviews from critics and grossed over $217 million worldwide on a budget of $17 million. A sequel, Smile 2, is scheduled to be released in October 2024. The Ring is a 2002 American supernatural horror film directed by Gore Verbinski and written by Ehren Kruger. Starring Naomi Watts, Martin Henderson, David Dorfman, and Brian Cox, the film focuses on Rachel Keller (Watts), a journalist who discovers a cursed videotape that causes its viewers to die seven days later. It is a remake of Hideo Nakata's 1998 film Ring, based on the 1991 novel by Koji Suzuki. The Ring was theatrically released in the United States on October 18, 2002, by DreamWorks Pictures. It was a box-office success, grossing $249.3 million worldwide on a $48 million budget, making it one of the highest-grossing horror remakes of all time. The Ring received mixed-to-positive reviews, with critics in particular praising the atmosphere and visuals, Bojan Bazelli's cinematography, Verbinski's direction and the performances of the cast (particularly Watts). At the 29th Saturn Awards, the film won in two categories: Best Horror Film and Best Actress (for Watts). The film is the first installment of the American Ring series, and is followed by The Ring Two (2005) and Rings (2017). The success of The Ring inspired American remakes of several other Asian and Japanese horror films, including The Grudge (2004) and Dark Water (2005). Plot Teenage girls Katie and Becca discuss an urban legend about a cursed videotape that causes whoever views it to die in one week. That night, Katie, who viewed it one week ago, is killed by an unseen force. At Katie's funeral, her mother asks her sister Rachel, a Seattle-based journalist, to investigate her daughter's death. Rachel discovers that Katie's friends all died in bizarre accidents at the same time as Katie's death. Rachel visits the Shelter Mountain Inn, where Katie and her friends saw the tape. She finds and views the tape; it contains strange and frightening imagery. She then receives a phone call from an unknown caller who whispers, "Seven days". Though initially skeptical, Rachel quickly begins to experience supernatural occurrences linked to the tape.

Keith from Horror Convos joins Caitlin to discuss The Ring (2002), a groundbreaking J-horror remake that many of us found formative. We discuss all kinds of Ring-things: monstrous motherhood, cultural and psychological influences around fear, practical effects, architecture as a storytelling element, color theory, scores, performances, and more. Sillier tangents include: urban legends, breakfast foods, insects, "forever outfits," and a couple great Would You Rathers.

October 18th, 2002. You just got done watching a weird movie. The phone rings once. Twice. Three times. You answer it. There's no one on the other end. Just as you're about to hang up you hear, "7 days". Panic sets in. Samara Morgan is coming for you. You have no time left. Good luck. Does The Ring hold up? You won't need 7 days to find out. Just the hour for this podcast. Starring: Naomi Watts, Martin Henderson, Brian Cox, David Dorfman, and Daveigh Chase as Samara.  Directed by Gore Verbinski Rated PG-13 Thanks for listening. Follow us on Instagram: https://www.instagram.com/doesitholdu... Follow us on TikTok: https://www.tiktok.com/@does_it_hold_up Follow us on Facebook: https://www.facebook.com/doesitholdup13/ Subscribe to our YouTube for new movie revies and weekly entertainment news: https://www.youtube.com/@DIHUpodcast  

The Ring Two is a 2005 American psychological supernatural horror film and sequel to the 2002 film The Ring. Hideo Nakata, director of Ringu, the Japanese film on which the American versions are based, directed this film in place of Gore Verbinski. Naomi Watts, David Dorfman and Daveigh Chase reprised their roles with Simon Baker, Elizabeth Perkins and Sissy Spacek joining the cast. If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!            Watch The Ring Two: https://amzn.to/44EMF5w          Out this Month: Week 1: Shooting the Flames Week 2: The Ring Week 3: The Ring 2 Patreon: Ringu     Coming in August 2023: Prey Predator      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://teespring.com/stores/thefilmflamers  Twitter: https://twitter.com/TheFilmFlamers  TikTok: https://www.tiktok.com/@thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons: #ExiledTexan Alex Mendoza Anthony Criswell Ashlie Thornbury BarbieDolly BattleBurrito BelleBeignet Benjamin Gonzalez Bennett Hunter Big Dave BreakfastChainsawMassacre CenobiteBetty Christopher N Dan Alvarez Gia-Ranita Pitt Gillian Murtagh GlazedDonut GWilliamNYC Incognicat Irwan Iskak James Aumann Jessica E Josh Young Kimberly McGuirk-Klinetobe Laura O'Malley Lisa Libby Loch Hightower Matthew McHenry McKenna Hirschmann Nicole McDaniel Nikki (phillyenginerd) Orion Yannotti Paul Perez Penelope Nelson random dude Robert B. Robert E Rosieredleader Ryan King Sean Homrig William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

After watching “Anger Management” for our other podcast (The Adam Sandler Cinematic Universe). Devon became obsessed with solving the mystery of screenwriter David Dorfman and in this Time Capsule episode of The Say Report that is exactly what your host-companions set out to do... DaVinci Code style. 

Just released, the new Color Atlas of Flow Cytometry offers a full range of hematolymphoid disease cases, highlighting disease categories and disease entities that may be difficult to diagnose in clinical practice. The new book can benefit students, medical technologists, and practicing pathologists, explains lead author, David Dorfman, MD, PhD, FCAP in this CAPcast interview. To purchase this book, please visit CAP's estore: https://estore.cap.org/OA_HTML/xxCAPibeCCtpItmDspRte.jsp?section=10044&item=747354&sitex=10020:22372:US

Mariusz Olszewski, ballroom artist, coach and choreographer whose work has been presented at the biggest ballroom venues, dance festivals, theaters and television around the world. He choreographed for the World, American, Polish and Ohio Star Ball Champions and other top ranking ballroom couples including Blackpool Dance Festival American Smooth finalist.Mariusz, moved to Minneapolis in 1996 to join Jazzdance! by Danny Buraczeski and danced with the company for 5 years performing at the most prominent stages and dance festivals such as Kennedy Center, The Joyce Theater, Ordway Center for Performing Arts and The Guthrie Theater as well as  Jacob's Pillow Dance Festival and Bates Dance Festival as well as American Dance Festival among others.Prior to Jazzdance, Mr.Olszewski was a lead dancer and assistant to artistic director of The Silesian Dance Theater, the first professional modern dance company in his native country Poland.During his 5 seasons with The Silesian Dance Theater he had performed and worked with such renown choreographers and dance legends as Anna Sokolow, Gerri Houlihan, Teresa Freedman, Melissa Monteros, Avi Kaiser, Mark Haim, David Dorfman, Wendell Beavers, Stephanie Skura, Risa Jarolow , Sam Costa and company's artistic director Jacek Luminski among others.For his roles created in that company he received Silesia's President's Award for Outstanding Artist in 1995.He is a founding member of Beyond Ballroom Dance Company and served as its Artistic Co-director and Rehearsal Director.Mariusz's work is driven from his modern, jazz ,ballroom dancing and theater experience.He  choreographed and collaborated with Minneapolis prime dancers and companies such as Zenon Dance Comapny, Minnesota  Dance  Theater and  James Sewell Ballet's Sally Rousse , Cathy Young Dances, Robin Stiehm's Dancing People Company.Mariusz graduated from The Institute of Culture Theater Department in Opole, Poland.He was a guest choreographer on popular television show "Dancing With the Stars" and featured choreographer for 8 seasons on "So You Think You Can Dance”/ Poland creating a record number of over 35 routines in contemporary, modern jazz and ballroom dance styles.In 2016 he was invited to choreograph two ballroom shows “ Rhythm Divine” and “Grace” for Hong Kong's biggest Dream Cruise Line. Mariusz is a recipient of 2005 McKnight Artists Fellowship for Dancers.

Podcast Season Finale! David Dorfman worked as a child actor for more than a decade, co-starring alongside such notable talent as Bill Macy (“Panic”), Naomi Watts (“The Ring”), Robert Downey Jr. (“The Singing Detective”) and Owen Wilson (“Drillbit Taylor”). We discuss not only his career in Hollywood but also the below the line ecosystem that both protects and supports minors on set.

For this episode we will share excerpts from the artist's talks with David Dorfman and Stephan Batten Bland. David Dorfman and his collaborators were scheduled to present their work, (A)way out of my body, in 2020. Due to the pandemic now Two years later they were able to bring this work to the festival. (A)Way Out of My Body uses “out of body” experience as a metaphor for our times and our body politic. DDD's bodies propel themselves through space and time, attempting to pass the barrier of reality and plight into the realm of positivity and growth. Stephanie Batten Bland brought her Company SBB with the work: Embarqued: Stories of Soil. Originally this performance was scheduled to be shown outside but due to the high temperatures the show was moved into the Bates College Schaeffer theater. Embarqued: Stories of Soil is a dance-theatre work centered around a transformative shipmast inviting ˈmīɡrəˌtôrē/ reflections, revealing post-colonial foundations and mythology. Through questioning existing relationships to memorials - they call up all who made our united history, enabling audiences to viscerally and holistically connect our country both forwards and backwards in space and time.

We're kicking off our fifth Halloween by celebrating the 20th Anniversary of Gore Verbinski's THE RING. Going for more than jump scares, this American film ushered in the blockbuster trend of remaking a pre-existing film. Not only did it reignite the idea of urban legends & invigorate the careers of those involved, THE RING also proved a remake could still fresh, modern & an absolute terrifying delight. 
//***Discussions include*** The origin story, urban legend & folklore behind the film; multiple reinventions of the story, dawn of the remake boom & why the film stands out; preying upon instinctual fears of the audience, themes & atmosphere; cast highlights & uniqueness of characters; special effects, creep factor, visual & sound importance; the film's climax, reception, longevity, sequels, plus Justin & Lindsay share some local folklore. Naomi Watts, Daveigh Chase, David Dorfman, Martin Henderson & Brian Cox star in THE RING (2002). Directed by Gore Verbinski. //***Picks of the Week*** Lindsay's Pick: THE SKELETON KEY (2005). Kate Hudson, Gena Rowlands, John Hurt, Peter Sarsgaard. /// Director: Iain Softley. Justin's Pick: 1408 (2007). John Cusack, Samuel L. Jackson, Mary McCormack, Tony Shalhoub. /// Directed by Mikael Håfström. //***MurrayMoment*** Naomi Watts' initial nervousness working with Bill in ST. VINCENT (2014). //***Final Thoughts on THE RING*** Next Episode:
 40th Anniversary of POLTERGEIST (1982) Please rate, review & subscribe. Follow on Facebook, Instagram, Twitter & YouTube. Hosts: Justin Johnson & Lindsay Reber // Music: Matt Pace // Announcer: Mary Timmel // Logo: Beau Shoulders. www.dontpushpausepodcast.com dontpushpausepodcast@gmail.com Be Kind and Rewatch // October 4th, 2022.

Special Guest Lizzy Haynes joins your hosts Chad Robinson and Dustin Melbardis for the Retro Movie Roundtable as they revisit The Ring (2002) [R] Genre: Horror, Thriller, Suspense, Mystery Starring: Naomi Watts, Martin Henderson, David Dorfman, Brian Cox, Jane Alexander, Lindsay Frost, Amber Tamblyn, Rachael Bella, Daveigh Chase, Shannon Cochran, Sandra Thigpen, Richard Lineback   Director: Gore Verbinski Recorded on 2022-07-21

Rodents Stop co-owner and founder and CEO of Dr. Air Care Health Solutions, David Dorfman,  joins Coruzant Technologies for the Digital Executive podcast. He shares how he keeps himself centered and healthy in a busy and sometimes hectic lifestyle with exercise and meditation.

Charles Skaggs & Xan Sprouse continue their retrospective of Twin Peaks Actors in Other Films by discussing The Ring, the 2002 supernatural horror film directed by Gore Verbinski, starring Naomi Watts as Rachel Keller, David Dorfman as Aidan Keller, Brian Cox as Richard Morgan, and Daveigh Chase as Samara Morgan! Find Us Here: Twitter: @GhostwoodCast @CharlesSkaggs @udanax19 Facebook: Facebook.com/GhostwoodPodcast Email: GhostwoodPodcast@gmail.com Listen and subscribe to us in Apple Podcasts and leave us a review!

Welcoming David Dorfman, CEO of Sesh, at the Leading Entrepreneurs of the World Series on the topic: Empathy in AIDavid is a recognized business leader with over 18 years of international business and development experience across disciplines. He has served as a strategic advisor to many startup founders and teams and has helped raise $60M+ in funding for early stage ventures, technology transfer and licensing, laboratory research, capital investment, scholarship, and research programs.At Sesh, David and his team build technologies that aid communication and increase performance using neuroscience and lifelong learning practices. As a groundbreaking product solution of Sesh, Empath is an AI that analyzes emotions in video using machine learning, situational and desired outcome context, psychographics, and facial and viscera motor expressions to predict outcomes and deliver personalized neuroscience-based training.Visit Sesh: https://www.gosesh.com/Learn more about Empath: https://www.lets.getempath.com/To learn more about Leading Entrepreneurs of the World and to stay updated on upcoming insightful presentations and events visit our site:https://leadingentrepreneursoftheworld.com/Follow 1BusinessWorld:Website: https://1businessworld.com/LinkedIn: https://www.linkedin.com/company/1businessworldTwitter: https://twitter.com/1businessworldFacebook: https://www.facebook.com/1businessworldInstagram: https://www.instagram.com/onebusinessworld/

Lou Fancher is a freelance choreographer, ballet master and teacher working in the Bay area since 2005. Most recently the Rehearsal Director for Dancing People Company in Ashland, Oregon, Lou for nearly three decades has been the Ballet Master/Rehearsal Director for contemporary dance companies and independent choreographers in the U.S. and Canada. Among the companies are Company C Contemporary Ballet, James Sewell Ballet, and the Alberta Ballet. She has staged and/or rehearsed the works of dozens of choreographers including Twyla Tharp, Anthony Tudor, Paul Taylor, Lynne Taylor Corbett, Crystal Pite, Mark Godden, George Balanchine, Peter Pucci, David Parsons, John Butler, Igal Perry, Daniel Ezralow, Ralph Lemon, Doug Elkins, Viola Farber, Merce Cunningham, David Dorfman, Donna Uchizono, Dan Wagoner, Bill T. Jones, Wil Swanson, Margie Jenkins, Brian MacDonald, Jose Limon and others.Lou holds a BFA in dance from the University of Cincinnati and as a choreographer has created ballets for James Sewell Ballet, Alberta Ballet Apprentice Ensemble, Theatre Ballet of Spokane, Ballet Pacifica, and New York Theatre Ballet. During the 18 years Lou was a resident of Minneapolis, her work was presented by the Minnesota Dance Alliance, Ballet Arts Minnesota, and others. She  twice participated in The Carlisle Project, a no-longer operating national program designed to assist the artistic growth of choreographers. A published author and journalist, Lou writes locally for East Bay Times, Oakland Tribune, San Jose Mercury News, East Bay Express, San Francisco Classical Voice, 48 Hills, wired.com, and other Bay Area publications. She is the author of two original children's books and has designed and illustrated over 60 picture books. You may visit her website online at www.johnsonandfancher.com

Dave, Marcus, and Colin discuss watching random video tapes and Japanese horror films as we dive into the 2002 cult classic movie The Ring – directed by Gore Verbinski, starring Naomi Watts and our favorite horror child actor David Dorfman.

Dave, Marcus, and Colin discuss watching random video tapes and Japanese horror films as we dive into the 2002 cult classic movie The Ring – directed by Gore Verbinski, starring Naomi Watts and our favorite horror child actor David Dorfman.

E.E. Balcos (he, him) is a  Filipino-American and is originally from Minneapolis, Minnesota. He began formal training with modern dance pioneer Hanya Holm while also engaging in the practice of contact improvisation. A successful performer and choreographer for over 35 years, he danced with numerous independent Minneapolis choreographers including Diane Aldis, Madeline Dean, Mary Easter, Jill Heaberlin, Paula Mann, Patrick Scully, Georgia Stephens, Robin Stiehm,  Lovice Weller, Laurie Van Wieren, Diane Waller,  and several dance companies including Zenon Dance Company, Shapiro & Smith Dance, Demetrius Klein Dance Company, and Sam Costa's 10,000 Dances. He worked directly and performed in the works of numerous nationally recognized choreographers and dance artists including: Chris Aiken, Danny Buraczeski, Ping Chong, Sean Curran, David Dorfman, Joe Goode, Daniel Gwirtzman, Dwight Rhoden, David Rousseve, Stephanie Skura and Bill Young. E.E. was the Artistic Director and choreographer for his company E.E.MOTION from 2007-2013 culminating with an evening-length work, Deep Water: The Murder Ballads in collaboration with composer, John Allemeier at the Knight Theatre in Charlotte, NC. This year (2021), he will be performing a new solo, Tales from the Wizard, choreographed by Bill Evans.His current endeavors apply somatic approaches to choreography, dance performance, interdisciplinary collaborations, physical resilience, and teaching. In 2021he presented at the ISMETA Conference: Engaging Embodiment and will return to the Body IQ Festival in Berlin, Germany in November;  in 2019 he presented at the C-DaRe Dance and Somatic Practices Conference in Coventry, United Kingdom; the Annual Body-Mind Centering Conference in Santa Barbara, California; and the Body IQ Festival in Berlin. Balcos is a founding member of Movement Migration, and has performed in 2019 in Campeche, Mexico; in 2018 in Pietrasanta, Italy; New York City; Roxbury, NY; and Charlotte, NC. He is an Associate Professor at The University of North Carolina at Charlotte and holds a BA in Music from The Colorado College and an MFA in Dance from The University of Iowa. This year he became a Registered Somatic Dance Educator (RSDE) through ISMETA. E.E. is also a passionate botanic gardener and photographer finding and exploring the parallels in nature and dance.

This week, Amber is chatting with Christina Robson about her days in New York auditioning for companies and dancing for multiple artists. She has performed all over the world with David Dorfman and Bill T Jones/ Arnie Zane Dance Company. During this conversation, she speaks of transitioning from a constant performing schedule to her final year of Graduate School at University of Maryland of College Park. Grab a brew and join the conversation! Brews enjoyed during this podcast: Breakaway Beerworks and Aardwolf Brewing. Christina mentions her favorite brews from Toppling Goliath Brewing and Maine Beer Company. Photography: Eric Politzer

This week, Amber is chatting with Christina Robson about her days in New York auditioning for companies and dancing for multiple artists. She has performed all over the world with David Dorfman and Bill T Jones/ Arnie Zane Dance Company. She is her final year of Graduate School at University of Maryland of College Park. Grab a brew and join the conversation! Brews enjoyed during this podcast: Breakaway Beerworks and Aardwolf Brewing. Photography by: Paul B Goode

Diane and Sean discuss the Don Roos film from the year 2000, Bounce. Ever heard of it? Don't feel bad, no one did either. Episode music is, "Need to be Next to You" by Leigh Nash, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd-  Twitter: @whydoweownthis1- Facebook-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show (https://www.buymeacoffee.com/dvdpod)

Robin Stiehm's professional dance career spans 4 decades, beginning as a ballet dancer at the Minnesota Dance Theatre. She was a soloist at MDT, performing in ballets such as Concerto Barocco, Les Sylphides and La Bayadere and became a prime interpreter of choreographer Loyce Houlton's contemporary ballet.In 1989 Robin transitioned to modern dance and worked with New Dance Ensemble, also in Minneapolis, MN. There she was privileged to work with many choreographers, including Bill T. Jones, David Dorfman, Bebe Miller, Ralph Lemon and a host of others.Robin began choreographing in 1990 and in 1994 formed her own group, Dancing People Company, based in Minneapolis. During her Minneapolis years, Robin’s work received support from the McKnight and Jerome Foundations, and the Minnesota State Arts Board. In 2000, she received a prestigious Bush Artist Fellowship.In 2003 she relocated the company to Ashland, Oregon. In the 13 years DPC was in Oregon, Robin developed strong professional dancers and maintained a salaried company with whom she created many pieces. She also developed an innovative high school program that introduced modern dance to many hundreds of students in rural Southern Oregon, and created an annual community-based Winter Solstice program. Both of these endeavors created strong connections between the professional company dancers and the community it served. DPC’s work in Oregon was supported by the Oregon Community Foundation, the Oregon Arts Commission, the Carpenter Foundation, the City of Ashland, and many others.During the 20 years of her directorship at DPC Robin choreographed over 50 works and brought the company on tour to Poland, Russia, Belarus, and Japan as well as traveling in the USA. Robin has been a guest teacher and choreographer at international festivals and at colleges, including the University of Minnesota as a Cowles Chair Guest Artist; University of Oregon; St. Olaf College; Mankato State University; Pacific University; and Escuela Profesional de Danza de Mazatlan. She has choreographed pieces for Zenon Dance Company, Ballet Pacifica, Ballet Arts Minnesota, ARENA DANCES, and Traduza Dance Company, in addition to the many pieces she created for her own company.

Since starting Zenon in 1983, Linda has earned accolades for developing thecompany’s unique modern and jazz aesthetic by commissioning repertoryworks from such choreographers as Bebe Miller, Dwight Rhoden, Bill T.Jones, Bill Young, Llory Wilson, Joe Goode, Stephanie Skura, David Dorfman,Doug Varone, Danny Buraczeski, Daniel Rousseve, Cathy Young, KeelyGarfield, Johannes Wieland, Seán Curran, Colleen Thomas and AndreaMiller. She studied at the Martha Graham School, Alvin Ailey Dance Center,the Juilliard School, and with Alvin Nikolais, Lynn Simonson and MerceCunningham. She holds a degree in dance and drama from Hollins College inVirginia. Linda has taught dance and creative movement since 1972, and hasdeveloped Zenon Dance School into a recognized training center forvocational and professional dancers. She is the mother of two amazingdaughters, Laura and Lily, and lives in St. Louis Park with her two cats, Ollieand Jack.

The Crew reviews The Ring, discusses Naomi Watts, Martin Henderson, Wendy’s, the scaries, David Dorfman, horror, heartrates, Daveigh Chase, jump scares, Dane explains how to watch a horror movie, Brian Cox, chain letters, Rube Goldberg, psychological...

Erin Thompson's performance career began as a member of the Minnesota Dance Theatre in 1970. She was with that company for ten years, performing in such venues as Northrop Auditorium, O'Shaughnessy Auditorium and the The State Theater in the Twin Cities, Jacob's Pillow Dance Festival in Massachusetts and in Spoleto, Italy. She danced for a year in Montreal with jazz choreographer Peter Georges, formerly of Les Ballets Jazz, before moving in 1981 to New York City.Ms. Thompson's ten years in NYC were spent in the post-modern companies of Nina Wiener, formerly with Twyla Tharp Dance, and world renowned African American choreographer Bebe Miller. She danced on many stages in NYC including Dance Theater Workshop and the Brooklyn Academy of Music, where she performed with Nina Wiener and Dancers in the prestigious Next Wave Festival. She toured extensively throughout the U.S. and Europe, performing in Seattle, San Francisco, Boston, Chicago, Pittsburgh, Cincinnati, London, Paris, Munich, Amsterdam, Groningen, Glasgow, Heraclion and many other cities and regions.Since moving back to Minneapolis in 1990, Ms. Thompson performed for two years with the Zenon Dance Company, including works by Danny Buraczeski, Bebe Miller, Doug Varone, Joe Goode, and David Dorfman. In 1993 she and her husband Byron Richard launched their own dance company, 45 Chartreuse, performing at the Walker Arts Center, Studio 6A and Old Arizona Studios in Minneapolis and on tour in Minnesota. She has had several pieces choreographed specifically for her, including work by Jan Erkert, Shapiro and Smith, Mathew Janzceski, Cathy Young and Judith Howard with performances at the Southern Theater and Bedlam Theater in Minneapolis.In her position as Rehearsal Director for Nina Wiener and Dancers, Ms. Thompson led residency projects and taught repertory at the London Contemporary Dance Theater, the National Ballet of the Netherlands, the Boston Ballet, and in Anchorage, Los Angeles, Cincinnati, and Groningen, Holland. She has also reset Bebe Miller's work on Zenon Dance Company in Minneapolis.As a dance educator, Ms.Thompson taught ballet, pointe work and contemporary dance technique at the Minnesota Dance Theatre from 1975-1980. Her modern dance teaching over the last 3 decades includes teaching at P.S.122 in NYC, Studio Dance Tanz in Osaka, Japan, and classes at dance companies and Universities around the world while on tour. Here in Minneapolis she has taught for twenty years at the University of Minnesota Department of Theatre Arts and Dance and at Zenon Dance Company and School, as well as many guest teaching stints around Minnesota and the midwest. In 2008 Erin was invited to teach and perform at the Art of Movement Festival in Yaroslavl, Russia. Her advanced professional level modern dance classes at Zenon Dance School have been a mainstay of the Twin Cities dance community and have fostered a couple of generations of versatile and proficient dancers and teachers.Ms. Thompson received a New York Dance and Performance award, “Bessie”, in 1986 for her performance in Nina Wiener's Enclosed Time at the Brooklyn Academy of Music's Next Wave Festival. She received choreography fellowships along with her husband, Byron Richard, from the McKnight Foundation in 1993, and the National Endowment for the Arts in 1994 and 1996. In 2008, she received a Sage Award for Outstanding Dance Educator. Ms. Thompson has served on numerous dance panels and currently serves as Board President of Young Dance. In 2012 her choreography was performed by Young Dance and at the St. Paul Conservatory of Performing Artists.

David Dorfman is the Southwest Sales Leader for Tektronix. He transitioned out of the Navy’s shipbuilding Project Management community into a role that he quickly realized wasn’t the best fit. He found his way to a career in sales where he was able to find his true calling, working in some of America’s top R&D laboratories to service their needs for testing and measurement equipment. We talk a lot about the early mistakes he made as a civilian, including a costly mistake he made with his first hire. David’s experience really highlight the importance of a solid hiring plan when hiring for a critical positions, and specifically the costs to the business and customers within a sales territory when you’re not able to ramp up a new hire in the expected timeline. Bradley-Morris has tackled this topic in the past, specifically when we hosted our Contingency Webinar about the cost of slow time-to-fill. With some big changes in the job-seeker landscape these days, it’s going to be more important than ever for companies to have a plan for how their organizations will continue to drive growth while managing their needs for full-time employees. Getting this wrong can result in lost productivity, a huge management headache, and unhappy customers. At the end, David shares some advice for job seekers who might be about to transition; everyone's story is going to be different. If you find yourself in a rocky situation, take a breath. The adversity faced in the first few years, the things you will learn about yourself and your professional skills will be worth the frustration. Rely on the fundamentals you learned in the military: hard work, perseverance, and mental toughness.   Connect with David on LinkedIn

Danté Brown is a New York artist and Artistic Director of Warehouse Dance, a collaborative group that generates compelling thematic environments within a process of physical and theoretical inquiry. While Brown was in residence with the Emory Dance program in 2016, he sat down to talk about creativity with Blake Beckham, a choreographer, producer and dance educator in Atlanta. Brown began his dance training at Wesleyan University, which led him to The Ohio State University to receive his MFA in choreography and performance. As a performer, Danté has worked with artists such as Esther Baker-Tarpaga, Christal Brown, David Dorfman, Kendra Portier, and Noa Zuk, among others. As an educator, Danté has had the opportunity to teach a range of classes at Bates College, Dancewave, Dance New Amsterdam, East Village Dance Project, Gibney Dance Center, Mark Morris Dance Center, Peridance Capezio Center, and The Ohio State University. This podcast episode is introduced by Laura Briggs (Emory dance and chemistry alum/Arts at Emory intern) and Maggie Beker (Creativity Conversations host and producer). Watch the original video recording: https://www.youtube.com/watch?v=vz4wiWzqqww&list=PLCAC61A4AB786C00E&index=23&t=0s   Follow us! Facebook Instagram

David Dorfman has been creating movement-based theater in and around NYC and internationally since 1981. He has received numerous fellowships and awards including a “Bessie” for DAVID DORFMAN DANCE’s community-based project Familiar Movements (The Family Project), a Guggenheim for his research on power and protest which led to DDD’s underground, NEA support, a Lucille Lortel for choreographing INDECENT’s Off-Broadway run, and a 2019 USA Fellowship. Recent DAVID DORFMAN DANCE highlights include a 30th Anniversary Season at BAM’s Next Wave Festival with Aroundtown in Nov. 2017, and a State Department-sponsored trip to El Salvador to do work on violence prevention with young people. An avid fan of live music and collaboration, he continues his serio-comic work, Live Sax Acts, with Dan Froot. Since 2004 David has been a full-time faculty member of Connecticut College where he Chaired the Dance Department for a decade while teaching classes ranging from Performing Citizenship, Acting for Dancers, Religious Expressions of Everyday Life to all levels of Modern/Post-Modern Technique, Choreography, and Improvisation. DDD has been Company-in-Residence at Connecticut College since 2007. www.batesdancefestival.org

Monday, February 3, 12 noon WPKN 89.5 FM www.wpkn.org Host: Bonnie Lykes For our February we journey through upcoming love inducing sonic tours: Carrie Nation And The Speakeasy, Mike Doughty, and the Love Stinks disco cuts happening at Cafe Nine, Space Ballroom, and the Statehouse! Tune in to find out which club is for what! Visual art percolating at New Haven Pride Center and three chat-ups with the folks at Kehler-Liddel who give an overview of exhibits and artistic processes. David Dorfman’s Dance Co. has returned with the perfected “A Way Out Of My Body” – a physical experience to pen in for a winter eve. Also, the Bloodroot fundraiser and Banf Film Fest. are both roosting on February’s final dates… Partnered or Swinging Solo? We finish up with some romantic notions to get you out and about for the month of love—rest assured! What’s Happening New Haven has the keys to your heart!

Jennifer Nugent danced with the Bill T. Jones/Arnie Zane Company from 2009-2014 and David Dorfman Dance from 1999-2007, receiving a New York Dance and Performance Award (Bessie) for her work in the company. She has also performed with Martha Clarke, Lisa Race, Doug Elkins, Bill Young, Colleen Thomas, Kate Weare, Barbara Sloan, and Dale Andree. Jennifer’s movement and teaching are inspired by all her teachers and mentors, most profoundly by Daniel Lepkoff, Wendall Beavers, Gerri Houlihan, David Dorfman, Bill T. Jones, Janet Wong, Wendy Woodson, and Patty Townsend. She has been working collaboratively with Paul Matteson for the past nineteen years Their recent duet collaboration another piece apart premiered in 2018 at New York Live Arts (NYC) and was presented Emory University (GA), The American Dance Festival (NC), and The Boston Dance Complex (MA). Jennifer received a Master of Fine Arts degree in 2019 from the University of the Arts in Philadelphia, PA. She is currently a teaching artist at Sarah Lawrence College, Gibney Dance NYC, and Movement Research NYC. www.batesdancefestival.org

In this episode we discuss The Ring from 2002. The Ring is an American remake of the 1998 Japanese horror film, Ringu, which was based on the novel by Kôji Suzuki. This film was directed by Gore Verbinski, written by Ehren Kruger (screenplay)and Kôji Suzuki (novel) and stars Naomi Watts, Martin Henderson, Brian Cox and David Dorfman. If you enjoy the show, give us a subscribe/rating/review and of course, tell your friends! Visit us at wearehorrifiedpodcast.com

Pod de Deux interviewed Molly Poerstel as part of a series of interviews with five 2019 NYC Bessie Award nominees. Molly was nominated for a Bessie for Sustained Achievement with Hilary Clark, David Dorfman, Jeanine Durning, Alex Escalante, Juliana F. May, Susan Rethorst, Roseanne Spradlin, and Larissa Velez-Jackson. Molly talked about her experience dancing for […]

KHOL News: Kinetic Diplomats of David Dorfman Dance by KHOL Jackson

Host: Bonnie Lykes and engineer Sean Bigler "What’s Happening New Haven speaks with dance visionary David Dorfman due to present his radically human choreography at Connecticut College. Also, details from Poet Brandan Walsh for his amazing Great American Poetry Crawl stopping in New Haven! Open mike included! Guildford Arts Executive Director, Maureen Belden will fill you in on the Guildford Craft Expo—set to go rain or shine. To wrap up the hour—we have sultry southerner Marcella Simien of Marcella and her Lovers set to serve musical swamp soul at the Public Tavern later in the month. Get the terrific logistics right here !"

In this episode, Prof. David Dorfman, Professor of Law at the Elisabeth Haub School of Law, explains how to answer a question concerning the right to search and seizure. Professor Dorfman explains the history of the Fourth Amendment and walks us through the relevant case law. The discussion ends with a clear explanation of how to answer a law school exam question concerning police investigation of a GPS system.

In this week's show, we talk about the#CountMeIn movement with campaign director Mike Hellstorm. This movement, led by unionized and non-unionized construction workers from the Hudson Yards development, marks its one-year anniversary this month. In the second half of our show, we go over the upcoming trial of three activists from the group Resist Spectra that briefly halted construction of an Enbridge fracked gas pipeline through direct action in 2016. The three individuals who crawled into the pipeline will present the Necessity Defense claiming that their ‘illegal’ actions were necessary to prevent a greater harm. We talk to their lawyer, David Dorfman. To learn more about The Indypendent go to https://bit.ly/2bTNnpb

We go over the upcoming trial of three activists from the group Resist Spectra that briefly halted construction of an Enbridge fracked gas pipeline through direct action in 2016. The three individuals who crawled into the pipeline will present the Necessity Defense claiming that their ‘illegal’ actions were necessary to prevent a greater harm. We talk to their lawyer, David Dorfman.

Vi tittar närmare på ett antal skräckberättelser inom film och litteratur där barnet står i centrum. Tomas känner igen tillvaron som äventyrslysten tioåring i all-ages-spektaklet The Gate och Lars berättar om anledningen till att det här årets sommarlov blir längre än vanligt. Vi pratar också om: Mats Strandberg, Hemmet, Vacany, Dead Calm, Lugnt vatten, Don’t Look Now, Antichrist, Frankenstein, Hajen, Jurtjyrkogården, Assault on Precinct 13, Toxic Avengers, Låt den rätte komma in, John Ajvide Lindqvist, Tomas Alfredsson, Det, Stranger Things, Short Circuit, Explorers, The Goonies, Stand by Me, Indiana Jones, Roald Dahl, Häxorna, Monster Squad, Sacriphynx, Evil Dead, Don’t be Afraid of the Dark, Carl-Johan Vallgren, Havsmannen, Charles Dickens, Mio min Mio, Peter Pan, Shape of Water, Anders Fager, H.P. Lovecraft, The Devil’s Backbone, Guillermo del Toro, Firestarter, George C. Scott, Carrie, The Shining, Hanteringen av odöda, John Lithgow, Besökarna, The Ring 2, George Verbinski, Naomi Watts, David Dorfman, Hideo Nakata, A Quiet Place, John Krasinski, Titta Dom Snackar, Lights Out, It Comes at Night, Get Out, Cloververse, Cloverfield Paradox, Overlord, J.J. Abrams, Poltergeist, Insidious, Terminator 2, Tobe Hooper, Funhouse, Steven Spielberg, Omen, Exorcisten, James Wan, The Fog, Patrick Wilson, Barbara Hershey, Entity, The Orphanage, The Others, Stephen King, The Bogeyman, Monstret i garderoben, Before I Wake, Mike Flanagan, Hush, Ouija: Origin of Evil, Thomas Jane, Occulus, Dödsbädden, Night Shift, Tales from the Crypt och Creepshow. Nostalgi, löst tyckande och akademisk analys i en salig röra.

David Dorfman, ARTISTIC DIRECTOR of David Dorfman Dance since 1987, is a Professor of Dance since 2004. He received a Guggenheim fellowship in 2005 to continue his research and choreography in the topics of power and powerlessness, including activism, dissidence, and underground movements. Since its founding in 1987, David Dorfman Dance has performed extensively throughout North and South America, Great Britain, Europe and Central Asia. David Dorfman Dance promotes the appreciation and critical understanding of dance by realizing the creation of new works. His mission is to “to get the whole world dancing.” His company creates dance that seeks to de-stigmatize the notion of accessibility and interaction in post-modern dance by embracing audiences with visceral, meaningful dance, music and text. By sustaining a vision to create innovative, inclusive, movement-based performance that is radically humanistic, David Dorfman Dance maintains a core commitment to examine and unearth issues and ideas that enliven, incite, and excite audiences in dialogue and debate about social change.

In this episode James speaks to David Dorfman, professor of dance at Connecticut College and founder of David Dorfman Dance. An award winning choreographer, David has had a long career teaching dance and working on hit shows including Tony award winning play "Indecent". This episode is perfect for anyone looking to start a major in dance or other performing arts. David answers questions including: - How students should decide to apply to a liberal arts college with a dance major or a conservatory. - What should a student do to prepare for a major in dance? - Advice for students preparing for an audition - Advice for students who want to pursue a career in dance.

In this excerpt my podcast "Think.Do.Lead.", Professor of Dance and famed choreographer David Dorfman explains why the performing arts aren't just for performing arts majors. To listen to the entire episide click here. For more information on Think.Do.Lead. and Connecticut College President Katherine Bergeron click here.

From the inaugural podcast "Think.Do.Lead." by Connecticut College President Katherine Bergeron - Professor of Dance and famed choreographer David Dorfman discusses a life changing discovery. To listen to the entire episide click here. For more information on Think.Do.Lead. and Connecticut College President Katherine Bergeron click here.

In the inagural Think.Do.Lead. podcast, Professor of Dance David Dorfman '81 talks about his unlikely path to dance and how he discovered and nurtured his passion at Connecticut College. For more information on Think.Do.Lead. and Connecticut College President Katherine Bergeron click here.

We delve into the world of film and find the forgotten gems or otherwise unappreciated masterpieces of film and talk about them. This episode we discuss one of the best films of all time "Drillbit Taylor" (2008) which features Owen Wilson, Nick Hartley, Troy Gentile, Josh Peck, Alex Frost, Leslie Mann, David Dorfman, Danny McBride and Stephen Root? In this commentary, we talk about the interesting questions that are brought from watching this brilliant film and we hope that we answer some of those questions. This episode features Ryan Sliwinski, Bartek Kasprzyszak & Nathan Maloy! PRESS PLAY AT 7:35!

We’re continuing our scary movie month this week with a super creepy movie remake, 2002’s The Ring. This one is a tale as old as time. A reporter investigates her niece’s mysterious death, she finds a weird VHS tape, she watches the tape, she is cursed to die in seven days. I’ve seen it happen a thousand times. The VHS tape dates this movie a little bit, but it is still a really entertaining flick. We get an emotionless child and a jangly walking female monster to keep the tone very unsettling. Whomever cast David Dorfman as Aidan deserves an award because he is one of the spookiest kids in cinema history. Why would Rachel bring the tape back to her house? Why was she so quick to show the tape to Noah? Did the cameraman that filmed the tape and the editor that cut it together die a week after it was created? Who did they pass on the copy of the tape to? If you are the kind of person that gets scared easily, you might want to listen to this episode with a dog in the room.

On Episode 204 of Trick or Treat Radio we are joined in studio once again by our good buddy and filmmaker Jarret Blinkhorn! We speak with Stephen Scarlata and Jackson Stewart, the two creative heads behind one of our most anticipated flicks of the year, the VHS board game horror flick, Beyond the Gates. We're excited to catch up with our old friend Stephen to find out what he's been up to and we make a new friend in Jackson. We will also be reviewing the 2016 horror flick, The Other Side of the Door, we play your voicemail, and we get to hear about all the cool superpowers you get when you’re radioactive! So grab your lasagna, toss off your pants, and strap on! Stuff we talk about: The Mind’s Eye, Carnage Park, The Tony Blinkhorn Invitational Nip Off, The Beyond, The Gate, radioactive Dynamo, Nightmare, VHS Board Games, Sex Boss, Speed, El Rey Network, Tales from the Quadead Zone, Jeff Goldblum calls, Laserdisc collecting, Gojira, how far would you go to see a love once again, Dark Knight Rises, VHS collecting, Chester Novell Turner, can vampires get tattooed?, sexy af, Neon Maniacs, The Other Side of the Door, Lori Grimes’ parenting skills, David Dorfman, the barbecue, quarantine ideas, Barbara Crampton, Javier Botet, Bruce Campbell's birthday, the origin of Stephen’s internet handle, our first VCR, awesome Twitter handles, Italian who actress who thinks MZ is sexy, creators not understanding horror, Mickey Keating’s Carnage Park, Beyond the Gates, Lucha Underground, what Blinks is working on, Mystery Theater Thursday, Tis the Season, WWE brand split, Silent Night Deadly Night 2, Hard Target 2, Karate Kill, our new fundraiser, Dynamo’s quarantine watch list, Jeremy Sisto, Demon Knight, Stuart Gordon, star ratings, 68 Kill, films we are excited about, Michael Jackson, J-Horror tropes, Batman V Superman, wrestling, Nicholas listening to ALL our episodes, Ravenshadow lying, Andrea Wolanin, The Babadook, wrestling in Reseda, Eddie Brant's video store, Tremors, and Blinkbuster Video.Support the show (https://www.patreon.com/trickortreatradio)

How does an author craft a work that speaks across the boundaries of dance studies, Jewish studies and gender studies? What does it mean for dance to function as a site for probing complex questions of racial, ethnic and cultural identity? How do choreographers respond to the prompt, “make a Jewish dance?” What does all of this have to tell us about the ways in which Jewish identities show up onstage both historically and contemporarily? I was grateful to engage these questions with dancer, choreographer and historian, Rebecca Rossen (pronounced “Ross – in”,) author of Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance (Oxford University Press, 2014). Rebecca’s groundbreaking work probes the ways in which American Jewish choreographers use dance as a site to interrogate personal and collective identities while articulating social and political agendas and challenging stereotypes. Rossen critically engages with the work of Anna Sokolow, Pauline Koner, David Dorfman, Liz Lerman and others in examining how they use dance as a space for the creative construction, imagining and re-imagining of Jewish identities. Including over 50 photographs and a companion website with video clips, Dancing Jewish is a resource for dance educators and historians as well. Rebecca Rossen is Assistant Professor of Theatre and Dance at The University of Texas at Austin. A dance historian, performance scholar, and choreographer , her research interests include modern and postmodern dance, stagings of identity in physical performance, and the relationship between research and practice. Her own choreography has been presented in venues throughout her hometown of Chicago, as well as in Cleveland, Philadelphia, and Israel. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does an author craft a work that speaks across the boundaries of dance studies, Jewish studies and gender studies? What does it mean for dance to function as a site for probing complex questions of racial, ethnic and cultural identity? How do choreographers respond to the prompt, “make a Jewish dance?” What does all of this have to tell us about the ways in which Jewish identities show up onstage both historically and contemporarily? I was grateful to engage these questions with dancer, choreographer and historian, Rebecca Rossen (pronounced “Ross – in”,) author of Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance (Oxford University Press, 2014). Rebecca’s groundbreaking work probes the ways in which American Jewish choreographers use dance as a site to interrogate personal and collective identities while articulating social and political agendas and challenging stereotypes. Rossen critically engages with the work of Anna Sokolow, Pauline Koner, David Dorfman, Liz Lerman and others in examining how they use dance as a space for the creative construction, imagining and re-imagining of Jewish identities. Including over 50 photographs and a companion website with video clips, Dancing Jewish is a resource for dance educators and historians as well. Rebecca Rossen is Assistant Professor of Theatre and Dance at The University of Texas at Austin. A dance historian, performance scholar, and choreographer , her research interests include modern and postmodern dance, stagings of identity in physical performance, and the relationship between research and practice. Her own choreography has been presented in venues throughout her hometown of Chicago, as well as in Cleveland, Philadelphia, and Israel. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does an author craft a work that speaks across the boundaries of dance studies, Jewish studies and gender studies? What does it mean for dance to function as a site for probing complex questions of racial, ethnic and cultural identity? How do choreographers respond to the prompt, “make a Jewish dance?” What does all of this have to tell us about the ways in which Jewish identities show up onstage both historically and contemporarily? I was grateful to engage these questions with dancer, choreographer and historian, Rebecca Rossen (pronounced “Ross – in”,) author of Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance (Oxford University Press, 2014). Rebecca’s groundbreaking work probes the ways in which American Jewish choreographers use dance as a site to interrogate personal and collective identities while articulating social and political agendas and challenging stereotypes. Rossen critically engages with the work of Anna Sokolow, Pauline Koner, David Dorfman, Liz Lerman and others in examining how they use dance as a space for the creative construction, imagining and re-imagining of Jewish identities. Including over 50 photographs and a companion website with video clips, Dancing Jewish is a resource for dance educators and historians as well. Rebecca Rossen is Assistant Professor of Theatre and Dance at The University of Texas at Austin. A dance historian, performance scholar, and choreographer , her research interests include modern and postmodern dance, stagings of identity in physical performance, and the relationship between research and practice. Her own choreography has been presented in venues throughout her hometown of Chicago, as well as in Cleveland, Philadelphia, and Israel. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does an author craft a work that speaks across the boundaries of dance studies, Jewish studies and gender studies? What does it mean for dance to function as a site for probing complex questions of racial, ethnic and cultural identity? How do choreographers respond to the prompt, “make a Jewish dance?” What does all of this have to tell us about the ways in which Jewish identities show up onstage both historically and contemporarily? I was grateful to engage these questions with dancer, choreographer and historian, Rebecca Rossen (pronounced “Ross – in”,) author of Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance (Oxford University Press, 2014). Rebecca’s groundbreaking work probes the ways in which American Jewish choreographers use dance as a site to interrogate personal and collective identities while articulating social and political agendas and challenging stereotypes. Rossen critically engages with the work of Anna Sokolow, Pauline Koner, David Dorfman, Liz Lerman and others in examining how they use dance as a space for the creative construction, imagining and re-imagining of Jewish identities. Including over 50 photographs and a companion website with video clips, Dancing Jewish is a resource for dance educators and historians as well. Rebecca Rossen is Assistant Professor of Theatre and Dance at The University of Texas at Austin. A dance historian, performance scholar, and choreographer , her research interests include modern and postmodern dance, stagings of identity in physical performance, and the relationship between research and practice. Her own choreography has been presented in venues throughout her hometown of Chicago, as well as in Cleveland, Philadelphia, and Israel. Learn more about your ad choices. Visit megaphone.fm/adchoices

How does an author craft a work that speaks across the boundaries of dance studies, Jewish studies and gender studies? What does it mean for dance to function as a site for probing complex questions of racial, ethnic and cultural identity? How do choreographers respond to the prompt, “make a Jewish dance?” What does all of this have to tell us about the ways in which Jewish identities show up onstage both historically and contemporarily? I was grateful to engage these questions with dancer, choreographer and historian, Rebecca Rossen (pronounced “Ross – in”,) author of Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance (Oxford University Press, 2014). Rebecca's groundbreaking work probes the ways in which American Jewish choreographers use dance as a site to interrogate personal and collective identities while articulating social and political agendas and challenging stereotypes. Rossen critically engages with the work of Anna Sokolow, Pauline Koner, David Dorfman, Liz Lerman and others in examining how they use dance as a space for the creative construction, imagining and re-imagining of Jewish identities. Including over 50 photographs and a companion website with video clips, Dancing Jewish is a resource for dance educators and historians as well. Rebecca Rossen is Assistant Professor of Theatre and Dance at The University of Texas at Austin. A dance historian, performance scholar, and choreographer , her research interests include modern and postmodern dance, stagings of identity in physical performance, and the relationship between research and practice. Her own choreography has been presented in venues throughout her hometown of Chicago, as well as in Cleveland, Philadelphia, and Israel.

How does an author craft a work that speaks across the boundaries of dance studies, Jewish studies and gender studies? What does it mean for dance to function as a site for probing complex questions of racial, ethnic and cultural identity? How do choreographers respond to the prompt, “make a Jewish dance?” What does all of this have to tell us about the ways in which Jewish identities show up onstage both historically and contemporarily? I was grateful to engage these questions with dancer, choreographer and historian, Rebecca Rossen (pronounced “Ross – in”,) author of Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance (Oxford University Press, 2014). Rebecca’s groundbreaking work probes the ways in which American Jewish choreographers use dance as a site to interrogate personal and collective identities while articulating social and political agendas and challenging stereotypes. Rossen critically engages with the work of Anna Sokolow, Pauline Koner, David Dorfman, Liz Lerman and others in examining how they use dance as a space for the creative construction, imagining and re-imagining of Jewish identities. Including over 50 photographs and a companion website with video clips, Dancing Jewish is a resource for dance educators and historians as well. Rebecca Rossen is Assistant Professor of Theatre and Dance at The University of Texas at Austin. A dance historian, performance scholar, and choreographer , her research interests include modern and postmodern dance, stagings of identity in physical performance, and the relationship between research and practice. Her own choreography has been presented in venues throughout her hometown of Chicago, as well as in Cleveland, Philadelphia, and Israel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Selma Schimmel is often hailed as the "original" young adult survivor advocate, originally diagnosed with breast cancer at age 28 in 1983. The founder of Vital Options, a not-for-profit cancer communications organization with a mission to facilitate a global cancer dialogue, Selma's 30 year effort to right the wrongs in our healthcare system go unabated, having, among myriad other accomplishments, helped first hand to give birth to this very program in 2007. Joining Selma will be Terry Wilcox, Creative Director and Supervising Producer of The Group Room. Survivor spotlight on David Dorfman.  

Selma Schimmel is often hailed as the "original" young adult survivor advocate, originally diagnosed with breast cancer at age 28 in 1983. The founder of Vital Options, a not-for-profit cancer communications organization with a mission to facilitate a global cancer dialogue, Selma's 30 year effort to right the wrongs in our healthcare system go unabated, having, among myriad other accomplishments, helped first hand to give birth to this very program in 2007. Joining Selma will be Terry Wilcox, Creative Director and Supervising Producer of The Group Room. Survivor spotlight on David Dorfman.   See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Georgia State University