Podcast appearances and mentions of John Etheridge

John Etheridge in conversation with David Eastaugh https://www.john-etheridge.com/ https://softmachine.org/ John Etheridge is an English jazz fusion guitarist, composer, bandleader and educator known for his eclecticism and broad range of associations in jazz, classical, and contemporary music. He is best known for his work with Soft Machine from 1975 to 1978, 1984 and 2004 to present. In late 1972, Etheridge joined Curved Air violinist Darryl Way's band Wolf, which went on to record three albums in the progressive rock canon for the Deram label: Canis Lupus (1973), Saturation Point (1973), and Night Music (1974). It also provided an outlet for his first compositions, at a rate of one or two tracks per album. Following Wolf's break-up, Etheridge briefly played in the Global Village Trucking Company for a UK tour supporting Gong in early 1975, before a recommendation from fellow guitarist Allan Holdsworth led to him joining Soft Machine, now in full fusion mode having just released Bundles. Etheridge went on to record two albums with the band, Softs (1976) and Alive & Well: Recorded in Paris (1978). He also played on the more recent release, British Tour '75 (2005). With Soft Machine's activities slowing down in the late 1970s, Etheridge began to develop parallel ventures. It was at this time that he began what would become a long-term collaboration with French violinist Stéphane Grappelli, with whom he performed on numerous world tours between 1976 and 1981. The late 1970s also saw Etheridge form the band 2nd Vision,[1] with fellow Soft Machine member, violinist Ric Sanders. Though the band released an album in 1980, they struggled to achieve broader recognition in the hostile post-punk environment and broke up in 1981.

Jonathan Agnew is joined by James Anderson and Jeremy Coney to assess how England's ODI team look ahead of the World Cup. They review the series win against New Zealand, hear from England captain Jos Buttler, player of the series Dawid Malan and Kiwi captain Tom Latham. Plus the journalist panel of Stephan Shemilt, John Etheridge and Will Macpherson discuss the Harry Brook conundrum, the ODI return of Ben Stokes and Andrew Flintoff working with the England side.

Esta semana, dedicamos una nueva edición de Rebelión Sónica, a la clásica banda inglesa Soft Machine, con material de dos discos editados este año: el nuevo “Other Doors” y el rescate patrimonial “The Dutch Lesson”, que documenta un show grabado por la banda en 1973. “Other Doors” fue editado el 30 de junio por los sellos Moonjune y Dyad y muestra a la banda con John Etheridge en guitarra, Theo Travis en saxo, flauta, piano Fender Rhodes y electrónicos, Fred Thelonious Baker en bajo Fretless y John Marshall en batería, el último del clásico baterista, quien tras grabar el disco se retiró del grupo para ser reemplazado por Asaf Sirkis. Además, participa en dos temas otro integrante legendario: el bajista Roy Babbington, quien se retiro del conjunto en 2021. La declaración del disco señala que la banda está muy orgullosa de este nuevo álbum, ya que incluye “genial música nueva y una interpretación inspirada”, así como la reinvención de dos clásicos de Soft Machine: 'Penny Hitch' de “Seven” de 1973 y 'Joy of a Toy' del disco debut “Volume One” de 1968. El escrito añade sobre “Other Doors”: “Improvisaciones atmosféricas, free jazz psicodélico, jazz rock ardiente, guitarra estridente, flautas contralto hipnóticas, ritmos de bajo fretless, batería poderosa y música electrónica experimental, Soft Machine continúa con su agenda musicalmente ambiciosa, de amplio alcance, basada en el jazz pero sin límites en la creación de la música de corazón más ambiciosa y aventurera que podamos imaginar. Esperamos que les guste tanto como a nosotros disfrutamos haciéndolo”. Al final del programa, escucharemos un tema del nuevo-viejo álbum de la banda, “The Dutch Lesson”. Editado el 28 de abril de este años por Cuneiform Records, el registro fue grabado el 26 de octubre de 1973 en el recinto De Lantaren de la ciudad de Róterdam, en Países Bajos, y muestra a la banda con una alineación de cuarteto con Roy Babbington en bajo eléctrico de seis cuerdas, Karl Jenkins en saxo soprano y barítono, oboe y piano eléctrico, John Marshall en batería y al único integrante original Mike Ratledge en piano eléctrico y órgano.

Jonathan Agnew is joined by a journalist panel at Headingley to discuss the latest Ashes talking points. Emma John from the Guardian, Gideon Haigh from the Australian and John Etheridge from the Sun talk Brook batting, Spirit of cricket and possible changes for Old Trafford.

Esta semana, dedicamos una nueva sesión de Rebelión Sónica, a la legendaria banda inglesa Soft Machine, que luego de tres suspensiones de sus conciertos en Chile debido a la pandemia, al fin actúan este miércoles 24 de agosto en el Teatro Universidad de Concepción y el sábado 27 de agosto en el Teatro Caupolicán de Santiago, en ambos casos a las 20 horas. La formación de los Softs que llegará a nuestro país en el contexto del "Five Decades Celebration South American Tour 2022", está integrada por John Etheridge en guitarra, Theo Travis en saxo, piano y Fender Rhodes, Fred Thelonius Baker en bajo y Asaf Sirkis en batería. Lamentablemente, el baterista clásico John Marshall solo está actuando en el Reino Unido y Europa, mientras que, como habíamos informado, el bajista Roy Babbington se retiró oficialmente de la banda por problemas de salud. Ambos músicos, estarían presentes en las primeras fechas agendadas en Chile. Soft Machine es una banda que ha estado en continua transformación en casi seis décadas de trayectoria, manteniendo vivo el legado de una de las instituciones musicales británicas y mundiales. La importante celebración de la música de vanguardia, esperada por años por sus seguidores, contará también con la participación del bajista chileno Ernesto Holman y su proyecto Holman Trío. Para festejar la visita de la institución de la música británica, escucharemos material de tres de sus discos: los recientes “Hidden Details” de 2018 y “Live at The Baked Potato” de 2020, además de un viaje al pasado con música del crudo álbum en vivo “British Tour ’75”, editado en 2005, pero reflejo de la gira y la formación de la agrupación a mediados de los 1970.

Esta semana, dedicamos una nueva sesión de Rebelión Sónica, al nuevo disco en vivo de Soft Machine lanzado por Cuneiform Records, “Facelift France & Holland”. Editado el 25 de marzo de 2022, se trata de un rescate patrimonial que incluye dos conciertos de la banda realizados a principios de 1970: el 02 de marzo en el Théâtre de la Musique de París, Francia y el 17 de enero en el Concertgebouw de Ámsterdam, Países Bajos. De acuerdo a la información entregada a la prensa: “Desde sus inicios como banda de rock psicodélico en 1966, compartiendo escenarios con Pink Floyd y Jimi Hendrix Experience, hasta ser uno de los fundadores del jazz/rock eléctrico a principios de 1969, Soft Machine fue un grupo incansablemente creativo”. La declaración agrega que ““Facelift France & Holland” captura a la banda en un momento crucial en el primer trimestre de 1970, cuando fueron un quinteto de corta duración, justo antes de que grabaran y lanzaran su revolucionario álbum “Third””. La alineación cuenta con Mike Ratledge en órgano, Robert Wyatt en batería y voz, Hugh Hopper en bajo, Elton Dean en saxo alto y saxelo y Lyn Dobson en saxo soprano y tenor, flauta, armónica y voz. Recordemos además que la actual formación de Soft Machine, con John Marshall en batería, John Etheridge en guitarra, Theo Travis en viento y Fred Thelonious Baker en bajo, se presentarán el 27 de agosto en el Teatro Caupolicán.

A festive podcast journey aboard our star-packed Polar Jazz Express as we travel through the snow-capped highlands of Watford to a little place called ‘Jazzmas'.We're joined by jazzman & sax player to the stars Ben Castle, Tomorrow's Warrior & all-round sparkling jazz legend Camilla George, super classy classical soprano Lotti Newstead, & shimmering YouTube prog rocker Jim Newstead.We programme the Cab Cabaret Fantasy Stage as presented by the fabulous Ray Gelato, deliver much punning & cunning in choosing the world's greatest festive jazz candy, generously share live performances a plenty (but sadly only on kazoos), enter into a deep-dive discussion on how to handle the triple appearance of mince-pies, Christmas pudding & Christmas cake, and undertake the loading of Stanta Getz's iPodThere are also LOADS of special listener Christmas prizes with some awesome jazz swag giveaways plucked from the very top of Stanta's sleigh.Thank yousOur thanks to Ray, to Serious & the EFG London Jazz Festival & London's 606 Club for their awesome prizes.Also note, the original recording of this podcast which was available until 5 January 2022 included a beautiful reading from Cerys Matthews, which has now been removed as our licence to share the lyrics of Have Yourself a Merry Little Christmas was limited to just one month. A huge thank you to Cerys - it was a cracker!SupportYou can support the podcast by buying us a coffee (or mince pie!) at https://www.buymeacoffee.com/chrisnewsteadCompetitionTo enter our prize draw give-away please email jazzwatfordlive@gmail.com with the subject title ‘Festive Swag'. The competition deadline is 12pm GMT 6 January 2022, when winners will be drawn. There are no cash alternatives, no travel is included & there is only one entry permitted per email address. Good luck!Show deets & licensingPresenter Chris Newstead.Recorded December 2021.Theme music & 'Jingle Bells Jazz Christmas' music licensed through AudioJungle.Canine Christmas bell tinkling by Teddy Newstead (The First).All other incidental music/effects by Chris Newstead.Watford Jazz JunctionTickets for the Watford Jazz Junction music festival 19-22 May 2022 are on sale only at www.watfordjazzjunction.com. The line-up includes Emma Smith, Shri Sriram feat. Dennis Rollins, NYJO feat. Tim Garland, Archipelago, Samuel Sharp, Jelly Cleaver, Tomorrow's Warriors & John Etheridge.Guest web linkswww.watfordjazzjunction.comwww.charlottenewstead.co.ukwww.bencastle.comwww.camillageorge.comwww.youtube.com/jimnewsteadwww.raygelato.comwww.cerysmatthews.co.ukHappy Holidays y'all. Stay safe and always remember to connect with something new.

Paula interviews world-renowned jazz guitarist and bassist, Fred Thelonius Baker.  Fred was a student at Birmingham School of Music (now Royal Birmingham Conservatoire) from 1979, and studied composition with Andrew Downes. Andrew went on to invite Fred to teach at Birmingham Conservatoire in 1989, which led to Fred being a major part of Andrew's new School of Composition and Creative Studies from the early 90s. Fred has been a permanent teacher/lecturer in accoustic and bass guitar there ever since. In the mid 90s, Andrew composed his Concerto for Guitar, Electric Bass Guitar and Strings for Fred playing Electric Bass with Simon Dinnigan playing Acoustic Guitar. They recorded it for CD in 1999 with string players from the City of Birmingham Symphony Orchestra. Fred and Simon also arranged Downes' Piano Sonatina, Movement 2 for Electric Bass and Acoustic Guitar and also recorded this for the CD. All of these works are played throughout the episode. More information on the works and the CD can be found here: https://www.andrewdownes.com/Soloists-with-Orchestra.html#GUITARSTRINGS Fred Thelonious Baker is a Jazz guitarist and bassist from the English village of Tibshelf, Derbyshire. Born in 1960, Fred was given a ukulele when he was four by his father. Indeed, Fred's parents were a major influence in the beginning of his musical journey. A year later, he was given his first guitar and went on to learn the Classical guitar. During his mid-teens, Fred also began an interest in the bass guitar, an instrument with which he has since become synonymous. After studying at Chesterfield College, Fred went on to study at Birmingham School of Music (now Conservatoire) where he gained a GBSM and ABSM in teaching and performance. Around this time, at the invitation of Sir John Dankworth and Cleo Laine, Fred began teaching at Wavendon All Music Summer School. Since then, Fred has taught and given masterclasses at many universities, music colleges and music Summer schools including Guildhall School of Music & Drama, Berkeley College of Music, USA, St Petersburg Conservatory, Russia, London Brunel, Huddersfield, Sheffield, and Derby Universities. Since 1989, he has been a permanent teacher/lecturer in acoustic and bass guitar at Birmingham Conservatoire. Fred has performed all over the world as a session musician and soloist with a variety of musicians and ensembles including Courtney Pine, Nigel Kennedy, Billy Cobham, the CBSO, Fairport Convention, Robert Wyatt, Harry Beckett, Horace Parlan, Soft Machine, John Etheridge, Pip Pyle, Ric Sanders, Karen Street, Joe Sachse, Tony Levin, Phil Bates, Clive Bunker, Elton Dean, Simon Dinnigan, Geoff Eales, Liam Genocky and Phil Miller. As both a jazz guitarist and bassist, Fred has appeared extensively on many recordings. "Spinal Tap" from his solo accoustic guitar CD, Life Suite, will be played on this episode. Fred is currently working on the legacy of the late Phil Miller: https://philmillerthelegacy.com  

“Fretted And Moaning” The British-born Andy Summers started loading up his musical CV at the age of 16 when, inspired by seeing Thelonious Monk and Dizzy Gillespie live in London, the young guitarist set out on the road and the road welcomed him warmly. After a few years playing live in local clubs, he moved to London and helped form Zoot Money's Big Roll Band. From there, Summers joined Soft Machine and toured the U.S. for a few months, then joined the Animals for one record, 1968's Love Is. He took a break from the rock and roll lifestyle to study classical guitar fat Cal State Northridge. After graduation, he moved back to London, played with Kevin Coyne, Joan Armatrading, Neil Sedaka, and Keven Ayers. Summers joined the Police in 1977 and Summers life was, putting it mildly, never the same. The Police put out five albums, sold 80 million of them, won six Grammys, toured the world and at one point in 1983 they were arguably the biggest band on the planet. They went on hiatus in '86, came back 22 years later for a massively successful tour, then officially called it a day in August of 2008. The Rock and Roll Hall of Fame inductees remain one of the most successful bands of all time. As for Summers, he never stopped working. He's put out close to 15 solo albums, collaborated on record with with Robert Fripp, John Etheridge, Toni Childs, Carly Simon and Sting, did the soundtracks for The Wild Life and Down and Out In Beverly Hills, put out several books of photography, and published a fabulous autobiography called One Train Later. Andy's new book Fretted And Moaning is a fabulous collection of short stories where the main character, common denominator, thematic through-line, hero and villain is the guitar. Filled with the ego-driven, the confident, the unconfident, the winners, the losers, the girls, the boys, the hopes, the dreams, the disappointments, the hilarious and the tragic, Fretted and Moaning is written with the kind of narrative velocity that will make you finish it in one sitting. It's hilarious, it's hopeful, it's sad, it's comforting and it's alive with aspiration, inspiration and heart. It also showcases Summers' brilliant ear for dialect and dizzying narrative control. In this discursive and engaging chat, the legendary musician talks to Alex about his new book, and they veer effortlessly off course to chat about Kraftwerk, reggae and reading The Odyssey…. https://andysummersbook.com https://rocket88books.com/products/fretted-and-moaning-signature-edition https://www.andysummers.com www.bombshellradio.com www.alexgreenonline.com STEREO EMBERS THE PODCAST Twitter: @emberspodcast Instagram: @emberseditor

The former England fast bowler Steve Harmison brings you part two of a unique and entertaining chat between him and two of the longest-serving names in Cricket Journalism. He is joined by The Sun's John Etheridge and the former Mail on Sunday Cricket correspondent Peter Hayter to discuss some of the stories from life on the road as a journalist, how the role has changed over the years, and what happened with talkSPORT's very own Darren Gough out in the West Indies! See acast.com/privacy for privacy and opt-out information.

The former England fast bowler Steve Harmison brings you part one of a unique and entertaining chat between him and two of the longest-serving names in Cricket Journalism. He is joined by The Sun's John Etheridge and the former Mail on Sunday Cricket correspondent Peter Hayter to discuss some of the stories from life on the road as a journalist, how the role has changed over the years, and what happened with talkSPORT's very own Darren Gough out in the West Indies! See acast.com/privacy for privacy and opt-out information.

John Etheridge : Guitarist, composer, bandleader, educator John Etheridge rightly enjoys a glowing reputation throughout the jazz world and beyond and has been described by Pat Metheny as, "One of the best guitarists". He is a prodigiously gifted and creative player whose approach to music can only be described as 'eclectic' as he refuses to accommodate or even acknowledge artificial musical boundaries. In today’s episode John talks about his inspirations and meetings with Jimi Hendrix, being in Soft Machine and touring with Stephane Grappelli. There is a lot in this even John playing a very cool intro. It is a tough job, but someone has to do it. For more on John visit www.john-etheridge.com To support the podcast and get access to features about guitar playing and song writing visit https://www.patreon.com/vichyland and also news for all the creative music that we do at Bluescamp UK and France visit www.bluescampuk.co.uk    

After another weather-affected fourth day at The Ageas Bowl, with only 10.2 overs of play possible, The Sun's John Etheridge joined The Cricket Debate to vent his frustrations, while Dominic Cork, Matt Prior and Bazid Khan answered your Twitter questions - including some possible solutions to the 'bad light' problem in cricket.

El sonido actual de Soft Machine para clásicos y temas nuevos, estará presente en el capítulo 21 de Rebelión Sónica, con material extraído del disco en vivo doble “Live at the Baked Potato” (2020) de la institución del rock de vanguardia británico. El registro fue editado el 10 de junio pasado por el sello MoonJune Records y documenta la actuación que la banda realizó el 01 de febrero de 2019 en el club de jazz Baked Potato de Los Ángeles, Estados Unidos, en donde combinó piezas del disco “Hidden Details” (2018), con clásicos de distintas épocas. La actual alineación de uno de los padres del sonido de Canterbury, está formada por John Etheridge en guitarra, Roy Babbington en bajo, John Marshall en batería y Theo Travis en distintos vientos y teclado. Además, recordemos que justamente esta alineación de la banda, reagendó su concierto cancelado que sería el pasado 06 de junio, para el próximo 05 de junio en el Teatro Caupolicán. El cuarteto llega a nuestro país en el contexto de su gira bautizada “Soft Machine - Five Decades Celebration South American Tour 2021”, que viene festejando desde 2018 los 50 años desde la edición de su primer disco “Volume One” de 1968. Las entradas para la fecha suspendida son válidas para el concierto de 2021 y están disponibles en Puntoticket y Kmuzzik. Abre Holman Trío. No olviden que Rebelión Sónica sale al aire por radio Rockaxis todos los miércoles a las 10, 17 y 23 horas –se repite los domingos a las 19 horas y está disponible en Spotify-, con la conducción y curatoría de Héctor Aravena. A continuación, te dejamos la carátula de “Live at the Baked Potato” y el afiche del concierto de la agrupación en Chile.

El sonido actual de Soft Machine para clásicos y temas nuevos, estará presente en el capítulo 21 de Rebelión Sónica, con material extraído del disco en vivo doble “Live at the Baked Potato” (2020) de la institución del rock de vanguardia británico. El registro fue editado el 10 de junio pasado por el sello MoonJune Records y documenta la actuación que la banda realizó el 01 de febrero de 2019 en el club de jazz Baked Potato de Los Ángeles, Estados Unidos, en donde combinó piezas del disco “Hidden Details” (2018), con clásicos de distintas épocas. La actual alineación de uno de los padres del sonido de Canterbury, está formada por John Etheridge en guitarra, Roy Babbington en bajo, John Marshall en batería y Theo Travis en distintos vientos y teclado. Además, recordemos que justamente esta alineación de la banda, reagendó su concierto cancelado que sería el pasado 06 de junio, para el próximo 05 de junio en el Teatro Caupolicán. El cuarteto llega a nuestro país en el contexto de su gira bautizada “Soft Machine - Five Decades Celebration South American Tour 2021”, que viene festejando desde 2018 los 50 años desde la edición de su primer disco “Volume One” de 1968. Las entradas para la fecha suspendida son válidas para el concierto de 2021 y están disponibles en Puntoticket y Kmuzzik. Abre Holman Trío. No olviden que Rebelión Sónica sale al aire por radio Rockaxis todos los miércoles a las 10, 17 y 23 horas –se repite los domingos a las 19 horas y está disponible en Spotify-, con la conducción y curatoría de Héctor Aravena. A continuación, te dejamos la carátula de “Live at the Baked Potato” y el afiche del concierto de la agrupación en Chile.

汉娜·阿伦特：shorturl.at/sEV58 人的境况：https://book.douban.com/subject/3431988/ 00:00:00 片头 00:01:30 节目介绍 00:04:30 为什么要关注阿伦特 00:11:30 阿伦特对积极生活的三种划分：劳动，工作，行动 00:38:50 阿伦特对人的本质和人的处境的区分 00:46:27 中场休息 00:48:00 消费主义如何压制行动：什么是行动的公共性 00:52:18 行动是为了获得名誉和不朽 00:56:15 什么是行动的不可控性 01:01:05 行动不可控，是因为它无法被「目标—手段」的方式界定 01:21:30 行动的不可控为「意义」留下了空间 音乐来自 audionetwork 1. On My Way by [Paul Michael Harris] 2. Mid Town Blues by [Ray Davies] 3. Bluesy Ole Boys by [John Etheridge] 4. Blue Ice by [John Etheridge] 5. Floating Away by [David Michael]&[Lee Pomeroy] 6. Play Me A Torch Song by [Ray Davies] 7. Old Time Blues by [Christian Marsac] 8. Blue Tuesday by [John Etheridge] 9. Finding Calm by [Barrie Gledden]

Raymond Burley Classical Guitarist In this episode I am interviewing Raymond Burley. Ray has played with such luminaries as John Mills, Gordon Giltrap, John Etheridge, Dame Peggy Ashcroft and Rick Wakeman. Ray is often understated, he is amazingly industrious with many books of transcriptions and recordings to his name and concerts worldwide with leading guitarists of different disciplines. On a personal note it was good to catch up with him again. You can find Ray at www.raymondburley.com

Paul and Andy are joined by cricket writer John Etheridge, legendary football commentator John Motson, Ian Danter as Steve Bruce and TV reviewer Mike Ward. The guys also took you back to Brazil 2014 for part three of their business trip. See acast.com/privacy for privacy and opt-out information.

We Caught up with John after he performed with the Band Soft Machine.

talkSPORT 2's Sam Ellard is here to bring you all the latest from South Africa! Andrew McKenna chats to the man of the moment Jason Roy and we hear from the Sun's cricket correspondent John Etheridge. For information regarding your data privacy, visit acast.com/privacy

Jon Norman and The Sun’s cricket correspondent John Etheridge look back on another classic encounter between New Zealand and England and discuss the likely XV for next year’s World T20. For information regarding your data privacy, visit acast.com/privacy

John Etheridge and friends join Sean to discuss French accents, and the composer and singer Reg Meuross talks about his song-cycle setting inspired by Brian W. Lavery’s book, The Headscarf Revolutionaries, which tells of Hull’s Hessle Road fishing community in the aftermath of the Triple Trawler Disaster of 1968. Connaught Brass also perform and speak about the challenges of keeping their instruments free of fingerprints. And we're joined by Kitty Whately and the pianist William Vann.

Kevin Howells and Andy Zaltzman complete their look back on the four Cricket World Cups to have been held in the UK. Alec Stewart, Gus Fraser and John Etheridge join Kevin and Andy to look back on a tournament perhaps best remembered for the fact that England were out before the official song (recorded by Dave Stewart from the Eurythmics).

You can become a patron of the podcast on Patreon by following this link https://www.patreon.com/Jazzviolinpodcast Becoming a patron of the podcast means that you are directly helping the podcast continue. This is a chance for you to help out with the running costs of the podcast, if you feel like you get a lot out of my interviews you can be a part of it by donating a small amount of money. I will be creating one extra monthly show specifically for my patrons where I listen back to previous shows and chat about some key points that my guests bring up. There are so many great ideas and concepts that these amazing musicians bring up and I would like to share with you some of my favourites! This is great for beginner jazz violinists who want a little direction once in a while. This episode is sponsored by Ithaca Strings and Headway Audio. Ithaca Strings www.ithacastring.com/ Ithaca Strings IS Eric Aceto, a luthier, violinist and producer of the ISI dual pickup system. This system is by far the best and most honest sounding violin pickup system on the market right now! It blends an Electret microphone with a bridge pickup, both attaching to a stereo jack out under the chin rest. This means you get the solid sound of the pick up blended with the sweeter sound of the Electret mic without heavy cables attached to your instrument. Eric also makes amazing instruments and has made both pickups and violins for Jean Luc Ponty, Zach Brock, Matt Glaser and many other amazing musicians.   Headway Audio https://www.headwaymusicaudio.com/ Headway was founded in the UK in 2006 by John Littler, they make pickups and preamps for string instruments. Most famously they make 'The Band' pickup for violin, viola, cello and bass, which is a very reasonably priced pickup that wraps around the body of the instrument. They make the amazing EDB2, an acoustic instrument preamp that can blend 2 channels of audio to a balanced output ready for the sound desk. This is perfect for blending a microphone and a pickup on the same instrument, as is needed with Eric Aceto's dual system. The EDB2 also has 5 band EQ, a notch filter and the ability to power each channel differently. Its an amazing piece of kit!   John Etheridge is a guitarist from the UK, he was in the band 'Soft Machine' and was picked up by Diz Dizley to become Stephane Grappelli's lead guitarist between 1976 and 1981. John is a great dude and an amazing player, it was fun to chat with him in his London home about his days with Grappelli and a bunch of other music related stuff too. John has a great way with words and is a natural storyteller. Hope you enjoy.

Continuing on Black Skin White Masks (1952), starting with the influential ch. 4 "The Fact of Blackness." Are the successive coping strategies to racism (including "anti-racist racism" and embrace of negritude) that Fanon describes necessary steps in a dialectic which should be encouraged, or would it be best to learn from his "mistakes" and jump right to the humanistic end-point? With guest Lawrence Ware. Start with part 1 or get the ad-free Citizen Edition. Please support PEL! See PEL Live in NYC on April 6. End song: "Malaika" by John Etheridge and Vimala Rowe; hear John interviewed on Nakedly Examined Music #85. Sponsors: Take back your Internet privacy with 3 months free at EXPRESSVPN.com/PEL. Visit the St. John's College Graduate Institute: partiallyexaminedlife.com/sjcgi. Please go to podsurvey.com/partially-examined-life to take a quick, anonymous survey and enter for a chance to win a $100 Amazon gift card.  

Neil Manthorp and John Etheridge review England's first warm-up match against a Sri Lanka Board President's XI. Moeen Ali speaks to Andrew McKenna about the tricky conditions for bowlers and we hear from some fans who've arrived ahead of the first test. For information regarding your data privacy, visit acast.com/privacy

John is an amazing guitarist who started in the late-'60s British blues boom, had his first compositions set to tape with Darryl Way's Wolf in the early '70s, then joined the latter line-ups of jazz-prog legends Soft Machine (replacing Alan Holdsworth) in the late '70s. He's collaborated with luminaries like violinist Stéphane Grappelli, guitar great John Williams, and Andy Summers from The Police, and released eight solo albums prior to teaming up with former members of Soft Machine for another six albums. We discuss "One Glove" by Soft Machine from Hidden Details (2018), his rendition of Rodgers and Hart's "My Romance" from I Didn't Know (2004), and "Venerable Bede" from Ash (1994). We conclude by listening to "Blue Breeze" by John Etheridge and Vimala Rowe from Out of the Sky (2015). Intro/outro from "Huffin'" by Soft Machine from Alive and Well: Recorded in Paris (1978). For more, visit john-etheridge.com and softmachine.org. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.

John is an amazing guitarist who started in the late-'60s British blues boom, had his first compositions set to tape with Darryl Way's Wolf in the early '70s, then joined the latter line-ups of jazz-prog legends Soft Machine (replacing Alan Holdsworth) in the late '70s. He's collaborated with luminaries like violinist Stéphane Grappelli, guitar great John Williams, and Andy Summers from The Police, and released eight solo albums prior to teaming up with former members of Soft Machine for another six albums. We discuss "One Glove" by Soft Machine from Hidden Details (2018), his rendition of Rodgers and Hart's "My Romance" from I Didn’t Know (2004), and "Venerable Bede" from Ash (1994). We conclude by listening to "Blue Breeze" by John Etheridge and Vimala Rowe from Out of the Sky (2015). Intro/outro from "Huffin'" by Soft Machine from Alive and Well: Recorded in Paris (1978). For more, visit john-etheridge.com and softmachine.org. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.

This edition of Yessounds features the 1978 classic "Tormato" 1.Yes Evensong 2.Yes On The Silent Wings Of Freedom 3.GTR Imagining 4.Rick Wakeman Don't Kill The Whale 5.Yes New Language 6.Yes Release, Release 7.Oliver Wakeman Progress of the Soul 8.Yes Onward 9.Asia The Closer I Get to You 10.Yes Future Times/Rejoice 11.Yes Madrigal 12.4Him & Jon Anderson The Only Thing I Need 13.Yes In A World Of Our Own 14.Steve Howe Totality 15.Yes Circus Of Heaven 16.The Fusion Syndicate Atom Smashing (feat. John Etheridge, Tony Kaye & Chad Wackerman) 17.Jon Anderson Prayersong 18.Patrick Moraz Symphony in the Space 19.Peter Banks Clues 20.Laura Casale Change We Must 21.Yes Holy Lamb (Song For Harmonic Convergence) 22.Yes Picasso 23.Yes Hearts

www.chrisgarrick.com   Christian Garrick is an improvising violinist, a composer and a bandleader. He is active on the international concert circuit and on the London studio session scene. He is a professor of jazz and non-classical violin at three of London's major music conservatoires. He has worked with artists such as Wynton Marsalis, Nigel Kennedy, Julian Joseph, Bireli Lagrene, Dolly Parton, All About Eve, Van Morrison, Luka Bloom, Martin Taylor, Brian Ferry & Caro Emerald. He has made tours of the Far East and Australia with guitarist John Etheridge in a tribute to Stephane Grappelli and in 2001 he toured Israel with Dame Cleo Laine and the Israel Philharmonic Orchestra. His performance at the Genius of the Violin Festival in 2004 led to invitations to perform Piazzolla's Seasons with Barry Wordsworth at the Brighton Dome and then in London, at the Royal Festival Hall, in 2008. He has toured and recorded extensively with Parisian guitar virtuoso Angelo Debarre and is a member of Alec Dankworth's Spanish Accents.  He formed the band Spirit O' Stephane to celebrate the music of Grappelli. He works frequently in film and television for composers such as Danny Elfman, Anne Dudley, Howard Shore, George Fenton, Rachel Portman, Stephen Warbeck, Mark Thomas and Rob Lane.   I sat and chatted with Chris in the house he was staying in just outside of London. We covered mainly his musical upbringing by his jazz pianist father Michael Garrick and his outlook on music and life in general! Chris is a lovley dude and I had a great time chatting with him. Hope you enjoy listening.     The intro music  is Garrick and David Gordon playing 'Broadway/Afternoon in Paris' (William-Henri-Woode/John Lewis) From their album Paper Jam. The outro music is Benny Golsons 'Whisper Not' recorded by me and my band Latchepen

Ben Horne from Sydney's Daily Telegraph, John Etheridge from The Sun and Andrew Menczel discuss the biggest moments of the 2nd days play at the SCG. Tweet #ccsegment for commentary feedback. Email the show: auscricketpod@gmail.com or twitter @auscricketpod Please subscribe and rate the show on whatever app you listen to podcasts on See acast.com/privacy for privacy and opt-out information.

The Ashes have been won and lost. Chief cricket writer from The Sun in the UK, John Etheridge, joins us in the studio to bring both his awesome English accent and some amazing insights. Remember to leave us an iTunes review and you might #WinABat courtesy of Honey Badger Cricket.

Geoff Lawson, John Etheridge and Mike Colman join Menners to give the best insights in the game including a Ben Stokes update. To enter the Ashes PS4 game giveaway email your favourite Steve Waugh Ashes memory to: auscricketpod@gmail.com Tweet #ccsegment for commentary feedback. Email the show: auscricketpod@gmail.com or twitter @auscricketpod Please subscribe and rate the show on whatever app you listen to podcasts on For all the Day/Night Adelaide Test action go to: dailytelegraph.com.au or http://www.adelaidenow.com.au/ See acast.com/privacy for privacy and opt-out information.

Gabba Preview, The Sun's John Etheridge takes us inside the English camp and finally Jason Behrendorff talks about his stunning debut for Australia. To enter the Ashes PS4 game giveaway email your favourite Steve Waugh Ashes memory to: auscricketpod@gmail.com Tweet #ccsegment for commentary feedback. Email the show: auscricketpod@gmail.com or twitter @auscricketpod Please subscribe and rate the show on whatever app you listen to podcasts on See acast.com/privacy for privacy and opt-out information.

John Etheridge, Tom Collomosse and Mike Selvey join Paul Allott to reflect on the closing stages of the ICC Champions Trophy.

Wakefield Jazz celebrates 30 years and Colin Booker has led the club through many of them. In this episode Colin picks some of his favourite sounds. These range from Count Basie to the pre-mating calls of the Peregrine Falcon. Marvellous. Tracklist: The Kid from Red Bank - The Count Basie Band Original Dixieland One Step - The Savannah Jazz Band One for my Baby - Frank Sinatra If I Had a Hammer – John Ellis, Snake Davis, Erryl Roberts and Steve Williams Dance Me to The End of Love - Madeleine Peyroux Hello Young Lovers - Dave Newton Trio Malaika - Vimala Rowe and John Etheridge. Going Home – Snake Davis Band Pre-mating display calls by a pair of Peregrine Falcons Female Leopard calling for a male

Our panel dissects all of the latest news from across the cricketing world. This week, Paul Allott is joined by Paul Newman from The Daily Mail, and John Etheridge from The Sun.

This bonza Ashes preview podcast is a must listen. John Etheridge the UK's Sun chief cricket writer joins us to chat all things England and Australia. We debate: Which squad is better? - Is Watson v Marsh the only selection issue left? - How many English players would make a combined team? - Is this a "new England"? - What role will Bayliss play? - Best pre-series banter - The Women's Ashes - Day/Night Tests - Listener questions where someone wins a T-shirt - The Win A Bat competition - and of course, the Scott Muller Award.

Charles Colvil leads a discussion of the week's biggest cricket stories. He is joined by John Etheridge of The Sun, Nick Hoult from the Daily Telegraph and freelance journalist Lizzy Ammon.

Paul Allott leads a discussion of the week's major cricket news. He is joined by Mike Selvey, John Etheridge and Jeremy Coney.

John Etheridge is one of Britain's most versatile jazz musicians. He joins Alyn Shipton to pick his recordings, including Soft Machine and his acclaimed duo with John Williams.

John Etheridge joins Alyn Shipton to suggest the best recordings by three generations of gypsy guitarists whose work is often overshadowed by Django Reinhardt. Artists covered include the Ferre family, Bireli Lagrene, Fapy Lafertin and the Rosenberg dynasty.

Barney Kessel is one of the most prolific recording artists in jazz, yet one of the least well-known names. Fellow guitarist John Etheridge delves into Kessel's extensive catalogue to explore his legacy and help Alyn Shipton suggest the essential Kessel recordings, including early efforts with Charlie Parker, his pioneering years with Oscar Peterson and his dazzling triumphs as a West Coast studio player.

Guitarist Joe Pass recovered from narcotic addiction to launch a stellar international career as arguably one of the finest exponents of his instrument in jazz history. Alyn Shipton is joined by guitarist John Etheridge to select highlights from Pass' voluminous catalogue, including his work with Oscar Peterson and his multi-volume series entitled Virtuoso.

John Etheridge helps Alyn Shipton select highlights from the catalogue of fellow jazz guitarist Wes Montgomery, explaining how he achieved his unique sound. Montgomery is considered to have been one of the most innovative players on his instrument and developed a technique that combined the rapidity of bebop with a mellow romanticism.

Django Reinhardt The first European jazz musician to make a significant impact on the world stage, guitarist Django Reinhardt's effect was felt throughout jazz. John Etheridge, leader of the Django tribute band Sweet Chorus, joins Alyn Shipton to select the finest recordings by the gipsy genius. From the Hot Club Quintet of France to Reinhardt's solo waltzes, and from his later electric guitar triumphs such as Nuages to his wartime big band discs, this covers all the essential Reinhardt recordings for any jazz collection.