Podcast appearances and mentions of George Fenton

This week on The Sound Kitchen you'll hear the answer to the question about AI and the French company Lingora. There's “The Listener's Corner”, Ollia Horton's “Happy Moment”, and an homage to Muhammad Shamim, the president of the RFI Golden Eagles Club. All that, and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winners' names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write “RFI English” in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Spotlight on France, Spotlight on Africa, The International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!We have new RFI Listeners Club members, all members of a student radio club in West Bengal, India, headed up by their teacher, Ratan Kumar Paul. Join me in a hearty welcome to new members Deep Paul, Dilip Meta, Sima Pal, and Rimil Paul, with of course, their teacher, Ratan Kumar Paul.Welcome, one and all! So glad you have joined us!You too can be a member of the RFI Listeners Club – just write to me at english.service@rfi.fr and tell me you want to join, and I'll send you a membership number. It's that easy. When you win a Sound Kitchen quiz as an RFI Listeners Club member, you'll receive a premium prize.This week's quiz: On 8 March, I asked you to listen to Alison Hird and Sarah Elzas' Spotlight on France podcast number 124. They covered AI in the show, and the EU-backed "third path" approach, midway between the US' private tech firm-dominated model, and China's state-controlled technology.You were to re-listen to their AI report, specifically about the French company Lingora, who recently released a large language model trained on French and European content. You were to send in the answer to these two questions: When was the company Lingora founded, and in which year did they begin work on their AI model? The answer is, as Sarah noted: Lingora was founded in 2000; the company began working on AI in 2016.In addition to the quiz question, there was the bonus question: "Is it wrong to disobey laws?"Do you have a bonus question idea? Send it to us! The winners are: RFI Listeners Club member Jayanta Chakrabarty from New Delhi, India. Jayanta is also the winner of this week's bonus question. Congratulations, Jayanta, on your double win.Also on the list of lucky winners this week are RFI Listeners Club members Radhakrishna Pillai from Kerala State, India; Zenon Teles, the president of the Christian – Marxist – Leninist - Maoist Association of Listening DX-ers in Goa, India, and Mahfuzur Rahman from Cumilla, Bangladesh.Last but assuredly not least, there's RFI English listener Shaharier Sadman Shihab from Naogaon, Bangladesh.Congratulations, winners!Here's the music you heard on this week's programme: “Kashmir” by George Fenton and John Leach; “Bamboule” by  Pierre Bensousan; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer; “Happy” by Pharrell Williams, and “Yé ké yé ké” by Mori Kante, performed by Mori Kante and his ensemble. Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “RN leader Le Pen battles for political future after embezzlement conviction”, which will help you with the answer.You have until 28 April to enter this week's quiz; the winners will be announced on the 3 May podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceClick here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club.   

This week on The Sound Kitchen you'll hear the answer to the question about Namibia's president–elect. There's The Sound Kitchen mailbag, “The Listener's Corner” with Paul Myers, and Erwan Rome's “Music from Erwan” – all that, and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write “RFI English” in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Spotlight on France, Spotlight on Africa, The International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!This week's quiz: On 15 February, I asked you a question about Paul Myers' article “Namibian independence leader Sam Nujoma dies aged 95”. Sam Nujoma was Namibia's first democratically elected president; he led Namibia's fight for independence from South Africa.You were to send in the answer to this question: Namibians have just elected a new president, who will be inaugurated on the 21st of this month. What is the name of their president-elect? The answer is: Namibia's president-elect is Dr. Ndemupelila Netumbo Nandi - Ndaitwah. Born in 1952, Dr. Nandi - Ndaitwah will be Namibia's fifth president and the first woman to hold the position. Speaking of Sam Nujoma, she, as Paul wrote in his article: “… paid tribute to Nujoma's visionary leadership as well as his dedication to liberation and nation-building. ‘It laid the foundation for our free, united nation,' she added. ‘Let us honour his legacy by upholding resilience, solidarity, and selfless service.'”In addition to the quiz question, there was the bonus question, suggested by Hans Verner Lollike from Hedehusene, Denmark: “Describe a cultural monument or a nature site in your country that is not known to the world at large.”Do you have a bonus question idea? Send it to us! The winners are: RFI English listener Debashis Gope from the Dakshin Dinajpur district in West Bengal, India.  Debashis is also this week's bonus question winner. Congratulations, Debashis, on your double win !Also on the list of lucky winners this week are Rasheed Naz, the chairman of the Naz Radio France Listeners Club in Faisal Abad, Pakistan; RFI Listeners Club member Father Steven Wara from Bamenda, Cameroon, and last but not least, two RFI English listeners from Bangladesh: Nargis Akter from Dhaka, and Sakila Musarrat from Chapainawabganj. Congratulations, winners!Here's the music you heard on this week's programme: “Sari” by George Fenton and Tom Leach; “Gnawa Funk Rhythm”; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “Mulatu” by Mulatu Astatke, performed by the composer and his ensemble.Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “Macron hosts European military chiefs to discuss Ukraine security guarantees”, which will help you with the answer.You have until 7 April to enter this week's quiz; the winners will be announced on the 12 April podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceClick here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club.   

Siskoid Cinema presents... On Borrowed Time, the shows that explores time travel in movies. On this episode, Siskoid and DC Dave discuss 1993's Bill Murray classic, Groundhog Day. It's the most iconic time loop movie ever made! Listen to the episode below, or subscribe to Siskoid Cinema on Apple or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: https://fireandwaterpodcast.com/ Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via Apple Podcasts as part of the FIRE AND WATER PODCAST NETWORK. Credits: Bonus clips: "Groundhog Day" by Harold Ramis, starring Richard Henzel, Rob Riley, Bill Murray, Andie MacDowell, Stephen Tobolowsky Angela Paton, and Chris Elliott; and "Clouds" by George Fenton. Thanks for leaving a comment!

Todos llevamos máscaras en esta vida para intentar ocultar aquella realidad de nosotros que nos disgusta. Algunos aparentan autosuficiencia, otros buscan compasión. Unos se esconden bajo una supuesta frialdad intelectual, otros bajo un aspecto físico, o una pretendida indiferencia. Y hay quien ha desarrollado tal esquizofrenia que asume un papel diferente, según dónde o con quién se encuentre. Ciento veinticinco años después, el personaje que se hizo Ernest Hemingway (1899-1961) se sigue confundiendo con su persona. Cuando comienza a trabajar en un periódico de Kansas City, Hemingway deja de ir a la iglesia, a pesar de las recriminaciones de su madre. Comienza a escribir relatos y disfruta de la pesca, pero está obsesionado con su virilidad –siempre cuestionada por una madre que le viste de niña, como si fuera gemelo de su hermana Marcelline, mientras trata a su marido como un pelele–. El escritor intenta alejarse de ella, pero cuando tiene problemas, vuelve constantemente a buscar su ayuda, como hacía con otras figuras maternales a lo largo de su vida. Hemingway se marcha voluntario a Italia con la Cruz Roja en la Primera Guerra Mundial. Allí tiene un desengaño sentimental con una enfermera en un hospital de Milán –como los protagonistas de "Adiós a las armas"–, cuando es ingresado por una herida de mortero. En casa es recibido como un héroe, pero acaba exagerando tanto lo que allí pasó, que cuesta ya distinguir las mentiras de la realidad. No tardará en abandonar el Oak Park de su infancia, pero Oak Park nunca le abandonará a él. En este programa de radio "Al Trasluz" escuchamos fragmentos del libro "Adiós a las armas", leído por Eugenio Barona, así como escenas de la película de Richard Attenborough, "En el amor y la guerra" (1986), sobre los años de juventud del escritor. Las canciones que acompañan el relato tienen, todas ellas, relación con la historia. Cita a Hemingway: el cantante británico Chris De Burgh, nacido en Argentina y nacionalizado irlandés (It´s Me - An I´m Ready To Go 1997); la cantante de country Juice Newton (I´m Dancing As Fast As I Can 1982); así como la neoyorquina Lana del Rey (Religion 2015). La música que suena de fondo son de las bandas sonoras de la película "En el amor y la guerra" por George Fenton y la miniserie de televisión de HBO sobre Hemingway y su esposa Martha Gellhorn por Javier Navarrete, así como la suite dedicada al escritor por Bill Lorraine. El diseño sonoro, la realización y las mezclas son de Daniel Panduro, el texto y la narración de José de Segovia.

di e con Fabrizio Coppola - Libri: Sophie Knight, "Trovare occupazione occupando" (trad. S. Rota Sperti, The Passenger Olanda, Iperborea); Elizabeth Kolbert, La sesta estinzione (trad. C. Peddis, R. Vitangeli, Neri Pozza). Musica: Iosonouncane, Woody Guthrie, George Fenton, Soul Asylum.

Jonny is joined by Aidan, Darren, Jacyn and Tom!The crew work their way through trying to make Star Wars more British: British 70's actors, Sitcoms and Romcoms, Children's Programmes and Period Dramas.Uses short clips from:· The Three Musketeers (1973)· Peter Cook and Dudley Moore (on the Dick Cavett Show)· Monty Python's Flying Circus (series)· Julius Caesar (1953)· The Good, The Bad and The Ugly (1966)· Last of the Summer Wine (series)· Button Moon (series)· In Bruges (2008)· In the Name of the Father (1993)· Sex Education (series)· Peep Show (series)· Steven Spielberg on John Williams (Classic FM Movies)Music extracts:· “99 Red Balloons” by Nena· “Stand By Your Man” (cover) by The Blues Brothers· “Shake It Off” by Taylor Swift· “Complicated” by Avril Lavigne· “In The Bath” by Lemon Jelly· “Prelude” (Planet Earth) by George Fenton with The BBC Orchestra· “The Snow Geese” (Planet Earth) by George Fenton with The BBC Orchestra· “Pip Pop Plop” by by Daniel Pemberton (Peep Show ident)mfulcrum2187@gmail.com@mfulcrum2187 (X and Instagram)@millenniumfulcrum (TikTok)FB: millennium fulcrumRecorded at Millennium Fulcrum, the Shire. England.Full Crew episode: we use this tag when there are at least 4 or 5 crew members. Hosted on Acast. See acast.com/privacy for more information.

¿Cómo sería volver a empezar la vida? Muchos nos preguntamos si cometeríamos los mismos errores. El nuevo nacimiento parece un sueño imposible, no sólo para el escéptico, sino para un religioso como para Nicodemo en el tercer capítulo de la Buena Noticia según Juan. Jesús no habla simplemente de una nueva oportunidad. la reencarnación o un eterno retorno, sino una nueva vida que viene de lo alto, sobrenatural, que sólo Dios puede darnos. Tras las sintonía en la voz de Nat King Cole, escuchamos el último disco de Peter Gabriel después de 21 años que hiciera "Up". Es un álbum en que el antiguo cantante de Genesis es consciente de su mortalidad. Se da cuenta "cuánto dejamos sin hacer" en esta vida, cuando "hay tanto por vivir y tan poco nos queda" (So Much, 2023). Van Morrison se crio en el este protestante de Belfast, rodeado de sermones, himnos y la Biblia. Asistía a una Asamblea de Hermanos, los domingos, al final de su calle. No es extraño que al grabar "Astral Weeks" en Nueva York en 1968 se inspirara, no sólo en la poesía metafísica del puritano John Donne, sino también en las palabras del Evangelio de Juan (3:3-6). El cantante de The Verve, Richard Ashcroft, después de flirtear durante años con el cristianismo, se muestra claramente como creyente en su carrera en solitario. Si en "¿Estás preparado?" nos pregunta si estamos preparados para la Segunda Venida de Jesús, en "Nacido de nuevo" (Born Again 2010) vuelve a las palabras de Jesús en este tercer capítulo del Evangelio según Juan. La película "Atrapado en el tiempo" se titula originalmente como en muchos países de Hispanoamérica, El Día de la Marmota). La hace el director judío Harold Ramis en 1993 con el cómico Bill Murray y una Andie McDowell en "estado de gracia". Cuando se estrenó, judíos ortodoxos jasídicos aparecieron con carteles en las puertas de los cines, pero no eran piquetes para protestar contra la película, sino para afirmar que confirmaba la creencia judía en la Torah. Desde entonces muchos judíos comparan su repetición de un día con la celebración de la Pascua, aunque también budistas ven en ella la reencarnación. Escuchamos escenas de la versión doblada en castellano, que José de Segovia comenta contando cómo nació la historia, comparándola con lo que Jesús dice sobre el nuevo nacimiento, sobre la música de la banda sonora original de George Fenton. El escocés Mike Scott ha estado siempre en busca de la experiencia espiritual sobre la que habla en la canción de los Waterboys, "Espíritu" (Spirit 1985). Ha pasado temporadas en la comunidad cristiana esotérica de Findhorn, buscando esa libertad del Espíritu en lo que "el ser humano puede llegar a ser", como dice la última línea de este tema.. Jesús, sin embargo, nos dice que "nacer del Espíritu" no tiene nada de natural. Es "nacer de arriba". Escuchamos la versión larga de la canción sobre "El espíritu", que fue descartada de su ya mítico álbum, "Este es el mar". Aunque el lenguaje religioso de su educación católica ha inspirado siempre la poesía de Bruce Springsteen, nunca había escrito directamente sobre Jesús como en su tema del año 2005, que nos dice que "Era un Hijo único" (Jesus Was An Only Son). En él habla de la Cruz desde la experiencia de María, su madre. La escuchamos en la versión que hizo al piano para el programa de televisión "Live VH1 Storytellers" con sus propios comentarios sobre cada línea de la composición.

Like the Americans joining World War 2, we're here in the nick of time (just before you unsubscribed, probably) to save the fucking day! This week, the boys gather in Aaron's backyard for a long-awaited recording session to tackle a long-awaited listener request (sorry Mitch). And we have a guest—our friend and fifth Beatle Andrew Young of Geek Hard! It's 1990's Memphis Belle, with music by George Fenton.

On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO NETWORK, Erik Woods concludes his look at some of his favourite scores written in 2023. This is the final part of a three-part series. Today, you'll hear selections by such composers as George Fenton, Anthony Willis, Gordy Haab, Evan Call and Naoki Sato. Enjoy the show. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Mike Kohutich, Scott Bordelon, James Alexander —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

He's just not that into you! Or maybe he is? Or maybe we all need to just snuggle up with a good mug of tea, put on some comfy pants and watch ourselves some romantic comedies. In this episode, join Lexi and Ben and maybe Nora Ephron to really get into the world of funny romance movies. (Please note that Nora Ephron is not actually IN this episode). Are you more of a "Forgetting Sarah Marshall" kinda person, or maybe a "The Notebook" person? Listen now and pick your romantic poison!Jess Says:- I was going to say Swedish berries but like is that a gummy??? idk- Rooked is mommy, thanks for the shout out - Ryan is so tickled- You missed When Harry Met Sally!!! I just think it's iconic and the diner scene is so good- Ryan and I's song is The Whole of the Moon by The Waterboys (idk why, it's a song that Ryan always liked and I didn't know it until we started dating and we both love it)Transcript:Keywords: gummies, candy, romantic comedies, romcom, chick flick, relationship, breakup, puppet, MuppetLexi 00:01 Just regular gummy bears. Ben 00:03 Oh, I guess that's all right. I'm partial to real fruit gummies. Lexi 00:09 I like a bear in a gummy.Ben 00:11 Yeah. Lexi 00:13 Or a coke bottle. I like a good cola bottle. Ben 00:13 Coke bottles are good. What's your ultimate gummy? I don't think we've ever talked about gummies.Lexi 00:19 Iced tea.Ben 00:19 There's an iced tea gummy?Lexi 00:19 There's an iced tea gummy by the makers of the... Haribo?Ben 00:27 Haribo, yeah. Lexi 00:29 They also make an iced tea gummy. Ben 00:30 I don't think I've ever seen that one, but I'm down with some Haribo. Lexi 00:32 I've only ever found it in the candy store in Banff.Ben 00:36 Wow, I like their mixed gummies. I'm a gummy stan.Lexi 00:41 Me too. I can say no to a lot of candy, but a gummy? I have a hard time passing up a gummy. Ben 00:48 It just feels right.Lexi 00:49 It does.Ben 00:49 Okay. Taking away any sort of extra-special types of gummies, what's like a normal gummy go-to for you?Lexi 00:58 Um...Ben 00:59 If you had to choose sort of the run-of-the-mill, you can find them at the drugstore, Shoppers Drug Mart. Lexi 01:04 Coke bottle. Any type of coke bottle. Ben 01:06 All right, all right.Lexi 01:06 A blue shark. I like a blue shark. Ben 01:07 Ooh. Lexi 01:07 I like a gummy bear.Ben 01:12 Mm, mm, mm.Lexi 01:12 And then, if I'm hard pressed, I'll do a gummy worm. Ben 01:12 Mm.Lexi 01:17And then, everything else, I can kind of say no to. What about you?Ben 01:20 I'm partial to sour gummies. Lexi 01:23 Mm. Mm-hmm. Yeah. Ben 01:23 I do like them. So, a sour soother is pretty good. Dina-sour, if you will. Lexi 01:29 Yeah. Very good. My mom used to have those in bulk when she was a high-school principal, and I would just eat them off of her desk all the time. Yep. Ben 01:36 Yeah. I used to hang out in a hot tub with my older brother when we were finished high school, but hadn't moved on with life yet, and we'd sit in the hot tub out back, and just eat sour soothers till, like, 3 in the morning. Lexi 01:50 Well, you know, there's worse things. Ben 01:51 Yeah, right?Lexi 01:53 Do you have a favourite colour of gummy? Ben 01:55 Oh, no. I've never really worried about that. I do like those fried egg looking ones though from Haribo, as well. Lexi 02:00 Mm. Like the 10-cent candies, which are more like a dollar, like just the mix of things.Ben 02:05 Yeah, I like a mix, as well, like a little mix bag, but I like the sour packages. If we are talking about king of gummies, for me, it's a jube-jube.Lexi 02:14 Really? Ben 02:15 Or a Jujube. Yeah, I mean, I'll eat them fresh or not fresh, but they are definitely better when they're fresh. They haven't gone all hard and shit. Lexi 02:23 Yeah. I miss the pink package of gummy bears. That was the king of gummies--Ben 02:29 Oh, I don't know that package. No, I don't. Lexi 02:31 Do you remember that? Like, I remember being a child in going to see The Lion King in theatres and my mom was like, "You can get a snack," and I was like, "I want gummy bears," and it was in a pink package.Ben 02:45 Huh.Lexi 02:45 And the gummy bears—the bears themselves—spelled out the word "gummy". Ben 02:47 Wow, I do not recall those at all, but that's dope. Lexi 02:51 And they were my favourite. Oh, they were... I'll see if I can find pictures of them, but my god, it was my favourite. Ben 02:57 There's a period from 14 to 16 where I was convinced that I liked wine gums, but now, as a more cultured individual, I realize that those are kind of trash. Lexi 03:07 Yeah, they're not...Ben 03:07 Yeah. They're bottom-of-the-barrel gummies, if we're being honest.Lexi 03:11 Yep.Ben 03:11 You know, I can still appreciate a run-of-the-mill, like a frog or, you know, even a fuzzy peach.Lexi 03:17 Mm-hmm.Ben 03:17 They're a little too sweet for me. Lexi 03:20 You know, sometimes, I don't like a whole package of fuzzy peaches, but I'd like, like, two or three.Ben 03:25 Yeah, if they're mixed in. Yeah, if they're thrown in with, like, a little dime bag. Lexi 03:27 Yeah, if they're mixed in, perfect. Little dime bag.Ben 03:31 Little bag of candies.Lexi 03:34 Sounds nice.Ben 03:34 Apparently, when the previous generation was younger, those were one cent, and then when we were kids, they were like 5 cents, and now they're like a quarter a candy.Lexi03:42 Yeah, it's wild.Ben 03:42 It's inflation, motherfuckers. Nobody's earning anymore, but those gummy prices just keep risin'. [Lexi laughs] Lexi 03:48 Gotta pay the gummy toll... the gummy tax?Ben 03:51 Something like that. I've always wanted to make my own gummies at home, but it seems like a complicated process. Lexi 03:56 Oh, god, no. No, I don't wanna see what the sausage is made of. I just wanna eat the gummy.Ben 04:01 I mean, out of sausages to make, I feel like a gummy's a pretty benign sort of thing to see. [chuckles]Lexi 04:08 Well, it's gelatin, so it's like ground hoof.Ben 04:10 Yeah, yeah, you put-- a little hoof or... No, I guess it's just ground-up hoof, isn't it? [laughs]Lexi 04:14 It is. It's ground-up bone and hoof and--Ben 04:16 You know what? Would you prefer we didn't use the entirety of the horse?Lexi 04:19 No, you know... [both laugh] Is it...? Can you...? Is it pig or what type of hoof is it? [laughs]Ben 04:25 I straight up don't fucking know. This is a perfect opportunity for Jess to jump in and educate us.Lexi 04:34 What type of hoof is in gelatin?Ben 04:34 Yeah, what's the most prominent type of hoof in gelatin? If you know, please write in. That e-mail address again is everyone@dorkmatterspodcast.com. Lexi 04:44 I hope the answer is fish bones or something really weird.Ben 04:47 Yeah, it's fish bones.Lexi 04:47 Chicken beaks. The answer is chicken beaks. Like, "Ah, yes."Ben 04:50 You know what it is? If we're being honest, it's probably all these things – everything that you can't put in anything else, yeah. Lexi 04:54 Ah, it's a mishmash. All the hoofs and beaks.Ben 04:58 And some big anus for good measure, you know? [Lexi laughs] That's where you get the tart from. You need a little pucker? [both laugh] We're terrible. Lexi 05:10 We're terrible. [both laugh]Producer Jess 05:12 [magical chime] Really bad news. I did not want to look this up because I wanted to continue enjoying gummies, but then my curiosity got the better of me. Okay, so this is from snopes.com, fact-check gelatin source. I'm going to just read this verbatim. "Sometimes the most innocuous of foodstuffs contain constituents whose origins are less than appetizing. Such is the case with JELL-O, a dessert that has graced millions of dinner tables since its 1897 debut.Underneath JELL-O's jiggly wholesomeness lurks a secret many consumers are disconcerted to learn: JELL-O is made from gelatin, an animal product rendered from the hides and bones of animals, typically pork skins, pork, horses, cattle bones, and split cattle hides." So yeah, you were right, Ben and Lexi; it's all of the above. No fish bones. Sorry if gummies are ruined. They are for me. [magical chime]Ben 06:13 We had some other intro topics. Did you still want to do that or is this good enough? Lexi 06:17 Oh, yeah. No, this is good. Let's punch it. Ben 06:20 All right, let's do the theme song then. [Dork Matters theme music, Dance by YABRA plays]Voiceover 06:51 [echoing] Dork Matters.Ben 06:53 Welcome back to the podcast. This is Dork Matters, a dorky podcast for dorks, and I'm your Dad Dork host, Ben Rankel. And, with me every time we do the show, is your Edorkater, Lexi Hunt. Yeah. Irreplaceably. With us, irreplaceably, Lexi Hunt. Lex, what are we doing today? We're not talking about pig anuses anymore. Lexi 07:14 We're not talking about pig butts. I mean, maybe we are. I mean. Ben 07:16 Maybe. Lexi 07:19 [both chuckle] I mean, anything is possible. We're talking about romantic comedies. Ben 07:25 There's gotta be a pig butt or two in there.Lexi 07:28 You gotta kiss a couple of pig butts to find the right one. Is that right? Ben 07:31 Yeah, to find a good one. Well, won't you bring us here?Lexi 07:36 This was really popular on Instagram. A lot of people were chiming in. Ben 07:39 Yeah, romcoms are a thing. It's interesting to me because I feel like the romcom is kind of gone. Lexi 07:49 The romcom is gone.Ben 07:49 Like the good one, like the blockbuster, like the big-release romcom is gone.Lexi 07:53 Yeah.Ben 07:53 That was a thing of the '90s and it's gone now.Lexi 07:56 Yeah, it's a Hallmark...Ben 07:56 Like, they just can't make bank anymore, can they? Yeah, it's a Hallmark Channel exclusive.Lexi 08:01 Yeah.Ben 08:01 Speaking of, I've got a fun game for you to play a little bit later. Lexi 08:03 Oh, okay. I'm looking forward to that one. Ben 08:05 Surprise for you after the break. Lexi 08:06 Okay. Well, a romantic comedy is just what it sounds like. It is a comedic movie that is centred around the relationships, typically between a man and a woman, although we're starting to see more movies branch out into other types of relationships. And so, it's nice to see. Ben 08:21 Bros. Lexi 08:22 Yeah, but it's also romantic comedies can be associated with negative stereotypes, one might say – a "chick flick", perhaps?Ben 08:32 Mm.Lexi 08:32 I found a great article actually called The Problem with Chick Flicks and I thought it kind of sums it up quite nicely with this quote from Deborah Barker. In the book literally titled Chick Flicks, she says, “The chick flick has been defined variously as escapist entertainment for women, simply as films men do not like, as examinations of capable independent female characters and their empowerment, as emotional ‘tearjerkers,' as tales of female bonding, and as the antithesis to male-oriented action films”.Ben 09:05 Well, we got a lot going on there and I think the primary one is the outdated sort of gender norms.Lexi 09:13 Mm-hmm.Ben 09:13 But also, there's the malignment of female-centric media, you know, the same way that things that women like in very many different aspects of media are kind of talked down to, like, you know, boy bands, etc. "Well, it's not good music. It just appeals to girls," and it's, you know, been used, I think, to malign a lot of different culture that could be engaged with more sincerely by dismissing it because it's femme-centric.Lexi09:46 Mm-hmm. Well, and it's not unheard of... I think it was Chevy Chase who actually said, like, "Women aren't funny," and so romantic comedies--Ben 09:56 Old racist, misogynistic Chevy Chase.Lexi 09:59 Old Chevy.Ben 09:59 The guy too racist to stay on Community. Lexi 10:04 Just, there's so many issues with him and there are so many great examples from Saturday Night Live of funny women, but so, you know, romantic comedies aren't exactly touted for being great examples of writing or even comedic writing, or even of, like, great romantic writing. They're kind of like the stereotype is they're these trashy, kind of like fun films that a bunch of gals get around and drink a bottle of pink wine and cry and laugh and have a good time. Ben 10:35 We call it rosé. Lexi 10:37 Rosé. Like, part of me is like, "What the hell's wrong with that? If that's what you're doing with a group of pals..."Ben 10:41 Absolutely.Lexi 10:42 ...who cares? Do it.Ben 10:43 Again, and this is like it's okay for dudes to get together and watch UFC, but you know, femmes can't get together and watch a romcom that's somehow... Like, we're supposed to think less of that than a bunch of guys watching people hit each other. Lexi 10:54 If you like the movie, watch the movie. And some of the movies, we'll talk about in a little bit. One of them was actually suggested to me by a dude friend of mine because he was like, "This movie makes me laugh every single time. It's hilarious So..."Ben 11:07 Hmm. Is it Bridesmaids? Lexi 11:10 It is not, actually. The other thing that I was reading about too, in doing research for this here episode, was about the--Ben 11:18 Research? Not on Dork Matters. Lexi 11:22 Yeah. Dork, dork, dork. Nerds!Ben 11:23 We have show notes, folks. We actually do way more work on these than I think comes across when we record them. [both laugh]Lexi 11:32 "The guy with the... What's the name of that guy? [snaps fingers] The guy with the face." [laughs]Ben 11:35Oh, that's a personal failing. [chuckles]Lexi 11:38 But, I was reading about the Bechdel Test. Ben 11:41 Alison Bechtel, comics legend. Lexi 11:43 Mm-hmm. The Bechdel-Wallace test is a test that measures the representation of women in film and other fiction. It's a test that asks whether a work of fiction basically features at least two female characters who have a conversation about something other than a man on screen or in the book, or whatever. Ben 12:01 Right. And it's been expanded since that original definition, but I don't know where we're at now to include some other criteria. But, yeah.Lexi 12:08 Yeah.Ben 12:08 Yeah, and again, the thing that some people forget about the Bechdel Test is that it is the lowest bar that you could step over.Lexi 12:16 Yes. [laughs]This is not meant to be like, "Hold your head up high and fly a flag." Like, this was the bare minimum. You had enough female representation in a film to have two people talk to each other, that are femme, that were not talking about the masc character in the film and, like, is a very low bar to clear [whispers] and a lot of media does not clear it.Lexi 12:41 Well, and especially romantic comedies because, so often, romantic comedies are typically centred around like the heteronormative man-woman, cis relationship, and so--Ben 12:51 Man-woman, man-man relationship.Lexi 12:55 Yeah, it's typically that triangle of--Ben 12:58 Yeah, M-F, M-M.Lexi 13:00 --man dates woman, woman has problem with man for some reason, starts dating other man. Original man wants to get her back with something very...Ben 13:07 Grandiose?Lexi 13:10 ...grandiose. Gets her back. There's usually some type of rain. Ben 13:13 Oh, yeah, you gotta have rain. Lexi 13:15 And then everything ends hunky dory. Ben 13:18 Yeah, happily ever after. There are a few that subvert that trope, and one of those is on my list...Lexi 13:26 Yep. Mm-hmm. Mm-hmm.Ben 13:30 ...of favs, which is what I call faves, which is short form for favourite.Lexi 13:33 That is true.Ben 13:35 Can you hear the "u" when we say favourite? Lexi 13:37 Fav-our-ite.Ben 13:38 [chuckles] I feel like we can. We're Canadian, so we say the "u". Fav-our-ite col-our.Lexi 13:44 Col-our. [laughs]Ben 13:47What else we got? Although I do get tripped up because I want to add one to major. Lexi 13:51 Mm, mm-hmm. Ben 13:52 Trips me up. Lexi 13:54 Can't do it.Ben 13:54 I can't just put a "u" in whatever I want, but I want to. That "u" is important to me. Where were we? Lexi 14:01 Uh, we've talked about what they are. Let's get into it. Let's talk about what's your favourite-- your top three. Ben 14:07 Our top three? Okay, let's go. Why don't you lead us off here? Lexi 14:11 Yeah. Okay, I'm going to start with--Ben 14:14 Give me your favourite. Tell me why it's your favourite, and then let's chat about it. Lexi 14:17 So, this is the one, I was going through a breakup. I was very, very, very sad, having a hard time. Ben 14:24 Do you want to give us more details on your personal life? Lexi 14:26 Nope. I was very sad.Ben 14:27 Who did you break up with? How long were you going?Lexi 14:30 Don't want to talk about it, but I was very, very sad and my friends, Jillian and Dylan—as I like to call them, Dillian because they're a couple—Ben 14:37 Or Jillan.Lexi 14:38 Jillian... Nope. Jillan?Ben 14:40 J--J--Jillon.Lexi 14:40 I like to call them Dillian.Ben 14:41 Dillon? Dillian is better.Lexi 14:45 They are huge fans of the romcom, and Dylan was actually like, "You have to watch Forgetting Sarah Marshall." It is so ridiculous and over the top, and this was right around the time Forgetting Sarah Marshall came out. That was, like, what? 2007, 2008, in and around there. Ben 15:03 Earlier than we'd like to admit. [Jason Segel sings Peter You Suck, from Forgetting Sarah Marshall]Lexi 15:05 Yes, but it was hilarious. Now, okay, in hindsight, yes, Russell Brand. Now, by today's standards, not a good dude. Also, Jonah Hill.Ben 15:14 There was a long while there, where we're like, "Hey, this dude's telling it like it is in a more progressive bent," and...Lexi 15:19 And now we're like, "Oof." But, at the time, so you have people-- it was kind of like that frat pack group of dudes.Ben 15:27 Mm-hmm, mm-hmm.Lexi 15:28 So, you got Jonah Hill. Who else is there? Mila Kunis, Russell Brand... Oh, my god. I've completely.Ben 15:37 Star of the show. [song continues]Jason Segel 15:38 [sings] It's so self-loathing, go see a psychiatristI hate the psychiatristWell go see one anywayI don't like the psychiatristYou need to go see oneSee a psychiatristI'm not going.Lexi 15:48 Jason...Ben 15:50 You got this.Lexi 15:50 Segel.Ben 15:52 Yeah. I was gonna do a caw for you, like [caws]. Is that seagull or is that...? [laughs]Lexi 15:57 'Cause, in my head, I could see him, but I was like, "It's not Sudeikis. That's--Ben 16:00 No.Lexi 16:03 So basically, there's a breakup. He takes it hard. He has to get over Sarah Marshall. He goes to Hawaii, and hilarity ensues.Ben 16:12 Guess who's there?Lexi 16:12 Bill Hader's in it, and Sarah Marshall is there. They have this great time of, like, one-upping each other and being sad on the island. But, what I really liked about the movie was, after they leave Hawaii and things don't end well, he goes back and it shows him kind of pushing through his depression and still coping with it, still being sad, and still trying to work on himself, versus trying to get back to a relationship that, as the movie kind of goes on, you see he keeps having all these flashbacks of Sarah, and then they're so perfect at first, and then as the movie goes on, the flashbacks kind of show how the relationship actually wasn't that perfect. Ben 16:50 Rose-coloured glasses--Lexi 16:52 --start to come off. Ben 16:54 Yeah, yeah, the idealization or, you know, turning somebody into an idea as opposed to dealing with them as they actually were. Lexi 17:02 Yeah. And, seeing it from her perspective too, because she points out that he was actually quite depressed and she was trying to help him through it, but eventually had to save herself because he was not taking care of himself and she had to make this hard call. And so, then you start to empathize with her, that she's not just this bitch that she's been cheating on him. She's a person who also was really struggling. And then, it really wraps it up with, like, yeah, he kind of dates Mila Kunis to kind of get over her, but they both kind of separate and become buds in the end, and it just culminates in the funniest, cutest Muppet/puppet Dracula musical. [Jason Segel sings Dracula's Lament from Forgetting Sarah Marshall]Ben 17:43 You know we love-- we love puppets here.Lexi 17:44 And it's just so funny. We love puppets and so that--Ben 17:47 With the exception of part-time guest host, Stephanie Gerk, who is afeared of puppets.Lexi 17:52 --is not a fan of puppets. Jason Segel 18:05 [sings] And I've been living too hard to believeThat things are going to get easier nowI'm still trying to shake off the painFrom the lessons I've learnedAnd if I see Van Helsing, I swearTo the Lord I will slay him! (A-ha-ha-haa!)Take it from meI swear I will let it be so! (A-ha-ha-ha!)Blood will run down his faceWhen he is decapitated... (Aah!)His head on my mantle is howI will let this world knowLexi 18:31 But, I just love that, at the end, he wants to do this ridiculous musical and he does it. He finds a way to bring it together and I just love that movie. [song ends] There's one specific line, Ben, that I think about constantly and it's from Russell Brand's character is missing a flip flop and he's trying to find it and he's like...Russell Brand [18:45] [with Lexi quoting along sporadically] "Excuse me, missus. I lost a shoe-- like, this one. It's like this one's fellow. It's sort of the exact opposite. It's not like it's evil or something. Just, you know, a shoe like this, but for the other foot. Otherwise, I'd have two right...Lexi 19:07 And I think that is so funny. [laughs] Ben 19:12 I knew it was going to be that part. Lexi 19:13 He was funny in it.Ben 19:13 He was funny. It's too bad it didn't work out for him to be a good person, overall.Lexi 19:16 So, forgetting Sarah Marshall, I love you. Ben 19:20 A fantastic pick and that idea of focusing on oneself as a means of growth, as opposed to focusing on a relationship that didn't work and obsessing over it, is something I think I appreciate from that film as well, which leads me into my first pick, in a similar vein, which is 500 Days of Summer. [500 Days of Summer Main Title by Mychael Danna Rob Simonsen plays]Lexi 19:40 Ooh.Ben 19:40 We got Joseph Gordon Levitt and Zoe Deschanel, who I'm generally not a New Girl fan. Lexi 19:47 No. I go back and forth on her but, yeah.Ben 19:50 Yeah. Yeah. So basically, you know, guy meets girl, guy and girl have relationship, relationship seems great to one, not to the other. Eventually, it falls apart and JGL's character spends a lot of time just being like, "What went wrong? Why didn't this work out? What did I do wrong? What did she do wrong?" obsessing over this failed relationship until eventually somebody kind of is like, "Hey, you are being a bit of a loser about this. You need to stop and actually think about how this relationship was going," and it's a similar situation to FSM, if you will, as we call it – us Marshall-heads.Lexi 20:29 Mm-hmm. [both chuckle]Ben 20:29 In that he realizes that he has built up this sort of idealized version of the relationship, and even himself and Zooey's character, in the relationship as well. And then, you get... It's told out of order, as well, so you kind of start with the breakup and then work back to sort of how that happened and you start with more of his perspective on things and kind of him as the protagonist and like the victim. But then, as you get through it more, you realize how much JGL's character has pushed this other character into something she was very clear about not wanting to start with.Lexi 21:06 Mm-hmm. Ben 21:08 And we eventually find out that basically she wanted to keep things casual, and then eventually they clicked enough that, you know, he pushed her and sort of not nagged but, you know, insisted upon a relationship that she wasn't comfortable with. And then, it somehow shocked Pikachu-face when it doesn't work out the way he wants. And then, she goes off and finds a thing that he wanted with her, with somebody else and, you know, it kind of culminates in a moment where he's like, "Why? Why did you tell me you didn't want this?"Lexi 21:33 Yeah.Ben 21:33 "And yet, you immediately went out and found it with somebody else," and she said, "I didn't want it with you. It didn't work with you. You know, you weren't the right person for me."Joseph Gordon Levitt 21:43 I mean, it doesn't make sense. Zooey Deschanel 21:47 It just happened. Joseph Gordon Levitt 21:49 Right, but that's what I don't understand. What just happened? Zooey Deschanel 21:53 I just... I just woke up one day and I knew. Joseph Gordon LevittKnew what? Zooey Deschanel 22:03 What I was never sure of with you. Ben 22:03 And it's a very honest and humbling moment. And then, you know, the end of this movie is him finding a way to move on past his obsession over this failed relationship and better himself. And, that leads to sort of the culmination of his movie, which is like, you know, finding a way to be a better person and healthier relationships in the end. And, I like that as well.Lexi 22:26 Yep.Ben 22:26 Did you ever watch it? Lexi 22:27 I did watch it and I found it not my favourite of his work. Ben 22:36 So, I think for me it was a zeitgeist thing, as well, like same for you for Sarah Marshall. I had gone through a relationship and had found myself sort of obsessing over, like, "Why didn't this work out?"Lexi 22:48 Yeah.Ben 22:48 "I thought we had all of this," and then going back and being like, "Oh." Eventually, after spending some time working on myself and getting some distance and feeling better about where I am as a person, I can look more objectively at the relationship and be like, "Oh, here's some places that I pushed when I didn't need to," or when they didn't want me to and seeing some stuff that was there that you don't want to see when it breaks up initially. Lexi 23:11 They do a really good job in that movie of showing how a relationship can really bring out the worst in decent people, because I found his character, he really ran the gamut in that movie because there's moments where I was like, I understood him, I related to him, and then other times where I was like, "God, you are like an incel," because he was so angry. [Ben laughs]Ben 23:32 Yeah. Lexi 23:32 And I was like, "God, get over it." And it was right around the time that the friend is kind of like, "You're not doing well.”Ben 23:39Yeah, it's his little sister, I believe, who's like, "You're kind of an asshole about this."Lexi 23:42 Yeah. And I think we all have that in us. Like, we've all had a relationship—maybe not a romantic relationship, even a friendship—that's brought out not good things in us. And, sometimes, it takes a person who's really brave and really cares about you to be like, "You're not well." That's a hard thing to say to someone. Ben 24:01 Do you respond well to that? I find, not for me. I think I have to, like, live five to six years afterwards and be like, "Oh, fuck."Lexi 24:08 I do when it comes from certain people. Like, I have a couple of friends in my life, like if they were to sit me down and be like, "I'm concerned about you," then I'd be like, "Oh, shit." Like, I would take it super seriously because, for the most part, those people would not get involved in my problems. So, if they were to sit down and say like, "I'm concerned," I would be like, "Okay, I'm taking this seriously," and that's basically what happened with Forgetting Sarah Marshall. [both laugh] Dillian was like, "Hey, bud, you're sad. You okay?"Ben 24:40 Yeah. [Lexi laughs] Yeah, yeah, 500 Days, as well. His little sister's like, "You're only thinking about happy stuff. I saw a lot of stuff that was not very happy."Lexi 24:49 Yeah.Ben 24:49 There's the part where I think it's a party where he finds out she's engaged and he turns into a real piece of shit there. And, there's a quote during the, like, press junket from this movie where Joseph Gordon Levitt himself is like, "I need people to understand that I am the protagonist of this film. I am not the hero, and I don't think anybody should be looking at me as a heroic person in this movie."Lexi 25:09 Yeah.Ben 25:12 And I just get that. Yeah. I felt that at the time, the obsession, the confusion, the anger.Lexi 25:18 Mm-hmm. Totally. Love it. Ben 25:20 And that's what that makes that one stick for me.Lexi 25:22 That's a good pick. Ben 25:22 The title, though, not my favourite. It's a little twee. 500 Days of Summer... Oh, because her name is Summer and they're together for 500 days.Lexi 25:29 Yeah. Oh!Ben 25:32 Wow. That's a year and a half. That's a long time.Lexi 25:33 That's a good long time for a relationship that...Ben 25:36 It's not nothing, but it's also not enough to be like, it's worth your everything--Lexi 25:42 Well, and it's also, if you think about it from the other side of it, 500 days to be in a relationship that you never wanted to be in, in the first place, like, ooh.Ben 25:49 Oh, my god. Yeah, it's rough. When you start moving back through that movie and realizing that she was like, "I want to keep it casual," and he just sort of--Lexi 25:55 --like, forces her into a relationship. Ben 25:57 Pushes. Just pushes. Yeah, he just pushes and is never cool or chill about it.Lexi 26:00 No. Hence the incel part where I'm like, "Okay." [laughs]Ben 26:05 Yeah, absolutely. No, absolutely. And it was before we had a word for that or, you know, a bunch of people watched that movie and we're like, "Oh, god. She's bad to him."Lexi 26:14 She should have just said, "Yes," and gone along with it. Ben 26:15 Yeah. "Why didn't she marry him even though she didn't feel like he was the right person for her?" [Lexi laughs] "He loved her so much, and he treated her really good, and when you treat someone good, they have to give you anything you want."Lexi 26:27 Like, "Oh, boy." Reminds me of a friend from art school. [Ben laughs] I've said it before – best piece of dating advice I ever got from them was, "You don't date nice." Like, it's not a good enough reason to stay with someone. Like, "They're nice to me." Like, "So what? Everyone should be nice to you."Ben 26:41 Yeah. Everybody should be nice to you.Lexi 26:43 Yeah.Ben 26:43 Yeah, absotootly, as they say on Thomas and Friends: All Engines Go, because they're trains and they toot. [steam train whistle blows] Yep. Absotootly. [Lexi sighs] Sorry about that. Should we keep going or do you want to do mid-break? It's your call. Lexi 26:59 Let's do one more and then we'll go mid-break. We'l do three and three. Okay.Ben 27:02 All right. All right, I'm gonna do the next one.Lexi 27:04 Oh, okay.Ben 27:06 Is that okay with you, or do you wanna do the next one?Lexi 27:07 No, no. You go. You go. Ben 27:09 All right, I'm launching into a problematic fave... Lexi 27:13 Okay.Ben 27:12 ...which is You've Got Mail.Lexi 27:15 Yeah.Ben 27:15 It's a Nora Ephron flick. It's Tom Hanks and Meg Ryan's re-starring together again after their first tilt at Sleepless In Seattle, which is another favour of mine, but we'll do that some other time. [Over the Rainbow by George Fenton from You've Got Mail plays] You've Got Mail, I loved. I watched the hell out of this movie. I thought it was romantic as heck until somebody confronted me and, like, this entire movie is based off of a premise of complete power imbalance towards the male character who lies and manipulates the other person and then puts her out of fucking business, all while being very callous and still trying to court her surreptitiously.Lexi 27:56 Yeah.Ben 27:57 But it still has a special place in my heart because I liked it for so long. And then, so after I was confronted with how terrible the relationship in this movie actually is and being like, "Oh, fuck, they're right," I still like the film and I had to slow down and be like, "What is it that I actually really loved about this film?" and I realized it's the character of New York in You've Got Mail. I am in love with this version of New York that they show, which admittedly is very twee and non-existent. It's almost a Friends version of New York.Lexi 28:33 [chuckles] Yep.Ben 28:33 Almost. But, it's just this really romantic version of New York, to me, where like people just stroll around and there's a Joni Mitchell soundtrack to this thing that kind of slaps, and it's just one of my favourites, and I like Parker Posey a whole lot. Lexi 28:49 Parker Posey is an absolute treasure. Ben 28:52 So, she's a delight in this as an executive who gets kind of dropped by Tom Hanks' character and is just sort of like, 'Fuck it. I don't care. I'm successful and awesome. I don't need... Like, this doesn't matter to me."and just sort of shrugs him off. And, you get a great Greg Kinnear as a nut who is really obsessed with typewriters.Lexi 29:11 Mm-hmm.Ben 29:12 I love that bit. [music continues] And... Whats his name? Steve Zahn plays a character that works in this, like, little independent bookshop who is just--Lexi 29:20 He's always like a zany--Ben 29:22 --zany, bonkers weirdo. Yeah.Lexi 29:23 He always plays a zany kind of like, "What are we gonna do with him?" kind of character.Ben 29:28 Yeah, we get a great line from him in this film, which is, "I'm going to the nut shop where it's fun." It's a real classic.Lexi 29:37 I will say, the Nora movies, they do a great cozy vibe.Ben 29:43 Yeah.Lexi 29:43 Like, everybody's got a good scarf, the kitchens always very nice.Ben 29:46 Yeah, the lighting is good.Lexi 29:46 Like all of the Father of the Bride movies, they just feel like you're having a cup of cocoa and a big-- Ben 29:54 They're very white, though. Lexi 29:55 Yeah, they're super white. Yeah.Ben 29:56 Yeah. Lexi 29:57 Very like Connecticut. Ben 30:00 Yeah, we get what's-his-face in You've Got Mail as the bestie, which is Chris... Oh, my god. This is gonna kill me. Fucking, now he's come back as a comedian again and he's very transphobic and nobody's a big fan of him returning.Lexi 30:17 Oh, who is it?Ben 30:17 Dave Chappelle. God, that took me enough.Lexi 30:19 Oh. Dave Chapelle is in that? No.Ben 30:18 Yeah, he's the best friend. Lexi 30:22 Are you sure?Ben 30:23 Not anymore. You're making me really question myself. I've watched this movie, like, 3,000 times. Lexi 30:27 I feel there's no way Dave Chappelle is in You've Got Mail. [music continues]Ben 30:30 I'm almost positive he is. To Google! [old-school computer bleeping] [scratching record, DJ-style]Lexi 30:39 Looking at it right now. Oh, my god, you're right. Ben 30:42 He's in it. Yeah, he plays Tom Hanks' best friend/assistant/whatever his job is. Lexi 30:48 I find that shocking. It has been so long since I have seen that movie. Ben 30:54 Yeah.Lexi 30:57 My goodness. Ben 30:57 It's been a minute now for me too, 'cause I don't have time to do anything anymore, but yeah. Yeah, so the whole premise is manipulative and wrong, and he treats this woman like shit, in person, and then, via these emails that they're sending is just romantic and nice. And for, like, two thirds/three quarters of the movie, he knows who she is, she doesn't know who he is, and he never bothers being like, "Hey, I'm actually the guy you're emailing with. Let's deal with this relationship on an equal footing." He just fucking manipulates her. Yeah. Lexi 31:32 No, he catfished her before it was catfishing and this was the precursor to shitty social media relationships where it's like, "Don't talk to me in public, but online we can, like, sext, and it'll be cool."Ben 31:42 And then they meet up in the park and she's like, "I hoped it would be you." And then I'm like, "Nah, real life, she'd be like, 'You motherfucker.'"Lexi 31:50 "No, you didn't." Ben 31:50 Shove him in the water.Lexi 31:51 Yes, she should. That's how it should have ended – just, "Fuck you," right in the water.Ben 31:56 "You fucking piece of shit," and just shoves him into the water. [both laugh] Yeah. Lexi 32:01 "You've ruined my life. But don't worry, you can be the little honey bun at home."Ben 32:04 Yeah, "You destroyed the shop that my mother started," and that's supposed to be a great release for her, according to this movie.Lexi 32:12 Hey, she finally let her mother go. Ben 32:13 Yeah, "You troubled yourself too much with this shop. This shop wasn't really for you. It was for your mom." No, it's for her, too. It's her business. And now what? She gets to go edit books or something for Parker Posey? I guess that's not that bad.Lexi 32:25 No, it sounds kind of nice too, but...Ben 32:26 Yeah, Parker Posey hires her in the end, which I think is great. [chuckles]Lexi 32:30 [sighs] Yeah.Ben 32:30 [Dreams by The Cranberries from You've Got Mail plays] Anyhow, I still like the film from the version of New York, we get to the Joni Mitchell opening. Greg Kinnear is great. Steve Zahn's awesome in it. And then, you also have this like story where Tom Hanks' character's father is on his third wife and he's got these two little siblings from, like, his grandfather's just disgusting relationship with a younger woman and his father's disgusting relationship, and then eventually the nanny leaves with the second or third wife or whatever. It's amusing.Lexi 33:01 Yeah, there's some jabs in there, but okay.Ben 33:03 Anyhow, I can't do faves without talking about it, even though it is problematic and, you know, I now see a lot of issues with that film's writing, but... [both chuckle] I had a huge crush on Meg Ryan for a long time. [music fades out] What is your second one? Do you have a great lead in? Lexi 33:23 I do because actually, as you were talking, I changed my mind about--Ben 33:29 Oh, my goodness. What?!Lexi 33:29 I did.Ben 33:32 I saw that a pop up on the screen here that said, "Lexi has edited the show notes."Lexi 33:35 I made a change. So, I've changed my second one to others to kind of chat about, runner up, whatever. The next movie romcom that I'd like to talk about is Baby Mama. Sorry.Ben 33:47 So, I've never heard of this.Lexi 33:47 [Stay Up Late by The Talking Heads from Baby Mama plays] Oh, Benjamin. It is awesome. Okay, so we've got Tina Fey, we've got Amy Poehler, we've got Greg Kinnear, and Dax Shepard. So, the whole premise is Tina Fey... Again, this movie was recommended to me by Dillian. Ben 34:07 Oh, it's coming back to me now. Lexi 34:09 And it's about Tina Fey, who's this corporate lady who she's getting up there in age and she wants to have a baby, but she's not in a relationship. So, she decides to just hire a surrogate who turns out to be Amy Poehler, who kind of plays this like white trash crazy lady. Ben 34:28 Yeah. Yeah. Lexi 34:28 And the two of them forge this, like, really unlikely friendship, and meanwhile are having their own, like, issues with men on the side. And I feel like it's a romantic comedy about friends and, like, yes, there's male love interests in both of the ladies' lives, but it's more or less like it's the coming together of two unlikely friends to form a really strong relationship. Ben 34:48 Mm-hmm.Lexi 34:49 And it is funny as shit. I loved it. To this day, still makes me LOL. I love it. Ben 34:56 Yeah, laugh out loud for the younger generation. Lexi 35:00 Just, there's one scene because. I worked at--Ben 35:02 Wafflecopter.Lexi 35:02 I worked at a well-known grocery store...Ben 35:07 We all know by now, if you listen to the show.Lexi 35:07 I worked there, and we used to joke about it all the time that this movie came out 'cause it kind of felt like working in this, like, corporate, natural grocery store, where the owner of the store is, like, fabulously rich and wealthy and very like, not down to earth, but then is also pretending to be this hippy.Ben 35:26 Only hires granola people. Lexi 35:28 Well, no, but like is pretending to be this hippie and kind of is, but absolutely so disconnected from life, and there's one minute, and it's they played by Steve Martin and he plays such a good wacky, hippie billionaire. He rewards Tina Fey's character with five minutes of uninterrupted eye contact [Ben laughs] and it's just so good. Ben 35:52 My god, I can't do a three count of eye contact with anybody. Five minutes is  fucking torture. It's like staring into the sun. Lexi 35:58 It's so funny and the whole thing, it starts with Liz Lemon-- [laughs] Tina Fey's character--Ben 36:05 I feel like when you have a prominent actor, you can call them anybody from their oeuvre of films or whatever. Lexi 36:12 Yeah. Tina Fey's character is looking for a new location for one of their new grocery stores, which is basically like a Whole Foods, and she scouts out a place which is Greg Kinnear's juice shop and they forge a bit of a romantic relationship that way. That man plays a good romantic lead. Ben 36:29 Yeah, he's unthreatening and has sort of big eyes.Lexi 36:32 Yeah. Very gentle, deer-like qualities.Ben 36:36 [laughs] Yeah, he's a deer man.Lexi 36:38 He is a dear man. But, if you haven't seen it, Ben, you need to watch Baby Mama. It's hilarious. [song continues]Ben 36:42 Yeah, I'll check it out. I'll put it on the to-watch list, for sure. Awesome. [music fades out] Well, if that wraps up the second, I think it's time for us to go to our mid-show break. [sings along with "Who's That Pokémon?" theme music] Da-na, na-na... [record scratches off record] No, no. What? Da-na... [record scratches off record] No, we're not doing it, not this time.Lexi 36:56 Whaaaat?Ben 36:57 [sings along with "Who's That Pokémon?" theme music] Da-na, na-na... [record scratches off record] We're not doing Who's that Pokémon? [gasps] We're playing a game I've stolen from another podcast called My Brother, My Brother and Me, in which I offer you a Hallmark rom comedy description.Lexi 37:11 Okay.Ben 37:12 I'm going to give you a romcom title and description. You tell me if it's Hallmark or AI [Lexi laughs] in a segment I like to call... [playful music plays] Hey, I?Lexi 37:23 Oh, wow.Ben 37:25 Hallmark or AI?Lexi 37:25 AI.Ben 37:27 AI, question mark. I don't know. So, that's the game we're playing today. Lexi 37:31 Okay.Lexi 37:31 Yeah, let's do it. Ben 37:31 Let's get into it. You ready for your first one? [romantic music plays] The title of this romcom is Love Notes and Bookstore Blunders. "In a quaint bookstore nestled in the heart of a bustling city, a shy and reserved librarian finds herself caught in a whirlwind romance with a charming but disorganized writer who accidentally swaps their notebooks, leading to a series of comedic mishaps and unexpected connections as they embark on a journey to retrieve their misplaced musings and maybe find love along the way." AI or Hallmark? [music ends]Lexi 38:03 I'm going to go with AI.Ben 38:04 Ding, ding, ding! That is AI. Well done. Lexi 38:07 Yay!Ben 38:07 [laughs] What gave it away? Lexi 38:11 It's a little too on-the-nose.Ben 38:12 Is it too on-the-nose?  You just wait. Some of these Hallmark ones are very...Lexi 38:16 Okay. Well, no, I mean like I don't have... Yeah, okay. Give me the next one. Let's do this. Ben 38:20 The next one here is Cupid's Catering Chaos. [romantic music plays] Lexi 38:24 Oh, god. [Ben laughs]Ben 38:26 "When an ambitious but overwhelmed chef reluctantly agrees to cater her ex's wedding, she finds herself entangled in a comedic web of mistaken identities, culinary calamities, and unexpected romance when she collides with the charming wedding planner determined to make the event perfect, forcing her to confront her past and maybe find a second chance at love." [music ends]Lexi 38:49 I'm going to say that's Hallmark. [wrong buzzer sounds]Ben 38:50 It's AI. Lexi 38:53 Agh. Okay, okay.Ben 38:57 All right. All right, let's do one more.Lexi 38:59 Okay.Ben 38:59 Let's see if you'll land this one. The next one is called Dater's Handbook. [romantic music plays] "Cass is searching for the man of her dreams, except she thinks she has found the ideal man. She finds out she's wrong after a few dates and decides to read The Dater's Handbook, a guide that outlines the expectations a man should achieve. George follows all the expectations in the handbook, whereas Robert doesn't, but he's equally charming. Blah blah, blah blah blah." Basically, should you follow your heart or the expectations of others? That's it. [music ends]Lexi 39:29 I'm gonna go with AI. [wrong buzzer sounds]Ben 39:31 It's Hallmark.Lexi 39:32 No! Oh, my god. Ben 39:35 Dater's Handbook, 2016m starring Meghan Markle in this cast.Lexi 39:40 No.Ben 39:40 Yeah, and two people I've never heard of as the other competing men. [Lexi sighs] Anyway, I could play this game all day, but it does lead you to wonder if perhaps AI is writing everything that comes out of Hallmark. [Lexi laughs] Lexi 39:56 I mean, reading some of the titles that came out around Christmas-time, I was just like, "My god. This is awful."Ben 40:04 I'm not going to do the full thing, but here's a couple more. There's one called Finding Normal.Lexi 40:08 Ooh.Ben 40:08 So boring. Summer Villa, generic as hell. Hidden Gems. Lexi 40:12 Yeah, I've heard of that one. Ben 40:13 Deliver by Christmas--Lexi 40:16 I've heard of that one too. Ben 40:15 Just My Type.Lexi 40:18 Oh. Ben 40:18 So, I think the thing I'm taking away here is that the more specific the title is, the more likely it is to be AI. The actual Hallmark ones are boring as hell. Lexi 40:28 We should write one of these. Ben 40:30 We absolutely should. Lexi 40:32 Like, "Man in sweater likes pie." Like, "Oh."Ben 40:34 Yeah, it's called Pie of my Eye. [laughs]Lexi 40:38 Pie of My Eye.Ben 40:39 When an artisanal sweater maker accidentally has their yarn delivered to the equally artisanal pie maker next door, hilarity ensues.Lexi 40:52 Basically, there's so many ones like The Truth About Cats and Dogs. Ben 40:56 Yeah. Lexi 40:56 Like, that's another one of like the dogs meet in the dog park.Ben 40:59 Well, that's not Hallmark.Lexi 40:59 40:59 No, but I'm just saying that lie they could definitely do one where it's like, "The people at the puppy store are next door to the kitten store and they fall in love, but will cats and dogs ever truly get along?" Like, "Eugh." Puke.Ben 41:13 Yeah, because cats are the opposite of dogs. Lexi 41:16 Cats are girls and dogs are boys. [both laugh]Ben 41:17 Yeah. There's a term for that stupid thing in psychology, but I don't remember what it is, so fuck that. Anyhow, [sings along with "Who's That Pokémon?" theme music] Da-na, na-na-na. [speaks] AI? The worst fucking title for that.Lexi 41:33 That's a good one.Ben 41:35 All right, I'm glad we got to switch it up a little bit. Let's go into our final choices here.Lexi 41:40 Yeah.Ben 41:40 Why don't you take it away? Lexi 41:42 Okay, for my final romantic comedy shout-out of the evening, I'd like to... [laughs] It makes sense to me. My movie pick is Idiocracy. Ben 41:55 Okay. Yeah. [Buckaroo by Buck Owens from Idiocracy plays] This is a strange one for me. I don't necessarily think of Idiocracy as a romcom or as a prescient look into the future that we now live in. Lexi 42:06 Yeah, it's a documentary about our current day and age.Ben 42:10 Yeah.Lexi 42:10 No. I just find like the two-- well, I guess there's three main characters in. it. So, you've got Maya Rudolph and then one of the Wilson boys--Ben 42:19 Luke.Lexi 42:19 Luke Wilson, fall in love in a hopeless place, Ben.Ben 42:25 A hopeless place being what amounts to now, 2024 America. Lexi 42:32 The future. It's just so funny because both of them are kind of like useless in the present day, but then they wind up--Ben 42:38 But really shine.Lexi 42:38 But then they wind up-- they're absolute geniuses—geniusi?—in the future. Ben 42:44 Yeah, geni.Lexi 42:44 Geni. And they come together to, like, have a really positive relationship that's built on respect and kindness, and I think that's something that we should all aspire to is just like doing the best you can, be nice to each other, look out for everybody around you, and be respectful. And that movie is so hilariously bad and so much of it, Terry Crews, as the president who rides a motorcycle, and my favourite is when he--Ben 43:17 They're spraying Gatorade on all the lawns. Lexi 43:19 When he's doing the state of the address and he's walking up and down the stage and just like into the microphone is like, "Shit." Like, that is so funny. That entire movie is amazing and it is a great romantic comedy. I don't care what anyone says. Ben 43:35 No, we ain't here to judge. You get to choose what you like, and I think that's a fantastic choice. Lexi 43:41 Other favourite part of the movie is when he's in prison—Luke Wilson's character—is in prison and he goes up to the guards and he's like, "Hi, excuse me. I'm actually I'm supposed to be getting out," of jail and the guards are like, "Then you're supposed to be in that line, stupid." [laughs] "Yeah, right. Sorry." [laughs] Ah, it's so good.Ben 43:59 The idea that, you know, a completely sort of average to below-average intelligence like myself could someday be useful or possibly a genius is very appealing to someone like me, so I get it. Lexi 44:15 Great movie. Ben 44:17 Idiocracy, apparently a romcom. Lexi 44:19 Yep. It is. It is.Ben 44:20 I'm letting you have it. I ain't challenging that. Lexi 44:22 Prove me wrong, world. Prove me wrong. Ben 44:24 None of us want to take the time to do that. We're all very busy.Lexi 44:27 Busy. Well, I definitely have a lot of shout-outs about runners up, but I think we'll probably talk about them in just--Ben 44:32 Let's do it. Let's go around in a minute. I'm going to do my next one quickly here and it's Music and Lyrics. [Main Theme from Music and Lyrics by Adam Schlesinger plays] After I started my relationship with [imitating Borat] my wife, [in usual voice] we decided to exchange romantic comedies that we enjoyed, and I presented You've Got Mail to Fiona and I was like, "Did you love it? Did you love it?" and that's when I got the, "Actually, it's fucked up and here's why" back from Fiona. [Lexi laughs] And then, she's like, here's a romantic comedy where the two main people are on a more even footing with each other and it was Music and Lyrics. This is a movie starring everyone's favourite British dude--Lexi 45:17 Hugh Grant. Yep.Ben 45:18 High Grant. I can't believe I just blanked on his name, who is a sort of washed-up or retired pop star from the '80s – think like George Michael from Wham, but he's straight. So, he was a young pop megastar and now he's sort of washed up and then Drew Barrymore as a... What is she? A house sitter in this movie, if I'm remembering correctly? She ends up watering his plants for some reason while he's busy taking jobs, writing shitty lyrics for shitty pop stars that he doesn't really care about, and he's just in it for the pay check and they come to a point where she starts meddling with his lyrics, and they get together and they start working on the music and lyrics together and they form this really lovely relationship where they are equals in it and they're both contributing to all aspects of it and we get this great fake Shakira in the movie that I think is just wonderful. Lexi 46:15 Mm-hmm. Ben 46:17 And it was the juxtaposition of the romcom that I'd offered up as a fave versus this one that has made it a fast fave for me, and also came from the person that I chose to spend the rest of my life with--Lexi 46:30 Aw, that's sweet.Ben 46:30 --which makes it a very special movie to me that I've watched many, many times, but it's just a lovely, wholesome romantic comedy full of laughs because Drew Barrymore is, generally speaking, charming when she's not crossing picket lines. Writers' strike reference there, for everybody.Lexi 46:47 That's true.Ben 46:50 And, you know, Hugh Grant is charming, always charming, and that makes this my third pick. Music and Lyrics – go watch it if you haven't watched it yet. I think you'll enjoy it. Lexi 46:59 He's kind of like the British, Greg Kinnear, isn't he? Ben 47:04 Yeah, yeah. Lexi 47:05 Or Greg Kinnear is the American Hugh Grant. Ben 47:08 Yeah, that sounds better. I think that's the way we put it. Greg Kinnear is an American Hugh Grant, with less staying power. Lexi 47:15 Yes. Yeah.Ben 47:18 I mean, what's that new movie that's Guy Pearce that was like Colin Farrell and Hugh Grant and is like a... [pause] Woof. We're bad at this. It's like a a crime movie.Lexi 47:33 Is it, like, The Gentlemen?Ben 47:33 A British crime. Is that what it's called? The one with the blond guy that looks like Thor that isn't Thor.Lexi 47:39 Yeah, that's Charlie...Ben 47:41 Yeah, yeah.Lexi 47:42 The Gentlemen.Ben 47:42 Yeah, Charlie Hunnam and is that called The Gentlemen?Lexi 47:46 Yeah.Ben 47:46 Yeah, it's a great one and Hugh Grant's playing this like smarmy-ass tabloid reporter. Lexi 47:53 I'm just double checking. Ben 47:54 It's great. He's wonderful.Lexi 47:55 Matthew McConaughey's in it.Ben 47:57 Yeah. Lexi 47:58 Colin Farrell. Oh, yeah. That's a great... Have you seen the TV show?Ben 48:02 There's a TV show based off of this?Lexi 48:05 Yeah, it's on Netflix. There's a series now that's kind of in the same universe. It is excellent. Ben 48:09 Oh, wow. No, I haven't, so there's a drop. Lexi 48:10 Yeah, Guy Ritchie also works on that one too. It's wonderful. Ben 48:16 Hugh Grant's very likeable and hilariously this is not Notting Hill, which other people might choose as his more prominent romcom adventure, but...Lexi 48:27 I'm just making sure. Yeah. Charlie Hunnam, Michael McConaughey...Ben 48:32 Is he in Love Actually?Lexi 48:32 Who? Charlie?Ben 48:35 No, Hugh Grant.Lexi 48:37 Yes, he is. He's the prime minister.Ben 48:37 Is he the president or I mean the premier-- yeah, prime minister. [chuckles] And he's the one that basically has the really inappropriate relationship with his staffer. Lexi 48:45 There's a lot of inappropriate relationships in that whole film, but yes. Ben 48:50 What I wanted to do, since we were talking about how great the response was on Instagram, is just shout out some of the favourites from the listeners here.Lexi 48:58 Yeah, do it.Ben 48:58 Somebody suggested that... Oh, username... I'm bad at this. We don't usually actually remember to call people out on the show, so... @timothywinchester offered up a classic romantic comedy called I've Got Your Number, and they suggested that it's more fun than they expected. For worse, the same person—Timothy Winchester—offered up Holiday in Handcuffs, which looks like a Hallmark movie with that dude from Saved By the Bell and, for some reason, they're handcuffed together.Lexi 49:30 Oh.Ben 49:30 I don't know. Let's keep going. What else we got? The F Word is a recommendation from somebody.Lexi 49:36 Ainsley? Ben 49:36 Was it Ainsley?Lexi 49:38 Yes, Ainsley suggests The F Word. Ben 49:41 Also known as What If? in other countries. Yeah, for some reason I can't see who actually sent these in to me anymore. Lexi 49:46 Oh, I can kind of see here, I can see Dave, who was just recently on the podcast, Dave Stone, said PS I Love You is a great romantic comedy. Ben 49:54 Oh, cool. We got...Lexi 49:58 Ryan Webb says the worst is Love, Actually. Ben 50:02 Of Rooked podcast – our homies over at Rooked.Lexi 50:05 Of Rooked podcast.Ben 50:05 I would say sister podcast. Mother podcast? Brother podcast. Anyhow, Ryan. Lexi 50:11 Yeah, probably mother podcast. The best is She's All That. Ben 50:15 As they posit, it's a prequel to the Scooby-Doo movie. Lexi 50:19 What else do we have here? We have @photoguy79 says How to Lose a Guy in 10 Days is the best, but only for the bullshit scene. Matthew McConaughey 50:27 Lexi I think you're running away. Drew Barrymore 50:32 Why don't you save your mind games for your next bet? Okay, I am not running away.Matthew McConaughey 50:36 Bullshit.Drew Barrymore 50:36 [softly] Excuse me. Matthew McConaughey 50:39 [softly] You heard me. [romantic music plays] [softly] Bullshit.Lexi 50:44 What else we have? Ling Zena has a couple – While You Were Sleeping, probably the biggest one, Irish Wish, is a cool premise but with zero chemistry and the friendships make no sense. Ben 51:02 It's a Lindsay Lohan romcom.Lexi 51:03 Yeah. And, I feel like that was like her comeback movie.Ben 51:07 Her attempted revival.Lexi 51:07 Like, she wanted... This was going to be... Yeah.Ben 51:10 Yeah. Did not work. And the same user gave us While You Were Sleeping, which I enjoyed, I remember watching that, but it is a weird premise, as well...Lexi 51:20 It is.Ben 51:21 ...where Sandra Bullock is so in love with--Lexi 51:24 --a person she doesn't even know because she's--Ben 51:25 With Peter Gallagher. Yeah, because she sees him at the train.Lexi 51:30 Yeah. She's made up this fake world for themselves. Ben 51:31 This delusional relationship, and then eventually, that all comes to light and it's terrible, but she falls for his brother, Bill Pullman... RIP.Lexi 51:38 [laughs] Aw.Ben 51:40Peter Gallagher, if you don't recall, is Sandy Cohen from The OC. [sings along with OC theme song] Dana-nana-na-na-na. California, here we come. [speaks] Right, that's enough. So, thank you for submitting those. Lexi 51:52 Yeah.Ben 51:52 I think that's everybody. Lexi 51:53 Yeah, yeah. And we have some runners-up to kind of throw down. We won't go into big detail, but there's a lot of really great ones. I'm going to throw out there 10 Things I Hate About You. Ben 52:03 Yeah, yeah. That's on my list of runners-up as well. 10 Things I Hate About You is fantastic. We got some Joseph Gordon Levitt and his brother, Heath Ledger. Have you ever seen those memes where they put like their faces together and it looks like the same guy? [Heath Ledger sings Can't Take My Eyes Off Of You]Lexi 52:16 Yeah, if they're the same person. Julia Stiles.Ben 52:18 Julia Stiles.Lexi 52:17 There's Alexis from... Well, Alex, from Alex Mack.Ben 52:24 I don't know.Lexi 52:24 You never watched Alex Mack?Ben 52:27 No.Lexi 52:27 [gasps] Ben, what were you doing in the '90s?Ben 52:30 It's the blonde one, though, but I--Lexi 52:31 It's The Secret World of Alex Mack. Like Alexis...Ben 52:34 But I I mean, I know who you're talking about and I had a huge crush on her when I was younger. Yeah. 10 Things I Hate About You is just fantastic because of Heath Ledger's bleacher scene. Lexi 52:44 Larissa Oleynick. Thank you. Sorry.Ben 52:46 No. Please.Lexi 52:46 There we go.Ben 52:48 Heath Ledger's dancing up and down the bleachers bit is pretty fantastic. Lexi 52:54 Yeah, it's a great one. So, 10 Things I Hate About You, Bridesmaids – another one about, like, finding yourself before you can care for others. You have to care for yourself.Ben 53:04 Yep.Lexi 53:05 Really great. And another one where a friend comes forward and says, "You're not doing well. I care about you. You got to get your shit together," so great, great movie.Ben 53:15 Maya Rudolph plays the friend who comes forward and is like, "You are effing this all up."Lexi 53:20 Well, she's actually-- there's a couple of people that go forward and kind of say that. Sookie St. James actually sits her down and says, "Get your shit... Better get your poop in a group." Maya Rudolph shits in the street. Ben 53:31 Yep. Yep. Yes, diarrhea. [blows raspberry] Diarrhea. If you're sitting in a Chevy and you're feeling something heavy...Lexi 53:38 Oh, what have I done?Ben 53:40 Diarrhea. [blows raspberries]Lexi 53:40 I'd also like to throw out The Princess Bride. That was what I swapped out Baby Mama for.Ben 53:46 Mm-hmm, mm-hmm.Lexi 53:47 I love The Princess Bride. I think that it is--Ben 53:49 [imitating Peter Cook] Mawage. Twoo wuv.Lexi 53:52 There's so many great moments in that movie about love and friendship. Ben 53:56 "Witch, get out of here!" "I'm not a witch. I'm your wife."Lexi 54:01 Perseverance. Whenever anybody asks me to like, "Hey, what are you up to? You never post pictures of yourself on Instagram," I always send them a picture of Miracle Max and I say, "I'm not looking my best these days," and then I post that, and people... I like to laugh, Ben. I like to laugh.Ben 54:17 I wouldn't say you look that much like Miracle Max. Passing resemblance at most. Lexi 54:22 Thank you, but I feel like I do, at my best. But anyway, great movie. Andre the Giant. Delightful.Ben 54:24 Yeah. Uh-huh. Absolutely. It is a delight. Another one I wanted to talk about is The Notebook. It's not one of my faves. I just like the fact that Ryan Gosling apparently did not get along so much with Rachel McAdams that they hate each other to this day.Lexi 54:43 Really?Ben 54:43 Yeah, they apparently just did not gel on set. Because it was everybody's favourite romance movie when it came out. It was a huge hit and I just love that little factoid that they apparently just did not work well together to the point that they still dislike each other. Lexi 54:59 [laughs] Hey, whatever. The working relationship--Ben 55:04 The Wedding Singer. Drew Barrymore is a great romcom star. Lexi 55:07 Ah yes, she is. And Adam Sandler is a really good opposite for her. Ben 55:11 Yeah. And we get a redo with them as well, later on, in kind of the same way that we got Sleepless in Seattle and You've Got Mail. We've got 50 First Dates, which is actually a super charming film. Lexi 55:20 It is.. And there's a song in there that I sing to myself in the car all the time. Ben 55:25 Which song is? Lexi 55:28 [sings along to Forgetful Lucy by Adam Sandler] Cracked her head like Gary Busey. [Ben laughs] Bum, bum, bum. [speaks] It's such a great little. He's a good singer, Adam Sandler. Ben 55:37 The more I think about it, the more I really like that film, the way that it ends with just sort of like finding a way forward together, even though things can't be the way they were initially, and I think that's--Lexi 55:47 Yeah, or the way they want it.Ben 55:50 Yeah. And I think that's kind of sweet and beautiful is that it's still worth having, [song continues] even though it's changed and it's harder and there's more to it. There's more difficulty. It's kind of about-- I mean it's literally about an injury, a life-altering injury for a person, but it's, you know, kind of about the idea of like for better or for worse sort of idea of a relationship and caring for a partner as their health needs change. And, that's kind of-- that's romantic.Lexi 56:16 Yeah. Well, it's unconditional love. Ben 56:19 Yeah. There you go. Thank you for summing that up in two words [chuckles] what took me about 50 paragraphs? I am AI. You can tell that we live in an AI because I am just spewing out nonsense that I've heard before.Lexi 56:33 What else we got? Ben 56:34 Groundhog Day, I want to talk about because I love Groundhog Day. I think it's funny. As a romcom though, it is disgusting. Lexi 56:43 It's all about manipulation, but...Ben 56:46 Yeah, exactly. Again. He never learns. Bill Murray's character never learns to be a better person. He learns how to game the system to get what he wants.Lexi 56:54 Yes. Yeah.Ben 56:54 It is literally the wrong message to be sending to people that want to find a healthy relationship. Lexi 57:01 But, at the same time, too, I feel like he's punished for it because he's basically in purgatory. Like, somebody did the math and something like he lived 9,000 years or something.Ben 57:10 Yeah. Yeah, to get all these things right. Lexi 57:12 He is a horrible person, but, yeah, he's stuck in his own personal hell. Ben 57:18 I don't feel like this movie gives us a change for him.Lexi 57:21 No.Ben 57:21 More that he just finally gets the game right and presses all the controls in the right way.Lexi 57:24 Yeah, absolutely. Ben 57:26 He never engages. I mean, I guess the idea is that he finally, when he stops trying and actually engages, is sort of the premise, but I never really felt that way. I felt like he's just trying. Lexi 57:37 Figured out how to game it. Yeah.Ben 57:38 Yeah, exactly. But anyhow, it's still a fun film and I quote what's-his-name who plays Ned. "Ned? Watch out for that step. It's a doozy."Lexi 57:53 That's a good one.Ben57:55 Gross Point Blank is a blast. I like the idea of an assassin romcom.Lexi 58:00 Where he goes back to his high school reunion, trying to make something of himself.Ben 58:02 Yeah. Yeah. Assassin is in the doldrums because he's like, "Oh, I never saw myself being an assassin. Let me go back to my hometown and see if I can find myself again."Lexi 58:14 Tom Cusack is a is another good romantic comedy guy. Ben 58:16 Did you just call him Tom Cusack? Lexi 58:17 What did I say? Ben 58:18 I think you said Tom. But, I like Tom Cusack. He's like his evil twin brother...Lexi 58:23 What's his actual...? John Cusack.Ben 58:24 ...for Johnny, Johnny. Lexi 58:25 Oh, god.Ben 58:30 Yeah, and you get Dan Ackroyd as a kind of menacing villain. Lexi 58:30 Yeah. Mm-hmm.Ben 58:31 With a bad haircut. Lexi 58:34 Many levels to hi

Join us in an inspiring episode as we explore the captivating journey of Linda Pagnini, a multifaceted musician and actress, whose collaborations with the fantastic guitarist Roger Crombie and the world-renowned composer George Fenton have set stages alight. Linda opens up about her incredible life story, which serves as a testament to the idea that change and the ascent of 'Happiness Mountain' are within everyone's grasp. Linda's musical ventures, especially with her band ‘Apeccs,' offer a rich tapestry of sound that resonates across the internet, captivating listeners worldwide. Fans and new listeners alike can explore Apeccs' soul-stirring melodies, including tracks like ‘Dark Night,' at Apeccs.com. The site not only hosts their latest tunes but also provides a platform for fans to leave messages for Linda, which she cherishes and makes an effort to respond to, highlighting her genuine connection with her audience. Beyond her musical talents, Linda Pagnini shares her soulful interpretation of humanity, emphasizing the intrinsic value and understanding each of our ambitions deserves. Her story is not just about musical and acting accomplishments but also about an honest and deeply intriguing individual's journey through life's ups and downs, and how she interprets those experiences through her art. Listeners will be moved by Linda's honest reflections and encouraged by her belief in the power of change and personal growth. This episode is a must-listen for anyone interested in the intersection of creativity, personal development, and the pursuit of happiness. Linda's narrative reassures us that reaching for our dreams and climbing our own Happiness Mountain is not only possible but within reach. Check out her music at Apeccs.com and on Spotify here : https://open.spotify.com/artist/3TQyqllhesBi3x9AhUYssS --- Send in a voice message: https://podcasters.spotify.com/pod/show/seekinghappinesspodcast/message

Aufs Jahr zurück- oder vorausblicken. Das große Ganze im Blick und Seeluft in der Nase: Musik für die Weite. Diese Musikstücke hast Du in der Folge gehört: Uli Bögershausen - "Dat Du min Leevsten büst" // Maybebop - "Dat Du min Leevsten büst" // James Last - "Biskaya" // George Fenton - "Planet Earth // Klaus Weiland - "Das Loch in der Banane" // Eric Coates - "By the sleepy Lagoon" // Den WDR Podcast "Zeitzeichen" findest du hier: https://www.ardaudiothek.de/sendung/zeitzeichen/33514748/ Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

Cuando distinguimos entre Jesús y la religión, muchos piensan que estamos jugando con las palabras. No entienden cuál es la diferencia. Quienes sí la ven claramente son los religiosos que observan a Jesús y a sus discípulos en el Evangelio según Lucas, cuando les preguntan por qué están con gente corrupta e inmoral (5:30). Jesús les contesta que es a aquellos que se ven pecadores, que ha venido a llamar y sanar de su enfermedad como el Médico divino (vv. 31-32). Un publicano como Levi no era un simple cobrador de impuestos. Era alguien que abusaba de la gente para su propio beneficio, al servicio de los enemigos de su pueblo, una persona despreciable incluso para su familia. A éste Jesús llama y él le sigue (Lc. 5:27-28). Los trovadores del folk alternativo americano más oscuro, Bill Callahan y Will Oldham (popularmente conocido como Bonnie "Prince" Billy) se unieron en 2020 al escocés Alasdair Roberts, para recuperar "la vieja y antigua religión" del "country-góspel" de Dave Rich en los años 60, por la que "He decidido" (I´ve Made Up My Mind) seguir a Cristo. Es un paso del que "Nunca volverán atrás" (Never Will Turn Back), los músicos negros británicos de Paradise, que introdujeron por primera vez el "funk" en el "góspel" a principios de los años 80. Cuando le preguntan a Jesús por qué sus discípulos no ayunan (5:33-39) y recogen espigas el día de reposo (6:1-5) les dice que las "fiestas de bodas" se celebran con "vino nuevo". Es tiempo de "Regocijo" cuando como el cantante del grupo irlandés U2, Bono, te das cuenta que "no puedes cambiar el mundo, pero puede cambiar todo un mundo dentro de ti" (Rejoice 1981). "Nunca fuimos ángeles" o "No somos ángeles" (1989) es una curiosa película del director irlandés Neil Jordan. Es una versión del clásico del año 55 del director de "Casablanca", Michael Curtiz, que con el mismo título convierte a Humphrey Bogart y Peter Ustinov en curas, al escapar de una prisión en la Isla del Diablo de la Guayana francesa. Aquí es Robert De Niro y Sean Penn los que se hacen sacerdotes en plena Depresión de los años 30 en una pequeña localidad en la frontera al norte de Nueva York con Canadá. Para ello, Jordan recurre al más prestigioso guionista y dramaturgo judío americano, David Mamet. Escuchamos diálogos de la versión doblada al castellano con los comentarios de José de Segovia sobre la banda sonora original de George Fenton. Cuando a Jesús le acusan de sanar en el día de reposo (Lc. 6:1-11), les muestra "El amor que puede curar". Así se titula la canción que ha hecho este año el antiguo cantante de Genesis, Peter Gabriel (Love Can Heal). Es al "perderse uno mismo y dejar una parte de ti detrás" que "cruzas la frontera" que trae "sanidad a tu corazón y tu mente", canta Glenn Kaiser, el antiguo hippie de la "Gente de Jesús" de Chicago con su Banda de la Resurrección en una de sus composiciones más personales (The Crossing) en su disco sobre el divorcio de 1981 (Mamá ya no quiere a Papá). Seguiremos considerando esa "Misericordia" en nuestra siguiente parada en esta Ruta, a la luz del resto del capítulo 6 del Evangelio según Lucas...

We engage in a counterfactual discussion, speculating about what would have happened to Doctor Who if Russell T Davies had not been charged with bringing back the series to BBC1 in late 2003. We discuss what was happening with Who in 2003 — "The Scream of the Shalka" — and wonder what would have happened next. Would Who have returned to BBC1 later in the decade? Who would have been showrunner if not RTD? Or, would the programme have died a slow death as its fandom aged and slowly faded from memory? Opening music is "O'Carolan's Farewell" performed by Derek Bell and used in the opening of Death Comes to Time. Closing music is the Shoestring theme, composed by George Fenton. We recorded this episode on 8 October 2023.

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Deze week is het de week van Dierendag! En daarom vormen dieren de rode draad, met vandaag muziek uit de populaire natuurdocumentaire 'Planet Earth'. Laat je meevoeren naar het verstilde Himalayagebergte bij de klanken van George Fenton. 

Matthew Sweet's guest this week is the composer George Fenton. His breakthrough came with Richard Attenborough's biopic Gandhi, since then he's scored over 100 films including Cry Freedom, Shadowlands, The Madness of King George, Groundhog Day and The Wind that Shakes The Barley. He speaks to Matthew about his rich and varied career as well as his assocations with directors such as Richard Attenborough, Stephen Frears, Nora Ephron - and Ken Loach, whose latest film, The Old Oak, is released his week.

In Episode 84, Patrick chats to Alex Aitken about his enormous new resource, Mastering A Level Music, focussing on the Edexcel course.Lauren Elliott from Music Monsters introduces the wonderful work they do with young musicians from the age of three upwards, using play to teach the piano and theory.And film and TV composer  George Fenton looks at this year's GCSE Film Music Composition Briefs (from Eduqas and Edexcel). George also offers some insights to the art of film composition more generally, and gives some tips for aspiring film composers.Presented and produced by Patrick Johns.https://masteringalevelmusic.co.ukhttps://www.musicmonsters.co.ukhttps://georgefenton.com© Music Teachers' Association www.musicteachers.org

This week on The Sound Kitchen you'll hear the answer to the question about the Southern African Economic Partnership Agreement. There's a California travelogue, the “Listeners Corner”, and “Music from Erwan”. All that, and the new quiz question, too, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Be sure you check out our wonderful podcasts!In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts which will leave you hungry for more.There's Paris Perspective, Spotlight on France, and of course, The Sound Kitchen. We have an award-winning bilingual series - an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too.As you see, sound is still quite present in the RFI English service.  Keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers, take note!  I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books which were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here. Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!And don't forget, there is a Facebook page just for you, the independent RFI English Clubs. Only members of RFI English Clubs can belong to this group page, so when you apply to join, be sure you include the name of your RFI Club and your membership number. Everyone can look at it, but only members of the group can post on it. If you haven't yet asked to join the group, and you are a member of an independent, officially recognized RFI English club, go to the Facebook link above, and fill out the questionnaire !!!!! (if you do not answer the questions, I click “decline”).There's a Facebook page for members of the general RFI Listeners Club, too. Just click on the link and fill out the questionnaire, and you can connect with your fellow Club members around the world. Be sure you include your RFI Listeners Club membership number (most of them begin with an A, followed by a number) in the questionnaire, or I will have to click “Decline”, which I don't like to do!This week's quiz: On 24 June, I asked you a question about a trade deal between the European Union and Kenya.Earlier that month, the Economic Partnership Agreement was signed by Kenya's president, William Ruto, and officials from the EU. RFI English journalist Melissa Chemam wrote about it in her article: “EU and Kenya sign trade deal in Nairobi in a move to strengthen continental ties”.You were to re-read Melissa's article and send in the answer to this question: what was the name of the last trade deal signed between the EU and African countries? And which countries in Africa were included in that deal?The answer is, to quote Melissa's article: “In June 2016, the EU signed the Southern African Economic Partnership Agreement with South Africa, Botswana, Lesotho, Mozambique, Namibia, and Swaziland, which regulates trade in goods between the two regions.”  In addition to the quiz question, there was the bonus question: “What would you like to learn?”Do you have a bonus question idea? Send it to us!  The winners are: Rabeya Begam, a member of the Nilshagor RFI Fan Club in Nilphamari, Bangladesh, who is also the winner of this week's bonus question. Congratulations, Rabeya !There's also Sazdeur Rahman, a member of the Shetu RFI Listeners Club in Naogaon, Bangladesh, and RFI Listeners Club members Radhakrishna Pillai from Kerala State in India, as well as his countrywoman Dipita Chakrabarty, who hails from New Delhi. Rounding out the list of winners this week is RFI English listener Malik Allah Bachaya Khokhar, who's a member of the Sungat Radio Listeners Club in Muzaffargarh, Pakistan.Congratulations winners!Here's the music you heard on this week's program: the main theme from Indiana Jones, composed by John Williams; “Sari” by George Fenton and John Leach; “Village”; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “Amankor” written by Fadimata Walet Oumar and performed by Tartit.Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read Michael Sarpong Mfum's article“Ghana steps up solar energy in bid to meet renewables target” to help you with the answer.You have until 25 September to enter this week's quiz; the winners will be announced on the 30 September podcast. When you enter, be sure you send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceorBy text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number.To find out how you can win a special Sound Kitchen prize, click here.To find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club, click here.  

Get ready for a royal riot of laughter in this week's episode! The Crown Jewels boasts an all-star line-up that's nothing short of spectacular. With the "King of Comedy" himself, Al Murray, and the incomparable Mel Giedroyc, who's been hailed as being "at her comedy peak," this outrageous production will have you in stitches, as attested by The Stage. The audience's laughter rings loud, a fact not lost on the Daily Express.But that's just the beginning – this side-splitting show features an ensemble cast that reads like a who's who of comedic talent. Joe Thomas, Neil Morrissey, Carrie Hope Fletcher, Aidan McArdle, Adonis Siddique, and Tanvi Virmani share the stage, their performances brilliantly interwoven by the BAFTA award-winning mastermind behind The Durrells and Men Behaving Badly, Simon Nye. Under the deft direction of multi-Olivier Award winner Sean Foley(known for Upstart Crow and The Ladykillers), this uproarious royal spectacle promises an evening of entertainment you can't afford to miss.Steering the ship toward musical territory, we delve into the enthralling world of Graham Greene's iconic tale, The Third Man. Once a celebrated film and novella, it now takes centre stage as a captivating musical. The creative forces of Don Black and Christopher Hampton have masterfully crafted the book and lyrics, while George Fenton's music sets the scene. Guided by the renowned Trevor Nunn, this production breathes new life into a classic narrative.As our final treat, we've secured an exclusive Back to the Future the Musical interview with none other than Cory English who plays the masterful Doc in the show. This special glimpse into the musical sensation gives you an insider's view of the creative process and the magic behind the scenes.With laughter, drama, and exclusive insights, this episode is a rollercoaster of theatrical excitement that'll keep you on the edge of your seat. Tune in and let the show begin!

Matthew Sweet marks Earth Day with a look at screen music composed to celebrate the natural world. He is joined by composer Sarah Class, who has written many scores foregrounding environmental issues and for natural history documentaries, and is one of the chosen composers commissioned to write a new piece for the Coronation of Charles III and Camilla. Sarah talks about her approach to writing for wildlife films. As well as music by Sarah the programme features scores from Hans Zimmer, George Fenton, Frank Churchill, Alex Wurman, Harry Gregson-Williams and Éric Serra.

Inspired by David Attenborough's Wild Isles series, Tom Service goes in search of music that reflects British wildlife and wilderness, and our relationship with it. From the songs of Henry Purcell written whilst wolves still roamed the British Isles to orchestral representations of composers like Hamish MacCunn, Grace Williams and Ralph Vaughan Williams, and the score for Wild Isles itself, written by the Oscar nominated film composer George Fenton. But perhaps truly wild music isn't music written about wild places: perhaps it's music which has a wildness of spirit, of process, or of uncontrollably organic construction, music that releases the untamed and the untameable, by composers like Peter Maxwell Davies, Brian Eno, and Chris Wood. But where do the real sounds of nature fit into all this – the sounds of birdsong, bacteria, and fungi…? Our witness today is the award-winning author and naturalist Mark Cocker. Producer: Ruth Thomson

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, grief, trauma, loss, catatonia, mental illness, delusion, guilt, shame, AIDS, homelessness, misogyny, depression. This week we're discussing a film that's one of the most beautiful messes you'll ever see. Beautiful, because it revels in medieval mythology while telling a story of redemption in our modern lives. Messy, because our director didn't seem to care about creating a consistent, thorough world for his characters to live in. It's a movie that doesn't hold up as well on deeper scrutiny, and yet also hits you right in the heart with a truly lovely story and incredibly strong performances from some of the best actors in the business. If only Terry Gilliam had reigned himself in just a little bit, this would have been absolutely perfect. Grab your armor and weapons from the scrap heap as we watch The Fisher King on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “How About You (Swing Version)” from the soundtrack to the motion picture The Fisher King, written by Burton Lane and arranged by George Fenton. Copyright 1991 Tri-Star Pictures, Inc.; MCA Records, Inc. Excerpts taken from the film The Fisher King, © 1991 TriStar Pictures, Inc. All Rights Reserved. Excerpt taken from “Max” from the soundtrack to the motion picture Cape Fear. Written and composed by Bernard Hermann, and arranged and composed by George Fenton. Copyright 1991 Universal City Studios, Inc. and Amblin Entertainment, Inc.; MCA Records, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of sexual assault, rape, and sexual advances toward a minor. Also, assault, violence, misogyny, attempted murder. This week, we're talking about a thriller that's a remake of a classic thriller by one of the most famous directors in American movies. And it's all because of Steven Spielberg. Well, OK, it's also because Martin Scorsese saw the chance to make a hit movie, and wow does he deliver. There's nothing particularly special about this week's movie on paper - it's a well-thought, taut thriller. But it's Marty's flourishes and powerhouse performances from Robert DeNiro and Juliette Lewis that propelled this film to Oscar status. At the end of it all, it's a gripping, scary, and fun ride of a movie - and sometimes that's just all you need.. Get the fishing line tied around your teddy bear as we watch Cape Fear on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Max” from the soundtrack to the motion picture Cape Fear. Written and composed by Bernard Hermann, and arranged and composed by George Fenton. Copyright 1991 Universal City Studios, Inc. and Amblin Entertainment, Inc.; MCA Records, Inc. Excerpts taken from the film Cape Fear (1991), © 1991 Universal Studios. All Rights Reserved. Excerpt taken from “Bugsy (Act of Faith #2)” from the soundtrack to the motion picture Bugsy. Written and composed by Ennio Morricone. Copyright 1991 Sony Music Entertainment Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, alcohol, drinking, racism, antisemitism, fascism, Nazis, gunshots. We continue our Oscars ‘91 series this week with yet another dark movie about Hollywood. Though this version has a twist: it's the Coen brothers, and they're making things incredibly weird, as they're known to do. For a movie written about writer's block by two writers dealing with writer's block, it happens to be a fairly decent movie. It's just that the Coens hadn't struck that balance of digging up obscure references and making them instantly relatable. John Turturro and John Goodman give truly incredibly performances, but the Coens seem to have internalized the story a bit too much. Roll in some paper and get to typing as we watch Barton Fink on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fade Out - The End” from the soundtrack to the motion picture Barton Fink, composed by Carter Burwell. Copyright 1991, 1996 TVT Records. Excerpts taken from the film Barton Fink, © 1991 Circle Films, Inc. Excerpt taken from “The Red Knight Suite” from the soundtrack to the motion picture The Fisher King, composed by George Fenton. Copyright 1991 Tri-Star Pictures, Inc.; MCA Records, Inc.

Um episódio dedicado à fascinante arte da orquestração, com a música de George Fenton para a série Blue Planet da BBC.See omnystudio.com/listener for privacy information.

Welkom terug bij een nieuwe aflevering van Kalm met Klassiek, dé podcastserie voor je dagelijkse momentje rust. Muziek bij beeld heeft ontzettend veel invloed. En dat geldt al helemaal bij natuurfilms en series, zoals Planet Earth. Door de muziek bij de natuurbeelden wordt er een verhaal gekoppeld aan de dieren en de planten. De muziek voor de serie Planet Earth is gecomponeerd door George Fenton. Hij ontving een Emmy Award voor de muziek die hij voor deze BBC serie schreef! 

Today we present part one of the third ALL REQUEST SHOW on THE FLAGSHIP SHOW on the CINEMATIC SOUND RADIO PODCAST. Since launching the CINEMATIC SOUND RADIO PODCAST Patreon in April, we've offered our patrons exclusive perks based on the tier they signed up for. One of those perks is participating in all request programs. If you want to participate in future all-request shows, please head over to our Patreon page, and join the community in any tier that is $5 USD/month or above. Once you do so you will be able to participate in all upcoming all request programs. For this second all-request program, our participants included Don mase, Eldaly Morningstar, Deniz Caglar, Jochen Stolz, Angela Rabatin, Glenn McDorman, Jerome Flick, Doug Lacey, Tim Burden, Dave Williams, and Victor Field. They requested tracks from such composers as Mick Gordon, Nobuo Uematsu, Fernando Velazquez, Mathieu Lamboley, George Fenton, James Horner, Vladamir Cosma, David Arnold, Batu Sener, Miklos Rozsa, and Richard Shores, This was once again a fantastic show to produce and I want to thank those who participated. Again, for those that didn't get a chance to send in a request and want to be a part of the next all-request program sometime this summer, we'd love to have you join the CINEMATIC SOUND RADIO PODCAST Patreon family. But don't feel like you have to join. I'm not forcing anyone to join.  Remember this podcast will always be free to listen to but if you want to support the program and join the community we've formed on Patreon then we'd love to have you. Enjoy the show! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin and Marcu Ioachim. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Ley's eleventh FILMIC episode on THE CINEMATIC SOUND RADIO PODCAST is another eclectic mix of old and new scores featuring the work of Oleska Lozochuk, Carter Burwell, Jonny Greenwood, Clare Manchon, Olivier Manchon, Donovan Colton, John Barry, Grant Kirkhope, Isobel Waller-Bridge, Dickon Hinchliffe, Quincy Jones, Thomas Wander, Harald Kloser, Thaman S, George Fenton and John Williams. Check out the playlist at cinematicsound.net for the full rundown! —— This episode is brought to you by APM Music. APM is a top-tier music source for production and creative needs - consistently adding new music and new genres, offering an unmatched catalog via simple licensing. Visit APM Music at apmmuisic.com —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin and Marcu Ioachim. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Muziek van George Fenton bij de film The Duke, een Engelse komedie van Roger Michell, waarin Jim Broadbent een taxichauffeur speelt die zich verzet tegen het onrecht dat arme ouderen die hun hele leven hard hebben gewerkt belasting moeten betalen om tv te kunnen kijken. Hij steelt een peperduur schilderij uit de National Gallery in Londen, met de bedoeling het losgeld aan een goed doel te schenken. Kan hij de diefstal geheimhouden voor de politie én zijn wantrouwige vrouw (fraaie rol van Helen Mirren)? Bij The Duke hoor je heel prima jazzy muziek met een knipoog van George Fenton, muziek die zelfs zonder de film een glimlach op het gelaat weet te toveren. George Fenton, geboren in Londen in 1950, componeert al dik 40 jaar filmmuziek en muziek voor tv en documentaires. Sinds het eind van de jaren '70 veel televisiefilms, en vanaf de jaren '80 vooral bioscoopfilms. Fenton kreeg internationaal grote bekendheid in 1982 met de film Gandhi, die hem ook een Oscar-nominatie opleverde.

February 2022 - Pt 2In the latest episode of Between the Notes, your hosts, Tony Black & Sean Wilson, continue their look at film music in the month of February 2022 across two episodes.In this second part, they look at DEATH ON THE NILE, UNCHARTED, KIMI & more, covering scores by composers including Patrick Doyle, George Fenton, Cliff Martinez and more.Plus! Tony provides his retro pick for the chosen theme - disaster movie scores - and they choose what they consider to be the best score of the month...Host / EditorTony BlackCo-HostSean WilsonSupport the We Made This podcast network on Patreon:Patreon.com/wemadethisTwitter: @btw_notesWe Made This on Twitter: @wmadethis / www.wemadethisnetwork.comTitle music 'Milky Way' (c) Peter Sandberg/Epidemic Sound

February 2022 - Pt 2 In the latest episode of Between the Notes, your hosts, Tony Black & Sean Wilson, continue their look at film music in the month of February 2022 across two episodes. In this second part, they look at DEATH ON THE NILE, UNCHARTED, KIMI & more, covering scores by composers including Patrick Doyle, George Fenton, Cliff Martinez and more. Plus! Tony provides his retro pick for the chosen theme - disaster movie scores - and they choose what they consider to be the best score of the month... Host / Editor Tony Black Co-Host Sean Wilson Support the We Made This podcast network on Patreon: Patreon.com/wemadethis Twitter: @btw_notes We Made This on Twitter: @wmadethis / www.wemadethisnetwork.com Title music 'Milky Way' (c) Peter Sandberg/Epidemic Sound

With Joe Wright's new film out, inspired by the fictional Cyrano de Bergerac and with a score by Bryce and Aaron Dressner, Matthew looks at films that explore the art of wooing. He introduces music by Ilan Eshkeri, Rachel Portman, Luis Bacalov, George Fenton, and John Ottman among others, and he talks to Bryce Dressner about his new score for 'Cyrano'. The Classic Score of the Week is Roy Webb's 'Notorious'.

Indie composer Ben Costello reviews "A Misty Planet of Blue" by Jacky Liu, a beautiful track originally posted on #Reddit. The piece is reminiscent of George Fenton and is aquatically themed. LISTEN TO "A MISTY PLANET OF BLUE" HERE: https://youtu.be/8NUHQPtE3Vk Check out scores from George Fenton: https://issuu.com/scoresondemand/docs/frozen_planet_48835 https://issuu.com/scoresondemand/docs/blue_planet_43336 https://issuu.com/scoresondemand/docs/planet_earth_37344 Mixed Media is a LIVE podcast broadcasting every Friday at 7PM on YouTube and Twitch. We love integrating our live audiences into our show so SUBSCRIBE to get notified for the next stream to join the conversation. We post our podcasts/ videos in split segments during the week after they are recorded. Become a supporter for VALUABLE PERKS to the podcast/ stream and exclusives: https://mixedmedia.locals.com Continue the conversation on DISCORD: https://auriela.co/mixedmedia/discord INSTAGRAM: https://auriela.co/mixedmedia/instagram TWITCH: https://auriela.co/mixedmedia/twitch PODCAST: https://auriela.co/mixedmedia/listen RUMBLE: https://auriela.co/mixedmedia/rumble Want to be interviewed or have any business questions? Send us an email: mixedmediapodcast@outlook.com TAGS: live podcast,radio show,podcast,music,composer,reddit,arguing with reddit,ben costello,classical music,music podcast,mixed media podcast,mixed media,art,media,media composer,film composer,movie composer,A Misty Planet of Blue - Score,jacky liu,george fenton,film score,soundtrack

Jeder braucht einen Leuchtturm im Leben, der Halt im Sturm gibt. Das kann ein Mensch, ein Buch oder auch Musik sein. Diese Musikstücke hast Du in der Folge gehört: Maybebop - "Dat Du min Leevsten büst", Uli Bögershausen - "Dat Du min Leevsten büst" // James Last - "Biscaya" // Klaus Weiland - "Das Loch in der Banane" // George Fenton - "Sunrise" // Eric Coates - "By the sleepy Lagoon" // Wenn Du eine Idee oder einen Wunsch hast, zu welchem Thema Philipp unbedingt eine Playlist zusammenschustern muss, dann schreib ihm: playlist@ndr.de.

The Bishop of Exeter, Robert Atwell shares this 5-part series on Exodus for Lent 2021. This episode focuses on these passages: Exodus 33:12-34:8 and Deuteronomy 4:9-11 Bishop Robert recommends these pieces of music to accompany this week's reflection: George Fenton, The Blue Planet Eno, An Ending (Ascent)

The business of America. I'm not a Democrat or a Republican. I'm a Speciest. I'm connected to the natural world not the consumerist world of artificial values. I'm part of the march of evolution. Consumerism produces ugly behavior, causing us to over step the laws of nature. The need for more has produced a national debt that will never be paid back. We are the purveyors of deception, the nation of propagandists, the materialists without meaning. You've been tricked. MUSIC Hans Zimmer, Thomas Newman, George Fenton

Screenwriter Stuart Wright talks to film composer Sacha Puttnam about his new music project: Out Now! SPIRIT OF CINEMA: SACHA PUTTNAM with THE CLASSIC FILM ORCHESTRA Out now digitally from all major music platforms: Spotify https://open.spotify.com/album/3G414TK9gNKG0AhvrZFPj4?si=AB2vrbobRwi1uTM-e5TIwQ Apple iTunes https://music.apple.com/gb/album/spirit-of-cinema-feat-the-classic-film-orchestra/1538125223?uo=2&at=10l9W2&ct=item Amazon Music https://www.amazon.co.uk/Spirit-Cinema-Puttnam-Classic-Orchestra/dp/B08M5LJRL9 Tracklisting Love’s Theme Original score by Giorgio Moroder for Midnight Express, 1978. Best Original score at the Oscars, 1979 First of May Music by The Bee Gees for the film Melody, 1971 Chariots of Fire Original score by Vangelis for the film Chariots of Fire, 1981. Best original score at The Oscars, 1982 Sailing Homeward Music by Donovan for the film The Pied Piper, 1972 Gabriel’s Theme Original score by Ennio Morricone for The Mission, 1986. Best Original Score at The Golden Globes and Best Music at The BAFTAS, 1986 Theme From Midnight Express (Istanbul) Original score by Giorgio Moroder for Midnight Express, 1978. Best Original score at the Oscars, 1979 War of the Buttons Suite Original score By Rachel Portman, from the film War of the Buttons, 1994 Going Home Original score by Mark Knopfler for the film Local Hero, 1983. Nominated for Best Original Score at the BAFTAs, 1984 Eric’s Theme original score by Vangelis for Chariots of Fire, 1981. Best Original Score at The Oscars, 1982 The Confessional Original score by Sacha Puttnam for the film Le Confessional, 1995 Londonderry Air (Traditional) From the film Memphis Belle, 1980. Original Score by George Fenton nominated for Best Film Music at the BAFTAS, 1991 Boy’s Burial Original score by Mike Oldfield for The Killing Fields, 1984. Nominated for Best Original Score at the BAFTAs and Golden Globes, 1985 Credits Intro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/) Podcast from www.britflicks.com You can support the @Britflicks podcast by pledging money via www.patreon.com/stuartwright and/or subscribing to it via iTunes

De nouveau confinés, on se (re)confie tout ! Tous les matins on partira 20min ensemble pour découvrir et redecouvrir de la musique qu'elle soit en bande originale, en compilation, en artiste vivant, morts, sympa (on évite les con·ne·s) connus et pas connus

The Company of Wolves, released September 21st in 1984, is a re-telling of Red Riding Hood... Kind of. It's also a tale about growing up, about the greys between good and evil, and about pretty tense werewolf transformations. Got feedback? Send us an email at oldiebutagoodiepod@gmail.com Follow the show! Facebook: https://fb.me/oldiebutagoodiepod Omny: https://omny.fm/shows/oldie-but-a-goodie YouTube: https://www.youtube.com/channel/UCjfdXHxK_rIUsOEoFSx-hGA Songs from 1984 Playlist: https://open.spotify.com/playlist/39v1MbWf849XD8aau0yA52 Follow the hosts! Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/ - Twitter: https://twitter.com/sandrofalce - Letterboxd: https://letterboxd.com/SandroFalce/ Zach Adams - Instagram: https://www.instagram.com/zach4dams/ Listen to Sandro's other podcast: Nerd-Out! https://omny.fm/shows/nerdout  See omnystudio.com/listener for privacy information.

Katie Derham talks to folk musicians Eliza and Martin Carthy, the film and TV composer George Fenton and choral conductor Suzi Digby. She also introduces live music from pianist Benjamin Grosvenor and cellist Guy Johnston.

George Fenton has composed scores for The Wind that Shakes The Barley, Dangerous Liaisons and You’ve Got Mail, working with directors including Richard Attenborough and Terry Gilliam. He chats to Aedin about a new album of his scores arranged and performed by pianist Simon Chamberlain.

Era fácil, inevitable y hasta obligado sentirse identificados en estos días con Bill Murray en “Atrapado en el tiempo”. Suena el despertador y se repite en bucle el mismo día, la misma situación y la misma canción una y otra vez. Él se quedó atrapado en el Día de la Marmota y nosotros en un confinamiento que nos ha hecho pensar que es el momento ideal de rememorar la divertida película de Harold Ramis y la agradable banda sonora de George Fenton. Para salir del bucle temporal y subir de fase en la desescalada, convocamos a Alberto Luchini y Ángel Luque para rendir tributo cinéfilo y musical a una comedia que dio pie a un nuevo subgénero que conjugaba comedia romántica, ciencia ficción y costumbrismo americano. Pero antes, y cumpliendo con nuestra palabra, charlamos sobre la situación del sector audiovisual durante la pandemia con el presidente de la Academia española de Cine. Mariano Barroso nos cuenta sus últimas sensaciones sobre el regreso a la nueva normalidad, la forma de afrontar la crisis y nos habla del éxito de su serie “La línea invisible”, uno de los flechazos que ha conseguido “Movistar Plus” durante el confinamiento. Programa 193. La fórmula y la combinación es perfecta para que salgamos de este fin de semana cambiando de fase y con la esperanza de que la vuelta a las salas esté un poquito más cerca. Por ahora nos toca seguir disfrutando del cine desde casa y a través de la radio. Para eso ‘estamos de cine' y por eso existimos. Gracias por elegirnos y por saber escuchar.

Diane and Sean discuss what is easily one of the most likable movies ever...Ever After. Episode music is "Ever After Main Title" by George Fenton and "Put Your Arms Around Me" (autumn breeze mix) by Texas. CB-1 Studio Monitors by Status Audio (status.co) Follow them on Twitter @TheStatusAudio Follow us on Twitter @WhyDoWeOwnThis1Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=FDAK8MLABD6SG&source=url)

In this episode we chat about Barratt Home, handsome terrorists, gin and tonic, Kate Bush, "The House of Elliot", Mr Perkins from "Rentaghost", Enid Blyton's "Island of Adventure", and Tinker from "Lovejoy". And we talk about Bergerac, too! John Nettles Jim Bergerac Terence Alexander Hungerford Patrick Allen Sir Gervase Ewell Kate Fahy Fleur Ewell Jonathan Kent Mercer Deborah Grant Deborah Dudley Sutton Neldricken Patrick Field Hoesler Robert Cartland Rimbaud (as Bob Cartland) Wolfe Morris Leister Gerald Sim Major Cranshaw Jeffrey Segal Simpson Geoffrey Davies Roger Dubree Cliff Burnett Neville Sean Arnold Crozier Director:  Robert Tronson Writers:  Bill Craig (by), Robert Banks Stewart (series created by) Music is the Bergerac theme by George Fenton, performed by Youngr (many thanks to Youngr for permission to use the track!)

Join us for Episode 9 of Series 3, where we chat about Diana Dors, "Doctor Who", Jonathan's age, Victoria Wood's "Pat and Margaret", "Howards' Way" (again!), and what inevitably happens to a case full of money. Oh, and we talk about this episode too! John Nettles Jim Bergerac Terence Alexander Hungerford Deborah Grant Deborah Alan Lake Jack Broughton Marianne Borgo Marie Brouac Stephen Yardley Ken Lewis Shirley Stelfox Pam Lewis Edwin Richfield Julian West Mary Tamm Leslie West Mela White Diamante Lil Joan Scott Mrs Jenson Sean Arnold Crozier Annette Badland Charlotte Timothy Stark Geoff Lindsay Heath Kim Director:  Laurence Moody Writers:  Paul Wheeler (by), Robert Banks Stewart (series created by) Music is the Bergerac theme by George Fenton, performed by Youngr (many thanks to Youngr for permission to use the track!)

Speciale Esteri: “ Il mondo in piazza . La rivolta globale contro le disuguaglianze”...A cura di Martina Stefanoni..Storie e testimonianze dal Cile, Ecuador e Libano...Libano: : Camille Eid,  Ali Hassoun ..Ecuador: Eva Marcandalli ..Cile: Diego Rivera Ramirez Claudia Barattini Hector Roberto Carrasco l'avvocato Rodrigo Bustos Bottai dell' INDH che sta raccogliendo le denunce delle vittime della repressione di Stato in Cile. ..Editoriale di Alfredo Luis Somoza...Musiche di George Fenton, Fairuz, Victor Jara, Craig Armstrong.

www.chrisgarrick.com   Christian Garrick is an improvising violinist, a composer and a bandleader. He is active on the international concert circuit and on the London studio session scene. He is a professor of jazz and non-classical violin at three of London's major music conservatoires. He has worked with artists such as Wynton Marsalis, Nigel Kennedy, Julian Joseph, Bireli Lagrene, Dolly Parton, All About Eve, Van Morrison, Luka Bloom, Martin Taylor, Brian Ferry & Caro Emerald. He has made tours of the Far East and Australia with guitarist John Etheridge in a tribute to Stephane Grappelli and in 2001 he toured Israel with Dame Cleo Laine and the Israel Philharmonic Orchestra. His performance at the Genius of the Violin Festival in 2004 led to invitations to perform Piazzolla's Seasons with Barry Wordsworth at the Brighton Dome and then in London, at the Royal Festival Hall, in 2008. He has toured and recorded extensively with Parisian guitar virtuoso Angelo Debarre and is a member of Alec Dankworth's Spanish Accents.  He formed the band Spirit O' Stephane to celebrate the music of Grappelli. He works frequently in film and television for composers such as Danny Elfman, Anne Dudley, Howard Shore, George Fenton, Rachel Portman, Stephen Warbeck, Mark Thomas and Rob Lane.   I sat and chatted with Chris in the house he was staying in just outside of London. We covered mainly his musical upbringing by his jazz pianist father Michael Garrick and his outlook on music and life in general! Chris is a lovley dude and I had a great time chatting with him. Hope you enjoy listening.     The intro music  is Garrick and David Gordon playing 'Broadway/Afternoon in Paris' (William-Henri-Woode/John Lewis) From their album Paper Jam. The outro music is Benny Golsons 'Whisper Not' recorded by me and my band Latchepen

Composer George Fenton talks to Sean Rafferty about The Blue Planet in Concert - a live performance of the music shown with footage from the TV series.

Acclaimed director Ken Loach and composer George Fenton have collaborated on fourteen films together in the last two decades. Beginning in 1994 with Ladybird Ladybird, they have worked together on titles including Sweet Sixteen, My Name is Joe, Looking for Eric, and the Palme d'Or-winning The Wind that Shakes the Barley. Currently working on a new release for 2014 being filmed in Ireland, they take time out to talk to Tom Service about the role of music in Ken's films - how it can make the specific universal and bring to the fore real emotions rather than false ones.

Sue Lawley's castaway this week is the composer George Fenton, whose work includes music for Groundhog Day, Shadowlands, Cry Freedom, The Company of Wolves and The Fisher King. Born George Howe in South London in 1950, he taught himself to play the guitar at the age of eight and by the age of 14 was playing the organ - "dreadfully"! He wanted to be an actor, and got an early break in Alan Bennett's play Forty Years On. As time went on, however, he found directors were always asking him to play an instrument, so he switched to music as his main focus. He got his first job as composer and musical director for a production of Twelfth Night at the RSC in Stratford in 1974. Eight years later, and still almost entirely self-taught, he was nominated for an Oscar for his score for Richard Attenborough's Gandhi. It was only his fourth attempt at film music.Since 1982 he has been nominated for four more Oscars (for Cry Freedom, The Fisher King and Dangerous Liaisons) and three Golden Globes; he's won three BAFTAs, two Ivor Novello Awards and an EMMY and written music for more than 100 television productions including Bergerac, The Jewel in the Crown, Talking Heads and The Blue Planet. In addition he cornered the market in jingles for daily news bulletins across the BBC. George Fenton is a visiting professor at the Royal College of Music in London, and regularly appears on television arts shows and documentaries as an authority on music.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: On Going to Sleep from Four Last Songs by Richard Strauss Book: Short Stories by Anton Chekhov Luxury: A piano or, failing that, for comfort a tin of condensed milk & tin opener