Podcast appearances and mentions of krista kim

Join us on the Edge of AI podcast as we dive into the intersection of art, technology, and human consciousness with the renowned digital artist and cultural leader, Krista Kim. In this episode, we explore Krista's journey in revolutionizing digital art through the Techism Movement, her innovative approach to data sovereignty in the age of AI, and her vision for personal AI guardians to protect against surveillance capitalism. Discover how Krista's HeartSpace installation at Art Dubai is transforming the way we interact with biometric AI and experience the power of meditative art in the digital age. Buckle up for a thought-provoking and inspiring conversation on the heartbeat of innovation and creativity in the digital realm.Support us through our Sponsors! ☕

Krista is a digital artist, founder of Techism and Cultural Leader for the World Economic Forum (WEF). Krista's work explores the concept of digital consciousness. Her interest in digital technology and its revolutionary effects on human perception, media, social structures and communication led her to work in both digital and physical realms with a keen focus on combining technology and art to use a tool for human wellbeing and healing.We spoke to Krista on location at Art Miami where she exhibited her body of work in conjunction with HOFA. We discuss Krista's career journey and personal history, her role as Cultural Leader for the WEF, how she sees digital art influencing and contributing to human well-being, and the legacy she hopes to leave through her art.Art Talks is curated by HOFA

Welcome to the fourth episode of this series of A Line Traced, which focuses on Female Pioneers in the History of Virtual Reality. The series is hosted by Paula Strunden, a transdisciplinary VR artist with a background in architecture who taught on the AA's Media Studies programme. In this episode, Paula interviews Char Davies, best known for her groundbreaking virtual reality artwork Osmose, which combines immersive environments, with embodied interactions, and a profound connection to nature.This series of A Line Traced uncovers the untold stories of female pioneers in the early history of VR. Many of the prevailing narratives within this history focus on technological advancements, the development of devices and figures dubbed the 'grandfather', 'father' and 'godfather' of VR. Yet when we investigate the experiences created during the first peak of the VR industry in the 1990s, many of the most significant contributions were made by women. Artists and theorists like Char Davies, Brenda Laurel, Monika Fleischman and Thamiko Thiel, to name a few, transcended the boundaries of binary thinking in the realm of human-computer interaction, interweaving the actual and the virtual, and the body and the mind. By tracing the lines connecting these women, along with the contemporary voice of Krista Kim, this series aims to reshape our understanding of VR's past and reframe the ongoing debates around the role of VR in architecture and in contemporary society.Host Bio:Paula Strunden is a transdisciplinary VR artist with a background in architecture. She has studied in Vienna, Paris and London, and worked at Raumlabor in Berlin and Herzog and de Meuron in Basel. Paula is currently pursuing a PhD at the Academy of Fine Arts Vienna, as part of the project ‘Communities of Tacit Knowledge (TACK): Architecture and its Ways of Knowing', funded by the European Union's Horizon 2020 programme under the Marie Skłodowska-Curie grant agreement No 860413. She is the founder of XR Atlas, an interdisciplinary online platform, and is a passionate advocate for the development of alternative historiographies of virtual technologies.About A Line Traced:As our society continues to unveil fractures within its social and political systems, A Line Traced aims to examine topics that are immediate, prescient and impact the build environment in ways that require urgent architectural responses. An AirAA podcast recorded, mixed, edited and distributed from the Architectural Association School of Architecture, which is based in Bedford Square in London. Special thanks to Thomas Parkes for his contribution to the production of our episodes. Visit air.aaschool.ac.uk to find out more.

Welcome to the third episode of this series of A Line Traced, which will focus on Female Pioneers in the History of Virtual Reality. The series is hosted by Paula Strunden, a transdisciplinary VR artist with a background in architecture who taught on the AA's Media Studies programme. In this episode, Paula interviews Tamiko Thiel, a pioneer in augmented reality art and the visionary behind the design of the Connection Machine, the first commercial AI supercomputer.About this Series:This series of A Line Traced uncovers the untold stories of female pioneers in the early history of VR. Many of the prevailing narratives within this history focus on technological advancements, the development of devices and figures dubbed the 'grandfather', 'father' and 'godfather' of VR. Yet when we investigate the experiences created during the first peak of the VR industry in the 1990s, many of the most significant contributions were made by women. Artists and theorists like Char Davies, Brenda Laurel, Monika Fleischman and Thamiko Thiel, to name a few, transcended the boundaries of binary thinking in the realm of human-computer interaction, interweaving the actual and the virtual, and the body and the mind. By tracing the lines connecting these women, along with the contemporary voice of Krista Kim, this series aims to reshape our understanding of VR's past and reframe the ongoing debates around the role of VR in architecture and in contemporary society.Host Bio:Paula Strunden is a transdisciplinary VR artist with a background in architecture. She has studied in Vienna, Paris and London, and worked at Raumlabor in Berlin and Herzog and de Meuron in Basel. Paula is currently pursuing a PhD at the Academy of Fine Arts Vienna, as part of the project ‘Communities of Tacit Knowledge (TACK): Architecture and its Ways of Knowing', funded by the European Union's Horizon 2020 programme under the Marie Skłodowska-Curie grant agreement No 860413. She is the founder of XR Atlas, an interdisciplinary online platform, and is a passionate advocate for the development of alternative historiographies of virtual technologies.About A Line Traced:As our society continues to unveil fractures within its social and political systems, A Line Traced aims to examine topics that are immediate, prescient and impact the built environment in ways that require urgent architectural responses. An AirAA podcast recorded, mixed, edited and distributed from the Architectural Association School of Architecture, which is based in Bedford Square in London. Special thanks to Thomas Parkes for his contribution to the production of our episodes. Visit air.aaschool.ac.uk to find out more.

Krista Kim, Digital Artist and Founder of Techism (2014), joins Randi Zuckerberg in the Crypto Café to talk about the role of the artist in our digital society. 

Welcome to the second episode of this series of A Line Traced, which focuses on Female Pioneers in the History of Virtual Reality. The series is hosted by Paula Strunden, a transdisciplinary VR artist with a background in architecture who taught on the AA's Media Studies programme. In this episode, Paula interviews Brenda Laurel, a pioneer in human-computer interaction in the field of virtual reality, immersive theatre, and gender inclusivity in technology and game design. Their discussion addresses Brenda's project PLACEHOLDER: Landscape and Narrative in a Virtual Environment (1993), which she created with Rachel Strickland; project documentation for PLACEHOLDER can be explored here. Read more about Brenda's book Computers as Theatre, first published in 1991, on GoodReads. This series of A Line Traced uncovers the untold stories of female pioneers in the early history of VR. Many of the prevailing narratives within this history focus on technological advancements, the development of devices and figures dubbed the 'grandfather', 'father' and 'godfather' of VR. Yet when we investigate the experiences created during the first peak of the VR industry in the 1990s, many of the most significant contributions were made by women. Artists and theorists like Char Davies, Brenda Laurel, Monika Fleischman and Thamiko Thiel, to name a few, transcended the boundaries of binary thinking in the realm of human-computer interaction, interweaving the actual and the virtual, and the body and the mind. By tracing the lines connecting these women, along with the contemporary voice of Krista Kim, this series aims to reshape our understanding of VR's past and reframe the ongoing debates around the role of VR in architecture and in contemporary society.Host Bio:Paula Strunden is a transdisciplinary VR artist with a background in architecture. She has studied in Vienna, Paris and London, and worked at Raumlabor in Berlin and Herzog and de Meuron in Basel. Paula is currently pursuing a PhD at the Academy of Fine Arts Vienna, as part of the project ‘Communities of Tacit Knowledge (TACK): Architecture and its Ways of Knowing', funded by the European Union's Horizon 2020 programme under the Marie Skłodowska-Curie grant agreement No 860413. She is the founder of XR Atlas, an interdisciplinary online platform, and is a passionate advocate for the development of alternative historiographies of virtual technologies.About A Line Traced:As our society continues to unveil fractures within its social and political systems, A Line Traced aims to examine topics that are immediate, prescient and impact the build environment in ways that require urgent architectural responses. An AirAA podcast recorded, mixed, edited and distributed from the Architectural Association School of Architecture, which is based in Bedford Square in London. Special thanks to Thomas Parkes for his contribution to the production of our episodes. Visit air.aaschool.ac.uk to find out more.

Welcome to the first episode of this series of A Line Traced, which will focus on Female Pioneers in the History of Virtual Reality. The series is hosted by Paula Strunden, a transdisciplinary VR artist with a background in architecture who taught on the AA's Media Studies programme. In this episode, Paula interviews Krista Kim, a pioneer in blockchain-based art and the visionary behind the Mars House, the first-ever NFT house. Read more about the Mars House on Krista's website.This series of A Line Traced will uncover the untold stories of female pioneers in the early history of VR. Many of the prevailing narratives within this history focus on technological advancements, the development of devices and figures dubbed the 'grandfather', 'father' and 'godfather' of VR. Yet when we investigate the experiences created during the first peak of the VR industry in the 1990s, many of the most significant contributions were made by women. Artists and theorists like Char Davies, Brenda Laurel, Monika Fleischman and Tamiko Thiel, to name a few, transcended the boundaries of binary thinking in the realm of human-computer interaction, interweaving the actual and the virtual, and the body and the mind. By tracing the lines connecting these women, along with the contemporary voice of Krista Kim, this series aims to reshape our understanding of VR's past and reframe the ongoing debates around the role of VR in architecture and in contemporary society.Host Bio:Paula Strunden is a transdisciplinary VR artist with a background in architecture. She has studied in Vienna, Paris and London, and worked at Raumlabor in Berlin and Herzog and de Meuron in Basel. Paula is currently pursuing a PhD at the Academy of Fine Arts Vienna, as part of the project ‘Communities of Tacit Knowledge (TACK): Architecture and its Ways of Knowing', funded by the European Union's Horizon 2020 programme under the Marie Skłodowska-Curie grant agreement No 860413. She is the founder of XR Atlas, an interdisciplinary online platform, and is a passionate advocate for the development of alternative historiographies of virtual technologies.About A Line Traced:As our society continues to unveil fractures within its social and political systems, A Line Traced aims to examine topics that are immediate, prescient and impact the build environment in ways that require urgent architectural responses. An AirAA podcast recorded, mixed, edited and distributed from the Architectural Association School of Architecture, which is based in Bedford Square in London. Special thanks to Thomas Parkes for his contribution to the production of our episodes. Visit air.aaschool.ac.uk to find out more.

Could the metaverse be the solution to the mental health crisis? Krista Kim, the Founder and Chief Creative Officer at [0], believes it to be. She joins us in conversation today to discuss [0]'s Orb System and its aim to “create Zen for the digital age” and enhance the metaverse experience for communities.Krista believes that creators carry the responsibility to create spaces in the metaverse that elevate human consciousness and she emphasizes the importance of mental health as AI infiltrates our lives and creations. We discuss the future of Web3 and the positioning of the metaverse in relation to generative AI and ChatGPT and the expansion of art into AI and 3D spatialized experiences. Krista explains how the Orb System acts as a tool for storytelling in the metaverse and shares her views on how best to future-proof the metaverse itself.Tune in to hear Krista's thoughts on doing the metaverse the right way, with a focus on health and wellness to enhance (not replace!) the real-life experience.Veritone disclaims any responsibility for any statement of participants in the podcast. The views expressed in this podcast are those of the interviewee and do not necessarily reflect the views of Veritone or its directors, officers, or employees.Key Points From This Episode:The responsibility of creators to create spaces in the metaverse that elevate human consciousness.The positioning of the metaverse in relation to generative AI and ChatGPT.Web3 as the future of retail, commerce, education, and human interaction.AI's ability to enhance human creativity.The importance of mental health as artificial intelligence infiltrates our lives and creations.What [0]'s Orb System is and how it aims to enhance the metaverse experience for communities.How the Orb System is used as a tool for storytelling in the metaverse.Links Mentioned in Today's Episode:Krista KimKrista Kim on LinkedInKrista Kim on InstagramKrista Kim on Twitter0.xyzMars HouseLamina1World of WomenBoss BeautiesWomen RiseReulayAdventures in AI PodcastFollow Veritone on Facebook, Instagram, LinkedIn, and Twitter!

RCS Editor-in-Chief Alex Estorick sat down with Krista Kim and Lawrence Lek to talk about their hopes for the metaverse currently under construction

The Aventador is coming to the end of its production run as Lamborghini electrifies its entire line-up. But intent to go out with a bang, the Italian supercar builder is selling the last ever Aventador LP 780-4 Ultimae Coupé as a 1/1 NFT to be auctioned at Sotheby's. Aventador NFT is Lamborghini's last hurrah for petrol power The Lamborghini drop will be the world's first NFT-physical supercar auction. Responsible for creating the NFT artwork and music are contemporary artists Krista Kim and Steve Aoki. In describing her artistic inspiration for the project, Kim spoke of “higher states of consciousness” meeting with “leading-edge technology & design.” While Aoki, who was tasked with the soundtrack, said the music reflects the “soulful energy — the vibe, the spirit, and the power” of the car. Not only will the winning bidder own the last ever V12 petrol-powered Aventador, but they will also become immortalized as part of the brand's legacy and have access to a range of VIP benefits. This includes exclusive virtual previews of future limited edition Lamborghini models, a private tour of the Museo Lamborghini, and a virtual “Meet and Greet” with Aoki and Kim. The CEO of Lamborghini, Stephan Winkelmann, alluded to the NFT auction concept being an ideal way to usher in a new beginning for the firm. “we are projecting this car into the digital world. It's an end of an era, but it's also the start of a new beginning.” The death of the internal combustion engine The European Commission (EC) is set on introducing a zero-emissions target for vehicles sold after 2035. Commenting on this, Hildegard Müller, Head of Germany's VDA car lobby group said: “That would not only mean the end of the internal combustion engine, but also the end of plug-in hybrids.” Although insiders had warned the EC was planning such a move before the announcement was made in June 2021, it still came as something of a surprise. Electric cars, and their associated infrastructure, have a long way to go in terms of rivaling the convenience of filling up with petrol. Also, how would people who live in flats, or have no parking directly outside their property, charge their electric vehicles? The EC seems to be ignoring the devastating environmental and social effects of mining for battery minerals. For example, Congolese miners describe slave-like working conditions and practices as they dig for cobalt, earning as little as 30p ($0.40) an hour. Also, locals report contaminated water supply due to the use of large amounts of groundwater to extract lithium. Nonetheless, Lamborghini, and other manufacturers, are falling in line with the EC and pushing for all-electric line-ups. Bidding for the Aventador NFT drop opens on April 19, with the auction set to close on April 21.

Drop of a 1:1 NFT Together with the Last Aventador Coupé Ever Produced Collaboration of Lamborghini with Steve Aoki, Krista Kim, and INVNT GROUP to be offered in an online auction hosted by RM Sotheby's. Sant'Agata Bolognese, April 2022 – As Automobili Lamborghini moves to electrify its complete line-up in 2023 and 2024, the legendary ...

This episode is also available as a blog post: https://thecitylife.org/2022/02/13/times-square-arts-presents-krista-kim-continuum-for-february-midnight-moment/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Krista Kim was simply the first person to sell a digital home in the Metaverse. Called "Mars House", she has had an all time record sale within "SuperRare" platform, selling her digital home for 288ETH. After this amazing feat, she has been focusing a lot on helping companies to build the metaverse, and today we are very excited to have her here to share her perspective about the metaverse and help us understand how can companies really win in this new environment.

With thousands of participants already registered, the Metaverse Summit is poised to break new ground in Metaverse and innovative Web3 technologiesThe Metaverse Summit, a virtual series of conferences and talks on technologies and trends that will impact the future of the Metaverse and Web3, is set to go live in Decentraland, the world's largest, open-source Metaverse, on February 10, 2022.Some of the biggest up-and-coming Web3 personalities will speak at the summit, including creative director Chris Ebeling, contemporary artist Krista Kim, content creator Jessica Walker, international artist and entrepreneur Jason "Vandal" Schadt, award-winning artist and musician Karl Wolf, and SuperWorld CEO Hrish Lotlikar. GDA Capital CEO Michael Gord, Lorne Sugarman, the CEO of Metaverse Group, and Andrew Kiguel, the CEO of Tokens.com, are also featured speakers.The event is the brainchild of GDA Capital, a vertically integrated financial technology firm that helps institutional investors and businesses connect and interact with new, bleeding edge technologies such as blockchain, cryptocurrencies, fintech, gaming, music, entertainment, P2E, NFTs, digital art, digital real estate, and more.The Impetus Behind the SummitThe Metaverse is quickly proving to be the next frontier in the evolution of the internet and related technologies. Thousands of developers, hundreds of projects, and billions of dollars in investments are laying the groundwork for the Metaverse of the future, but the space as a whole is still uncharted territory.The Metaverse Summit hopes to strike a path for others to follow, one that is fair, transparent, decentralized, and sustainable. This is why GDA Capital is bringing together leading industry players and expert perspectives as well as an eclectic mix of artists, founders, influencers, thought leaders, and celebrities, to hold what will be one of the first and most in-depth conferences ever held on the Metaverse and web3 technologies.Conference FormatThe opening keynote of the conference will begin on February 10, 2022, after which a series of sessions will take place to deep-dive into the latest and most interesting and disruptive innovations we see in the Metaverse today. Sample topics include the concept of ownership when it comes to virtual real estate, the potential of play-to-earn gaming platforms, building interoperability in the Metaverse, and digital fashion and NFT trends.Regarding the summit, GDA Capital Michael Gord said: “GDA Capital is both honored and thrilled to be hosting the first-ever Metaverse Summit in Decentraland next week. It is important for developers, investors, and private individuals to understand the implications and potential of using new technologies in new ways. By bringing together thought leaders, investors, and area experts at the summit, and by helping to build out new platforms and bring new, positive opportunities to people all around the world, GDA Capital, the Metaverse Summit, and our host partners are massively optimistic about the potential of Metaverse and Web3 technologies and we are excited about pushing the envelope to see where we can take things from here.”Register and ConnectTo regis

Certo non è una casa reale ma una casa Mars House dell'artista Krista Kim tramite criptovalute e il sistema dei NFT (Non-fungible token). Cerco di spiegare come funziona.

Krista Kim is a contemporary artist and founder of the Techism movement (2014), whose work explores the concept of digital consciousness. Krista created the first "Metaverse home", Mars House. Currently, Krista is the Creative Director for the Utah Jazz's "JazzXR", the first Sports Team Metaverse NFT in history.Riley Demps is a young visionary from New Orleans and has collaborated with top brands around the world. Riley is directly responsible for the launch of the Utah Jazz's "JazzXR", the NBA's first NFT.  In this conversation, we discuss:- Working on the official Utah Jazz NFT- JazzXR- Meet & Greet with Utah Jazz owner Ryan Smith- Access to a virtual locker room- Partnership with non-profit and charities in Utah- NBA Top Shot- NBA Players loving Top Shot- Krista's creative reign- Daily routine and rituals for creativityUtah Jazz NFTWebsite: nba.com/jazz/nftTwitter: @utahjazzKrista KimTwitter: @Krista_KimInstagram: @krista.kimWebsite: kristakimstudio.comRiley DempsTwitter: @rddempsInstagram: @riley.nemo------------------------------------------------------------------------------This episode is brought to you by PrimeXBT.PrimeXBT offers a robust trading system for both beginners and professional traders that demand highly reliable market data and performance. Traders of all experience levels can easily design and customize layouts and widgets to best fit their trading style. PrimeXBT is always offering innovative products and professional trading conditions to all customers.PrimeXBT is running an exclusive promotion for listeners of the podcast. After making your first deposit, 50% of that first deposit will be credited to your account as a bonus that can be used as additional collateral to open positions.Code: CRYPTONEWS50This promotion is available for a month after activation. Click the link below:PrimeXBT x CRYPTONEWS50

Noah talks to artist Krista Kim about her art, the Metaverse, Facebook and the concept decentralization. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/noah-becker4/support

Krista Kim is a contemporary artist and founder of the Techism movement since 2014, promoting the confluence of art and technology, and technological innovation as a medium to further the development of digital humanism. She believes that artists must participate at the forefront of technological innovation in order to contribute to the creation of future culture during this pivotal period of innovation and disruption. She has an accomplished history within the fine art and fashion worlds and quickly rose to NFT prominence after selling her Mars House for $512,000 on SuperRare, one of the first major virtual real estate NFT sales. She also collaborated on NFT projects with Louis Vuitton and the Utah Jazz, and is currently featured in Sotheby's “Contemporary Curated” auction.In this episode we explore:- What inspired the Mars House and what excited her about the project?- A deeper dive into her collaborations with the Utah Jazz Metaverse and Louis Vuitton- Now that she's becoming a globally recognized artist, how is she using her platform to create impact?- Her passion for mental health through the intersection of meditation x art and how she's pushing this forward through the Continuum Foundation and other some of her other initiatives - How does spirituality and philosophy play a role in her life as a creator - NFTs never sleep and there is a constant buzz/energy with FOMO being very real. What are some personal practices she has for nurturing mental health, and what is some advice for artists entering the space- Her thoughts on the future of the metaverse and what worlds and projects excite herTo sign up for the nft now newsletter where we break down the NFT market into actionable insights each week, go to: https://www.nftnow.comTo follow Krista on Instagram, go here: https://instagram.com/krista.kimTo follow Krista on Twitter, go here: https://twitter.com/Krista_Kim See acast.com/privacy for privacy and opt-out information.

Today's episode is slightly different as Jason is not interviewing a Fintech but an artist - Krista Kim. She made global headlines as being the first artist to sell a virtual home via a non-fungible token (NFT). Krista Kim is a contemporary artist and founder of the Techism movement and a global ambassador for the Superworld and creator of the Mars House, and a talented artist. In today's podcast, they will discuss “How technology is changing both the distribution and implementation of art?”Episode Highlights:1.10: Krista introduces herself as a digital artist, started creating digital artwork in 2013. While using smartphones, Krista observed how people were completely changing the dynamics of their social interactions because of social media platforms and how social media platforms were inferring cultures.1.18: As an artist, she thought, “We need to ensure that people are free thinkers going forward in the 21st century and beyond, but the big question was how do you do that?2.45: Krista says, “We have to have a daily practice of meditation because we have to strengthen our prefrontal cortex. It's a muscle that actually keeps us as freethinkers so that we're not perpetually addicted to our phones.”4.45: Jason refers to the filter bubbles that people have created; they only hear what they want to hear. 06.00 Jason says that they are going to discuss NFTS, digital art, and the metaverse in today's episode. He says that unlike cryptocurrencies, where the entire idea is to make transactions with them potentially, which is something called fungibility, the ability to spend something in one place versus the other. NFT or non-fungible token is a token that denotes value or ownership of something specific, and in this case one of the biggest use cases has been in the art realm.06.44: Jason inquires, “How did you get into NFT? What was the opportunity you saw that you clearly harvested?”7.10: Krista talks about her journey as a digital artist and her research on the blockchain of art. She became whitelisted as it gave power to the digital artist to sell their art properly as a rare piece of work.7.45: Personally, Krista felt that NFT was giving digital artists the power to sell their art properly as a rare piece of work, one or limited series. But an artist can control its rarity, and that is everything for a work of art.10.11: Jason says, “What we're seeing is just again another technology and especially Internet technology, basically starting to apply itself through yet another medium or another vertical of an industry which is artwork.”11.06: Krista explains the difference between NFT and a copy of the NFT.11.40 Jason denotes that “People have a hard time wrapping their head around digital currencies.” He gives an example of the games like Diablo or World of Warcraft, where even before there were markets that were built into these things, people were selling armor or weapons on eBay and transacting real currency and then meeting virtually to deliver on the actual product sold. 12.36: Krista affirms Jason's views and asks him to look at Mars house. She shares why Mars houses became such a global story? It is because it really is a marker, overtime, and it is the harbinger for our augmented reality lifestyle that is coming around the corner. XR lifestyle. The Metaverse NFTs are going into the metaverse, and that is the next generation. 17.00: According to Krista XR experience is essential for brands moving forward in order to really connect with this generation and their communities in an authentic and meaningful way. 17.45 Jason says, “Virtual environments are becoming more and more engaging and more and more desired to be participated in, especially amongst young generations.” 19.58 Krista explains, “We are selling virtual plots of land that are basically mapped geographically onto the real world. Then we also have the actual interface that allows people to upload our digital 3D assets into the room space. So, you could imagine what concerts or Disneyland would be like with 3D digital NFT creating an immersive experience for you and your family like you could literally dance with Mickey Mouse or raise a pet Simba and you could wear the Elsa dress right, and they're all kinds of incredible projects because the apple, the apple glasses, are coming out in a year.21.08: While talking about big events, Krista says, “Many people were making so many wasteful decisions for these events that can easily be a solvable, beautiful, more amazing experience in AR. 22.03: The fact that you can make friends and have playdates and kids in Egypt and visit the pyramids and learn all about it. That's the future of education and travel, says Krista.27.15 Krista is glad that she found a collector on Super Rare. She says luckily, “In the community, we have a lot of visionaries and futurists, and art on the Internet is a consortium of collectors, and they are investing in the future.” 30.01: According to Krista, “We should have a healthy ecosystem, and that is facilitated through people who support the work. She adds,” I believe that the major change that we are seeing because of the NFT market is that their percentages are being lowered for 50%, maybe 30 to 20%, something a little bit fairer to the Creator and also the resale, royalties, and NFT markets.” 30.08: For super rare, Krista says, “Where I am based, we get a 10% royalty per resale on the secondary market, and I think that tradition and that new system will be also adopted in the traditional art world where it hasn't.” 32.27: Krista shares, “How as a digital artist, it was kind of difficult to get mainstream art world support of her work.”3 Key Points:Krista shares the importance of discussing arts and humanities in the boardrooms. She points out the value of discussions and collaborations so that companies not only have engineers and entrepreneurs but also people who understand the human touch. Krista talks about the major power shift that NFT gives to the digital artists. They get an opportunity to market their work directly to the buyers and not have intermediaries get the gallery system and the traditional art system.Jason and Krista talk about the next generation technologies and how the world or facilities can be improved using technology. Tweetable Quotes:“Smartphones are addictive devices - We don't want to be addicted. We want to be free thinkers and sovereigntist human beings.” - Krista Kim“There is an experiential shift going into XR, and that's where NFTS are going.” - Krista Kim“We actually promote the democratization of ownership of the world, and we actually want people to monetize from the activity on their plots of land that they own because we are selling virtual.” - Krista Kim“It is important to create responsible things that make the world better and more beautiful.” - Krista Kim“You can't rely on the traditional arts system to actually facilitate any sort of innovation” - Krista KimResources Mentioned:Facebook – Jason Pereira's FacebookLinkedIn – Jason Pereira's LinkedInWoodgate.com – SponsorLinkedIn – Jason Pereira's LinkedInKrista Kim: Website Podcast Editing See acast.com/privacy for privacy and opt-out information.

Maggy, Adam, and Faith delve into the Super-worlds of Krista Kim and Hrish Lotlikar, as they discuss the Mars House, NFTs, ancient philosophy and the future of art and human interaction

@kmens5 and @daochemist deep dive into Mars House, a light sculpture designed by Techism artist Krista Kim, and which sold on SuperRare for 288.0 ETH.

Pra quem acha que a gente só puxa saco de arquiteto e artista, esse episódio - leia-se desabafo - é a prova que não. Se tem uma coisa que temos birra é de gente que fala de si e de seu próprio trabalho de um lugar supremo-dos-deuses-do-Olímpo, como se não houvesse ninguém que pensou e falou daquilo antes. Krista Kim é dessas. A artista vendeu, por muitos dinheiros, uma casa digital, bem da mais ou menos, o que nos traz questionamentos que envolvem desde questões formais do projeto, bem como o próprio posicionamento da artista, que escreveu seu Techism Manifesto, e se coloca como a única-exclusivona-alecrim-dourado que pioneiramente (alô, alô, futuristas) "fundiu" a arte com a tecnologia. Tenha dó, minha filha, e por favor, nos poupe! • Arquitetura de Boteco por Helena Tourinho e Vinícius Lopacinski • Mars House por Krista Kim e nossa marca

Krista Kim is a Toronto-based digital artist and founder of the techism movement.

In questo Episodio 17 continuiamo il discorso iniziato nella scorsa puntata, parliamo quindi di nuovo di NFT ma mentre nell'episodio della scorsa settimana analizzammo il fenomeno con occhio molto critico scoprendo tutti i "difetti" concettuali di questa nuova "cripto-arte", in questo proviamo a studiare questo fenomeno con una mente più aperta e anche visionaria volendo. Parliamo quindi della canzone prodotta da Elon Musk sugli NFT (come non farlo) e della sua interazione su Twitter con l'artista Beeple che ha recentemente venduto come NFT "The First 5000 Days" alla bellezza 69 milioni di dollari. Coninuiamo poi a seguire le vicende di Chris Torres che dopo il colpaccio da mezzo milione di dollari della vendita di Nyan Cat Remastered non si ferma ma continua la sua crociata per garantire riconoscimento ai creatori di Meme storiche quali "Coughing Cat", "Bad Luck Brian" e "Kitty Cat Dance". Per farlo ha organizzato una settimana di aste di meme storiche come NFT che ha preso il nome di "Memeconomy", settimana durante la quale verrà anche venduta una versione di "Nyan Cat" fusa con "Twerky Pepe". Partendo da un'osservazione di Torres sulla Realtà Virtuale passiamo poi a parlare di Krista Kim, designer che ha recentemente venduto per 288 Ethereum (mezzo milione di dollari) un NFT composto da una casa in realtà aumentata. Studiamo il pensiero di questo pezzo grosso sul futuro degli NFT e della tecnologia VR/AR. Chiudiamo l'episodio affrontando la problematica più grande degli NFT, vale a dire la loro scarsa sostenibilità ecologica. EPISODI CITATI IN QUESTA PUNTATA: Link EPISODIO 16 Introduzione agli NFT e maggiori "difetti" di questa tecnologia Spotify: https://open.spotify.com/episode/5pCON4TZ7Se3pyPmj8jwZW?si=B1dBptXWR8e9f19jlJVLjg Apple Podcast: https://podcasts.apple.com/it/podcast/ep-16-lo-strano-mondo-degli-nft-tra-gif-di-gattini/id1542559550?i=1000513001444 Link EPISODIO 15 Nella seconda parte di quest'episodio abbiamo parlato di Microsoft Mesh e del futuro della realtà "mista" Spotify: https://open.spotify.com/episode/65a8msfdOeJ3fuvEYXxE1V Apple Podcast: https://podcasts.apple.com/it/podcast/ep-15-la-caduta-di-google-stadia-quindi-ci-sar%C3%A0-una/id1542559550?i=1000512015361 Seguite il Podcast per non perdere i prossimi episodi! Seguitemi su Instagram: @mistertechita Canzoni: https://soundcloud.com/lakeyinspired/chill-day https://soundcloud.com/lakeyinspired/warm-nights https://soundcloud.com/lakeyinspired/by-the-pool https://soundcloud.com/lakeyinspired/doing-just-fine https://soundcloud.com/lakeyinspired/overjoyed https://soundcloud.com/lakeyinspired/i-found-me

It's a real treat to check in with the vivacious and witty Krista Kim & Katherine McClelland of the popular Holy F*ck Podcast. The two Ojai women — coaches, counselors (Katherine is also a minister) and authors began their podcast, now in its third season, after a serendipitous encounter at a local watering hole. Their overlapping yet distinct practices give them the insights into themselves, each other and their clients. Krista describes her practice as focusing on people going through "big, sexy, spiritual changes," and Katherine's as for "people in partnership opening to each other in a really powerful way." Krista and Katherine both have Masters Degrees in Spiritual Psychology, which, as they say, "gives them the fancy credentials to talk health, healing, and the mind/body/spirit connection, and their wildly varied personal histories give them the unofficial street smarts to talk about sex, love, and well, anything they want!" Given the specific conversations about the people in their lives, the two often run into people who know them and their relationships and their journeys. "As you know, Ojai is a small town," but the people they are in relationship with are in on the game. They describe their podcast talks as a back-and-forth that enhances their value to their clients, and also helps them grow personally with insight and compassion. The conversation ranges widely from the dynamics of feminine and masculine, the changing gender roles of this modern world, and the idea of bringing presence and spirit to the everyday life. We also talk about how men are stupid and women are crazy; we talk about men coming out of their caves and opening themselves the vulnerabilities of growth, as well as women finding their way to loving their selves and their partnerships. How do we love each other without compromising the essence of who we are? Come on in and find out. As the ladies say, "if you are a regular, open-minded person stumbling through dating, relationships, parenting, and everyday life, then this podcast will tickle your taint." Check it out at twogalsoulschool.com. We didn't get around the talking about the transcontinental railroad, glassmaking or the Lakers' return to Lebron-inspired glory.