Podcast appearances and mentions of lee holdridge

Episode 507 - Richard Sparks - Richard Returns to Share His Next Project, to celebrate news about The Schoolmaster skit and Rowan Atkinson's creative licenseRichard SparksOne morning in 1979 I got a call from an understandably excited Rowan Atkinson.“John Cleese just called. He's asked me to be in his new charity show – and can I do The Schoolmaster?”Er, yes.I'd written The Schoolmaster for Rowan the previous year, for a revue at the Hampstead Theatre (Rowan with Elspeth Walker and Peter Wilson). John and his co-producer, Martin Lewis, had seen it; and a year later, Rowan and I were backstage at Her Majesty's Theatre, meeting John and other members of the cast of The Secret Policeman's Ball.Rowan went on stage an unknown, with his gown and clipboard and pen, and came off a star. The Schoolmaster became his signature piece, the encore of his live shows. Eventually, he got tired of doing the same old routine and wrote another (ruder) version, generously giving me half the royalties.By that time, I'd cut my teeth on various TV shows, from HTV (Wales) to ITV (Southern and Central) to the BBC. I'd also written some stage shows (reviews, original plays, and adaptations of Goldoni comedies), and done a lot of freelance script editing. In 1992, I was hired by Columbia Picture Television to work with Blake Hunter and Marty Cohan, the creators of Who's the Boss?. My wife and I moved with our young daughter to her parents (converted) garage and we've lived in Los Angeles since.I've written a number of libretti for operas, almost all for the LA Opera – some original pieces, some translations from German or Italian. My writing partner, the composer, Lee Holdridge, was – in a way – once G.R.R. Martin's ‘writing partner' in that he composed the scores for the TV series Beauty and the Beast, for which Martin was a script writer.I'd been a hard-core RPG gamer for years when the idea for these books just fell out of the sky one morning, and I started writing. I have hardly had a moment to log on to any game — I'm too busy exploring the New Rock stories as they unfold.My publisher, Caezik SF & Fantasy, is a company of enthusiasts who love these genres. I am delighted to join their family of authors, and to be working with their executive editor, Lezli, Robyn.Three sequels – New Rock New Realm, New Rock New Rules, and New Rock New Roads, have been completed and will be published in due course. I'm currently working on the fifth bookhttps://richardsparks.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

The anticipated sequel to Richard Sparks book, “New Rock, New Role,” has just been released.   “New Rock, New Realm,” is a captivating tale that will enthrall lovers of epic fantasy. Told with his customary wit, Richard Sparks' skillful storytelling weaves a tapestry of adventure, mystery, suspense and emotional depth—with plenty of comic moments spicing up events as they progress.   Memorable characters, imaginative settings and challenging quests all combine to make the New Rock series an unforgettable addition to the genre. Richard describes the books as high adventure spiced with low comedy.Shortly after surviving—against overwhelming odds—their epic quest in New Rock New Role, a mysterious ghost ship arrives, carrying a cryptic message for them. Setting sail full of good intentions, they are soon embroiled in the eternal struggle between the forces of good and the forces of evil. The heart stopping action is interspersed with humor making it a ridiculously fun and addictive read. The idea for the books stemmed from Richard's love of gaming – something he's turned to in his later years.  Born in England, and a graduate of Oxford University, Richard started out as a writer of stage plays, comedy revues and TV, for such shows as Not the Nine O'clock News. Rowan Atkinson performed his Schoolmaster sketch in John Cleese's The Secret Policemen's Ball, and he has a host of other TV credits. On being hired by Columbia Pictures TV, Richard moved to Los Angeles.  He has written libretti for several new operas composed by Lee Holdridge, produced by the LA Opera, as well as writing new English versions of German and Italian classics.   His lyrics have been recorded by talents as diverse as Dom de Luise, Vanessa Wiliams and Plácido Domingo.  https://richardsparks.com/  The Douglas Coleman Show VE (Video Edition) offers video promotional packages for authors. Please see our website for complete details.  https://www.douglascolemanmusic.com/vepromo/    Please help us to continue to bring you quality content by showing your support for our show.  https://fundrazr.com/e2CLX2?ref=ab_eCTqb8_ab_31eRtAh53pq31eRtAh53pq  

EPISODE 363 - Richard Sparks - Rowan Atkinson, Operas and a New Rock, New Role - Words MatterRichard SparksOne morning in 1979 I got a call from an understandably excited Rowan Atkinson.“John Cleese just called. He's asked me to be in his new charity show – and can I do The Schoolmaster?”Er, yes.I'd written The Schoolmaster for Rowan the previous year, for a revue at the Hampstead Theatre (Rowan with Elspeth Walker and Peter Wilson). John and his co-producer, Martin Lewis, had seen it; and a year later, Rowan and I were backstage at Her Majesty's Theatre, meeting John and other members of the cast of The Secret Policeman's Ball.https://www.youtube.com/watch?v=FiWJWLCoH2MRowan went on stage an unknown, with his gown and clipboard and pen, and came off a star. The Schoolmaster became his signature piece, the encore of his live shows. Eventually, he got tired of doing the same old routine and wrote another (ruder) version, generously giving me half the royalties. By that time, I'd cut my teeth on various TV shows, from HTV (Wales) to ITV (Southern and Central) to the BBC. I'd also written some stage shows (reviews, original plays, and adaptations of Goldoni comedies), and done a lot of freelance script editing. In 1992, I was hired by Columbia Picture Television to work with Blake Hunter and Marty Cohan, the creators of Who's the Boss?. My wife and I moved with our young daughter to her parents (converted) garage and we've lived in Los Angeles since.I've written a number of libretti for operas, almost all for the LA Opera – some original pieces, some translations from German or Italian. My writing partner, the composer, Lee Holdridge, was – in a way – once G.R.R. Martin's ‘writing partner' in that he composed the scores for the TV series Beauty and the Beast, for which Martin was a script writer.I'd been a hard-core RPG gamer for years when the idea for these books just fell out of the sky one morning, and I started writing. I have hardly had a moment to log on to any game — I'm too busy exploring the New Rock stories as they unfold.My publisher, Caezik SF & Fantasy, is a company of enthusiasts who love these genres. I am delighted to join their family of authors, and to be working with their executive editor, Lezli, Robyn.Three sequels – New Rock New Realm, New Rock New Rules, and New Rock New Roads, have been completed and will be published in due course. I'm currently working on the fifth book.https://richardsparks.com/___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Support the Show.https://livingthenextchapter.com/Want to support the show and get bonus content?https://www.buzzsprout.com/1927756/subscribe

Celebrating its 40th anniversary this year is Splash, the first release from Touchstone Pictures, the late film label from Disney as it aimed to create a space for more adult fare. Splash was an immediate hit for the studio, one that defined romantic comedies and fantasies for the 80s, and features an unforgettable score from the legendary Lee Holdridge. Lee is the winner of two Primetime Emmy Awards, two Daytime Emmy Awards, and garnered 18 Emmy Award nominations total, plus two Grammy Award nominations. Lee's work for television and film has spanned more than fifty years for productions including East of Eden, the Beauty and the Beast series from the 1980s, and Moonlighting. In fact, one of his most enduring pieces of music was for ABC's long-running One Life to Live, the late soap opera, for which he won two Daytime Emmys. On this episode of Notably Disney, Lee discusses with host Brett Nachman his career and composing contributions. Feel free to reach out to Brett via Twitter/X @bnachmanreports, subscribe to the podcast, and send your feedback to notablydisney@gmail.com New episodes of the podcast debut on the first and third Tuesday of every month.

On revient sur les séries créés et produites par 3 grands producteurs à succès de la télévision américaine : Stephen j.cannell, Aaron Spelling et Glen A. Larson. Avec l'écoute en version longue de génériques cultes. Copyright musique : Mike Post, Mark Snow , Stu Philips et Jack Elliott, Don davis, Lee Holdridge, Pète Carpenter, Charmed est tiré de la chanson How Soon Is Now, du groupe américain Love Spit Love.

In this episode we're whipping out our swords and lunging right for the Juns, as we take a glance at Beastmaster from 1982. Along the way Paul spends too much time dreaming about gyrating witches, Colin wants to join the Jun Sanitation Company, and both remember the inappropriate greatness of 80's kids films. Theme music by Lee Holdridge.

It's alive! The Cinematic Sound Radio Podcast Top 10 has been brought back from the dead! The last time I did a show like this was back in 2018 when I presented my Favourite Western Tracks Of All Time. I wanted to make the Top 10 and ongoing series but only a short month later, I went on an 8-month hiatus. I never thought about resurrecting the Top 10 show when I returned, however, I did have one last show planned out, which I found in a playlist in my digital music collection. That was in January and was planning to premiere this show on Valentine's Day but I lost my voice and couldn't record the show in time for the February 14th deadline. Eventually, my voice came back to me and I managed to get this one upload eight days after the Hallmark Holiday. So, welcome back to the Cinematic Sound Radio Podcast Top 10 and I'm looking for suggestions on other Top 10 shows. I'm clear out of ideas right now. Post them in the comments below or send an emial. In the program today, I'm going to play for you my Ten Favourite Love Themes Of All Time and two honourable mentions. You'll hear selections from composers Jerry Goldsmith, Lee Holdridge, John Williams, Miklos Rozsa, Erich Wolfgang Korngold, James Horner, Brian Transeau and more. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Potent —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

SPIRIT ANIMALJONATHAN LIVINGSTON SEAGULL by Neil Diamond (Columbia, 1973)There were alot of self-help manuals popularized in the 70's; I remember gifting my mother the book “Your Eronneous Zones” (but that's another story)…. My acting teacher in college based her syllabus on Eric Berne's “I'm Ok, You're Ok”. But one of the biggest New Age parables making the rounds was Ex-Aviator Richard Bach's Jonathan Livingston Seagull, the story of an anthropomorphized Christ-like Seagull, who has to fly off from the pack to find his true self.It was a zeitgeist sensation, and spawned a movie with this soundtrack by the immortal Neil Diamond. Maestro Diamond is currently in the middle of a career renaissance - his biographical musical A BEAUTIFUL NOISE  is playing on The Great White Way, and although he struggles with Parkinson's he continues to work on new music. No one was bigger in the 70s, and although the 1960s Neil Diamond that I loved, the Brill Building song plugger who wrote and recorded Cherry Cherry, You Got to Me, and Solitary Man had seemingly transformed himself into a borscht belt crooner, there was no denying his powers of voice and composition, no matter how cheesy the venue (The Jazz Singer?)I chuckled ironically when I pulled this tape from the pile, anticipating mounds of Velveeta. But now, listening for the first time, I am moved to tears. (This is probably because all my youthful cynicism has given up the ghost). It's a beautiful musical meditation produced by Tom Catalano, and arranged by Lee Holdridge, and Neil's voice soars, aloft on chords of longing. Indeed, the album out-grossed the movie by 10 million dollars, and garnered the 1974 Grammy for Best Original Score, demonstrating that although the radio-controlled gliders representing the flying birds in the film might have been fake, Neil's inspiration was not. 

Segunda y última parte del especial que venimos dedicando a Lee Holdridge. Un extraordinario y muy polifacético músico, poco reconocido por la industria y menos conocido aún por el gran público. En este programa (el segundo de dos) reivindicamos su figura y os proponemos un puñado de piezas imprescindibles que van desde sus arreglos para la música country y pop, a las composiciones para Tv y cine. S05E011-Programa nº 151 DIRIGE, REALIZA Y PRESENTA Harry Callahan Emitido por Radio La Isla el 18 de enero de 2022

Lee Holdridge es un estupendo autor de música clásica, que ha trabajado en Broadway, es arreglista y escritor de canciones, además de compositor de innumerables BSO de cine y, sobre todo, TV. No obstante, es uno de esos músicos en la sombra, desconocido por el gran público. Probablemente por falta de suerte o por estar excesivamente encasillado en producciones que pasan desapercibidas. En este programa (el primero de dos) reivindicamos su figura y os contamos porqué. S05E010-Programa nº 150 DIRIGE, REALIZA Y PRESENTA Harry Callahan Emitido por Radio La Isla el 11 de enero de 2022

Les séries renouvelées, annulées et également les nouveautés de la rentrée prochaine . Avec l'écoute de génériques cultes en version longue. Copyright musique et interprètes génériques : Vladimir Cosma, Terry Bush, Ken Heller, Mike Post, Lee Holdridge. Peter Cetera.

“How far will you go for magic?” Bethany's back on her 2020 bullshit, giving you her second installment of David Copperfield's magic secrets, revealed! (If you missed the first installment, go back to Episode 295.) Bebe may be the only person who had a David Copperfield poster in her college dorm room, but we can all bathe in the joy of dramatic bed sheets and tiny ladies hiding under tables. Then, Kathleen pulls out her lock pick set and hides in a trash bag, because she's giving us the skinny on the craziest prison escapes! Do YOU have the photographic memory required to recreate a key?  —— What We Talked About: 2:02 - Intro To Topics 04:46 - Bethany's Grandmother passed away 08:36 - Kathleen's Mom is living with her for now 15:03 - More David Copperfield Magic Tricks Revealed  48:38 - Funny Prison Escape Stories 1:13:13 - Bethany's bonnet bee: processing times 1:19:13 - Apple Air Tag Trackers 1:20:55- What we learned this week 1:25:18 - Voicemails —— PATREON Dates in May: May 4th - Study Buds @ 1:00 PM ET May 17h  - Live Show @ 7:30 PM ET May 19th - YA Book Club @ 8:00 PM ET May 25th - Live Show @ 7:30 PM ET May 31st - Book Club  @ 8:00 PM ET Sign up at www.patreon.com/acquiredtaste ——— Check out our merch!:  https://store.dftba.com/collections/an-acquired-taste-podcast  ——— Please support the companies that support us!  Solo Stove - Shop now and get up to 30% off fire pits all month long, AND use promo code TASTE at checkout to get an extra $10 off, plus a lifetime warranty and FREE 30-day returns! Rothy's - Your new favorite shoes are waiting. Discover the versatile styles you can wear absolutely anywhere and get $20 off your first purchase at rothys.com/TASTE  Talkspace - Match with your dedicated therapist today at talkspace.com and use promo code taste during sign-up to get $100 off your first month.  Chime - So what are you waiting for? Hopefully not your paycheck. Get started with Chime today. Applying for a free account takes less than 2 minutes. Get started at chime.com/taste  ——— BETHANY'S SOURCES: David Copperfield - “Metamorphosis” Illusion https://www.youtube.com/watch?v=HJVOuptIAtM  David Copperfield – “Portal" Illusion https://www.dailymotion.com/video/x4hjve  https://en-academic.com/dic.nsf/enwiki/1500715 “East of Eden Suite,” Lee Holdridge https://www.youtube.com/watch?v=7ih7T1_uY7k David Copperfield – Guinness Book of World Records https://www.youtube.com/watch?v=x7tENaNIYj8 https://en.wikipedia.org/wiki/John_Gaughan https://www.grunge.com/610169/the-untold-truth-of-david-copperfield/ https://secrets-explained.com/david-copperfield/metamorphosis https://secrets-explained.com/david-copperfield/portal https://en.wikipedia.org/wiki/Portal_(magic_trick) https://www.documentarytube.com/articles/david-copperfield-the-mystery-behind-the-tricks https://mgmgrand.mgmresorts.com/en/booking/show-booking.html#/show-listing?arrive=2022-05-10&showId=b29623d7-0d20-420f-8997-a6b6ac8e5539  https://en.wikipedia.org/wiki/The_Prestige  KATHLEEN'S SOURCES:  https://www.newsweek.com/casey-white-vicky-white-married-called-wife-before-died-1705053  https://www.quora.com/If-you-talk-about-a-crime-in-Catholic-confession-can-the-priest-report-it-to-the-police https://allthatsinteresting.com/prison-escapes https://www.statista.com/statistics/624069/number-of-escapees-from-prisons-in-the-us/#:~:text=Number%20of%20escapees%20from%20prisons%20in%20the%20U.S.%202000%2D2019&text=In%202019%2C%202%2C231%20inmates%20escaped,facilities%20across%20the%20United%20States. https://list25.com/25-dumbest-prison-escapes/ https://metro.co.uk/2010/05/10/man-dressed-as-snoopy-tries-to-break-into-jail-293593/ https://www.reuters.com/article/oddlyEnoughNews/idUSTRE5623GN20090703 https://www.insidehook.com/article/crime/the-most-ridiculous-and-real-prison-escapes-of-all-time https://www.huffpost.com/entry/sidney-da-cruz-carlos-pereira-trash-bags_n_1773606?utm_hp_ref=weird-news https://www.insidehook.com/article/crime/the-most-ridiculous-and-real-prison-escapes-of-all-time

Primer programa dedicado al género documental, tanto para el cine como para la televisión. En él se dan citas cuatro genios: Lee Holdridge, Aaron Copland, Alex North y Carl Davis, en las bandas sonoras siguientes: Suite de Lee Holdridge: El Pueblo del Sol/In search for peace/Unlikely heroes/The long way home/Winston Churchill: Walking with destiny. Suite de Aaron Copland: The city/The Cummington story. África (Movement IV). Suite de Carl Davis: El mundo en guerra/Anna Frank remembered/Hollywood. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

In this episode we're slipping down subways, and twisting our way through tunnels as we step underground with the cult favourite American TV show, Beauty and the Beast from 1987. Along the way Colin explains what Paul's role really is, Paul tells his sock story... again, and we moan about ITV's lack of surprise. Music is from the series by Lee Holdridge.

Y ya van 8 citas isleñas, en esta nueva ocasión con la incomparable compañía musical de Toto, Lee Holdridge y Cliff Eidelman, en las variopintas Dune, El pueblo del sol y Cristóbal Colón: El descubrimiento. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

World-renowned composer, conductor and orchestrator Lee Holdridge is a multiple Emmy and Grammy award winning musician who has worked with Placido Domingo, Barbra Streisand, John Denver, Whitney Houston and many other top celebrities. Coming to us from his home in Los Angeles, Lee reflects on the many challenges facing performing artists during these times. With arts always put on the back burner, Lee maintains that live performance is what keeps people going, especially during trying times. Tune in to hear how Lee is staying creative during the pandemic (dogs play a big part in this!) and listen to the advice he offers on self discipline, trusting the experts, relinquishing ego and looking to the higher ground to get ourselves through.Season 3 of Saucy Talk welcomes musicians, composers, and conductors from around the world. We learn what they've been doing to keep financially afloat, creatively sane, and what their thoughts are on the future of the post-pandemic arts.Buy Melina A Matzo Ball HERE!For more content like this, and to follow The Saucy Soprano's culinary and personal pandemic journey, subscribe to The Saucy Soprano blog HERE. Don't forget to check out The Saucy Soprano on Instagram HERE and Facebook HERE.Host: Melina Schein (The Saucy Soprano)Guest: Lee Holdridge

Few big budget studio films since the 1970s exemplify the trichotomy of Luis Puenzo's 1989 historical drama / romance adventure / political treatise masquerading as pulp OLD GRINGO. The eagerly anticipated adaptation of Carlos Fuentes' lauded 1985 novel “Gringo Viejo” (which took him 20 years off and on to complete), and from the director of the equally acclaimed 1985 Oscar winning film THE OFFICIAL STORY starred Jane Fonda, Gregory Peck and Jimmy Smits in a three-person-point of view narrative which brought together an American school teacher, a General in the Army of Pancho Villa during the Mexican Revolution, and aging legendary journalist / novelist Ambrose Bierce (a fictional version of him anyway) in the final days of his life … . The film took a long and winding road to the screen, premiered out of competition at the Cannes film festival - where it was booed, suffered a delayed then incomplete release in the U.S., and ended up as one of the most critically lambasted box office disappointments of the year. But then again so did other films which have since gone on to become essential cinema - among them John Frankenheimer's SECONDS (also booed at Cannes), David Lean's DOCTOR ZHIVAGO - a huge critical piñata when it first opened, and others from FANTASIA and BRINGING UP BABY to BLADE RUNNER and THE THING - all of which were not box office / audience hits upon their initial releases, but which grew in popularity over the years. Does OLD GRINGO deserve such a place in cinema history? We don't know. But we've always felt it was treated incredibly unfair by critics of the day who failed to notice what was really going on below the surface - among the many subtextual themes it's analogy to the Iran-Contra Scandal of the day and more. We also believe that, like SECONDS, BLADE RUNNER et all, it will eventually find it's audience appreciative of it‘s multi-layered cinematic brilliance and bravado, ... which is kind of why we're here in general. ;) ______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

Lee Holdridge is our guest for our next episode. He has written for short films, theater and opera before becoming prolific in composing for scores and arranging for solo artists. He scores include Mr. Mom, Splash, The Beastmaster,  and TV shows such as Into Thin Air, East of Eden and Moonlighting ( he wrote the popular theme tune for this). Our discussion was wide ranging and fascinating as we discussed his work with Neil Diamond, John Denver as well as the scores he wrote. The stories were free flowing and lead to a great conversation coupled with some of his terrific compositions. Please Download and listen at your convenience. 

Segunda y última parte dedicada a compositores olvidados por la Academia de Hollywood, al no haber sido nunca nominados al Oscar a la mejor banda sonora original. En este caso hablo de Michael Small, John Scott, Lee Holdridge, Mario Nascimbene, Mark McKenzie, Michael Convertino, Michael Kamen, Arhur Bliss, Ralph Vaughan Williams, Randy Edelman, Rolfe Kent, Trevor Jones, William Ross, Wojciech Kilar y Zbigniew Preisner. ¿Las películas? Las montañas de la luna – Greystoke: La leyenda de Tarzán, el rey de los monos , Gringo viejo – Los vikingos, Blizzard,el reno mágico – Hijos de un dios menor, Profesor Holland – Cristóbal Colón, Los invasores – Dragón, la vida de Bruce Lee, A propósito de Schmidt – Cristal Oscuro, Tin Cup – Drácula de Bram Stoker, Tres colores:Rojo. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

Segunda y última parte dedicada a compositores olvidados por la Academia de Hollywood, al no haber sido nunca nominados al Oscar a la mejor banda sonora original. En este caso hablo de Michael Small, John Scott, Lee Holdridge, Mario Nascimbene, Mark McKenzie, Michael Convertino, Michael Kamen, Arhur Bliss, Ralph Vaughan Williams, Randy Edelman, Rolfe Kent, Trevor Jones, William Ross, Wojciech Kilar y Zbigniew Preisner. ¿Las películas? Las montañas de la luna – Greystoke: La leyenda de Tarzán, el rey de los monos , Gringo viejo – Los vikingos, Blizzard,el reno mágico – Hijos de un dios menor, Profesor Holland – Cristóbal Colón, Los invasores – Dragón, la vida de Bruce Lee, A propósito de Schmidt – Cristal Oscuro, Tin Cup – Drácula de Bram Stoker, Tres colores:Rojo. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

On today's episode we're talking about that classic and timeless film, The Secret of NIMH 2: Timmy to the Rescue. We discuss its bold choices in ink and paint, the rarity of sequels that outrank the originals, and its lasting legacy in the history of cinema. So come make the most of your life by listening to us talk about this forgotten gem! On DVD https://amzn.to/39vxJZW On Streaming https://amzn.to/3bH8Zzf Follow Dax https://www.instagram.com/daxschaffer https://twitter.com/DaxSchaffer Follow Sara https://www.instagram.com/saraiyer https://twitter.com/saraanjuliiyer Follow Analise https://www.instagram.com/lalalanalise https://twitter.com/lalalanalise Follow the Podcast on Instagram https://www.instagram.com/nothingbutthebluth Like the Podcast on Facebook https://www.facebook.com/TheBluthTheWholeBluthAndNothingButTheBluth Check out Dax's other pod, Cineppraisal @Cineppraisal on FB/Twitter/IG https://anchor.fm/cineppraisal Songs from The Secret of NIMH 2: Timmy to the Rescue by Lee Holdridge with lyrics by Richard Sparks. Audio clips are (mostly) from The Secret of NIMH 2: Timmy to the Rescue by MGM Animation and MGM Home Entertainment.

Lee Holdridge, Patrick Doyle, Wojciech Kilar y Richard Strauss forman el variopinto cuarteto de este séptimo programa dedicado a los mejores scores del siglo XX. Las partituras elegidas son el documental El pueblo del sol, el primerizo Enrique V, la apoteósica Drácula de Bram Stoker y la brillante adaptación de la ópera (versión muda de 1925) El caballero de la rosa. Sintonía compuesta e interpretada por Curro Martín. Audio: Pablo Silicato.

Lee Holdridge, Patrick Doyle, Wojciech Kilar y Richard Strauss forman el variopinto cuarteto de este séptimo programa dedicado a los mejores scores del siglo XX. Las partituras elegidas son el documental El pueblo del sol, el primerizo Enrique V, la apoteósica Drácula de Bram Stoker y la brillante adaptación de la ópera (versión muda de 1925) El caballero de la rosa. Sintonía compuesta e interpretada por Curro Martín. Audio: Pablo Silicato.

Segunda parte en la que la televisión y su música son las protagonistas, con compositores como Billy Goldenberg, Lee Holdridge, David Rose, George Fenton, Thomas Newman o Michael Kamen. Las series son las siguientes: El Equipo-A, Autopista al cielo, Hermanos de sangre, Al este del Edén, Misión: Imposible, Colombo, Orville, Perdidos, Hombre rico,hombre pobre, SeaQuest, Planeta Azul, Ángeles en América, Cosmos, De la Tierra a la Luna, El pájaro espino, National Geographic: Grandes ballenas.

Segunda parte en la que la televisión y su música son las protagonistas, con compositores como Billy Goldenberg, Lee Holdridge, David Rose, George Fenton, Thomas Newman o Michael Kamen. Las series son las siguientes: El Equipo-A, Autopista al cielo, Hermanos de sangre, Al este del Edén, Misión: Imposible, Colombo, Orville, Perdidos, Hombre rico,hombre pobre, SeaQuest, Planeta Azul, Ángeles en América, Cosmos, De la Tierra a la Luna, El pájaro espino, National Geographic: Grandes ballenas.

Hay pocos compositores con la capacidad melódica de Lee Holdridge, siendo además uno de los más infravalorados por la industria de Hollywood. Una hora de música con mayúsculas de un autor fuera de lo común. En el programa podéis escuchar temas de las siguientes películas y series: Juan Salvador Gaviota, Forever young, forever free, Al este del Edén, Las grandes ballenas (National Geographic), El señor de las bestias, Wizards and warriors, El pueblo del sol, Un,dos,tres…Splash, Luz de luna, La bella y la bestia, Gringo viejo, Heidi, Tragedia en la montaña, Unlikely heroes.

Hay pocos compositores con la capacidad melódica de Lee Holdridge, siendo además uno de los más infravalorados por la industria de Hollywood. Una hora de música con mayúsculas de un autor fuera de lo común. En el programa podéis escuchar temas de las siguientes películas y series: Juan Salvador Gaviota, Forever young, forever free, Al este del Edén, Las grandes ballenas (National Geographic), El señor de las bestias, Wizards and warriors, El pueblo del sol, Un,dos,tres…Splash, Luz de luna, La bella y la bestia, Gringo viejo, Heidi, Tragedia en la montaña, Unlikely heroes.

Con motivo de nuestro último programa dedicado a la filmografía de Ron Howard, hemos preparado una playlist musical con una recopilación de los temas musical de sus películas por orden cronológico. Desde su primer largometraje como director “Local Escapada a Las Vegas” hasta su recién estrenada “Han Solo: Una Historia de Star Wars”, Ron Howard ha contado con algunos de los mejores compositores de la época y los resultados han sido más que notables. James Horner, Lee Holdridge, Randy Newman, Hans Zimmer, Roque Baños, Thomas Newman o John Williams son algunos de los más destacados con scores memorables que nos atrevemos a decir que en algunos casos han superado a las propias películas. Al igual que en su filmografía, los trabajos son muy variados y se pueden encontrar temas alegres para comedias de Randy Newman, pasando por scores íntimos y dramáticos para películas con “Una Mente Maravillosa” o “El Dilema”, pero donde realmente destacan sus scores son en espectaculares films como “Cocoon”, “Willow”, “Apollo XIII“, “Llamaradas” o la reciente “Han Solo”. Miguel Casares ha montado la selección y ha añadido una interesante introducción antes de cada tema. Esperamos que así como todos encontramos en su filmografía alguna película que nos ha gustado, encontréis en esta selección y descubráis grandes temas. 1977 · "Loca Escapada a Las Vegas" - Peter Ivers - Main Theme 1982 · "Turno de Noche" - Burt Bacharach - That's What Friends are For 1984 · "1,2,3, Splash ..." - Lee Holdridge - Love Theme 1985 · "Cocoon" - James Horner · Theme from Cocoon 1986 · "Pisa a Fondo" - Thomas Newman - Bucket of Ice 1988 · "Willow" - James Horner - Willow Theme 1989 · "Dulce Hogar a Veces" - Randy Newman - End Title · I Love To See You Smile 1991 · "Llamaradas" - Hans Zimmer - Show me your firetruck 1992 · "Un Horizonte muy Lejano" - John Williams - End Credits (With The Chieftains) 1994 · "Detrás de la Noticia" - Randy Newman - The Newsroom 7-00PM 1995 · "Apollo XIII" - James Horner - All Systems Go - The Launch 1996 · "Secuestro" · James Horner - The Kidnapping 1999 · "EdTV" - Randy Edelman - Streetwalkin' Ed 2000 · "El Grinch" - James Horner - The Shape Of Things To Come 2001 · "Una Mente Maravillosa" - James Horner - Closing Credits 2003 · "Desapariciones" - James Horner · The Long Ride Home 2005 · "Cinderella Man: El Hombre que no se dejó Tumbar" - Thomas Neman - Cinderella Man 2006 · "The Da Vinci Code" - Hans Zimmer - End Credits 2008 · "Frost Nixon: El Desafío" - Hans Zimmer - Watergate 2009 · "Ángeles y Demonios" - Hans Zimmer - 160 BPM 2011 · "El Dilema" - Hans Zimmer y Lorne Balfe - End Credits 2013 · "Rush" - Hans Zimmer - Lost but Won 2015 · "En el Corazón del Mar" - Roque Baños - The White Whale Chant 2016 · "Inferno" - Hans Zimmer - Life Must Have It's Mysteries 2018 · "Han Solo: Una Historia de Star Wars" - John Williams - Adventures of Han

Por Fran Beltrán Si existe el cielo y la majestuosidad en la música de cine, ese es Ben-Hur. La magistral música, obra de Miklós Rózsa, es una obra impresionante con unos pasajes impecables, una gran percusión y unos temas espectaculares cargados de una gran epicidad. Esta gran superproducción, protagonizada por Charlton Heston, es una de las mayores obras maestras del cine y el compositor húngaro tuvo gran culpa de ello. Rosza nos sumerge a través de un tema principal de magnífica ejecución en la personalidad de Ben -Hur, su heroicidad, su benevolencia y su sed de venganza, todo ello queda perfectamente reflejado en una melodía cargada de gran fuerza musical. A través de espectaculares "Marcias" Romanas, podemos sumergirnos en esa Roma, pletórica y victoriosa pero también Rosza ofrece una oda a la belleza y a lo espiritual con melodías de gran dramatismo, cargadas de luz y esperanza, como la resurrección final. La acción también luce magistral en la Batalla contra los piratas, con grandes dosis de percusión y frenéticas melodías que años más tarde fueron influenciadas en sus alumnos aventajados como John Williams o Jerry Goldsmith. Una obra maestra, un Score épico que catapultó el sinfonismo y a la gran orquesta y que ha servido de inspiración para nuevos talentos (algunos fallecidos y otros actuales) que han adquirido el vigorismo y la majestuosidad de Rózsa, como fueron Basil Poledouris y actualmente, Michael Giachinno, Danny Elfman, Lee Holdridge o Abel korzeniowski. Bienvenidos al espectáculo, al gran cine y a la maravillosa obra maestra de Rosza! En esta 2ª parte podréis disfrutar de las secciones "El Rincón del Coleccionista" y "Bonus Track" con Miguel Casares, "Grandes Esperanzas" con Alma López, "Repartiendo Zapatilla" con los Hermanos Jimenez y "Firma invitada" con Fran Beltrán. Tracklist 1.  Fertility Dance (01:02) 2.  Arrius' Party (01:13) 3.  Nostalgia/Farewell to Rome (02:11) 4.  A Barren Coast (00:26) 5.  Judea/Balthazar (02:25) 6.  Balthazar's World (01:56) 7.  Homecoming (01:21) 8.  Memories/Hatred (04:22) 9.  Lepers (01:01) 10.  Return/Promise (05:21) 11.  Sorrow and Intermission (01:22) 12.  Entr'Acte (03:47) 13.  Panem et Circenses (00:52) 14.  Circus Fanfares Nos. 1-4 (00:42) 15.  Panem et Circenses (00:45) 16.  New Fanfare for Circus Parade (Parade of the Charioteers) (03:15) 17.  Circus Fanfare No. 6 (Fanfare for Start of Race) (00:11) 18.  Panem et Circenses (00:57) 19.  Circus Fanfare No. 7 (Ben-Hur Crowned) (00:16) 20.  Bitter Triumph (00:46) 21.  Aftermath (01:16) 22.  Valley of Lepers/The Search (02:53) 23.  The Uncleans (02:29) 24.  Road of Sorrow (02:49) 25.  The Mount/The Sermon (01:18) 26.  Frustration (01:15) 27.  Valley of the Dead/Tirzah Saved (04:00) 28.  The Procession to Calvary/The Bearing of the Cross/Recognition (07:06) 29.  Aftermath (Crucifixion) (02:21) 30.  Golgotha (00:53) 31.  Shadow of a Storm (01:01) 32.  The Miracle/Finale (04:53) 33. Evelyn King "Give it up" Killer Dance Mix (Fright Night, 1985) 5:46 34. Barry Lyndon (Main Title) - George Friedrich Haendel / Sarabande 2:43 35. Finale From "The Lost Weekend" - Miklós Rózsa  4:12 36. Prelude From Double Indemnity - Miklós Rózsa  3:16 37. The Towering Inferno - John Williams 5:06 38. Superman - Prelude / Main Title March - John Williams 5:29 39. Star Trek 2009 - End Credits - Michael Giacchino  9:11 40. Jaws (Tiburón) - Main Title / The First Victim - John Williams 3:28 

This episode, packed with 46 opening and closing theme tunes, will focus on the theme music to seven series, each from a different decade from the 1950s up to the present, and all of them with titles beginning with the letter B. Here are the series and theme tunes included in this episode: BLONDIE (1957) 1957 opening and closing titles Music composed by Leon Klatzkin; opening screeching by Arthur Lake BONUS THEMES: THE ADVENTURES OF SUPERMAN 1952-1958 opening titles Music composed by Leon Klatzkin BLONDIE (1968 revival) 1968-1969 opening titles Music composed by Al Brodax & Bernard Green; lyrics written by Dennis Marks; performed by Patricia Harty and Will Hutchins BURKE'S LAW/AMOS BURKE-SECRET AGENT (1963-1966) 1963-1965 opening and closing titles Music composed by Herschel Burke Gilbert 1965-1966 opening and closing titles Music composed by Herschel Burke Gilbert BONUS THEMES: HONEY WEST 1965-1966 opening titles Music composed by Herschel Burke Gilbert BURKE'S LAW (1994 revival) 1994-1994 opening titles Music composed by John E. Davis -Commercial Break- BARNEY MILLER (1975-1982) January 1975-September 1975 opening and closing titles Music composed by Jack Elliott & Allyn Ferguson September 1975-1976 opening and closing titles Music composed by Jack Elliott & Allyn Ferguson 1976-1977 opening and closing titles Music composed by Jack Elliott & Allyn Ferguson 1977-1982 opening and closing titles Music composed by Jack Elliott & Ferguson BONUS THEMES: FISH 1977-1978 opening and closing titles Music composed by Jack Elliott & Allyn Ferguson PISTOLS 'N' PETTICOATS 1966-1967 opening titles Music and lyrics written by Jack Elliott THE NEW DICK VAN DYKE SHOW 1971-1972 opening titles Music composed by Jack Elliott & Allyn Ferguson LOTSA LUCK! 1973-1974 opening titles Music and lyrics written by Jack Elliott & Allyn Ferguson, with Bill Persky & Sam Denoff; voice-overs by Dom DeLuise, Kathleen Freeman, Wynn Irwin, Beverly Sanders & Jack Knight CHARLIE'S ANGELS 1976-1977 opening titles Music composed by Jack Elliott & Allyn Ferguson; narrated by John Forsythe NIGHT COURT 1984-1992 opening titles Music composed by Jack Elliott BEAUTY AND THE BEAST (1987-1990) 1987-1989 opening titles Music composed by Lee Holdridge; dialogue by Ron Perlman & Linda Hamilton BONUS THEMES: GEMINI MAN 1976 opening titles Music composed by Lee Holdridge and Mark Snow CODE R 1977 opening titles Music composed by Lee Holdridge EIGHT IS ENOUGH 1978-1981 opening titles Music composed by Lee Holdridge; lyrics written by Molly-Ann Leikin; performed by Grant Goodeve MOONLIGHTING 1985-1988 opening titles Music composed by Lee Holdridge; lyrics written and theme performed by Al Jarreau -Commercial Break- BEVERLY HILLS, 90210 (1990-2000) 1990-1991 opening titles Music composed by John E. Davis 1991-1992 opening titles Music composed by John E. Davis 1992-1993 opening titles Music composed by John E. Davis 1993-1994 opening titles Music composed by John E. Davis 1994-2000 opening titles Music composed by John E. Davis 1994-1995 closing titles Music composed by John E. Davis BONUS THEMES: MELROSE PLACE 1992-1999 opening titles Music composed by Tim Truman 90210 2008-2009 opening titles Music composed by John E. Davis (based on his 1990 theme music to BEVERLY HILLS, 90210) MELROSE PLACE (2009 revival) 2009-2010 opening titles Music composed by Danny Lux (based on Tim Truman's 1992 theme music to MELROSE PLACE) THE BIG BANG THEORY (2007-present) 2007-present opening and closing titles Music and lyrics (used in opening titles only) written and performed by The Barenaked Ladies (Jim Creeggan, Kevin Hearn, Ed Robertson, Tyler Stewart) BEAUTY AND THE BEAST (2012-2016) 2012-2013 opening and closing titles Music composed by Claude Foisy; narrated by Kristin Kreuk & Jay Ryan 2013-2015 opening and closing titles

Lee Holdridge was our guest speaker at the ASMAC luncheon on Wednesday, November 19, 2008. Lee spent his early years in Costa Rica, beginning music studies on the violin at the age of ten with Hugo Mariani, then the conductor of the National Symphony Orchestra of Costa Rica. At fifteen - now determined to be a composer - he moved to Boston to finish high school and study composition with Henry Lasker. Later, he moved to New York to continue his music studies and begin his professional career as a composer. While in New York, he wrote chamber works, rock pieces, songs, theatre music and background scores for short films. Holdridge’s successes in New York came to the attention of Neil Diamond who brought him to Los Angeles to write arrangements for Diamond’s forthcoming albums. A string of gold and platinum hits followed, which led to Diamond and Holdridge collaborating on the film score for “Jonathan Livingston Seagull.” To learn more about this ASMAC luncheon, please visit: http://www.asmac.org/lee-holdridge-luncheon-november-19-2008/

Selección de temas de Max Steiner, Franz Waxman, Bernard Herrmann, Lee Holdridge, John Williams, Miklós Rózsa, Alfred Newman, Erich W. Korngold & Dimitri Tiomkin.

Selección de temas de Max Steiner, Franz Waxman, Bernard Herrmann, Lee Holdridge, John Williams, Miklós Rózsa, Alfred Newman, Erich W. Korngold & Dimitri Tiomkin.