The Movie Sneak

Old-school retro while "new era" ballsy as hell, the films of producer Arthur Sarkissian - among them the RUSH HOUR series, WHILE YOU WERE SLEEPING, Walter Hill's LAST MAN STANDING, Rutger Hauer's back-in-day classic WANTED DEAD OR ALIVE, Martin Campbell's THE FOREIGNER with Jackie Chan and Pierce Brosnan, THE PROTÉGÉ, MEMORY and more - were all shepherded to the screen by Mr. Sarkissian not necessarily because of how critics or studios or distributors would react to them, ... but more importantly by how audiences would. And this is because Sarkissian grew up falling in love with films like THE GUNS OF NAVARONE, KELLY'S HEROES, JAWS and others while watching them in theaters surrounded by audiences laughing, screaming, cheering and more. As such, it's my great honor to present a nifty sit-down wherein "filmic king" Arthur delves into his past, inspirations, mentorship under iconic Hollywood mogul Howard W. Koch, Sr., early involvement with MIDNIGHT EXPRESS, AIRPLANE and Abel Ferrara's KING OF NEW YORK and much, much more.Ladies and gentlemen, one of the last of Hollywood's great gentleman producers, Mr. Arthur Sarkissian. __________________________________Rights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

What could make the greatest film summer of them all, 1982 - where within four months POLTERGEIST, STAR TREK II: THE WRATH OF KHAN, E.T., ROCKY III, BLADE RUNNER, THE THING, CONAN THE BARBARIAN, TRON, FIREFOX, AN OFFICER AND A GENTLEMAN, PINK FLOYD: THE WALL, THE SECRET OF NIMH, THE ROAD WARRIOR, NIGHT SHIFT, DINER and more, ... which 40 years ago all opened back-to-back / week-after-week - even better? How 'bout reliving that time with the people with whom you first saw many of those movies! That's what we did - inviting three of our closest life-long friends to step into the WayBack Machine with us to that most memorable summer. And, hey, in doing so we realized it wasn't just the films themselves which gave us that lifetime of memories we cherish to this day, but the fact that it was also a very special time of life associated with those movies which we came to emotionally - sometimes subconsciously - link to them. And as such, whether - like us - you got to those now-classic flicks of '82 in the first "POS" car you ever owned or on bicycles, whether those four months helped heal a first-time broken heart, or whether it was the last time you and your own personal STAND BY ME / STRANGER DAYS / FAST TIMES AT RIDGEMONT HIGH-like group of friends were ever together in the same room before separating to the four winds, to this day every time you rewatch one of those films a piece of you zooms back to the time and place you first saw it - and with whom you saw it - faster than Doc Brown can say "Great Scott!" or "1.21 gigawatts!".__________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

The concept of independent cinema isn't as new as some believe, and there have always been two kinds. One is where stars break from the system to do their own thing - such as when Douglas Fairbanks, Mary Pickford, Charlie Chaplin and D.W. Griffith joined to form the (then) independent company United Artists to oppose the financial and creative strangulation of the “Big Five” studios of the day. And the other where a relative upstart / outsider has the chutzpah to not only tear down long-established walls, but in the process build bridges for others into the industry - such as when 100 years before Tyler Perry African-American novelist Oscar Micheaux establish himself as the first black American “one man studio”, directing and producing 40 films and seven novels in just under 30 years between 1919 and 1948. That spirit still exists today. And in celebration THE MOVIE SNEAK sits down with three filmmakers for our annual fireside on the current state of the independent cinematic arts. Stacy Layne Wilson takes us behind-the-scenes on her new “Lo Fi, Sci Fi, Rock ‘n Roll Comedy” THE SECOND AGE OF AQUARIUS. Filmmaker Amanda Kasmira Cryer gives us a little pre-vis on her searing in-the-works documentary INSIDE MEN which delves into prison reform and the need to do away with the “for-profit” incarceration system. And ahead-of-his-time writer / director Chris Chan Lee chats with us about his acclaimed hard-hitting 1997 coming-of-age drama YELLOW, and his “currently on the festival circuit" SILENT RIVER – which begins as a Sam Shepard-like drama about a man seeking reconciliation with his estranged wife, then branches in mind-bending genre territory worthy of Rod Serling and Richard Matheson. Recently returned from Europe where just a few weeks ago SILENT RIVER picked up a Jury Award at the Paris International Film Festival, we're honored to have Chris -- along with Stacy and Amanda – join us for our Second Annual Celebration of “INDEPENDENT'S” DAY. More on STACY LAYNE WILSON @ ...Staci Layne Wilson Official WebsiteStaci Layne Wilson - IMDbMore on AMANDA KASMIRA CRYER @ ...Amanda Cryer - IMDbKazzy Reacts - YouTubeMore on CHRIS CHAN LEE @ ...Chris Chan Lee - IMDbFILM AND TV NOW - CHRIS CHAN LEE (SILENT RIVER) INTERVIEW - YouTube__________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

It's that time of year again where - as certain as those proverbial death, taxes and the changing of the seasons (though usually a lot more fun) - THE MOVIE SNEAK PODCAST unleashes its choices for the annual CHEAPIE BIN AWARDS. The world's most unpretentious awards show (which really doesn't actually give out any trophies), THE CHEAPIE BINS celebrates a love of film by delving into our favorites from the last year. The twist, though, is they aren't necessarily films which opened within the last year. But are rather films we've only just seen in that last year via taking a chance / a flyer / a gamble and picking them up for a buck or two in a local supermarket, drug store or Dollar Store / Dollar Tree cheapie bin. As such, we take into consideration old and new, and everything from studio fare and critical gems to contemporary action flicks and old-school grindhousers in our awards categories - "Best Remake or Reboot", "Most Surprising Film, ... In A Good Way", "Most Technically Impressive", "Fave Film Which The Rest of The World Absolutely Hated", "Favorite Guilty Pleasure" and "Best CHEAPIE BIN-DER Of The Year". "The envelope please"

"Neo" means "new". But from Charlottesville, to the plot to kidnap Gov. Gretchen Whitmer, to the January 6th terror attack (and Sept.18th rally attempting to recasts the insurrectionists as "political prisoners") and beyond, it's the same age-old supremacist doctrine which earlier fueled Germany's "Beer Hall Putsch" and the Holocaust, South Africa's once all dominant Apartheid, and America's "Jim Crow". So, let's be clear there's nothing "new" about any of this at all. Art - including cinema - is society's subconscious. And in the 1980s, when long-standing ethnic / cultural barriers were being torn down (remember MTV refusing to air black artists until the success of Michael Jackson and Prince forced them too?), there was rising blowback among those who felt they were losing long-held power. And before this blowback was publicly acknowledged (or maybe even realized) by the general public, filmmakers had already picked up on it and addressed the threat in a remarkable number of mainstream films between 1988 - '89 where white supremacists and their doctrine were challenged head-on as a modern day threat: among those films - Costa-Gavras' BETRAYED and MUSIC BOX, Oliver Stone's TALK RADIO, John Frankenheimer's DEAD BANG, Clint Eastwood's PINK CADILLAC, Richard Donner's LETHAL WEAPON 2, along with MISSISSIPPI BURNING, MURDERER'S AMONG US, A DRY WHITE SEASON, TRIUMPH OF THE SPIRIT, HANNA'S WAR and others. And it's remarkable how, when re-watching these films today, they all seem as if they could have been shot as recently as just last week. In one of our most stark and raw installments (yes, we've still got film audio clips, but no background music or slick production this time around) Craig and Jim recall the era, and do in-depth retros on the various films as they related to the social / political landscape of their day, ... as well as how many still amazingly / tragically closely relate to our present. *NOTE* THIS EPISODE CONTAINS FILM AUDIO CLIPS AND LANGUAGE WHICH SOME MY FIND DISTURBING.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

Ever see any of those films, ... or POSEIDON, SMALL SOLDIERS, HOCUS POCUS, NEWSIES, PAYCHECK, THE FLINTSTONES or HOTEL FOR DOGS? Whew - helluva career! Well, all of their sets - those created cinematic worlds and many more - were imagined and designed by the legendary William Sandell. And we've got him! So, sit back, crack one open, light ‘em if you got ‘em, open a steno pad and take some notes ... or whatever it is you do. Because Sandell's taking us on a trip, both chill and informative as all hell at the same time, through behind-the-scenes Hollywood history - from his early days as a set dresser on films like MEAN STREETS, TRUCK TURNER, BLACK BELT JONES and Roger Corman's BIG BAD MAMMA, to world creator on later day modern faves which have actually become traveling art museum staples like HOCUS POCUS. Prepare to have your movie mind blown.Learn more - * WILLIAM SANDELL online @ https://williamsandell.com/______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

The best awards show ever for "Movies No One Gives A Damn About, ... But Should!" returns with THE MOVIE SNEAK's annual CHEAPIE BIN AWARDS. Y'know those department store, Rite-Aid and Dollar Store dump bins overflowing with that disorganized mess of Blu-rays and DVDs? Well, once per year we offer up a "Best Of" list culled from films - older and newer - we've only just seen over the last 12 months because we took a flyer, dove into that pile and pulled out what turned out to be some true cinematic gems. And with categories ranging from "Biggest Pleasant Surprise", to "Best Remake or Reboot", to "Favorite Film Which The Rest Of The World Absolutely Hated!" and more, we're pretty effin' certain there's gonna be something for every taste in this our latest celebration of the "$4 DOLLAR FILM FESTIVAL". That one right around the corner and down the aisle from the paper towels and Pepto. Also ... THE MOVIE SNEAK MASTERS SERIES (begins at 5:06 min. mark) returns with a chat with conductor / award-winning filmmaker Amy Andersson. The founder of Orchestra Moderne NY, Maestra Andersson is an industry multi-tasker renowned for conducting operatic, symphonic, Broadway musical, and video game concerts globally - among the most popular being the uber-successful THE LEGEND OF ZELDA: SYMPHONY OF THE GODDESSES tour. She's made appearances on THE LATE SHOW WITH STEPHEN COLBERT, the CBS MORNING and CBS EVENING SHOWs and more. And she's the creator and producer of WOMEN WARRIORS: THE VOICES OF CHANGE - a stunning multimedia "live-to-picture" symphony production featuring the music of eight celebrated contemporary female composers synched to a silent 70 minute documentary film. Premiering at Lincoln Center to rave reviews on September 20th, 2019, the soul stirring concert creation honors the strength and heroism of global activists fighting for social justice, human and civil rights, gender equality, environmental causes, and for the right of every girl around the world to an education. Brava, Maestra Andersson! Learn more -* WOMEN WARRIORS: THE VOICES OF CHANGE @ https://womenwarriorsthevoicesofchange.com/* Amy Andersson conducts THE LEGEND OF ZELDA: SYMPHONY OF THE GODDESSES on THE LATE SHOW WITH STEPHEN COLBERT (10/13/15) @ https://www.youtube.com/watch?v=MgRn5Ir2Dmg______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

Remember when documentaries were the purview of PBS, Jacques Cousteau, the Disney Nature films of the 60s, and they felt like junior high Social Studies? Not anymore! Since filmmakers Barbara Koppel, Michael Moore, Ken Burns and others entered the field the documentary has become one of the primary contemporary catalysts for environmental change, setting straight the long-bent historical record, and instigating a wide spectrum of social change – from setting the innocent free, sending those who “got away with it” up the river, bringing abusive political, religious and other leaders to justice … . And, oh, yeah, very often they're as damned entertaining (and poignantly moving) as any narrative film. But what sets one apart as unique or special? We've got three films we believe by year's end will be forefront in the hearts and minds of many, ... and we've got a sit-down with each of the filmmakers behind them.Staci Layne Wilson's THE VENTURES: STARS ON GUITARS (begin 4:10) is a fast and fun retrospective of her father Don Wilson and The World's All Time Bestselling Instrumental Band - featuring testimonials, accolades and fandom from everyone from Jimmy Page, John Fogerty and The Surfragettes, to Lalo Schifrin, Billy Bob Thornton and more. With DISPOSABLE HUMANITY (begin 16:15) documentarian Cameron Mitchell traversed Europe to bring to light WWII Germany's tragic (but little known) medical genocide program "Aktion T4" which took the lives of 300,000 physically disabled, and served as a developmental precursor to gas chamber "technology", death camps and ultimately the Holocaust. And finally with STUNTWOMEN: THE UNTOLD HOLLYWOOD STORY (begin 29:44) director April Wright and THE FAST AND THE FURIOUS' Michelle Rodriguez pull out all the stops and let the film industry's greatest stuntwomen tell their own story with stirring (and at times heartbreaking) recollections ... and the best scenes from some of Hollywood's greatest action flicks. Wright calls her film an “action documentary”. But truth is it's a bad-assed contemporary action classic in it's own right - with the participation of over 50 filmmakers and (of course) those high flying, physics smashing stuntwomen themselves!Learn more - * THE VENTURES: STARS ON GUITARS @ https://theventuresstarsonguitars.com/movie* DISPOSABLE HUMANITY @ https://www.disposablehumanity.com/?fbclid=IwAR0QCqtmtHi4RI1vci9dMrt1O0x72khEzPNiUfev1DI1d29jQlgeSvyCY1M* STUNTWOMEN: THE UNTOLD HOLLYWOOD STORY @ https://www.yahoo.com/entertainment/stuntwomen-untold-hollywood-story-watch-150057359.htmlhttps://instabio.cc/StuntWomen?fbclid=IwAR3sjTqDbpfh2NXH1u6P3MISaewQR5zMy60pGjj5HwpZhPLXAWWkeMFW-ac______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

Elections both large and small, every time one rolls around we hear the inevitable refrain of how "Never has one been more important!". With America's 2020 Presidential race, however, regardless of where one falls within the political spectrum, we don't think anyone would disagree with that assessment this time around. We're old enough to remember how years ago before a few Presidential elections Roger Ebert & Gene Siskel did a handful of episodes entitled "Films Every President Needs To See Before Taking Office" which included such expected titles as DR. STRANGELOVE, FAIL SAFE and others. Now on the occasion of our 2020 election we present our version directed more at the voters called FILMS EVERY VOTER SHOULD REMEMBER BEFORE ENTERING THE BALLOT BOOTH. Yeah, you'll find a couple you know, but maybe even one or two you've not yet seen ... or of which you may not even be aware. As Samuel L. Jackson said ... "Vote, dammit!" ______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

Few historical figures have been as polarizing as Christopher Columbus. So, how does someone create a film which - as if piecing together an historical puzzle with personal journals, newly discovered archaeological and forensics evidence and more - paints a dramatic portrait of both sides of the man: at once a brave and brilliant navigator, explorer and missionary; but ultimately also an obsessed seeker of gold, exploiter of a continent, and slaver? Well, leave it to Ridley Scott. Lauded today as the director of such classic historical dramas as GLADIATOR and KINGDOM OF HEAVEN, as well as more contemporary ones the likes of BLACK HAWK DOWN and AMERICAN GANGSTER, back in 1992 he was mostly known as the man behind highly stylized and extremely pulpish genre films such as ALIEN, BLADE RUNNER, LEGEND and BLACK RAIN. But in a year which saw three other Christopher Columbus films – one another historical drama, one a comedy, and one even an animated family film! - Scott's blend of hardcore fact and fascinatingly plausible speculation, ... which landed in theaters 500 years to the day of Columbus' landing in the "New World", ... was the only one which refused to put the Columbus statue on a pedestal, but chose not to topple it either. Rather he and screenwriter Roselyne Bosch moved it into the filmic equivalent of an interactive museum (so to speak) where it could be placed in context, debated, parceled and argued over as one of the best realized (if not always flattering) examinations of the controversial explorer outside a History Channel documentary. Not a success at the time of it's initial release, as many didn't much care for it's (so-called) "darker tone, 1492: CONQUEST OF PARADISE nonetheless remains the unsung (and still mostly unseen) jewel in director Scott's storied cinematic crown.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

Some films are perhaps too experimental (or just too ahead of their time) to be understood, ... even by their makers. After winning the Cannes Film Festival's Palm d'or for his 1989 breakout hit SEX, LIES AND VIDEOTAPE, Steven Soderbergh was dubbed the "poster boy of the Sundance generation". Eagerly courted by studios large and small, filmdom eagerly anticipated the wunderkind's next cinematic endeavor. Then when KAFKA hit theaters in November of 1991 there was a loud world-wide collective “What the f**k!” accompanied by a lot of head scratching. Close thematic, visual and tonal kin to Terry Gilliam's earlier BRAZIL, David Cronenberg's later NAKED LUNCH and Alex Proyas' DARK CITY, director Soderbergh and screenwriter Lem Dobbs fashioned KAFKA as their own version of Cronenberg's "Brundle-Fly" - wherein the genomes of different beings were fused together to create an all new one. In this case feeling it impossible to faithfully adapt a Kafka story to the screen “in toto”, they took literary DNA from various works by the author, combined them with references to Kafka's actual life, then stirred them together into a brand new narrative in which the budding author in 1919 Prauge takes place in a freakishly macabre mystery - elements of which would later find their way into some of his most famous stories.A box office failure, and unavailable on home video for almost 20 years, the film has developed a fervent cult following, ... with us among the loudest members of this "misunderstood masterpiece's" cheerleading squad. Soderbergh himself has since even re-evaluated his own film, and has plans to do a new "Midnight Cut" which would make it even more "Rorshach"-like. If unfamiliar with this gem, join us for a 20 minute "mini pod" rundown of what still remains our all time favorite Soderbergh flick, and one of the most intriguing films of the entire decade of the 90s.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

Few big budget studio films since the 1970s exemplify the trichotomy of Luis Puenzo's 1989 historical drama / romance adventure / political treatise masquerading as pulp OLD GRINGO. The eagerly anticipated adaptation of Carlos Fuentes' lauded 1985 novel “Gringo Viejo” (which took him 20 years off and on to complete), and from the director of the equally acclaimed 1985 Oscar winning film THE OFFICIAL STORY starred Jane Fonda, Gregory Peck and Jimmy Smits in a three-person-point of view narrative which brought together an American school teacher, a General in the Army of Pancho Villa during the Mexican Revolution, and aging legendary journalist / novelist Ambrose Bierce (a fictional version of him anyway) in the final days of his life … . The film took a long and winding road to the screen, premiered out of competition at the Cannes film festival - where it was booed, suffered a delayed then incomplete release in the U.S., and ended up as one of the most critically lambasted box office disappointments of the year. But then again so did other films which have since gone on to become essential cinema - among them John Frankenheimer's SECONDS (also booed at Cannes), David Lean's DOCTOR ZHIVAGO - a huge critical piñata when it first opened, and others from FANTASIA and BRINGING UP BABY to BLADE RUNNER and THE THING - all of which were not box office / audience hits upon their initial releases, but which grew in popularity over the years. Does OLD GRINGO deserve such a place in cinema history? We don't know. But we've always felt it was treated incredibly unfair by critics of the day who failed to notice what was really going on below the surface - among the many subtextual themes it's analogy to the Iran-Contra Scandal of the day and more. We also believe that, like SECONDS, BLADE RUNNER et all, it will eventually find it's audience appreciative of it‘s multi-layered cinematic brilliance and bravado, ... which is kind of why we're here in general. ;) ______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

Even those who don't subscribe to Cinema 101 "auteur theory" acknowledge that some of the most intriguing films are those wherein a director with a very distinctive and independent cinematic style / stamp / thematic brings that sensibility to what otherwise could be a standard genre programmer, and in so doing elevates it - at least a little - to a more memorable status. Think Donald Cammel's DEMON SEED, Nicolas Roeg's THE WITCHES, and Spike Lee producing TALES FROM THE HOOD, and that'll give a decent impression of the classic caper film (à la OCEAN'S 11 or TOPKAPI) as filtered through the sensibility of END OF THE ROAD director Aram Avakian's 11 HARROWHOUSE. Make no mistake, more than anything HARROWHOUSE is an unabashedly pulp-ish, MISSION: IMPOSSIBLE-esque, old-school caper yarn wherein low level American diamond broker Charles Grodin and his thrill seeking ex pat girlfriend Candice Bergen are "coerced" into robbing a (not entirely legal) diamond clearing house in London of 12 billion dollars in undeclared gems stashed in a secret subterranean vault. But Avakian's thriller also manages to be a droll satire on 70s era social geopolitics, especially in regards to the "battle of the classes", ... or perhaps more accurately the "chess game" of the classes. Taking a bestselling novel which many considered "THE DAY OF THE JACKAL of the diamond trade" and turning it into a darkly acerbic adventure (say somewhere between the tone of THE HOT ROCK and MOTHER, JUGGS AND SPEED, but with a kick-ass car chase climax courtesy of ON HER HER MAJESTY'S SECRET SERVICE's Anthony Squire) was a decision which many back-in-the-day didn't much care for, but which over the years newer fans of the film have found to be one of it's greatest assets.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

A throwback to the idea & character-based sci fi of the 1970s, writer / director Paul J. Salamoff's ENCOUNTER on the surface seems a near tropish yarn about a young artist who, after losing his daughter and the ability to walk in an accident, regains the power of his legs after a group of friends encounter a small alien “lifeform” / object after it crash lands in a field. Below the surface, however, it quickly becomes more a rift on Shakespeare's THE TEMPEST - as the pod-like being (which we aren't sure is “good” or “evil”) begins to fulfill the needs - physical and psychological - in the lives of the members of that group, but only … if!From the amount of fun we had on this one you may find it hard to believe, but we were stone sober. Well, kind of, as we quickly became intoxicated by love of the genre - opening with a mini discussion of 70s era sci fi-ers (among them LOGAN'S RUN and WESTWORLD) which not only continue to creatively inspire us all - and Paul particularly on ENCOUNTER - but the creators of other recent independent “throwback” speculative thrillers like MOON, LOOPER and EX MACHINA. We then move to “mini film school” as Paul details his film's origin, the assemblage of his cast (including genre faves Luke Hemsworth and Tom Atkins) and the shoot. And, oh, stay tuned after the end credits for a BONUS SECTION SPOILERS SPECIAL for those who've seen ENCOUNTER - where we talk Easter Eggs implanted within the film's final sequence. Yeah, we pack quite a bit into one hour. ______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

Our candid conversation continues with one of the most laid-back / chill men in the biz - writer / director Tab Murphy (GORILLAS IN THE MIST, LAST OF THE DOGMEN), this time delving into his work as screenwriter on animated classics such as Disney's THE HUNCHBACK OF NOTRE DAME, ATLANTIS, TARZAN and BROTHER BEAR (and why he passed on TOY STORY and HERCULES), the 2011 revival of THUNDERCATS, the DC Universe films SUPERMAN / BATMAN: APOCALYPSE, BATMAN: YEAR ONE and more. Crack one open, kick back, learn, laugh and enjoy. We sure as hell did! ______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

Everyone knows Tab Murphy, ... even if they don't immediately know his name. The Oscar-nominated writer behind GORILLAS IN THE MIST, Disney's THE HUNCHBACK OF NOTRE DAME, ATLANTIS, TARZAN and BROTHER BEAR, critically acclaimed D.C. actioners such as BATMAN: YEAR ONE, BATMAN / SUPERMAN: APOCALYPSE, and Warner's much loved 2011 THUNDERCATS revival (see, told 'ya you knew him!) ... . Well, he's something of a film industry rarity. Weaned on classic horror, 60s era TV, 70s Drive-in triple bills and an avalanche of old-school adventure novels, his inspiration springs from venerable staples such as Edgar Rice Burroughs and Sergio Leone, but he's got an inate facility to translate that ageless vibe into new era cinema classics for an all new generation. In this regard there is perhaps no greater example of "Murphy's Law" than Tab's underrated 1995 modern day lost civilization saga - and directorial debut - LAST OF THE DOGMEN starring Tom Berenger and Barbara Hershey. Kinda / sorta "LOST HORIZON meets DANCES WITH WOLVES", he and producer Joel Michaels are presently preparing a new "Director's Edition" Blu-ray set for release next year. And in what proves perfect timing we've managed a sitdown with Tab which falls somewhere between a film school guest professorship ... and a neighborhood watering hole beer summit between movie geeks! ... wherein we candidly dive into his background and earliest creative endeavors, how he went from late night 7/11 clerk to much-sought-after screenwriter, his (at times topsy-turvy) experiences on films such as GORILLAS IN THE MIST and his involvement in the famous Art Buchwald / COMING TO AMERICA case, his writing and directing DOGMEN, the animated films and much more. So much more in fact, we had to break this one up into two parts - with Part 1 focusing mostly on the live action films and Pt. 2 on his voluminous output in animation. Crack one open, light 'em if you got 'em, and sit back and chill, and learn and enjoy as "Murphy's Law" takes on a whole new (much more positive) meaning.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

Welcome to "SHOOTIN' IT" (Vol. I) - a MOVIE SNEAK mini-podcast wherein Craig and Jim informally kick back to discuss a topic currently at the entertainment industry forefront. While all of those "Spielberg Hates NETFLIX" headlines aren't entirely accurate (the legendary filmmaker loves TV and has produced material for every major network - including NETFLIX! - over the last near 40 years) he was fairly emphatic about wanting to steer the Motion Picture Academy away from nominating films which essentially premiere via streaming after what some call a limited "token" theatrical run. And while both sides of the debate rages (with the Department of Justice even recently weighing in), keep in mind that this really isn't anything new. In the 1970s filmmakers were outraged when Ingmar Bergman's SCENES FROM A MARRIAGE - originally produced as a Swedish mini-series then culled down to a theatrical film for the U.S. market - was deemed ineligible for Oscar consideration. The rule was amended, thus allowing Wolfgang Peterson's DAS BOOT (also edited down from a European mini-series) to be nominated for six Oscars a few years later. Then the rule was later amended yet again - then back-and-forth in various forms - for the next 35 years. Craig & Jim chase this ever-elusive football across it's decades long field, factoring in the simultaneous changes in Hollywood's production, distribution and union history - along with the ever-evolving technological face of how films themselves are made and marketed - in an attempt to hone in on a sensible outlook (and hopefully successful outcome) for both future filmmakers and fans.We also review Jordan Peele's horror thriller US, and the MCU's new CAPTAIN MARVEL starring Brie Larson & Samuel L. Jackson / Includes film, news and archival audio clips.Learn more @* The Vaulted Treasure Film Blog: THE STORIES OF "US" - BRUCE LEE MEETS "THE TWILIGHT ZONE" IN JORDAN PEELE'S TERROR TRIP THROUGH GENRE HISTORY* IndieWire: ANNAPURA LOST BETWEEN $8 - $20 MILLION EACH ON "VICE", "BEALE STREET" AND "DESTROYER"________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

No statuettes, campaigns, "Best", "Worst" or "artistic merit" controversies. For those burnt out on months of Globes, Grammys, Oscars and gossip, THE MOVIE SNEAK is back with our CHEAPIE BIN post awards season hangover remedy geared towards those who just wanna love 'em some movies for movies sake. There's nothing like taking a flyer, picking up five or six movies for a sawbuck in a supermarket, Goodwill Store or Rite-Aid cheapie bin, then watching them over the next few weeks. Maybe two or three you'll like, and (if you're lucky) maybe one becomes a cherished favorite for years because you either discovered it all on your own with no critics', friends' or Netflix recommendations, or you waited till the hoopla died down to experience it more objectively on your own. As before, accompanied by film audio clips, Craig and Jim delve into eight lesser known (and / or appreciated) earlier films from 2019's crop of Oscar nominees which - while they may not have opened in 2018 - our guys only saw for the first time in 2018 because of that cinematic and economic Well Of The Souls known as the Great American Cheapie Bin. "Choose wisely"!Also includes a review of Robert Rodriguez & James Cameron's ALITA: BATTLE ANGEL.(more on ALITA: BATTLE ANGEL - incl. film clips, trailer, score excerpts and cast and crew video interviews @ http://www.gullcottageonline.com/ALITAfilmReveiwDissectCEJ.html )________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.comRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.

As part of our "Can 'Ya Dig It?" series of artists you need to know, THE MOVIE SNEAK is proud to present our sit-down with musician / composer Nathalie Bonin. While many first came to know her as the mesmerizing "aerial violinist" at the center of Cirque Elioize's 2009 NHL All Star Game pregame show, she had already been a decades long master of the craft. A member of the instrumentalist new wave which combined virtuoso performances with jazz, rock, hip-hop, DJ break beats and more, she and others helped usher out the clichéd image of the stone-faced classical musician, and replaced it with that of the athletic, hip and sexy master of the craft - in the process encouraging an entire new generation to expand their own musical horizons. Highlights of her eclectic resume include performances and recordings with Wynton Marsalis, Stevie Wonder, Charles Aznavour, Luciano Pavoratti and film composers such as Christopher Young - for whom she was featured soloist in special concert and recorded versions of his acclaimed DRAG ME TO HELL “Concerto To Hell” suite. In TV and film she has been concertmaster of LA VOIX (Canada's version of THE VOICE), has scored numerous series (including the international hit - HYP-GAGS WITH MESSMER), commercials (such as that for Celine Dioni's UN SEULE FOIS) and filmic shorts - including the thriller WHO LIVES HERE for which she took home an award from 2014's 24 Hour Film Race. A member of the Grammys and Television's Emmy Academy, Ms. Bonin recently ended the cycle of rotating between Canada, New York and Los Angles by putting down roots in the City of Angles where she's recently been throwing a considerable amount of her considerable talents into film composition.Part interview / part biography-docu, our portrait of an artist includes music by Ms. Bonin - who brings a great deal of heart and soul (... and humor) to a series of professional and personal reminiscences, craft insights, humorous anecdotes and inspirational encouragements. It's a MOVIE SNEAK one-on-one you won't soon forget.VISIT AND LEARN MORE OF NATHALIE BONIN @her official website KINEMUSE: http://www.nathalieboninmusic.com/kinemuse-mainon Facebook: https://www.facebook.com/nathaliebonin.violinon Twitter: https://twitter.com/nbonin?lang=enon YouTube: https://www.youtube.com/channel/UCQ65TGlHKT4Cc4VcXU3PtpwRights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com

"Remake", "Re-do" or "Re-imagining" - whatever you call them, don't be too quick to automatically write off a new version of a film as a studio dictated "hit & run" money grab. Over the years some have proven to be every bit as good (and in some cases even better) than the originals on which they were based. Carpenter's THE THING, Cronenberg's THE FLY, A FISTFUL OF DOLLARS and THE MAGNIFICENT SEVEN are some of the most famous. But what about those which pretend not to be remakes? Do movies like RESERVOIR DOGS and SKYFALL fall into that category? Who's right when you personally love one the rest of the world hates? And what about those you were fully prepared to despise but (surprise! surprise!) actually ended up liking? Fasten your rebreathers because Craig & Jim deep in this one - ferreting out how era and context can distinguish a great redo from a so-so or downright crappy one; and dissecting a cinema classic or two to determine if they're genuine gems which should be considered off limits, ... or overrated sentimental favorites which can be improved upon? Our mini retro-fest takes an in depth look at twelve films, a handful of runner-ups, and includes film audio clips, archival interview material featuring John Carpenter, Steven Spielberg, Roger Ebert & Gene Siskel, and more. "Action!" Rights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com

Join Craig (from Philadelphia) and Jim (from Boston) as they celebrate the Eagles / Patriots 2018 Super Bowl throw down weekend with film excerpts, commentary and more featuring Michael Strahan, Jimmy Fallon, Kevin Costner, Denis Leary, Mark Wahlberg, Nick Nolte, Burt Reynolds, Anthony Mackie, Tommy Lee Jones, Gene Hackman, Keanu Reeves, Matthew MacConaughey, Robin Williams, Kurt Russell and others delving into our nation's love affair with the Great American Football film. From nearly 100 cinematic classics over 80 years we winnow our list of gridiron favorites down to four "Best Of" categories: "Best Behind the Scenes" film, "Best True Story", "Most Inspirational" and "Favorite Fictional Football Film". Includes music, film, TV news excerpts and more.Rights to all film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com

Is it film school ... or more like sitting in a bar chatting with an industry vet who's a brilliant recantour? Actually a bit of both! Informative, insightful, ... and funny as all hell, we chat with busy as all hell director Sam Irvin about his early days with Brian DePalma on THE FURY, HOME MOVIES, DRESSED TO KILL and more. We cover his voluminous output helming features for both the big and small screens over the last 25 years - his roster of actors including Rod Steiger, Heather Graham, John Heard, Michael Madsen, Linda Fiorentino, Issac Hayes, George Takei, Julie Newmar, Elvira (aka Cassandra Peterson) and others. We delve into his work as a cinema historian - stopping off to discuss his lauded biography on actress / singer / author Kay Thompson, and his co-producing of Bill Condon's Oscar winning film GODS AND MONSTERS starring Sir Ian McKellen and Brendan Fraser. We chat about his experiences as a cinema journalist, teacher at USC (where FRUITVALE STATION / CREED director Ryan Coogler attended one of his classes), and his ground breaking work in the creation of early LGBT themed films and TV series for the mainstream. Then we finish with his present status as one of Lifetime and Hallmark Channel's primo go-to helmsman in the creation of many of their popular thrillers and holiday films. Yeah, we pack a lot into this one!Make sure you check out Sam's MY CHRISTMAS PRINCE - starring PITCH PERFECT's Alexis Knapp, Callum Alexander, Marina Sirtis, and (reunited after 40 years) HARDY BOYS / NANCY DREW's Parker Stevenson & Pamela Sue Martin. It runs throughout the 2017 holiday season on Lifetime. Check local schedules."And to all a good night!" * Learn more about MY CHRISTMAS PRINCE @ http://www.mylifetime.com/movies/my-christmas-prince* Learn more about SAM IRVIN @ http://www.imdb.com/name/nm0006787/?ref_=nmbio_bio_nmRights to all film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com

Directed by Barry Levinson from the novel by Michael Crichton (also the film's producer), and starring Michael Douglas, Demi Moore and Donald Sutherland, DISCLOSURE was one of 1994's biggest box office hits, but at the time was also vilified by some as borderline misogynistic because it featured an antagonist who was a powerful corporate career woman (Moore) accused of the sexual harassment of a man under her (Douglas). And considering the time in which it was released (when "psycho women" films such as FATAL ATTRACTION, SINGLE WHITE FEMALE, THE HAND THE ROCKS THE CRADLE and THE TEMP were the cinematic fad), it's easy to see how it's premise may have sounded as such. But the agenda of Crichton and Levinson's drama (part sexual politics, part high tech mystery, part corporate thriller) was to jolt audiences - particularly men - out of the dangerous complacency of thinking that claims of sexual harassment were "overblown, whiny exaggerations from those who can't keep up with the boys" by shifting the point of reference / putting the shoe on the other foot in making the victim a once powerful corporate male up-and-comer who is now faced in the work place, at home, and even in a courtroom setting with accusations that he's making it all up in an attempt to blackmail his employer; that in some regards he was responsible or could have stopped things if and when he wanted; and also with the possibility that if he proceeds with legal action it could not only jeopardize his own career but that of others around him. Any of this sound familiar? In the wake of recent cases involving Harvey Weinstein, Roger Ailes and others, damned if DISCLOSURE doesn't seem as if it were written and filmed last week. Time for an updated look!Rights to all film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com

Few of our interviews have been as alternately hilarious, heartbreaking, inspirational (and flat-out enjoyable!) as our sit-down with "quadruple threat" writer, producer, director and actress of stage and screen - Amber Rachel Sweet. From small town, to ball player, to cinematic multi-hyphenate on the rise, Amber discusses her recent film - the emotionally raw personal drama THE SPACE BETWEEN (currently making the festival rounds); and candidly cuts to the chase on female empowerment, the need for self-determination, and successfully combating sexual predators in the film industry. Oh yeah, there's also "fake cats" ,,. and that damned scary clown from IT! - CEJBIO:Amber Sweet is a breakout writer, producer, and actress hailing from Southern California. She has worked on multiple indie films and commercials, and performed Off-Broadway in the hit play WOMAN ARE CRAZY BECAUSE MEN ARE A**HOLES.Recently, Amber wrote/produced/starred in the dramatic short film, THE SPACE BETWEEN. It received VOD distribution through SEED&SPARK and has over 1,000 online views. The film was chosen as an official selection in 8 film festivals, including LA SHORTS FEST and HOLLYSHORTS.Website: www.amberrachelsweet.comIMDb: http://www.imdb.com/name/nm4128427/Instagram: www.instagram.com/amberrachelsweet/THE SPACE BETWEENWritten by & Starring: Amber Sweet Directed by: Taren Maroun Cinematography: Nicholas Matthews Edited by: Sean McHugh* Official Trailer: https://vimeo.com/201742335* WHAT CRITICS ARE SAYING...
“The real achievement here is the confluence of circumstances, inside the story and out, which makes THE SPACE BETWEEN notable as a film, but more importantly, as an act of triumphant feminism in a time that sorely needs it. * Full review: https://www.moviequotesandmore.com/the-space-between-2017-movie-review/* To watch THE SPACE BETWEEN subscribe to SEED&SPARK crowdfunding + independent film streaming platform.https://www.seedandspark.com/watch/the-space-betweenRights to all film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.MS. IN THE BIZ (Online Article): SEXUAL ASSAULT AND THE ENTERTAINMENT INDUSTRY - by Amber Sweethttp://msinthebiz.com/2014/10/14/sexual-assault-entertainment-industry/______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com

One of the most eagerly anticipated films of the year, BLADE RUNNER 2049, directed by SICARIO and ARRIVAL's Denis Villeneuve, and produced by the original film's director Ridley Scott, is being hailed by many as "One of the greatest sequel's ever made". And it just may be. We're fairly certain however that more than a few filmgoers will exit the theater scratching their heads and / or pissed to no end as it may not be exactly what they expected. With a near three hour running time BLADE RUNNER 2049 has the luxury to more deeply explore the philosophical and totemic elements of Phillip K. Dick's science fiction universe to a far greater degree than did other films such as TOTAL RECALL, MINORITY REPORT, A SCANNER DARKLY, THE MAN IN THE HIGH CASTLE and even Scott's original BLADE RUNNER itself. But whether that "exploration" is interpreted by the viewer as pretentious or fascinating as hell (we fall into the later category) is a matter of, not unlike the scenario in which the characters in Dick's universe often find themselves, perception, world view and the mental / philosophical baggage said individual brings into the theater along with that extra large tub of popcorn. Our MOVIE SNEAK "QUICK FLIX PIX" NO SPOILERS REVIEW of BLADE RUNNER 2049 includes film clip audio excerpts, new and archival interview material with Ridley Scott and Denis Villeneuve, a mini-bio look back at the life and legacy of Phillip K. Dick, film music excerpts and more. Rights to all film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com

Nothing unusual about decades-long film franchises and their characters - from SHERLOCK HOLMES and ZORRO, to SUPERMAN, JAMES BOND and more. What is rare however is to have one actor portray a single character over those decades. And as both performer and character matures and changes physically, emotionally and otherwise, we as the audience also mature and change with them. To be introduced as a child to a Han Solo, Rocky Balboa or Mr. Spock by one's parent, then as a parent to take your children to a new film featuring that performer and character - often on screen with their children!, is an emotionally unique cinematic experience - the kind of which, hey, admit it, in recent films such as THE FORCE AWAKENS and CREED has been responsible for more than a few eye-watering responses. Craig and Jim get personal in this one, diving into and dissecting five beloved cinematic icons (well, four individuals and one couple) - each portrayed by the same actor or actress over 25 - 50 years, relating their initial reactions as children through to their (at times surprising) interpretation / opinions of them today. And it's not necessarily what you might expect.Our special “CAN YA' DIG IT?” interview guests include:* STACI LAYNE WILSON: As a freelance entertainment reporter Staci's worked for AOL/Time-Warner, HGTV, SyFy Channel, Yahoo! Movies, Fangoria Magazine, and Dread Central. Her books include GHOST WRITER, SEX DEATH ROCK AND ROLL, and SO L.A.: A HOLLYWOOD MEMOIR. And among her film credits as writer / director are PSYCHO THERAPY, FETISH FACTORY and an upcoming documentary on the legendary instrumental rock group THE VENTURES.More on STACI LAYNE WILSON @ https://www.stacilaynewilson.com/More on THE VENTURES DOCUMENTARY @ https://www.indiegogo.com/projects/the-ventures-movie-music#/* EDWIN WENDLER: Among the most versatile of young film composers, Edwin's stunning work as an orchestrator / arranger can be heard in the scores to TURISTAS, INTO THE BLUE, X-MEN: DAYS OF FUTURE PAST and X-MEN: APOCALYPSE, LITTLE FOCKERS, THE NICE GUYS and TV's SLEEPER CELL. And as a composer his diverse scores include the animated sci fi adventure AZUREUS RISING (Best Original Score – Los Angeles Int. Film Festival), tv's FEAR FACTOR, the thrillers ESCAPE and UNNATURAL, the award winning documentary THE RIGHT TO LOVE: AN AMERICAN FAMILY, and the upcoming horror / comedy DEAD ANT starring Sean Astin and Tom Arnold.Experience EDWIN WENDLER @ http://www.edwinwendler.com/Rights to all film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com

Quentin Tarantino once famously stated "When people ask me if I went to film school, I say 'No, I went to films'". And since the near extinction of the drive-in and inner city grindhouse triple feature, those Rite Aid, Wal-Mart, Best Buy and Dollar Store DVD dump bins have become the go-to place for those eager to experiment with off-center cinema, ... or at least, for a buck or two, take a flying leap on something (major studio or independent) which one may not have otherwise been willing to shell out $20 to see on the big screen, ... especially as each month Netflix (reaching a cap on bandwidth) deletes more and more titles from it's queue. Not huge fans of awards season in general (we don't like how, intentional or not, they tend to divide films into "important" and "unimportant") we pay tribute to films not necessarily RELEASED in 2016, but which we, through the wonder & magic of the cheapie bin, first VIEWED in 2016. Call it an awards show for movies many don't give a damn about. With categories ranging from "Best Remake / Reboot" to "Favorite Film Which the Rest of the World Absolutely Hated", to "Best Cheapie Bin Film of The Year" and more, we just may upend and replace the Globes, Oscars and Razzies.Rights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com

With RADIO FLYER and THE SANDLOT, writer / director David Mickey Evans combined childhood magic with real world trauma for the first time since the 60s era cinema of Francois Truffaut. In the process he broke the mold of cliched cuteness inherent in movies and series such as HOME ALONE and THE COSBY SHOW, and helped usher in an era of more "gritty" big screen family fare by others; titles such as MRS. DOUBTFIRE and even CASPER for the first time broaching topics such as divorce, absentee parents, the death of loved ones and more. Craig Jamison & Jim Delaney invite us into an alternately hilarious and heart-breakingly inspirational sit-down with Evans - discussing the creation of THE SANDLOT and RADIO FLYER, his 2007 buried treasure,THE FINAL SEASON,, his upcoming biopic on high school football coach Ed Thomas, and much more.GUESTS: Internationally renowned composer / musician Martin Tillman; the podcast troupe "We Found Microphones" on Netflix's JESSICA JONES.Rights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com

THE MOVIE SNEAK is honored to welcome New York Times bestselling author Alan Dean Foster. The most critically acclaimed creator of "novelizations" (the "reverse" art of adapting films and their scripts into books instead of the other way around), Foster's works include ALIEN, OUTLAND, THE THING, THE LAST STARFIGHTER, ALIEN NATION, THE BLACK HOLE, CLASH OF THE TITANS, STARMAN, PALE RIDER and both J.J. Abrams STAR TREK reboots. He's creator of the original script ("In Thy Image") which became STAR TREK: THE MOTION PICTURE. His non-novelization books include SLIPT, TO THE VANISHING POINT and the popular SPELLSINGER and PIP AND FLINX series. And his near career-long association with the STAR WARS universe includes the novelization of the original 1977 film (ghost-written as "George Lucas"), the first original "expanded universe" entry - the wildly popular SPLINTER OF THE MIND'S EYE, along with STAR WARS: THE APPROACHING STORM and the recent STAR WARS: THE FORCE AWAKENS. Lovers of both film and literature will get as much of a kick outta this one as we did!OTHER GUESTS: World Music composer / performer Farzam Salami, and the podcast troupe "We Found Microphones" on Aziz Ansari's MASTER OF NONE.Rights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com

The MOVIE SNEAK celebrates the forty year anniversary of SATURDAY NIGHT LIVE as Craig Jamison & Jim Delaney welcome actor / director Dean Cameron aboard for a hilarious and insightful trek back through the last four decades of American cinematic and T.V. comedy. From BLAZING SADDLES and AIRPLANE, to 48 HRS., REVENGE OF THE NERDS, THE BREAKFAST CLUB, IN LIVING COLOR, BULWORTH, MAD T.V., THE BEN STILLER SHOW, AMERICAN PIE, THE 40 YR. OLD VIRGIN, KNOCKED UP, THIS IS 40, TRAINWRECK and more, Dean (star of cult comedies such as SUMMER SCHOOL and SKI SCHOOL) brings a refreshing behind the scenes POV to the mix. *NOTE* - CONTAINS LANGUAGE WHICH SOME MAY FIND OFFENSIVE.OTHER GUESTS: International composer / jazz instrumentalist Lucian Nagy; and the podcast troupe "We Found Microphones".Rights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com

Rights to film / TV clips and other audio excerpts held by copyright owners. Presented here for educational and criticism purposes.______________________________________________________________________________THE MOVIE SNEAK PODCAST is part of The GullCottage/Sandlot - a film blog, cinema magazine, growing reference library and online network "Celebrating The Art of Cinema, ... And Cinema As Art".Explore the GULLCOTTAGE / SANDLOT @ www.gullcottageonline.com