Podcasts about amblin

This is our spoiler-free review of Steven Spielberg's Disclosure Day. We break down the film's classic Spielberg visual style, strong performances, ambitious themes, and the narrative choices that both elevate and frustrate. Plus, we discuss where Disclosure Day ranks among Spielberg's celebrated sci-fi adventures and why, despite its flaws, it still captures that unmistakable sense of wonder only he can deliver. Disclosure Day premieres exclusively in theatres on June 12, 2026. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREFollow Eatcentric - Same geeks. New Eats

Stabby Stabby is back...as a Greg's Cryptid Corner Patreon-exclusive series! To unlock this and every future Stabby Stabby episode, along with the Greg's Cryptid Corner news series GCCNN, support Greg's Cryptid Corner for as little as $2 on Patreon:http://patreon.com/gregscryptidcornerOn this episode, we dive in the family-friendly Amblin film Harry and the Hendersons, and make it way too family-unfriendly. But join us as we discuss how we'd deal with a dead Bigfoot and ask the big question: can I marry Bigfoot?! Send us Fan Mail

Today on Art of the Cut, we have the lead editor and the VFX editor of the documentary series, The Dinosaurs, from Netflix and Amblin' Entertainment.Ben Lavington Martin, BFE was the lead editor on the series and cut the first episode. His other work includes The World According to Jeff Goldblum, David Attenborough's Natural History Museum Alive, One Strange Rock, and Nova, among many others.Matt Howorth was the visual effects editor. His other credits include shorts: Rodents and Bull Shark Bandits.Our discussion today is about walking the line between animation editing and natural history documentary storytelling… and calibrating science, entertainment, and emotion over eons of evolution.If youre interested in reading along with this interview and seeing the trailer and clips and images from the docu-series, check out BorisFX's blog site:borisfx.com/blog/aotc

Uno ti dice a cena “ho visto una serie, le do un sette” e parte il corto circuito. Ma prima, dinosauri. The Dinosaurs è il nuovo documentario Netflix di Amblin e Silverback (Spielberg produce, Morgan Freeman narra, effetti Industrial Light & Magic, musica della Royal Scottish National Orchestra): 165 milioni di anni di rettiloni raccontati […]

Hey! Did you know we have a Patreon page? Check out this free Patron episode in lieu of your normal episode while MJ is on vacation! If you like what you hear, maybe drop by and subscribe at patreon.com/jawforaminute.This month's Patron Episode takes us to Northern California (which, ironically, is where MJ is spending some of his vacation), to witness a small town terrorized by spiders in Amblin's 1990 film, Arachnophobia. They discuss the "good ole days" of cinema, practical effects, and discover some similarities between Arachnophobia and a certain movie about a certain shark (hint: it is not Shark Exorcist).

We're kicking off with the latest pulse-pounding thriller from South Korean action maestro Ryoo Seung-wan. Streaming now on Netflix, Humint takes us to Vladivostok, where a South Korean agent (Zo In-sung) and a North Korean official (Park Jeong-min) find themselves in a deadly game of "human intelligence" gone wrong.Fun Flix Fact: This film completes director Ryoo's "Overseas Location" trilogy, following The Berlin File and Escape from Mogadishu. If you love the kinetic "gun-fu" of John Woo, you'll notice several stylistic nods—Ryoo has described this film as his ultimate homage to the Hong Kong action legend!Production Trivia: To get that authentic, gritty feel of the North Korea-Russia border, the production spent months filming in extreme cold. The cast reportedly had to use special heated suits under their costumes to keep their muscles from seizing up during those breathless hand-to-hand fight scenes.To celebrate a decade of South Korean cinematic excellence, we're revisiting the 2016 masterpiece The Wailing. It's the film that took the "possession" genre, mixed it with police procedural and folk horror, and left us all staring at the screen in stunned silence.The Ritual: The intense, bone-shaking shaman ritual scene took four days to film. Actor Hwang Jung-min performed the sequence with such intensity that many of the extras—and even some of the crew—felt physically unsettled, wondering if they were accidentally summoning something real!For this week's Hidden Gem, we're recommending the gnarly "family horror" flick Dust Bunny. It marks the feature directorial debut of Bryan Fuller (Hannibal) and stars the incomparable Mads Mikkelsen as a hitman who is hired by an eight-year-old girl to kill the monster under her bed.Fun Flix Fact: This is a mini Hannibal reunion! Fuller wrote the role of the hitman specifically for Mads Mikkelsen. When Mads read the script, his only note was that his co-star, Sophie Sloan, was so good he wanted her to keep her thick Scottish accent—but she ended up teaching herself a perfect American accent via TikTok in just two weeks!Visual Magic: The film was heavily inspired by the "Amblin" era of the 80s (The Goonies, Gremlins). To capture that "scary-but-enchanted" look, the production team used practical puppets for the "Dust Bunny" monster, ensuring that when it rises from the floorboards, it has a terrifying, tangible weight.And if that's not enough entertainment for you, we've even thrown in new trailers to watch and what you can catch on streaming. Press play for the friendliest film discussions this side of Hollywood! It's all the movies you love, the facts you need, and the banter you crave.Don't miss a single review! Hit that Subscribe button, tell a friend, and join The Flixters family!00:00 Intro 2:58 Shoutouts5:27 Movie News14:05 New on Streaming16:56 New Trailers26:14 Anniversary Corner29:29 Humint Review38:23 Hidden Gem (Dust Bunny)44:23 OutroThis episode is proudly sponsored by Zencastr. Create your podcast today! #madeonzencastr

Rod Blackhurst is a filmmaker, director, and producer whose work spans documentary, narrative, and horror.He made his narrative feature debut with Here Alone, winner of the Audience Award at the 2016 Tribeca Film Festival, and later returned to Tribeca with Blood for Dust (2023), starring Scoot McNairy and Kit Harington. He also co-directed and produced the Emmy-nominated Netflix documentary Amanda Knox. He also co-created The White Room, a Blood List script later acquired by Amblin, and co-wrote the story for Blumhouse's Night Swim, which grew out of the 2014 short film he made with Bryce McGuire. Rod also directed and served as showrunner for Peacock's John Wayne Gacy: Devil in Disguise and directed on National Geographic's Welcome to Earth with Will Smith.His latest film, Dolly, is a beautifully shot 16mm slasher that evokes the grime and menace of early horror classics while carving out its own identity. In this episode, Rod and I talk about his path into filmmaking, the realities of getting indie films made, and the making of Dolly. Please enjoy this conversation with Rod Blackhurst.Key TakeawaysWear your influences openly, but metabolize and integrate them.Rod talks about The Texas Chain Saw Massacre as a major influence, and it is really clear when you see the movie, but he is careful not to recreate it in a way that feels like blatant homage. The useful principle is that inspiration works best when it is absorbed into the DNA of the film and filmmaker rather than pasted on top of it as a wink. As a result, the movie feels like it takes place in the same world as these influences instead of attempting to overtly acknowledge or recreate them, which can take viewers out of the movie.Investor trust is built with transparency.Rod is one of the most financially responsible filmmakers I have spoken to. His financing advice is unusually concrete. He informs investors how the equity works, how they might recoup, what the timeline is, and acknowledges the very real risk that they could lose all their money. He also shows prior accounting and distribution sheets to demonstrate his own personal track record, treating his career like a business, which it is. That mindset treats filmmaking as entrepreneurship, not just art, and it is one of the most practical pieces of advice in the conversation.Cast the person who can give the monster a soul.Rod found Max the Impaler through wrestling and quickly realized he had found more than a physical presence. Max's background as a largely nonverbal performance artist made them perfect to play Dolly, the slasher, and their emotional investment transformed the character into something much richer than what was on the page. Think about David Howard Thornton and Doug Jones. A monster is not just a costume and makeup job; it comes down to the soul of the performer.Show NotesMovies MentionedDollyThe Texas Chain Saw MassacreThe Evil DeadBlood for DustSnow White (1937/1938 animated film)The VanishingHigh TensionMartyrsBarbarianNight SwimUndertoneIt (via the Bill Skarsgård / Pennywise discussion)Castle in the SkyThe Iron GiantE.T. the Extra-TerrestrialProject Hail MaryMarty SupremeBackroomsObsessionHere AloneFollow Rod Blackhurst at:IMBd: https://www.imdb.com/name/nm2060444/Instagram: https://www.instagram.com/rodblackhurst/X (Twitter): https://x.com/rodblackhurstVimeo: https://vimeo.com/rodblackhurstWebsite: https://www.rodblackhurst.com/

This week on The 3 Retro Movie Geeks, the dream team is finally back together as Scott returns to join Paul and Rob for a deep dive into the wildly inventive 80s sci-fi comedy Innerspace (1987). With the full crew reunited, expect plenty of laughs, nostalgic banter, and a proper celebration of one of the decade's most unique adventures. We shrink down and explore the story of hotshot pilot Tuck Pendleton, accidentally injected into hypochondriac supermarket clerk Jack Putter, and the chaos that follows. From Dennis Quaid's swagger to Martin Short's brilliant comedic performance, we break down what makes this film such a perfect blend of action, comedy, and cutting-edge visual effects for its time. We also dig into the film's groundbreaking practical effects, its place in the Amblin-style era of filmmaking, and why Innerspace still feels fresh and fun today. Plus, with Scott back in the chair, the chemistry is firing on all cylinders as the guys revisit favourite scenes, quotes, and behind-the-scenes trivia. So buckle up, miniaturise yourself, and join us for a hilarious and heartfelt trip inside one of the 80s' most underrated classics.

Bobswinkles, it's a fizz whizzer! Yes, you heard that right, the time has come for us to climb into a giant bag and be transported to Giant Country, where we'll sample the finest snozzcumbers and frobscottle (though you'll forgive us if there's a whizzpopper or two). We're joined by the BFI Southbank's Head of Cinema Programme, Justin Johnson, for this wide-ranging discussion of Steven Spielberg's 2016 adaptation of Roald Dahl's THE BFG. It's an episode as giant as Fleshlumpeater but far less mean, taking in everything from the film's long gestation to its struggle to make an impact, from the mo-cap performances and CGI compositing to the wide array of accents (some more explicable than others). Whoopsie scrumpers!Follow the podcast on Twitter (@RamblinAmblin), Instagram (@ramblinamblinpod) and Blusky (@ramblinamblin.bsky.social). Be sure to like and subscribe so you don't miss an episode! Get in touch with us either via our socials or email rambinaboutamblin@gmail.com. Please feel free to give us a 5-star review, share your favourite Amblin movies and tell us if ET makes you cry.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter & Greg Sheffield for the theme music. 

Let's Jaws For A MinuteLinktree - https://linktr.ee/jawsforaminuteMJ's Instagram - https://twitter.com/mjsmith891Sarah's Intagram - https://www.instagram.com/sarah_buddery/Let's Party With MartyApple - https://podcasts.apple.com/us/podcast/lets-party-with-marty-a-martin-scorsese-podcast/id1715431711Spotify - https://open.spotify.com/show/2WNnQqszOjIUxICKsNfeO7Amazon - https://music.amazon.com/podcasts/0de92839-539c-4c49-bcd4-815820d2798d/let's-party-with-marty-a-martin-scorsese-podcastBluesky - https://bsky.app/profile/letspartymarty.bsky.socialInstagram - https://www.instagram.com/letspartymartypod/Ramblin: An Amblin PodcastApple - https://podcasts.apple.com/gb/podcast/ramblin-an-amblin-podcast/id1544332615Spotify - https://open.spotify.com/show/0i0uQxPvdcGFKtuAZTYE6kPodchaser - https://www.podchaser.com/podcasts/ramblin-an-amblin-podcast-1656185Bluesky - https://bsky.app/profile/ramblinamblin.bsky.socialNickFlixApple - https://podcasts.apple.com/us/podcast/nickflix-podcast/id1670472196Spotify - https://open.spotify.com/show/29pVNOZV9NywfJ5nSI5RZkTwitter - https://twitter.com/NickFlixPodInstagram - https://www.instagram.com/nickflixpodcast/Nickflix & Phil at the CinemaApple - https://podcasts.apple.com/au/podcast/nickflix-phil-at-the-movies/id1852869798Spotify - https://open.spotify.com/show/5Q120dq4Btb2dlYEC2OYHyFandomentals PodcastAll Links - https://linktr.ee/FandomentalsPodcastPodomedy - https://podomedy.com/ Artwork Designed by Alex JenkinsWebsite - www.hexdesigns.orgInstagram - https://www.instagram.com/hexshadowDonate to CALM Here - https://tiltify.com/@podomedy/fundraiser-for-stay-tuned-2025CALM Tools & Resources - https://www.thecalmzone.net/tools-mental-health-support Hosted on Acast. See acast.com/privacy for more information.

Even baby dinosaurs can have a huge impact on animation.In 1988, three Hollywood titans, Steven Spielberg, George Lucas, and Don Bluth, came together to create what would become one of the most emotionally devastating animated films ever made, and it is the second movie to celebrate this podcast's seventh birthday.The Land Before Time wasn't just another dinosaur movie: it was an ambitious attempt to recapture the magic of Bambi for a new generation, complete with a mother's death scene that traumatized millions of kids and made it a cultural touchstone. Despite the cutting of over ten minutes of footage deemed too scary, the film still pulled no punches in its portrayal of loss, survival, and the harsh realities of a prehistoric world.What makes The Land Before Time so enduring isn't just nostalgia, it's the film's willingness to treat young audiences with respect, addressing grief and fear head on.Working with both Spielberg and Lucas wasn't exactly the dream scenario Bluth expected it to be, though, and the partnership between Amblin & Sullivan Bluth would, like the dinosaurs they depicted, quickly become extinct. Despite this, The Land Before Time remains a masterclass in emotional storytelling that still resonates nearly four decades later.Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

We're back! Again! This time for good! We mark our return – which in turn marks our five year anniversary, if you can believe that – by covering two films that were added retroactively to Wikipedia's Amblin filmography list (which, of course, is our gospel): the cursed 1983 production of TWILIGHT ZONE: THE MOVIE and the other ‘comet hurtling towards earth' picture from 1998, DEEP IMPACT. It's a lot to bite off in one episode, so we set ourselves a time limit for each discussion to make sure we don't disappear too far down the rabbit holes. Strap in as we discuss whether any film can ever escape the tragedy of its making, the tenability of idealised movie presidents in today's climate and Andy's unbridled delight at this episode's very silly title. Just don't call it a comeback. Follow the podcast on Twitter (@RamblinAmblin), Instagram (@ramblinamblinpod) and Blusky (@ramblinamblin.bsky.social). Be sure to like and subscribe so you don't miss an episode! Get in touch with us either via our socials or email rambinaboutamblin@gmail.com. Please feel free to give us a 5-star review, share your favourite Amblin movies and tell us if ET makes you cry.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter & Greg Sheffield for the theme music. 

Next week, we are discussing Psycho IV: The Beginning, and this week we're talking with the film's director, horror legend Mick Garris.Before we break down Norman Bates' origin story, we sit down with the man behind the camera to explore one of the most fascinating careers in genre filmmaking. From Amblin to Stephen King adaptations, from Star Wars to Spielberg, Mick's Hollywood journey is packed with stories you truly can't make up.We get into everything, including:

Mads Mikkelsen (Hannibal, Casino Royale) and Bryan Fuller (Dust Bunny, Hannibal) join us for a wide ranging and deeply personal conversation about their creative partnership, trust between actor and director, and the strange beauty found inside dark stories. Mads reflects on his unconventional path into acting, his background as a dancer, and the emotional discipline required to disappear into complex roles without carrying them home. Bryan opens up about his childhood influences, his love of horror, and how Dust Bunny became a love letter to Amblin era storytelling with a darker edge. Together they unpack Hannibal, vulnerability in performance, working with icons like Sigourney Weaver, and why curiosity and humanity are the foundation of great storytelling. Thank you to our sponsors:

Jim and Eric kick off this week's show with listener-driven updates and fresh speculation from the Universal parks beat, before pivoting into a deep historical dive on one of the strangest and most memorable effects ever staged on the Universal Studios Hollywood tram tour. Along the way, there is discussion of low-crowd horror experiences, a surprising Spielberg-themed survey, and a heartfelt remembrance of a YouTube pioneer who helped shape modern theme park fandom. NEWS • Fresh rumors swirl around a possible IT / Pennywise presence at Halloween Horror Nights, and why Warner Bros and Six Flags complicate the IP landscape • Listener reports reveal low crowds but high-quality scares at Universal Horror Unleashed in Las Vegas • Early construction walls appear in Celestial Park at Epic Universe, hinting at future capacity expansion • A leaked survey teases a potential Steven Spielberg and Amblin-themed tram-style attraction concept • Reflections on the legacy of Adam the Woo and his impact on theme park history storytelling FEATURE • The forgotten history of Six Points, Texas on the Universal backlot and why it became underused • How Jay Stein pushed Universal to add bold show scenes to the tram tour in the early 1970s • The engineering and storytelling behind the Runaway Train effect and why it took five years to build • Mr. T, The A-Team, and the brief but unforgettable era when a TV star nearly “crashed” the tram HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Eric Hersey - IG: @erichersey | X: @erichersey | Website: strongmindedagency.com FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic. Save on Disney and Universal tickets, including park hoppers and Lightning Lane options, by booking through UnlockedMagic.com. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Lexi and Sean embark on a wide-ranging conversation that covers everything from hackers dressed as the Pink Power Ranger, to the intricacies of podcasting, and their favorite movie re-watches. The duo discusses some comedic geek talk with actors like Sidney Sweeney and Jesse Plemons. They delve into a personal Spielberg marathon, recounting films like 'Catch Me If You Can', 'Lincoln', and 'The Post', while touching upon Oscar nominations and their love for Amblin films. 00:00 Jaw Surgery Dilemma 01:23 Live Recording Challenges 04:34 Patreon Updates and Changes 06:57 Hacker in Pink Power Ranger Costume 09:38 TV Show Endings Discussion 17:00 Childhood Fears and Misunderstandings 21:11 Movie Reviews and Recommendations 29:16 Sydney Sweeney and The Housemaid 38:53 Discussing Knives Out 41:05 Review of It Ends 43:05 Primate Movie Anticipation 54:31 Spielberg's Filmography 01:09:14 Oscar Nominations and Timmy 01:17:03 Concluding Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Lexi and Sean embark on a wide-ranging conversation that covers everything from hackers dressed as the Pink Power Ranger, to the intricacies of podcasting, and their favorite movie re-watches. The duo discusses some comedic geek talk with actors like Sidney Sweeney and Jesse Plemons. They delve into a personal Spielberg marathon, recounting films like 'Catch Me If You Can', 'Lincoln', and 'The Post', while touching upon Oscar nominations and their love for Amblin films. 00:00 Jaw Surgery Dilemma 01:23 Live Recording Challenges 04:34 Patreon Updates and Changes 06:57 Hacker in Pink Power Ranger Costume 09:38 TV Show Endings Discussion 17:00 Childhood Fears and Misunderstandings 21:11 Movie Reviews and Recommendations 29:16 Sydney Sweeney and The Housemaid 38:53 Discussing Knives Out 41:05 Review of It Ends 43:05 Primate Movie Anticipation 54:31 Spielberg's Filmography 01:09:14 Oscar Nominations and Timmy 01:17:03 Concluding Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

As 2025 draws to a close, the Star Wars landscape looks radically different than it did a year ago. The Acolyte's cancellation sent shockwaves through the fandom, Skeleton Crew emerged as an unexpected gem, and Andor Season 2 proved why some stories are worth the wait. Matthew, Erin, and Alex reunite to reflect on a tumultuous year that saw creative risks, behind-the-scenes drama, and a franchise at a crossroads.Questions We ExploredHow did Skeleton Crew defy expectations to become one of the year's standout shows? From Jod Na Nawood's complex villainy to the show's Amblin-inspired heart, we discuss what made this series work when skepticism ran high.Did Andor Season 2 deliver on its promise as prestige Star Wars television? We break down why this season elevated political drama in the franchise and why the three-episode arcs proved so effective.What does the Mandoverse's future look like after The Mandalorian and Grogu film announcement? We explore Dave Filoni's expanding role and whether interconnected storytelling helps or hinders individual shows.How has Star Wars animation evolved with Tales of the Empire and The Bad Batch's conclusion? We discuss Morgan Elsbeth's origin story, Barriss Offee's redemption, and whether animated content is carrying the franchise's creative torch.What role did fandom toxicity play in shaping this year's Star Wars conversation? From review bombing to the Acolyte controversy, we examine how online discourse impacts creative decisions and cast members.Where should Star Wars go next to recapture its creative momentum? We offer our perspectives on what stories the franchise should tell, which risks are worth taking, and how to balance nostalgia with innovation.**************************************************************************This episode is a production of Star Wars Generations, a The Ethical Panda Podcast and part of the TruStory FM Entertainment Podcast Network. Check our our website to find out more about this and our sister podcast Superhero Ethics.We want to hear from you! You can keep up with our latest news, and send us feedback, questions, or comments via social media or email.Email: Matthew@TheEthicalPanda.comFacebook: TheEthicalPandaInstagram: TheEthicalPandaPodcastsTwitter: EthicalPanda77Or you can join jump into the Star Wars Generations and Superhero Ethics channels on the TruStory FM Discord.To learn more about co-host Erin and her incredible cosplay check out her Instagram, LadyTanoCreates.Want to get access to even more content while supporting the podcast? Become a member! For $5 a month, or $55 a year you get access to bonus episodes and bonus content at the end of most episodes. Sign up on the podcast's main page you can even give membership as a gift!You can also support our podcasts through our sponsors:Purchase a lightsaber from Level Up Sabers run by friend of the podcast Neighborhood Master AlanUse Audible for audiobooks. Sign up for a one year membership or gift one through this link.Purchase any media discussed this week through our sponsored links.

Ride that hippo and stay off the floor because we are talking about Bryan Fuller's feature directorial debut, Dust Bunny (2025).Starring a perfectly cast Sophie Sloan as a young girl who hires a nameless hitman (Mads Mikkelsen) to kill the monster under her bed, this is a throwback to classic gateway horror films from the Amblin era.Plus: Sigourney Weaver (and her gun heels), praise for balancing so many genres/tones, homages aplenty, and a new reason to get excited about The Vampire Lestat (hint: it's Sheila Atim).Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

TV Mastermind Bryan Fuller (Hannibal, Pushing Daisies) makes his feature directorial debut with Dust Bunny starring Mads Mikkelsen, Sigourney Weaver, and newcomer Sophie Sloan. On the surface this film has nothing to do with Steven Spielberg, but it turns out that it was originally developed as an episode of the Amazing Stories reboot and Spielberg himself gave notes on the script that survived to this feature version. Fuller talks all about that creative collaboration as well as his relationship with Spielberg's work and even gives us some of his patented "queer readings" of some unlikely contenders from Spielberg's filmography that spoke to his own queer coming of age. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's been far too long! For our 300th episode we decided to do a good old fashioned roast! Our target this time? Anything Steven Spielberg has put his fingers on... ESPECIALLY that waddling scrotum ET The Extra Terrestrial!Join us, Mike and Zack from Neatcast, and Kory from the World is My Burrito for an all out OUCH attack on ET and his friends!

Conductor Devin Patrick Hughes sits down with author and USC musicology instructor Tim Greiving to dive into John Williams: A Composer's Life (OUP)—the first full-scale biography of the world's most beloved film composer. Greiving traces a lifelong fandom that began with a Jurassic Park cassette, then details the five-year journey of the book: 5:30 a.m. writing rituals, a year of archival research, and rare long-form conversations with Williams at the Amblin bungalow. Together they explore Williams' jazz and Great American Songbook roots, his Brahms-leaning aesthetic, and how he revived—and refined—the classic Hollywood symphonic tradition with Spielberg and Star Wars. You'll hear why Greiving calls Williams “closer to a church composer,” how the E.T. finale let the music lead picture, why the orchestra is truly timeless, and the astonishing revelation about Williams' grandfather, Thomas Nagel, a silent-era cinema music director. Close with a lightning round on favorite themes, underrated scores, and the one word that captures John Williams. Featured music: Star Wars Main Title • “Fascinatin' Rhythm” (arr. JW) • Jurassic Park Theme • “Baubles, Bangles, and Beads” (JW Trio) • “Hatikvah” from Munich • “Luke & Leia” • The Quiet Man Main Title • Seven Years in Tibet Main Theme (w/ Yo-Yo Ma) • Superman Main Theme • Schindler's List Theme (Itzhak Perlman) • Piano Concerto No. 1 (Ax/BSO) • Violin Concerto No. 2: II “Rounds” (Mutter/BSO) • “Harry's Wondrous World” • “Adventures on Earth” (VPO) • “Flight to Neverland” (VPO) • Close Encounters excerpts (VPO) • “Hedwig's Theme” • “Flying” (E.T.) • “Throne Room & Finale” (Berlin Phil)  

In this episode of our Sunday horror news show, we talk about:- Orphan 3 has begun filming- First Look Images of Zach Cregger's Resident Evil- Robert Englund Receives Hollywood Star on Halloween- Gremlins 3 in the Works- New film from Final Destination: Bloodlines directors, Zach Lipovsky and Adam Stein in the works with Amblin and Universal- Toni Collete and Millie Alcock to star in "Hot Mother" from director Lucy Knox- Dolly acquired by Shudder & IFC for 2026 release- Upcoming physical media releases for November 2025Join our FREE Discord server! https://discord.gg/tXPUEKEnConnect with us on:Website: https://inlovewithhorror.com/Letterboxd: https://letterboxd.com/nlovewithhorror/TikTok: https://www.tiktok.com/@inlovewithhorrorInstagram: https://www.instagram.com/inlovewithhorror/Twitter: https://twitter.com/nlovewithhorrorFacebook: https://www.facebook.com/inlovewithhorrorBecome a A24 Member and get one month for FREEhttps://aaa24.a24films.com/?referral=ANTHONY4C9

Seth Worley https://www.imdb.com/name/nm2124394/ made money selling tools for filmmakers. And Matt and Oren get him to talk about ways filmmakers can make side-income today. Can filmmakers make money selling plug-ins and stock footage? And if so, how?But why make side-income as a filmmaker or working commercial director? Simply put: AI. And the guys get into a broader discussion how AI will change video and the impact AI will have in an already saturated marketplace of creatives. And they wrestle with tough questions like, what kind directors won't be replaced by AI?Like a lot of filmmakers, Seth's real passion is making good work. And he gets into his 9-year journey to complete his latest film, "Sketch". Did it change his life completely? The short answer is no. But you'll want to hear how making his feature film transformed how he worked from Nashville as a commercial director.This is the VFX episode you won't want to miss. And you'll hear some great tips for making a Spielberg-reminiscent, Amblin-inspired movie for today's audiences.Find Seth on IG @thesethworley---Help our Patreon! https://www.patreon.com/JustShootItPodMatt's Endorsement: Evan Monsma's YouTube Channel https://www.youtube.com/@EvanMonsmaOren's Endorsement: "Why You Should Shoot It Twice" from Frameset https://www.youtube.com/watch?v=JSrlQdtuLi0The latest episode from the podcast "Lonely Island and Seth Meyers " https://podcasts.apple.com/us/podcast/laser-cats-5/id1738121304?i=1000732778308Edgar Wright on "Smartless" podcast https://podcasts.apple.com/us/podcast/edgar-wright/id1521578868?i=1000731238799Seth's Endorsement: Sho Pizza Bar https://www.shopizzabar.com/ The album "Getting Killed" by the band Geese. https://geesebandnyc.bandcamp.com/album/getting-killed The soundtrack from "It Follows" https://music.apple.com/us/album/it-follows-original-motion-picture-soundtrack-deluxe/1842890406 Hosted on Acast. See acast.com/privacy for more information.

SPECIAL DROP FOR SATELLITE SISTERS WHO DREAM 0F WRITING ROMANCE! It's never too late to totally switch it up. Just ask Sue Fleishman who went from being a Communications Guru at big entertainment companies like Universal, Amblin and Warner Brothers to rebranding herself Campbell Linden, Romance Novelist! On today's episode, she shares her story including a juicy Hollywood bad-behavior- behind-the-scenes tale and how she came up with her nom de plume. Millennial Mentor Leah is jealous and tests out her own potential pen name.To follow Campbell Linden and her books: Buy the latest Settle For More on amazon.Facebook: https://www.facebook.com/AuthorCampbellLinden/Instagram: https://www.instagram.com/campbelllindenauthor/Tiktok: https://www.tiktok.com/@campbelllindenWebsite: https://campbelllinden.com/Check out the trailer for Robert Evan's film The Kids Stays In The PictureArticle in Stanford Longevity Magazine RX Creativity for Health Life and Fun by Laura Holson featuring Sue Fleishman.Novel Liz mentions by Lian Dolan about Gen X Couple: The Marriage Sabbatical HOMEWORKWhere to go for your own creative inspiration.Sue recommends: Find a class at Grub StreetLeah recommends:Stephen King On Writing: A Memoir of the Craft.Anne Lamott. Bird By Bird.Liz recommends: Mr. Scorcese 5 part doc by Rebecca Miller. A new series on Apple TV + about Martin Scorcese and his life's work.Love, Gilda. Documentary about Gilda Radnor. Weaving together recently discovered audiotapes, interviews with her friends, rare home movies and diaries read by modern day comediennes (including Amy Poehler).If you are new to Lizness School, we suggest you listen to Season 1 to hear all about Liz's year as a Stanford Fellow. Everything from Neuroscience and Chinese History to Pickleball! Plus a great community experience with her fellow DCI Fellows.Season 2 is about how she puts her lessons to work in the wild.To listen to Liz +. Leah's recap of Lizness School Season 1, go to our FINALE here.For more on Liz Dolan, go to ⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠For more on Liz's work in podcasting, go to ⁠⁠⁠⁠Satellite Sisters⁠⁠⁠⁠Follow Lizness School on all podcasting platforms including ⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠ and ⁠⁠⁠⁠Spotify.⁠⁠⁠⁠On Instagram, follow the show at ⁠⁠⁠⁠https://www.instagram.com/liznessschool/⁠⁠⁠⁠ and follow Liz at ⁠⁠⁠⁠https://www.instagram.com/satellitesisterliz/⁠⁠⁠⁠.Follow Producer and Millennial Mentor Leah Sutherland @leahhsutherlandd on Instagram and Leah Sutherland on LinkedIn. To email Lizness School with your own voicememos/questions/thoughts/suggestions for Liz or Leah, use ⁠⁠⁠⁠liznessschool@gmail.comThe Distinguished Careers Institute is a unique program for late career people. Fellows are graduate students at Stanford University, able to take classes in any area. ⁠⁠⁠⁠Complete information here.⁠⁠⁠⁠Email the podcast ⁠⁠⁠⁠liznessschool@gmail.com ⁠See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

GOODNIGHT MOMMY is the feature debut of aunt-nephew duo Veronika Franz & Severin Fiala (THE LODGE, THE DEVIL'S BATH). Patient, tense and psychologically disturbed, this movie drew me in and kept me guessing all the way to the end.Twin brothers Lukas and Elias (Lukas & Elias Schwarz) live in pastoral Germany, spending their summer days exploring pitch-black tunnels, bouncing on trampolines during rainstorms, harboring any stray cat or gigantic cockroach who happens to cross their path - typical 9-year-old shit.This idyllic season grinds to a halt when their mother (Susanne Wuest) returns from the hospital, head covered in bandages post-cosmetic surgery. She asks them to keep the house's blinds drawn, leave any newly discovered animals outside wherever the fuck they've found them, and for the love of God, just play quietly.Reasonable demands at first but the mother starts to grow impatient with the boys. She'll split them up, instruct one not to talk to the other, increasingly losing her temper. It also doesn't help that she mostly keeps herself cooped up in her room, not addressing or barely acknowledging the boys unless they trigger her ire. This isn't how a mother behaves. Is this lady even their mother? No. She must not be. Who is this intruder and what does she want with the twins?GOODNIGHT MOMMY excels in drawing me into the boys' points of view, almost like a perverted Amblin film. These kids have no qualms regarding taking responsibility into their own hands, investigating, interrogating their "mom." The entire movie is constructed like an elaborate tightrope walk, throwing in the right red herrings and turns in order to keep me on my toes, never comfortable affirming any conclusions to which I've arrived.And this finale? This last 20, 30 minutes? Some of the most disturbing visuals since I last watched Miike's AUDITION. It's different when kids are involved; what can I say?GOODNIGHT MOMMY is available to watch on Tubi.---Follow, rate and review THE MOVIES wherever you listen to podcasts!Follow THE MOVIES on Instagram, Bluesky & Letterboxd

This time we continue down the rabbit hole of Doctor Who that Could Have Been but Never Was and take a peek inside the Leekley Bible (no, that's not the one in your motel room nightstand!) that would have potentially been made into the 8th Doctor's first season on Fox here in America had the TV movie done better than it did. Let's just say that the classic stories chosen to be remade and updated to that 90s American TV sensibility...well, they were some interesting choices!

This time we continue down the rabbit hole of Doctor Who that Could Have Been but Never Was and take a peek inside the Leekley Bible (no, that's not the one in your motel room nightstand!) that would have potentially been made into the 8th Doctor's first season on Fox here in America had the TV movie done better than it did. Let's just say that the classic stories chosen to be remade and updated to that 90s American TV sensibility...well, they were some interesting choices!

It's our fourth episode of the increasingly-inaccurately-titled Patreon Request "Month" 2025, and in the longest official episode of this podcast to date, the randomizer is going all the way back to 1988 to pick ArthurCrane's request for, quite simply, one of the greatest cinematic triumphs of all time, a tour-de-force of animation, live action and pre-CGI special effects wizardry, wrapped up in a still-relevant metaphorical fable about civil rights and gentrification set in an impossible fantasy world that combines a gritty film noir aesthetic with off-the-wall cartoon zaniness. Directed by future Oscar-winning blockbuster visionary Robert Zemeckis at the peak of his powers, with animation directed by often-underappreciated genius Richard Williams, and representing a Disney studio with new management eager to swing for the fences and conquer the world, this masterpiece was truly a once-in-a-lifetime perfect melding of artistry, ambition and anarchy. And granted, the whole project was blown out of the water just a few years later by the even greater achievement that was Ralph Bakshi's Cool World, but this movie was still pretty darn swell too. Join Tony Goldmark, Laura Barry, Sam Barry and Kit Quinn as they investigate WHO FRAMED ROGER RABBIT! Check out my guests' stuff! LAURA BARRY Website: https://www.laurabarryfinearts.com/  Twitter: https://twitter.com/laurabarry330   SAM BARRY Facebook: https://www.facebook.com/sambarry.author/  Twitter: https://twitter.com/sambarry  KIT QUINN  Podcast: https://channelkrtpodcast.libsyn.com/  Letterboxd: https://letterboxd.com/muppetvision3d/  And check out this show on social media! Bluesky: https://bsky.app/profile/vaultdisneypod.bsky.social  Host's Bluesky: https://bsky.app/profile/tonygoldmark.bsky.social  Twitter: https://twitter.com/efvdpodcast Host's Twitter: https://twitter.com/tonygoldmark Facebook Group: https://www.facebook.com/groups/972385353152531 YouTube: https://www.youtube.com/tonygoldmark Hear new episodes early and AD-FREE by supporting this show on Patreon: https://www.patreon.com/tonygoldmark

This week we'll be looking to solve an intriguing mystery. That mystery being why Amblin and Netflix poured 60 million dollars into making an episode of Rosemary and Thyme. Yes, it's Thursday Murder Club. Joining me to bring cake, flowers and drawings of cocks is Paul Whitelaw Hosted on Acast. See acast.com/privacy for more information.

Welkom bij Nerd Culture #224, de Gamekings podcast waarin we weer diep in de wereld van films, series en alles geeky duiken. Deze week staan horror, nostalgie én gaming centraal. Jelle bespreekt de langverwachte 28 Years Later, Koos ging terug naar de cultklassieker Highlander en we checken het bizarre verhaal over hoe Steven Spielberg ooit een Call of Duty-film wilde regisseren maar werd afgewezen door Activision. Daarnaast behandelen we nieuws over Marvel Zombies, TRON: Ares, Nicolas Cage als John Madden en de eerste beelden van The Mandalorian & Grogu.Highlander ReviewKoos heeft zich deze week gestort op de cultklassieker Highlander en bespreekt in de podcast of de film de tand des tijds nog weet te doorstaan. De film uit 1986, met Christopher Lambert als de onsterfelijke Connor MacLeod en Sean Connery als zijn mentor, combineert fantasy, zwaardgevechten en de legendarische soundtrack van Queen. Maar hoe kijkt een moderne kijker naar deze mix van campy jaren '80-stijl en epische thema's over onsterfelijkheid? Eén ding is duidelijk: There can be only one!28 Years Later ReviewJelle heeft deze week 28 Years Later gecheckt, de langverwachte opvolger van Danny Boyle's baanbrekende 28 Days Later en 28 Weeks Later. De film pakt de draad decennia na de eerste uitbraak van het Rage-virus weer op en onderzoekt hoe de wereld er inmiddels aan toe is. Zijn de overlevenden erin geslaagd om een samenleving op te bouwen, of ligt er opnieuw totale chaos op de loer?In de podcast deelt Jelle zijn indrukken van de toon, de stijl en natuurlijk de spanning die de franchise altijd kenmerkte. Hoe verhoudt de film zich tot de intense, rauwe sfeer van het origineel? En voelt dit derde deel als een natuurlijke afsluiter van de trilogie of juist als een herhaling van zetten? Verwacht een eerlijke bespreking vol liefde voor het horrorgenre, maar ook kritische noten over waar de film de plank misschien misslaat.Activision wees Steven Spielberg af voor Call of Duty Stel je voor: een Call of Duty-film geregisseerd door niemand minder dan Steven Spielberg. Volgens Puck News gebeurde dat bijna, want Spielberg pitchte zijn eigen visie bij Activision. Met zijn Amblin-team en dealmaker Jimmy Horowitz had hij een voorstel klaar dat garant stond voor grootsheid, compleet met de beruchte “Spielberg Deal” — volledige creatieve controle, finale cut en zeggenschap over marketing. Maar juist dat was voor Activision een brug te ver. Het resultaat? Het plan ging de prullenbak in en Paramount kreeg de rechten.Dat maakt de vraag interessant: wat voor film hadden we gekregen als de regisseur van Saving Private Ryan zich over een van de grootste gamefranchises ooit had gebogen? Call of Duty is met meer dan 500 miljoen verkochte exemplaren en $30 miljard omzet een van de meest lucratieve entertainmentmerken aller tijden. Zonder Spielberg blijft het afwachten of de film dezelfde prestige kan neerzetten of slechts mikt op popcorn-spektakel.Timestamps:00:00:00 Nerd Culture #22400:00:18 Wat hebben we gekeken/gelezen/geluisterd?00:00:30 28 Years Later00:06:00 28 Years Later The Bone Temple (spoiler alert00:09:50 The Terminal List Dark Wolf00:12:29 Highlander00:27:00 Marvel Zombies Trailer00:29:30 Eyes of Wakanda gekeken00:30:25 Paramount koopt de rechten voor de Call of Duty film00:34:25 Steven Spielberg wilde dolgraag een Call of Duty film maken00:39:30 Nicolas Cage onherkenbaar als John Madden in biopic00:44:10 The Rock wil zich losbreken van typecasting00:54:28 Waarom het 15 jaar duurde voor een TRON sequel01:00:04 TRON: Ares Trailer01:02:45 Sony CEO geeft toe: “Je komt niet meer weg met slechte superhero films”01:11:00 Channing Tatum zal z'n performance als Gambit flink terugschroeven01:14:15 James Gunn onthult Man of Tomorrow01:18:00 Back to the Future re-release op 13 november in de bioscoop01:21:20 Ga stijlvol de feestdagen in01:23:54 Eerste beelden van The Mandalorian & Grogu01:26:06 Black Phone 2 Trailer

Four score and seven years ago (or thereabouts), our Papa Spielberg brought forth on this filmography a new biopic, conceived in collaboration with Tony Kushner, and dedicated to the proposition that Daniel Day-Lewis was the best man to embody Honest Abe in his pledge to ratify the idea that ‘all men are created equal'. Now we are engaged in a discussion of the result, 2012's LINCOLN, testing whether that biopic, or any biopic so conceived and so dedicated, can long endure. We are met on a great battle-field of that discussion with friend and fellow Warwick film grad James Warren, to explore this work within the pantheon of ‘great films', the degree of ambivalence with which it views the democratic process and the astonishing array of character actors with great faces. It is here that we highly resolve that this film was not made in vain, and that filmmaking by the Spielberg, with his collaborators, for the Ramblin listeners, shall not perish from our memory.Follow the podcast on Twitter (@RamblinAmblin), Instagram (@ramblinamblinpod) and Blusky (@ramblinamblin.bsky.social). Be sure to like and subscribe so you don't miss an episode! Get in touch with us either via our socials or email rambinaboutamblin@gmail.com. Please feel free to give us a 5-star review, share your favourite Amblin movies and tell us if ET makes you cry.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter & Greg Sheffield for the theme music.

Steven Spielberg's documentarian Laurent Bouzereau returns to The Spiel to discuss Vespe's favorite movie, Jaws, and his great new deep dive documentary made in conjunction with Amblin and Nat Geo called Jaws @ 50. There's a lot to talk about in terms of the legacy of Jaws, the impact it had for good and ill on both the film industry and the fishing industry, as well as where it fits into the lexicon of cinema greats 50 years after release. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Men in Black are back… in time!? It's time for some Amblin time-travel hijinks not involving a DeLorean as we check back in with the protectors of Earth agent J (Will Smith) and Agent K (Tommy Lee Jones) as the very fabric of reality is threatened when an evil alien named Boris the Animal (Jermaine Clement) - actually it's just Boris - rewrites history, forcing J to travel abc to 1969 and team up with K's younger self (an eerily perfect Josh Brolin). To unpack the flimsy timey-wimey nonsense of it all, we recruit previous guest of the show Charlotte Bailey to join our makeshift MIB and make the time jump to 2012 and explore the troubled production to get MIB3 to the screen, and how, in some small miracle, it all just about holds together. By the way, is anyone else really craving a chocolate milk right about now?You can follow Charlotte's travel blog No Small Wander here - as well as on Instagram and TikTok.Follow the podcast on Twitter (@RamblinAmblin), Instagram (@ramblinamblinpod) and Blusky (@ramblinamblin.bsky.social). Be sure to like and subscribe so you don't miss an episode! Get in touch with us either via our socials or email rambinaboutamblin@gmail.com. Please feel free to give us a 5-star review, share your favourite Amblin movies and tell us if ET makes you cry.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter & Greg Sheffield for the theme music.

We learned about dino DNA for the first time in 1993 with the first Jurassic Park movie. That DNA must have staying power but they're still churning out Jurassic movies 32 years later. This time, in “Jurassic World: Rebirth”, it's Scarlett Johanssen, post-Black Widow, taking the lead. She plays Zora, a merc hired by a questionable pharmaceutical rep to help a dinosaur expert get access to a forbidden area where dinosaurs still roam free. This is all to get some dino DNA to help cure heart disease. Is it worth going to the theater to find out what happens next? Check out this episode to find out! “Jurassic World: Rebirth” also stars Mahershala Ali, Jonathan Bailey, Rupert Friend, Manuel Garcia-Rulfo, Luna Blaise, David Iacano and Ed Skrein. Support the showFeel free to reach out to me via:@MoviesMerica on Twitter @moviesmerica on InstagramMovies Merica on Facebook

Legendary film producer, director, and documentarian Frank Marshall is my guest on the show today to talk about his working relationship with Steven Spielberg, a creative partnership that goes back to Raiders of the Lost Ark and continues on to this day. Marshall co-founded Amblin with Spielberg and Kathleen Kennedy. We talk about what necessitated Spielberg creating his own production company, how they split up their duties to produce some of the best geeky flicks of the '80s, and eventually get to the new entry into the Jurassic franchise, Jurassic World Rebirth, which opens in theaters July 2nd. This chat covers a ton of ground, from Peter Bogdanovich to Robert Zemeckis, killer spiders to hungry dinosaurs, and even how a plate of pasta helped convince Spielberg he should call this guy to help produce Raiders of the Lost Ark. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's time to journey from the beautiful green landscapes of Devon to war-torn Europe - then back to a now very orange Devon - in Steven Spielberg's World War One drama WAR HORSE. Based on Michael Morpurgo's children's book as well as it's hugely successful stage adaptation, we welcome friend and history-buff - and star of Zombey - Ben Weldon to join us on the journey of innocence lost and the struggle to maintain a sense of decency in a world gripped by violence - from the perspective of a horse. We get into Morpurgo's original inspiration, to what pulled Spielberg to the story, before diving into its success as a World War One story and what its multiple story strands offer to the overall pictorial canvas of Spielberg's lush war epic. Saddle up and join us, won't you? Follow the podcast on Twitter (@RamblinAmblin), Instagram (@ramblinamblinpod) and Blusky (@ramblinamblin.bsky.social). Be sure to like and subscribe so you don't miss an episode! Get in touch with us either via our socials or email rambinaboutamblin@gmail.com. Please feel free to give us a 5-star review, share your favourite Amblin movies and tell us if ET makes you cry.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter & Greg Sheffield for the theme music.

Edward G. Excaliber is a Los Angeles-based, Miami-born Puerto Rican writer, a sci-fi/fantasy videogaming nerd who blends his darkly comedic, self-deprecating voice with emotionally sincere characters, focusing on grounded, personal stories in elevated genre worlds. The youngest of three, his passion for writing began at an early age, writing comic books, poems and lyrics, shifting to narrative storytelling in college, where he wrote and directed numerous stage plays. He transitioned to writing for film and television while attending the AFI Conservatory, earning an MFA in Screenwriting. Edward is an alum of the NBC Writers on the Verge and National Hispanic Media Coalition (NHMC) writing programs. In 2024, Edward won the Hollywood Fringe Festival Theatre Theater Playwright Award for a one-act farce he penned. He's written episodes of Parcast's lost treasure podcast series, Gone. He's worked as a story analyst for Sony Pictures, Amblin, Austin Film Festival and Coverfly. Edward has twice been selected for the Read Latinx Initiative. Currently, Edward's learning to play guitar, practicing amateur archery and developing new projects. socials: (IG) @edwardexcaliber / @638play

Blistering barnacles - it's time to open the book (or comic album) on Tintin and tackle the crab with the golden claws, discover the secret of the unicorn and find Red Rackham's treasure. Barry Levitt re-joins the pod after a brief break from Amblin animation and together we piece together the whole story: the complicated history of Tintin creator Hergé (and how to properly pronounce his name), the long road to the film's production, the pros and cons of motion capture, the uncanny valley, whether or not this Tintin has a weird face, Spielberg's unchained digital camera, the sheer exuberance of the action scenes and, of course, Tintin's status as a Belgian (NOT French) icon. A fun chat about an intensely fun film, and one that we argue is much deserving of a sequel. Now, how's your thirst for adventure?You can follow Barry on Twitter and Letterboxd @blevitt93, and catch his writing over at the likes of Vulture, The Daily Beast, Empire, LA Times, Rolling Stone and more.If so inclined, you can watch the 1947 stop-motion adaptation of THE CRAB WITH THE GOLDEN CLAWS here: https://www.youtube.com/watch?v=v_DXY0FnOLc And, if Josh's rendition wasn't sufficient, you can listen to Joe Cornish's full doodle story here: https://www.youtube.com/watch?v=OFuh8NFb6hs Follow the podcast on Twitter (@RamblinAmblin), Instagram (@ramblinamblinpod) and Blusky (@ramblinamblin.bsky.social). Be sure to like and subscribe so you don't miss an episode! Get in touch with us either via our socials or email rambinaboutamblin@gmail.com. Please feel free to give us a 5-star review, share your favourite Amblin movies and tell us if ET makes you cry.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter & Greg Sheffield for the theme music.

Sara Tomko is a Film and Television actress based in LA and CEO of In The Pocket Productions. She is most notably known as Series Regular, Asta Twelvetrees, in the hit show Resident Alien on SyFy which is produced by Amblin and NBCU. Her career began in experimental theatre and musicals in Virginia and Ohio, later moving to Los Angeles to pursue Film and TV. She is an actor, producer, poet, singer and mental health advocate.  Sara is also known for her work as Tiger Lilly on Once Upon A Time, Sneaky Pete, The Son, and The Leftovers.    Want to watch: YouTube Meisterkhan POd (Please Subscribe)

Get ready for an episode full of production value as we get nostalgic with JJ Abrams and SUPER 8 - the 70s set sci-fi drama following a group of kids making their own movie in their backyard, and happen to stumble on a government conspiracy involving an escaped extra-terrestrial being. We welcome back returning guests Daniel Kelly and Michael Perry, re-assembling the team that once made up our student radio show Close-Up on RAW 1251AM, fittingly looking at a movie that was released the summer before we all met for the very first time. We dig into its value as a nostalgic artefact; a film looking back and directly homaging Amblin of old, and how successful Abrams is at approximating that Spielberg-vibe while also trying to deliver something that feels like it comes from the heart, as well as assessing its place in the early 2010s blockbuster landscape. We also resurrect a old feature from our Close-Up days to give you some further viewing recommendations. Mint! You can watch Andy's Sixth Form zombie movie - ZOMBEY - made in the summer of 2011 here: https://www.youtube.com/watch?v=Fjn3y1L5CLo And you can read Forbes' 10th anniversary oral history of Super 8 here: https://www.forbes.com/sites/joshweiss/2021/06/01/super-8-turns-10-a-mint-oral-history-of-jj-abrams-love-letter-to-movies-childhood--spielberg/  You can rent or buy Dan's film DOCTOR JEKYLL on Amazon and find Michael's blog here: https://quotesponge.wordpress.com/  Follow the podcast on Twitter (@RamblinAmblin), Instagram (@ramblinamblinpod) and Blusky (@ramblinamblin.bsky.social). Be sure to like and subscribe so you don't miss an episode! Get in touch with us either via our socials or email rambinaboutamblin@gmail.com. Please feel free to give us a 5-star review, share your favourite Amblin movies and tell us if ET makes you cry.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter & Greg Sheffield for the theme music.

Grab your bug spray and your makeshift flamethrowers as NostalgiaCast braves Frank Marshall's ARACHNOPHOBIA for the latest '90s Bucket List episode, starring Jeff Daniels, John Goodman, and the late, great Julian Sands. Listen as Jonny and Darin discuss the movie's creepy-crawly Spielberg-ian touches, its perfect balance of comedy and scares, and lament how modern moviegoers try to "outsmart" the films they watch instead of engaging with the magic of them. Let's rock 'n' roll! 

The next sequel we will discuss is "Sorority Babes in the Slimeball Bowl-O-Rama 2", a Full Moon Feature. For it, I chatted with the writer, Shane Bitterling. Shane wrote most of his Full Moon Credits under the name Kent Roudebush. Shane/Kent talked about his journey from Indiana to Hollywood, his early writing jobs, his friendship with the writer of Critters, Dominic Muir, a meeting at Amblin, and a ton more. Shane's IMDb https://www.imdb.com/name/nm0084535/Kent's IMDb https://www.imdb.com/name/nm4551376/?ref_=tt_ov_wr_1Your homework is to watch "Sorority Babes in the Slimeball Bowl-O-Rama 2" which is free on Tubi, which I read was a censored version.Follow us on all social media @sequelsonly and our website is sequelsonly.com Review, rate, and share us with your friends, enemies, neighbors, exes, and even that annoying supermarket clerk!

Episode 138 - Set Dynamics: Roles and Responsibilities In this episode of the Faith and Family Filmmakers podcast, Geoff welcomes back Joth Riggs to discuss set logistics and the various roles of assistant directors (ADs) on a film set. They delve into the responsibilities of first ADs, second ADs, and production assistants, highlighting their importance in maintaining order and efficiency. Joth shares advice for aspiring ADs and discusses the skills necessary for the role, emphasizing diplomacy and a can-do attitude. The episode concludes with an overview of Joth's online course, 'Directing Your Movie,' and information about his production company, Whitestone Entertainment.Highlights Include:Welcome and IntroductionRoles and Responsibilities on SetFirst AD vs. Second AD RolesPath to Becoming an Assistant DirectorSkills Needed for AD RolesUnderstanding Film Set DynamicsJoth's Directing CourseWhitestone EntertainmentAdvice for Aspiring FilmmakersBio: Joth Riggs is an award-winning filmmaker whose career spans more than 30 years on over a hundred movies and t.v. shows for all the major Hollywood studios. After graduating with a degree in Film Production, Joth got his start on the set of Pet Sematary II. From there he went on to work on the sitcom Coach on the Universal lot before ultimately landing at Steven Spielberg's Amblin Entertainment. It was only after being accepted into the prestigious Director's Guild Training Program that Joth left Amblin to become a DGA Assistant Director.After years as a sought out A.D. on everything from Starship Troopers, End of Days with Arnold Schwarzenegger, and Suicide Kings with Christopher Walken, to series' such as CSI, Dr. Quinn, Medicine Woman, and Baywatch among others, Joth made the move to the director's chair. Joth's latest film, Night of the Sicario, starring Natasha Henstridge, was released theatrically by Paramount Pictures and Saban Films.Joth is currently working on his next feature, the action/thriller Coyote Dawn.Joth's Directing Your Movie Course: https://www.faffassociation.com/directing-your-movieJoth's Links:https://www.whitestoneentertainment.com/https://www.facebook.com/jothriggsFAFF Association Online Meetups: https://faffassociation.com/#faff-meetingsScreenwriters Retreat - Mexico: https://www.faffassociation.com/writers-retreatJaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VThe Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film scorers, talent agents, and distributors. It is produced and hosted by Geoffrey Whitt and Jaclyn Whitt , and is brought to you by the Faith & Family Filmmakers Association

Episode 137 - The Journey of a Seasoned Filmmaker In this episode of the Faith and Family Filmmakers podcast, Geoff interviews award-winning filmmaker Joth Riggs. With a career that spans over 30 years and includes work on well over a hundred movies and TV shows, Joth shares his journey from working on 'Pet Cemetery II' to his time at Steven Spielberg's Amblin Entertainment, and eventually becoming an assistant director and then transitioning to director. Joth shares his transition into faith and family projects, where he has worked on familiar films such as God's Not Dead, Jesus Revolution, Nefarious, and more. He talks about differences between large studio sets and indie films, and the importance of continuous learning in filmmaking. Josh also introduces his online course on directing, aimed to guide aspiring filmmakers from concept to premiere. Highlights Include:Welcome and IntroductionTransition to Faith and Family FilmsEarly Filmmaking ExperiencesWorking for FreeLow Barrier to EntryDeveloping your RolodexAssistant DirectorsLarge Studio vs. Independent SetsJoth's Favorite RolesTransition to Directing and Current ProjectsDirecting Your Movie CourseFinal Advice for Aspiring FilmmakersBio: Joth Riggs is an award-winning filmmaker whose career spans more than 30 years on over a hundred movies and t.v. shows for all the major Hollywood studios. After graduating with a degree in Film Production, Joth got his start on the set of Pet Sematary II. From there he went on to work on the sitcom Coach on the Universal lot before ultimately landing at Steven Spielberg's Amblin Entertainment. It was only after being accepted into the prestigious Director's Guild Training Program that Joth left Amblin to become a DGA Assistant Director.After years as a sought out A.D. on everything from Starship Troopers, End of Days with Arnold Schwarzenegger, and Suicide Kings with Christopher Walken, to series' such as CSI, Dr. Quinn, Medicine Woman, and Baywatch among others, Joth made the move to the director's chair. Joth's latest film, Night of the Sicario, starring Natasha Henstridge, was released theatrically by Paramount Pictures and Saban Films.Joth is currently working on his next feature, the action/thriller Coyote Dawn.Joth's Directing Your Movie Course: https://www.faffassociation.com/directing-your-movieJoth's Links:https://www.whitestoneentertainment.com/https://www.facebook.com/jothriggsFAFF Association Online Meetups: https://faffassociation.com/#faff-meetingsScreenwriters Retreat - Mexico: https://www.faffassociation.com/writers-retreatJaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VThe Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors,...

The Spiel welcomes Anthony Breznican, Vespe's Kingcast co-host and entertainment reporter extraordinaire at Vanity Fair, to talk about Amblin's Innerspace. This weird-ass movie was directed by Joe Dante and produced by Spielberg and is all about a shrunk down Dennis Quaid getting injected into Martin Short's butt and that's just the start of this crazy '80s flick. Bond-esque villains, mini-Kevin McCarthy, a pissed off screenwriter and a who's who of very famous people that almost made this movie. Innerspace is a trip and a hell of a lot of fun to revisit. If you dig The Spiel, consider joining The Spiel's Patreon. Throw us a few bucks a month and you'll not only directly support the show, you'll also get bonus episodes and access to the Discord. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode we dive deep into the making The Invisible Raptor with writer and star Mike Capes and producer Nic Neary. The film is a hilarious, Amblin-inspired horror-comedy that delivers big creature-feature thrills (without ever showing the creature itself).Mike and Nic share how the movie originated as a 3 AM idea, the journey from script to screen, and how they secured funding and distribution in a competitive indie film market. They also get into guerrilla filmmaking tactics, crafting a compelling pitch package, boosting production value with amazing locations and handling on-set crises. Please enjoy this conversation with Nic Neary and Mike Capes.Show NotesMovies Mentioned:Jurassic Park (1993)Ghostbusters (1984)The Goonies (1985)Indiana Jones franchiseE.T. the Extra-Terrestrial (1982)Jaws (1975)Airplane! (1980)The Naked Gun (1988)Gremlins (1984)Super Troopers (2001)Speed (1994)Pee-Wee's Big Adventure (1985)Ghostbusters II (1989)Terrifier (2016)It's Always Sunny in PhiladelphiaTeen WolfHere are some key takeaways from this conversation with Mike & Nic.You Have Got to Stand Out.The film industry is oversaturated with scripts, projects, and ideas—pitching something uniquely is essential. The Invisible Raptor team understood that a script alone wouldn't grab attention, so they built a compelling pitch package with costumes, action figures, a movie poster, and a humorous pitch video. These tangible assets made the project feel real to investors, giving it momentum before it was even funded. A script isn't always enough—filmmakers should create visual, physical, or digital materials to showcase their vision, commitment and enthusiasm.Write the Movie You Want—Then Find a Way to Make It HappenConventional wisdom tells indie filmmakers to write “contained, low-budget” scripts—but the Invisible Raptor team ignored that advice. They wrote a film with a dinosaur theme park, elaborate effects, and car chases, then figured out how to make it work through resourcefulness, networking, and persistence. Finding an affordable dinosaur amusement park seemed impossible—until a chance conversation with John Stamos led them to the perfect location. Discovery Cube Science Center in Anaheim, where Stamos' sister worked, had everything they needed—including a giant animatronic dinosaur that pooped, which fit the script perfectly.By piecing together multiple assets through favors the team gave the movie a much bigger scope than its budget should have allowed. Don't let financial limitations stifle your creativity—write the best version of your story, then problem-solve to bring it to life.Hire for EnergyFilmmaking is grueling, especially on an indie production where long hours and tight budgets push everyone to their limits. The Invisible Raptor team knew that keeping morale high was just as important as hitting their shots. A positive, energized set prevented burnout and kept the production moving forward, even when challenges arose. They understood that even one toxic crew member can derail everything. That's why they were selective in hiring—not just bringing on trusted friends, but choosing people who truly supported the vision. Negativity spreads faster than positivity, so keeping the right energy on set meant keeping the right people around.Follow Mike Capes at:IMBd:

Leave it to Vespe and JRT to turn a conversation about the 1995 Amblin family adventure story CASPER into a lewd, R-rated talk about ghost titties. In our defense, bad influence (and James Beard award-winning author) Mallory O'Meara is our guest and despite all of our best efforts when we three get together things get chaotic and talk quickly turns to horniness. Does Casper hold up? Which of the three Uncle ghosts do you most relate to? Is it possible that '90s Bill Pullman and '80s Alec Baldwin are the same person? Did Amblin think twice about making a family comedy about a dead child? We ask all these important questions and much more. If you want to support the show and want access to a bunch of cool bonus episodes, make sure to sign up for our Patreon at www.patreon.com/TheSpielPodcast! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tim and Frank set sail on the high seas of hyperspace to review Star Wars: Skeleton Crew(2024-25)! They chat about its Amblin-inspired adventure vibes, stellar performances, and why sometimes a disconnected Star Wars story is just what the galaxy ordered. Cheers! Beers of the Week St. Bernardus Prior 8 Abbey Ale Medusa Duchovni Pilsner

When a special guest gets to pick this week's movie, it's a perfect 80s time capsule with a sad situation on the penumbra of an adventure. But after the Goonies spend a week at the waterpark with Steven Spielberg, a completely different protagonist actually saves the day. What did the 80s contribute to the Commedia dell'arte? Do all Amblin films take place in the same universe? Why doesn't Astoria have a social safety net? It's the episode that imagines both its prequel and its sequel.Support the production of Greatest TrekGet a thing at podshop.biz!Sign up for our mailing list!Greatest Trek is produced by Wynde PriddySocial media is managed by Rob Adler and Bill TilleyMusic by Adam RaguseaFriends of DeSoto for: Labor | Democracy | JusticeDiscuss the show using the hashtag #GreatestTrek and find us on social media:YouTube | Facebook | X | Instagram | TikTok | Mastodon | Bluesky | ThreadsAnd check out these online communities run by FODs: Reddit | USS Hood Discord | Facebook group | Wikia | FriendsOfDeSoto.social