Podcasts about amblin

This week on End Credits, we're back! Refreshed from summer vacation, we're ready to tackle the fourth and final entry in "Hot Hathaway Summer" with Anne's latest movie The End of Oak Street, which you can now see in a theatre near you. That's one thing we've been watching over the break, so we're going to spend the rest of the show talking about other things we've watched!  This Wednesday, August 26, at 3 pm, Adam A. Donaldson and Tim Phillips will discuss: What We've Been Watching. As you may have noticed, End Credits has been on vacation the last few weeks, so we had some downtime. Yes, on this show we review movies semi-professionally, but we also enjoy them recreationally so on this first show back we're going to talk about some of the movies we've been watching in our spare time, from a Columbian movie on that curated streaming site to the underappreciated entry in "Hot Hathaway Summer". REVIEW: The End of Oak Street (2026). Imagine waking up one morning to find that your idyllic suburban neighbourhood was transported back in time to the era when dinosaurs roamed the Earth. What would you do? No phones, no electricity, no protection and no way out! David Robert Mitchell, director of It Follows and Under the Silver Lake, takes a left turn into Amblin-style family adventure (courtesy of producer J.J. Abrams), but if you're looking for a late-summer movie that mixes fun and suspense, can you do better than The End of Oak Street? End Credits is on CFRU 93.3 fm and cfru.ca Wednesday at 3 pm.

On the three hundred and second episode of THE THIRD ACT PODCAST, the crew are disobeying their lords.Christian and Jericho reconvene sans Armando after their in-person meet up to discuss Kiyoshi Kurosawa's Japanese period drama/procedural THE SAMURAI AND THE PRISONER, which they pair with Kihachi Okamoto's despairingly bleak 1966 Jidaigeki film THE SWORD OF DOOM. Meanwhile, David Robert Mitchell's Amblin-esque dino romp THE END OF OAK STREET and Greg Araki's erotic comedy I WANT YOUR SEX get the Recently Watched treatment.They also discuss overly excited cinema crowds, Rōnin code of ethics, cycles of violence, tea making, and the notorious Armando Snooze Test ™️Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com  

Mark Marshall worked for Amblin, Lucas Film, was Steven Spielberg's assistant and was on location for “The Goonies” where he became affectionately known as the “Goonie wrangler”

With the release of David Robert Mitchell's The End of Oak Street, we're taking a slight detour in our Summer of Spielberg to dive deeper into Spielberg-adjacent cinema. We are covering one of the most overt Spielberg homages of this century, J.J. Abrams' Super 8 (2011). What constitutes a successful Amblin homage? Is J.J. Abrams as much of a hack as Film Twitter would like you to believe? Did Stranger Things re-heat this movie's nachos? Is Chris Nolan the Special K Fruit & Yogurt of filmmakers? All is discussed as we prepare for our viewing of Super 8. 

Ryan and Dylan discuss the latest blockbuster to combine Amblin-esque family drama and Jurassic-age dinosaur thrills. Let's dive into The End of Oak Street.

David Robert Mitchell's 2026 sci-fi dinosaur wormhole family adventure, THE END OF OAK STREET, is our bonus feature presentation this week! We talk about the dumb fun at the heart of it, the spirit of Amblin, dinosaurs doing it doggystyle, split-diopter shots, and much more! We also discuss some recent headlines around Hollywood in Movie News!  Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

Send us Fan MailWe have two new Summer releases here. One is the Amblin throwback THE END OF OAK STREET. The other is the meta take on meta slasher movies TEENAGE SEX AND DEATH AT CAMP MIASMA. Both movies sound like they're about people dying, but are the movies still alive?? Find out. 

J.J. Abrams is behind a movie that wants to be Spielberg so badly (shocking, we know)! It's the 80s, there are dinosaurs, plenty of action, and of course - family drama. But can THE END OF OAK STREET live up to the Amblin-esque expectations? Watch on YouTube: https://youtu.be/Z_PwtnoK8WYSupport this show http://supporter.acast.com/reelspoilers. Hosted on Acast. See acast.com/privacy for more information.

The Movie Pals are back with a HUGE Episode 231! This week, we're reviewing The End of Oak Street (2026), the new sci-fi adventure from writer/director David Robert Mitchell (It Follows, Under the Silver Lake) starring Anne Hathaway, Ewan McGregor, Maisy Stella, Christian Convery and Jordan Alexa Davis. After a cosmic event transports the Platt family — along with their entire suburban neighborhood — to someplace completely unknown, survival quickly becomes a whole lot more complicated. We break down the story, characters, visuals, dinosaurs, CGI and the movie's Jurassic Park, Amblin and Twilight Zone vibes before diving into a full SPOILER discussion about the portals, Greg's fate and that wild ending. Then it's time for THE ACTION VAULT!

Hayden Panettiere passed away at age 36. Jeff and Sean pay tribute to a lovely, far too young actress we love. Screaming Mad George, a legend of special effects passed away, he was 69. Yet more tribute is paid. The End of Oak Street Directed by David Robert Mitchell Starring Anne Hathaway and Ewan MacGregor The End of Oak Street follows the Platt family whose idyllic suburban street is suddenly transported into a prehistoric world, forcing them to band together to survive amid dinosaurs and other threats. This sci-fi survival thriller blends intense creature action with human drama, exploring suburban secrets and resilience under pressure. Praised for its thrilling set pieces, strong performances from Anne Hathaway and Ewan McGregor, and Michael Giacchino's dynamic score, it offers a mix of nostalgic Amblin-style adventure and a darker, more menacing tone. Critics call it a fun yet sharp creature feature with humor, heart, and a vicious streak, though some note tonal inconsistencies. Maddie's Secret Directed by John Early Starring John Early Maddie's Secret follows a food influencer whose seemingly picture-perfect life masks a relapse into bulimia when the pressures of online fame and competition mount. Blending sharp comedy with heartfelt drama, John Early's acclaimed directorial debut uses campy, retro melodrama aesthetics to deliver an empathetic, non-exploitative portrait of eating disorders. Critics praise its bold style, emotional depth, and standout performances, making it a daring, worthwhile watch for fans of offbeat, character-driven stories. Classic Kate's Secret Starring Meredith Baxter Birney Kate's Secret (1986) follows Kate Stark, a seemingly perfect suburban wife and mother whose polished life hides a dangerous secret—she struggles with bulimia. As personal pressures mount, her health and relationships are put at risk, leading to a turning point that forces her to confront the illness. With sensitive performances, particularly from Meredith Baxter, the film tackles eating disorders in a poignant, educational way, making it a worthwhile watch for its message and social impact.

I fear people will watch The End of Oak Street and come away thinking it's just a fun, Amblin-like Dino-horror film with a family element. But David Robert Mitchell isn't that kind of filmmaker. Of course, there's a thematic concept underneath all the Dino-horror and Amblin nostalgia. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Le réalisateur Romain Daudet-Jahan vient nous présenter son long-métrage de science-fiction Kyma, l'onde mystérieuse. Nous sortons exceptionnellement de nos vacances pour répondre à cette épineuse question. Et si une onde sonore pouvait devenir un être vivant ?Tony est un adolescent solitaire passionné par les animaux. Un jour, dans son petit village, il découvre une créature pas comme les autres : la Kyma, une mystérieuse onde sonore capable de briser la matière. Invisible, imprévisible et pourtant bien réelle, elle va bouleverser son quotidien.Avec Kyma, l'onde mystérieuse, Romain Daudet-Jahan signe un film de science-fiction qui puise dans le sense of wonder des grandes aventures de notre enfance, de Jules Verne aux productions Amblin. Mais comment filmer une créature que l'on ne peut pas voir ? Comment donner une personnalité à une onde sonore ? Et comment faire naître l'émerveillement à partir d'un petit village français ? Dans ce nouvel épisode de C'est plus que de la SF, nous recevons Romain Daudet-Jahan pour revenir sur la création de la Kyma, ses inspirations et les défis de la mise en scène de l'invisible.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The boys go back to the time of dinosaurs with the new Amblin inspired film The End of Oak Street produced by J.J. Abrams. They also play a fun game where movies characters are placed against each other and talk about all the new Comic book news out of D23

The End of Oak Street attempts to fill Amblin sized shoes but can it (or anything) measure up? Lanterns is giving us a glimpse of what the actual DC universe is going to expand to. Find us at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.werewatchingwhat.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/thedhkmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Moviewallas: One Night Only, The End of Oak Street & Spider-Man: Brand New Day This week on Moviewallas, Joe, Rashmi, and Yazdi tackle three very different new releases: the high-concept romantic comedy One Night Only, the dinosaur-filled suburban adventure The End of Oak Street, and the latest chapter in Tom Holland's Spider-Man story, Spider-Man: Brand New Day. The team also responds to listener feedback about The Odyssey, including the suggestion that Peter Jackson might have been better suited to tell the story across several films. Then it is time for another edition of “I Can't Find Anything to Watch…”, with three streaming recommendations and a bonus pick from a listener. Streaming Picks Margot's Got Money Troubles – Apple TV Rashmi recommends this series starring Elle Fanning, Michelle Pfeiffer, Nick Offerman, and Greg Kinnear. A college dropout and aspiring writer must find a way to support herself and her new baby while facing a rapidly growing pile of bills. The Room Next Door – Netflix Yazdi recommends Pedro Almodóvar's thoughtful drama starring Julianne Moore and Tilda Swinton. The film explores friendship, dignity, life, death, and the choices people make when confronting mortality. The Dink – Apple TV Joe recommends this warm-hearted pickleball comedy starring Jake Johnson, Mary Steenburgen, and Ed Harris, with appearances from Ben Stiller and several familiar faces. It may lovingly mock the sport and its players, but it also delivers a funny and thoroughly enjoyable Friday-night movie. Bonus Pick: A Good Girl's Guide to Murder – Netflix Listener Michelle recommends this binge-worthy mystery series for fans of Nancy Drew and The Hardy Boys. One Night Only In a fictional New York City where premarital sex and public displays of affection are forbidden for all but one night of the year, two people search for love while repeatedly missing, finding, and losing one another over the course of a single evening. Directed by Will Gluck and starring Callum Turner and Monica Barbaro, the film combines a deliberately absurd premise with the familiar pleasures of a romantic comedy. The hosts discuss the unanswered questions raised by its strange dystopian world, whether the premise needed a sharper political edge, and why none of that ultimately matters when the two leads have such appealing chemistry. Stylish, funny, romantic, and considerably more risqué than its sweet nature initially suggests, One Night Only succeeds by making the audience genuinely care about whether its central couple will find their way to each other. The End of Oak Street Written and directed by David Robert Mitchell, The End of Oak Street follows a suburban family whose neighborhood is transported somewhere unfamiliar after a mysterious cosmic event. Starring Anne Hathaway, Ewan McGregor, Maisy Stella, and Christian Convery, the film blends family drama, science fiction, horror, and the nostalgic spirit of 1980s Amblin adventures. The team describes it as Jurassic Park in suburbia – hammy, underwritten, occasionally ridiculous, but enormously entertaining. They discuss its impressive creatures, its surprisingly frightening and violent moments, its commitment to genuine danger, and the way it captures the look and atmosphere of films such as Super 8, E.T., and the classic Spielberg productions of the era. It may not be the film that saves cinema, but it is a loud, tense, nostalgic popcorn movie that deserves to be experienced in a theatre. Spider-Man: Brand New Day Tom Holland returns as Peter Parker in the fourth film of this Spider-Man series, directed by Destin Daniel Cretton. Following the events of the previous film, Peter is living alone in a world where the people closest to him no longer remember who he is. As he continues his life as Spider-Man, the emotional weight of that loneliness begins to shape his choices. The hosts discuss the film's quieter and more melancholic tone, its focus on sacrifice and isolation, the importance of revisiting the previous movies before watching, and whether audiences may be feeling some degree of superhero fatigue. While Yazdi questions the reuse of familiar Marvel villains, Rashmi and Joe respond strongly to the film's emotional core, focused storytelling, and the journey of a Peter Parker forced to ask what a meaningful life looks like when it must be lived alone. The action is polished, but it is the film's heart, relationships, and sense of longing that make Brand New Day stand out. Like, comment, and subscribe for spoiler-light film reviews, streaming recommendations, listener feedback, movie news, and general banter. Send your feedback to: mail@moviewallas.com Hosted by Joe, Rashmi & Yazdi www.moviewallas.com Stay until the end to hear the latest experimental Moviewallas outro. Timestamps 00:00 – Start 00:41 – New Moviewallas Music and Episode 600 04:08 – Listener Feedback on The Odyssey 05:59 – Streaming Picks 06:15 – Margot's Got Money Troubles 06:58 – The Room Next Door 08:33 – The Dink 11:30 – A Good Girl's Guide to Murder 11:53 – One Night Only 25:21 – The End of Oak Street 44:04 – Spider-Man: Brand New Day 56:21 – Closing Thoughts and Outro Music #Moviewallas #OneNightOnly #TheEndOfOakStreet #SpiderManBrandNewDay #SpiderMan #TomHolland #AnneHathaway #EwanMcGregor #MonicaBarbaro #CallumTurner #DestinDanielCretton #MoviePodcast #FilmReviews #StreamingPicks #TooManyMoviesTooLittleTime

For our August new release review, we're taking a look at the latest film David Robert Mitchell, THE END OF OAK STREET. Anne Hathaway and Ewan McGregor star as parents trying to hold a fractured family together when their entire suburban cul-de-sac gets dropped into the prehistoric past. We get into Mitchell's shift from IT FOLLOWS dread into full-on 1980s Amblin energy, Mike Gioulakis's wide-frame staging, and why an original, big-budget dinosaur flick feels like such a rare treat. 48:11 - Spoiler Discussion Begins 1:08:17 - September Voting Announcement Want the power to vote on our next new release review? Head to cinemashock.net/plus today to become a member! CINEMA SHOCK ASSOCIATE PRODUCERS: Andy Lancaster | asotirov | Benjamin Turpin | Benjamin Yates | Capiapoa | courtland ashley | curtcake5k | Dick Jones | Elton Novara | Interzone78 | Jackson_Baker | JoeyP | John sweet bussy Greaney | KDurden | Lucy Lawson | MagicBloat | mcdudely | Nate Izod | Princess Krishna Kali | RockGokd | shadowcut | Tim G | triplr1478 Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne & Justin Bishop. For episode archives, merch, show notes, and more, visit cinemashock.net

It is a busy, wild week at the movies as Erik Childress and Steve Prokopy review 11 of the best and worst of them in quite the divide in the lineup. They replay their thoughts on a recovery drama from Sundance (Union County). A kidnapped woman is told she is infected with something deadly (Hellcat). Kids took a road trip believing their band is going to open for Green Day (Nimrods) while Kristen Stewart & Alia Shawkat are in a stoner comedy (The Wrong Girls). Willem Dafoe is a Greek billionaire with family issues (The Birthday Party) plus Jeff Daniels & Jared Harris have their own issues as Reagan and Gorbachev (The Brink of War). Sunny Sandler handles the pressure of a school musical and an ill mother (Don't Say Good Luck) while Jane Schoenbrun humorously connects sex and violence through reality and fantasy (Teenage Sex and Death At Camp Miasma). Matt Johnson directs a coming-of-age version of Anthony Bourdain (Tony) and Matthew McConaughey is a beekeeper reconnecting with his foster child in the unique new film from the director of The Vast of Night (The Rivals of Amziah King). Finally, Anne Hathaway and Ewan McGregor's neighborhood is connected to prehistoric times in the Amblin-coded tribute from the director of It Follows (The End of Oak Street). Download the Episode at Apple Podcasts, SUBSCRIBE and leave a REVIEW! 3:17 - Review Catch Up 15:49 - Union County 24:21 - Hellcat 33:03 – Ad Break (00:31:33.22) 35:03 - Nimrods 49:38 - The Birthday Party 55:30 - The Wrong Girls 1:08:32 - Ad Break (01:05:02.55) 1:10:32 - Don't Say Good Luck 1:28:04 - Teenage Sex and Death At Camp Miasma 1:40:38 - The Brink of War 1:56:17 - Ad Break (01:50:47.77) 1:58:17 - Tony 2:11:17 - The Rivals of Amziah King 2:30:52 - The End of Oak Street Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to Multiverse News, your source for information about all your favorite fictional universes.Marvel Studios appears to have found the leader of its new mutant team, as Deadline reported last week that Heartstopper and Warfare star Kit Connor has landed the role of Scott Summers, better known as Cyclops, in the future MCU X-Men film. Sources say Connor went through much the same process as Samara Weaving, who was attached as Emma Frost the week prior, meeting with Schreier and Marvel president Kevin Feige alongside a group of candidates who tested after the July 4th holiday before the studio settled on him. Neither Marvel nor Connor has confirmed the casting, and the film, written by Beef creator Lee Sung Jin and The Bear co-creator Joanna Calo, still has no release date. Cyclops has been played on screen before by James Marsden and Tye Sheridan, with Marsden set to reprise the role in December's Avengers: Doomsday. Sony and Marvel Studios' Spider-Man: Brand New Day crossed the one-billion-dollar mark overseas in just twelve days of release, making it the second-fastest film ever to reach that number abroad behind Avengers: Endgame. The Destin Daniel Cretton film now stands at $1.67 billion worldwide, split between $654.3 million domestically and $1.013 billion internationally, which makes it the twelfth highest-grossing movie of all time and only the sixteenth ever to clear a billion in foreign markets alone. Universal had a milestone of its own to celebrate, as Christopher Nolan's The Odyssey passed $1.1 billion worldwide to become the highest-grossing film of his career ahead of The Dark Knight Rises, while also becoming the biggest IMAX release ever with $289 million, and it still has China to open on Friday. James Gunn spent part of a Threads session last week putting down one of the most persistent rumors surrounding Matt Reeves' Batman trilogy, telling a fan who asked whether The Batman Part III was being filmed simultaneously with Part II simply, “I can deny.” The theory had gained steam over years of delays, most recently when a redesigned Part II logo appeared to work a Roman numeral III into the artwork, and it offered fans a tidy explanation for why the sequel has taken so long to arrive. In reality, Part II only began principal photography in London in June, and Warner Bros. has already pushed the film from October 2027 to February 18, 2028. Sony and Nintendo's live-action The Legend of Zelda has cast Australian actor Uli Latukefu as Ganondorf under a multi-picture deal, with Severance's Dichen Lachman playing Impa and The Handmaid's Tale's Yvonne Strahovski reported as a queen character. The late Sam Neill also filmed an undisclosed role before his death on July 13, marking one of the final screen performances of his career.Gareth Edwards has exited Universal and Amblin's untitled Jurassic World Rebirth sequel over creative differences, with the studios now searching for a replacement; David Koepp's script is finished and Scarlett Johansson, Mahershala Ali and Jonathan Bailey are all still expected back for a 2027 shoot.A24 released the full trailer for Primetime, the Lance Oppenheim drama that Robert Pattinson produces and stars in as To Catch a Predator host Chris Hansen, in theaters September 25.Lionsgate has confirmed that Michael 2 is targeting a production start toward the end of this year or in early 2027, with the sequel to this year's Michael Jackson biopic aiming for a 2028 release.Lionsgate is also developing a new Leprechaun film written by horror veterans Patrick Melton and Marcus Dunstan, reviving a franchise that ran eight movies between 1993 and 2018.Nicholas Hoult has been cast in season 2 of HBO's Harry Potter series as Gilderoy Lockhart, a major character in The Chamber of Secrets that was portrayed by Kenneth Branagh in the 2002 film adaptation.

After an almost two-year hiatus (can't quite remember why now), Amblin returns with the first film released after we started this podcast: Miguel Sapochnik's 2021 streaming title FINCH. It was a strange decision for this production house to acquire the character rights to the Slough-based sales rep played by Ralph Ineson in ‘The Office', but– Oh, hang on, wrong Finch. This one is played by Tom Hanks and is attempting to navigate the post-apocalyptic US so that his robot pal Jeff (Caleb Landry-Jones) can look after his dog Goodyear (Seamus) when he's gone. Together we talk about the welcome note of hope this movie brings to the dystopian sci-fi genre, the wonderful visual effects work involved and the AppleTV+ of it all. Pop on your protective suit and join us in the sun!Follow the podcast on Twitter, Bluesky and Instagram and be sure to subscribe so you don't miss an episode! Get in touch with us either via socials or email rambinaboutamblin@gmail.com.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter-Clayton & Greg Sheffield for the theme music.You can listen to The Robert J Hunter band's new single 'Head in the Sand' here: https://ffm.to/rjhheadinthesandAnd you buy tickets to their upcoming album launch show in London on October 10 here: ⁠https://events.talentbanq.com/events/talentbanq/2123808⁠

We close out AMBLIN' DREAMS 2026 with a fun 5th BONUS episode! It's two from Amazing Stories Season 2! GO SEE MOVIES! ENJOY! Love and Rockets, Corey and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Send us Fan MailEpisode 275 of the Hey You Guys Podcast is here, and this week, Liam and Rob look back at one of the most wildly uneven movies of the 80s, Joe Dante's. Explorers. With its fantastic cast, wonderful sense of adventure and brilliantly evocative Amblin sensibilities and aesthetic, 1985's, Explorers remains a genuinely great movie.....until it doesn't. Just how wrong do things go in the third act? Listen in via your podcast platform of choice to find out. Spoiler alert.....very. The go very wrong. 

Episode 4 of AMBLIN' DREAMS 2026 is the ONLY movie covered this month that Steven Spielberg was credited as director. We know we said nothing he directed would be part of this month. We think we're still OK, and we get into that. IT'S THE ADVENTURES OF TINTIN with Jaime Bell, Andy Serkis, Simon Pegg, Nick Frost, and Daniel Craig! From IMDB: Intrepid reporter Tintin and Captain Haddock set off on a treasure hunt for a sunken ship commanded by Haddock's ancestor. GO SEE MOVIES! ENJOY! Love and Rockets, Corey and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages     

"Goonies never say die!" For Episode 411, Brandon and Thomas continue their series on Treasure Hunt movies with the 1980s classic, THE GOONIES. Listen as they discuss the early days of Amblin, the collaboration between Chris Columbus and Steven Spielberg, how they found the main kid actors in the film, how much Spielberg was involved in the making of the film, how they created the massive Pirate ship, why the film continues to endure decades after its release, and so much more! Use the code cinenation15 on thecinevault.com to get 15% off your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Director's Village and The Terminator (00:00:10) Recap of the Treasure Hunt Genre (00:10:57) Intro to The Goonies (00:14:13) How The Goonies Got to Production (00:21:12) Favorite Scenes (00:33:20) On Set Life - (01:26:39) Aftermath: Release and Legacy (01:35:22) What Worked and What Didn't (01:40:13) Film Facts (01:44:09) Awards (01:47:15) Final Questions on the Movie (01:51:13) Wrapping Up the Episode (01:56:44) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

It's been a more prolific decade for Amblin than the previous one, but does that translate into quality? Throughout 18 films – including seven Spielbergs, five sequels, three mo-cap showcases, two Josh Gad dog spirit rotations and one instance of digital fur technology – the production house has reached into its past while also trying to figure out what the future looks like, to mixed results. But there were still plenty of Good Boys, Bit Players and all-round Surprises to choose from as we looked back over the 2010s and separated the Abe Lincolns from the Munkustraps. It's been a fun ride. Roll on the 2020s!Follow the podcast on Twitter, Bluesky and Instagram and be sure to subscribe so you don't miss an episode! Get in touch with us either via socials or email rambinaboutamblin@gmail.com.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter-Clayton & Greg Sheffield for the theme music.You can listen to The Robert J Hunter band's new single 'Left Me Yet' here: ⁠https://ffm.to/rjhleftmeyet And you buy tickets to their upcoming album launch show on October 10 here: ⁠https://events.talentbanq.com/events/talentbanq/2123808⁠

AMBLIN' DREAMS #3 is an episode 79 years in the making! It's 2011's PAUL with Simon Pegg, Nick Frost, Kristin Wiig, Jason Bateman, and Seth Rogen as Paul. From IMDB: Two English comic book geeks traveling across the U.S. encounter an alien outside Area 51. GO SEE MOVIES! ENJOY! Love and Rockets, Corey and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

The Binge Buddies are striking cinematic lightning, and this time, it's a family affair. > Welcome back to "Hall of Just Us." This week, Bryan, Matt, Joel, and Ryan are stepping out of the epic, world-ending shadows and into the surprisingly heartfelt, Amblin-esque joy of 2019's Shazam!. The guys are breaking down how director David F. Sandberg injected a massive dose of fun and foster-family warmth into the DCEU without losing his horror roots. Join the crew as we discuss Zachary Levi's pitch-perfect man-child energy, the hilarious, scene-stealing dynamic with Jack Dylan Grazer's Freddy Freeman, and those genuinely terrifying Seven Deadly Sins monsters. Did this lighter, comedic detour prove that the cinematic universe still had some magic left in it? Say the word and hit play—we're testing out our new superpowers!

Germain Lussier of Gizmodo joins Dave Weekley and Ryan Nicholson ahead of the Fourth of July weekend to cover a packed entertainment slate. Following the massive opening of The Backrooms, Lussier breaks down Hollywood's accelerating rush to acquire viral internet horror properties — including Warner Brothers' eight-figure purchase of Siren Head and Steven Spielberg's Amblin acquiring The Mandela Catalog for Amazon. Ryan offers context on where Siren Head fits in the timeline of internet horror, from Slender Man to the Backrooms. Lussier also shares an exclusive on Toy Story 5's upcoming in-theater director's commentary via the Theater Ears app, which syncs audio commentary through a viewer's earbuds in real time. The conversation closes with a preview of Christopher Nolan's The Odyssey — now two weeks from release — including a breakdown of how early screening embargoes work and what happens to a critic who breaks the rules.

THE MANDELA CATALOGUE : La nouvelle légende YouTube qui affole Hollywood | Podcast HorreurUn adolescent publie sur YouTube quelques images fixes, des visages déformés, des faux messages d'urgence et une peur née du bruit sale des vieilles cassettes. Quelques années plus tard, Hollywood se bat pour acheter son cauchemar. Ce podcast horreur français ne parle pas seulement d'une série web devenue trop grande pour son écran d'origine. Il parle d'une question plus inquiétante : que reste-t-il de l'analog horror quand une industrie entière décide enfin qu'elle peut la vendre ?

It's July 1st! Which means a few things: 1.) The year is officially half over. 2.) We're knee deep in summer movies. 3.) We have a new theme! We're calling this one AMBLIN DREAMS, where we dive into movies that Steven Spielberg produced from both the Amblin days as well as Dreamworks. We kick it off with Frank Marshall's directorial debut from 1990: ARACHNOPHOBIA with Jeff Daniels, Julian Sands, and John Goodman. From IMDB: A new species of South American killer spider hitches a lift to a California town in a coffin and starts to breed, leaving a trail of deaths that puzzle and terrify young Dr. Ross Jennings, who is newly arrived in town with his family. GO SEE MOVIES! ENJOY! Love and Rockets, Corey and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages   

Paul and Amy unwrap Gremlins, Joe Dante's delightfully chaotic holiday classic that proved cute can turn catastrophic in the blink of an eye. They trace the film's journey from Chris Columbus's much darker original script to Spielberg's Amblin-produced crowd-pleaser, and unpack the inspired decision to keep Gizmo a hero instead of remaining a villain. Along the way, they explore the film's sharp satire of consumerism, suburbia, and media overload, celebrate its groundbreaking practical effects, and revisit the PG-rated mayhem that helped give birth to the PG-13 rating. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our final Kickstart for June is here! We talk World Cup, physical releases coming this week, our July theme, and a few more tidbits. The theme this month is Amblin Dreaming. These are movies produced by either Amblin or Dreamworks. We kick it off with Frank Marshall's directorial debut: ARACHNOPHOBIA! It'll drop this week on Patreon this Wednesday by way of EARLY ACCESS, and Friday for the public release. BARNES AND NOBLE CRITERION COLLECTION SALE THRU 7/26/2026! BLU-RAY TITLES HITTING TOMORROW 6/30/2026! GO SEE MOVIES! ENJOY! Love and Rockets, Corey and Joseph ------------------ If you'd like to show your support for members of WGA, SAG, IATSE, as well as other workers in the entertainment industry, please take a look at the link below and maybe make a donation: Entertainment Community Fund https://entertainmentcommunity.org/support-our-work ------------------ As always, and maybe even more than ever, here are some mental health resources for North America: United States  https://www.mentalhealth.gov/get-help/immediate-help https://suicidepreventionlifeline.org/ The Suicide Hotline phone number has been changed. Now, just text or call 988. Canada https://www.ccmhs-ccsms.ca/mental-health-resources-1 1 (833) 456-4566 Even though we don't say it in this episode, more NOW than ever before: PLEASE PLEASE PLEASE take care of yourselves and those around you. Be mindful of your surroundings. Karate in the Garage Linkages 

Alex and Justin Henson of 'The Movie Wire' discuss feelings of ambivalence around 'Disclosure Day', our memories of Spielberg as a force of nature, what sparks getting to the theater as well as Death of a Unicorn and Thrash (the shark film). Justin's Planes, Trains, and Automobiles rant (0:01) Sugar Coated Murder promo (3:16) Disclosure Day, Spielberg's legacy, and feeling 'meh' about cinema (3:47) Nostalgia and expectations from cinema, and the Amblin affect (9:21) Gene Shalit, Siskel & Ebert and the power of critics (17:51) Justin sells Alex on why Disclosure Day is worth seeing (no spoilers) (21:31) Death of a Unicorn discussion (26:09) Netflix's Thrash (34:01) Thank you, goodbyes, and credits (40:34) Please remember to check out the Sugar Coated Murder podcast, and don't forget to join our Discord. You can also check out our website for past episodes and our blogs: tsmacpod.com

Tag der Wahrheit: Anlässlich DISCLOSURE DAY - DER TAG DER WAHRHEIT ist es endlich so weit: Eddie, Andi und Schröck widmen sich STEVEN SPIELBERG. Wie schon bei Scorsese wollen die Drei seine 10 besten Filme ermitteln, weshalb jeder eine eigene Top 10 erstellt hat, die sie nun gemeinsam abgleichen. Was folgt ist eine Reise in die (auch eigene) Vergangenheit, von AMBLIN', DUELL oder SUGARLAND EXPRESS bis hin zu DIE ABENTEUER VON TIM UND STRUPPI – DAS GEHEIMNIS DER EINHORN und ein wenig darüber hinaus. Mit all den persönlichen Erfahrungen und Anekdoten, die Filme wie E.T. – DER AUSSERIRDISCHE, INDIANA JONES UND DER LETZTE KREUZZUG oder SCHINDLERS LISTE noch ein wenig besonderer machen. Mit dem einen oder anderen Kritikpunkt, die Titel wie KRIEG DER WELTEN, MINORITY REPORT oder MÜNCHEN vielleicht nicht ganz so hoch steigen lassen. Und natürlich mit all der Faszination, den staunenden Mündern oder all der Gänsehaut, für die Streifen wie UNHEIMLICHE BEGEGNUNG DER DRITTEN ART, DER SOLDAT JAMES RYAN, JURASSIC PARK, DER WEISSE HAI oder JÄGER DES VERLORENEN SCHATZES gesorgt haben und immer noch sorgen. Inklusive der einen oder anderen Abschweifung zum Thema POLTERGEIST, zu der vorhandenen oder nicht mehr vorhandenen Klasse Spielbergs oder welche Horrorfilme am meisten geprägt haben. Viel schneller und emotionaler können rund 90 Minuten nicht vergehen. Dabei wünschen wir Euch nun viel Spaß und bleibt bitte so gesund wie gut drauf. Shalom. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is our spoiler-free review of Steven Spielberg's Disclosure Day. We break down the film's classic Spielberg visual style, strong performances, ambitious themes, and the narrative choices that both elevate and frustrate. Plus, we discuss where Disclosure Day ranks among Spielberg's celebrated sci-fi adventures and why, despite its flaws, it still captures that unmistakable sense of wonder only he can deliver. Disclosure Day premieres exclusively in theatres on June 12, 2026. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREFollow Eatcentric - Same geeks. New Eats

Stabby Stabby is back...as a Greg's Cryptid Corner Patreon-exclusive series! To unlock this and every future Stabby Stabby episode, along with the Greg's Cryptid Corner news series GCCNN, support Greg's Cryptid Corner for as little as $2 on Patreon:http://patreon.com/gregscryptidcornerOn this episode, we dive in the family-friendly Amblin film Harry and the Hendersons, and make it way too family-unfriendly. But join us as we discuss how we'd deal with a dead Bigfoot and ask the big question: can I marry Bigfoot?! Send us Fan Mail

Today on Art of the Cut, we have the lead editor and the VFX editor of the documentary series, The Dinosaurs, from Netflix and Amblin' Entertainment.Ben Lavington Martin, BFE was the lead editor on the series and cut the first episode. His other work includes The World According to Jeff Goldblum, David Attenborough's Natural History Museum Alive, One Strange Rock, and Nova, among many others.Matt Howorth was the visual effects editor. His other credits include shorts: Rodents and Bull Shark Bandits.Our discussion today is about walking the line between animation editing and natural history documentary storytelling… and calibrating science, entertainment, and emotion over eons of evolution.If youre interested in reading along with this interview and seeing the trailer and clips and images from the docu-series, check out BorisFX's blog site:borisfx.com/blog/aotc

Hey! Did you know we have a Patreon page? Check out this free Patron episode in lieu of your normal episode while MJ is on vacation! If you like what you hear, maybe drop by and subscribe at patreon.com/jawforaminute.This month's Patron Episode takes us to Northern California (which, ironically, is where MJ is spending some of his vacation), to witness a small town terrorized by spiders in Amblin's 1990 film, Arachnophobia. They discuss the "good ole days" of cinema, practical effects, and discover some similarities between Arachnophobia and a certain movie about a certain shark (hint: it is not Shark Exorcist).

We're kicking off with the latest pulse-pounding thriller from South Korean action maestro Ryoo Seung-wan. Streaming now on Netflix, Humint takes us to Vladivostok, where a South Korean agent (Zo In-sung) and a North Korean official (Park Jeong-min) find themselves in a deadly game of "human intelligence" gone wrong.Fun Flix Fact: This film completes director Ryoo's "Overseas Location" trilogy, following The Berlin File and Escape from Mogadishu. If you love the kinetic "gun-fu" of John Woo, you'll notice several stylistic nods—Ryoo has described this film as his ultimate homage to the Hong Kong action legend!Production Trivia: To get that authentic, gritty feel of the North Korea-Russia border, the production spent months filming in extreme cold. The cast reportedly had to use special heated suits under their costumes to keep their muscles from seizing up during those breathless hand-to-hand fight scenes.To celebrate a decade of South Korean cinematic excellence, we're revisiting the 2016 masterpiece The Wailing. It's the film that took the "possession" genre, mixed it with police procedural and folk horror, and left us all staring at the screen in stunned silence.The Ritual: The intense, bone-shaking shaman ritual scene took four days to film. Actor Hwang Jung-min performed the sequence with such intensity that many of the extras—and even some of the crew—felt physically unsettled, wondering if they were accidentally summoning something real!For this week's Hidden Gem, we're recommending the gnarly "family horror" flick Dust Bunny. It marks the feature directorial debut of Bryan Fuller (Hannibal) and stars the incomparable Mads Mikkelsen as a hitman who is hired by an eight-year-old girl to kill the monster under her bed.Fun Flix Fact: This is a mini Hannibal reunion! Fuller wrote the role of the hitman specifically for Mads Mikkelsen. When Mads read the script, his only note was that his co-star, Sophie Sloan, was so good he wanted her to keep her thick Scottish accent—but she ended up teaching herself a perfect American accent via TikTok in just two weeks!Visual Magic: The film was heavily inspired by the "Amblin" era of the 80s (The Goonies, Gremlins). To capture that "scary-but-enchanted" look, the production team used practical puppets for the "Dust Bunny" monster, ensuring that when it rises from the floorboards, it has a terrifying, tangible weight.And if that's not enough entertainment for you, we've even thrown in new trailers to watch and what you can catch on streaming. Press play for the friendliest film discussions this side of Hollywood! It's all the movies you love, the facts you need, and the banter you crave.Don't miss a single review! Hit that Subscribe button, tell a friend, and join The Flixters family!00:00 Intro 2:58 Shoutouts5:27 Movie News14:05 New on Streaming16:56 New Trailers26:14 Anniversary Corner29:29 Humint Review38:23 Hidden Gem (Dust Bunny)44:23 OutroThis episode is proudly sponsored by Zencastr. Create your podcast today! #madeonzencastr

Rod Blackhurst is a filmmaker, director, and producer whose work spans documentary, narrative, and horror.He made his narrative feature debut with Here Alone, winner of the Audience Award at the 2016 Tribeca Film Festival, and later returned to Tribeca with Blood for Dust (2023), starring Scoot McNairy and Kit Harington. He also co-directed and produced the Emmy-nominated Netflix documentary Amanda Knox. He also co-created The White Room, a Blood List script later acquired by Amblin, and co-wrote the story for Blumhouse's Night Swim, which grew out of the 2014 short film he made with Bryce McGuire. Rod also directed and served as showrunner for Peacock's John Wayne Gacy: Devil in Disguise and directed on National Geographic's Welcome to Earth with Will Smith.His latest film, Dolly, is a beautifully shot 16mm slasher that evokes the grime and menace of early horror classics while carving out its own identity. In this episode, Rod and I talk about his path into filmmaking, the realities of getting indie films made, and the making of Dolly. Please enjoy this conversation with Rod Blackhurst.Key TakeawaysWear your influences openly, but metabolize and integrate them.Rod talks about The Texas Chain Saw Massacre as a major influence, and it is really clear when you see the movie, but he is careful not to recreate it in a way that feels like blatant homage. The useful principle is that inspiration works best when it is absorbed into the DNA of the film and filmmaker rather than pasted on top of it as a wink. As a result, the movie feels like it takes place in the same world as these influences instead of attempting to overtly acknowledge or recreate them, which can take viewers out of the movie.Investor trust is built with transparency.Rod is one of the most financially responsible filmmakers I have spoken to. His financing advice is unusually concrete. He informs investors how the equity works, how they might recoup, what the timeline is, and acknowledges the very real risk that they could lose all their money. He also shows prior accounting and distribution sheets to demonstrate his own personal track record, treating his career like a business, which it is. That mindset treats filmmaking as entrepreneurship, not just art, and it is one of the most practical pieces of advice in the conversation.Cast the person who can give the monster a soul.Rod found Max the Impaler through wrestling and quickly realized he had found more than a physical presence. Max's background as a largely nonverbal performance artist made them perfect to play Dolly, the slasher, and their emotional investment transformed the character into something much richer than what was on the page. Think about David Howard Thornton and Doug Jones. A monster is not just a costume and makeup job; it comes down to the soul of the performer.Show NotesMovies MentionedDollyThe Texas Chain Saw MassacreThe Evil DeadBlood for DustSnow White (1937/1938 animated film)The VanishingHigh TensionMartyrsBarbarianNight SwimUndertoneIt (via the Bill Skarsgård / Pennywise discussion)Castle in the SkyThe Iron GiantE.T. the Extra-TerrestrialProject Hail MaryMarty SupremeBackroomsObsessionHere AloneFollow Rod Blackhurst at:IMBd: https://www.imdb.com/name/nm2060444/Instagram: https://www.instagram.com/rodblackhurst/X (Twitter): https://x.com/rodblackhurstVimeo: https://vimeo.com/rodblackhurstWebsite: https://www.rodblackhurst.com/

Bobswinkles, it's a fizz whizzer! Yes, you heard that right, the time has come for us to climb into a giant bag and be transported to Giant Country, where we'll sample the finest snozzcumbers and frobscottle (though you'll forgive us if there's a whizzpopper or two). We're joined by the BFI Southbank's Head of Cinema Programme, Justin Johnson, for this wide-ranging discussion of Steven Spielberg's 2016 adaptation of Roald Dahl's THE BFG. It's an episode as giant as Fleshlumpeater but far less mean, taking in everything from the film's long gestation to its struggle to make an impact, from the mo-cap performances and CGI compositing to the wide array of accents (some more explicable than others). Whoopsie scrumpers!Follow the podcast on Twitter (@RamblinAmblin), Instagram (@ramblinamblinpod) and Blusky (@ramblinamblin.bsky.social). Be sure to like and subscribe so you don't miss an episode! Get in touch with us either via our socials or email rambinaboutamblin@gmail.com. Please feel free to give us a 5-star review, share your favourite Amblin movies and tell us if ET makes you cry.Ramblin is created and produced by Andrew Gaudion and Joshua Glenn. A special thanks as always to Emily Tatham for the artwork, and Robert J. Hunter & Greg Sheffield for the theme music. 

Even baby dinosaurs can have a huge impact on animation.In 1988, three Hollywood titans, Steven Spielberg, George Lucas, and Don Bluth, came together to create what would become one of the most emotionally devastating animated films ever made, and it is the second movie to celebrate this podcast's seventh birthday.The Land Before Time wasn't just another dinosaur movie: it was an ambitious attempt to recapture the magic of Bambi for a new generation, complete with a mother's death scene that traumatized millions of kids and made it a cultural touchstone. Despite the cutting of over ten minutes of footage deemed too scary, the film still pulled no punches in its portrayal of loss, survival, and the harsh realities of a prehistoric world.What makes The Land Before Time so enduring isn't just nostalgia, it's the film's willingness to treat young audiences with respect, addressing grief and fear head on.Working with both Spielberg and Lucas wasn't exactly the dream scenario Bluth expected it to be, though, and the partnership between Amblin & Sullivan Bluth would, like the dinosaurs they depicted, quickly become extinct. Despite this, The Land Before Time remains a masterclass in emotional storytelling that still resonates nearly four decades later.Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

Next week, we are discussing Psycho IV: The Beginning, and this week we're talking with the film's director, horror legend Mick Garris.Before we break down Norman Bates' origin story, we sit down with the man behind the camera to explore one of the most fascinating careers in genre filmmaking. From Amblin to Stephen King adaptations, from Star Wars to Spielberg, Mick's Hollywood journey is packed with stories you truly can't make up.We get into everything, including:

Mads Mikkelsen (Hannibal, Casino Royale) and Bryan Fuller (Dust Bunny, Hannibal) join us for a wide ranging and deeply personal conversation about their creative partnership, trust between actor and director, and the strange beauty found inside dark stories. Mads reflects on his unconventional path into acting, his background as a dancer, and the emotional discipline required to disappear into complex roles without carrying them home. Bryan opens up about his childhood influences, his love of horror, and how Dust Bunny became a love letter to Amblin era storytelling with a darker edge. Together they unpack Hannibal, vulnerability in performance, working with icons like Sigourney Weaver, and why curiosity and humanity are the foundation of great storytelling. Thank you to our sponsors:

Jim and Eric kick off this week's show with listener-driven updates and fresh speculation from the Universal parks beat, before pivoting into a deep historical dive on one of the strangest and most memorable effects ever staged on the Universal Studios Hollywood tram tour. Along the way, there is discussion of low-crowd horror experiences, a surprising Spielberg-themed survey, and a heartfelt remembrance of a YouTube pioneer who helped shape modern theme park fandom. NEWS • Fresh rumors swirl around a possible IT / Pennywise presence at Halloween Horror Nights, and why Warner Bros and Six Flags complicate the IP landscape • Listener reports reveal low crowds but high-quality scares at Universal Horror Unleashed in Las Vegas • Early construction walls appear in Celestial Park at Epic Universe, hinting at future capacity expansion • A leaked survey teases a potential Steven Spielberg and Amblin-themed tram-style attraction concept • Reflections on the legacy of Adam the Woo and his impact on theme park history storytelling FEATURE • The forgotten history of Six Points, Texas on the Universal backlot and why it became underused • How Jay Stein pushed Universal to add bold show scenes to the tram tour in the early 1970s • The engineering and storytelling behind the Runaway Train effect and why it took five years to build • Mr. T, The A-Team, and the brief but unforgettable era when a TV star nearly “crashed” the tram HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Eric Hersey - IG: @erichersey | X: @erichersey | Website: strongmindedagency.com FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic. Save on Disney and Universal tickets, including park hoppers and Lightning Lane options, by booking through UnlockedMagic.com. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Lexi and Sean embark on a wide-ranging conversation that covers everything from hackers dressed as the Pink Power Ranger, to the intricacies of podcasting, and their favorite movie re-watches. The duo discusses some comedic geek talk with actors like Sidney Sweeney and Jesse Plemons. They delve into a personal Spielberg marathon, recounting films like 'Catch Me If You Can', 'Lincoln', and 'The Post', while touching upon Oscar nominations and their love for Amblin films. 00:00 Jaw Surgery Dilemma 01:23 Live Recording Challenges 04:34 Patreon Updates and Changes 06:57 Hacker in Pink Power Ranger Costume 09:38 TV Show Endings Discussion 17:00 Childhood Fears and Misunderstandings 21:11 Movie Reviews and Recommendations 29:16 Sydney Sweeney and The Housemaid 38:53 Discussing Knives Out 41:05 Review of It Ends 43:05 Primate Movie Anticipation 54:31 Spielberg's Filmography 01:09:14 Oscar Nominations and Timmy 01:17:03 Concluding Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Lexi and Sean embark on a wide-ranging conversation that covers everything from hackers dressed as the Pink Power Ranger, to the intricacies of podcasting, and their favorite movie re-watches. The duo discusses some comedic geek talk with actors like Sidney Sweeney and Jesse Plemons. They delve into a personal Spielberg marathon, recounting films like 'Catch Me If You Can', 'Lincoln', and 'The Post', while touching upon Oscar nominations and their love for Amblin films. 00:00 Jaw Surgery Dilemma 01:23 Live Recording Challenges 04:34 Patreon Updates and Changes 06:57 Hacker in Pink Power Ranger Costume 09:38 TV Show Endings Discussion 17:00 Childhood Fears and Misunderstandings 21:11 Movie Reviews and Recommendations 29:16 Sydney Sweeney and The Housemaid 38:53 Discussing Knives Out 41:05 Review of It Ends 43:05 Primate Movie Anticipation 54:31 Spielberg's Filmography 01:09:14 Oscar Nominations and Timmy 01:17:03 Concluding Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

As 2025 draws to a close, the Star Wars landscape looks radically different than it did a year ago. The Acolyte's cancellation sent shockwaves through the fandom, Skeleton Crew emerged as an unexpected gem, and Andor Season 2 proved why some stories are worth the wait. Matthew, Erin, and Alex reunite to reflect on a tumultuous year that saw creative risks, behind-the-scenes drama, and a franchise at a crossroads.Questions We ExploredHow did Skeleton Crew defy expectations to become one of the year's standout shows? From Jod Na Nawood's complex villainy to the show's Amblin-inspired heart, we discuss what made this series work when skepticism ran high.Did Andor Season 2 deliver on its promise as prestige Star Wars television? We break down why this season elevated political drama in the franchise and why the three-episode arcs proved so effective.What does the Mandoverse's future look like after The Mandalorian and Grogu film announcement? We explore Dave Filoni's expanding role and whether interconnected storytelling helps or hinders individual shows.How has Star Wars animation evolved with Tales of the Empire and The Bad Batch's conclusion? We discuss Morgan Elsbeth's origin story, Barriss Offee's redemption, and whether animated content is carrying the franchise's creative torch.What role did fandom toxicity play in shaping this year's Star Wars conversation? From review bombing to the Acolyte controversy, we examine how online discourse impacts creative decisions and cast members.Where should Star Wars go next to recapture its creative momentum? We offer our perspectives on what stories the franchise should tell, which risks are worth taking, and how to balance nostalgia with innovation.**************************************************************************This episode is a production of Star Wars Generations, a The Ethical Panda Podcast and part of the TruStory FM Entertainment Podcast Network. Check our our website to find out more about this and our sister podcast Superhero Ethics.We want to hear from you! You can keep up with our latest news, and send us feedback, questions, or comments via social media or email.Email: Matthew@TheEthicalPanda.comFacebook: TheEthicalPandaInstagram: TheEthicalPandaPodcastsTwitter: EthicalPanda77Or you can join jump into the Star Wars Generations and Superhero Ethics channels on the TruStory FM Discord.To learn more about co-host Erin and her incredible cosplay check out her Instagram, LadyTanoCreates.Want to get access to even more content while supporting the podcast? Become a member! For $5 a month, or $55 a year you get access to bonus episodes and bonus content at the end of most episodes. Sign up on the podcast's main page you can even give membership as a gift!You can also support our podcasts through our sponsors:Purchase a lightsaber from Level Up Sabers run by friend of the podcast Neighborhood Master AlanUse Audible for audiobooks. Sign up for a one year membership or gift one through this link.Purchase any media discussed this week through our sponsored links.

Ride that hippo and stay off the floor because we are talking about Bryan Fuller's feature directorial debut, Dust Bunny (2025).Starring a perfectly cast Sophie Sloan as a young girl who hires a nameless hitman (Mads Mikkelsen) to kill the monster under her bed, this is a throwback to classic gateway horror films from the Amblin era.Plus: Sigourney Weaver (and her gun heels), praise for balancing so many genres/tones, homages aplenty, and a new reason to get excited about The Vampire Lestat (hint: it's Sheila Atim).Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

TV Mastermind Bryan Fuller (Hannibal, Pushing Daisies) makes his feature directorial debut with Dust Bunny starring Mads Mikkelsen, Sigourney Weaver, and newcomer Sophie Sloan. On the surface this film has nothing to do with Steven Spielberg, but it turns out that it was originally developed as an episode of the Amazing Stories reboot and Spielberg himself gave notes on the script that survived to this feature version. Fuller talks all about that creative collaboration as well as his relationship with Spielberg's work and even gives us some of his patented "queer readings" of some unlikely contenders from Spielberg's filmography that spoke to his own queer coming of age. Learn more about your ad choices. Visit megaphone.fm/adchoices

SPECIAL DROP FOR SATELLITE SISTERS WHO DREAM 0F WRITING ROMANCE! It's never too late to totally switch it up. Just ask Sue Fleishman who went from being a Communications Guru at big entertainment companies like Universal, Amblin and Warner Brothers to rebranding herself Campbell Linden, Romance Novelist! On today's episode, she shares her story including a juicy Hollywood bad-behavior- behind-the-scenes tale and how she came up with her nom de plume. Millennial Mentor Leah is jealous and tests out her own potential pen name.To follow Campbell Linden and her books: Buy the latest Settle For More on amazon.Facebook: https://www.facebook.com/AuthorCampbellLinden/Instagram: https://www.instagram.com/campbelllindenauthor/Tiktok: https://www.tiktok.com/@campbelllindenWebsite: https://campbelllinden.com/Check out the trailer for Robert Evan's film The Kids Stays In The PictureArticle in Stanford Longevity Magazine RX Creativity for Health Life and Fun by Laura Holson featuring Sue Fleishman.Novel Liz mentions by Lian Dolan about Gen X Couple: The Marriage Sabbatical HOMEWORKWhere to go for your own creative inspiration.Sue recommends: Find a class at Grub StreetLeah recommends:Stephen King On Writing: A Memoir of the Craft.Anne Lamott. Bird By Bird.Liz recommends: Mr. Scorcese 5 part doc by Rebecca Miller. A new series on Apple TV + about Martin Scorcese and his life's work.Love, Gilda. Documentary about Gilda Radnor. Weaving together recently discovered audiotapes, interviews with her friends, rare home movies and diaries read by modern day comediennes (including Amy Poehler).If you are new to Lizness School, we suggest you listen to Season 1 to hear all about Liz's year as a Stanford Fellow. Everything from Neuroscience and Chinese History to Pickleball! Plus a great community experience with her fellow DCI Fellows.Season 2 is about how she puts her lessons to work in the wild.To listen to Liz +. Leah's recap of Lizness School Season 1, go to our FINALE here.For more on Liz Dolan, go to ⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠For more on Liz's work in podcasting, go to ⁠⁠⁠⁠Satellite Sisters⁠⁠⁠⁠Follow Lizness School on all podcasting platforms including ⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠ and ⁠⁠⁠⁠Spotify.⁠⁠⁠⁠On Instagram, follow the show at ⁠⁠⁠⁠https://www.instagram.com/liznessschool/⁠⁠⁠⁠ and follow Liz at ⁠⁠⁠⁠https://www.instagram.com/satellitesisterliz/⁠⁠⁠⁠.Follow Producer and Millennial Mentor Leah Sutherland @leahhsutherlandd on Instagram and Leah Sutherland on LinkedIn. To email Lizness School with your own voicememos/questions/thoughts/suggestions for Liz or Leah, use ⁠⁠⁠⁠liznessschool@gmail.comThe Distinguished Careers Institute is a unique program for late career people. Fellows are graduate students at Stanford University, able to take classes in any area. ⁠⁠⁠⁠Complete information here.⁠⁠⁠⁠Email the podcast ⁠⁠⁠⁠liznessschool@gmail.com ⁠See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.