Podcast appearances and mentions of Peter Zumthor

Through her “archaeology of the future” design approach, the Lebanese-born, Paris-based architect Lina Ghotmeh has firmly established herself as a humanist who brings a profound awareness of past, present, and presence to all that she does. In the two decades since winning her breakthrough commission—the Estonian National Museum in Tartu—her practice has taken off, with Ghotmeh swiftly becoming one today's fastest-rising architectural stars. Just a week after we recorded this episode of Time Sensitive, she was named the winner of a competition to design the British Museum's Western Range and, shortly after that, she was announced as the architect of the new Qatar Pavilion in the historic Giardini of Venice; she is also the designer of the Bahrain Pavilion at the just-opened 2025 Osaka Expo. Across her high-touch, high-craft projects, whether a brick-clad Hermès leather-goods workshop in Normandy, France, completed in 2023; the timber-framed 2023 Serpentine Pavilion in London; or the concrete-walled Stone Garden apartment tower (2020) in Beirut, Ghotmeh celebrates the hand.On the episode, Ghotmeh reflects on the long-view, across-time qualities of her work and outlines what she believes is architecture's role in shaping a better world ahead.Special thanks to our Season 11 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Lina Ghotmeh[5:01] “The Shape of Time: Remarks on the History of Things”[5:01] George Kubler[5:01] Trevor Paglen[8:41] “The Long View: Why We Need to Transform How the World Sees Time”[8:41] Tim Ingold[11:15] “Windows of Light”[11:15] “Lecture: Lina Ghotmeh”[12:06] Beatriz Colomina[12:06] “Are We Human?”[19:58] Gaston Bachelard[24:04] Olga de Amaral[24:04] Cartier Foundation[24:04] Juhani Pallasmaa[24:04] “The Eyes of the Skin”[26:39] Luis Barragán[31:09] Stone Garden (2020)[31:09] Hermès Workshops (2023)[36:36] Peter Zumthor[36:36] “Atmospheres”[41:53] Khalil Khouri[44:51] Jean Nouvel[44:51] Norman Foster[44:51] Estonian National Museum (2016)[46:41] Renzo Piano[46:41] Richard Rogers[46:41] Maya Lin[46:41] Dan Dorell[46:41] Tsuyoshi Tane[50:45] “The Poetic, Humanistic Architecture of Lina Ghotmeh”[51:40] Rimbaud Museum[54:48] “Light in Water” (2015)[54:48] The Okura Tokyo[59:22] Les Grands Verres, Palais de Tokyo (2017)[59:44] Zero-Carbon Hotel Concept (2019)[59:42] Serpentine Pavilion (2023)[1:04:11] Osaka Expo Bahrain Pavilion (2025) 

«Dialog der Generationen» hiess das Format. Ein Podiumsgespräch zwischen Peter Zumthor (*1943) und Lukas Gruntz (*1989), das in der Aula der FHNW in Muttenz stattfand. Das Gespräch führte von Zumthors Jugend im Baselland, die bewegte Zeit in New York, die spannungsvollen 1970er-Jahre, in denen es als politisch inkorrekt galt, als Architekt:in überhaupt zu Bauen, seinen Weg über die Bündner Denkmalpflege bis zum eigenen Atelier in Haldenstein. Wie er seine Bauherrschaften auswählt, wollte Gruntz von Zumthor wissen. Und: ob ihn die ökologischen Herausforderungen unserer Zeit beschäftigen. Es freut uns, dass wir die Aufzeichnung veröffentlichen dürfen. Für die Organisation gebührt dem Institut Architektur und der Campus Muttenz Bibliothek der FHNW ein grosses Dankeschön. WEBSITE www.architekturbasel.ch INSTAGRAM www.instagram.com/architekturbasel FACEBOOK www.facebook.com/archibasel YOUTUBE www.youtube.com/channel/UC6hTXmiATFx-Pp6NodIBLvQ

For as long as he can remember, Leonard Koren has been searching for beauty and pleasure. Throughout his career, the author and artist—he prefers the term “creator”—has spent considerable time putting to paper expressions and conceptual views that architects, artists, designers, and others have long struggled to find the proper framing of or words for. In 1976, when he launched the counterculture publication WET: The Magazine of Gourmet Bathing, he ushered in the idea of “gourmet bathing,” which has maintained a potent cultural niche in the nearly 50 years since. With Wabi-Sabi for Artists, Designers, Poets & Philosophers, published in 1994, Koren introduced the Japanese expression for “beautiful, imperfect, and impermanent” to the West, where it quickly took on a life of its own. Perhaps one of Koren's greatest talents is his rare ability to translate philosophical meditations on seemingly esoteric subjects into accessible, approachable texts about ways of being, seeing, thinking, making, and feeling. On the episode, Koren details his best—and worst—baths, and explains why he views his life as one long aesthetic experience.Special thanks to our Season 11 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Leonard Koren[4:01] “Undesigning the Bath”[7:30] Century Tower[7:30] 7132 Hotel (Therme Vals)[9:26] “WET: The Magazine of Gourmet Bathing”[9:26] Max Palevsky[9:26] Craig Elwood[13:32] “From ‘WET' to ‘Wabi-Sabi': Leonard Koren's Adventurous Aesthetic Journey”[13:32] Mick Jagger[13:32] Richard Gere[13:32] Debbie Harry[17:09] Charlie Haas[18:25] “The Slow Lane”[18:25] Pilar Viladas[21:49] “How to Take a Japanese Bath”[21:49] “Wabi-Sabi for Artists, Designers, Poets & Philosophers”[21:49] “Wabi-Sabi: Further Thoughts”[28:23] Okakura Kakuzō's “The Book of Tea”[31:38] Glenn Adamson[31:38] Sen no Rikyū[39:29] “Noise Reduction: A 10-Minute Meditation for Quieting the Mind”[42:32] “The Haggler's Handbook”[44:22] “283 Useful Ideas from Japan”[46:56] “The Flower Shop”[46:56] Blumenkraft[46:56] “On Creating Things Aesthetic”[46:56] “Which “Aesthetics” Do You Mean?”

W pierwszym odcinku nowego sezonu rozmawiamy o roli DOMu w naszym życiu. Co określa przestrzeń w której powinniśmy odczuwać największy komfort i która powinna być naszym “szałasem na hałas”. Co różni dom rodzinny od domu w podróży, gdzie jest granica pomiędzy tym co prywatne, a tym co publiczne. Które pomieszczenie jest najbardziej intymne i jaki mebel stanowi centrum domu? O tym wszystkim rozmawiam z moją gościnią Gosią Bernady z zawodu historyczką sztuki, z tęsknoty scenografką, z braku odpowiedniego słowa w języku polskim – visualstorytellerką. Zapraszamy do słuchania!Menu wiedzy do odcinka: Witold Rybczyński, “Dom. Krótka historia idei” Peter Zumthor, “Myślenie architekturą” Ilse Crawford, “The sensual home. Liberate your senses and change your life.”,  “A frame for life”, “Home is the heart is”. Natalie Walton,” This is home. The art of simple living” Inaki Abalos, “The good life. A guided visit to the house of modernity” Bill Bryson, “W domu. Krótka historia rzeczy codziennego użytku” Ali Heath, “Create. At home with old and new” Lynda Gardener, Ali Heath, “Curate. Inspiration for an individual home” Vox, “Wolność zaczyna się W domu” IKEA, “Kochamy dom” Waldemar Kuligowski, “Z roślin, z dźwięków, z marzeń. Domy świata” Magazyny: Appartamento, Habitat,

Nuno Crespo nasceu em Lisboa em 1975. É licenciado e doutorado em filosofia pela Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa. É professor e director da Escola das Artes, Universidade Católica Portuguesa, e investigador do Centro de Investigação em Ciência e Tecnologia das Artes (CITAR).É crítico de arte e membro do conselho editorial do Ípsilon (suplemento cultural do jornal Público). A sua actividade de investigação tem sido dedicada, principalmente, ao cruzamento entre arte, arquitectura e filosofia, e a autores como Kant, Wittgenstein, Walter Benjamin, Peter Zumthor e Adolf Loos. De entre as suas publicações podem destacar-se trabalhos sobre Adriana Molder, Axel Hütte, Bernd e Hilla Becher, Candida Höffer, Daniel Blaufuks, Fassbinder, Gerhard Richter, Luísa Cunha, Miguel Ângelo Rocha, Nuno Cera, Rui Chafes, Vasco Araújo, entre outros, bem como os livros publicados: “Textos Públicos. Arte Portuguesa Contemporânea 2003-2023” (2024), “Julião Sarmento: Olhar Animal” (2014), “Wittgenstein e a Estética” (2011) e “Corpo Impossível” (2007). Fez parte do colectivo de comissários do Prémio EDP – Novos Artistas (2006-2011) e BESPhoto (2007-2009). Como curador, foi responsável pelas exposições «Fantasmas», de Nuno Cera (CCB) , «Corpo Impossível», com Adriana Molder, Noé Sendas, Rui Chafes e Vasco Araújo (Palácio de Queluz), «Encontro Marcado», de Adriana Molder (Museu de Belas Artes de Oviedo, Espanha), pela exposição antológica de Pires Vieira no Museu da Cidade de Lisboa, «Involucão», de Rui Chafes (Casa-Museu Teixeira Lopes), «Serralves», de João Luís Carrilho da Graça (Appleton Square), «Fragmentos. Arte Contemporânea na Colecção Berardo» (Museu de Arte Contemporânea de Elvas), «Aires Mateus. Voids» (Appleton Square), «Riso: Uma Exposição a Sério», Museu da Eletricidade Lisboa, «Paisagem Como Arquitectura» Garagem Sul do CCB, Lisboa, «Antes e Depois» (Miguel Ângelo Rocha), Centro de Arte Moderna da Fundação Calouste Gulbenkian, Lisboa, «Haus Wittgenstein. 90 anos», MAAT, Fundação EDP (em coprodução com a associação de arquitetura austríaca), Lisboa, «O que pode a arte? 50 anos do maio de 68», Atelier- Museu Júlio Pomar, Lisboa, «Arenário» (Francisco Tropa), Sala de Exposições da Escola das Artes, Porto e «Julião Sarmento. Film Works», Sala de Exposições da Escola das Artes, Porto, entre outras.Links: https://artes.porto.ucp.pt/pt-pt/pessoa/nuno-crespo https://umbigomagazine.com/pt/blog/2021/07/07/entrevista-a-nuno-crespo-diretor-da-escola-das-artes-da-universidade-catolica-portuguesa/ https://www.rtp.pt/programa/tv/p33458/e4 https://www.publico.pt/autor/nuno-crespo https://www.buala.org/pt/cara-a-cara/os-nacionalismos-nao-sao-discursos-inocuos-tem-raca-e-genero-entrevista-a-lilia-schwarcz https://www.maat.pt/pt/exhibition/haus-wittgenstein-arte-arquitetura-e-filosofia https://contemporanea.pt/edicoes/09-10-2019/pensar-escola-alem-da-escola Episódio gravado a 14.11.2024 *o título é um verso da música escolhida pelo convidado Créditos introdução: David Maranha - Flauta e percussão Créditos música final: Força Estranha / Interpretação Gal Costa / Letra Caetano Veloso / Produção Guilherme Araújo e Roberto Menescal http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral / A2P / MyStory Hotels Apoio:Câmara Municipal de Lisboa Financiamento:República Portuguesa – Cultura / DGArtes – Direcção Geral das Artes © Appleton, todos os direitos reservados

Det er mange myter og fortellinger om Sverre Fehn og hans prosjekter. Men hvordan vet vi egentlig det vi vet om Norges mest kjente og inflytelsesrike arkitekt? Erik Langdalen og Mari Lending har skrevet boka Sverre Fehn, Nordic Pavilion, Venice, og i denne episoden snakker vi om Sverre Fehn og hvem han var, basert på de kildene som har dukket opp i prosessen med å skrive boka.  Sverre Fehn (1924–2009) var en av Norges mest innflytelsesrike arkitekter og en nøkkelperson i skandinavisk modernisme. Han er kjent for sitt arbeid som kombinerer modernistiske prinsipper med en dyp forståelse for landskap og historie. Fehn studerte ved Arkitektlinjen på Statens håndverks- og kunstindustriskole i Oslo og var en av de ledende figurene innen norsk arkitektur etter andre verdenskrig. Hans arbeid kjennetegnes av en subtil balanse mellom tradisjon og modernitet, og han brukte ofte naturlige materialer som tre og stein i sine bygg. Fehn vant Pritzker-prisen i 1997, som er en av de mest prestisjefylte utmerkelsene innen arkitektur. Han underviste også i mange år som professor ved Arkitekthøyskolen i Oslo. Gjennom sin karriere skapte Fehn en rekke ikoniske bygninger som fortsatt blir hyllet for sin tidløse kvalitet og innovative bruk av rom og lys. Mari Lending er professor i arkitekturteori- og historie, og blant grunnleggerne av OCCAS (Oslo Centre for Critical Architectural Studies). Hun var seniorforsker i Place and Displacement: Exhibiting Architecture og The Printed and the Built: Architecture and Public Debate in Modern Europe (begge NFR-finansiert). I det EU-finansierte HERA-prosjektet Printing the Past (PriArc) var hun ansvarlig for Images of Egypt, som resulterte i utstillingen ved samme navn på Historisk Museum, Oslo, høsten 2018 og boken Images of Egypt (Pax, 2018), med Tim Anstey og Eirik Bøhn. Hun er forfatter av monografien Plaster Monuments. Architecture and the Power of Reproduction (Princeton University Press, 2017), med Peter Zumthor, A Feeling of History (Zürich: Scheidegger & Spiess, 2018), og Sverre Fehn, Nordic Pavilion, Venice. Voices from the Archives, with Erik Langdalen (Lars Müller/Pax, 2021). Lending er magister i litteraturvitenskap med en avhandling om Marcel Proust (Universitetet i Oslo, 1997) og har sin doktorgrad fra AHO (2005). Fra 2005–09 arbeidet hun med postdokprosjektet Modernism on Display. Hun har vært gjesteforsker ved GSD, Harvard University, Columbia University og Yale School of Architecture. (Kilde: AHO.no). Erik Fenstad Langdalen er Professor og Instituttleder ved Institutt for form, teori og historie. Han er ansvarlig for skolens bygningsarv-program og underviser eksperimentelle masterkurs innen vern og gjenbruk med et fokus på «nyere fortid»: etterkrigsarkitektur, betongbyggeri og masseproduksjon mm. Hans arkitekturpraksis (www.eriklandalen.no) konsentrere seg om restaurering og gjenbruk av historiske trebygninger, og han er selv eier av en fredet gård på Dovre som drives som kultursenter (www.budsjord.no). Siden 1999 har han arbeidet med en rekke utstillinger, museer og boligprosjekter, og han vant nylig en konkurranse for Nasjonale turistveger i Lofoten. Erik Langdalen har sin diplom fra Arkitekthøgskolen i Oslo og en Master in Science in Advanced Architectural Design fra Columbia University GSAPP. (Kilde: AHO.no). Send en mail til podkast@lpo.no og følg oss gjerne på instagram 

Marieke Bigg discusses with Ivan six things which should be better known. Marieke Bigg is the author of Waiting for Ted, and This Won't Hurt. Writing across fiction and non-fiction, she deconstructs the cultural givens around bodies, minds and identity. She holds a PhD in Sociology from the University of Cambridge, where she studied the technological transformation of human reproduction. In addition to her books, Marieke speaks about the sociology of medicine and psychiatry, and collaborates with biologists and artists to explore the social potential of science. She is also a training psychotherapist. She now lives in London. Her new book is A Scarab Where The Heart Should Be, available at https://deadinkbooks.com/product/a-scarab-where-the-heart-should-be/. In Vitro Fertilisation - while most people know what it is, knowing more about this process and its history opens up new ways of thinking about the role of reproduction in society and will have us questioning what we currently regard as natural truths Bruder Klaus Field Chapel, Peter Zumthor - a chapel mentioned in my book, shaped by pouring concrete over 112 tree trunks that were burnt away. Taxonomy - how when we learn the names of natural things, we look more closely, and experience our place in nature. In Praise of Shadows, Jun'ichirō Tanizaki - the ideas in this essay are often around for me, and also guided my thinking about my prtoagonist. The essay on traditional Japanese astheatics is a warning against an incessant pursuit of light (perfection, stimulation, happiness) in Western culture. Anne Mclaren - an embryologist who I wrote my PhD on. Fascinating scientist who worked on IVF, sending mice to space with NASA, worked with Russian scientists during the cold war, and starred in an HG Wells film as a child. The Way Out is In - podcast by followers of the Buddhist monk and peace activist, Thit Naht Tahn. This podcast is powered by ZenCast.fm

Qualunque sia il vostro genere preferito, la regione ha qualcosa per tutti: dalla A come Arosa Humorfestival alla Z come Peter Zumthor. I Grigioni: il più bel palcoscenico per la cultura.Questo lo slogan che si legge sul sito di “graubünden Cultura”, l'associazione che si è data 4 anni di tempo per posizionare i Grigioni come una delle regioni leader del turismo culturale nelle Alpi. Per raggiungere questo obiettivo è necessario mettere in rete in modo proficuo i partner dei settori della cultura e del turismo e creare una consapevolezza della diversità culturale dei Grigioni e della domanda di offerte turistiche culturali tra il pubblico e i visitatori. “graubünden Cultura” nasce per volere dell'Istituto grigionese per la ricerca culturale, dell'associazione Graubünden Ferien, dell'ufficio del marchio Graubünden e del Centro di ricerca per il turismo e lo sviluppo sostenibile ZHAW Wergenstein. “graubünden Cultura” si propone come centro di sviluppo e di servizi a livello cantonale per le organizzazioni e gli attori del turismo culturale nei Grigioni. “graubünden Cultura” non è un programma di finanziamento per singole iniziative progettuali, ma è comunque legato all'intenzione di creare un valore aggiunto per i singoli professionisti della cultura, gli attori del turismo o le organizzazioni attraverso il posizionamento culturale nel turismo.

Remember those all-nighters during university, where concepts and craft merged into design projects that felt like extensions of ourselves? We take you back to those formative days, where our design philosophies were born amidst the rigors of conceptual training and critical thinking. Join us as we contrast the nostalgia of academia with the realities of professional practice, navigating the push and pull between creative freedom and real-world constraints.Step into our studio as we dissect the evolution of our design process, from groundbreaking theses to the profound influence of architectural talks on our professional development. We shed light on how our craft, much like pottery, demands commitment to iterative processes and adaptability. The episode is a toast to the hands-on experiments that sculpt our architectural skills, and a reflection on whether our most instinctual designs remain our purest expressions, or if we truly refine our craft through experience.Have your thoughts ever danced around the subjectivity of architecture? We scrutinize the creative legacies of luminaries like Frank Gehry, Peter Zumthor, and Anne Holtrop, and consider how architectural firms can spur innovation beyond waiting for the perfect brief. We wrap up on an uplifting note from Gerard's recent chair exhibition, urging fellow creatives to leap over the barriers they've built around their work. So, grab your favorite sketchbook and join us for a conversation that's as much about the beauty of design as it is about the journey that shapes it.0:12 - Design Education and Practice Perspectives11:25 - Evolution of Design Process16:36 - Iterative Design Process in Architecture22:56 - Design Intuition39:23 - Architectural Design and Process Influences45:00 - Future Architectural Exploration for Clients51:27 - Design Development Through Physical Modeling57:05 - Encouraging Creativity and Taking ActionFollow us on @designpriciplespod on Instagram.If you wish to contact us hit our DMs or email us on info@designprinciplespod.com

Neste episódio singular, vamos mergulhar na forma como a paixão pela arquitetura pode remodelar tanto espaços como existências. Soraia Fernandes, a visionária por detrás do Atelier Pura, vai partilhar conosco o seu percurso desde as origens em Portugal até às suas aventuras inovadoras em Berlim, e como estas experiências distintas forjaram a sua perspectiva contemporânea e abordagem revolucionária na arquitetura.Iremos desvendar a importância vital de forjar parcerias eficazes e como a comunicação e soluções modulares são essenciais no setor da construção. A Soraya sublinha também a indispensabilidade da flexibilidade no processo criativo, uma aptidão que lhe permite adaptar-se e florescer em variados contextos profissionais.Nesta conversa, exploramos as discrepâncias culturais entre os métodos de reunião e colaboração em Portugal e na Alemanha, enfatizando a necessidade de adaptação a abordagens participativas e colaborativas. Embora entremeada com momentos de leveza e humor, a discussão não se furta a abordar os desafios tensos, que inevitavelmente surgem na carreira de qualquer arquiteto.Soraia e expressa a sua admiração com o renomado arquiteto Peter Zumthor, enquanto debatemos a importância de acolher diferentes pontos de vista nos projetos arquitetônicos, a essência do trabalho em equipe e o aperfeiçoamento contínuo das habilidades interpessoais e profissionais.Este episódio lança luz sobre a interseção entre arte e arquitetura e a importância de uma colaboração eficiente, providenciando insights valiosos sobre as práticas correntes na arquitetura e construção. Equipa-te para uma troca de ideias tanto informativa quanto estimulante, ideal para aqueles que procuram expandir os seus conhecimentos e perspectivas na área da arquitetura. Através das vivências e conselhos de Soraia, aspiramos a incentivar cada um dos nossos ouvintes a explorar e potencializar o seu dom criativo. Prepara-te para seres inspirado!  

Today I'm talking to the wonderful Sumayya Vally, founder of the architecture and research practice Counterspace. When in 2020 Sumayya designed the Serpentine pavilion, she joined the ranks of luminaries including Zaha Hadid, Peter Zumthor and Frank Gehry. In 2021, Time Magazine named her one of the ‘100 Leaders of the Future' and, more recently, she was artistic director of the inaugural Islamic Arts Biennale in Saudi Arabia.What really shines through in this conversation is Sumayya's interest in the notion of home as it relates to place. She was born in an Indian township in Pretoria, just after Nelson Mandela was released from prison, and she cites the city of Johannesburg as her biggest inspiration. When she arrived in London, she became interested in the gathering spaces where settlers from other countries and communities have established themselves: churches, synagogues, marketplaces, female community centres, black-music venues and so on. ‘Home is not a physical place,' she says. ‘It's a sensibility and a feeling.'The name ‘Sumayya' means ‘to rise to the occasion', and she tells me how she's an outlier in her family and how her parents made sacrifices to provide her with an education. Very occasionally in life, you meet someone who has an inner light that seems to shine more brightly than other people's. For me, Sumayya has that. She's incredibly composed, articulate and wise beyond her years and I'm full of admiration for the work she's doing to bring disparate cultures together.This episode was recorded in person in London.For more:Visit The Modern House website to see images of the spaces discussed in this episode.Check out Counterspace.Production: Hannah PhillipsEditing: Oscar CrawfordGraphic Design: Tom YoungMusic: Father Hosted on Acast. See acast.com/privacy for more information.

Moritz Holfelder hat den Schweizer Peter Zumthor getroffen und lang mit ihm gesprochen. Ein Porträt mit dem Stararchitekten, der das nie sein wollte

I 2010 laget Louise Bourgeois hekse-monumentet The Damned, the Possessed and the Beloved, sammen med den sveitsiske arkitekten Peter Zumthor og den norske historikeren Liv Helene Willumsen. I denne episoden av Kunstpodden blir du bedre kjent med heksemonumentet på Steilneset, i en samtale om kunst, arkitektur og trolldom mellom utstillingskurator Briony Fer og kunstner Knut Wold fra Nasjonalmuseet 18. juni 2023.

This week Architect Thomas Robinson, AIA, Founder and Principal of LEVER Architecture joins avid and Marina of FAME Architecture & Design to discuss his background; moving to California and attending Berkeley; being taught by Peter Zumthor's; starting LEVER Architecture; mass timber construction; and more! This episode is supported by Monograph • Enscape • Programa • Sky-Frame • Graphisoft SUBSCRIBE  • Apple Podcasts  • YouTube  • Spotify CONNECT  • Website: www.secondstudiopod.com • Instagram • Facebook  • Call or text questions to 213-222-6950 SUPPORT Leave a review  EPISODE CATEGORIES  •  Interviews: Interviews with industry leaders.  •  Project Companion: Informative talks for clients.    •  Fellow Designer: Tips for designers.  •  After Hours: Casual conversations about everyday life. •  Design Reviews: Reviews of creative projects and buildings.

Der Intellekt ist eine Linie, die Emotion ist ein Raum. Das sagt der weltberühmte Schweizer Architekt Peter Zumthor. Seine Bauwerke schaffen sinnliche Atmosphären. Er selbst gilt als äusserst präzise und streng. Was ist das Geheimnis dieses eigensinnigen Architekten? Peter Zumthor baut Schule machende Pavillons, Kapellen, Museen und Thermen. Seine Architektur erzeugt geheimnisvolle Atmosphären aus Luft, Ton, Farbe, Material und Form. 2009 hat er den Nobelpreis der Architektur, den Pritzker-Preis, gewonnen. Heute arbeitet er unter anderem an einem grossen Museumsprojekt für Los Angeles. Und vor Kurzem wurde bekannt, dass er den Erweiterungsbau des Beyeler-Museums in Riehen realisieren wird. Ans Kürzertreten denkt der 74-Jährige also nicht. Mit Juri Steiner spricht er über das permanente Fragen und Suchen, die Liebe zum Material, seine Anfänge als Schreiner und die «schöne Freiheit» seiner Arbeit. Eine Wiederholung der «Sternstunde Philosophie» anlässlich des 80. Geburtstags von Peter Zumthor

Der Innovationsgeist und das Können des Bregenzerwälder Handwerks sind weit über seine Grenzen hinweg bekannt. Ganz nach dem Motto „Viele Köpfe - viele Ideen“ haben sich im Verein „Werkraum Bregenzerwald“ über 95 heimische Betriebe zusammengeschlossen, um in ständigem Austausch zu zeigen, was zeitgenössisches Handwerk kann. Und das kann sich sehen lassen!

In Season 2, Episode 15 A is for Architecture, I speak with architect and writer, Jonathan Hale, Professor of Architectural Theory at the University of Nottingham, about his 2017 book, Merleau-Ponty for Architects, published by Routledge as part of their Thinkers for Architects series. Merleau-Ponty was a leading phenomenologist, whose work ‘has influenced the design work of architects as diverse as Steven Holl and Peter Zumthor, as well as […] architectural theory, notably […] Dalibor Vesely at Cambridge, Kenneth Frampton, David Leatherbarrow and Alberto Pérez-Gómez in North America and Juhani Pallasmaa in Finland. Merleau-Ponty suggested that the value of people's experience of the world gained through their immediate bodily engagement with it remains greater than the value of understanding gleaned through abstract mathematical, scientific or technological systems' and gives us tools to think about other ways of understanding ‘space, movement, materiality and creativity' in architecture. Phenomenology was very front-and-centre when I was a student, but has sort-of become implicit in design thinking now, and (apparently) barely needs explaining. Jonathan does explain it though, which I am grateful for, through Merleau-Ponty's work. Jonathan's professional profile is here on the University of Nottingham website, and he can be found on LinkedIn here too. Jonathan tweets on Twitter, so have a follow if that's your thing, and have a read of Merleau-Ponty's ‘Body Schema' on the Body of Theory website, an article Jonathan originally wrote and published in Understanding Merleau-Ponty, Understanding Modernism, edited by Ariane Mildenberg, and published by Bloomsbury in 2019. Happy listening! + + + + + + + + + + + + + + + Music credits: Bruno Gillick + + + + + + + + + + + + + + + aisforarchitecture.org Apple: podcasts.apple.com Spotify: open.spotify.com Google: podcasts.google.com Amazon: music.amazon.co.uk

Michael M. Moore, Founder of Tres Birds, joins the show to talk about his unique design-build model and creative interests. We cover topics that include his path to Denver and architecture via Crested Butte and UC Berkley, in addition to enlightening conversations on energy flow in cities, mass timber, creativity driven by moon cycles, and his incredibly interesting thesis centered on Peter Zumthor and regionalism. Michael and his team are doing brilliant work in Colorado so please enjoy this peak into his creative genius. After the credits we talk about how to design without site or program, raising kids as an architect, making the most of life, and living life guided with Astrology. To learn more about these astrological principals, check out his wife, Stacey Chamberlain's, website https://www.aquariusrisingastrology.com/. This episode is sponsored by Slate Real Estate, Signature Windows and Doors and Modern In Denver.

Welcome back the fabulous Jim Stephenson, an architectural photographer and film maker based in the UK. Jim has an incredible portfolio of leading architects around the world like Peter Zumthor, David Adjaye, Gianni Botsford, Studio Weave, Warner Yard, The Macallan, RSHP, and more. Discover the power of architectural film making in creating versatile marketing collateral. Jim tells us how he takes his architectural clients through the process of crafting a narrative for a film, the different places that film and video work and can be used (even hosting glamorous lives premier events), and how architecture on film can be added to our repertoire of marketing abilities.   THIS WEEK'S RESOURCES Access your free training at http://SmartPracticeMethod.com/ If you want to speak directly to our advisors, book a call at https://www.businessofarchitecture.com/call/ Jim's LinkedIn: https://www.linkedin.com/in/clickclickjim/ Jim's Website: https://clickclickjim.com/  

(Originaly recorded June 2019) Michael Govan is the director of LACMA and is getting his way with bulldozing most of the museum's campus to build a gazillionaire's tarpit dream as architect Peter Zumthor has tried to create an exhibition space splash… but is it?

How do the cities we make in turn make us? Recorded live from the major retrospective exhibition ‘Light Lines: The Architectual Photographs of Helene Binet' at the Royal Academy of Arts, one of Europe's oldest established art institutions at the heart of London, this episode explores urban architecture through the lens of photography, cartography, and real-estate investing. Featuring Swiss-French photographer Helene Binet herself, one of the leading architectural photographers in the world most known for her work with architects Daniel Libeskind, Peter Zumthor and Zaha Hadid; James Cheshire, Professor of Geographic Information and Cartography at University College London, co-author of the books London: The Information Capital, Where the Animals Go and Atlas of the Invisible; and Zsolt Kohalmi, Global Head of Real Estate and Co-CEO of Pictet Alternative Advisors, who has invested an excess of USD20 billion into all real estate asset classes in more than 20 European countries.

Hello everybody and Happy Monday! First of all, I want to thank you for the support because this week we have reached 10 thousand downloads which is an amazing result! Besides we have a little news! The youtube channel of this podcast is now online and we are uploading older episodes as audiograms and slowly the newer episodes will be made in a video form! To celebrate these amazing results on podcast 67 we have another amazing guest... Andrea Dantrassi Associate Partner for Europe at MAD Architects. Andrea has studied at the University of Mendrisio with amazing architects such as Aires Matheus, Kenneth Frampton, and Peter Zumthor. He has working experience in Argentina, Australia, Italy where he has worked for Massimiliano Fuksas and China. More about Andrea on: Instagram:@andrea_dantrassi LinkedIn: Andrea D'Antrassi More about MAD Architects: Instagram: @madarchitects LinkedIn: MAD Architects Web: http://www.i-mad.com/ If you like what we do and you want to support us please do consider subscribing to our monthly newsletter on thecreativeinsider.com or follow us on: Instagram: @tcipodcast LinkedIn: The Creative Insider Patreon: thecreativeinsider We are working on some perks for our patrons but for now, you can consider it as the hat of the street artist where you can throw something in! Thanks for the support and thank you for listening! Have a good week everybody!

Dad A sco Arnold fin Z sco Zumthor – las fatschas dal Muschkito En il Muschkito sa scuntrava ils onns 90 la crème de la crème da la Rumantschia – il trio dals Muschkitiers, Beat Manetsch, Claudia Knapp e Gieri Venzin, è vegnì cumplettà dals moderaturs sco Arnold Rauch, Bruno Cathomas u René Schnoz e da las vuschs da Maria Cadruvi ed Ernst Denoth, secundà dad experts sco Alexi Decurtins, Men Jon Schmid, Felix Giger, Chasper Pult e Peter Zumthor, inspirà da prominenza sco l'uvestg Wolfgang Haas, il vicari general Vitus Huonder u il chantadur Vico Torriani, sustegnì da persunalitads sco Flurin Spescha, Clo Duri Bezzola, Göri Klainguti, Beni Vigne, Hades, CCR, Corin Curschellas, Cla Mosca, Iso Camartin, Peider Ratti e Mariano «Dolores» Tschuor. En la quarta ed ultima part da la seria da stad dals «Cuntrasts» dain nus anc ina giada in cuc sin il «Muschkito e sias fatschas». Dapli da lur istorgias, regurdanzas e risadas ed insumma tut la seria da stad chattais Vus en la rait: www.rtr.ch – e là chattais Vus er tut las piztgadas dal «Muschkito» dals onns 90, da quel animal che deva da discutar quella giada tant sco oz luf ed urs ensemen.

Dad A sco Arnold fin Z sco Zumthor – las fatschas dal Muschkito En il Muschkito sa scuntrava ils onns 90 la crème de la crème da la Rumantschia – il trio dals Muschkitiers, Beat Manetsch, Claudia Knapp e Gieri Venzin, è vegnì cumplettà dals moderaturs sco Arnold Rauch, Bruno Cathomas u René Schnoz e da las vuschs da Maria Cadruvi ed Ernst Denoth, secundà dad experts sco Alexi Decurtins, Men Jon Schmid, Felix Giger, Chasper Pult e Peter Zumthor, inspirà da prominenza sco l'uvestg Wolfgang Haas, il vicari general Vitus Huonder u il chantadur Vico Torriani, sustegnì da persunalitads sco Flurin Spescha, Clo Duri Bezzola, Göri Klainguti, Beni Vigne, Hades, CCR, Corin Curschellas, Cla Mosca, Iso Camartin, Peider Ratti e Mariano «Dolores» Tschuor. En la quarta ed ultima part da la seria da stad dals «Cuntrasts» dain nus anc ina giada in cuc sin il «Muschkito e sias fatschas». Dapli da lur istorgias, regurdanzas e risadas ed insumma tut la seria da stad chattais Vus en la rait: www.rtr.ch – e là chattais Vus er tut las piztgadas dal «Muschkito» dals onns 90, da quel animal che deva da discutar quella giada tant sco oz luf ed urs ensemen.

Episode 1 of Design Over Drinks, Kendra talks with Guest Mayra Garcia @m.garcia1191Current Firm: Sister companies Housewarming LLC & S|365 Consulting + DesignDesign Program Attended: Bellevue CollegeDrink of Choice: Sparking WaterElsie De Wolf – Considered the first Interior Designer started working in 1905, still under the term “decorator”Cheryl Durst -  Executive VP and CEO of IIDACindy Allen – Editor In Chief of Interior Design MagazineFavorite Designer: Mies Van Der Rohe  & Peter Zumthor, Project Mentioned Thermal Baths in Vals, Switzerland Beginning of Interview: 1:23The Fun Stuff: 40:14

"La cuisine, le salon, la salle de classe : tous ces espaces peuvent être assimilés à des incubateurs, des accélérateurs aidant l'espèce humaine à s'arracher à sa condition animale. Et c'est essentiellement comme des appareillages imaginés pour permettre aux hommes et aux femmes de s'élever que nous aborderons les lieux de prière et de recueillement. Nous passerons des colonnes sur lesquelles se hissaient les anachorètes – à l'instar de Saint Siméon le Stylite – aux compositions vertigineuses de Guarino Guarini pour la Chapelle du Saint-Suaire à Turin et des frères Asam pour l'église Saint-Jean-Népomucène à Munich. Des dispositifs repris et réactualisés par Paul Virilio et Claude Parent qui font pencher les sols de Sainte Bernadette de Nevers pour accentuer le mouvement des fidèles vers l'autel, ou par Peter Zumthor qui redresse les corps des pèlerins sous la lumière zénithale trouant son bloc de béton votif posé à la lisière des champs et de la forêt. Une aspiration à l'élévation que l'on retrouve encore dans certains espaces laïques, notamment le grand vide sombre et silencieux élevé par Louis Kahn au coeur de la bibliothèque d'Exeter ou la plage claire qui s'étend sous les deux ouvertures ovales de la voûte conçu par Ryūe Nishizawa sur l'île de Teshima pour en conclure le parcours initiatique." Richard Scoffier, mars 2020.

Dans cette édition 2019, Richard Scoffier explore "Les actes fondamentaux » de l'architecture: se laver pour être propre ; travailler pour gagner de l'argent ; dépenser pour acquérir ce dont on a besoin ; dormir pour se reposer. Il analyse comment l'architecture accompagne les individus dans l'accomplissement de leurs actions les plus triviales. « Que faisait-on exactement dans les thermes romains ? Et pourquoi le rapport à l'eau est-il si important dans toutes les religions que ce soit le mikveh des juifs, le baptême des chrétiens, les ablutions avant la prière des musulmans ? Se laver : à fois un acte social dans les saunas, les hammams, mais aussi un geste profondément religieux, comme en témoignent les aspersions d'eau bénite, les immersions dans les fonds baptismaux... Comme si, sous prétexte d'hygiène, surgissait la volonté de se transformer, de ne pas rester cantonné dans l'état de nature, de se reconstruire, de renaître, de changer sa vie... C'est à travers ces filtres que nous aborderons les bains et les piscines publics d'aujourd'hui : le bassin encastré dans les rochers de la côte atlantique d'Alvaro Siza ou les thermes de Vals de Peter Zumthor, les Bains des Docks de Jean Nouvel au Havre ou l'Aqualagon de Jacques Ferrier à Val d'Europe.» Richard Scoffier, architecte, philosophe, professeur des Écoles Nationales Supérieures d'architecture.

Serge et Jean-Philippe réfléchissent à l'architecture émotionnelle de Peter Zumthor; ils discutent avec Fanny Britt de l'identité des personnages de ses romans, identité construite autour de la manière qu'ils ont d'habiter leur maison; et en circuit fermé avec Jean-Philippe Pleau : La maison de mon grand oncle Lucien.

In this episode we have with us Architect & Professor Newton D'Souza who is presently an Associate Professor for the Department of Interior Architecture, at Florida International University in Miami. He's been part of our industry for more than 20 years & written numerous research papers, special issue journals and books which have been published widely on various platforms. He's also given various lectures across Universities, and has won various awards for his excellence in the academic side of Architecture. His most notable book is called "The Multi-Skilled Designer" which talks about the unique cognitive thought process of top architectural designers like Zaha Hadid, Daniel Libeskind, Peter Zumthor, and so on. He shares with us his journey into Architecture, his transition of pursuing his BArch in Bangalore to then pursuing his PhD in the states. We then talk about Design, the definition of "Design", cognitive design, decoding the thought process of an architect, how technology influences the world and a whole lot more. For episode shownotes and excerpts, head to archgyan.com/57 (https://archgyan.com/podcast/journey-towards-a-multi-skilled-designer-more-with-newton-dsouza-ag-57/) For the video version, head to our YouTube Channel (https://youtu.be/ga_nXISVaxE) . This podcast is sponsored by Archgyan Courses, head to thesketchuptutorials.com (https://www.thesketchuptutorials.com/) to check out some of our new courses on Sketchup & Vray.

We had the honor to interview Kevin Barden, practicing Architect and Professor at the University of Houston. He spills the secret to Architecture and his dream project. Learn about his experiences working with Peter Zumthor in Switzerland, and his apprenticeship at Taliesin West where he met his now business partner Joe Rivers. Together they created the firm Rivers Barden Architects (http://riversbarden.com/work/) and the podcast Spork in the Road (http://sporkintheroad.net/ ). This episode is hosted by, Imran Ahmed, Sarah Rupani, and Amber Quinn.

Lucas Harari - L'aimant (Sarbacane) ; L'attrazione (Coconino Press)Rencontre à la Libreria Stendhal le 23 novembre 2018. Pierre, jeune étudiant parisien en architecture, entreprend un voyage en Suisse afin de visiter les thermes de Vals. Ce magnifique bâtiment, conçu par le célèbre architecte suisse Peter Zumthor, au coeur de la montagne, le fascine et l'obsède. Cette mystérieuse attraction va se révéler de plus en plus forte à mesure que Pierre se rapproche du bâtiment...

Michael Govan, Director of the Los Angeles County Museum of Art outlines the issues facing museum directors talking with Philip Dodd and an audience at the Frieze London Art Fair. They debate the "authority" of museums, the idea of "great" art and he answers critics of his rebuilding plan. Michael Govan took over running LACMA in 2006 following his work at the DIA Art Foundation in New York City. The Los Angeles museum has partnered with Chinese-Indonesian entrepreneur Budi Tek to create a new foundation, to which Tek will donate his vast Chinese art collection. Plans also include establishing a satellite museum in South Los Angeles and new Peter Zumthor designs for redisplaying the LACMA collections. You can find more interviews to download with artists, curators and museum directors in the Visual Arts playlist on the Free Thinking programme website https://bbc.in/2DpskGS You might also be interested in the new podcast and Essay series from Radio 3 The Way I See It which sees works of art from the collection of MOMA in New York chosen and discussed by guests including Steve Martin, Steve Reich, Margaret Cho and Roxane Gay. Producer Robyn Read.

Today we are talking about Architectural Bucket lists. Everyone knows what a bucket list is – things you want to do or achieve in your life. For an architect, this could be visiting Therme Vals in Switzerland by Peter Zumthor, or if this was prior to 1969, maybe it would be smoking cigars with Mies van der Rohe. [Note: If you are reading this via email, you will have to click here to access the on-site audio player]  Items that an architect would put on their Architectural Bucket list could cover a lot of ground, but that's what we are going to be talking about today. Preparing for this show was actually agony for me because I tend to not identify with favorites. There is an ebb and flow to my interests and while I might really like something today, chances are better than good that I will replace this current object of my fascination with something else before too long. Never the less, let's see where our current interest lies as of today. Person Who would you like to have as an ideal "Architect" buddy for your life/practice? I would assume that this would be a famous architect but it doesn't have to be. But let's put the caveat on here that they have to be living? Photo of Renzo Piano Photo: Eric Feferberg/AFP/AFP/Getty Images  Photo of the Jean-Marie Tjibaou Cultural Centre Photo: Sergio Grazia/ADCK/Jean-Marie Tjibaou Cultural Centre/RPBW Andrew I chose Renzo Piano. While there may be a language issue, as pointed out by Bob, I went a more professional route and chose him based on my appreciation for his work and the impact his friendship might have on my own work. So for this one, it would be a true "architecture buddy". I think Renzo is thoughtful in his work and he has a fantastic sense of detail and creativity. He has long been an architect that I admire, so therefore I would want him for my practice side of life.  As noted in our conversations, I chose a different direction of thought than Borson on this one. Photo of Tom Kundig: Juliana Sohn for The Wall Street Journal.Photo of the Delta Shelter: Tim Bies/Olson Kundig Architects. Bob This was a tough one for me because most of the architects who I admire are probably too mature to actually enjoy spending time with me. Answering this question came down to narrowing a few perceived character traits. Do they like to party? Could we talk about something other than architecture? And for what traits have I selected them? Design? Technical prowess? Business acumen? Originality in their thinking? How about all of these items? For that reason, I went with Tom Kundig. On one hand, this seems like it would be a popular choice, the non-architect's choice, but I chose Tom because I like the technical nature in which he designs appeals to my own process. I would live in every house he has ever designed, he looks like he enjoys what he does and despite the ability to change the scale of the projects he tackles he has continued to accept and design single-family residential works. I almost went with Omar Ghandi but he seems either so cool as to appear disinterested in everything or maybe he's mean. Every project of his I love but whenever I see pictures of him, he seems too intense to be my friend ... but maybe I'm wrong about that. Place This would be a location you would like to visit. It could be a broad point and/or a very specific one … I'm not even sure that it has to be “architectural”. A riverside view in Bavaria, Bamberg, Germanyphoto credit FOROLIA/AP Andrew I chose a region of a country for this one. Bavaria Germany was my choice as a "place". I have never been to this area so it holds a romantic mystique for me. I feel drawn by my ideas of the mixture of landscape, history, architecture, food, and drink. I believe I would enjoy this area for all of those reasons and more. While I am a "modernist" at heart, the idea of traveling through medieval towns and visiting castles while enjoying great food and beer sounds like the best experience imaginable.

Today we are talking about Architectural Bucket lists. Everyone knows what a bucket list is – things you want to do or achieve in your life. For an architect, this could be visiting Therme Vals in Switzerland by Peter Zumthor, or if this was prior to 1969, maybe it would be smoking cigars with Mies van der Rohe. [Note: If you are reading this via email, you will have to click here to access the on-site audio player]  Items that an architect would put on their Architectural Bucket list could cover a lot of ground, but that’s what we are going to be talking about today. Preparing for this show was actually agony for me because I tend to not identify with favorites. There is an ebb and flow to my interests and while I might really like something today, chances are better than good that I will replace this current object of my fascination with something else before too long. Never the less, let's see where our current interest lies as of today. Person Who would you like to have as an ideal "Architect" buddy for your life/practice? I would assume that this would be a famous architect but it doesn’t have to be. But let’s put the caveat on here that they have to be living? Photo of Renzo Piano Photo: Eric Feferberg/AFP/AFP/Getty Images  Photo of the Jean-Marie Tjibaou Cultural Centre Photo: Sergio Grazia/ADCK/Jean-Marie Tjibaou Cultural Centre/RPBW Andrew I chose Renzo Piano. While there may be a language issue, as pointed out by Bob, I went a more professional route and chose him based on my appreciation for his work and the impact his friendship might have on my own work. So for this one, it would be a true "architecture buddy". I think Renzo is thoughtful in his work and he has a fantastic sense of detail and creativity. He has long been an architect that I admire, so therefore I would want him for my practice side of life.  As noted in our conversations, I chose a different direction of thought than Borson on this one. Photo of Tom Kundig: Juliana Sohn for The Wall Street Journal.Photo of the Delta Shelter: Tim Bies/Olson Kundig Architects. Bob This was a tough one for me because most of the architects who I admire are probably too mature to actually enjoy spending time with me. Answering this question came down to narrowing a few perceived character traits. Do they like to party? Could we talk about something other than architecture? And for what traits have I selected them? Design? Technical prowess? Business acumen? Originality in their thinking? How about all of these items? For that reason, I went with Tom Kundig. On one hand, this seems like it would be a popular choice, the non-architect’s choice, but I chose Tom because I like the technical nature in which he designs appeals to my own process. I would live in every house he has ever designed, he looks like he enjoys what he does and despite the ability to change the scale of the projects he tackles he has continued to accept and design single-family residential works. I almost went with Omar Ghandi but he seems either so cool as to appear disinterested in everything or maybe he’s mean. Every project of his I love but whenever I see pictures of him, he seems too intense to be my friend ... but maybe I'm wrong about that. Place This would be a location you would like to visit. It could be a broad point and/or a very specific one … I’m not even sure that it has to be “architectural”. A riverside view in Bavaria, Bamberg, Germanyphoto credit FOROLIA/AP Andrew I chose a region of a country for this one. Bavaria Germany was my choice as a "place". I have never been to this area so it holds a romantic mystique for me. I feel drawn by my ideas of the mixture of landscape, history, architecture, food, and drink. I believe I would enjoy this area for all of those reasons and more. While I am a "modernist" at heart, the idea of traveling through medieval towns and visiting castles while enjoying great food and beer sounds like the best experience imaginable.

We’re 40! How did that happen? We grew up so quickly….. It doesn’t seem like two minutes ago that Bradley and I recorded the first, very shaky and nervous, episode back in January 2018. A lot has changed since then.Outerfocus started as a way to introduce some photography history, in an easily digestible manner, and to have conversations with photographers, about photography. The two things that helped me most with my own photography were: An understanding of where photography came from, and, what drove photographers to practice. Although the photography history aspect of the podcast has dwindled somewhat in the past few months, I feel the conversations are becoming stronger, and that takes us on to the, ‘why’. The, ‘why’, is what helped me to understand myself and the world around me. I learned more about photography by understanding the philosophies of photographers than I did by looking at their photographs. It made me realise that the idea is important, and the photograph is just a consequence of our study and practice. Maybe not for everyone, but that’s how I came to understand it and it fundamentally changed me as a human being. It also freed me from not just the constraints of industry expectations, but societal expectations, too. So, Happy 40th to Outerfocus! I hope that me passing on some of what I think is important in photography, and life, can raise some questions and create some new ideas for you. I’m not doing this alone mind you. The guests are adding their own unique perspective to the Outerfocus archive, and I’m still learning, a lot, and long may that continue.I expect you all know of the photographers that had an influence on me, but there are some that never really get a mention. Mostly because the genres they work in don’t come up in conversation too frequently. I mean, name one architectural photographer…….I could easily name a few, but that’s because it’s something I have a great interest in. I know who the first one would be, though, and when it comes to individuality there aren’t many better than the rather exceptional, Hélène Binet.Hélène is a Swiss-French architectural photographer living in London, and she is one of the leading architectural photographers in the world. Best known for her work with architects Daniel Libeskind, Peter Zumthor and Zaha Hadid, she has published books on works of several architects. She is the recipient of many awards over her 30+ year career including an Honorary Fellowship of Royal Institute of British Architects, 2008.Most recently she was honored with the Julius Shulman Institute Excellence in Photography Award in 2015, The Ada Louise Huxtable Prize 2019 ..........Full show notes -

Het Nieuwe Warenhuis herbergt ook twee architecten: Enno Stemerding en Richard Gouverneur. Zij hebben elk hun eigen buro in HNW, maar streven allebei naar duurzaam bouwen. In deze podcast vertellen zij o.m. over: hoe zij begonnen zijn - wie er van invloed waren op hun visie op architectuur - wat 'slim bouwen' is - hoe duurzaamheid terugkomt in hun werk - bio-based materialen - wat er moet veranderen in de bouw(industrie). We sluiten af met de agenda van HNW voor de maand april. Tracklist: 01:10 - 06:00 Enno en Richard vertellen iets over hun achtergrond 06:00 - 09:26 Hoe hebben zij hun visie op architectuur ontwikkeld 09:26 - 13:40 Over RemKoolhaas, Peter Zumthor en de Thermen in Vaals 13:40 - 17:13 Duurzaamheid in bouwprojecten - opdrachtgevers woningen - energieneutraal bouwen - biobased materialen 17:13 - 20:37 'Slim bouwen' 20:37 - 24:55 Het Nieuwe Warenhuis en De Vondeltuin 24:55 - 28:55 Verhouding architect-opdrachtgever 28:55 - 38:30 Biobased bouwen - minder afval - contracten - alternatief voor beton 38:30 Agenda maand april

From the Roman Pantheon to Peter Zumthor's field chapel, symbol of utopian socialism to todays online brutalist love affair, concrete continues to shape our world.

From the Roman Pantheon to Peter Zumthor's field chapel, symbol of utopian socialism to todays online brutalist love affair, concrete continues to shape our world.

In recent years, the LA art world has been expanding more rapidly than that of any city on the planet. Scores of galleries have opened – or opened outposts – there, and this year, with the inaugural edition of Frieze LA, one of the world's leading art fair brands has decided to stake its claim on the city. Meanwhile, new private museums such as the Broad have started to attract large numbers of visitors and LA's flagship institution, LACMA, has been fundraising for a vast, futuristic building designed by Peter Zumthor that will act as its new headquarters. How sustainable is all this growth? Does it augur well for the many artists based in the city? What effect has it had on the urban fabric of LA? And what skills are needed to manage and maintain this expanding arts infrastructure in the future? These are among the topics addressed by Jonathan T.D. Neil in a new Apollo podcast sponsored by Sotheby's Institute of Art. Neil is Director of Sotheby's Institute of Art-Los Angeles, as well as Head of Global Business Development. In the podcast, he sets out why this is such an exciting time for the visual arts in LA – and explains how the distinctive character of the LA art world is driving such dramatic change. Hosted by Thomas Marks

简介： 这一期我们历数了学生时代起喜欢过的建筑师。说是历数，但是我们也只来得及提了三组：安藤忠雄、赫尔佐格和德梅隆、卒姆托。从具体的空间、材料和个人体验上分享了我们印象深刻的几个作品。因为太喜欢了于是忍不住为卒姆托教堂那段特别配了背景音乐。 以后还会继续分享其他建筑师的作品。 人物： 璟璐、慧珊 相关链接： 安藤忠雄（Tadao Ando） (https://www.archdaily.cn/cn/795295/ju-jiao-an-teng-zhong-xiong) 安藤-住吉的长屋(Azuma House) (https://en.wikiarquitectura.com/building/azuma-house-row-house/) 安藤-光之教堂 (https://www.archdaily.com/101260/ad-classics-church-of-the-light-tadao-ando) 安藤-水之教堂 (https://www.archdaily.com/97455/ad-classics-church-on-the-water-tadao-ando) 安藤-陶板名画之庭 (https://medium.com/@sofiasu/%E8%B5%B0%E9%80%B2%E5%AE%89%E8%97%A4%E5%BF%A0%E9%9B%84%E7%9A%84%E5%85%89%E5%BD%B1-%E9%99%B6%E6%9D%BF%E5%90%8D%E7%95%AB%E4%B9%8B%E5%BA%AD-b28f38fb032c) 安藤-头大佛 (https://www.archdaily.com/877329/tadao-ando-envelops-giant-buddha-statue-in-lavender-planted-hill-temple) 《安藤忠雄连败连战》 (https://book.douban.com/subject/1661864/) 赫尔佐格和德梅隆（Herzog & de Meuron） (https://www.archdaily.cn/cn/894204/ju-jiao-he-zuo-ge-and-de-mei-long) H&dM-信号塔 (https://www.archdaily.com/256766/flashback-signal-box-herzog-de-meuron) H&dM-Vitrahaus (https://www.archdaily.com/50533/vitrahaus-herzog-de-meuron) Vitra Campus中的Zaha设计的消防站 (https://www.archdaily.com/785760/ad-classics-vitra-fire-station-zaha-hadid-weil-am-rhein-germany) H&dM-鸟巢 (https://www.archdaily.com/6059/inside-herzog-de-meuron-beijing-birds-nest) H&dM-体育馆 (https://www.archdaily.com/633554/the-new-bordeaux-stadium-herzog-and-de-meuron) 卒姆托(Zumthor) (https://en.wikipedia.org/wiki/Peter_Zumthor) 卒姆托-布雷根茨美术馆 (https://www.archdaily.com/107500/ad-classics-kunsthaus-bregenz-peter-zumthor) 卒姆托-Vals温泉浴场 (https://www.archdaily.com/798360/peter-zumthors-therme-vals-through-the-lens-of-fernando-guerra?ad_medium=widget&ad_name=recommendation) SeARCH + CMA - Villa Vals (https://www.archdaily.com/43187/villa-vals-search-cma) 卒姆托-克劳斯兄弟小教堂 (https://www.archdaily.com/106352/bruder-klaus-field-chapel-peter-zumthor) 卒姆托-Kolumba Museum (https://www.archdaily.com/72192/kolumba-musuem-peter-zumthor) 背景音乐： 片头：Johannes Brahms - String Sextet No. 1 In B Flat Major Op. 18 中场、片尾：J.S. Bach - Lute Partita in C Minor, BWV 997: I. Prelude 音乐顾问：老P、易安 联系方式： 网站：architalk.xyz 邮箱：hi@architalk.xyz 新浪微博：所建所闻 (https://m.weibo.cn/profile/6895347942) Twitter：ArchiTalkXYZ (https://twitter.com/ArchiTalkXYZ) Instagram：architalk.xyz (https://www.instagram.com/architalk.xyz/)

Wohngenossenschaften in Zürich: Gartenstädte und neue Nachbarschaften Mit Schweizer Architektur verbindet man gemeinhin Namen weltbekannter Architekten wie Mario Botta, Peter Zumthor oder Herzog & de Meuron und ihre ikonischen Bauten. Dieses Buch stellt jedoch nicht schöne Villen oder prestigeträchtige Projekte wie beispielsweise Museen in den Mittelpunkt, sondern das Phänomen des genossenschaftlichen Bauens in der Schweiz und insbesondere in der Stadt Zürich. — Buchpräsentation mit dem Herausgeber Dominique Boudet, allen Projektbeteiligten und Park Books. — Mehr Info zum Buch: https://bit.ly/34ey02f Besucht unsere Website: www.neverstopreading.com Aufnahme: 25.10.2017

Could we be creating more value by designing less? And if we're designing for change what is it that our generation will remember about this age? An episode in which Chirryl-Lee Ryan takes a moment to reflect on design and asks some really powerful questions. ---------------------------------------- EPISODE GUIDE 02:23 - First encounter with Service Design 03:54 - What is progressive reduction? 13:02 - What if we’re doing it all wrong? 19:18 - Are we designing for experience or memory? 27:45 - Big question: are there any other design philosophers out there? ---------------------------------------- MORE EPISODES Enjoyed the show? Take a look at some of the other episodes ➜ @servicedesignshow YOUTUBE CHANNEL Every episode of the Service Design Show is also available as via the official YouTube channel ➜ youtube.com/servicedesignshow FACEBOOK PAGE Check the Facebook page where you'll find more content and can discuss the episodes ➜ facebook.com/servicedesignshow UNIVERSITY Want to dig deeper into the topic we talk about on the show, check out the Service Design Show University ➜ learn.servicedesignshow.com LINKS FROM THE SHOW Progressive Reduction What happens if you turn the traffic lights off? https://www.theguardian.com/environment/bike-blog/2017/sep/22/what-happens-if-you-turn-off-the-traffic-lights Frank Chimero - What Advice Would You Give To A Graphic Design Student? https://www.frankchimero.com/archive/2010/advice/ The Minimalists http://theminimalists.com Marshall McLuhan - The Medium is the Massage https://www.amazon.com/Medium-Massage-Inventory-Effects/dp/B0000CO31L Edward de Bono - Simplicity https://www.amazon.com/Simplicity-Edward-Bono/dp/0140258396 Victorinox Spectra Medium Expandable Suitcase (Red Dat Award Winner 2016) https://www.youtube.com/watch?v=w0j-Jwz4dCs We're doing it all wrong We Evolved to Run — But We're Doing It All Wrong http://news.nationalgeographic.com/2017/07/running-books-jogging-health-science/ Dan Birman - The challenges with progressive reduction https://www.invisionapp.com/blog/the-challenges-with-progressive-reduction/ Adrian Zumbrunnen - Progressive Reduction: just another buzzword? https://azumbrunnen.me/blog/progressive-reduction-just-another-buzzword/ Museum of Failure http://www.museumoffailure.se Experience and Memory Daniel Kahneman - The Riddle of Experience vs Memory https://www.ted.com/talks/daniel_kahneman_the_riddle_of_experience_vs_memory Chirryl-Lee Ryan - Are we designing for Experience, or Memory? https://www.linkedin.com/pulse/we-designing-experience-memory-chirryl-lee-ryan Peter Zumthor- Thinking Architecture https://www.amazon.com/Thinking-Architecture-3rd-Peter-Zumthor/dp/3034605854 Tom Vanderbilt - It’s a Mall World After All: Disney, Design, and the American Dream http://www.harvarddesignmagazine.org/issues/9/it-s-a-mall-world-after-all-disney-design-and-the-american-dream Harvard Design Magazine No. 9 (1999) - Constructions of Memory: On Monuments Old and New http://www.harvarddesignmagazine.org/issues/9

In this session, we discuss the transformation Peter Guthrie and Henry Goss made from practicing architecture alone, to joining forces to form one of the most interesting and fastest growing ArchViz studios in London today. These two have created a total powerhouse, and they're here to share the story of their success. Here's just a bit of what you can expect on this session of The SpectRoom. Creating The Boundary Peter and Henry share the driving reasons and goals behind their decision to join forces and create The Boundary. From friends to business partners, as their individual capacities increased they decided to raise their game and share the burden of their work together. Although they just call it the next logical step, the results have been incredible.  Current Projects and What's in (their) Store Despite detouring from traditional architecture, Henry and Peter are more involved in architecture and design than ever before. They've been working with their heroes on fundamental design details from an early stage, including Peter Zumthor on the Los Angeles County Museum of Art.We put Corona Renderer up against VRay, discuss animations and VR deliverables, and examine what it means at The Boundary to be a project manager, 3D artist, or project visualizer. We also chat about The Boundary Store, which they've set up to help people gain access to their scenes. The store is evolving to become a place where people will go to find the top brand, top-quality images. We put Corona Renderer up against V-Ray, discuss animations and VR deliverables, and examine what it means at The Boundary to be a project manager, 3D artist, or project visualizer.We also chat about The Boundary Store, which they've set up to help people gain access to their scenes. The store is evolving to become a place where people will go to find the top brand, top-quality images. We also chat about The Boundary Store, which they've set up to help people gain access to their scenes. The store is evolving to become a place where people will go to find the top brand, top-quality assets. Five Years into the Future When I asked Peter what we need to start thinking about now so that we are still relevant five years into the future, he admitted that although he may not be excited about VR and augmented reality, he is passionate about creating beautiful images, moving images, and films.Henry recognizes that the change will be constant in this industry — there will always be other companies coming up behind you, so you must constantly push forward with your energy. And that thrust toward success is the future of business at The Boundary. Henry recognizes that the change will be constant in this industry — there will always be other companies coming up behind you, so you must constantly push forward with your energy. And that thrust toward success is the future of business at The Boundary. Key Takeaways [1:00] Henry and Peter share the road that leads each of them to architectural visualization. [8:45] The benefits of ArchViz allow not only for graphics to become buildings but also for a lot of the best work to become individual works of art. [12:14] Architect vs. photographer — who deserves more praise? [15:58] The perfect 30-second elevator pitch to explain what visual architects are all about. [22:00] One major perk of the business is the level of stress that comes with “just” drawing images. [23:46] How Peter and Henry decided to create The Boundary. [26:58] The Boundary's approach to projects. [34:50] Their dedication to R&D, new technologies, and new methods keeps pushing the industry forward. [41:30] Peter shares some of the major benefits of animation. [44:01] Experiences that have shaped the office environment at The Boundary, including training at State of the Art Academy. [46:56] Henry outlines the division of labor within The Boundary. [50:40] The sweet spot number of staff for their company, and how they are creating a tight-knit group that is having fun together. [54:00] If you want to work at The Boundary, Henry has a few tips to help you get the job. [1:00:16] The future of business at The Boundary. Main Quotes “A really powerful architectural image remains a really powerful architectural image in perpetuity.” — Henry Goss   “Architectural visualization is the key to the garden of architecture.” — Ronen Bekerman   “We are aiming for an image that looks as good as a photograph.” — Peter Guthrie   “A tight-knit group is required for a really creative environment.” — Henry Goss   “Keeping up to date with rendering technologies is a continual process, but what we love doing is making beautiful images.” — Peter Guthrie   “You can't ever stand still in any rapidly-developing industry, including computer technology.” — Henry Goss   Sponsors AXYZ Design Quixel / Megascans   Software Mentions Sketchup After Effects Premiere Photoshop Corona Renderer V-Ray Unreal Engine TurboSquid PG Skies   Name Dropping The Boundary Peter Zumthor LACMA Magnus Strom Superhouse Magnus Strom Architects Richard Murphy Architects State of the Art Academy The Boundary Store  

Was muss ein Opern- und Konzerthaus können, um dem Zeitgenössischen bestmögliche Bedingungen zu bieten, und was wird in Zukunft den Ausschlag geben? Über diese und noch mehr Fragen wurde am 1. Dezember 2016 bei Thema Musik Live diskutiert. Hierzu eingeladen war auch der Architekt Peter Zumthor. Im Hinblick auf den geplanten Konzertsaal in München spricht er vorab mit BR-KLASSIK-Redakteurin Meret Forster.

Peter Zumthor released new renderings for his LACMA redesign last week, and boy are people not impressed! We talk about the "undercooked" look of Zumthor's snaking concrete inkblot plan for the museum, and experiment with a new segment devoted to ranting. You've been warned.  

Richard Leplastrier is a seminal figure in Australian architecture and architectural education. He eschews publicity and his built works are secret treasures to be discovered only by those privileged enough to be introduced to them. His sensitivity to issues of culture and place and his accumulated wisdom in the design and making of architecture is gently revealed though his tutorial sessions in the design studio. He received national recognition in 1999 through the award of the Gold Medal of the Royal Australian Institute of Architects. Richard has received international recognition through receipt of the 2004 ‘Spirit of Nature Wood Architecture Award’. The award, established in Finland by the Wood in Culture Association, is granted every second year for architectural excellence. Other recipients of the Award include 2000 Renzo Piano, Kengo Kuma, Peter Zumthor, José Cruz Ovalle from Chile and in 2010 to Hermann Kaufmann. He has been awarded the Dreyer Foundation Prize of Honour 2009 in Denmark, the first time an architect from outside Denmark has received this prize.

Arabella Masson and Csaba Tarsoly are practising architects based in Switzerland and Madrid. Currently teaching at the Swiss Federal Institute of Technology in Lausanne (EPFL), they are graduates of the Accademia di Architettura di Mendrisio, Switzerland. Having previoulsy worked in the office of Peter Zumthor in Switzerland and at Mansilla y Tunon in Spain, they founded their office, Masson-Tarsoly Architects, in 2004. Their lecture will conclude a 2-day charrette conducted with Bond Architecture students to start the 2014 academic year

With Mark Lawson. Anthony Hopkins plays "the Master of Suspense" in a new film which looks at how Hitchcock made one of his best known films, Psycho, and explores his relationship with his wife Alma, played by Helen Mirren. Novelist and Hitchcock aficionado Nicholas Royle reviews. Antony Sher discusses Richard III, gay marriage and taking the lead in satirical play, The Captain Of Köpenick. Described by its author, Carl Zuckmayer, as a German fairy tale, the story shows how an ex-convict shoemaker manages to impersonate an officer and as a result gains money and power. Novelist Michelle Paver, creator of a fantasy series set in the pre-agricultural Stone Age, joins Mark to discuss the British Museum's exhibition of Ice Age sculpture, ceramics and ornaments. World-renowned Swiss architect Peter Zumthor has been named as recipient of the 2013 RIBA Royal Gold Medal. He talks to Mark about his work and why it was so useful that his own father was a cabinet-maker. Producer Rebecca Nicholson.