Maltin on Movies

He's been a familiar face on television for years, on the long-running comedy Wings and the current Chicago Med. He grew up in a show-business family so it shouldn't be surprising that he loves to perform. His range is limitless and his credits attest to that: everything from Mel Brooks' stage musical The Producers to the TV adaptation of Stephen King's The Shining. He and Leonard enjoy exchanging old show-business trivia, and never seem to run out of material. Steven is an articulate connoisseur of comedy…and then some.  

Dan is what Hollywood used to call a multi-hyphenate. He's an actor (with an Emmy to prove it), producer, director, and writer, and successful in each arena. As Lisa Kudrow's longtime partner he produced her forward-thinking web series Web Therapy as well as the savvy sitcom The Comeback. Most recently he worked on the hilarious comedy series Hacks and Mid-Century Modern. He shares some of his hard-earned wisdom with Leonard and Jessie.

As diehard fans of Tucker and Dale vs. Evil, Leonard and Jessie are always rooting for writer-director Eli Craig, whose latest blood-stained outing is called Clown in a Cornfield. It's very different in tone, and its satiric point is muted until the climax. You can see it now in theaters. We also spoke to Eli about his unusual upbringing, living mostly with his brother and dad in Oregon, but casting an eye on the fight for success that made his mother, Sally Field, an enduring star.

As the longtime senior editor of Los Angeles magazine, Chris Nichols has accumulated more knowledge about this city than anyone else we know. As an author and frequent tour guide, he loves sharing his discoveries, which is why his newest book BowlaRama (Angel City Press, written with Adriene Biondo) is so much fun. Leonard and Jessie enjoy diving into the fad-like growth of bowling alleys in the Baby Boom years of the 1950s and early 1960s. (Leonard is still mourning the loss of his Pepsi Cola bowling team shirt.) Chris's enthusiasm for everything he does is positively infectious.

Avy Kaufman's name should be familiar to anyone who reads credits, as we do. She has cast scores of films and television series, from The Ice Storm to Succession, and launched many a career along the way. You can hear the pride in her voice when she recounts how she brought young Haley Joel Osment to meet the star and director of The Sixth Sense. Recent credits include some of the most talked-about television shows of our time: Mare of Easttown, Under the Banner of Heaven, Billions, and Fellow Travelers, which could earn her a fourth Emmy Award. (She has three: one for Damages and two for Succession). Avy wears her passion on her sleeve and that makes for great conversation.  

Last year, Leonard and Jessie got a rare opportunity to interview Frank Oz at South by Southwest in Austin, Texas before a live audience. His alter egos are world-renowned, but Leonard and Jessie didn't focus on Miss Piggy or Yoda in this conversation. The main topic was directing movies, which Oz has done so well for so many years: The Muppets Take Manhattan, Little Shop of Horrors, In & Out, Dirty Rotten Scoundrels, Bowfinger, and What About Bob? are just a few of his credits. What is the through-line, if any, from puppetry to filmmaking. Listen and hear what the amazing Oz has to say.  

For Jessie, busy actor Jon Seda will always be Selena's loving husband Chris Pérez, but he's had many memorable roles in films and television: The Pacific, Chicago PD, Homicide: Life on the Streets, Treme, and La Brea, to name just a few. If you're a fan you already know that he was heading for a career in boxing when he was hired to appear in Gladiator, which was literally a life-changing experience. As you will hear, he's an unpretentious guy who enjoys what he does, appreciates the people he works with, and goes home to his wife and four children knowing he's earned an honest day's pay. His latest movie, Into the Deep, also stars Richard Dreyfuss and is available on demand right now.   ...

As a boy, Danny Elfman showed no interest in music, but he's made up for it ever since, earning Grammy and Emmy awards, Oscar nominations, and the roar of the crowd in live concerts around the world. His historic collaboration with director Tim Burton began with Pee-wee's Big Adventure and shows no signs of stopping. His theme music for The Simpsons is just one way he remains in our consciousness between film scoring gigs. Leonard and Jessie love his passion for what he does—and does so well.

He will be forever known as Potsie from Happy Days, but his memories of that much-loved TV series are all positive, especially his relationship with the show's creator Garry Marshall. Having begun in the theater and turned director (with dozens of TV shows to his credit) he is now piloting his wife's new play Crazy Mama: A True Story of Love and Madness at the celebrated Rubicon Theatre in Ventura, California. It's based on her own experience living with a mother who suffered from severe mental illness. Linda Purl plays 16 roles in this provocative one-woman show. Details are at www.rubicontehatre.org  Anson also shares some of his earliest show-business encounters with Leonard and Jessie.  

Patrick Wilson wears many show-business hats. Fans of his Tony-nominated work on Broadway may not know of his involvement in the spooky Insidious and The Conjuring  movies. (He even made his directorial debut on Insidious: The Red Door.) And horror/supernatural fans might have missed his star performances in the celebrated arthouse hit Little Children and the Mike Nichols-directed miniseries version of Tony Kushner's Angels in America for HBO. Leonard and Jessie are longtime fans of his—even more so after this congenial conversation.

AL PACINO needs no introduction. In 2018 he joined us for a relaxed conversation that centered on his documentary “Wilde/Salome,” about his stage production of an Oscar Wilde play featuring a newcomer named Jessica Chastain. But without much prompting he also discussed his career at large, from The Godfather and Dog Day Afternoon onward. His recently published autobiography taps into his way of thinking…but you'll get a taste of that here, as Leonard and Jessie chat up one of the greatest actors of our time.

The man whose latest film, Anora, is an awards-season favorite and an Oscar candidate, first joined us in 2017 to discuss his unpredictable career, which began on public-access television in Manhattan. He caused a stir when he shot his feature, Tangerine, on iPhones, and he won new fans with The Florida Project, which featured Willem Dafoe. He has a big heart, which is evident in every one of his films (including Red Rocket and Anora, which were still in the future when this interview took place).  

Billy Bob Thornton is in a class by himself. If you haven't seen Season 1 of his new show Landman on Paramount Plus, you're missing out. It's a perfect follow-up to his earlier seriesGoliath and his unforgettable turn on the first season of Fargo. Leonard and Jessie are longtime fans and delight in talking to him about finding his place in Hollywood, working with the Coen Brothers, playing the President of the United States in Love, Actually, and much, much more. This 2017 conversation doesn't cover his most recent work but it's a pleasure to listen to.

On the heels of a terrific new Apple+ TV series, BAD MONKEY (which will film its second season in the near future), let's revisit our last chat with him, recorded in front of a live audience at Fantastic Fest in Austin, Texas in September of 2017. Vince was at the festival with his then-brand-new movie Brawl in Cell Block 99, but had no hesitation in reviewing his career and the film that launched it, Swingers.

Doug Jones's face is often hidden behind elaborate makeup, yet somehow, through his eyes and body language he always create memorable characters. A favorite of filmmaker Guillermo Del Toro, he was the sea creature inThe Shape of Water and had key roles in Hellboy, Hellboy II: The Golden Army, and Pan's Labyrinth. He spent five seasons on Star Trek: Discovery and is currently having a ball making the last season of What We Do in the Shadows. He is also proud of Nosferatu: A Symphony of Horror, now streaming and available on Blu-ray—and not to be confused with the other current remake of the German silent classic. Doug is as nice as he is talented, and Leonard and Jessie are delighted to have him on the podcast.  

In recent times, David Krumholtz has appeared in Oppenheimer onscreen and Leopoldstadt on Broadway…but Jessie and Leonard first became fans watching him in films like The Santa Clause, Liberty Heights, 10 Things I Hate About You, and Slums of Beverly Hills. He is the very definition of a working actor—on stage, film and television (where he spent five years as the star of NUMB3RZ), with a healthy outlook on his profession and its peccadilloes.

Becky Ann Baker has played moms—on popular shows like Girls, Ted Lasso and Freaks and Geeks. But pigeonholing her is foolish given her theatrical training and can-do approach to life and career (alongside her equally talented husband, Dylan Baker). She's worked for everyone from Sam Raimi to Steven Spielberg to You can see her right now with Rob Huebel in All Hapy Families on VOD, but if you just wait a bit she'll turn up in another high-profile movie or TV show. What a delight for Leonard and Jessie to spend time in her company.

Rob Huebel can currently be seen in the comedy feature film All Happy Families (costarring Josh Radnor and Becky Ann Baker) on VOD, but he is never out of sight for long. An improv comedian and actor par excellence who honed his chops at Upright Citizens Brigade, he frequently works with such pals as Rob Riggle, Paul Scheer, and Will Arnett. His movie credits include I Love You, Man, The Descendants and Keanu and his TV resume is packed with shows like Transparent, Arrested Development and Curb Your Enthusiasm. Leonard and Jessie found Rob to be whip-smart, warm and funny…in short, a perfect guest.  

It's been decades since Lucy Lawless became world-famous as Xena, the Warrior Princess. Since then she's done everything from appearing on Broadway in Grease to starring in an eye-opening Spartacus TV series. Now she's made her directorial debut with a compelling documentary called Never Look Away, about videographer Margaret Moth, who thrived on the adrenaline of shooting in war zones. It played at this year's Sundance Film Festival and South by Southwest and is now opening in theaters and on many streaming services. Lawless is justifiably proud of her achievement and Leonard and Jessie were impressed with her—as an interviewee and as a filmmaker.  

Lou Diamond Phillips has an old-school, theater-based work ethic, which is why there's almost nothing he can't or won't do—from appearing on The Masked Singer to imitating the look of Buffalo Bill Cody for his newest film Get Fast, now available on VOD. He doesn't mind that people still talk to him about playing Ritchie Valens in La Bamba because he's (justly) proud of the film and his performance in it, as you will hear. Leonard and Jessie also have a personal connection to this gracious and talented man.

Liam Neeson needs no introduction; his work over the past five decades speaks for itself. What you may not know is what a charming man he is…or how dedicated to his craft he remains after all this time. He says he still finds acting a source of wonder and discovery. His latest film, an action thriller called Absolution, opens today. Is it a great movie? Not in the same class as Schindler's List, or even Taken, but worth seeing if only to watch the man at work. Leonard and Jessie feel lucky to have spent some time with him.  

The meanest-looking man on screen, the star of Robert Rodriguez's Machete and its sequels, is perhaps better known Trejo's Cantina and other food emporiums have revealed the truth: despite his violent background he has reinvented himself as a good guy and plays that role extremely well, onscreen and off. (He also headlines a new streaming movie, Seven Cemeteries.) Leonard and Jessie enjoyed meeting him (via Zoom) and hearing the story of how he accidentally broke into movies and wound up working with some of the biggest names in the business.

David Stenn has a good “day job,” writing scripts for television (like The L Word and Boardwalk Empire) but his passion is film history. He has funded restoration of films long thought lost or unavailable, including a recent “find” featuring Clara Bow. He is also the author of two definitive biographies, Clara Bow: Running Wild, first published in 1988 and Bombshell: The Life and Death of Jean Harlow. They are both “must-read” recommendations, along with his passion project, a documentary called Girl 27 that is now available free of charge on YouTube. And if his face or voice seem familiar, it's because he appears regularly on Turner Classic Movies.

Can it really be ten years since Whiplash put filmmaker Damien Chazelle on the map and earned J.K. Simmons his Best Supporting Actor Oscar? We interviewed the versatile actor in 2017 and his stories are worth hearing again. By the way, he remains a good luck charm for writer-director Jason Reitman, with a juicy role in his new movie Saturday Night. And Whiplash is also back on theater screens.

As the cofounder of Boston Light and Sound, Chapin Cutler has built movie theaters from the ground up and transformed unlikely spaces into pop-up cinemas. He's been responsible for 70mm showings of new films by Christopher Nolan and Quentin Tarantino and so much more. He and his wife Deborah run a family-oriented operation and populate their staff with diehard movie nerds who truly care about how a film looks and sounds. Leonard and Jessie are longtime friends and admirers of their work and welcomed this opportunity to ask him questions they never posed before.

Jon Burlingame knows everything worth knowing about music for film and television. He teaches the subject at USC's Thornton School of Music, keeps up with current events and newcomers to the field for Variety, and has just published his seventh book, Dreamsville: Henry Mancini, Peter Gunn, and Music for TV Noir (BearManor Media). Like all of his work it is authoritative, well-written, and fun to read. Leonard and Jessie are longtime fans and friends and couldn't think of a nicer way to spend an hour.

Haley Joel Osment should need no introduction to moviegoers of any age. He made an indelible impression in The Sixth Sense 25 years ago and became an overnight star, working with the likes of Michael Caine and Robert Duvall in Secondhand Lions and Steven Spielberg on A.I. Articifial Intelligence. After a break from filmmaking he returned to the scene as a versatile young character actor, appearing in such shows as The Boys, The Kominskey Method, and What We Do in the Shadows. He's currently part of the ensemble in Blink Twice and hopes to do what Zoë Kravitz did: write and direct. As bright as he is unpretentious, Haley seems to have what it takes: Leonard and Jessie are rooting for him to succeed.

Our guest has been acting for most of her life and her credits include such memorable movies as Swingers, Austin Powers: The Spy Who Shagged Me, Boogie Nights, Bowfinger, and The Hangover. In her latest film (which debuts today on demand), Place of Bone, she plays a tough, implacable frontier woman who wields a rifle with authority and intends to protect her teenage daughter at any cost. In October we'll see her second effort as writer, director and star, the romantic comedy Chosen Family.  

If you don't think sound editing and mixing is a creative process, think again! Our guests are both nominated for Emmy Awards for their work on the Apple+ miniseries Masters of the Air—and they might be identified as Masters of the Ear. They have created a soundscape that is the equal of a major Hollywood feature, as you'd expect in a high-profile show executive produced by Tom Hanks, Gary Goetzman and Steven Spielberg. Mike Minkler is also a third-generation soundman with three Oscars to his credit—so far—and was Leonard's first guest when he started teaching at USC twenty-six years ago. Jessie is as impressed with our guests as her Dad.  

Colm Meaney makes a vivid impression whenever he appears on stage, screen, or television. (His latest, Duchess, debuts on digital today, August 9.) More people probably know him from the two Star Trek series in which he appeared—The Next Generation and Deep Space Nine—but we remember him best as the father in The Commitments and its follow-ups The Van and The Snapper. Leonard and Jessie were pleased to find that he shares our fondness for that trilogy from Irish writer Roddy Doyle as well. But there's little he hasn't done, from John Huston's final film The Dead to Con Air  and an episode of The Simpsons where he played (what else?) a quintessential Irish bartender. He spoke to us from his getaway home in Majorca, Spain!

You've been entertained by Jim Cummings at some point over the last forty years whether you know it or not: he is the voice of Winnie the Pooh, Tigger, Darkwing Duck, the Tasmanian Devil, and countless other cartoon characters. And like his hero Mel Blanc, he is not merely “doing” voices—he's acting and singing his heart out. Leonard and Jessie are especially fond of his vocalizing as Ray the Cajun firefly, who croons “Ma Belle Angeline” in Disney's The Princess and the Frog. It was a pleasure meeting and chatting with someone we've both admired for years.

If his face is familiar, that's because Raphael Sbarge has been working since he was a boy—in theater, television and film. His credits range from Murder, She Wrote and Risky Business to Fear the Walking Dead. More recently he has moved behind the camera, crafting documentaries like Only in Theaters, the story of Los Angeles' beloved Laemmle Theaters chain. That's the project that brought him in contact with Leonard and Jessie, who are happy to have him as this week's guest.  

If you enjoy watching classic films you're probably acquainted with Alan Rode, prolific author, commentator (on numerous DVDs and Blu-rays), and host (with Eddie Muller) of the Noir City Festival, an annual event in San Francisco, Los Angeles, and Chicago. He also hosts and programs the Arthur Lyons Film Noir Festival every year in Palm Springs, California. He has several books to his credit, including a biography of character actor Charles McGraw and his magnum opus, Michael Curtiz: A Life in Film. He is a longtime friend of the Maltin family, so Jessie and Leonard had a grand time comparing notes on all aspects of film buffery.

An Oscar winner (for Mask in 1985) and multiple Emmy winner (for various incarnations of Star Trek), Michael Westmore carries a name that is synonymous with makeup in Hollywood. He's proud of his heritage, which began with his grandfather in the silent-film era and flourished in the 1930s, when his father and uncles ran the makeup departments at virtually every major studio. He studied art history in college, then his uncle Bud took him on as an apprentice at Universal in the early 1960s and he unexpectedly (or inevitably) wound up in the family business. Mike wears his accomplishments lightly and for all he has done he remains delightfully down-to-earth.  

After starring in the TV series Royal Pains for eight seasons and appearing in recurring roles in shows ranging from Ally McBeal to The West Wing, Mark Feuerstein is ready to explode his good-guy image in the new MGM+ crime drama Hotel Cocaine. He's never been so sleazy as this onscreen but as Jessie and Leonard quickly learned, in real life he's a mensch who is devoted to his family and his craft. They all had fun during this fast-paced encounter, and hope that the feeling is contagious.  

Nick Stahl has been working in front of the camera since he was 13 years old and winning young admirers like Jessie because he's so believable in every part he tackles. Mel Gibson chose him to costar in The Man Without a Face, which put him on a fast track to success. His widely varied credits include The Terminator 3, In the Bedroom, The Thin Red Line, andSin City. After a break he returned to acting and quicky landed guest shots on such series as Fear the Walking Dead and Let the Right One In. He can be seen in the recent VOD release What You Wish For.

This week we introduce you to two more Emmy contenders for their exceptional work. Cian O'Clery directed, executive produced and photographed) the heartfelt documentary seriesLove on the Spectrum, which shows how people with autism search for love just like all of us. Mac Quayle is a busy composer of music for film and television who has become a favorite of the prolific producer Ryan Murphy (Scream Queens, American Crime Story, Feud, et al) who already has an Emmy to his credit for Mr. Robot, for which he scored 45 episodes. His latest effort is The Great Lillian Hall, now playing on HBO.

This week, we're meeting more fascinating people who are Emmy contenders for their work on high-end television, which nowadays has the production quality of feature films. An Emmy contender in the realm of limited series, All the Light We Cannot See has been adapted from the Pulitzer Prize-winning book by the brilliant writer Steven Knight. It draws on the talents of many people, among them our guests, sound man Craig Henighan, cinematographer Tobias Schliessler, and casting directors Lucy Bevan and Emily Brockman.  

The brilliant writer-director Steven Zaillian (Searching for Bobby Fischer) is a strong Emmy contender for his eight-part adaptation of Patricia Highsmith's Ripley novels, along with the collaborators we spoke to: composer Jeff Russo (an Emmy winner for Fargo), Oscar-nominated production designer David Gropman, and editors David Rogers and Joshua Lee. Even if you haven't yet watched the series on Netflix it's fascinating to listen to these creative people talk about what they bring to every film or show they take on. 

Avy Kaufman's name should be familiar to anyone who reads credits, as we do. She has cast scores of films and television series, from The Ice Storm to Succession, and launched many a career along the way. You can hear the pride in her voice when she recounts how she brought young Haley Joel Osment to meet the star and director of The Sixth Sense. Recent credits include some of the most talked-about television shows of our time: Mare of Easttown, Under the Banner of Heaven, Billions, and Fellow Travelers, which could earn her a fourth Emmy Award. (She has three: one for Damages and two for Succession). Avy wears her passion on her sleeve and that makes for great conversation.

There's only one Mira Sorvino—Oscar winner for her unforgettable performance in Woody Allen's Mighty Aphrodite, costar of the enduringly popular Romy and Michelle's High School Reunion, Harvard grad (cum laude), mother of four, and daughter of the celebrated actor and singer Paul Sorvino.credentials are pretty amazing; then you talk to her and discover what a quicksilver mind she possesses. To limit our conversation to film, we discussed directors she has worked with, from Spike Lee to Robert Redford, and she had something interesting to say at every juncture. Leonard and Jessie were impressed, to put it mildly.

Marc Wanamaker is a walking encyclopedia of Hollywood legends and lore. He grew up in the community and soon realized there was history all around him. He began to amass a collection of rare photographs which eventually numbered in the thousands. Marc has been an invaluable resource for authors, scholars, documentarians, and even the movie studios themselves. His newest book, written with Steven Bingen, is called Hollywood Behind the Lens: Treasures from the Bison Archives. Leonard conducted this interview without Jesse but luckily Marc never runs out of things to say about his favorite subject.

If you only think of Clint Howard as Ron Howard's kid brother, it's time to reassess. He and his older sibling recently wrote a joint autobiography called The Boys which explains their loving relationship and points to their actor-parents as lifelong role models. Early on, Clint embraced his destiny as a young-ish character actor. There's almost nothing he hasn't done in his sixty--some years in show business, from the original Star Trek to The Cat in the Hat (one of many Ron Howard movies in which he appears.) He still lives in the San Fernando Valley not far from Leonard and Jessie, because he's just folks—like his parents.

Frank Marshall's chance meeting with Peter Bogdanovich launched a career that led to him producing Indiana Jones, Star Wars and Jurassic Park movies, among many others, often in partnership with his wife Kathleen Kennedy. Now he's released a record album that returns him to the world his father Jack Marshall inhabited: a long-forgotten session featuring two gifted jazz trumpeters. Chet Baker and Jack Sheldon In Perfect Harmony: The Lost Album. It's a treat to hear, on CD or limited-edition vinyl from Jazz Detective. Leonard and Jessie loved mining Frank's memories of learning the film business from the ground up. Like many people of vast experience, he's excited about the next project—and the one after that. Yet he can still spin an Orson Welles anecdote with aplomb.

Our guest is a five-time Oscar nominee for Best Costumes—most recently for Killers of the Flower Moon, although she is equally lauded for her work on Dune, parts 1 and 2. Her background in the fashion world, and as an art history major, gives her unique credentials for someone who provides costumes for movies. She also has world-class stories to share about her collaborations with such major directors as Philip Kaufman, Terence Malick, and David Fincher. Leonard and Jessie had a blast mining that treasure chest of memories and observations. The making of The Revenant could fill a one-hour podcast all by itself!  

Internationally renowned actress, model, and individualist Isabella Rossellini is charm personified. She has a supporting role in Alice Rohrwacher's new import La Chimera,which opens in theaters March 29, and recently completed two seasons of Julia, playing Julia Child's longtime friend and cooking colleague. She also carries with her the torch lit by her famous parents, Ingrid Bergman and Roberto Rossellini and does so with grace and ease. Leonard and Jessie only had a half-hour with her but were happy to have had the opportunity.

  His alter egos are world-renowned, but Leonard and Jessie didn't focus on Miss Piggy or Yoda in this conversation, recorded in front of a live audience at Esther's Follies in Austin. The main topic was directing movies, which Oz has done so well for so many years: The Muppets Take Manhattan, Little Shop of Horrors, In & Out, Dirty Rotten Scoundrels, Bowfinger, and What About Bob? are just a few of his credits. What is the through-line, if any, from puppetry to filmmaking? Listen and hear what the amazing Oz has to say.

In honor of the Academy Awards, we're revisiting our 2017 interview with Keith Carradine, who won his Oscar for writing and performing the song “I'm Easy” in Robert Altman's masterpiece Nashville (1975). Since we spoke, the actor has remained a familiar face on television as he and his siblings carry on the acting tradition that began with his prolific papa John Carradine. Like his dad, he eased into the niche of a “working actor,” starring on Broadway, logging 105 episodes of Madam Secretary—as the President of the United States—and even turning up in Jane Campion's Oscar-winning The Power of the Dog. He's a laid-back charmer who makes what he does look easy.  

Originally published Jun 10, 2021 From The Mary Tyler Moore Show and Taxi to such movies as Terms of Endearment, Broadcast News and As Good as It Gets, writer-director-producer James L. Brooks has created quality entertainment for decades and has no intention of slowing down. He has served as mentor to the likes of Cameron Crowe and Wes Anderson and continues to work with young talents behind the camera. Oh yes—he's also produced The Simpsons for the past 30 years. Leonard and Jessie were honored to talk to this multi-award-winning talent about his remarkable career.

Cord Jefferson is riding high as the Oscar-nominated writer and director of American Fiction, which has widely and properly been acclaimed as one of the best films of the past year. Even more exciting is the fact that Jefferson has never made a movie before. Leonard and Jessie enjoyed exploring the building blocks of his career that led to this achievement. He was on the writing staff of Larry Wilmore's Late Night comedy show and Aziz Ansari's Master of None, among others, when a series of events pointed him toward filmmaking. Step One was finding a property he cared enough about to adapt and then direct. Unlike other neophytes who get their first break right out of film school, Cord had traveled the world and worked as a journalist before he ever stepped foot on a movie set. We are eager to see what comes next.