Podcast appearances and mentions of Roddy Doyle

John Granger Attempts to Convince Nick (and You!) That The Hallmarked Man will be Considered the Best of the Series.We review our take-away impressions from our initial reading of The Hallmarked Man. Although we enjoyed it, especially John's incredible prediction of Robin's ectopic pregnancy, neither of us came away thinking this was the finest book in the series. For Nick, this was a surprise, as enthusiastic J. K. Rowling fan that he is other than Career of Evil every book he has read has been his favourite. Using an innovative analysis of the character pairs surrounding both Cormoran and Robin, John argues that we can't really appreciate the artistry of book number eight until we consider its place in the series. Join John and Nick as they review the mysteries that remain to be resolved and how The Hallmarked Man sets readers up for shocking reveals in Strike 9 and 10!Why Troubled Blood is the Best Strike Novel:* The Pillar Post Collection of Troubled Blood Posts at HogwartsProfessor by John Granger, Elizabeth Baird-Hardy, Louise Freeman, Beatrice Groves, and Nick JefferyTroubled Blood and Faerie Queene: The Kanreki ConversationBut What If We Judge Strike Novels by a Different Standard than Shed Artifice? What About Setting Up the ‘Biggest Twist' in Detective Fiction History?* If Rowling is to be judged by the ‘shock' of the reveals in Strike 10, then The Hallmarked Man, the most disappointing book in the series even to many Serious Strikers, will almost certainly be remembered as the book that set up the finale with the greatest technical misdirection while playing fair.* The ending must be a shock, one that readers do not see coming, BUT* The author must provide the necessary clues and pointers repeatedly and emphatically lest the reader feel cheated at the point of revelation.* If the Big Mysteries of the series are to be solved with the necessary shock per both Russian Formalist and Perennialist understanding, then the answers to be revealed in the final two Strike novels, Books Two and Three of the finale trilogy, should be embedded in The Hallmarked Man.* Rowling on Playing Fair with Readers:The writer says that she wanted to extend the shelf of detective fiction without breaking it. “Part of the appeal and fascination of the genre is that it has clear rules. I'm intrigued by those rules and I like playing with them. Your detective should always lay out the information fairly for the reader, but he will always be ahead of the game. In terms of creating a character, I think Cormoran Strike conforms to certain universal rules but he is very much of this time.* On the Virtue of ‘Penetration' in Austen, Dickens, and Rowling* Rowling on the Big Twist' in Austen's Emma:“I have never set up a surprise ending in a Harry Potter book without knowing I can never, and will never, do it anywhere near as well as Austen did in Emma.”What are the Key Mysteries of the Strike series?Nancarrow FamilyWhy did Leda and Ted leave home in Cornwall as they did?Why did Ted and Joan not “save” Strike and Lucy?Was Leda murdered or did she commit suicide?If she was murdered, who dunit?If she commited suicide, why did she do it?What happened to Switch Whittaker?Cormoran StrikeIs Jonny Rokeby his biological father?What SIB case was he investigating when he was blown up?Was he the father of Charlotte's lost baby? If not, then who was?Why has he been so unstable in his relations with women post Charlotte Campbell?Charlotte CampbellWhy did her mother hate her so much?What was her relationship with her three step-fathers? Especially Dino LongcasterWho was the father of her lost child?Was the child intentionally aborted or was it a miscarriage?What was written in her “suicide note”?Was Charlotte murdered or did she commit suicide?If she was murdered, who done it?If she committed suicide, why did she do it?What happened to the billionaire lover?What clues do we get in Hallmarked Man that would answer these questions?- Strike 8 - Greatest Hits of Strikes 1-7: compilation, concentration of perumbration in series as whole* Decima/Lion - incest* Rupert's biological father not his father of record (Dino)* Sacha Legard a liar with secrets* Ryan Murphy working a plan off-stage - Charlotte's long gameStrike about ‘Pairings' in Lethal WhiteStrike continued to pore over the list of names as though he might suddenly see something emerging out of his dense, spiky handwriting, the way unfocused eyes may spot the 3D image hidden in a series of brightly colored dots. All that occurred to him, however, was the fact that there was an unusual number of pairs connected to Chiswell's death: couples—Geraint and Della, Jimmy and Flick; pairs of full siblings—Izzy and Fizzy, Jimmy and Billy; the duo of blackmailing collaborators—Jimmy and Geraint; and the subsets of each blackmailer and his deputy—Flick and Aamir. There was even the quasi-parental pairing of Della and Aamir. This left two people who formed a pair in being isolated within the otherwise close-knit family: the widowed Kinvara and Raphael, the unsatisfactory, outsider son.Strike tapped his pen unconsciously against the notebook, thinking. Pairs. The whole business had begun with a pair of crimes: Chiswell's blackmail and Billy's allegation of infanticide. He had been trying to find the connection between them from the start, unable to believe that they could be entirely separate cases, even if on the face of it their only link was in the blood tie between the Knight brothers.Part Two, Chapter 52Key Relationship Pairings in Cormoran Strike:Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-RossScripted Ten Questions:1. So, Nick, back when we first read Hallmarked Man we said that there were four things we knew for sure would be said about Strike 8 in the future. Do you remember what they were?2. And, John, you've been thinking about the ‘Set-Up' idea and how future Rowling Readers will think of Hallmarked Man, even that they will think of it as the best Strike novel. I thought that was Troubled Blood by consensus. What's made you change your mind?3. So, Nick, yes, Troubled Blood I suspect will be ranked as the best of series, even best book written by Rowling ever, but, if looked at as the book that served the most critical place in setting up the finale, I think Hallmarked Man has to be considered better in that crucial way than Strike 5, better than any Strike novel. Can you think of another Strike mystery that reviews specific plot points and raises new aspects of characters and relationships the way Strike 8 does?4. Are you giving Hallmarked Man a specific function with respect to the last three books than any of the others? If so, John, what is that exactly and what evidence do we have that in Rowling's comments about reader-writer obligations and writer ambitions?5. Nick, I think Hallmarked Man sets us up to answer the Key mysteries that remain, that the first seven books left for the final three to answer. I'm going to organize those unresolved questions into three groups and challenge you to think of the ones I'm missing, especially if I'm missing a category.6. If I understand the intention of your listing these remaining questions, John, your saying that the restatement of specific plot points and characters from the first seven Strike novels in Hallmarked Man points to the possible, even probable answers to those questions. What specifically are the hallmarks in this respect of Hallmarked Man?7. If you take those four points, Nick, and revisit the mysteries lists in three categories, do you see how Rowling hits a fairness point with respect to clueing readers into what will no doubt be shocking answers to them if they're not looking for the set-ups?8. That's fun, Nick, but there's another way at reaching the same conclusions, namely, charting the key relationships of Strike and Ellacott to the key family, friends, and foes in their lives and how they run in pairs or parallel couplets (cue PPoint slides).9. Can we review incest and violence against or trafficking of young women in the Strike series? Are those the underpinning of the majority of the mysteries that remain in the books?10. Many Serious Strikers and Gonzo Galbraithians hated Striuke 8 because Hallmarked Man failed to meet expectations. In conclusion, do you think, Nick, that this argument that the most recent Strike-Ellacott adventure is the best because of how it sets us up for the wild finish to come will be persuasive -- or just annoying?On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtThe Neo-Iconoclasm of Film (and Other Screened Adaptations): Justin requested within his question for an expansion of my allusion to story adaptations into screened media as a “neo-iconoclasm.” I can do that here briefly in two parts. First, by urging you to read my review of the first Hunger Games movie adaptation, ‘Gamesmakers Hijack Story: Capitol Wins Again,' in which I discussed at post's end how ‘Watching Movies is a a Near Sure Means to Being Hijacked by Movie Makers.' In that, I explain via an excerpt from Jerry Mander's Four Arguments for the Elimination of Television, the soul corrosive effects of screened images.Second, here is a brief introduction to the substance of the book I am working on.Rowling is a woman of profound contradictions. On the one hand, like all of us she is the walking incarnation of her Freudian family romance per Paglia, the ideas and blindspots of the age in which we live, with the peculiar individual prejudices and preferences and politics of her upbringing, education, and life experiences, especially the experiences we can call crises and consequent core beliefs, aversions, and desires. Rowling acknowledges all this, and, due to her CBT exercises and one assumes further talking therapy, she is more conscious of the elephant she is riding and pretending to steer than most of her readers.She points to this both in asides she make in her tweets and public comments but also in her descriptive metaphor of how she writes. The ‘Lake' of that metaphor, the alocal place within her from her story ideas and inspiration spring, is her “muse,” the word for superconscious rather than subconscious ideas that she used in her 2007 de la Cruz interview. She consciously recognizes that, despite her deliberate reflection on her PTSD, daddy drama, and idiosyncratic likes and dislikes, she still has unresolved issues that her non-conscious mind presents to her as story conflict for imaginative resolution.Her Lake is her persona well, the depths of her individual identity and a mask she wears.The Shed, in contrast, is the metaphorical place where Rowling takes the “stuff” given her by the creature in her Lake, the blobs of molten glass inspiration, to work it into proper story. The tools in this Shed are unusual, to say the least, and are the great markers of what makes Rowling unique among contemporary writers and a departure from, close to a contradiction of the artist you would expect to be born of her life experiences, formative crises, and education.Out of a cauldron potion made from listening to the Smiths, Siouxie and the Banshees, and The Clash, reading and loving Val McDermid, Roddy Doyle, and Jessica Mitford, and surviving a lower middle class upbringing with an emotionally barren homelife and Comprehensive education on the England-Wales border, you'd expect a Voldemort figure at Goblet of Fire's climax to rise rather than a writer who weaves archetypally rich myths of the soul's journey to perfection in the spirit with alchemical coloring and sequences, ornate chiastic structures, and a bevy of symbols visible only to the eye of the Heart.To understand Rowling, as she all but says in her Lake and Shed metaphor, one has to know her life story and experiences to “get” from where her inspiration bubbles up and, as important, you need a strong grasp of the traditionalist worldview and place of literature in it to appreciate the power of the tools she uses, especially how she uses them in combination.The biggest part of that is understanding the Perennialist definition of “Sacred Art.” I touched on this in a post about Rowling's beloved Christmas story, ‘Dante, Sacred Art, and The Christmas Pig.'Rowling has been publicly modest about the aims of her work, allowing that it would be nice to think that readers will be more empathetic after reading her imaginative fiction. Dante was anything but modest or secretive in sharing his self-understanding in the letter he wrote to Cangrande about The Divine Comedy: “The purpose of the whole work is to remove those living in this life from the state of wretchedness and to lead them to the state of blessedness.” His aim, point blank, was to create a work of sacred art, a category of writing and experience that largely exists outside our understanding as profane postmoderns, but, given Rowling's esoteric artistry and clear debts to Dante, deserves serious consideration as what she is writing as well.Sacred art, in brief, is representational work — painting, statuary, liturgical vessels and instruments, and the folk art of theocentric cultures in which even cutlery and furniture are means to reflection and transcendence of the world — that employ revealed forms and symbols to bring the noetic faculty or heart into contact with the supra-sensible realities each depicts. It is not synonymous with religious art; most of the art today that has a religious subject is naturalist and sentimental rather than noetic and iconographic, which is to say, contemporary artists imitate the creation of God as perceived by human senses rather than the operation of God in creation or, worse, create abstractions of their own internally or infernally generated ideas.Story as sacred art, in black to white contrast, is edifying literature and drama in which the soul's journey to spiritual perfection is portrayed for the reader or the audience's participation within for transformation from wretchedness to blessedness, as Dante said. As with the plastic arts, these stories employ traditional symbols of the revealed traditions in conformity with their understanding of cosmology, soteriology, and spiritual anthropology. The myths and folklore of the world's various traditions, ancient Greek drama, the epic poetry of Greece, Rome, and Medieval Europe, the parables of Christ, the plays of Shakespeare's later period, and the English high fantasy tradition from Coleridge to the Inklings speak this same symbolic language and relay the psychomachia experience of the human victory over death.Dante is a sacred artist of this type. As difficult as it may be to understand Rowling as a writer akin to Dante, Shakespeare, Homer, Virgil, Aeschylus, Spenser, Lewis, and Tolkien, her deployment of traditional symbolism and the success she enjoys almost uniquely in engaging and edifying readers of all ages, beliefs, and circumstances suggests this is the best way of understanding her work. Christmas Pig is the most obviously sacred art piece that Rowling has created to date. It is the marriage of Dantean depths and the Estecean lightness of Lewis Carroll's Alice books, about which more later.[For an introduction to reading poems, plays, and stories as sacred art, that is, allegorical depictions of the soul's journey to spiritual perfection that are rich in traditional symbolism, Ray Livingston's The Traditional Theory of Literature is the only book length text in print. Kenneth Oldmeadow's ‘Symbolism and Sacred Art' in his Traditionalism: Religion in the light of the Perennial Philosophy(102-113), ‘Traditional Art' in The Essential Seyyed Hossein Nasr(203-214), and ‘The Christian and Oriental, or True Philosophy of Art' in The Essential Ananda K. Coomaraswamy(123-152) explain in depth the distinctions between sacred and religious, natural, and humanist art. Martin Lings' The Sacred Art of Shakespeare: To Take Upon Us the Mystery of Things and Jennifer Doane Upton's two books on The Divine Comedy, Dark Way to Paradise and The Ordeal of Mercy are the best examples I know of reading specific works of literature as sacred art rather than as ‘stories with symbolic meaning' read through a profane and analytic lens.]‘Profane Art' from this view is “art for art's sake,” an expression of individual genius and subjective meaning that is more or less powerful. The Perennialist concern with art is less about gauging an artist's success in expressing his or her perception or its audience's response than with its conformity to traditional rules and its utility, both in the sense of practical everyday use and in being a means by which to be more human. Insofar as a work of art is good with respect to this conformity and edifying utility, it is “sacred art;” so much as it fails, it is “profane.” The best of modern art, even that with religious subject matter or superficially beautiful and in that respect edifying, is from this view necessarily profane.Sacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”The original iconoclasts or “icon bashers” were believers who treasured sacred art but did not believe it could use images of what is divine without necessarily being blasphemous; after the incarnation of God as Man, this was no longer true, but traditional Christian iconography is anything but naturalistic. It could not be without becoming subjective and profane rather than being a means to spiritual growth and encounters. Western religious art from the Renaissance and Reformation forward, however, embraces profane imitation of the sense perceived world, which is to say naturalistic and as such the antithesis of sacred art. Film making, on religious and non-religious subjects, is the apogee of this profane art which is a denial of any and all of the parameters of Sacred art per Aquinas, traditional civilizations, and the Perennialists.It is a neo-iconoclasm and a much more pervasive and successful destruction of the traditional world-view, so much so that to even point out the profanity inherent to film making is to insure dismissal as some kind of “fundamentalist,” “Puritan,” or “religious fanatic.”Screened images, then, are a type of iconoclasm, albeit the inverse and much more subtle kind than the relatively traditional and theocentric denial of sacred images (the iconoclasm still prevalent in certain Reform Church cults, Judaism, and Islam). This neo-iconoclasm of moving pictures depicts everything in realistic, life-like images, everything, that is, except the sacred which cannot be depicted as we see and experience things. This exclusion of the sacred turns upside down the anti-naturalistic depictions of sacred persons and events in iconography and sacred art. The effect of this flood of natural pictures akin to what we see with our eyes is to compel the flooded mind to accept time and space created nature as the ‘most real,' even ‘the only real.' The sacred, by never being depicted in conformity with accepted supernatural forms, is effectively denied.Few of us spend much time in live drama theaters today. Everyone watches screened images on cineplex screens, home computers, and smart phones. And we are all, consequently, iconoclasts and de facto agnostics, I'm afraid, to greater and lesser degrees because of this immersion and repetitive learning from the predominant art of our secular culture and its implicit atheism.Contrast that with the imaginative experience of a novel that is not pornographic or primarily a vehicle of perversion and violence. We are obliged to generate images of the story in the transpersonal faculty within each of us called the imagination, one I think that is very much akin to conscience or the biblical ‘heart.' This is in essence an edifying exercise, unlike viewing photographic images on screens. That the novel appears at the dawn of the Modern Age and the beginning of the end of Western corporate spirituality, I think is no accident but a providential advent. Moving pictures, the de facto regime artistry of the materialist civilization in which we live, are the counter-blow to the novel's spiritual oxygen.That's the best I can manage tonight to offer something to Justin in response to more about the “neo-iconoclasm” of film This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Over the last twenty-five years, Ireland has changed. Our voices got louder. Our culture reached further, and some extraordinary people helped shape it all. From trailblazers in the arts and social change, to leaders in sport, music and on the big screen, we're counting down the most influential Irish people of the last 25 years. You, the listener, have been voting for who you think are the most influential people that moved us and inspired us as part of Newstalk's 25 of 25. And you have picked your winner for best author!Joining Ciara to discuss the results is (spoilers!) acclaimed author Roddy Doyle.

Roy Keane announced a new gig this week, a conversation with Roddy Doyle at the 3Arena, if you don't mind! On this morning's Gift Grub, he joined Ian and decided to give away a few tickets to the show. However, Ann and Con made things a little difficult. Hit play now to hear the episode in full.

Samira Ahmed presents live from Old Billingsgate in London, where the announcement of the winner of the 2025 Booker Prize is taking place.The novels on the shortlist: Flesh by David Szalay, The Land in Winter by Andrew Miller, The Rest of Our Lives by Ben Markovits, Audition by Katie Kitamura, The Loneliness of Sonia and Sunny by Kiran Desai, and Flashlight by Susan Choi.As well as speaking to the winner, Samira talks to some of the judges including actor Sarah Jessica Parker and Chair of judges novelist Roddy Doyle. Plus Penelope Lively, the only writer to have won both the Booker Prize and the Carnegie Medal for children's books, talks about the transformative power of literature for children. Presenter: Samira Ahmed Producer: Claire Bartleet

On the 24th October 1975, 90% of the women in Iceland went on strike. For the entire day, women refused to participate in waged work, domestic labour or childcare. Instead they took to the streets to protest, demanding fair employment, equal wages and the recognition of work done inside the home. To reflect on the impact of that historic day, the 50 years of progress since and the work still left to do, Róisín Ingle is joined by Hrafnhildur Gunnarsdóttir, producer of the documentary film, The Day Iceland Stood Still. Later on, anti-domestic violence campaigner Patricia McLean joins Ingle to talk about her organisation Finding Our Voices, which is hosting a series of online talks with Irish authors about their books involving domestic abuse. It's free and open to all, starting with Irish author Roddy Doyle on November 18th 2025. You can find more information on the talks here: https://findingourvoices.net/book-clubBut first, Irish Times opinion editor Jennifer O'Connell is here to discuss some of the biggest stories of the week including the record number of women giving birth past the age of 45 and the dismal reviews coming in for Kim Kardashian's new legal drama ‘Alls Fair'. Hosted on Acast. See acast.com/privacy for more information.

Peaky Blinders' screenwriter Stephen Knight on his new TV series, House of Guinness.Indhu Rubasingham talks about her vision as the new Artistic Director for the National Theatre and her first production there - BacchaeArt critic Waldemar Januszczak has been to see the Turner Prize Exhibition for us, which this year is in Bradford. We find out what he makes of it. Former Booker winner Roddy Doyle on the 6 books shortlisted for this year's Booker Prize. Presenter: Samira Ahmed

I chat to Alison Barrow from Penguin about books coming up. I interview Kate Kemp about The Grapevine I review 3 books:Watching You by Helen FieldsWest by Carys Davies & The Giggler Treatment by Roddy Doyle.You can order The Grapevine by Kate Kemp here:https://uk.bookshop.org/a/16356/9781399618977You can order the books reviewed here:Watching You by Helen Fields https://uk.bookshop.org/a/16356/9780008533571West by Carys Davies https://uk.bookshop.org/a/16356/9781783784233The Giggler Treatment by Roddy Doyle: https://uk.bookshop.org/a/16356/9781407139722You can contact Philippa at: Email quickbookreviews@outlook.comInstagram: https://www.instagram.com/quick_book_reviewsThreads: @quick_book_reviewsTikTok: https://www.tiktok.com/@quickbookreviewsX: https://x.com/quickbookrevie3Bluesky: https://bsky.app/profile/quickbookreviews.bsky.social Hosted on Acast. See acast.com/privacy for more information.

Eigentlich könnte in Paulas Leben Ruhe einkehren, aber ihre Vergangenheit lässt sie nicht los. Die Erinnerungen an Alkohol, ihren prügelnden Ex-Mann. Von außen betrachtet liegt alles hinter ihr, doch als ihre älteste Tochter vor der Tür steht, weil sie ihre Familie verlassen will, kommt alles wieder auf den Tisch. Roddy Doyle erzählt in Gedankenschleifen und Zeitsprüngen, was Marion Elskis überzeugend umsetzt, sehr nah an Paula und ihren Gefühlen.

Back home at HQ, we stretch our legs and dive into something huge hiding in plain sight: Ireland is now the most educated country in the world. But what does that really mean? From the Inhaler gig in St. Anne's Park to the brilliance of Roddy Doyle and camogie skirts, this episode celebrates the often-overlooked power of the suburbs, not just as a creative hotbed, but as the epicentre of Ireland's education revolution. We trace how the children of small farmers became the middle class, why suburban snobbery is intellectually bankrupt, and how “kitchen table capital” helps some students stay the course. With fascinating data on dropout rates, international comparisons, and that ever-looming brain drain, this is a fresh and hopeful take on the biggest shift in Irish society since free education was introduced in 1967. Plus: why middle-class people think in years and working-class people are forced to think in minutes, and what it means for building a better Ireland. Join the gang! https://plus.acast.com/s/the-david-mcwilliams-podcast. Hosted on Acast. See acast.com/privacy for more information.

Rak, Alexandra www.deutschlandfunkkultur.de, Lesart

Rak, Alexandra www.deutschlandfunkkultur.de, Lesart

Rak, Alexandra www.deutschlandfunkkultur.de, Lesart

This week's writer introduced the world to the hardest-working music geek in all of Ireland, the great Jimmy Rabbitte. While Jimmy may think he's shite, possibly overproduced, and less musical than And And! fecking And, we are all fans of novelist Roddy Doyle, the third member of the Fake Band Hall of Fame's latest class of inductees!

PJ talks to Peter Aiken about bagging Roy Keane and Roddy Doyle as part of the Live At The Marquee 2025 Tickets see here Hosted on Acast. See acast.com/privacy for more information.

Whether it's Sally Rooney, Joseph O'Connor, Colin Tobin or Roddy Doyle, Ireland is currently blessed with a crop of wonderful writers. In fact the Irish publishing industry is also in rude health. But how do they pick winners and how do dreamt-up words end up on bookshelves especially now as the sector faces its busiest period of the year? Deirdre Nolan runs Irish division of the Swedish owned Bonnier Books which aims to publish 16 books next year.

Roddy Doyle is the great chronicler of Dublin in our time. On the latest Free State special, he talks to Dion about working with Roy Keane, the housing crisis and an encounter in a toilet with Liam Gallagher. Doyle's new book The Women Behind the Door has been nominated for an A Post Irish Book Award. Doyle talks about his long journey with the main character Paula Spencer from the seminal series Family to today. He remembers the abuse he and his mother received at the time. He also explains why death threats aren't what they used to be.Free State with Joe Brolly and Dion Fanning is a Gold Hat Production in association with SwanMcG Productions.For more on Free State: https://freestatepodcast.com/ Hosted on Acast. See acast.com/privacy for more information.

Roddy Doyle

The famous Irish author and dramatist Roddy Doyle joined us on Weekend Breakfast to tell all on his return to Paula Spencer with his new book, The Women Behind The Door – and he tells us what at moment during COVID he decided to write the book.

Gemma Hayes, from Tipperary and now living in West Cork, released her sixth studio album Blind Faith on September 27. It's her first album in 10 years - Gemma says she has reasons for the break: she simply lost the urge to write and was busy raising two children. We talk about all that - how she literally locked away her guitars and subsequently lost confidence in her ability to make music - in this interview. Produced by Hayes with Karl Odlum, David Odlum and Brian Casey from Wavefield Recording Studio in Clonakilty, Blind Faith features Lisa Hannigan on backing vocals on ‘Eye For An Eye' and ‘Feed The Flames', which she also co-wrote, while Paul Noonan duets with Gemma on ‘Another Love'. --- From the press release: The youngest of eight children raised in the small village of Ballyporeen, Co Tipperary, Gemma Hayes' introduced herself to the world with her 2002 debut Night On My Side. With its deft production, ambitious arrangements and Hayes' dreamy, rock-leaning vocal delivery, the album was a critical and commercial success and was nominated for the Mercury Prize (now known as the Choice Music Prize). Since then, she has released four critically acclaimed studio albums and a limited-edition live album, while her music is constantly in demand for film and TV placements. Her version of Chris Isaak's 'Wicked Game', recorded for the US TV series Pretty Little Liars, now has over 24 million streams on Spotify alone, while she recently contributed to the soundtrack of the film adaptation of Roddy Doyle's Greyhound of a Girl. Buy Blind Faith: http://gemmahayes.com/

‘Professor Risk' David Spiegelhalter delves into the data and statistics to explore the forces of chance, ignorance and luck in The Art of Uncertainty. Whereas life is uncertain, he shows how far the circumstances of how, when and where you were born have an overriding influence on your future. But he warns against confusing the improbable with the impossible. The novelist Roddy Doyle returns to the fortunes of one of his iconic characters, Paula Spencer, in his new book, The Woman Behind The Door. Mother, grandmother, widow, addict and survivor Paula Spencer is finally laying the ghosts of the past to rest, but how much is passed on to the next generation?The historian Eliza Filby is interested in inheritance of a different kind – money and housing. In Inheritocracy: It's Time to Talk About the Bank of Mum and Dad, she explores the nature of privilege through her own family's experience. Filby's grandfather had the lucky fortune of winning a house in a card game and the family went on to become ‘working class accidental millionaires' who could pass on their fortune to later generations.Producer: Katy Hickman

Catch up with Oliver on the weekend. Richard Osman on his latest murder mystery book 'We Solve Murders', Christine Campbell on her ovarian cancer diagnosis and raising awareness for the disease, a wide ranging interview with Roddy Doyle and chats with Davy Fitzgerald at the Ploughing Championships.

In a wide ranging interview Roddy Doyle tells Oliver about the strong reaction he received to "The Family" series in the 90s, and how he decided to bring his beloved character, Paula, back in his new book The Women Behind the Door.

Colm Meaney makes a vivid impression whenever he appears on stage, screen, or television. (His latest, Duchess, debuts on digital today, August 9.) More people probably know him from the two Star Trek series in which he appeared—The Next Generation and Deep Space Nine—but we remember him best as the father in The Commitments and its follow-ups The Van and The Snapper. Leonard and Jessie were pleased to find that he shares our fondness for that trilogy from Irish writer Roddy Doyle as well. But there's little he hasn't done, from John Huston's final film The Dead to Con Air  and an episode of The Simpsons where he played (what else?) a quintessential Irish bartender. He spoke to us from his getaway home in Majorca, Spain!

I speak with author Liz Riggs about the impending publication of her debut novel, Lo Fi out on Riverhead Books June 9. Liz's publisher was kind enough to send me an advance copy, and from paragraph one I recognized the reverb-drenched setting —  a world of live bands, late nights, broken AC, unravelling yard parties, and half-remembered conversations over hand-rolled joints — as my own. I was a devoted participant of the world of Lo Fi, namely the post-flood Nashville of the 2010s. I went to the clubs, I closed down the dive bars. Some remain (The Basement, The Blue Room, The 5 spot) many do not (RIP Mercy Lounge, 12th and Porter, ) but Lo-Fi's whiskey-soaked setting was for me an irresistible reminiscence of a Nashville that no longer exists.Because the protagonist was so well-drawn, I assumed Liz herself worked at a club in town. She didn't, it turns out. We talk about what she did do, and how her fangirl inclinations (she admits to a teenage fascination with a well know 90s boyband) were easily transferred to her enthusiastic main character. I'm always fascinated to hear an author describe her path to publication — everyone's is different, and in listening to the particulars of one I find inspiration for my own way forward. We talk about Liz's journey, including the nail-biting weeks, days and hours where she awaited her prospective publisher's final word as to Lo-Fi's fate. I've read of writers (mostly dead ones honestly) who scrawled out their first drafts in longhand. But I've never met a contemporary who does it. Liz talked about her preference for the pen, and the freedom that results from a page one decision to unplug.We discuss her decision to set the story in a time that predates the social-media everything culture of today, and how that absence made it easier to tell a story about criss-crossed communication and the innocence of fledgling love. We compared notes and found some shared ground in our attraction to artists who write their own material, as opposed to those who sing the songs other people make for them. Finally we talk about what's great about living in a town with enough neon appeal to be called “It City” by the New York Times, and what's maybe not so great about that. If you like books like Nick Hornby's High-Fidelity, or Roddy Doyle's The Commitments, you'll find alot to like about Lo-Fi too. Here's a link to pre-order the book, and if you live in Nashville Liz is celebrating with a release show June 9 at the OG Basement with performances by Chris Housman and Vinnie Paolizzi.Find Liz:Instagram https://www.instagram.com/riggser/Website https://www.lizriggs.com/The Morse Code is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to The Morse Code at korby.substack.com/subscribe

Roddy Doyle reads his story “The Buggy,” from the June 24, 2024, issue of the magazine. Doyle is the author of sixteen books of fiction, including the Booker Prize-winning novel “Paddy Clarke Ha Ha Ha,” and the story collection “Life Without Children.” A new novel, “The Women Behind the Door,” will be published in September.

'Review everything we do'Electronic, Richard Rorty, Ludovico Einaudi, Rob Auton, Eliza Doolittle, Rufus Hound, Vince.Guaraldi, The Gravity Drive, Fryars, The Teen Teens, Roddy Doyle, Robert Franks, The Secret Sisters, Mathilde Santing, Saint Etienne, Rita Dove, Philip Glass, Daniel Dennett, Debbie Reynolds, Malcolm McLaren, The Boswell Sisters, Lucinda Williams, Gregory Isaacs, David Byrne, Sheldon Allman, Sarah Jones.

Roddy Doyle - You spin me round - A Matter of Time

'One day at a time'Ken Loach, Lady Wray, Roddy Doyle, Matthew Herbert, David Byrne & Fatboy Slim, Barrington Levy, Champion Doug Veitch, Robert Wyatt, Brian Eno, Prefab Sprout, Nina Simone, The Kane Gang, Lord Huron, Mathilde Santing

'Take spoil, make style'Duke Ellington feat. Ivie Anderson, Jerry Seinfeld, Arturo Stalteri, Ike Ufomadu, David Byrne, Eugene Mirman, Moondog, Mitch Alborn, Everything But The Girl, David Bowie, Martin Parr, Roddy Doyle, Labi Siffre, Tom Waits, Matt Taibi, Maggie & Terre Roche, John Green, Yoko Kanno, Roddy Frame, Malcom Gladwell, Dinah Lee

In today's episode, we delve into the world of Irish literature and explore the works of some of the best Irish authors you must read. From the celebrated CS Lewis, who straddled the line between British and Irish, to the incomparable James Joyce and his masterpiece "Ulysses," we'll take you through a journey of influential writers who have shaped modern literature. Join us as we uncover the rich literary heritage of Ireland and provide insights into these renowned authors. So, whether you're searching for your next book club read or simply looking to expand your literary horizons, this episode is for you. Stay tuned as we explore the works of Oscar Wilde, Maeve Binchy, Bram Stoker, Roddy Doyle, John Banville, Brendan Behan, and Samuel Beckett. Let's dive into the fascinating world of Irish literature.Support the showIf you enjoyed the show please leave a review on Apple. And if you have any questions you can find me on Twitter @BryanJCollinsThanks for listening!

This is an "outtake" from the Sinead, Chriusty and Shane podcast I posted earlier. I agree with Christy. 

Sara Cox, host of BBC Two's TV book club, Between the Covers, joins Jo and James to discuss our December Book of the Month: Any Human Heart by William Boyd. Told through the journals of Logan Mountstuart, it's an engrossing – and often funny – novel that takes in many of the defining events of the 20th century and the people who shaped them. The Booker Prize 2002-longlisted book was recently discussed on Between the Covers, so tune in to our podcast as Sara, James and Jo talk about William Boyd's beloved novel, as well as Sara's own reading habits and inspirations. In this episode Jo, James and Sara talk about: The idea behind television book club Between the Covers The variety of books guests have been bringing to this series of Between the Covers The novels that got Sara into reading at a young age Sara's favourite Booker Prize books How Sara balances reading and her own writing – and whether what she's reading influences her work What the book clubbers on Between the Covers thought of Any Human Heart A brief summary of Any Human Heart and a discussion about its plot Who they'd recommend the book to Reading List: Any Human Heart by William Boyd: https://thebookerprizes.com/the-booker-library/books/any-human-heart Life of Pi by Yann Martel: https://thebookerprizes.com/the-booker-library/books/life-of-pi The Way We Live Now by Anthony Trollope War and Peace by Leo Tolstoy Pessimism is for Lightweights by Salena Godden Alice in Wonderland by Lewis Carroll Are You There God? It's Me, Margaret. by Judy Blume Catherine Cookson novels Jilly Cooper novels Paddy Clarke Ha Ha Ha by Roddy Doyle: https://thebookerprizes.com/the-booker-library/books/paddy-clarke-ha-ha-ha John Boyne novels Margaret O'Farrell novels Redhead by the Side of the Road by Anne Tyler: https://thebookerprizes.com/the-booker-library/books/redhead-by-the-side-of-the-road A Spool of Blue Thread by Anne Tyler: https://thebookerprizes.com/the-booker-library/books/a-spool-of-blue-thread A full transcript of the episode is available at our website. Follow The Booker Prize Podcast so you never miss an episode. Visit http://thebookerprizes.com/podcast to find out more about us, and follow us on Twitter, Instagram, Facebook and Tiktok @thebookerprizes. Learn more about your ad choices. Visit megaphone.fm/adchoices

'The very least you can do'David Greenberger, Hikaru Hayashi, David Byrne, Axel Krygier, Prefab Sprout, Roddy Doyle, Stevie Wonder, Young Marble Giants, DJ Yoda (Double Dee & Steinski Remix), David Bowie, Zadie Smith, Kid Loco, Adam Bloom, Perez Prado, Maggie & Terre Roche

Roddy Doyle chats about his contemporary Dublin take on Peter Pan, which is coming to the Gate Theatre in November Full details: www.gatetheatre.ie

The announcement of the winners of the BBC National Short Story Award and the BBC Young Writers' Award with Cambridge University, live from the Radio Theatre at Broadcasting House in London. Joining presenter Tom Sutcliffe to celebrate and interrogate the short story form are the broadcaster and NSSA chair of judges Reeta Chakrabarti, alongside fellow judges and writers Jessie Burton, Roddy Doyle and Okechukwu Nzelu. The shortlisted stories and authors in alphabetical order are: 'The Storm' by Nick Mulgrew, 'It's Me' by K Patrick, 'Guests' by Cherise Saywell, 'Churail' by Kamila Shamsie and 'Comorbidities' by Naomi Wood. The BBC Young Writers Award, for writers aged between 14 and 18, will be announced by the BBC Radio One presenter Katie Thistleton, who'll be joined on stage by fellow judge, the psychotherapist, writer and rugby player Alexis Caught. The shortlisted stories and authors in alphabetical order are: ‘Fridays' by Evie Alam, 16, from South Shields, ‘Jessie's God' by Elissa Jones, 16, from Merseyside, ‘Creation' by Daisy Kaye, 16, from Nottingham, ‘Skipper' by Iona McNeish, 17, from Glasgow and ‘The Wordsmith' by Atlas Weyland Eden, 18, from Devon. All of the stories are available to listen to on BBC Sounds. Presenter: Tom Sutcliffe Producer: Nicki Paxman

Iconic Irish author Roddy Doyle joins The Michael Anthony Show for Episode 163, with a variety of topics discussed throughout. Tune in. Rate/Review.Support the show

Author and writer, Caroline Grace Cassidy takes us through the three books that have inspired her. She told us about The Accidental Tourist Novel by Anne Tyler, The Van by Roddy Doyle and The Country Girls - by Edna O'Brien.

Harry Havelin, Freddie Snowe & Roddy Doyle joined Oliver to discuss their new book 'Strange Types & Odd Sorts: A Peek Into the World of Printing in Ireland' published by Fighting Worlds and National Print Museum.

Sincere thanks to the Dalkey Book Festival for the invitation to interview Roddy Doyle. This was a chance to talk about things as diverse as Maeve Brennan, the impact of the 1974 Dublin bombings, Myles na gCopaleen and more. A language warning on this one.

Howyeh, ya gobshites.  It's our 100th episode and to celebrate we've been drinking again.  We've also brought in a super guest: the fab Julia Raeside has selected THE COMMITMENTS.END CREDITS - Presented by Robert Johnson and Chris Webb - Produced by Chris Webb - "Still Any Good?" logo designed by Graham Wood & Robert Johnson - Crap poster mock-ups by Chris Webb - Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission  (c) 2023 Tiger Feet Productions  Find us: Twitter @stillanygoodpod Instagram stillanygoodpod Email stillanygood@gmail.comFind Julia:Twitter @JNRaesideSupport the show

Chris Power talks to Aleksandar Hemon about his new novel The World and All That It Holds

0:00 - Intro & Summary2:00 - Movie Discussion43:22 - Cast & Crew/Awards55:00 - Pop Culture1:07:06 -  Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

Multi-award winning authors Sinéad Gleeson and Roddy Doyle are friends, huge football fans and for one day only, Greatest Non-Sportsperson Sportsperson opponents.

On today's show we have a real treat Olympic gold medalist Kellie Harrington and Booker Prize winning author Roddy Doyle are in studio. The pair have came together to write Kellie's memoir and Conor Pope is back with pricewatch.

Boxer and Olympic Gold medalist Kellie Harrington and author Roddy Doyle discuss collaborating on “Kellie”, which tells the story of the boxer's journey from inner city kid to winning gold in Tokyo. Catch the full chat by pressing the 'Play' button on this page.

1991's The Commitments, directed by Alan Parker and based on the book by Roddy Doyle, tells the story of Jimmy Rabbitte, a young music fanatic who assembles a group of working-class youths to form a soul band named, in case the title of the film didn't tip you off, The Commitments! We see the band come together and then fall apart and also someone skateboards at one point. Kevin and Mike are joined by Kevin Eldridge from The Flopcast to discuss the movie, the music, the soundtrack album, the tour, soul music, and the strange confluence of this film, skateboarding, and the first two U2 albums. Sure, we could have discussed a more popular film and gone on to wild podcast success but this way... it's poetry.

Photo credit: Anthony Woods

Roddy Doyle is a cultural beacon of Ireland and an absolute joy to listen to. In this episode the renowned novelist speaks to Annie about art, identity, growing older and a changing Ireland. Roddy won the Booker Prize in 1993 for his seminal novel Paddy Clarke Ha Ha Ha, and is the author of eleven acclaimed novels including The Commitments, The Snapper,The Van and Smile. Roddy grew up in Dublin in the 60s and talks in this episode about his really uncomfortable experience of attending a Christian Brothers School in Ireland and how that shaped him, how he started out as a writer, bad reviews, his use of the Dublin dialect, and how becoming a Father didn't just change when he wrote but how he wrote. Content warning: references to sexual abuse of children and corporal punishment. You can find more about Roddy's work and buy his books here:http://www.roddydoyle.ie/index.htmlBIG NEWS! Changes is going Live tomorrow on 24th May at the Podcast Show in London with drag queen Ella Vaday! Find out more and buy your tickets here:https://www.thepodcastshowlondon.com/homehttps://thepodcastshowlondon.seetickets.com/event/changes-with-annie-macmanus/business-design-centre/2338017Changes is now a deaf friendly podcast and you can access transcripts here, spread the word! https://www.anniemacmanus.com/changes See acast.com/privacy for privacy and opt-out information.

Charlie talks with Booker Prize winner Roddy Doyle about his new book of short stories Life Without Children. They talk about Irish storytelling, Dublin, the pandemic, the craft of short story writing, the difference between incident and story, and much more.