Podcasts about Upright Citizens Brigade

This week on the Primo episode, Jesse and Katie discuss an attempted racial reckoning at the Upright Citizens Brigade's Juneteenth show. Plus, a betrayal in the lesbian community, and shipping fake gays. Gov. Youngkin calls out Fairfax County's Steve Descano for not prosecuting VA sex offenderWho is JoJo Siwa and why is she so controversial? The ‘Karma'… To hear more, visit www.blockedandreported.org

Making a Difference Through Media Synopsis: On this compelling episode of Conversations that Make a Difference, host Teresa Velardi welcomes three dynamic women who are harnessing the power of media to inspire social change: Andi Buerger, Cassandra Tindal, and Danielle Bisutti. Andi Buerger unveils the moving stories and powerful advocacy within her forthcoming book, "Voices Against Trafficking," highlighting the urgent fight against human trafficking and how storytelling can drive awareness and action. Cassandra Tindal, founder and editor of Womenz Straight Talk Magazine, discusses her mission to uplift women's voices, address real-world issues, and foster meaningful dialogue through her influential publication. Actress and singer Danielle Bisutti shares her passion for using the arts to make an impact—donating a heartfelt song to the Voices Against Trafficking album and using her creative platforms to amplify important causes. Together, these changemakers explore how diverse media—books, magazines, and music—serve as transformative tools for advocacy, education, and hope. Their candid conversation, guided by Teresa Velardi, inspires viewers to use their own unique voices and creative outlets to make a difference in their communities and beyond. Guests: Andi Buerger, Cassandra Tindal and Danielle Bisutti Bio: Andi Buerger, JD is an international speaker, author, and advocate for victims of human trafficking & exploitation.  Andi herself was a victim of child sex trafficking and unspeakable abuses by family members for 17 years. She founded Beulah's Place, which provided temporary shelter services to at-risk, unsheltered teens for 14 years.  300+ youth were successfully rescued and assisted, earning national recognition. Andi later founded Voices Against Trafficking(VAT) to speak for those who cannot speak for themselves — the voiceless victims of human trafficking and exploitation. VAT advocates for the protection of every human's rights regardless of race, gender, culture, or socio-economic status.  Voices Against Trafficking-The Strength of Many Voices Speaking As One, gives a portion of proceeds from each sale to survivors of child abuse and trafficking, as does Andi's first book,  A Fragile Thread of Hope - One Survivor's Quest to Rescue. Andi launched Voices Of Courage magazine in 2023.  It is distributed internationally and accepted into the U.S. Library of Congress. It honors everyday heroes who selflessly fight to protect human rights. These champions come from all walks of life to change communities and the world for the better. A television series by the same title debuts in 2025. Website: www.voicesagainsttrafficking.com Bio: Cassandra Tindal is the Founder, Visionary, and CEO of IMAG Media Inc., and the creator of Womenz Straight Talk®. Driven by an unshakable belief in the power of women's voices and the need for meaningful discourse, Cassandra Tindal didn't just build a media company—she ignited a movement. As the founder of IMAG Media Inc. and the force behind Womenz Straight Talk, Cassandra's vision was clear: to create a multimedia platform where women and marginalized communities could speak boldly, be heard globally, and drive real-world impact on the issues that matter most. Cassandra's passion for storytelling isn't about headlines—it's about humanity. She built Womenz Straight Talk as a hybrid of award-winning journalism, documentary filmmaking, and advocacy. Her mission? To challenge narratives, elevate underrepresented perspectives, and spark conversations that lead to action—whether in business, politics, culture, or social justice. At the heart of every culture, in every corner of the world, lies a shared human truth: we are wired for stories. From ancient oral traditions to today's digital narratives, storytelling is the bridge that connects us—transcending language, politics, and geography. Cassandra Tindal and Womenz Straight Talk harness this power, using media and entertainment not just to inform, but to unite, provoke, and inspire action on the issues that define our time. Website: https://womenzstraighttalk.net Bio: Danielle Bisutti is an Emmy Award-winning and BAFTA-nominated actress, writer, producer, director, and singer-songwriter with an illustrious 25-year career in the Entertainment Industry. Born and raised in Los Angeles, Danielle is renowned for her dynamic versatility across film, television, video games, and music. Danielle received a BAFTA nomination for her captivating performance as the Norse Goddess “Freya” in Sony PlayStation's critically acclaimed and top-grossing video game, God of War. She is also celebrated for her LA-area Emmy Award win, recognizing her outstanding hosting work in Street Music Los Angeles (2002). Her notable film and television credits include unforgettable roles such as The Mother of Death in Sony Pictures' cult horror hit Insidious: Chapter 2, Barb in Universal's Curse of Chucky, the enigmatic Ms. Grey in Lifetime's Nanny Killer, Professor Linda in NBC's Parks & Recreation, Dana Gallagher in Shonda Rhimes' For the People, and as the powerful witch Hexela, a series regular in Paramount's Dwight in Shining Armor. Danielle's diverse portfolio also features guest spots and recurring roles in Matador (Robert Rodriguez's El Rey Network), Last Man Standing, CSI: Miami, Without a Trace, Raising the Bar, and The O.C. Danielle graduated Magna Cum Laude from California State University, Fullerton, earning her Bachelor of Arts with a double emphasis in Acting and Musical Theatre. During her collegiate years, she garnered multiple Irene Ryan Best Actress Award nominations and was the national runner-up at The Lincoln Center Theatre in NYC. Further honing her artistic craft, Danielle studied producing, directing, and screenwriting at The Hollywood Film Institute with Dov Simens, along with advanced coursework at ScreenwritingU and The Writer's Store's Screenwriter University. Her acting education continued with renowned mentors including Eric Kline at Film Actor's Workshop, Larry Moss, Lesly Kahn, Shari Shaw Studios, and the Upright Citizens Brigade for improv. With her passion for storytelling and her dedication to the arts, Danielle Bisutti continues to be a transformative force in every medium she explores. Website: https://perfecttimingproductions.com/   Video Version: https://www.youtube.com/live/p5Vm8vnGxNA?si=HCY1cna18UI_Vioq Chat with Teresa during Live Show with Video Stream: write a question on YouTube Learn more about Teresa here: https://www.webebookspublishing.com    http://authenticendeavorspublishing.com/

BOSSes Anne Ganguzza and Jennifer Sims, a voice actor, coach, and self-proclaimed "100% certified smarty pants," connect to explore the intricate layers of the voiceover industry. Listen in as we unpack Jennifer's unique journey, shaped by diverse experiences in acting, producing, and voiceover, offering a candid look into the crucial insights needed to navigate challenges and build a truly thriving business in today's landscape. Listeners will discover the essential role of professionalism and adaptability in connecting with clients, gain understanding of the industry's evolving demands, and appreciate the power of a well-rounded skill set.    00:01 - Anne (Host) Hey, guys, it's Anne from VO BOSS here. 00:04 - Speaker 2 (Announcement) And it's George the Tech. We're excited to tell you about the VO BOSS VIP membership, now with even more benefits. 00:10 - Anne (Host) So, not only do you get access to exclusive workshops and industry insights, but with our VIP Plus Tech tier, you'll enjoy specialized tech support from none other than George himself. 00:21 - Speaker 2 (Announcement) You got it. I'll help you tackle all those tricky tech issues so you can focus on what you do best: voice acting. It's tech support tailored for voiceover professionals like you. 00:32 - Anne (Host) Join us, guys, at VO BOSS and let's make your voiceover career soar. Visit voboss.com/vip-membership to sign up today. 00:45 - Speaker 3 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO BOSS. Now let's welcome your host, Anne Ganguzza. Hey everyone, welcome to the VO Boss Podcast. 01:04 - Anne (Host) I'm your host, Anne Ganguzza. Hey everyone, welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I have the pleasure and honor of being with a very special guest, Jennifer Sims. Jennifer, yay! Hi, hi. 01:17 For those bosses who do not know Jennifer, she is a voice actor coach and 100% certified smarty pants. I'm so jealous, so jealous of that branding. She's known for her authentic, conversational, confident, and playful delivery and has a unique perspective from both sides of the glass, and works for clients such as Hyundai, Wells Fargo, CVS, Vons—the list goes on and on and on. She honed her quirky sense of humor studying comedy and improv, which is always so important, I think, for us as voice actors, at the Upright Citizens Brigade and The Groundlings, and that helped her to land on-camera commercials for Uber, Snapchat, and WebMD. She began her acting career out of high school and basically was on her own for a short period of time in LA as a very young girl, which is great, and also as a producer, has had the pleasure of collaborating on hundreds of radio, television, and promo spots and has worked with some amazing talent along the way. And what haven't you done, Jennifer Sims? 02:18 - Jennifer (Host) I'm telling you, so much, so much. Thank you, Anne. That was lovely. Not as much as I'd like, and hopefully more. Yeah, thank you. It's great to be here. Thanks for having me. 02:28 - Anne (Host) Yeah, absolutely. Well, I met you—well, I met you not like physically, but I met you through our VIP room and I was so, so impressed with your background and your wisdom and everything. So I wanted to make sure that I had an opportunity to have you on the show and so our bosses could also get to know you. So let's talk a little bit about your varied career, because I think it's super important in terms of why you're so successful now and how you started off with acting and then as a producer. Talk about that for a little bit and tell us how it's helped you become successful in your voiceover career. 03:06 - Jennifer (Host) Yeah, that's been very, like, it informs most of my career, certainly in the beginning, because when I decided to leave my director of broadcast job, I was working for an ad agency here in Los Angeles as the director of broadcast and I was bringing in a lot of voice actors for promo and commercials, etc. You know how it is when you see somebody and you're like, "Boo, why do they get to do it? I want to do it too!" But as I started my career, realizing that we're a part of the process, voice actors are part of a process, particularly in commercial, since that was my area, and when I was bringing in voice actors to record them, it comes very late in the process. Recording the voice actor for a commercial is one of the last things we do as a process in creating a commercial. 03:52 So, knowing that we're just—not just, I shouldn't say this, but we're part of a collaborative team, we're now brought into the team. We're problem solvers, we're creatives, along with the creative director, copywriter, and understanding why the copy is the way it is. I know a lot of us will—problem solvers, we're creatives, along with the creative director, copywriter, and understanding why the copy is the way it is. I know a lot of us will go, "Oh, this copy is terrible. It's poorly written," and, like, you don't know where that copy has gone. 04:12 - Anne (Host) Isn't that the truth? I love that you just opened up with that perspective because, honestly, like the nuggets of wisdom that people get out of listening—you brought them right at the front when people get for listening to a podcast or being educated. I love the fact that we are part of a process and you brought that to our attention because I think a lot of times we're in our bubble in our studios here and we forget that it's not just all about our voice, but it's part of a process and there's reasons for so many things. Right? There's reasons, and you're so absolutely right. 04:46 How many times have you gotten a piece of copy and I've heard my students, "Oh my God, this copy sucks!" Or I've read on some forum where people are like, "Oh my God, the copy sucks," and "Why does the copy suck?" But I think it's important to know that, yeah, we are part of a collaborative process and it doesn't begin and end with us, and that's an important part to understand so that we know where we fit in. And the more that I think we can predict how we can fit in best to complete the process, I think will really help us as actors. 05:13 - Jennifer (Host) Yeah, exactly, really well said and so true. It's like, how do we fit into this process? Because we do, and even now, as an actor working on my, I will sort of forget that there's a lot going on and that when I get copy and I'm like, "Oh, well, I don't know how many R&D, research and development meetings they had on this copy. I don't know what focus groups might have said about this copy." Like, big companies spend a lot of time and money making sure that their copy is delivering a message that they want, money making sure that their copy is delivering a message that they want, and a lot of things. On the ad agency side, we're looking at things—that copy, and I'm like, "Well, legal says we can't say that." 05:51 Right, or legal says we have to say this. So, you know, when we're sort of like, "Boo, the copy couldn't be you," it's like, "Well, you don't know why." Yeah, it may be a legal thing. 06:06 - Anne (Host) It may be a client directive, it may be, who knows. I always try to remember that because, like somebody, somewhere was paid money to write this copy, and they know that product, or there's an intent with that product, or there's an intent with that copy that we are not necessarily aware of, nor do they tell us, but it's something that I think that we, as actors, we need to create that story, even if they're not telling us what it is. We need to create that story so that we can connect as much as possible to that copy and fit into like what they hear in their head. Right? We need to fit that spec there. 06:34 - Jennifer (Host) Exactly, and I think it also goes to the idea of given a level playing field of extremely talented actors. Most often, I only needed one person to do the job to solve the problem of whatever problem we were trying to solve creatively. And so I think it's easy to start to feel like, "Oh, I got rejected. I don't book this kind of work." It's like, given a level playing field, just assume that somebody got selected. But it—a level playing field, just assume that somebody got selected, but it doesn't mean that everyone else was rejected. Honestly, as I was listening to actors, I'm like, I wouldn't get in all my auditions for, say, a television commercial voiceover, and I would maybe listen to 50, a hundred, and then call it down to present to my boss, my creative director and client, maybe 10. And any one of those people could have booked it. Somebody got selected, that's all. 07:27 - Anne (Host) It's just a matter of selection, and the thing of it is is that you're at the beginning of that process, listening to all of those auditions. You would narrow it down to a particular amount of people, but then, ultimately, the decision is not necessarily yours. So I think, voice actors, we forget that, that it can go to your boss and your boss is not. Maybe a casting director doesn't have an ear for it, or just this is what he had—he or she had in mind. And so the pick from then. I don't think it's always necessarily based on your acting skills. It's just like a feeling, maybe, that they have. "Oh, yeah, this sounds right." 08:02 - Jennifer (Host) Yeah, it's very subjective. Yeah, it's very subjective. 08:05 - Anne (Host) And I think we forget that. 08:07 - Jennifer (Host) Yeah, and I know that, being that it's so subjective, if you sound just not quite what they want. I had a creative director. I was presenting talent. This woman was extremely talented. I was advocating for her. He's like, "Eh, she sounds a lot like..." I forget if it was his cousin or his ex-wife or somebody. He's like, "And I don't like that person." So she just reminded him vocally of somebody in his world that he's like, "Don't like." She was very good, like perfect for the role, and, subjectively, my creative director was like, "Nope, reminds me of someone, and I don't like that person. Bye." And I'm like, "All right. Well, that's how that's going to go." Or we get replaced. I was the voice of a promo for a really, really long time. It was a great recurring gig and somebody new came in at the top. The client switched positions, new client, and they're like, "No, I want to pick the voiceover," and so, like, I was out. They felt like that was the prior stamp. 09:06 And now they wanted to stamp it with their own. 09:09 - Anne (Host) That's such a good point because a lot of times, like companies change directors, companies change in departments, and a lot of times you may be the indirect result of that or not like being let go because of things like that that you have absolutely no control over. And so that is also a big part of the process in our heads as actors. We need to remember that on any given day, that it's not always—I think that if you can come into your audition with the skills that you need—the actor skills. Everybody says, "What's trending? What's trending these days? What's the sound these days?" And I'm like, "I think just be an actor, have good acting skills." 09:48 Maybe have good acting skills, because I feel like if you have good acting skills and the person, like say you, right, that is at the initial level of listening to all of the auditions, right, you're going to be able to hear that from the get-go, from the first few words. You're going to hear, "Okay, here's an actor. Now, what I like about this actor is that I can work with this actor." So maybe they didn't give the precise read that you were looking for at the time, but you know that they're an actor and that they'll be able to be directed. Exactly. And I think that's so important—best that you can come in with in your audition, to be armed with your acting skills, to showcase those acting skills, because all the other stuff we just have no control over. 10:25 - Jennifer (Host) Exactly. Control what you can. You know, getting auditions in a timely—Anne, naming them properly, file naming. I always talk about like naming those. 10:34 - Anne (Host) Like, why is that so difficult? I don't know. I come from a technology background. It always amazes me how many times people like don't understand how to name files when here's the convention and yet somehow. Right, just copy and paste it and then write your name. 10:50 - Jennifer (Host) I don't know why, but I don't think actors realize that if they mislabel a file, it's going in the trash. That'll piss off somebody. 10:57 - Anne (Host) I mean, like me, especially somebody that I'm handling a lot of files, right, and especially like if I have control over it, like you're not hired, and if you're going to argue with me about the name of that file, or if I gave you a confusing—no. I mean, sorry, just follow the following instructions. 11:12 - Jennifer (Host) But yeah, I think that actors may not realize that if you are missing those little details, like not following the spec, or because you're just like running and gunning and just like, "I'm in a hurry, I'll just read the copy," or not connecting to the copy, or mislabeling the file, it's like that's going to get you booted out of the mix because there's just not enough time and people don't understand. "Oh, so I put my name before the client's name." It's like if you're in casting or you're producing, you're not just casting one thing. So if you put your name first before the client's name, I don't know what to do with this file. Or usually it goes into a database and so the database is just going to go, "I don't know what to do with this. Garbage." I think people just realizing like why it's so important could be helpful. So people just slow down a little bit and go, "Oh, what's the file convention?" That's it. That's my TED Talk on file name. 12:03 - Anne (Host) There you go. I like that. Well, I'm right there with you on the file—I'm on the file name, I know, because you're dealing with hundreds of files, I know, right? I mean. So I touched upon this a little bit in your bio, which I think is so interesting, is that you studied comedy. Talk to us. And improv, of course, everybody always says, "Yes, improv, improv," yes, and improv, of course, is so important. But I also think comedy, too, is important, because this is just my outside looking in perspective, right? When we're listening, right, we need to command the attention of the audience. Right? Whether we're voicing a commercial or a corporate narration or whatever it is, we need to engage the attention of the listener and that is important. And I feel like comedy is absolutely one of those techniques that can be used to get people's attention and keep it, and I think it's important that if you have comedy in your script, that you can find it and you can execute it. So talk to us a little bit about that and the importance of comedy and improv. 12:58 - Jennifer (Host) Definitely. Have you been seeing a lot of scripts or a lot of castings where it's like we want people with comedy and improv, even though they may not ask you to necessarily be super hilarious or improv, they're listening for a nuance? A nuance, exactly. Comedy is like very subtle, I think, in voiceover, because when I was producing on the agency side back in the day, comedy in commercials was a lot more prevalent. We had double copy. We very rarely have two characters talking anymore, so it was a little more like in your face kind of comedy. 13:33 Yeah, back and forth kind of. Yeah, back and forth, you could riff off the other person. Now we're pretty much just doing one person voiceover, so that comedy has to be layered in, but never steal from the actual hero—our product or our client. And I think a lot of times when we're newer as voice actors, we're going for the "yucks" like, and it's like, "No, that's going to get you also noticed for all the wrong reasons." So I think I agree with you entirely. It's got to be layered, it's got to be nuanced, and you have to be able to find it. Sometimes people when I'm coaching, they miss the joke. I'm like, "Do you see that there's like a little pithy wit here?" 14:10 - Anne (Host) They're like, "No." I'm like, "Great." Or a play on words. And here's the thing too, you know, in writing scripts for demos and for my students, comedy is tough to execute in a certain time, like comedy is tough, especially if you're doing comedy writing in a demo. It's very tough to execute without sounding like a one-liner dad joke, right? Yeah, oh gosh, so true. And especially if you need to execute that time and just in a 30-second, 15-second commercial, to execute comedy and a sale at the same time is tough. 14:38 It's tough to do, it's really tough and so it does become very nuanced, right? And corporate, like when you get into like something longer, like corporate narration, you're not going to necessarily find too much humor, unless the brand itself doesn't mind making fun of itself, right? There's not many corporate—not many companies, I know, that make fun of themselves unless they have quirky products, right? If that's our corporate culture, great, but a lot of corporate is like, "No, very straightforward." 15:02 But they might have a nuance, right, and so I love the fact that, yes, if they're looking for that nuance and that is something that is it's maybe a nuance, right, and so I love the fact that, yes, if they're looking for that nuance and that is something that is it's maybe a note, it's a wink, it's a point of view that I think if you can execute and it only needs to happen like a little instant, then that to me, I can hear it right away and people can hear it right away. 15:23 They might not put their finger on it and say, "Oh, that was funny, like ha ha, knee slapping funny," yeah, but the execution of it is really it's key, and I think that comedy and improv is wonderful for people to have as a background in their acting skills. Yeah, I agree, comedy's tough. Did you perform like stand-up comedy? 15:42 - Jennifer (Host) No, I actually took a couple. I'm like, "No, I'm a smart-ass," but that was tough. So I took—a friend of mine was teaching. She is a comic and she taught classes and I did two of her classes, and after the first class, she's like, "Okay, and you know, as you know, we're going to an open mic," and it was torture. It was brutal. Just a bar room full of people going, "Make me laugh," and I'm like, "This is hard." 16:11 - Anne (Host) Yeah, I can't imagine. I have a friend who did stand-up in Burbank. Right? Everybody's at Flappers. Everybody's at Flappers and, "Come see my show at Flappers," and if you want to feel challenged, I mean stand-up at a mic in front of an audience. That's like, "All right." 16:26 - Jennifer (Host) Yeah, like just staring at you and you're sitting with the mic going. 16:29 - Anne (Host) Make me laugh. But there's where I think, like the thinking fast on your feet is going to help you, and I think it's going to help you no matter what. I mean those of us who aren't necessarily doing comedy like stand-up comedy, but here we are in our booths and we're doing auditions, right? I think, if you have the time to evaluate and analyze your script and find the humor—I mean we have the luxury of some time of finding that humor and being able to execute upon that. I think if you can do that, if it's there in the copy, that's what you try to put up front and showcase. 17:02 - Jennifer (Host) I always say I'm going to zag. If everyone else is going to zig, I'm at least going to zag appropriately, because they also don't want to be the actors like. "Well, I remember her for the reason that she went off the rails." It has to make sense. 17:15 - Anne (Host) It has to make sense for the copy, right? And so I feel like that improv also, when I ask my students to create the scene, right? Be actors for a corporate narration that might be talking about investments or something that might sound dry. What is that story? Who are you talking to? Why does it matter? 17:31 You've got to be able to have that quick, like, let me create the scene and let me respond to it, right, and that just helps to enhance your script analysis, the speed at which you do that, and also if you're being asked live, like, "Give me an AB of that," or an "ABC of that." 17:45 - Jennifer (Host) Yeah, how are we going to do that if you haven't created exactly scenario? I always think about how, in scene work and acting, we think about the moment before. Yes, and it's always because you'll hear actors, or I've heard this in auditions lots, where I'm listening to an audition, particularly when I was producing, it's like, "I don't even know why." I hear them saying the script. Why are they saying those words? Why are you even talking? It feels like you just sort of like dropped in cold and started talking, but I don't know why. Yeah, and I always can hear an actor who's a little bit more connected to the copy. Yeah, absolutely, and that's because they created some reason for talking in the first place. 18:21 - Anne (Host) Yeah, they created a reason to say those first words. There's got to be a response or a reaction. I say that even for corporate copy, definitely. 18:29 - Jennifer (Host) Even for e-learning. 18:30 - Anne (Host) You know what I mean. Like you've got a student that just asked you a question and so otherwise, it sounds like to me, I'm always telling my students, it sounds like once upon a time I started a monologue. 18:39 - Speaker 2 (Announcement) Yeah. 18:40 - Anne (Host) And it just became like, "Oh, I picked this thought out of the air and I just started saying it." 18:44 - Jennifer (Host) And there's no reason for it, and so it's weird how we can hear that, isn't that weird? It's like the microphone, sort of like picking up your thoughts, sort of like the camera records thought. That's why you've got to have something going on behind your eyes. 18:55 - Anne (Host) I think it's like you can hear somebody reading, right, because there's a certain melody and—and I know there's got to be scientific evidence, right? There's a melody that we have when we read words and I know it very well because I'm always telling people to stop reading. Start talking. 19:08 - Jennifer (Host) Stop reading. You sound like you're reading. 19:11 - Anne (Host) And so there's a melody to just reading the words, and it seems to start at the same pitch, like, "Hi, I'm Anne, I started here once upon a time." I've heard casting talk about this. 19:21 - Jennifer (Host) Voice casting agents will talk about this all the time. It's like, again, given a level playing field, the first people we're going to boot out of the running are people who sound like they're reading as opposed to talking, and it's a challenging skill set because we are literally reading scripts, but we're interpreting written speech into spoken speech, and it's a skill set. So it takes time. And I was thinking about how, whenever I'm auditioning for something, I think, well, I'd love to book it, of course, but I always think I'm not auditioning for this one, I'm auditioning for the next one, because, let's say, you know, I don't get selected for this one. I want you to remember me for the next one. So, something I do in this audition, I want to spark a little like, "Well, let's keep her in mind for something else down the road," because that's all I can control, absolutely, absolutely. 20:13 - Anne (Host) Speaking of auditioning and being an active voice actor and a woman of a certain age, and I say that, you look amazing. 20:19 - Jennifer (Host) Well, thank you, but let's face it. We've been in the business for a while, not a teenager. 20:25 - Anne (Host) Yeah, I cannot sound millennial, no matter what. 20:27 - Speaker 2 (Announcement) I do, even though I have a younger sounding voice. 20:29 - Anne (Host) No, it's mostly in the attitude. But let's talk a little bit about having been in the community and been in the industry for a while. What's it like these days being a little bit older in this industry? How are you finding work? Is it plentiful? Are you finding? 20:42 - Jennifer (Host) Yeah, I mean it's plentiful, but I still think that in general we're youth-oriented. 20:49 So if you're over a certain age, 40 or beyond. Oh, let's face it, I haven't seen 40 in a minute. Yeah, me either. And look at us, we're thriving. There we go. The voiceover industry is definitely very inclusive. It's getting more diverse all the time. Like when I was producing commercials, you most definitely had to sound a certain way, be of a certain demographic, and now we're hearing all sorts of wonderful, diverse voices. I still think there's room for us to include more voices that are definitely over 40. I'm still hearing people on the air where I'm like, "You don't sound old enough to tell me about retirement or having a baby." 21:27 - Anne (Host) You sound like a kid. I always try to tell people I start with the product, because I feel like companies are going to promote their products to the demographic they can sell to. 21:38 So it starts there, right? So what sort of a product would you sell to a demographic of females over 40 or females over 50? And I feel like that's where it starts. I feel like the younger sounding. I think it's because the company is trying to expand their demographic to make more sales. I think that's where it starts anyways, because I'm always saying, "Well, the trend right now is a little bit towards more millennial, and that's just the way it is." But I feel like there are certain products that a millennial does not sound realistic. 22:04 - Jennifer (Host) Talking about like Depends, right, or retirement or certain financial instruments or mortgages or things where it's like wouldn't you have to be a little older to be getting? An elder millennial, at least to talk about that. 22:17 - Anne (Host) Go you elder millennials. It's hard to believe. I know that in automotive that was a big thing because with Uber and bosses out there, if you study like it's not hard to study, like demographics and marketing, right? I mean during the pandemic nobody was buying cars and younger people were not buying cars because they were really reliant on Uber and Lyft and the rideshare stuff. 22:38 And so car companies started really marketing hard towards younger people and that changes who they hire right to do their voiceovers, and so I think it's something, bosses, that you need to really like spend a few minutes every day studying the market that you want to sell into. Really, it's not hard, it's Google. 22:57 - Jennifer (Host) Yeah, it's iSpot, Google. And. 23:00 - Anne (Host) Google says that honestly, like you can just type in, like, you know, demographic, automotive demographics or, you know, trends, it's easy to find that out and that can help inform you educationally what you might be auditioning for, how you would respond to an audition, right? What is the company? 23:18 - Jennifer (Host) Who are they targeting their sales to, or who you're, if you're doing direct marketing, which I think every voice actor should be doing, if you're directly marketing yourself to a client. It's like, do you vibe with that client? Are you appropriate for that client? So that's basically how I'm represented. I have talent agents across the country and it's very clear to me that my reps are very good about knowing what my wheelhouse is. So I do get a lot of healthcare, insurance, tech, things like that—healthcare, insurance, tech, things like that, because that's who I vocally appeal to. 23:53 It makes sense, and women have an enormous buying power because we make most of the household buying decisions in most households, and so, even though I still think the guys are doing about 60% of the commercial voiceover work, we're at 40%, so we're catching up, but I think companies are starting to realize that women's voices are appropriate for their products and they want to market to us. So I think we're doing better all the time. So, yeah, there's a lot of content out there. 24:22 - Anne (Host) So I would say that, with all our wisdom, with all your wisdom—with our collective wisdom, with all our—no, with your wisdom. What would be your best tip for people that are just starting out today? Because the industry has evolved over the years and it has definitely changed. So today, if somebody's interested in pursuing voice acting, what do you say to? 24:41 - Jennifer (Host) Them? Brand spanking new, I'd say, and I know people are like, "But you all are coaches, so of course you're going to say this," but I would say this even if I didn't coach it: it is a skill set. And so I think you've got to start with good training, and I tell my students this all the time: Get involved in the voiceover community, get your squad together, get an accountability group, a voiceover workout group. You and I were just at the Nava Gala. Is it Gala or Gala? 25:07 - Anne (Host) Gala. 25:09 - Jennifer (Host) I think Gala. 25:09 - Anne (Host) Gala sounds more elegant. 25:11 - Jennifer (Host) Nava Gala. 25:12 - Anne (Host) We're the Nava Gala. 25:13 - Jennifer (Host) And it's just, it's a constant reminder that when we're so isolated and working on our own, if we don't have community around us, this job is hard. It is. I love the voiceover community so much, and so we have a community around us. We're learning things, we're sharing things, and so I always suggest to people, they're like, "Oh, I don't know what to do. How do I help myself in this career?" I'm like, "Well, get good training and get involved in the community so that you're constantly learning from your peers." Or at least, because we're working by ourselves, it can feel a little lonely and isolating. 25:47 - Anne (Host) Get some VO pals and get lifted up and listen to podcasts like the VO Boss podcast. 25:52 - Jennifer (Host) Yes, please. Listen to VO Boss, listen to VO Boss, guys. I've been doing this for eight years now. 25:59 - Anne (Host) Oh my gosh, it seems so forever. Eight years, amazing, every week. 26:03 - Jennifer (Host) I love it. Oh, my goodness. 26:04 - Anne (Host) Wow. 26:16 - Jennifer (Host) So if bosses want to find out more about you, where can they find out more about you? 26:18 - Anne (Host) I'm a busy kitty on the Instagram at Sims, my website, Sims. I'm busy there too, so, yeah, awesome, come see me. Well, Jennifer, it has been so much fun. I think we could probably talk for another hour or hours. 26:27 - Jennifer (Host) It would be a delight, but I know you're booked and busy, so we'll get on to other things. 26:31 - Anne (Host) But I thank you so much for spending your morning with me and bosses, make sure you look up Jen. Can I call you Jen? Jen? 26:40 - Jennifer (Host) Yeah, go by Jen. Look up Jen. I want to say Jennifer. Jen. 26:42 - Anne (Host) Check out Jen's website and check her out on her socials. Jen, check out Jen's website and check her out on her socials. Yes, please, bosses. 26:49 - Jennifer (Host) Yes, absolutely. 26:56 - Anne (Host) Thanks again, I'm going to give a great big shout out to our sponsor, IPDTL. You too can connect and network like bosses. Find out more at IPDTL.com. You guys have an amazing week and we will see you next week. Bye, bosses, you're the best. 27:06 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at voboss.com and receive exclusive content, industry revolutionizing tips and strategies, and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.

Brian Crano & David Joseph Craig are a married writer/director duo: David began his career as a writer and performer at the Upright Citizens Brigade in New York City and has worked with director Joel Edgerton for over a decade producing and acting in features Boy Erased and The Gift. Brian's directorial debut, A Bag Of Hammers, starred Jason Ritter and Rebecca Hall and premiered at SXSW. His feature film Permission, premiered at Tribeca Film Festival and starred Rebecca Hall, Dan Stevens and featured David who also appeared in Brian's short Dog Food (SXSW). His short films Official Selection and Rubberheart have screened at dozens of festivals worldwide. Their new film I DON'T UNDERSTAND YOU, which stars Nick Kroll, Andrew Rannells, and Amanda Seyfried, and opens in theaters tomorrow, June 6th. Join us for this fun chat as David and Brian discuss their childhoods, early filmmaker inspirations, work/life relationship, and their terrific, hilarious new dark comedy! Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

Chris Copen calls in to announce the major news that the Bottlerocket Social Hall will be joining the Upright Citizens Brigade.

Chris Copen calls in to announce the major news that the Bottlerocket Social Hall will be joining the Upright Citizens Brigade.See omnystudio.com/listener for privacy information.

Dan and Brian revisit the early YouTube comedy troupe Derrick Comedy, discuss a few of their sketches, and then review their feature-length film Mystery Team. Join as they discuss the influence of Upright Citizens Brigade in comedy in the 2010s, admire the film's cast deep with future stars, relive some of their favorite jokes, and debate the film's elegaic, introspective qualities. Dan's movie reviews: http://thegoodsreviews.com/ Subscribe, join the Discord, and find us on Letterboxd: http://thegoodsfilmpodcast.com/

The next sequel we will discuss is "Inspector Gadget 2". For it, I chatted with the Director Alex Zamm. Alex talked about his journey up outside Woodstock, NY to Hollywood that involved winning free movie tickets for a year to a local theater after winning a contest, cartooning and going up to Mad Magazine, then some stage, then he starting doing interviews for 6 years, and then started working on movies with a friend which drove him to filmmaking.  We talked about getting something he made noticed by Monty Python, having Scorsese as his teacher, Sundance, Upright Citizens Brigade, writing on Green Lantern in the early 90s, Woody Woodpecker, Larry the Cable Guy, approach to directing sequels, and more. This is a fun one. Enjoy.Watch the unedited video interview at sequelsonly.com/AlexZammAlex's IMDb https://www.imdb.com/name/nm0005618/Your homework is watching "Inspector Gadget 2" on Disney+.Follow us on all social media @sequelsonly, and our website is sequelsonly.com Review, rate, and share us with your friends, enemies, neighbors, exes, and even that annoying supermarket clerk!

By the age of three, comedian Ruby Karp had made her Upright Citizens Brigade debut. By the age of ten, she was performing stand-up across New York City. Now in her mid-twenties, she's settling into her comedic voice—and doing so with the maturity and grace of someone who's been working on their craft for more than half their life. Ruby joins Mo this week to discuss her digital footprint, T.J.Maxx platitudes, and why she's naming names in her new solo show "I Don't Trust Adults." Ruby's on Instagram and TikTok @rubykarp, and you can see her show now through May 3 at Soho Playhouse in New York. She'll also be dropping by Good Get's One of Us with Fin and Chris next week, so make sure you're subscribed for another delightful hour with her! Worse Than You with Mo Fry Pasic is hosted and produced by Mo Fry Pasic. Our executive producers are Erica Getto, Myrriah Gossett, and Lauren Mandel. We're on Instagram and TikTok @worsethanyoushow, and you can follow Good Get on YouTube for exclusive video content. Worse Than You with Mo Fry Pasic is a Good Get and Disco Nap Co-Production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Melanie Wozniak talks making the move from Perth to LA, working on the ABC show "Itch", her new film "A Girl Like Him", and shares an emotional audition story! About Melanie: Born in Chile and raised in Australia, Melanie Wozniak is a dynamic and multi-talented creative force in the entertainment industry. Her passion for acting began at a young age, starring in TV commercials and feature films, which laid the foundation for her future in the industry. With over a decade of experience in film and television, Melanie's versatility as an actor continues to shine. In 2019, Melanie landed her breakout role in the ABC TV series 'Itch', portraying the series regular "Jack" in a story based on Simon Mayo's bestselling novel. Her physical background proved invaluable as she performed many of her own stunts, including Tae Kwon Do and BMX bike riding, demonstrating her commitment and versatility as an actress. Melanie's dedication to her craft has been honed with training in film and television acting, including classes at the Upright Citizens Brigade school in Los Angeles. Recently, she showcased her talents as a motion capture performer in the highly anticipated video game Diablo IV and Diablo V. Most recently, she starred as the lead in the feature film 'A Girl Like Him', written and directed by Amy S. Weber, opposite the iconic Tovah Feldshuh. With a growing portfolio of diverse roles and a reputation for excellence, Melanie is undoubtedly a talent to watch, poised for even greater success in the years ahead.  Follow the show on social media!          Instagram: https://instagram.com/thanksforcominginpodcast/          Twitter: https://twitter.com/tfci_podcast          Facebook: http://facebook.com/thanksforcominginpodcast/           Patreon: patreon.com/thanksforcomingin YouTube: https://www.youtube.com/channel/UCXj8Rb1bEmhufSBFSCyp4JQ Theme Music by Andrew Skrabutenas Producers: Jillian Clare & Susan Bernhardt Channel: Realm For more information, go to thanksforcominginpodcast.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Here are the 4 KEEN ON AMERICA take-aways in our conversation about the dysfunctional American immigration system with Felipe Torres Medina1) Background & Immigration Journey* Felipe Torres Medina is a comic writer for "The Stephen Colbert Show" and author of the new book America Let Me In about the US immigration system* Born in Bogotá, Colombia, Medina moved to the US at 21 on a student visa to pursue a master's in screenwriting at Boston University* Medina received an "alien of extraordinary ability" visa (talent visa for artists) after graduation, and eventually got a green card after marrying2) On the US Immigration System* Medina describes the immigration process as expensive (costing "tens of thousands of dollars" in legal fees) and filled with bureaucratic challenges* He emphasizes that legal immigration requires "tremendous privilege and money" that most people don't have* The book takes an interactive "choose your own path" format to highlight the maze-like nature of the immigration system* He points out that there hasn't been comprehensive immigration reform since the Clinton administration (nearly 30 years ago)3) Comedy as Commentary* Medina uses humor to process his experiences and create community around shared frustrations* He was inspired by writers like Julio Cortazar, George Saunders, Tina Fey, and Carrie Fisher* The book aims to educate Americans who "have so many opinions about immigration" but "don't know what it entails"* He mentions that making the book interactive and game-like adds "levity" to a tense topic4) How to Fix the System* While critical of Trump's immigration policies, Medina says the book isn't specifically about Trump but about a "flawed and messy" system created by multiple administrations* He suggests moving US Citizenship and Immigration Services out of the Department of Homeland Security to change the narrative that immigration is a security threat* His proposed reforms include creating better pathways for educated immigrants and hiring more USCIS staff to reduce backlogs FULL TRANSCRIPT* Andrew Keen: Hello everybody. It is Sunday, March the 9th, 2025. Interesting piece in the times. A couple of days ago, The New York Times, that is about the so-called British flame thrower who is a comic best suited to taking on Trump. They're talking about a man called Kumar. Nish Kumar looks very funny, and apparently he's very angry too. I have to admit, I haven't seen him. It's an interesting subject. It suggests that at the moment, even in spite of Trump and outraging many Americans, the state of American humor could be amped up a bit. My guest today is a writer on The Stephen Colbert Show and a comic, or certainly a comic writer in his own right, Philippe Torres Medina. He has a new book out on Tuesday. It's called America Let Me In, and I'm thrilled that he's joining us from Harlem in Manhattan today. Congratulations, Phillip, on the new job. What do you the new book? I was going to say job. That's a Freudian error here. What do you make of the Times's observation that American humor isn't in its best state when it comes to Trump?Felipe Torres Medina: Oh, wow. That's that's an interesting question. First of all, I love Nish Kumar. I think he's a wonderful, wonderful comedian. He's very funny. He has a level of wit and his observations are just wonderful. I hadn't seen this article, but I really appreciate that the times recognized him because he's been working very hard for a lot of years. I think more than American humor not being fit for the moment. I think at least personally for me, a little bit of addressing Trump again began. And addressing Trump in general is, you know, jokes have to be new. And after basically ten years of Donald Trump every day, all the time, it's certainly hard to continue to find new angles. Now, the dysfunction of the administration and perhaps sometimes the cruelty and whatever they're doing does provide you with material. But I think it can cause you as a writer to be like, oh God, here we go again. More Trump stuff. You know, because that's what we're talking about.Andrew Keen: Do you see your book, Philippe, as a Trump book? America? Let me in. It's about immigration. I mean, obviously touches on in many ways on Trump and certainly his hostility to immigration and immigrants. But is it a Trump book, or is it a broader kind of critique or observation about contemporary America?Felipe Torres Medina: Yeah, I never set out to write a book about Trump or a Trump book. My goal is to write a book about the immigration system, because I went through it, and as a comedian, I encountered in it many contradictions and absurdities that just kind of became fodder to me for comedy. So I try to write this book about the system, but the system was caused by many administrations in many parties, you know, now, the current hostility or the current everythingness of immigration, you know, immigration being kind of in the forefront of the national discourse certainly has been aided by Republican policy in the past ten years and by Donald Trump's rhetoric. But that doesn't mean that this is a book about Trump or as a response to Trump. It's actually a book responding to a system that is flawed and messy, but it's the one we have.Andrew Keen: Yeah. You described the book as a love letter to immigrants, but it's not a love letter to the system. Tell me your story. As you say. You went through it so you have firsthand experience. Where were you born?Felipe Torres Medina: So I was born in Colombia. I was born in Bogota, Colombia, which is the capital of Colombia. I lived there most of my life. I moved to United States when I was 21 on a student visa, because I came here to do my masters. I did my master's in screenwriting at Boston University. And after that, you know, I started working here as a comedian, but also as a writer. And I was able to get an alien of extraordinary ability visa, which is a very pretentiously named visa, kind of makes you sound like you're in the X-Men, but it it's just what they call talent visas for artists, athletes, entrepreneurs, educators, whatever. And so I got one of those and then several renewals of those. And then, you know, thanks to my work as a writer, as a comedian, initially as a copywriter in advertising, I was able to I bought I met the love of my life, got married, and then I have a green card and that's why I'm here.Andrew Keen: Yeah. As and quoting here, it sounds rather funny. An alien of extraordinary ability. Do you think your experience is typical? I mean, the even the fact that you came for grad school to to Boston puts you in a, in a kind of intellectual or professional elite. So is your experience in any way typical, do you think?Felipe Torres Medina: I wouldn't say typical. I would say my experience is the experience of many people who come here. And I think it's the experience of the people who are, quote unquote, the immigrants we want. Right. And, you know, if we're going to dive into the rhetoric of the of immigration these days, I came the right way and did everything, quote unquote, the right way. You know, but what this book and also this journey that I took to immigrate here proves is that it's it's only possible with tremendous amount of privilege and tremendous, tremendous amount of money. You know, it's a very expensive process for the majority of people.Andrew Keen: How much did it cost you?Felipe Torres Medina: Oh, I think in total since I started. I mean, when you count the fact that for most, like master's programs, you don't get any sort of financial aid unless you get, like a scholarship from your own country or a sort of like Fulbright or something like that. There's already the cost of a full master's program.Andrew Keen: But then you weren't coming. I mean, you didn't pay for your master's program in order to get immigration papers, you know.Felipe Torres Medina: Of course, that, but I, I had to pay for my master's program to be able to study here. You know, I didn't have I didn't have my any sort of aid. But, you know, discounting that in terms of immigration paperwork, I've spent tens of thousands of dollars because you have to hire immigration lawyers to make sure that everything's fine. And those are quite expensive.Andrew Keen: Was it worth it?Felipe Torres Medina: Well, yeah. You know, I met the love of my life. I live a.Andrew Keen: Very. I mean, there are lots of loves of. You could have met someone else, and that's true. Or you might have even you might have even met her or him at an airport somewhere else while they were on vacation.Felipe Torres Medina: That's that's possible. But yeah, I mean, I live a I live a good life. I do what I wanted to do, you know, I, I took got my master's because I wanted to write comedy professionally and I get to do that. And I do think when I set out to do this, I was like, well, the place with the best film and television industry in the world is and was then and still is the United States. So I was like, well, I have to go there, you know, and I was able to become a part of this industry and to work in this art form.Andrew Keen: You didn't get any job. You You got the combat job? Yes. I believe you drew the the short straw, right? I bet nobody else was right. Just Stephen Colbert.Felipe Torres Medina: Yeah, I'm very lucky. And but again, it's a mix of luck and hard work and all those things. So yeah, I don't I don't regret moving.Andrew Keen: So some people might be watching this maybe some some MAGA people. I'm not sure if MAGA people really watch this, but if they were they might be thinking, well, Philippe Torres Medina, he's a good example. He's the type of person we want. He jumped through many hoops. He's really smart. He's really successful. He brings value to this country. Is now a full time writer on the Colbert's show he came from it came from Latin America. And he's exactly the kind of person we want. And we want a system that's hard, because only guys like him have the intellectual and financial resources to actually get through it. Well, how would you respond to them?Felipe Torres Medina: I would say that I appreciate the compliment, but I wouldn't necessarily say that that's the best way to move forward on immigration now. I will say this book is a humorous take on the whole immigration journey. And so what? Like I tell different stories of different people coming here made up or inspired by real life. And one of the paths that you can take in this book, because this is kind of an interactive choose your own path book, is mine. But I think what this book tries to prove is that even if you do everything right, even if you, you know, have the money, sometimes it's very, very hard. And that, I think, does put us at a disadvantage when it comes to having a workforce that could be productive for the country, especially as birthrates are declining. You know, we are headed toward a but, you know, people have described as a barrel economy. If we don't simply up the population and the people who are upping the population and actually having children are immigrants.Andrew Keen: One other piece of news today, there's obviously a huge amount of news on the immigration front is apparently there's a freeze on funding to help green card holders. You've been through the process. You write about it in the new book. But how much more difficult is it now?Felipe Torres Medina: You mean under the current administration? Yeah. I wouldn't know. I you know, I think that.Andrew Keen: This idea of even freezing green card. Yeah. That holidays, even if you have a green card, you get frozen.Felipe Torres Medina: Yeah, exactly. And I think that that, you know, I think that that's what Trump did in his first term, more or less with legal immigration, was to create roadblocks and freezes and these kinds of things to kind of just like stymie the process and make it slower, make it harder, even for people who, again, are doing everything right to be able to remain in the country.Andrew Keen: And I'm guessing also some of the DOJ's stuff about laying off immigration judges and court stuff, they're taking office to leave. Apparently 100 immigration court staff are retiring. This adds to it as well.Felipe Torres Medina: Yeah. Yeah, exactly. I mean, Citizenship and Immigration Services, USCIS is a very particular part of the government because it is one of the few parts of the federal government that funds itself. Again, going back to cost the fees that they make are so big, they make so much money that if there's a government shut down, actually, USCIS does not shut down. It's one of the few parts of the government that didn't need to shut down, because they make so much money out of the immigrants trying to come here. So it's a really, really strange part of the government. It kind of doesn't know where it belongs. So seeing like the the DOJ's cuts that arrive into the and that may be implemented into USCIS. Kind I'm not familiar with any Dodge cuts recently on USCIS, but I suspect that they would be strange because it's a it's a very strange division of the federal government. It's not like the Department of Education or the like the Forestry Service. It's it's it's own kind of like little fiefdom.Andrew Keen: Are you wrote an interesting thing or you were featured recently on Lit Hub, where this show actually used to get distributed about how to write a funny book about American immigration. Of course, it's it's a good question. I mean, it's such a frustrating bureaucratic mess at the best of times. I do write anything funny, Philippe, about it.Felipe Torres Medina: Well, I think the, the to me, the, the finding a format to be able to explore this, this chaotic system. It's so, so complicated. It's like a maze. So to me, having this kind of interactive format allowed me to have some freedom to be like, okay, well, you know, one of the things that they taught me in my comedy education, when I was training at a theater here in New York, the Upright Citizens Brigade is the premise of if this is true, then what else is true? You know, so if this absurd thing is reality, then what? How can you heighten that reality? And for me, you know, the immigration system is so absurd. It's it's so Byzantine and chaotic that I was like, okay, well, I can heighten this to an extra level. And so when I keyed in on, on this format of like allowing the person who's reading it to be the many characters to inhabit the, the immigrants and also to be playing with the book, you know, going out and going to one page, making their own choices. It allowed me to change the tone immediately of the conversation because you say immigration and everyone's like, oh, you know, it gets tense. But if you're saying like, no, no, this is a game, you know, we're playing this game. It's about immigration, but it's a game. All of a sudden there's a levity to it, and then you take the real absurdities and the real chaos of the system and just heighten it, which is basically what you do with comedy at all times.Andrew Keen: Who are the the fathers or perhaps the mothers of this kind of comedy? The person who comes to my mind is is Kafka, who found his own writing very funny. Not, and I'm not sure everyone necessarily agrees. He, of course, wrote extensively about central mid European bureaucracy and its darkness and absurdity. Who's inspired you both as a comic writer and particularly in terms of this book?Felipe Torres Medina: Well, actually, Kafka also has a great book called America.Andrew Keen: Yeah. Which is a wonderful first paragraph about seeing this. Seeing the Statue of Liberty.Felipe Torres Medina: Yes. Which is also kind of about this. But I would say my inspirations comedically are, you know, I don't think I would have written this book without, like, the work of Tina Fey. I think Bossy Pants was a book where I was like, oh, you can be funny in writing. And Carrie Fisher is a big Star Wars nerd, you know, to like great, funny writer writers who are just, like, writing funny things about their lives. But I think the playfulness of it all, actually, I was inspired by this Argentine writer, Julio Cortazar, who wrote a novel that in English just translated as hopscotch. And this novel is a huge, like, structural disrupter, you know, in the like, what we call the Latin American boom of writing in the 60s, 70s and 80s. And he wrote this novel that is like a game of hopscotch. You're jumping from chapter two chapter. He's directing you back and forth. So I read a lot of that. And I, you know, I read that in my youth, and then I read it. I reread it as I was older. And then there are writers like George Saunders, who can be very funny while talking about very sad or very poignant things. And so that was also a big inspiration to me. But, you know, I am a late night writer, so I was interested in actually making it like, ha ha, funny. Not just, you know, sensible chuckle funny, you know, kind of like a very, like, intellectual kind of funny. So I was also inspired by, you know, my job and like Colbert's original character in Colbert's book, America, I am American. So can you the writing of The Onion and, you know, the book, The Daily Show Book America, which is just kind of like an explanation of what the federal government is and what the country is written in the tone of the correspondents or the the writers for The Daily Show back in the original Jon Stewart iteration. So those books kind of like informed me and made me like, realize, oh, I can you can make like a humorous guy that's jokey and funny, but also is actually saying something isn't just like or teaching you something. Because the biggest reason I started writing this book is that Americans don't know their own immigration system, and they have so many opinions about immigration, particularly now, but no one knows what what it entails. You know? And I don't just mean like conservatives, you know, I don't just mean like, oh, MAGA people. Like, I was living in New York in the Obama years or like the late Obama years, and none of my liberal Brooklyn, you know, IPA and iced matcha drinking friends had any idea what I was going through, you know, when I was trying to get my visas.Andrew Keen: The liberals drink IPA. I didn't know that I drink IPA, I mean, I have to change my. Yeah. It's interesting you bring up in the first part of that response, the, the the Argentine novelist. There's something so surreal now about America. An interesting piece in the times about not being able to pin Trump down because he says one thing one day, the next thing the next day, and everyone accepts that these are contradictions. Now, the times describes these contradictions as this ultimate cover. I'm not quite sure why they're a cover. If you say one thing one day, in the next something the opposite the next day. But is there a Latin American quality to this? I mean, there's a whole tradition of Latin American writing observing the, the cruel absurdities of of dictators and wannabe dictators.Felipe Torres Medina: Yeah. I mean, it's it's part of our literary tradition. You know, the dictator novel you have. But again, just as the feast of the goat, and you have Garcia marquez, my my compatriot, you know, like that.Andrew Keen: Was one of my favorite magnificent writing.Felipe Torres Medina: It's it's possibly, I hesitate to say, my favorite writer because it creates ranking, but.Andrew Keen: Well amongst your.Felipe Torres Medina: Favorite, among my favorite writers, 100 Years of Solitude. Obviously that is possibly my favorite novel, but he has also, I believe it's the Autumn of the Patriarch, which is his novel about. Exactly. Yeah. I mean, there is a there is. I wouldn't say it's a South American or Latin American quality to it. I think it's just once you encounter it, it is so absurd that art does have to come out and talk about it, you know, and, you know, you see the in a book like the Autumn of the Patriarch. That is a character full of contradictions. That is a character who, in chapter one, hates a particular figure because they he they think that they're against him and then is becomes friends with them and then hires him to be his personal bodyguard. You know, that is what dictators are, and that is what authoritarians do. It is the cult of the person. It is the whims of the person, and the opinion of the person are the be all and the end all to the point where the nation is. It is at the whims of, of of a a person, of those of those persons contradictions. So I wouldn't say it's necessarily a Latin American nature to this, but I think Latin America, because we experience dictatorship in many times supported or boosted by the United States. Latin Americans were able to find a way to turn this into art. And quite good art is what I would say.Andrew Keen: Yeah, and of course, it's the artists who are best able to respond to this. As you know, it's not just a Latin American thing. The Central Europeans, the Czechs in particular. Yes.Felipe Torres Medina: Milan Kundera.Andrew Keen: Yeah. Written a series of wonderful books about this. But the only way to respond to someone like Trump, for example, who says one thing one day, the next thing the next day when he talks about tariffs, he says, well, I'm going to have 25%. And the next day, oh, I've decided I'm not going to have 25%. Then the following day he's going to change his mind again. The policy people, I'm not very helpful here. We need artists, satirists of one kind or another humorist like yourself to actually respond to this, don't we?Felipe Torres Medina: I think so. I think that that that is what. Helps you? I mean, it's the emperor has no clothes, right? That's how you talk. And it's about all kinds of government, obviously. Autocracy or dictatorship is one thing, but at all in all systems of government, these are powerful people who think they have they know better and who think that they are invincible. And you know what? What satire or humor and art does is just point out and say like, wait, that's weird. That thing they just did is weird. And being able to point that out is, is a talent. But also that's why people respond to it so well. People say like, yeah, that is weird. I also notice that. And so you create community, you create partnership in there. And so all of a sudden you're punching up, which is something you want to do in comedy. You want to make fun of the people who have more power, and you're all punching up and laughing at the same thing, and you're all kind of reminding each other. You're not crazy. This is weird.Andrew Keen: Yeah. I mean, the thing that worries me. I was on Kolber on the Colbert Show a few years ago in the original show. I mean, it's brilliant comic, very funny. But him and Jon Stewart and the others, they've been going so long, and they. I'm not saying they haven't changed their shtick. I mean, writers like you produce very high quality work for them, but it's one of the problems that these guys have been going for a while and America has changed, but perhaps they haven't.Felipe Torres Medina: I mean, it's an interesting thing to bring up, particularly with with Stephen, because his show was completely different. Ten years ago, it was a completely different show. He was doing a character. Yeah, right. And now he's doing a more traditional late night show. I think I think the format of late night is a very interesting beast that somehow has become A political genre. You know, it didn't used to be with Letterman. Didn't you see with Conan O'Brien, Jay Leno? You know, they would dabble in politics. They would talk about politics because it's what people are talking about. But now it's become kind of like this world. It all has to be satire. And there's some there's some great work. And I do think people keep innovating and making, like, new things, even though the shows are about ten years old. You know, you have Last Week Tonight, which my wife writes for, but it's a show that does more like deep dive investigations and stuff like that. So it's more like end of the week, 60 minutes, but with jokes kind of format. But I do think, yeah, maybe like the shows, can the shows in the genre in general, like there's genre I could do with some change and some mixing it up and.Andrew Keen: Well, maybe your friend Kumar could.Felipe Torres Medina: Yeah. Well, what? Let us get.Andrew Keen: A slot to his own late night show. And I wonder also, when it comes to I don't want to obsess over Trump or that course it's hard not to these days, but because he himself is a media star who most people know through his reality television appearance and he still behaves like a reality television star. Does that add another dimension of challenges to the satirical writers like yourself, and comics like or satirical comics like Colbert and Jon Stewart?Felipe Torres Medina: I think it's just a layer of how to interpret him as a person. At least for me, it's like, okay, well, you have to remember that he is a show man, and that's what he's doing.Andrew Keen: Yeah. So they're coming back to your your metaphor of the air and power and not having any clothes on. He kind of, in his own nodding wink way, acknowledges that he's not pretending to wear any clothes.Felipe Torres Medina: Yeah, and, well, sometimes he is and sometimes he isn't. And that is. That's the challenge. And that's why writing jokes about him every day is hard. But, you know, we we.Andrew Keen: And the more I know I watched Saturday Night Live last week that Zelensky thing and it was brilliant. Zelensky and Musk and Trump. But I'm very doubtful it actually impacts in any way on anything. Well, and I.Felipe Torres Medina: Think that that's also a misconception people have about comedy. You know, comedy is there to be funny. You know, comedy isn't there to change your mind if it does that, great. But the number one impetus for For Comedy should be to make you laugh. And so the idea that, like, a sketch show is going to change the nation. I don't know. Those are things that I think are applied on to comedy. They're kind of glob down to comedy. I don't necessarily think that that's what it the, the people making the comedy set out to do so. I think if if it made you laugh and if it works. The comedy has done its job. Comedy, unfortunately, can't change the world, you know. Otherwise, you know, I'm sure there would have been a very. There are many good Romanian comedians who could have done something about it has.Andrew Keen: You know, time to time. I mean, Hava became Czech president for a while. You, you, you know, that you sometimes see laugh, laughter and comedy as a kind of therapy when it comes to some of the stuff you do with Kovat. Are you in in America? Let me in. Are you presenting the experience, the heartbreaking experience? So certainly an enormously frustrating experience of the American immigration system as a kind of therapy, both for people who are experiencing it And outsiders, Americans in general.Felipe Torres Medina: And for myself, I think.Andrew Keen: And of course, yes. So self therapy, so to speak.Felipe Torres Medina: I think so, I mean, it is for me a way to like comedy is a way to process things for me. It comes naturally to me, and it is inopportune at times when dealing with things like grief and things like that. But I mean event, anyone who's gone through grief, I think, can tell you there's one moment when things are going really bad and one of the people grieving with you makes one joke and you all laugh and you're like, this. This somehow fixed for one second. It was great. And then we're back to sadness. So I think comedy, you know, as much as again, I go back to what I said a second ago, it's about making you laugh and that making you laugh can create that partnership, can create that empathy and that that that community therapy, I guess, of people saying like, oh wait, yeah, this is weird, this is strange. And I feel better that someone else recognized it, that someone else saw this.Andrew Keen: It certainly makes you saying, hey, you wrote an interesting piece for The New Yorker this week. In times like these, where you, you write perhaps satirically about what you call good Americans. Is the book written for good or bad Americans or all Americans or no Americans? Who do you want to read this book?Felipe Torres Medina: Oh my God. I want everyone to read it and everyone to buy a copy so that I've got a lot of money. All right. No, I think it's written for most Americans and and immigrants as well. People living here. But I do think, yeah, it's written for everyone. I don't think I wrote it with particular like, kind of group in mind. I think to me, Obviously with my background and my political affiliations, I think liberals will enjoy the book. But I also think, you know, people who are conservative, people who are MAGA, people who don't necessarily agree on my vision of immigration, can learn a lot from the book. And I purposely wrote it so that these people wouldn't necessarily be alienated or dismissed in any way. You know, it's a huge topic, and I think it was more of a like, I know you have an opinion. I'm just showing you some evidence. Make with it what you will, but I'm just showing you some evidence that it might not be as you believe it is, both for liberals and conservatives. You know, wherever you are on the spectrum, liberals think it's super easy. Conservatives that think it's super easy but in a bad way to move here. And I'm here kind of saying like, hey, it's actually this super complicated thing that maybe we should talk about and we should try to reform in some way.Andrew Keen: Yeah. And I think even when it comes to immigration, often people are talking about different things. Conservatives tend to be talking about quote unquote, illegal immigration and progressives talking about something else, too. You deal with people who try to get into America illegally, or is that for you, just a subject that you're not touching in this book?Felipe Torres Medina: I address it very lightly toward the final pages of the book. I first of all, I can, like, claim ownership on all immigrant narratives. And I wrote this about the legal immigration system because it's what I've navigated. Again, I am not an immigration lawyer. I am not an activist. I'm a comedy writer who happened to go through the immigration like system, so I but I did feel like, you know, okay, well, let's talk for a second. You've seen how hard it is because I've shown you all this evidence in the first couple stories in the book. And again, I say in the last pages because because of the interactive nature of the book, this could there is potentially a way for you for this to be the first, one of the first things you read in the book, but to where the last pages of the book, I say, okay, let's talk about you. We've seen how hard it is. Let's talk about the people who do so much to try and come here and who go even harder because they do it in the like, in the unauthorized way, you know, or the people who come here seeking asylum, which is a legal way to come to the United States, but is very difficult. So I do present that, but I do think it is not necessarily the subject of a comedy book, As I said earlier, when you're dealing with comedy, you want to be punching up. You want to be making fun of people in authority figures or in a sort of status position that is above the general population or the the voice of the comic. And with with undocumented immigrants and people trying to come here in irregular ways. It's it's very hard to find the humor there because these people are already suffering very much. And so to me, the line is threading the line of comedy there. It can very quickly turn into bullying or making fun of those people. And I don't want to do that because a lot of people are already doing that, and a lot of people who are already doing that work on this in this administration. So I don't I don't really want to mess with that.Andrew Keen: Philip, I'm not sure if you've got a a Spanish translation of the book. I'm sure there will be one eventually.Felipe Torres Medina: Hopefully.Andrew Keen: If people start reading this in Colombia, where you're from, Bolivia or Argentina, Mexico, El Salvador, Guatemala, they think themselves, this is so hard to get in, even legally. Even if you have money to pay for lawyers, they might think, well, f**k it, I'll just try and get over the border illegally. And do you think in a way, I mean, it's obviously designed as a humor book, but in a way this would encourage any sane person to actually give up. I mean, go try and try and go somewhere else or just stay where you are.Felipe Torres Medina: I think, I think the book has a tone of I'm I'm a pretty optimistic person. So I think the book does have a tone of optimism and love for America. I do love the United States, where I, while presenting it as a difficult thing, I am also saying, like it? It's pretty good. You're going to have a good time if you make it here. So I don't think it will be a deterrent. Whether it's some sort of Trojan horse to create more people, to try and go through the border. I don't know, it'd be pretty funny if a funny book tended ended up doing that, but.Andrew Keen: It'd be great if we just got hold of the book and blamed you for for for all the illegal immigrants. But in all seriousness, it was been a lot of pieces recently about, according to the New York Times, people going silent for fear of retribution. As a comic writer and someone clearly on the left, the progressive in American politics. Do you think that there is a new culture of fear by some of your friends and colleagues in the comedy business? Are they fearing retribution? Trump, of all people, doesn't like to be laughed that some people say that he he only wanted to be president after Obama so brilliantly and comically destroyed him a few years ago.Felipe Torres Medina: I think in comedy, you know, I think people are tired of talking of Trump because, again, as I said, ten years of writing about him. I don't think anyone is necessarily afraid of talking about him or making fun of him. I think that is or his administration. I think that is proven like this past week with explosion of memes, making fun of J.D. Vance, his face, you know, to the point where J.D. Vance has tried to hop on the meme and be like, ha ha! Yes, I enjoy this very much too. Good job members. So like, obviously, first of all, he doesn't like it, but I think everyone is. And I think this is something that America does so well. Americans like to make fun of politicians, period. And even though I think in certain spaces of, you know, politics and activism, there might be fear of retribution that is much more marked. I think the let's make fun of of the Emperor for having no clothes that make fun of them is an instinct that that it's not going away and it won't go away any, anytime soon.Andrew Keen: Philip, finally, you've written a funny book about immigration. But of course, behind all the humor is a seriousness. Lots of jokes. It's a very entertaining, amusing, creative book. But it also, I think, suggests reform. You've given a great deal of thought. You've experienced it yourself. How can America improve its immigration story so that we don't have in the future more satirical books like America Like Me and what are the the reforms, realistically, that can be made that even conservatives might buy into?Felipe Torres Medina: Well, I think one of the biggest things is, if you look at it historically, there hasn't been comprehensive immigration reform since Clinton. Which is ridiculous. You know, we're nearing on 30 years there, and we're. We're basically 30 years since. And, you know, I'm 33, so it's a whole lifetime for a lot of people with no changes to a system, no comprehensive changes to a system. And that just means that, like it is going to become outdated. So obviously it's very hard right now with the tenor, but what we really need is for people to sit down and talk about it as a normal issue. And this is not an invasion. This is not a national emergency. It is simply an issue, an economic issue. And I think one of the biggest things, and one of my personal suggestions is that. The US Citizenship and Immigration Service has always been, as I said, this kind of strange ancillary part of the government. It started as part of the Department of Labor, eventually joining the Department of Justice. Then it goes back to labor. It kind of always bounces around. They don't know where it fits. And in after 911, it became part of the Department of Homeland Security. And I think that creates a an aura around immigration as something that is threatening to homeland security. You know, which is not true.Andrew Keen: Yeah. I see what you're saying. It's become the the sex when it comes to, in the context of Victorian something that we don't talk about, and we use metaphors and similes to, to, to describe. And I take your point on that. But what about some and I take your point on the fact that the system hasn't been reformed since Clinton. But let's end with a couple of final, just Doable reforms, Philippe, that can actually make the experience better. That will improve that. That might be cheaper that the the Doge people might buy into that both left and right will accept and say, oh, that's fair enough. This is one way we can make immigrating to America a better experience.Felipe Torres Medina: I think, rewarding if we're talking about this idea of like, we want the best immigrants, educated people. I think actually rewarding that because the current system does not do that for most people trying to get a work visa. They're subjected to a lottery where the chances are something like 1 in 16 of getting a work visa to be here, and that is really bad for companies in general. It's something that the big tech firms have been lobbying against for years, and because there's no consensus in Congress to actually do something. We have been able to address that. So I think actually rewarding the kind of like higher education, high achievement immigrants. In a way that isn't just like if you have $5 million, you can buy a gold car. Yeah, and.Andrew Keen: That's what Trump promised.Felipe Torres Medina: Right? Actually rewarding it in a way that's like, okay, well, if you have a college degree, maybe you don't just get a one year permit to work here, you know, maybe you can. There is a path for you to if you made your education here, if you start your professional life here, if you are contributing because all these immigrants are paying taxes or contributing, maybe there's a path that isn't as full of trapdoors and pitfalls. I would say that that that's one of the biggest things. And honestly, higher up, like I, I do think maybe this is my progressive side of me, but it's like get more people working in USCIS so that these waits aren't taking forever and getting more immigration judges, you know, hire people who are going to make this system efficient, because that is, I think, unfortunately, what Dodge thinks that the, you know, we're going to slim it down so it doesn't cost that much. Yeah. But if you slam it down, you don't have enough people. And there's a lot of people are still trying to come here and they're still trying to do things. And if you don't have enough people like working those cases, all you're creating is backlogs.Andrew Keen: Yeah. I'm guessing when those transforms the American immigration system through AI, you'll have another opportunity for you to write a book. Yeah. I mean, I let me in an important book, a very funny book, but also a very serious book by one of America's leading young comic writers full time, writing for Stephen Colbert, Philippe Torres Medina. Philippe, congratulations on the book. It's out next week. I think it will become a bestseller. Important book. Very funny too, and we can say the same about you. Thank you so much.Felipe Torres Medina: Thank you so much for having me.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Join Friends Like Us for a vibrant discussion with Lamar Woods & Charles McBee! We celebrate Black excellence, discuss mental health in hip hop, review the Black National Anthem and more.  Lamar Woods Lamar grew up in Atlanta, Ga. where he got his BA in Religious Studies at Georgia State University. Once he graduated, he moved to Los Angeles and got his start in Hollywood studying improv and sketch comedy at Upright Citizens Brigade. Lamar's writing credits include GRAND CREW (NBC),  BROOKLYN 99 (NBC), SINGLE PARENTS (ABC), NEW GIRL (FOX), and SURVIVOR'S REMORSE (Starz).   On the feature side, Lamar co-wrote and stars in IT'S A PARTY which is available on Roku & Amazon.  You can also see Lamar performing around town with his all black, all male, improv/sketch team, The Big Team.   Lamar has also recently released his sophomore hiphop album, Highly Sensitive Person, which is currently available on all DSPs. Highly Sensitive Person..  has successfully over 100, 000 streams Charles McBee is a respected NYC stand-up comedian and writer from Toledo, Ohio. He has made three national stand-up comedy appearances on Gotham Comedy Live and was a favorite on two FOX television shows, Laughs Seasons 1 and 2 and Punchline Seasons 1 and 2.  Charles has written for several TV shows, including Uncommon Sense and Uncommon Sense Live with Charlamagne Tha God, VH1's Hip Hop Honors 2017, and was also a creative consultant on Nick Cannon's Wild N Out.  He's most  worked on the 2020 VMA's as well as the 2021 Golden Globes, hosted the 2021 Music Lives Festival for the Live X Live Network, and was the Head Writer for Comedy Central's Hell Of A Week, which was nominated for a Writers Guild Award. Charles has also gained a following on social media with his comedic commentary about growing up in the 80s and 90s. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf.      

If you're a regular Talkhouse Podcast listener you know that we most often feature musicians on the show, but we're always happy when creative people in other fields share a chat, too—especially when they've had the kind of interesting careers that today's two guests have. Haley Joel Osment made a permanent mark on pop culture when he uttered the words “I see dead people” in 1999's The Sixth Sense, made when he was just 10 years old. The line still reverberates today: Just listen to Kendrick Lamar's "Not Like Us." Osment was nominated for an Oscar for his role as a psychic kid, and he has had a fruitful, relatively low-key acting career since—no scandals, no blockbusters, just a bunch of really interesting work. As you'll hear in this podcast, he's fully down to earth about his unusual journey—even ready to find a tiny bit of positivity in the recent L.A. fires, which completely destroyed both his and his parents' house. He's chatting here with his actor-comedian friend Matt Walsh, who's probably best known for playing Mike McLintock opposite Julia Louis-Dreyfuss on Veep. It was the perfect vehicle for Walsh, who made his name as an improv comedian in Chicago before his troupe, Upright Citizens Brigade, which also features Amy Poehler, took their show to New York. Walsh is one of those guys who brings the funny to every movie and TV part he's in: If you don't recognize his name, you'll certainly recognize his face. The reason these two came together today is that a movie they co-starred in is just coming out: It's called Not An Artist, and it's an ensemble comedy about a group of artists who gather at a mysterious retreat—organized by no less than The RZA—to decide whether they're actually cut out to be artists. It's available on demand now. These two chat not only about that funny film, but also about Osment's experience with the L.A. fires, about Walsh's Chicago background, weird Airbnbs, the magic of David Mamet's dialogue and lots more. It's a good one, enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Haley Joel Osment and Matt Walsh for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and be sure to check out all the great stuff on the Talkhouse Podcast Network. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.

Franklin and Kate sat down with comedy legend Ed Helms to explore his journey from Saturday Night Live-fueled interest in high school, to performing with the Upright Citizens Brigade as a young adult to making waves on The Daily Show during the George W. Bush era. They discuss how those experiences shaped his perspective on political comedy today, dive into his roles in blockbuster hits like Vacation and The Hangover trilogy, and chat about his Netflix project, Coffee & Kareem. Plus, don't miss the surprising twist: Ed Helms isn't just a comedic genius—he's also a talented bluegrass musician.Questions? Comments? Criticism? Hit us up on social media at @theblcklst.This conversation was recoreded in 2020. To learn more about The Black List, visit www.blcklst.com. Mentions:+Coffee & Kareem: https://www.netflix.com/title/80220009 +Upright Citizens Brigade: https://ucbcomedy.com +The Daily Show: http://www.cc.com/shows/the-daily-show-with-trevor-noah.

Accede a los episodios completos y contenido exclusivo en chisteinterno.com y en patreon.com/chisteinterno Episodio 66 - Joanna Hausmann Joanna Hausmann es una comediante, escritora y actriz venezolana, considerada una figura clave en la cultura digital venezolana contemporánea. Ganó popularidad en la plataforma digital “Flama”, donde su serie “Joanna Rants” ha acumulado millones de vistas. Desde entonces, ha desarrollado una carrera prolífica en el mundo de la televisión en los Estados Unidos, donde fue guionista y coproductora ejecutiva de la serie de Disney “Hamster and Gretel”, la cual ganó un Emmy en 2023. Como actriz de voz, ha participado en series animadas como “Milo Murphy 's Law”, “Monsters at Work” y “Harper House”, y actualmente se desempeña como guionista para la próxima temporada de la reconocida serie “Phineas y Ferb”. En nuestra conversación, hablamos sobre su transición de Nueva York a California, cómo el stand-up fue clave en el descubrimiento de su identidad, la importancia de “Flama” en la cultura digital, su amor por la escritura, su paso por “The Upright Citizens Brigade”, la relevancia del trabajo en equipo en la comedia, el reto de ser jefa de escritores y cómo un chiste visual repetitivo en “Hamster and Gretel” le valió un Emmy. ¡Gracias Joanna por visitar Chiste Interno! Comediantes: El próximo show de “Comediantes” es el 26 de febrero. Reserva tus entradas acá: https://ticketplate.com/checkout/comediantes-una-noche-de-stand-up-202502262000 Miami Pod Nights Vamos a ser parte de “Miami Pod Night”, una noche única para encontrarte con tus podcasts favoritos y anécdotas e historias fascinates sobre la creación y el desarrollo de estos proyectos. Adquiere tus tickets aquí: https://ticketplate.com/checkout/chiste-interno-miami-pod-night-2402212000 Chiste Interno Academia: (Cursos On-Demand y Talleres en Vivo) Cursos On-Demand: “Aprendo Stand-Up” y “Acelerador de Chistes” con Reuben Morales: Aprende a crear rutinas de Stand-up y a escribir chistes de forma ágil y efectiva. Disponibles en: chisteinterno.com/reuben Talleres en vivo: “Crea Sketches de Comedia”, dirigido por Charlie Nelson: Este sábado 8 de febrero en Miami. Tickets en: chisteinterno.com/crea-sketches “Edita Sketches de Comedia”, dirigido por Cesar Kensen: Este domingo 9 de febrero (Online en vivo). Tickets en: chisteinterno.com/edita-sketches Para más información acerca de Chiste Interno Academia, visita: chisteinterno.com/academia TIMESTAMPS 0:00 | La diferencia entre Los Ángeles y NYC y la infancia de Joanna Hausmann 20:11 | La comedia como identidad y el paso de Joanna por Upright Citizens Brigade 27:15 | El Paso de Joanna Hausmann por Flama y la importancia de la autenticidad. 1:13:26 | Trabajar en Disney y ser headwriter 1:27:20 | La relación de Joanna con Venezuela Créditos Creado y conducido: Oswaldo Graziani Producción ejecutiva por Oswaldo Graziani y Adrián Salas Producción, post-producción y música por Adrián Salas Asistencia de producción por Katherine Miranda Edición de formato largo por Yamn Milán Edición de formato corto por Ricardo Carmona Comunidad y Contenido por Pedro Graterol Diseño gráfico por Bodega Creative Redacción por Yxa Fuentes Estudio de grabación: Astro Studio chisteinterno.com

"Veep" star and Upright Citizens Brigade founding member Matt Walsh joins The Andy Richter Call-In Show this week to hear your road rage stories! In this episode of Andy's weekly SiriusXM radio show, callers share stories about defeated dads, cowardly driving instructors, jerks on the road, and much more. Plus, Matt and Andy reminisce about some Chicago memories.Want to call in? Fill out our Google Form at BIT.LY/CALLANDYRICHTER or dial 855-266-2604.This episode previously aired on SiriusXM's Conan O'Brien Radio (ch. 104). If you'd like to hear these episodes in advance, new episodes premiere exclusively for SiriusXM subscribers on Conan O'Brien Radio and the SiriusXM app every Wednesday at 4pm ET/1pm PT.

On this episode we talk about the energy and commitment to be funny in everyday life with famed actor, writer, and improviser, Adam Pally who thinks it's just a way of hiding yourself.  We talk about being less funny and more authentic. We also discuss Mr. Throwback, Happy Endings, adulting, fatherhood, why New York is better than Los Angeles, parents who sing, deciding UCB was something Adam had to do, the artistic tribe he joined, why he thinks old show business is dead, and how his kid can't believe Adam knows Childish Gamino. Bio: Hailing from Livingston, New Jersey, Adam Pally has quickly found his place as an actor and comedian in Hollywood. Pally is most known for Happy Endings, The Mindy Project, Sonic the Hedgehog 1 & 2, the live-action spinoff series Knuckles, the Peacock mockumentary series Mr. Throwback, which stars NBA All-Star Stephen Curry, Pally will next be seen in the sci-fi dramedy O Horizon, & HBO Max's 101 Places to Party Before You Die. Pally has been a member of the Upright Citizens Brigade since 2003 and continues to write and perform sketch comedy. Pally is a graduate of the New School in New York and currently resides in New York.

Jeff Hiller is an actor and comedian. Alongside Bridget Everett he stars in the HBO comedy Somebody Somewhere. The series just wrapped its third and final season. Hiller joins us on Bullseye to talk about the show. We also get into Hiller's time as a teacher and performer at the Upright Citizens Brigade theater in New York. He talks about what he learned there, what he loved about it and what frustrated him most about the experience.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this episode of The Ethics Experts, Nick welcomes Cindy Marsh. Cindy, a practicing improvisor with over 12 years of experience, is a member of the Applied Improvisation Network. She honed her skills at improv powerhouses like The Second City, Upright Citizens Brigade, and Magnet Theater. Cindy's background in Global Logistics and Trade Compliance surprisingly intertwined with improv, as the skills proved valuable in navigating her career. Experiencing the positive impact in both her personal and professional life, she began sharing her experience and training with others. Now, as the founder of Good Human Improv Company, Cindy empowers individuals to discover their comedic potential and embrace the transformative power of improv. https://www.linkedin.com/in/cindysmarsh/

The early bird gets the worm. What goes around, comes around. It's always darkest just before dawn. We carry these little nuggets of wisdom—these adages—with us, deep in our psyche. But recently we started wondering: are they true? Like, objectively, scientifically, provably true?So we picked a few and set out to fact check them. We talked to psychologists, neuroscientists, runners, a real estate agent, skateboarders, an ornithologist, a sociologist and an astrophysicist, among others, and we learned that these seemingly simple, clear-cut statements about us and our world, contain whole universes of beautiful, vexing complexity and deeper, stranger bits of wisdom than we ever imagined.Special thanks to Pamela D'Arc, ​​Daniela Murcillo, Amanda Breen, Akmal Tajihan, Patrick Keene, Stephanie Leschek and Alexandria Iona from the Upright Citizens Brigade, We Run Uptown, Coaches Reph and Patty from Circa ‘95, Julia Lucas and Coffey from the Noname marathon training program.We have some exciting news! In the “Zoozve” episode, Radiolab named its first-ever quasi-moon, and now it's your turn! Radiolab has teamed up with The International Astronomical Union to launch a global naming contest for one of Earth's quasi-moons. This is your chance to make your mark on the heavens. Submit your name ideas now through September, or vote on your favorites here: https://radiolab.org/moonEPISODE CREDITS: Reported by - Alex Neason, Simon Adler, Sindhu Gnanasambandan, Annie McEwen, Maria Paz Gutierrez, and W. Harry FortunaProduced by - Simon Adler, Matt Kielty, Annie McEwen, Maria Paz Gutierrez, and Sindhu GnanasambandanOriginal music and sound design contributed by - Jeremy BloomFact-checking by - Emily Krieger and Diane A. Kellyand Edited by  - Pat Walters and Alex NeasonSign-up for our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)!Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today.Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org.Leadership support for Radiolab's science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

Thanks to the success of the beloved Comedy Central series, Broad City, Abbi Jacobson is widely known as a comedic force in film and television. But, as of late, she's busy uniting her comedy skillset with more dramatic performance opportunities, and the power of her ability to do both is undeniable. After soaring in the canceled-too-soon Prime Video series, A League of Their Own, Jacobson joins the ensemble of yet another brilliant comedy and drama combo, Netflix's No Good Deed.At the center of Liz Feldman's (Dead to Me) latest for the streamer, we find Lisa Kudrow and Ray Romano as Lydia and Paul Morgan, a couple gearing up to sell their gorgeous 1920s Spanish-style Los Feliz villa. The appeal of the property sparks a bidding war, a war Jacobson's Leslie finds herself right smack in the middle of. Leslie and her wife Sarah, played by Poppy Liu, are ready to do just about anything to snag the house, but then they start to suspect there might be some dark and dangerous secrets tied to the property — secrets that'll test how far they're truly willing to go to get their dream home. As we now come to expect from a Liz Feldman show, No Good Deed is a laugh-out-loud romp that's also brimming with heart and pathos. Jacobson is especially adept at achieving a pitch-perfect blend of the two qualities, further cementing the fact that she's not only a hugely talented comedic actress, but a dramatic star, too. In celebration of No Good Deed's release on Netflix, Jacobson swung by for a Collider Ladies Night chat to revisit her choice to leave the Atlantic Theater Company for the The Upright Citizens Brigade, and how, all these years later, she's finally come to accept that she didn't have to study at an acting conservatory to take on dramatic roles. Hosted on Acast. See acast.com/privacy for more information.

Director / Co-Writer Kyle Mooney and Co-Writer Evan Winter are here to turn back time, discuss video store viewings, high school cliques and more. This interview contains mild spoilers for Y2K. More about Y2K On the last night of 1999, two high school juniors crash a New Years Eve party, only to find themselves fighting for their lives in this dial-up disaster comedy. More about Kyle Mooney Kyle Mooney is known for his nine seasons on Saturday Night Live. He co-created, co-wrote and starred in Saturday Morning All Star Hits! which was released on Netflix in 2021. Most recently Kyle appeared, opposite Jennifer Lawrence in No Hard Feelings. In 2017, he co-wrote and starred in Brigsby Bear, which premiered in competition at Sundance and was released theatrically by Sony Pictures Classics. His other film appearances include Zoolander 2, directed by Ben Stiller, and Neighbors 2: Sorority Rising. Mooney also starred in the HBO series Hello Ladies and the show's movie adaptation, Hello Ladies: The Movie, opposite Stephen Merchant. Other notable television appearances include NBC's Parks And Recreation and Netflix's Arrested Development. Mooney is a co-founder of the Good Neighbor sketch group and has been a regular writer and performer at Upright Citizens Brigade since 2007. Y2K is Kyle's feature directorial debut. More about Evan Winter Evan Winter is a writer, director and producer based in Los Angeles. Through his production company Arms Race he has created music videos, commercials and short form content for Paramount, Sony, Warner Music Group, and Universal, with work appearing in The New York Times, NPR, MTV, Rolling Stone and more. His debut feature film, Y2K, for A24, will have its World Premiere at the SXSW Film Festival. Y2K is in theaters now. Find us at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠www.werewatchingwhat.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠tiktok.com/@werewatchingwhat⁠⁠⁠ THEDHK can be found at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠instagram.com/thedhk ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠twitter.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠facebook.com/thedhkmovies⁠

Rob Huebel can currently be seen in the comedy feature film All Happy Families (costarring Josh Radnor and Becky Ann Baker) on VOD, but he is never out of sight for long. An improv comedian and actor par excellence who honed his chops at Upright Citizens Brigade, he frequently works with such pals as Rob Riggle, Paul Scheer, and Will Arnett. His movie credits include I Love You, Man, The Descendants and Keanu and his TV resume is packed with shows like Transparent, Arrested Development and Curb Your Enthusiasm. Leonard and Jessie found Rob to be whip-smart, warm and funny…in short, a perfect guest.  

This week, I am honored to host the legendary Matt Besser. Matt is a founding member of the iconic sketch comedy troupe Upright Citizens Brigade, co-founder of UCB Theater, and the genius behind the popular podcast Improv4humans. With over three decades in the comedy scene, Matt has graced both stage and screen, leaving an indelible mark with his sharp wit and improvisational prowess. His work includes appearances on hit shows like Modern Family and Parks & Recreation, as well as standout roles in movies such as Walk Hard: The Dewey Cox Story and Drillbit Taylor. Be sure to check out Matt Besser's podcast Improv4Humans at improv4humans.com. Don't forget to rate and review the podcast to help bring you more amazing content! If you're listening on Spotify, leave a comment and let me know your thoughts.

This one is HUGE!!! Forrest, Conan Neutron, Kristina Oakes, and Kt Baldassaro sit down with Director Adam McKay (Don't Look Up, Vice, the Big Short, Anchorman, Step Brothers) to talk about his filmmaking career. Adam is a writer/director who came out of Upright Citizens Brigade and then Saturday Night Live Before leaving with Will Ferrell in 2001 to start making movies, together they co-wrote Anchorman: The Legend of Ron Burgundy, Talledega Nights, Step Brothers, and the Other Guys. Then Adam began working on darker political satire, first directing and writing The Big Short, about the guys who shorted the housing market before the 2008 Crash Followed by Vice and his most ambitious project to date Don't Look Up. We went over Adam's entire career!!! #AdamMckay #vice #dickcheney #dontlookup #willferrell #stepbrothers #filmpodcast #film #filmdirector #leonardodicaprio #christianbale #saturdaynight #saturdaynightlive #uprightcitizensbrigade Watch KT Baldassaro & Jared Skolnick's Girl in the Basement: https://www.youtube.com/watch?v=mcn2Q57VXEQ Join our discord: https://discord.gg/jhvuexTJThe Movie Night Extravaganza Patreon helps us keep the show going.. become a Patron and support the show!! https://patreon.com/MovieNightExtra Conan Neutron has music available from Conan Neutron & The Secret Friends https://neutronfriends.bandcamp.com OR if you want to become a Protonic Reversal patron: https://patreon.com/protonicreversal

Welcome to That One Audition! Today's guest is the multi-talented Stephanie Koenig, a Michigan native who got her start in performance through dance competitions before earning an acting degree from Michigan State University. A comedy veteran, she sharpened her skills at Upright Citizens Brigade and Groundlings, frequently collaborating with some of their biggest names. Koenig's acting credits span from starring roles in English Teacher and Lessons in Chemistry to notable appearances in The Flight Attendant and The Offer, where she portrayed casting executive Andrea Eastman, helping to assemble the iconic cast of The Godfather. Behind the camera, Koenig has made waves by writing, directing, and starring in projects like A Spy Movie alongside frequent collaborator Brian Jordan Alvarez, as well as her hit short-form series Stupid Idiots, which was in development at Paramount TV. These are the unforgettable stories that landed Stephanie Koenig right here. CREDITS: English Teacher Lessons in Chemistry The Offer The Flight Attendant Modern Family Swedish Dicks Batman v Superman: Dawn of Justice Stupid Idiots Sick Girl GUEST LINKS: IMDB: Stephanie Koenig, Actress, Producer, Writer INSTAGRAM: @stephaniekoenig THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition MAGIC MIND: Get 48% off with promo code ONEAUDITION20 SLAYTEMBER: Starting September 15, 2024! THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

On this week's episode of DTT, Mike meets up with Brooke Comegys. The creator of "Titty Monster" shares what inspired and ultimately led to the creation of the brand,. Brooke also shares her recent legal victory over Monster Energy for trademark rights to Titty Monster. Brooke also discusses her time living in NYC pursing a film degree, interning for Saturday Night Live, and joining Upright Citizens Brigade.

Actor and writer Andy Richter is best-known for his long-running role as Conan O'Brien's announcer and sidekick throughout multiple late-night shows. He rose to fame alongside Conan in 1993 on Late Night with Conan O'Brien and reprised this role on The Tonight Show with Conan O'Brien, which premiered in 2009. In 2010, the duo moved to TBS, where Conan ran for 11 years with Richter once again acting as announcer, writer, general sidekick and participant in comedy sketches. Richter has guest-starred in popular shows such as Arrested Development and Hulu's Love, Victor. His feature film work includes Scary Movie 2, Elf, Talladega Nights, Blades of Glory, Semi-Pro, and Marcel the Shell With Shoes On. Andy's also had a prolific voiceover career across numerous projects Mort in DreamWorks Studios' Madagascar films, as well as in the Nickelodeon series Penguins of Madagascar. Since 2019, Richter has hosted the popular podcast The Three Questions with Andy Richter, has appeared in the film 80 for Brady and recently finished production on the upcoming film First Time Female Director. Richter is a graduate of Chicago's Improv Olympic and Annoyance Theater, and a frequent performer at the Upright Citizens Brigade theater in Los Angeles. Join us for this fun, insightful, in-depth chat about Andy's life and career. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

Geeks rule! Kat Jones is Founder of Motiv PR, based in CA, a global communications company repping such clients as Critical Role, Felicia Day, Titmouse Animation, Upright Citizens Brigade, Real Good Touring, E3 and the ESA, Blind Squirrel Games and more. She was named one of the top PR pros in the industry by Business Insider three years in a row and has been extensively profiled in West Coast media. She just returned from San Diego Comic Con where she had a front row seat to some of the biggest pop culture news in the country right now.  We talk about SDCC and the PR that goes into promoting big brands. The PR Podcast is a show about how the news gets made. We talk with great PR people, reporters, and communicators about how the news gets made and strategies for publicity that drive business goals. Host ⁠⁠Jody Fisher⁠⁠ is the founder of Jody Fisher PR and works with clients across the healthcare, higher education, financial services, real estate, entertainment, and non-profit verticals. Join the conversation on ⁠⁠Facebook⁠⁠, ⁠⁠Twitter⁠⁠, ⁠⁠Instagram⁠⁠, and ⁠⁠TikTok⁠⁠ at @ThePRPodcast. The PR Podcast: Facebook Twitter Instagram TikTok Kat Jones: Instagram MotivPR: Facebook Instagram Linkedin --- Support this podcast: https://podcasters.spotify.com/pod/show/theprpodcast/support

The Matrix, Chapter 19 Featuring a chapter novelized by Daniel Kibblesmith⁠ (Colbert, Clone High), and narrated by June Diane Raphael⁠ (How Did This Get Made!) plus an interview with ⁠Suzi Barrett⁠. Andy Bobrow has written for Community, Brooklyn Nine-Nine, Bless the Harts, The Last Man on Earth, Malcolm in the Middle, SNL, and Krapopolis. Lane Moore is a stand-up comedian who is the creator and host of Tinder Live! With Lane Moore, and her writing has appeared in The New Yorker and The Onion. Alyssa Sabo is a comedian and improviser at the Upright Citizens Brigade. Each season on The Novelizers, we take a beloved film, give each scene to a TV comedy writer (from SNL, The Simpsons, Colbert, and more) to novelize. Then we give those scenes to a comedian or actor to narrate. Plus interviews with the people who (may or may not have) made the original film. The Novelizers is produced by Stephen Levinson, with Graham Douglas, Kevin Carter, Christine Bullen, Dennis DiClaudio, Rob Kutner, and Suchetas Bokil. Music and additional editing by Cole Emoff. Graphic design by Crystal Dennis. Theme song by Andrew Lin, performed by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Knotts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Reprise performed by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Paige Beller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and sometimes ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Aimee Mann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The Novelizers is a work of parody, unauthorized by Warner Brothers. ⁠⁠⁠⁠Follow The Novelizers⁠⁠⁠⁠ on ⁠Instagram⁠, ⁠Threads⁠, ⁠Facebook⁠ and ⁠TikTok⁠, and please donate to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Copyright 2024 Novelizers LLC.

Jake, Gareth and special guest Matt Walsh (Veep, Upright Citizens Brigade) talk to callers about a rowdy kickball team and a business's Instagram getting spammed by some very specific bots. Later, the guys talk to someone about a grabber toy getting out of hand and we get a special update from the second call of last week's episode “Car Crash Turned Train Wreck.”Want to call in? Email your question to helpfulpod@gmail.com.PATREON (Early Access, Bonus Calls and Q&As): Patreon.com/HereToHelpPodVIDEO: Youtube.com/@HeretoHelpPodMERCH: heretohelppod.comINSTAGRAM: @HereToHelpPodTIKTOK: @HereToHelpPodIf you're enjoying the show, make sure to rate We're Here to Help 5-Stars on Apple Podcasts.Advertise on We're Here to Help via Gumball.fm See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Taylor Coffman thinks caretaking is hotA Fresh Story Podcast, season 9, episode 1We chatted with Taylor Coffman, an actor, author, and patient advocate, who shared her inspiring story of resilience after a rare disease diagnosis. Taylor's acting career, marked by versatility and depth, includes roles on "Silicon Valley" and "Feud: Bette and Joan." Her life took a dramatic turn during the birth of her daughter, leading her to become a passionate patient advocate and storyteller.Taylor shared how she survived multiple organ failures, emphasizing the importance of a strong support system and effective communication with healthcare providers. Her husband Zach played a crucial role in her recovery, advocating for her when she couldn't speak. Taylor's experiences inspired her to write for Substack Rare Disease Girl, where she chronicles her journey with humor and authenticity, aiming to educate and empower others facing similar challenges.We explored Taylor's journey of navigating life with a chronic illness, the impact on her relationships, and her approach to parenting. Taylor discussed her upcoming book, which covers relationships, career, and gratitude, highlighting the importance of embracing vulnerability and finding strength. Her story is a powerful testament to the human spirit's resilience and the transformative power of fresh starts.As an actor, author, and patient advocate, Taylor Coffman has captivated audiences with her unique blend of humor and authenticity sharing her inspiring personal story of survival and resilience after an extremely violent and rare disease diagnosis.Before her disease, Taylor's acting career on stage and screen was marked by versatility and depth. A storyteller with disarming humor, Taylor has a particularly extensive background in comedy, having worked on Jimmy Kimmel Live, studying at Upright Citizens Brigade, traveling with musical comedy shows to the Edinburgh Fringe Festival as well as a recurring role on season 2 of HBO's Silicon Valley directed by Mike Judge, Life in Pieces on CBS, and Rachel Dratch's Late Night Snack on TruTV. She also appeared in Feud: Bette and Joan directed by Ryan Murphy.In addition, Taylor has over a decade of experience in creative project management in media, including former operations lead for LAist Studios, an award-winning podcast production studio.Everything in Taylor's life ground to a halt during the birth of her daughter. Her delivery triggered atypical Hemolytic Uremic Syndrome, leaving Taylor near death with multiple organ failure. Defying all odds, her experience inspired her to work as a patient advocate, empowering others with their life-changing diagnosis.Taylor's message of patient empowerment quickly gained momentum. In her article for the Huffington Post, I Spent Weeks Near Death In The ICU. Asking My Doctors To Do This 1 Thing May Have Saved My Life, Taylor shares how her medical catastrophes forever changed how she approaches her own healthcare. The article topped Apple News as the #1 story, garnering nearly 1 million impressions in 48 hours.Taylor Coffman has shared her story as keynote speaker at the aHUS Foundation Conference, as well as sharing her story to the FDA, the American Society of Hematologists, and The Moth among others.At the intersection of disability, motherhood and adapting to a new chronic illness, Taylor began writing for Substack Rare Disease Girl - which chronicles her experience of living with a rare medical condition and navigating life's inevitable challenges. In Taylor's upcoming book, she hopes to educate and advocate for patients, as well as to bring more awareness to life with chronic illness. Bridging her comedy and project management expertise, she naturally weaves together the harsh reality of her difficult healthcare journey with light, laughter, and ultimate path to greater purpose and...

The Matrix, Chapter 18 Featuring a chapter novelized by Andy Bobrow, and narrated by Lane Moore plus an interview with Alyssa Sabo. Andy Bobrow has written for Community, Brooklyn Nine-Nine, Bless the Harts, The Last Man on Earth, Malcolm in the Middle, SNL, and Krapopolis. Lane Moore is a stand-up comedian who is the creator and host of Tinder Live! With Lane Moore, and her writing has appeared in The New Yorker and The Onion. Alyssa Sabo is a comedian and improviser at the Upright Citizens Brigade. Each season on The Novelizers, we take a beloved film, give each scene to a TV comedy writer (from SNL, The Simpsons, Colbert, and more) to novelize. Then we give those scenes to a comedian or actor to narrate. Plus interviews with the people who (may or may not have) made the original film. The Novelizers is produced by Stephen Levinson, with Graham Douglas, Kevin Carter, Christine Bullen, Dennis DiClaudio, Rob Kutner, and Suchetas Bokil. Music and additional editing by Cole Emoff. Graphic design by Crystal Dennis. Theme song by Andrew Lin, performed by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Knotts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Reprise performed by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Paige Beller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and sometimes ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Aimee Mann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The Novelizers is a work of parody, unauthorized by Warner Brothers. ⁠⁠⁠Follow The Novelizers⁠⁠⁠ on ⁠Instagram⁠, ⁠Threads⁠, ⁠Facebook⁠ and ⁠TikTok⁠, and please donate to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Copyright 2024 Novelizers LLC.

From improv4humans, the Upright Citizens Brigade and silver screens big and small, Matt Besser returns to the chart orchard! Topics include: Carp Fishing, Creek by the Water, Crack Country, Black Frisbee.Subscribe at www.whochartedpod.com to support the show, and gain access to Two Charted, the weekly Howard/Brett deep-dive bonus show, and the entire Who Charted and Preem Streem archives ad-free! Now includes the Who Charted Holiday Bundle.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We had a great conversation with Emmy Award-winning Actress Danielle Bisutti on The Chris & Sandy Show. We talked about her role in The Blue Rose, what she learned from her role, her life and so much more!Born and raised in Los Angeles, Danielle Bisutti attended California State University, Fullerton, where she received a BA in Acting and Musical Theatre graduating Magna Cum Laude. While attending CSUF, she was nominated multiple times for Best Actress in the Irene Ryan Competition and took the runner-up position at The Lincoln Theatre in NYC. She played the role of ‘Sheila' in a California-based production of Hair and brought the cast to Chicago to perform at the Democratic National Convention, along with a five-week run at The New Athenaeum Theatre. Her other theater credits include Reno Sweeney in Anything Goes, Maggie in Boy's Life, Yelena in Uncle Vanya, Fastrada in Pippin and Ophelia in Hamlet. She also studied with Lesley Kahn, performed with the Upright Citizens Brigade and studied with the Film Actor's Workshop under Eric Kline. Bisutti has been seen on some of television's most popular series including Parks & Recreation, Last Man Standing, CSI: Miami, Without a Trace, The O.C., Castle, NCIS, Criminal Minds, 90210, Shonda Rhimes' For the People, Private Practice, Body of Proof, Two and a Half Men and Boston Legal. She is best known for her starring role as Amanda Cantwell opposite Keke Palmer on the Nickelodeon series True Jackson VP. Her film credits include Insidious Chapter 2, Universal Studio's Curse of Chucky, Michael Rosenbaum's indie comedy Back in the Day, Lionsgate's Venice Underground opposite Eric Mabius, The Neighbor with Matthew Modine and Lionsgate's Faith-based film No Greater Love. She won a Los Angeles area Emmy Award in 2022 for hosting Street Music Los Angeles. She co-produced the web series Hollywood Girl in which she had a starring role as Pasha Maneer. Her talents lend to both onscreen and behind the scenes work. In 2018, Bisutti provided the voice and motion capture for the Witch of the Woods, who is later to be revealed as the Goddess Freya in the Sony Playstation video game God of War. She continued her role for the 2022 release of God of War: Ragnarok – roles for which she has been BAFTA nominated for. Additionally, she performance captured the role of “Claudia Grimstone” in Madden NFL 21: Face of the Franchise and voiced “Wonder Woman” in the Lego Movie 2 video game. A Writer, Producer and Director: Her company Perfect Timing Productions' current projects include Mood Swings, a TV comedy series for Pureflix, and short film Little May which was an "Official Selection" of Academy Award qualifying LA Shorts International Film Festival and Fade In Awards Grand Jury Prize "Best Short Script" 2019. Projects in development include TV pilots: Wonderland, Damsels and feature films projects: The Fort, The Christmas Rebound, and Wake Me.As a Singer-Songwriter, Danielle's original songs have been placed in films Venice Underground, April Moon, In the Presence of, Shadowheart, and theme song Heaven for the indie feature City of... which she performed live at the 19th Annual Steve Chase Humanitarian Awards Desert AIDS Project accompanying dancers Kupono and Marko from So You Think You Can Dance with with choreography by Ray Leeper. She received a Los Angeles Music Award for "Best Female Singer-Songwriter." Her album "Glimmer" was nominated for AAA Album of the Year and her song "In Passing" has received Unanimous Choice Recipient Award for Independent AC Single of the Year. Music Connection Magazine has featured Danielle in its Hot 100 Unsigned Artists list. Annually Danielle sings on stage with rock n' roll legends at the Venice Beach Sign Holiday Lighting ceremony, past artists: Al Jardine of The Beach Boys and Andy Summers of The Police. Danielle sings and plays piano, guitar and ukulele with her band Midnight Velvet, interweaving jazz and blues standards in...

Paul W. Downs co-created the HBO Max show with his wife, Lucia Aniello and their friend and collaborator, Jen Statsky. The three met at the Upright Citizens Brigade. Downs talks with Ann Marie Baldonado about how they came up with the idea for Hacks, tackling cancel culture, and how his wife continued directing the show while she was in labor. Hacks is nominated for 16 Emmy awards this year, including for Downs for his role as Jimmy. Also, David Bianculli reflects on the Turner Classic Movies series Two for One. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

WGN Radio's Dave Plier catches up with actor and comedian Matt Walsh on the relevance of HBO's ‘Veep' today, his latest role on ‘Manhunt' about the assassination of President Abraham Lincoln and his improv journey with Players Workshop, Upright Citizens Brigade and IO Chicago and their IOFest all weekend long. For tickets and more, visit […]

Shannon is joined by actor & comedian, Alyssa Sabo! You can find her on Starz's Gaslit, being silly on the iconic Upright Citizens Brigade stage, reading from her Christian journal on TikTok, or fainting on the Price is Right stage. Alyssa & Shannon discuss growing up Christian, who should pay on the first date, giving people headaches with the volume of their voices, and her dog Paula Abdul (who has yet to win over Shannon— jury is still out).Alyssa Sabo: https://www.instagram.com/alyssa_sabo/(0:00) Banter(16:33) AITA for a friendship ending over $5? (Alyssa's story)(28:25) AITA for saying it's not fair that my sister gets to go to an awesome summer camp while I go to church camp?(46:00) AITA for embarrassing my friend's boyfriend?(01:00:52) AITA for asking my co-worker to control the volume of her voice? Submit to our Subreddit: https://www.reddit.com/r/AITApod/Join us on Patreon! https://patreon.com/aitapodWhat's on Patreon?200+ Bonus eps- NO ADSand accurate timestamps- Discord with awesome communityTikTok - https://www.tiktok.com/@aitapodInstagram - https://www.instagram.com/aita_pod/

This week we chat with one of Kellin's oldest childhood pals, Kristen Bartlett and her lovely other half, Jason Gore. Kristen is a five-time Emmy-nominated writer and performer, and is so insanely talented with her word. Her husband Jason is a hilarious comedian, writer, actor, podcaster and voice artist. Jason has a hysterical podcast called 108.9 The Hawk, in addition to The Best Show with Tom Scharpling that you will promptly want to check out. These two have some serious stacks of credits and accomplishments as artists, and we are thrilled to be welcoming them into the box today. This episode was so jam packed full of great moments that we had to cut almost an entire second episode out of material that was not cleared for public consumption. But if you are on of our patrons, you MIGHT have the opportunity to hear some of the uncensored gold

This week Jeremy interviews actor / comedian Johnny Pemberton. On this episode Jeremy and Johnny talk meeting on the set of WEIRD, Riley Gale of Power Trip, Upright Citizens Brigade, They Might Be Giants, Minnesota, Beastie Boys, learning bass guitar, stand up vs improv, Good Morning Vietnam, Saturday Night Live, acting class, being starstruck, voice acting, his podcast "Live to Tape", playing Thaddeus on the show “Fallout" and so much more!!! SUBSCRIBE TO THE PATREON for a bonus episode where Johnny answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER Want some First Ever Podcast merch? Click here!

Carly Ann Filbin is a multifaceted entertainer, celebrated comedian, storyteller, and the visionary force behind Written in Brooklyn. With a degree in Directing from Marymount Manhattan College, Carly brings a wealth of expertise to the art of crafting compelling stories, refining intuition, and bringing visions to life.Her debut solo show, Validate Me, enjoyed a sold-out run at The People's Improv Theatre and garnered acclaim at the Cincinnati Fringe. This Doesn't Mean I'm Your Boyfriend, her second solo venture, made its mark at the renowned Upright Citizens Brigade before securing a summer residency at Carnegie Stage. Carly's most recent solo production, Coke Ass, premiered at Upright Citizens Brigade and concluded its successful run at Caveat Theatre.The North Coast Podcast is a Musical Comedy podcast featuring interviews, improvised hip-hop songs, and long-form improv from New York City's long-running hip hop-improv team, North Coast. From conversations with comedians, hip-hop artists, and other exciting creatives, you can now bring the infectious energy of a North Coast show into your headphones with this brand new podcast. Produced by Douglas WidickNorthcoastnyc.comNorth Coast - @northcoastnycRj Williams - @rjron.williamsMichael Crisol - @TheDoctorBrickMel Rubin @melrubin2Billy Soco @bsocoDouglas Widick @douglaswidickLuke Miller @lukemillerfakeWith a cast of improv comedy veterans in New York City, North Coast's explosive performances have been packing comedy venues, universities, and festivals nationwide since 2009. Built around a single suggestion from an audience member, the show's improvised scenes escalate into full-blown hip-hop songs, facilitated by resident beatboxer, Doctor Brick. With their seamless melding of comedic timing and freestyle rapping abilities, North Coast frequently blurs the line between comedy show and concert, drawing audiences from the comedy, hip-hop, and theater communities for an experience that has been hailed as “mind-blowing” and “next level” by critics and audiences alike.Named one of the “Top Ten Best Comedy Shows”  by Time Out New York, North Coast has been featured on Vh1, in Slate's Podcast The Gist, The Village Voice, and The New York Times Comedy Listings.The North Coast Podcast is a Musical Comedy podcast featuring interviews, improvised hip-hop songs, and long-form improv from New York City's long-running hip hop-improv team, North Coast. From conversations with comedians, hip-hop artists, and other exciting creatives, you can now bring the infectious energy of a North Coast show into your headphones with this brand new podcast. Produced by Douglas WidickNorthcoastnyc.comNorth Coast - @northcoastnycRj Williams - @rjron.williamsMichael Crisol - @TheDoctorBrickMel Rubin @melrubin2Billy Soco @bsocoDouglas Widick @douglaswidickLuke Miller @lukemillerfakeWith a cast of improv comedy veterans in New York City, North Coast's explosive performances have been packing comedy venues, universities, and festivals nationwide since 2009. Built around a single suggestion from an audience member, the show's improvised scenes escalate into full-blown hip-hop songs, facilitated by resident beatboxer, Doctor Brick. With their seamless melding of comedic timing and freestyle rapping abilities, North Coast frequently blurs the line between comedy show and concert, drawing audiences from the comedy, hip-hop, and theater communities for an experience that has been hailed as “mind-blowing” and “next level” by critics and audiences alike.Named one of the “Top Ten Best Comedy Shows” by Time Out New York, North Coast has been featured on Vh1, in Slate's Podcast The Gis...

Zach Woods got his start at the Upright Citizens Brigade doing improv. Brandon Gardner followed a similar path, eventually shifting to playwriting and sketch. The two continued to share work and support one another as they moved from New York to Los Angeles.  For their latest collaboration, In the Know, where they're listed as co-creators with Mike Judge (Office Space, Silicon Valley), the story follows Lauren Caspian, the third most popular host of an NPR-like interview series, who happens to be a stop motion puppet.  As improv veterans with similar taste, the collaborative writing process somewhat follows the classic “yes, and” structure. “I think it's easy for me to think where it can go positively before I'm critical,” says Gardner. “It's not a partnership where I'm nervous to have an idea.” The casual and polite interaction can go one of two ways: “I'm very trusting of his taste. Do you like this? If he says ‘yes,' I'm 100 percent confident in the idea. If he says ‘I'm not sure,' then I'm also confident in knowing there's another way.” The writers describe the UCB approach to improv as “playing everything to the top of your intelligence,” continues Gardner. “Why is the character doing that? It's not to be funny. To them, it makes sense, so how do you treat the character respectfully?” (Paul Rust made a similar point in the interview for Love).  Woods adds, “Even if I have an idea that doesn't feel right, if we have divergent impulses, neither of us wants to win. We want to figure out where those impulses intersect. We take each other's reservations and confidence very seriously.” Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on hundreds of interviews here at Creative Principles. If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!

This episode features a conversation between host Carrie Rollwagen and Michael Greene, co-owner of Faraway Theater. They discuss the origins of Faraway Theater and improv group Gladys, Michael's journey through the improv world, the group's approach to teaching improv and fostering a community, the business aspect of running the theater and the different courses and benefits it offers. Michael delves into how improv skills are beneficial in all walks of life. They stress the importance of keeping an audience engaged during performances and share information on how to attend shows or enroll in improv classes. For more details on classes, performances, or corporate retreats, Michael directs listeners to visit farawaybham.com or follow their social media handles.   Website and Socials Faraway Website: https://farawaybham.com/ Faraway Instagram: https://www.instagram.com/farawaybham/ Gladys Instagram: https://www.instagram.com/gladysimprov/?hl=en   Mentioned in this episode: Who's Line Is It Anyway: https://www.youtube.com/channel/UCKg_ZFByYTINckLG76cjUEg Wess Gregg of Sanctum Tattoos & Comics on Localist: https://carrierollwagen.com/podcast-episodes/making-a-career-from-what-you-love-with-wess-gregg-of-sanctum-tattoos-comics/ Vacant Manifesto: https://www.youtube.com/c/VacantManifesto derrick comedy: https://www.youtube.com/derrickcomedy Upright Citizens Brigade: https://ucbcomedy.com/ Peoples Improv Theater: https://thepit-nyc.com/ IO Chicago: https://ioimprov.com/ Groundlings: https://groundlings.com/school/online-classes?gad_source=1&gclid=Cj0KCQjw2PSvBhDjARIsAKc2cgN_LJPnW4N-A0ekQ79iHRzVePFyS1Hnop9HGBxibuUnfy-1x9acS8IaAisaEALw_wcB Ugly Baby: https://www.instagram.com/uglybabyimprov/ Harold form: https://en.wikipedia.org/wiki/Harold_(improvisation) Faraway Website: https://farawaybham.com/ Faraway Instagram: https://www.instagram.com/farawaybham/ Gladys Instagram: https://www.instagram.com/gladysimprov/?hl=en Improv for corporations:  info@farawaybham.com

Robbie traveled to LA to sit down with actor and comedian, John Ross Bowie. Bowie has over 100 credits in TV and film, including: “The Big Bang Theory,” (11 seasons as Barry Kripke) “Speechless,” (3 seasons as Jimmy Dimeo) “Fresh off the Boat,” “Episodes,” “Brooklyn 99,” “House of Lies,” “Heroes," multiple "CSIs,"  Jumanji: The Next Level, He's Just Not That Into You, and What the Bleep do we Know? He is also an incredibly talented improv comedian, as you will see. In 2022, he published No Job For A Man, his memoir titled after a quote from his father about making money from the arts. He has been performing at Upright Citizens Brigade theater since 1998, and can often be seen in SUPERMARRIED, the two person improv show with his wife, Jamie Denbo. Bowie also quit drinking and that was fun to discuss as well. 

Vid here Too Ra Loo Ra Loo Ral! That's right, Ray Harrington is returning his homeland of Ireland! As he prepares to stay in a literal castle in Ireland with his wife and son, we jump into Ray attacking the pledge of allegiance without mercy, and brings some new bad characters to the table. The boys talk about the Comedy Central half hours of the late 90's/early 2000's along with Upright Citizens Brigade, Kids in the Hall, and more! But - Ireland. IRELAND! How is Ray's trip going to go? IS he frightened to travel there because of a centuries-old feud between his family and another storied Irish family? WILL he be allowed back into the US after our border patrol hears his anti-pledge of allegiance rants? Find out! Video edit by Craig Depina @funbearablepod / funbearablepod.com #ireland #podcast #funny #friends #comedy

This week the Bayer siblings are thrilled to welcome their friend, writer, actress and comedian Jessica St. Clair! They're talking about all of their favorite shows from growing up, from the simple yet enviable lifestyle portrayed on "The Flintstones" to the more exclusive one we'd watch on "Beverly Hills 90210" (obvi we relate more to the former.) Plus, we talk about how much Vanessa loved having The Rock host her last episode of SNL, and the time Jessica had a beautiful Kardashian run-in when she least expected it. And speaking of celebrity encounters, we dish on The First Todd being recognized recently while getting his car fixed! And if that isn't exciting enough, we also get into the time Jessica appeared on one of Vanessa's favorite tv genres, a soap opera, and was not asked back. Finally, in a rousing game of CONGRATULATIONS, YOU BAKED YOURSELF, we ask ourselves if we're most excited about the return of Pear Salad, Cracklin' Cornbread, or Pumpkin Chiffon Pie. You Yabba Dabba DO need to listen to this fantastic episode!!See omnystudio.com/listener for privacy information.

On today's new episode, the Bayer siblings welcome their delightful friend, writer and actor Zora Bikangaga! They ask whether their childhood selves would have found their adult selves cool? (Spoiler alert: They can stay up as late as they want and eat candy whenever they want, so...) Plus, they get into the ways they tried to act cool as kids i.e. one overall strap down, enormous pants that made it hard to walk, etc. Along those lines, Zora gets into a prolonged prank he did in college that years later ended up making him a perfect fit for the "I Love That For You" writers room! Plus Jonah reminisces about his childhood days of listening to NYPD Blue like it was on the radio, and they dig into the controversy of showing Dennis Franz's bare butt on TV (Which obviously Jonah couldn't see, but could hear?) Finally, in a rousing game of CONGRATULATIONS, YOU PLAYED YOURSELF: PRODUCT EDITION, the trio discusses what they will miss most out of the recently discontinued Starry Soda, McDonald's McCafé baked goods or—the only one most of them remember—Fruit Striped Gum. So be cool and listen to this episode!!See omnystudio.com/listener for privacy information.

Comedian, writer, raconteur, director and fellow podcaster Jake Fogelnest joins me to talk being new fathers, stating SQUIRT TV on public access at age 14 before taking it to MTV, rebuilding after rehab, TIMES SQUARE, Upright Citizens Brigade, our shared obsession with RSO Records & Filmworks, LADIES & GENTLEMEN THE FABULOUS STAINS, Jake's podcast and much more.  Head over to ⁠⁠⁠https://www.patreon.com/CraigAndFriends⁠⁠⁠⁠ Snatch up ad-free & early versions of these episodes, exclusive bonus episodes AND get in early on Movie Clubs. Add your questions, comments (and maybe be directed to certain places where certain films might be) while supporting the show Get into Fogelnest+  https://www.patreon.com/jakefogelnest?utm_campaign=creatorshare_fan Twitter / Instagram @jakefogelnest