Podcasts about baartman

Die Wes-Kaapse LUR vir Finansies, Deidré Baartman, het aangekondig al 14 provinsiale departemente en elf entiteite het vir die 2023/24 boekjaar ongekwalifiseerde oudits gekry. Dit is die tweede agtereenvolgende jaar van sterk finansiële bestuur. Baartman loof die provinsiale regering se toewyding aan finansiële dissipline en beklemtoon verantwoordelike besteding verseker beter dienslewering:

Welcome to the Episode 43 of Murder & Mayhem: South African True Crime.   About the episode: On the 12th of June 2023, a 57 year old woman disappeared without a trace in Bethelsdorp. She had last been seen around 10am when she left her home that morning. Little did anyone know that the reason for her disappearance was due to a danger that lurked within her safe space; the very walls she called home.  The perpetrator no stranger; the crime so brutal; another illustration of the disturbing state of affairs in South Africa.   This is the disturbing case of Desiree Hutton Baartman   For images, sources and real footage of the individuals and the case mentioned, please visit my Youtube Channel- Bella Monsoon where this case has been covered in video format HERE.   SHOP the South African Truly Criminal Colouring Book: https://bellamonsoon.com/shop/books/pre-order-murder-and-mayhem-a-truly-criminal-colouring-experience/   Mental Health Resources: If you are feeling triggered by any of the content within this podcast please reach out and speak to someone. A full list of worldwide mental health channels is available on my website bellamonsoon.com but if you are in South Africa- you can contact SADAG on 0800 12 13 14.   Support the Show on Patreon : https://www.patreon.com/join/BellaMonsoon Support the Show on Paypal: https://www.paypal.com/paypalme/bellamonsoon   Subscribe and follow Murder and Mayhem on Apple Podcasts,  Google Podcasts, Stitcher, Spotify or your favourite podcast listening platforms

Op 11 april 2024 hebben wij onze podcast-studio in een podkas op het overdekte terrein van het Hogeschool Utrecht Onderwijs en Onderzoek festival 2023 geplaatst. Gedurende de dag hebben we een divers pluimage aan bezoekers van het festivalterrein geplukt en in onze caravan uitgenodigd. Telkens spraken we een kwartier over ons bekend hoofdthema: innoveren en veranderen in het onderwijs. Dat leverde leuke, verrassende en leerzame gesprekken op. Vele niveaus en contexten van de organisatie kwamen daarbij voorbij. In de komende weken zullen we telkens één van deze gesprekken met jullie delen. Liesbeth Baartman is lector toetsing en beoordeling in beroepsonderwijs. We spraken met haar over programmatisch toetsen, over hoe je het concept van programmatisch kunt inzetten in een veranderproces. Programmatisch toetsen is een concept maar geen recept. De kunst is om het zo vorm te geven dat het past bij jouw opleiding en jouw studenten. En toch zijn er ook grenzen aan wat nog programmatisch toetsen mag heten. Hoe balanceer je tussen het dichttimmeren van een concept en het gebruiken van een concept voor het bieden van helpende kaders? Luister hier naar dit interessante gesprek met Liesbeth Baartman!

Professor Samantha Pinto discusses her book, Infamous Bodies: Early Black Women's Celebrity and the Afterlives of Rights. Using the idea of “vulnerability” as a touchstone to explain the celebrity of Sally Hemings and Sarah “the Hottentot Venus” Baartman, Prof. Pinto describes how each woman’s agency is complicated by dominant systems of coercion and violence. Sally […]

Professor Samantha Pinto discusses her book, Infamous Bodies: Early Black Women's Celebrity and the Afterlives of Rights. Using the idea of “vulnerability” as a touchstone […]

Brother Faheem discusses popular Black female rap artist Sexyy Redd, and places her persona into context by highlighting the objectification of Black Female rap artists. Bro Faheem further expounds on the topic by referencing the South African Khoisan tribeswoman turned European captive/prostitute, Saartjie "Sara" Baartman. He also touches on how the regularity and acceptance of celebrity sex tapes in modern day media points to an overall Hyper sexualized culture that cultivates the Sexyy red archetype. #poundtown #femalerapper #sexyyred #sarabaartman #anomaly #archetypes #citygirls #femalerap #femalerappers #femalerapper #megantheestallion #yungmiami #nickiminaj

Nathalie Baartman besluit mee te doen aan een sjamanistische zweethutceremonie voor vrouwen.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Clarence speaks to Bernadine Bachar Director at Saartjie Baartman Centre.See omnystudio.com/listener for privacy information.

Hoewel die verhouding van korte duur was, het hy besef dat die gevoel van verliefdheid iets is wat altyd gekoester moet word.

Christiaan Baartman oor Dis Jy.

Christiaan Baartman oor Dis Jy.

The harrowing story of the GOOD MADAM, begins with the death of her grandmother, the woman who raised her, Tsidi (Chumisa Cosa) and her daughter are forced to move in with Tsidi's estranged mother, Mavis (Nosipho Mtebe), who has lived and worked in the wealthy suburbs of Cape Town for most of Tsidi's life. Residues of apartheid-era domestic servitude confront legacies of colonial land theft in South African auteur Jenna Cato Bass's daring horror-satire. Jenna Cato Bass (High Fantasy, Flatland) transforms the legacies of South Africa's colonial land theft and Black domestic service to white bosses into a gutsy psychological thriller. Co-written with Babalwa Baartman, Mlungu Wam (Good Madam) grapples with the daily violence that haunts the nation's most pressing political issues, long after the end of apartheid. Summoning horror-satire references from Ousmane Sembène's Black Girl to Jordan Peele's Get Out, Bass and Baartman's suspenseful descent into complex, searing allegory insists on reckoning with the enduring presence of traumas deceptively labelled “history.” Director Jenny Cato Bass and co-screenwriter Babalwa Baartman join us for a conversation on the inspiration for GOOD MADAM, impact and legacy on today's South Africa, their on-going collaboration, and the superb cast of actors who helped them realize their vision. For more on Good Madam go to: shudder.com

Checking in with another history episode. Listen in as I drop a few history facts about Sara(h) Baartman and how the Black woman's body has become a fad. Apply to join The Virtual Vixen Suite today, a membership community that provides Black women a safe space to access pleasure, intimacy, and sex. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/unapologetic-vixen/support

Nathalie over Ali B en een geit, spelen voor rotaryachtige bejaarden zonder gehoorapparaat, een mislukt gevoelig lied en nog veel meer.Meer over Nathalie vind je op https://www.nathaliebaartman.nl/Vind je Elektra leuk, steun dan de podcast en doneer een paar euro via www.elektrapodcast.nlWord crewmember en doe een kleine maandelijkse donatie voor extra afleveringen en leuke extra's. Regel het via www.elektrapodcast.nl/steun-elektra

"Saartjie (Sara) Baartman was one of the first black women known to be subjugated to human sexual trafficking. She was derisively named the “Hottentot Venus” by Europeans as her body would be publicly examined and exposed inhumanly throughout the duration of her young life. Moreover. her experience reinforced the already existing and extremely negative sexual fascination with African women bodies by the people of Europe. Sara Baartman was born in 1789 at the Gamtoos River, now known as the Eastern Cape in South Africa. Baartman and her family were members of the Gonaquasub group of the Khoikhoi. Baartman grew up on a colonial farm where she and her family most likely worked as servants. Her mother died when she was aged two and her father, who was a cattle driver, died when she was still a young girl. By her teenage years Baartman married a Khoikhoi man who was a drummer. They had a child together who died shortly after birth. When Baartman was sixteen, her husband was murdered by Dutch colonists. Soon after, she was sold into slavery to a trader named Pieter Willem Cezar, who took her to Cape Town where she became a domestic slave to his brother, Hendrik. On October 29, 1810, although she could not read, 21-year-old Baartman supposedly signed a contract with William Dunlop, a physician, who was a friend of the Cezar brothers. This contract required her to travel with the Cezar brothers and Dunlop to England and Ireland where she would work as a domestic servant since technically slavery had been abolished in Great Britain. Additionally, she would be exhibited for entertainment purposes. Baartman would receive a portion of earnings from her exhibitions and would be allowed to return to South Africa after five years. However, the contract was false on all details and her enslavement continued for the remainder of her life." --- Send in a voice message: https://anchor.fm/antonio-myers4/message Support this podcast: https://anchor.fm/antonio-myers4/support

Op een datingsite komt Nathalie Baartman in contact met een man die haar bekend voorkomt.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Sarah 'Saartjie' Baartman was taken to the UK by a British doctor. But did she know what she was signing up for? Stage-named 'The Hottentot Venus', Sarah was paraded around freak shows in London and Paris. During her life and even after her death, she was objectified, mistreated and abused. More than 200 years after her death, her life story reveals confronting truths about the treatment of black female bodies and how much has, and hasn't, changed. Season Two is co-produced with CBC Podcasts.

Sarah 'Saartjie' Baartman was taken to the UK by a British doctor. But did she know what she was signing up for? Stage-named 'The Hottentot Venus', Sarah was paraded around freak shows in London and Paris. During her life and even after her death, she was objectified, mistreated and abused. More than 200 years after her death, her life story reveals confronting truths about the treatment of black female bodies and how much has, and hasn't, changed. Season Two is co-produced with CBC Podcasts.

Sarah 'Saartjie' Baartman was taken to the UK by a British doctor. But did she know what she was signing up for? Stage-named 'The Hottentot Venus', Sarah was paraded around freak shows in London and Paris. During her life and even after her death, she was objectified, mistreated and abused. More than 200 years after her death, her life story reveals confronting truths about the treatment of black female bodies and how much has, and hasn't, changed.

In today's music segment we feature the sounds of Afrikaans musician Christiaan Baartman. His latest single STOF is accompanied by a special music video, highlighting the plight of South African rhinos. The video was shot on location in a Rhino Sanctuary, that specializes in the rehabilitation and protection of rhinos that were affected by poaching Baartman is hoping his efforts and the music video will help a local NPO called Food for Rhino's, which assists the endangered animals. See omnystudio.com/listener for privacy information.

Die talentvolle sanger en liedjieskrywer, Christiaan Baartman, kom gesels oor sy nuwe enkelsnit 'Stof'. Hy bring ook sy kitaar saam en bederf ons met 'n paar akoestiese klanke.

Kim Kardashian is now famously a billionaire, mostly from successful promoting and selling shapewear underwear which she promotes using her ass-sets. But was she the first person to commodify this particular body part and where has the idea of a large bottom being a sexual marker come from? Is it purely natural does actual idea of a large booty equating to being hypersexual  have sinister undertones? I recorded this interview with Laura Snowling several years ago but found the story incredibly sad and troubling so decided against putting it out. However, I think this was cowardly and it is a REALLY thought provoking tale.  I hope you enjoy it, and I'll make sure I do something more upbeat next time. Laura Snowling is a project manager at The British Museum without her I would never have heard of Sarah or her story.  Sarah Baartman Support me on Ko-fi

Welcome to another episode of the podcast! Games Covered - IND v AUS: 4th test and series review. - SL v ENG: 1st Test. - UAE v IRL: 3rd ODI. PAKvSA news - Marco Jansen added to the SA squad in place of Baartman, no reason given. - Klaassen to lead a second string SA side to play T20s in PAK. - No Masood, Abbas and Sohail in the PAK squad to face SA, Rauf among 4 new comers in the squad. Covid-19 news - UAE v IRE 2nd ODI abandoned due to more positive cases coming to light. - Hayden Walsh Jr tests positive, out of BANvWI ODI series. Other News - No truth in Amir's claims about treatment says Misbah. - Ghana in line to host the Africa games cricket tournament in 2023. - Devine hits the fastest T20 hundred (off 36 balls) in women's cricket. - More investors gather to inject funds into RR kitty before the IPL auction. - PAK's coaching staff gets a reprieve after a review. Another to follow after SA test series. Trivia Q: Which player has faced the most number of balls in test cricket, at how many balls (average) per innings? ______________________________________________________________________________ Listen to us and get in touch: On Spotify On Apple podcasts On Youtube On Twitter On Facebook On Acast On Castbox On Stitcher On Spreaker Via mail Please do subscribe to our podcast and let us know what you think in the comments section of the podcasting app, via mail or on social media. Leave us a 5-star rating on any platform or app (like apple podcasts) you use to listen to us. Thanks!

Broedseizoen voor vlinders, Kaspische Zee daalt 18 meter, de column van Nathalie Baartman, pluk zelf je groente en hoe vliegt een kanoet elk jaar van noord naar zuid?

The preface to Robin Mitchell's new book, Vénus Noire: Black Women and Colonial Fantasies in Nineteenth-Century France (University of Georgia Press, 2020) moves me. In it, the author tells the story of her first research trip to Paris and the profound moment of her encounter with a plaster cast of Sarah Baartman's body at the Musée de l'Homme. It is riveting, personal, and honest, the perfect entry into a book that is all of these things. Exploring the cultural production of French representations of three extraordinary Black women (Baartman, Ourika, and Jeanne Duval), the book interrogates the visual and literary imaginaries that white French men and women developed in relationship to these women's lives and bodies. Subjected to a perverse "scientific" fascination, Baartman's body became "famous" throughout and beyond France as white gazes and fantasies sexualized and pathologized her for years until she died. Brought to France from Senegal by the Maréchal Prince de Beauvau, Ourika became the subject of what Mitchell characterizes as a cultural consumptive "mania" that both emulated and rejected her story and the possibilities of her "Frenchness". The lover and common law wife of poet Charles Baudelaire, Jeanne Duval lived an entire life in France, but could never be "French enough." Marked and minoritized by their racial difference, all three women became sites of fixation and memory for a white population seeking/needing constant shoring up of their gendered and racialized identities, and a society haunted by loss and defeat in the wake of the Haitian Revolution. The book is so beautiful, so clearly written, so overflowing with injustice, meaning, and feeling. And Mitchell's voice is there throughout, finding and honouring the voices and lives of these women. It is a book for everyone. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, ‘“No Hiroshima in Africa”: The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads on the unceded traditional territories of the Sḵwx̱wú7mesh (Squamish), Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) peoples known as Vancouver, Canada and hopes all listeners are keeping healthy and safe at this difficult time in our world. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoices

Die talentvolle sanger en liedjieskrywer, Christiaan Baartman, reik sy nuwe enkelsnit, Die Beste Deel, uit. Christiaan en Jattie de Beer het die lied saam geskryf. "Gebore uit 'n lekker bottel rooiwyn en 'n nostalgie van liefde," sê hy in die Lunch Punch. Hy vertel ook meer oor sy ervarings in Nashville, Tennessee.

Maroela Media — Die musiekvideo is vandag (Vrydag) vir die eerste keer op Maroela Media te sien.

How does faith shape the way we live in our culture, communities, and the public square? It's the question we tackle each week On The Road, and – along the way – discover stories of courage, inspiration and hope!

In deze aflevering interviewen Wytze Niezen en Wim Pelgrim Gerdineke van Silfhout, toetsdeskundige van SLO (Stichting Leerplanontwikkeling) en Jeroen Bakker, directeur van Paragin, een softwaremaker van onder andere toetssoftware. Gesproken wordt over het formatief evalueren: wat is het? En hoe breng je dat in praktijk? En in hoeverre is formatief evalueren iets nieuws? Of doen we dit stiekem al heel veel in het onderwijs? Gerdineke van Silfhout is leerplanontwikkelaar bij de afdeling voortgezet onderwijs. Als projectleider van een aantal projecten rondom toetsing houdt zij zich bezig met zowel toetsing in dienst van leren en ontwikkeling als de kwaliteit en kwaliteitsborging van afsluitende toetsing, zowel in primair als voortgezet onderwijs. Daarnaast werkt Gerdineke als taalexpert aan projecten rondom taal, vooral in het voortgezet onderwijs. (www.slo.nl) Jeroen Bakker is directeur van Paragin (www.paragin.nl), ontwikkelt internetsoftware gericht op competentie-, kennis- en talentontwikkeling voor grote en kleine organisaties in onderwijs en bedrijfsleven. Slimme oplossingen, die gebruiksvriendelijk, efficiënt en aantrekkelijk vormgegeven zijn en die in binnen- en buitenland kunnen worden ingezet. Bekende programma's zijn www.remindotoets.nl en www.mijnportfolio.nl. Tijdens het gesprek zijn vele studies, boeken en artikelen voorbij gekomen. Een opsomming met links naar deze bronnen: Toetsrevolutie in het voortgezet onderwijs - http://toetsrevolutie.nl/wp-content/uploads/2016/11/Toetsrevolutie-WEB.pdf Toetsrevolutie in het hoger onderwijs - http://toetsrevolutie.nl/wp-content/uploads/2018/05/Toetsrevolutie-Naar-een-feedbackcultuur-in-het-hoger-onderwijs-WEB.pdf Wijze lessen (boek) - https://www.ou.nl/web/wijze-lessen Gulikers en Baartman - https://www.nro.nl/effectief-formatief-evalueren-kleine-stappen-zetten/ Toolkit SLO - https://slo.nl/thema/meer/formatief-evalueren/ Dylan Williams - https://www.dylanwiliam.org/Dylan_Wiliams_website/Welcome.html Dominique Sluismans - https://sluijsmans.net/ Hattie, John. (2009). Visible Learning – A synthesis of over 800 meta-analyses relating to achievement. London: Routledge. Hattie, John. (2012). Visible Learning For Teachers – Maximizing Impact on Learning. NY: Routledge. Beter presteren - https://zoek.officielebekendmakingen.nl/blg-114435.pdf NOS-artikel over basisschooladviezen - https://nos.nl/artikel/2322854-een-derde-van-scholieren-na-drie-jaar-op-ander-niveau-dan-schooladvies.html AD-artikel over MBO-directeur die Engels wil afschaffenhttps://www.ad.nl/utrecht/nieuwe-roc-topman-heeft-grote-plannen-waarom-zou-een-bakker-engels-moeten-leren~a8182691/ Wytze Niezen vind je op LinkedIn (https://www.linkedin.com/in/wytzeniezen/) Wim Pelgrim vind je op zijn eigen site (www.wimpelgrim.nl). Wil je reageren? Ga dan naar Twitter (http://twitter.com/onderwijscast), Instagram (http://instagram.com/onderwijspodcast), Facebook (https://www.facebook.com/groups/2199997356720348/) of LinkedIn (https://www.linkedin.com/groups/8805729/) Deze podcast wordt mogelijk gemaakt door www.pictio.nl

Ruben Baartman werkt sinds een jaar als dorpsmanager van Borne. Wekelijks is hij 36 uur vanuit het gemeentehuis van Borne aan de slag met het toekomstbestendig maken van het centrum. Hij zoekt de mensen op, is een echte doener. 2019 stond in het teken van de verbinding met alle stakeholders (zo is er o.a. een team opgezet met 10 straatvertegenwoordigers). In 2020 draait het vooral om het aanbrengen van focus.

In S2 Ep.2 of Real Talk On Godtalk, your favorite co-hosts sit down with Sarah K - writer, community engagement coordinator, and self proclaimed “fat woman”. Her work joins the field of ‘fat studies’ and social ethics with theologies of the body. She helps us answer the Real Talk question of the week, “How do our feelings about fat people clue us into our beliefs about God?”. Next, in Keeping Time and the Moon Reading, YaYa shows us how to take advantage of the back to back meteor showers that end in a full moon on October 13th. And finally, we have a new segment called “Quality of Life Hack”,  where this week, TRUTH introduces us to a more spiritually grounded approach to the activity everyone loves to hate: networking. N.B At about 38:56  YaYa mistakenly refers Sara Baartman as Venus Hottentot. Let’s use the platforms we have to self-correct and #sayhername : Sara Baartman  (1770s – 29 December 1815) was the best known of at least two South African Khoikhoi women who, due to their large buttocks, were exhibited in racist freak show attractions in 19th-century Europe under the name Hottentot Venus—"Hottentot", an offensive term,  was the name for the Khoi people. Upon her death in 1815, Baartman’s body was dissected and displayed in the western scientific community for “medical research”. 

Maroela Media — Sommige kan dalk onder die indruk wees dat Christiaan Baartman sy eerste verskyning op die Suid-Afrikaanse musiektoneel gemaak het toe hy vroeër vanjaar beoordelaars van The Voice SA met sy weergawe van “Tennessee Whiskey” tydens sy blinde oudisie oorrompel het. Maar dié rasperstem-musikant is al langer as ʼn dekade professioneel in die musiekbedryf en het begin sing nog voor hy behoorlik kon praat.

Join me, your host Amy Walker, as I delve into stories from across history with a guest who has no idea what the topic is going to be. This week I'm joined by Han Burch to talk about Sara Baartman, the young woman who traveled from South Africa to England to make money in the … Continue reading Episode 29 – Sara Baartman →

The moment has finally arrived.... Did Nnekay meet Solange?!?!?! Nnekay breaks down her fabulous night at SFMOMA and how she may or may not have acted like a big ole trash bag... one might say a Trasharella? James also had a glamour night at a very exclusive Marvel private showing! James also talks about his newest obsession: Dear White People (the television show on Netflix). He HIGHLY recommends it! The jury is still out when it comes to Handmaiden's Tale on Hulu- we'll follow that up next week. We also want to congratulate our past guest, Ashley Nicole Black and her show Full Frontal with Samantha Bee. Samantha Bee hosted Not the White House Correspondence Dinner and it was a HIT. Also keep an eye out for Franchesca Ramsey's new talk show headed for Comedy Central (not VH1 like Nnekay said). Heading into our Korners, Nnekay talks about the Moapa Band of Paiutes Tribe of Southern Nevada who fought against a toxic Coal Plant, which was poisoning their land and their people. It's a successful story about grassroots efforts, looking for the right resources, and never giving up in the face of adversary. In James' Korner, he covers the life and times of Sarah Baartman, an South African woman who was stolen, displayed, and exploited even in death. James was inspired the play Venus by Suzan-Lori Parks (which is currently running NYC). The story of Ms. Baartman may enlighten you to the perception of the black female body and it's objectification which still lasts to this day. We dabble a little into the Korner Kids Playground and talk about some of the amazing things happening there (join the fb group). Also we get into how Nnekay does not like birds, James doesn't like racoons, and how Nnekay may or may not have a trash chariot pulled by Racoons. ENJOOOOOOY! Links! http://www.colorlines.com/articles/how-one-small-tribe-beat-coal-and-built-solar-plant  

Afl. 136. Geven en nemen: Nathalie Baartman by Echt Gebeurd

Maia Aziz P.S.W., C.L.Y.L., writes and speaks on living a life of love and laughter. President-Elect of The Association for Applied and Therapeutic Humor, Maia is joined each week on Morning Moments With Maia...Conversations of Love and Laughter by an eclectic lineup of guests who live their lives with love and laughter and work to help others do the same. www.withloveandlaughter.ca Dr. Melissa Baartman Mork, Chair of the Department of Psychology at University of Northwestern- St. Paul shares a personal conversation with Maia about parental loss.  The loss of our parents marks us, no matter when or how the moment comes, and shapes who we become as adults and parents ourselves.  Featuring the beautiful songwriting of Danielle Ate the Sandwich www.danielleatethesandwich.com    

Non-profit leaders in Greensboro talk about an exciting upcoming public event Art Plus Dialogue: Responding to Racial Tension in America that will use art, dance, music, and more to start conversations about race. Organizers Laura Way of the Greenhill Center; Dr. Dara Nix-Stevenson with the Center for Visual Artists, and Ivan Canada of the National Conference for Community and Justice discuss.

In this podcast, Edleeca and Poe unpack the theoretical underpinnings at work in Kim Kardashian's attempt to "break the Internet." Exploring the historical and scientific contexts within which black racial constructions of difference evolved, they debate the relevance of these contexts and their employment in justifying past, and present, models of behavioral and sexual deviance.

Nathalie Baartman leest voor uit haar puberdagboeken