Podcasts about npo

Africa Melane speaks to Marie Slundt from The Hope Exchange about how your R67 can help provide support to Cape Town’s homeless community Early Breakfast with Africa Melane is 702’s and CapeTalk’s early morning talk show. Experienced broadcaster Africa Melane brings you the early morning news, sports, business, and interviews politicians and analysts to help make sense of the world. He also enjoys chatting to guests in the lifestyle sphere and the Arts. All the interviews are podcasted for you to catch-up and listen. Thank you for listening to this podcast from Early Breakfast with Africa Melane For more about the show click https://buff.ly/XHry7eQ and find all the catch-up podcasts here https://buff.ly/XJ10LBU Listen live on weekdays between 04:00 and 06:00 (SA Time) to the Early Breakfast with Africa Melane broadcast on 702 https://buff.ly/gk3y0Kj and CapeTalk https://buff.ly/NnFM3N Subscribe to the 702 and CapeTalk daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

Het is woensdag 17 juli en Tina praat je weer bij over het laatste medianieuws. In deze aflevering: Simon Keizer maakt een comeback en wel bij de NPO. Verder de terugkeer van Helene Hendriks en Jack van Gelder en moet er minder ruimte gemaakt worden voor B&B bij RTL Boulevard? Natuurlijk ontbreken ook de kijkcijfers, kijkersvragen en Tina’s kijktip niet in deze gloednieuwe aflevering van Tina’s TV Update! Wil je adverteren in deze podcast? Neem dan contact op via sales@audiohuis.com.

In een nieuwe aflevering van Strikt Privé vertelt Evert Santegoeds over een bijzondere ontmoeting die hij had met Yvonne Coldeweijer. Ook gaat de hoofdredacteur van de Privé in op het gesteggel rond RTL Tonight. Gaat de nieuw opzet van de RTL-talkshow Renze richting de NPO drijven? En hoe gaat het verlopen tussen Humberto Tan en Albert Verlinde, die bij deze nieuwe opzet waarschijnlijk weer bij elkaar aan tafel gaan zitten? Het wordt vooral Spannend omdat Humberto Albert liet veroordelen wegens smaad! En: Frank, van Frank & Rogier, keert terug op de televisie. See omnystudio.com/listener for privacy information.

Op 17 juli 2014 stortte de MH17 neer in Oekraïne. Het vliegtuig was onderweg naar Kuala Lumpur en had 298 passagiers aan boord. Twee van de inzittenden waren de opa en oma van podcastmaker Maartje Kral. Doordat haar grootouders om het leven kwamen tijdens een nationale ramp, werd zij onderdeel van een publiek rouwproces. Samen met haar moeder keert ze terug naar de tijd van de ramp. Ze halen een doos van zolder vol met herinneringen: krantenartikelen over haar grootouders en spullen die teruggekomen zijn uit Oekraïne. Ze spreken over de tijd waarin de media en de gemeenschap zich massaal over hun verlies bogen en wat de invloed is geweest op hun persoonlijke rouw.  Een documentaire van Maartje Kral, eindredactie: Tjitske Mussche en Ottoline Rijks, eindmix: Tijmen Bergman, muziek: Blue Dot Sessions. Deze productie kwam tot stand tijdens de Oorzaken Academy in samenwerking met het NPO-fonds. DOCS is de documentaire podcast van de publieke omroep onder eindredactie van NTR en VPRO. Presentatie: Dija Kabba Meer informatie: 2doc.nl/docs, vragen of reacties kun je sturen naar: docs@ntr.nl  De serie van Radiotopia vind je hier: https://radiotopiapresents.fm/shocking-heartbreaking-transformative

Op 17 juli 2014 stortte de MH17 neer in Oekraïne. Het vliegtuig was onderweg naar Kuala Lumpur en had 298 passagiers aan boord. Twee van de inzittenden waren de opa en oma van podcastmaker Maartje Kral. Doordat haar grootouders om het leven kwamen tijdens een nationale ramp, werd zij onderdeel van een publiek rouwproces. Samen met haar moeder keert ze terug naar de tijd van de ramp. Ze halen een doos van zolder vol met herinneringen: krantenartikelen over haar grootouders en spullen die teruggekomen zijn uit Oekraïne. Ze spreken over de tijd waarin de media en de gemeenschap zich massaal over hun verlies bogen en wat de invloed is geweest op hun persoonlijke rouw.  Een documentaire van Maartje Kral, eindredactie: Tjitske Mussche en Ottoline Rijks, eindmix: Tijmen Bergman, muziek: Blue Dot Sessions. Deze productie kwam tot stand tijdens de Oorzaken Academy in samenwerking met het NPO-fonds. DOCS is de documentaire podcast van de publieke omroep onder eindredactie van NTR en VPRO. Presentatie: Dija Kabba Meer informatie: 2doc.nl/docs, vragen of reacties kun je sturen naar: docs@ntr.nl  De serie van Radiotopia vind je hier: https://radiotopiapresents.fm/shocking-heartbreaking-transformative

The Chief Investment Officer at Christian Brothers Services, Steve Sliwinski, offers a highly approachable yet technically sound guide to nonprofit investment strategy. With decades of financial experience and dual designations as CFA and CAIA, Steve breaks down how organizations—regardless of size—can begin managing and growing their financial assets responsibly.From policy benchmarking and committee structure to modern investment tools and trends like IP transfers and crypto, Steve's insights will help demystify what can often be an intimidating subject. This episode is a must-watch for boards, CFOs, and executive leaders seeking clarity on how to begin—or refine—their investment approach.The discussion begins with a history of Christian Brothers Services, which evolved from a cooperative model among Catholic schools into a nationwide provider of retirement, insurance, and investment services for thousands of institutions. This story serves as an example of scalable collaboration and strategic vision, offering NPO's a compelling model for shared resource management.Steve explains that waiting for a major windfall to begin investing is outdated thinking. “It's certainly not out of reach to create a well-diversified portfolio with under $100,000,” he shares, emphasizing that even small recurring contributions—like payroll-deducted retirement savings—can grow into substantial assets over time. The message: nonprofits don't need to be large to think long-term.Much of the conversation centers around the role of the investment committee. Steve offers a fresh take, stating that technical expertise isn't always necessary. What matters most is “a long-term orientation and strategic mindset.” Ideal committee size? Three to seven individuals with high-level focus, not necessarily financial professionals.The conversation, with host Julia Patrick, continues into policy development and investment alignment with mission. Steve discusses how ESG (environmental, social, governance) or values-based screening—once costly—is now affordable and feasible even for small organizations. He encourages nonprofits to create an investment policy document in partnership with a consultant or a platform like Vanguard or Fidelity to ensure thoughtful, repeatable decision-making. He stresses the importance of sticking with the strategy through market fluctuations: “Set the policy at the beginning, know why it exists, and abide by it—especially in difficult times.”Find us Live daily on YouTube!Find us Live daily on LinkedIn!Find us Live daily on X: @Nonprofit_ShowOur national co-hosts and amazing guests discuss management, money and missions of nonprofits! 12:30pm ET 11:30am CT 10:30am MT 9:30am PTSend us your ideas for Show Guests or Topics: HelpDesk@AmericanNonprofitAcademy.comVisit us on the web:The Nonprofit Show

Het is de laatste podcast vóór de zomerstop. Daarin staat het panel uiteraard uitgebreid stil bij het nieuwe seizoen van B&B Vol Liefde. Niet iedereen is enthousiast. En ook RTL Boulevard Summernight valt vooralsnog nog niet in de smaak. Er is nieuws vanuit talkshowland. Er is meer bekend over de invulling van RTL Tonight, de opvolger van de talkshows Beau, Renze en Humberto. Onder anderen Albert Verlinde en Ahmed Aboutaleb worden vaste duiders. Over de voormalig burgemeester van Rotterdam zijn twijfels. „Aboutaleb is niet uitgesproken genoeg in de rol als expert in een talkshow.” En over Verlinde: „Albert Verlinde stapt over naar RTL doordat bij Vandaag Inside zijn heilige vuur weer is gaan branden.” En hoewel dit geen voetbalpodcast is, wordt wel het vrouwenvoetbal besproken. Het gaat dan vooral over de plek die de voetbalsters kregen op NPO 1. Angela de Jong vindt dat meer dan terecht en noemt de hele discussie daarover onzinnig, stelt ze duidelijk. Verder is Manuel Venderbos niet enthousiast over de vragen die Dione de Graaff stelt in De Avondetappe. Het panel vindt het onbegrijpelijk dat het inmiddels gecancelde programma De Volgers überhaupt is uitgezonden op SBS 6. En Dennis Jansen snapt niet dat het kapsel van Xess Xava zo’n groot onderwerp was in RTL Boulevard. Omdat het de laatste aflevering is voor de zomerstop blikt het panel ook terug op het afgelopen half jaar. Ze delen allemaal een memorabel moment dat hen bij is gebleven. Terug met Dutchbat staat in Angela’s etalage. En er is een boodschap van Johan Derksen voor Angela. Luisteren dus! Naar de wekelijkse AD Media Podcast, waarin tv-columniste Angela de Jong en verslaggevers Dennis Jansen en Mark den Blanken alle hoofd-, rand-, en bijzaken bespreken op het gebied van media. De presentatie is in handen van Manuel Venderbos. Vind al onze podcasts op ad.nl/podcasts.Support the show: https://krant.nl/See omnystudio.com/listener for privacy information.

Erik Griekspoor; over het sound design van De Vuurwerkramp.Met meer dan 15 jaar ervaring en ruim 80 producties op zijn naam is Erik Griekspoor een gevestigde naam in de Nederlandse film- en televisiewereld. Hij werkte onder andere aan Augure, Girl, Anoniem en Rampvlucht — en nu dus aan de indrukwekkende serie De Vuurwerkramp, momenteel te zien op NPO.Deze aflevering pakken we nét iets ander aan. We luisteren samen met Erik naar een tweetal sleutelscènes uit de serie, Erik vertelt en we duiken in de keuzes, lagen en details van het sound design. Over dynamiek, storytelling, authenticiteit, en de sonische impact van een dergelijke ramp.Geen beeld — alleen geluid.Mocht je je willen ‘inkijken' voordat je naar ons gaat luisteren;

In het Telegraafkwartier blikt hoofdredacteur Kamran Ullah terug op de afgelopen nieuwsweek. Door een netwerkstoring kon de krant op woensdag niet overal in het land worden bezorgd. Heel pijnlijk, maar ook mooi om te zien hoe dit werd opgepakt door trouwe abonnees, vertelt Kamran. Woensdag bracht De Telegraaf de wereldprimeur over het vertrek van Christian Horner, teambaas en CEO van Red Bull Racing. Verder in deze nieuwe aflevering: opmerkelijk dat de Stint wél verboden is, maar de fatbike nog altijd niet ondanks de vele ongelukken. En de hoofdredacteur ergert zich aan de NPO-programmering.See omnystudio.com/listener for privacy information.

Het is vrijdag 11 juli! Tina over Tim Hofman, want komt zijn BOOS-aflevering er nog over datingprogramma's? Ook vertelt ze over de laatste HUMBERTO vanavond: het einde van een tijdperk! En naast de laatste kijkcijfers hoor je wat Tina vindt van de programmering bij de NPO deze zomer.

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter  or Bluesky for your chance to win the books that have been mentioned in this podcast.Competition ends on 23rd July 2025. The winner will be contacted via Bluesky. Show references:  Sam Mullins, Trustee at SS Great Britainhttps://www.linkedin.com/in/sammullins/https://www.ssgreatbritain.org/ Transcriptions:  Paul Marden: What an amazing day out here. Welcome to Skip the Queue. The podcast for people working in and working with visitor attractions, I'm your host, Paul Marden, and today you join me for the last episode of the season here in a very sunny and very pleasant Bristol Dockyard. I'm here to visit the SS Great Britain and one of their trustees, Sam Mullins, who until recently, was the CEO of London Transport Museum. And I'm going to be talking to Sam about life after running a big, family friendly Museum in the centre of London, and what comes next, and I'm promising you it's not pipes and the slippers for Sam, he's been very busy with the SSGreat Britain and with other projects that we'll talk a little more about. But for now, I'm going to enjoy poodling across the harbour on boat number five awaiting arrival over at the SS Great Britain. Paul Marden: Is there much to catch in the water here?Sam Mullins: According to some research, there's about 36 different species of fish. They catch a lot of cream. They catch Roach, bullet, bass car. Big carpet there, maybe, yeah, huge carpet there. And then your European great eel is here as well, right? Yeah, massive things by the size of your leg, big heads. It's amazing. It goes to show how receipt your life is. The quality of the water is a lot better now. Paul Marden: Oh yeah, yeah, it's better than it used to be years ago. Thank you very much. All right. Cheers. Have a good day. See you later on. So without further ado, let's head inside. So where should we head? Too fast. Sam Mullins: So we start with the stern of the ship, which is the kind of classic entrance view, you know. Yeah, coming up, I do. I love the shape of this ship as you as you'll see.Paul Marden: So lovely being able to come across the water on the boat and then have this as you're welcome. It's quite a.Sam Mullins: It's a great spot. Isn't it?Paul Marden: Really impactful, isn't it? Sam Mullins:  Because the amazing thing is that it's going this way, is actually in the dry dock, which was built to build it. Paul Marden: That's amazing. Sam Mullins: So it came home. It was clearly meant to be, you know,Paul Marden:  Quite the circular story.Sam Mullins:  Yeah, yeah. Thank you. Paul Marden:  Thank you. Wow. Look at that view.Sam Mullins: So that's your classic view.Paul Marden:  So she's in a dry dock, but there's a little bit of water in there, just to give us an idea of what's going on. Sam Mullins: Well, what's actually going on in here is, preserving the world's first iron ship. So it became clear, after he'd come back from the Falklands, 1970 came back to Bristol, it became clear that the material of the ship was rusting away. And if something wasn't done, there'd be nothing left, nothing left to show. So the innovative solution is based on a little bit of science if you can reduce the relative humidity of the air around the cast iron hull of the ship to around about 20% relative humidity, corrosion stops. Rusting stops. It's in a dry dock. You glaze over the dock at kind of water line, which, as you just noticed, it gives it a really nice setting. It looks like it's floating, yeah, it also it means that you can then control the air underneath. You dry it out, you dehumidify it. Big plant that dries out the air. You keep it at 20% and you keep the ship intact. Paul Marden: It's interesting, isn't it, because you go to Mary Rose, and you go into the ship Hall, and you've got this hermetically sealed environment that you can maintain all of these beautiful Tudor wooden pieces we're outside on a baking hot day. You don't have the benefit of a hermetically sealed building, do you to keep this? Sam Mullins: I guess the outside of the ship is kind of sealed by the paint. That stops the air getting to the bit to the bare metal. We can go down into the trigger, down whilst rise up.Paul Marden:  We're wondering. Sam, yeah, why don't you introduce yourself, tell listeners a little bit about your background. How have we ended up having this conversation today.Sam Mullins: I'm Sam Mullins. I'm a historian. I decided early on that I wanted to be a historian that worked in museums and had an opportunity to kind of share my fascination with the past with museum visitors. So I worked in much Wenlock in Shropshire. I worked created a new museum in market Harbour, a community museum in Leicestershire. I was director of museums in St Albans, based on, you know, great Roman Museum at Verulamium, okay. And ended up at London Transport Museum in the 90s, and was directed there for a long time.Paul Marden: Indeed, indeed. Oh, we are inside now and heading underground.Sam Mullins: And you can hear the thrumming in the background. Is the dehumidification going on. Wow. So we're descending into thevery dry dock.Paul Marden: So we're now under water level. Yes, and the view of the ceiling with the glass roof, which above looked like a lovely little pond, it's just beautiful, isn't it?Sam Mullins: Yes, good. It sets it off both in both directions, really nicely.Paul Marden: So you've transitioned now, you've moved on from the Transport Museum. And I thought that today's episode, we could focus a little bit on what is, what's life like when you've moved on from being the director of a big, famous, influential, family friendly Museum. What comes next? Is it pipe and slippers, or are there lots of things to do? And I think it's the latter, isn't it? Sam Mullins: Yes. Well, you know, I think people retire either, you know, do nothing and play golf, or they build, you know, an interesting portfolio. I wanted to build, you know, something a bit more interesting. And, you know, Paul, there's that kind of strange feeling when you get to retire. And I was retiring from full time executive work, you kind of feel at that point that you've just cracked the job. And at that point, you know, someone gives you, you know, gives you a card and says, "Thank you very much, you've done a lovely job." Kind of, "Off you go." So having the opportunity to deploy some of that long term experience of running a successful Museum in Covent Garden for other organisations was part of that process of transition. I've been writing a book about which I'm sure we'll talk as well that's been kind of full on this year, but I was a trustee here for a number of years before I retired. I think it's really good career development for people to serve on a board to see what it's like, you know, the other side of the board. Paul Marden: I think we'll come back to that in a minute and talk a little bit about how the sausage is made. Yeah, we have to do some icebreaker questions, because I probably get you already. You're ready to start talking, but I'm gonna, I'm just gonna loosen you up a little bit, a couple of easy ones. You're sat in front of the telly, comedy or drama?Sam Mullins: It depends. Probably.Paul Marden: It's not a valid answer. Sam Mullins: Probably, probably drama.Paul Marden: Okay, if you need to talk to somebody, is it a phone call or is it a text message that you'll send?Sam Mullins:  Face to face? Okay, much better. Okay, always better. Paul Marden: Well done. You didn't accept the premise of the question there, did you? Lastly, if you're going to enter a room, would you prefer to have a personal theme tune played every time you enter the room. Or would you like a personal mascot to arrive fully suited behind you in every location you go to?Sam Mullins: I don't know what the second one means, so I go for the first one.Paul Marden: You've not seen a football mascot on watching American football or baseball?Sam Mullins: No, I try and avoid that. I like real sport. I like watching cricket. Paul Marden: They don't do that in cricket. So we are at the business end of the hull of the ship, aren't we? We're next to the propeller. Sam Mullins: We're sitting under the stern. We can still see that lovely, gilded Stern, saying, Great Britain, Bristol, and the windows and the coat of arms across the stern of the ship. Now this, of course, was the biggest ship in the world when built. So not only was it the first, first iron ship of any scale, but it was also third bigger than anything in the Royal Navy at the time. Paul Marden: They talked about that, when we were on the warrior aim the other day, that it was Brunel that was leading the way on what the pinnacle of engineering was like. It was not the Royal Navy who was convinced that it was sail that needed to lead. Sam Mullins: Yeah, Brunel had seen a much smaller, propeller driven vessel tried out, which was being toured around the country. And so they were midway through kind of design of this, when they decided it wasn't going to be a paddle steamer, which its predecessor, the world's first ocean liner, the Great Western. A was a paddle steamer that took you to New York. He decided that, and he announced to the board that he was going to make a ship that was driven by a propeller, which was the first, and this is, this is actually a replica of his patent propeller design. Paul Marden: So, this propeller was, is not the original to the show, okay?Sam Mullins: Later in its career, it had the engines taken out, and it was just a sailing ship. It had a long and interesting career. And for the time it was going to New York and back, and the time it was going to Australia and back, carrying migrants. It was a hybrid, usually. So you use the sails when it was favourable when it wasn't much wind or the wind was against. You use the use the engines. Use the steam engine.Paul Marden: Coming back into fashion again now, isn't it? Sam Mullins: Yeah, hybrid, yeah.Paul Marden: I can see holes in the hull. Was this evident when it was still in the Falklands?Sam Mullins: Yeah, it came to notice in the 60s that, you know, this world's first it was beached at Sparrow Cove in the Falkland Islands. It had lost its use as a wool warehouse, which is which it had been for 30 or 40 years. And a number of maritime historians, you and call it. It was the kind of key one realised that this, you know, extraordinary, important piece of maritime heritage would maybe not last too many war winters at Sparrow cope had a big crack down one side of the hull. It would have probably broken in half, and that would have made any kind of conservation restoration pretty well impossible as it was. It was a pretty amazing trick to put it onto a to put a barge underneath, to raise it up out of the water, and to tow it into Montevideo and then across the Atlantic, you know, 7000 miles, or whatever it is, to Avon mouth. So it's a kind of heroic story from the kind of heroic age of industrial and maritime heritage, actually.Paul Marden: It resonates for me in terms of the Mary Rose in that you've got a small group of very committed people that are looking to rescue this really valuable asset. And they find it and, you know, catch it just in time. Sam Mullins: Absolutely. That was one of the kind of eye openers for me at Mary rose last week, was just to look at the kind of sheer difficulty of doing conventional archaeology underwater for years and years. You know, is it 50,000 dives were made? Some immense number. And similarly, here, you know, lots of people kind of simply forget it, you know, it's never gonna, but a few, stuck to it, you know, formed a group, fund, raised. This is an era, of course, you know, before lottery and all that jazz. When you had to, you had to fundraise from the public to do this, and they managed to raise the money to bring it home, which, of course, is only step one. You then got to conserve this enormous lump of metal so it comes home to the dry dock in which it had been built, and that has a sort of fantastic symmetry, you know about it, which I just love. You know, the dock happened to be vacant, you know, in 1970 when the ship was taken off the pontoon at Avon mouth, just down the river and was towed up the curving Avon river to this dock. It came beneath the Clifton Suspension Bridge, which, of course, was Brunel design, but it was never built in his time. So these amazing pictures of this Hulk, in effect,  coming up the river, towed by tugs and brought into the dock here with 1000s of people you know, surrounding cheering on the sidelines, and a bit like Mary Rose in a big coverage on the BBC.Paul Marden: This is the thing. So I have a very vivid memory of the Mary Rose being lifted, and that yellow of the scaffolding is just permanently etched in my brain about sitting on the carpet in primary school when the TV was rolled out, and it was the only TV in the whole of school that, to me is it's modern history happening. I'm a Somerset boy. I've been coming to Bristol all my life. I wasn't alive when Great Britain came back here. So to me, this feels like ancient history. It's always been in Bristol, because I have no memory of it returning home. It was always just a fixture. So when we were talking the other day and you mentioned it was brought back in the 70s, didn't realise that. Didn't realise that at all. Should we move on? Because I am listening. Gently in the warmth.Sam Mullins: Let's move around this side of the as you can see, the dry dock is not entirely dry, no, but nearly.Paul Marden: So, you're trustee here at SS Great Britain. What does that mean? What do you do?Sam Mullins: Well, the board, Board of Trustees is responsible for the governance of the charity. We employ the executives, the paid team here. We work with them to develop the kind of strategy, financial plan, to deliver that strategy, and we kind of hold them as executives to account, to deliver on that.Paul Marden: It's been a period of change for you, hasn't it? Just recently, you've got a new CEO coming to the first anniversary, or just past his first anniversary. It's been in place a little while.Sam Mullins: So in the last two years, we've had a, we've recruited a new chairman, new chief executive, pretty much a whole new leadership team.One more starting next month, right? Actually, we're in July this month, so, yeah, it's been, you know, organisations are like that. They can be very, you know, static for some time, and then suddenly a kind of big turnover. And people, you know, people move.Paul Marden: So we're walking through what is a curved part of the dry dock now. So this is becoming interesting underfoot, isn't it?Sam Mullins: This is built in 1839 by the Great Western Steamship Company to build a sister ship to the Great Western which was their first vessel built for the Atlantic run to New York. As it happens, they were going to build a similar size vessel, but Brunel had other ideas, always pushing the edges one way or another as an engineer.Paul Marden: The keel is wood. Is it all wood? Or is this some sort of?Sam Mullins: No, this is just like, it's sort of sacrificial.So that you know when, if it does run up against ground or whatever, you don't actually damage the iron keel.Paul Marden: Right. Okay, so there's lots happening for the museum and the trust. You've just had a big injection of cash, haven't you, to do some interesting things. So there was a press release a couple of weeks ago, about a million pound of investment. Did you go and find that down the back of the sofa? How do you generate that kind of investment in the charity?Sam Mullins: Unusually, I think that trust that's put the bulk of that money and came came to us. I think they were looking to do something to mark their kind of, I think to mark their wind up. And so that was quite fortuitous, because, as you know at the moment, you know, fundraising is is difficult. It's tough. Paul Marden: That's the understatement of the year, isn't it?Sam Mullins: And with a new team here and the New World post COVID, less, less visitors, income harder to gain from. Pretty well, you know, all sources, it's important to keep the site kind of fresh and interesting. You know, the ship has been here since 1970 it's become, it's part of Bristol. Wherever you go in Bristol, Brunel is, you know, kind of the brand, and yet many Bristolians think they've seen all this, and don't need, you know, don't need to come back again. So keeping the site fresh, keeping the ideas moving on, are really important. So we've got the dockyard museum just on the top there, and that's the object for fundraising at the moment, and that will open in July next year as an account of the building of the ship and its importance. Paul Marden: Indeed, that's interesting. Related to that, we know that trusts, trusts and grants income really tough to get. Everybody's fighting for a diminishing pot income from Ace or from government sources is also tough to find. At the moment, we're living off of budgets that haven't changed for 10 years, if we're lucky. Yeah, for many people, finding a commercial route is the answer for their museum. And that was something that you did quite successfully, wasn't it, at the Transport Museum was to bring commercial ideas without sacrificing the integrity of the museum. Yeah. How do you do that?Sam Mullins: Well, the business of being an independent Museum, I mean, LTM is a to all sets of purposes, an independent Museum. Yes, 81% of its funding itself is self generated. Paul Marden: Is it really? Yeah, yeah. I know. I would have thought the grant that you would get from London Transport might have been bigger than that.  Sam Mullins: The grant used to be much bigger proportion, but it's got smaller and smaller. That's quite deliberate. Are, you know, the more you can stand on your own two feet, the more you can actually decide which direction you're going to take those feet in. Yeah. So there's this whole raft of museums, which, you know, across the UK, which are independently governed, who get all but nothing from central government. They might do a lottery grant. Yes, once in a while, they might get some NPO funding from Ace, but it's a tiny part, you know, of the whole. And this ship, SS Great Britain is a classic, you know, example of that. So what do you do in those circumstances? You look at your assets and you you try and monetise them. That's what we did at London Transport Museum. So the museum moved to Covent Garden in 1980 because it was a far sighted move. Michael Robbins, who was on the board at the time, recognised that they should take the museum from Scion Park, which is right on the west edge, into town where people were going to be, rather than trying to drag people out to the edge of London. So we've got that fantastic location, in effect, a high street shop. So retail works really well, you know, at Covent Garden.Paul Marden: Yeah, I know. I'm a sucker for a bit of moquette design.Sam Mullins: We all love it, which is just great. So the museum developed, you know, a lot of expertise in creating products and merchandising it. We've looked at the relationship with Transport for London, and we monetised that by looking at TFL supply chain and encouraging that supply chain to support the museum. So it is possible to get the TFL commissioner to stand up at a corporate members evening and say, you know, you all do terribly well out of our contract, we'd like you to support the museum as well, please. So the corporate membership scheme at Transport Museum is bigger than any other UK museum by value, really, 60, 65 members,. So that was, you know, that that was important, another way of looking at your assets, you know, what you've got. Sometimes you're talking about monetising relationships. Sometimes it's about, you know, stuff, assets, yeah. And then in we began to run a bit short of money in the kind of middle of the teens, and we did an experimental opening of the Aldwych disused tube station on the strand, and we're amazed at the demand for tickets.Paul Marden: Really, it was that much of a surprise for you. And we all can talk. Sam Mullins: We had been doing, we've been doing some guided tours there in a sort of, slightly in a one off kind of way, for some time. And we started to kind of think, well, look, maybe should we carry on it? Paul Marden: You've got the audience that's interested.Sam Mullins: And we've got the access through TFL which, you know, took a lot of work to to convince them we weren't going to, you know, take loads of people underground and lose them or that they jump out, you know, on the Piccadilly line in the middle of the service, or something. So hidden London is the kind of another really nice way where the museum's looked at its kind of assets and it's monetised. And I don't know what this I don't know what this year is, but I think there are now tours run at 10 different sites at different times. It's worth about half a million clear to them to the museum.Paul Marden: It's amazing, and they're such brilliant events. So they've now opened up for younger kids to go. So I took my daughter and one of her friends, and they were a little bit scared when the lights got turned off at one point, but we had a whale of a time going and learning about the history of the tube, the history of the tube during the war. It was such an interesting, accessible way to get to get them interested in stuff. It was brilliant.Sam Mullins: No, it's a great programme, and it was doing well before COVID, we went into lockdown, and within three weeks, Chris Nix and the team had started to do kind of zoom virtual tours. We all are stuck at home looking at our screens and those hidden London hangouts the audience kind of gradually built yesterday TV followed with secrets of London Underground, which did four series of. Hidden London book has sold 25,000 copies in hardback, another one to come out next year, maybe.Paul Marden: And all of this is in service of the museum. So it's almost as if you're opening the museum up to the whole of London, aren't you, and making all of that space you're you. Museum where you can do things.Sam Mullins: Yeah. And, of course, the great thing about hidden London programme is it's a bit like a theatre production. We would get access to a particular site for a month or six weeks. You'd sell the tickets, you know, like mad for that venue. And then the run came to an end, and you have to, you know, the caravan moves on, and we go to, you know, go to go to a different stations. So in a sense, often it's quite hard to get people to go to an attraction unless they've got visitors staying or whatever. But actually, if there's a time limit, you just kind of have to do it, you know.Paul Marden: Yeah, absolutely. Everybody loves a little bit of scarcity, don't they? Sam Mullins: Should we go up on the deck? Paul Marden: That sounds like fun to me.Sam Mullins: Work our way through.Paul Marden: So Hidden London was one of the angles in order to make the museum more commercially sound. What are you taking from your time at LTM and bringing to the party here at the SS Great Britain?Sam Mullins: Well, asking similar, you know, range of questions really, about what assets do we have? Which of those are, can be, can be monetised in support of the charity? Got here, Paul, so we're, we've got the same mix as lots of middle sized museums here. There's a it's a shop, paid admission, hospitality events in the evening, cafe. You know that mix, what museums then need to do is kind of go, you know, go beyond that, really, and look at their estate or their intellectual property, or the kind of experiences they can offer, and work out whether some of that is monetisable.Paul Marden: Right? And you mentioned before that Brunel is kind of, he's the mascot of Bristol. Almost, everything in Bristol focuses on Brunel. Is there an opportunity for you to collaborate with other Brunel themed sites, the bridge or?Sam Mullins: Yeah. Well, I think probably the opportunity is to collaborate with other Bristol attractions. Because Bristol needs to. Bristol's having a hard time since COVID numbers here are nowhere near what they were pre COVID So, and I think it's the same in the city, across the city. So Andrew chief executive, is talking to other people in the city about how we can share programs, share marketing, that kind of approach.Paul Marden: Making the docks a destination, you know, you've got We the Curious. Where I was this morning, having coffee with a friend and having a mooch around. Yeah, talking about science and technology, there must be things that you can cross over. This was this war. This feels like history, but it wasn't when it was built, was it? It was absolutely the cutting edge of science and technology.Sam Mullins: Absolutely, and well, almost beyond, you know, he was Brunel was pushing, pushing what could be done. It is the biggest ship. And it's hard to think of it now, because, you know, you and I can walk from one end to the other in no time. But it was the biggest ship in the world by, you know, some way, when it was launched in 1845 so this was a bit like the Great Western Railway. It was cutting edge, cutting edge at the time, as we were talking about below. It had a propeller, radical stuff. It's got the bell, too,Paul Marden: When we were on, was it Warrior that we were on last week at the AIM conference for the first. And warrior had a propeller, but it was capable of being lifted, because the Admiralty wasn't convinced that this new fangled propeller nonsense, and they thought sail was going to lead. Sam Mullins: Yeah. Well, this ship had, you could lift a you could lift a propeller, because otherwise the propeller is a drag in the water if it's not turning over. So in its earlier configurations, it was a, it was that sort of a hybrid, where you could lift the propeller out the way, right, set full sail.Paul Marden:  Right, and, yeah, it's just, it's very pleasant out here today, isn't it? Lovely breeze compared to what it's been like the last few days. Sam Mullins: Deck has just been replaced over the winter. Paul Marden:  Oh, has it really. So say, have you got the original underneathSam Mullins: The original was little long, long gone. So what we have replaced was the deck that was put on in the in the 70s when the ship came back.Paul Marden: Right? You were talking earlier on about the cafe being one of the assets. You've done quite a lot of work recently, haven't you with the team at Elior to refurbish the cafe? What's the plan around that?Sam Mullins: Yeah, we're doing a big reinvestment. You always need to keep the offer fresh anyway, but it was time to reinvest. So the idea is to use that fantastic space on the edge of the dock. It's not very far down to where the floating harbour is really well populated with kind of restaurants and bars and an offer, we're just that 200 meters further along the dock. So perhaps to create an offer here that draws people up here, whether they visit the ship, you know, or not. So it's money, it's monetising your assets. So one of the great assets is this fabulous location on the on the dockside. So with early or we're reinvesting in the restaurant, it's going to go in the auto into after some trial openings and things, Paul, you know, it's going to have an evening offer as well as a daytime offer. And then it's been designed so the lights can go down in the evening. It becomes, you know, an evening place, rather than the museum's all day cafe, yes, and the offer, and obviously in the evenings would similarly change. And I think our ambition is that you should, you should choose this as the place to go out in the evening. Really, it's a great spot. It's a lovely, warm evening. We're going to walk along the dockside. I've booked a table and in the boardwalk, which is what we're calling it. And as you pay the bill, you notice that actually, this is associated with Asus, Great Britain. So, you know, the profit from tonight goes to help the charity, rather than it's the museum cafe. So that's the,Paul Marden: That's the pitch.Sam Mullins: That's the pitch in which we're working with our catering partners, Eli, or to deliver.Paul Marden: Andrew, your CEO and Claire from Eli, or have both kindly said that I can come back in a couple of months time and have a conversation about the restaurant. And I think it would be rude to turn them down, wouldn't it?Sam Mullins: I think you should test the menu really fully.Paul Marden: I will do my best. It's a tough job that I have. Sam Mullins: Somebody has to do this work. Paul Marden: I know, talking of tough jobs, the other thing that I saw when I was looking at the website earlier on was a press release talking about six o'clock gin as being a a partnership that you're investigating, because every museum needs its own tipple, doesn't it?Sam Mullins: Absolutely And what, you know, I think it's, I think what people want when they go to an attraction is they, they also want something of the offer to be locally sourced, completely, six o'clock gym, you know, Bristol, Bristol beers. You can't always do it, but I think, I think it's where you've got the opportunity. And Bristol's a bit of a foodie centre. There's quite a lot going on here in that respect. So, yes, of course, the museum ought to be ought to be doing that too.Paul Marden: I was very kindly invited to Big Pit over in the Welsh Valleys about 8 or 12 weeks ago for the launch, relaunch of their gift shop offering. And absolutely, at the core of what they were trying to do was because it's run by Museums Wales, they found that all of their gift shops were just a bland average of what you could get at any of the museums. None of them spoke of the individual place. So if you went to big pit, the gift shop looked the same as if you were in the centre of Cardiff, whereas now when you go you see things that are naturally of Big Pit and the surrounding areas. And I think that's so important to create a gift shop which has things that is affordable to everybody, but at the same time authentic and genuinely interesting.Sam Mullins: Yeah, I'm sure that's right. And you know I'm saying for you is for me, when I when I go somewhere, you want to come away with something, don't you? Yes, you know, you're a National Trust member and you haven't had to pay anything to get in. But you think I should be supporting the cause, you know, I want to go into that shop and then I want to, I want to buy some of the plants for my garden I just seen, you know, on the estate outside. Or I want to come away with a six o'clock gin or, you know, whatever it might be, there's and I think, I think you're more likely to buy if it's something that you know has engaged you, it's part of that story that's engaged you, right, while you're here. That's why everyone buys a guidebook and reads it afterwards.Paul Marden: Yeah, it's a reminder, isn't it, the enjoyable time that you've had? Yeah, I'm enjoying myself up on the top deck. Sam Mullins:  But should we go downstairs? The bow is a great view. Oh, let's do that. I think we might. Let's just work our way down through.Paul Marden: Take a sniff. Could you travel with these smelly passengers? Oh, no, I don't think I want to smell what it's like to be a cow on board shit. Sam Mullins: Fresh milk. Just mind yourself on these companion, ways are very steep now. This is probably where I get completely lost.Paul Marden: You know what we need? We need a very good volunteer. Don't we tell a volunteer story? COVID in the kitchen. Wow. Sam Mullins: The Gabby.Paul Marden: Generous use of scent. Sam Mullins: Yeah, food laid out pretty much based on what we know was consumed on the ship. One of the great things about the ship is people kept diaries. A lot of people kept diaries, and many have survived, right? You know exactly what it was like to be in first class or in steerage down the back.Paul Marden: And so what was the ship used for? Sam Mullins: Well, it was used, it was going to be an ocean liner right from here to New York, and it was more like the Concord of its day. It was essentially first class and second class. And then it has a founders on a bay in Northern Ireland. It's rescued, fitted out again, and then the opportunity comes take people to Australia. The Gold Rush in the 1850s. Migration to Australia becomes the big kind of business opportunity for the ships. Ships new owners. So there's more people on board that used to it applies to and fro to Australia a number of times 30 odd, 40 times. And it takes, takes passengers. It takes goods. It does bring back, brings back gold from because people were there for the gold rush. They were bringing their earnings, you know, back with them. It also brings mail, and, you know, other. Kind of car goes wool was a big cargo from. Paul Marden: Say, people down and assets back up again.Sam Mullins: People both directions. Paul Marden: Okay, yeah. How long was it taking?Sam Mullins: Well, a good trip. I think it did it in 50 odd days. Bit slower was 60 odd. And the food was like this. So it was steerage. It was probably a bit more basic. Paul Marden: Yeah, yes, I can imagine. Sam Mullins: I think we might. Here's the engines. Let's do the engines well.Paul Marden: Yes. So now we're in the engine room and, oh, it's daylight lit, actually. So you're not down in the darkest of depths, but the propeller shaft and all of the mechanism is it runs full length, full height of the ship.Sam Mullins: Yeah, it runs off from here, back to the propeller that we're looking at. Okay, down there a guy's stoking the boilers, putting coal into into the boilers, 24 hour seven, when the engines are running. Paul Marden: Yes, that's going to be a tough job, isn't it? Yeah, coal is stored in particular locations. Because that was something I learned from warrior, was the importance of making sure that you had the coal taken in the correct places, so that you didn't unbalance the ship. I mean,Sam Mullins: You right. I mean loading the ship generally had to be done really carefully so, you know, sort of balanced out and so forth. Coal is tends to be pretty low down for yes, for obvious reasons.Paul Marden: So let's talk a little bit about being a trustee. We're both trustees of charities. I was talking to somebody last week who been in the sector for a number of years, mid career, interested in becoming a trustee as a career development opportunity. What's the point of being a trustee? What's the point of the trustees to the CEO, and what's the benefit to the trustees themselves? Sam Mullins: Well, let's do that in order for someone in the mid part of their career, presumably looking to assume some kind of leadership role. At some point they're going to be dealing with a board, aren't they? Yes, they might even be doing, you know, occasional reporting to a board at that at their current role, but they certainly will be if they want to be chief executive. So getting some experience on the other side of the table to feel what it's like to be a trustee dealing with chief executive. I think he's immensely useful. I always recommended it to to my gang at the Transport Museum, and they've all been on boards of one sort or another as part of their career development.Sam Mullins: For the chief executive. What's the benefit? Well, the board, I mean, very directly, hold the chief executive to account. Yes, are you doing what we asked you to do? But also the wise chief executive recruits a board that's going to be helpful in some way or another. It's not just there to catch them out. Yeah, it's it's there to bring their experience from business, from IT, from marketing, from other museums into the business of running the place. So here we've got a range of Trustees. We've been we've recruited five or six in the last couple of years qquite deliberately to we know that a diverse board is a good board, and that's diverse in the sense not just a background, but of education, retired, still, still at work, young, old, male, female, you know, you name in.Paul Marden: In all of the directionsSam Mullins:  Yeah. So a diverse board makes better decisions than one that just does group think all the time. It's, you know, it's a truism, isn't it? I think we all kind of, we all understand and understand that now and then, for the trustee, you know, for me, I particularly last couple of years, when the organization has been through huge changes, it's been really interesting to deploy my prior experience, particularly in governance, because governance is what it all comes down to in an organisation. You do learn over the course of your career to deploy that on behalf, you know, this is a great organisation, the story of Brunel and the ship and and, you know, his influence on the railways. And I travel down on the Great Western railways, yeah, the influence of Brunel is, you know, is enormous. It's a fantastic story. It's inspiring. So who wouldn't want to join? You know what in 2005 was the Museum of the year? Yes, I think we'll just go back there where we came. Otherwise, I never found my way.Paul Marden: Back through the kitchen. Sam Mullins: Back through the kitchen. It looks like stew is on the menu tonight. You've seen me at the mobile the rat.Paul Marden: And also the cat up on the shelf. He's not paying a lot of attention to the ratSam Mullins: Back on deck. Paul Marden: Wonderful. Yeah. So the other great endeavor that you've embarked on is writing, writing a book. Tell us a little bit about the book.Sam Mullins: Yeah, I've written a history of transport in London and its influence on London since 2000 since the mayoralty, elected mayoralty was, was started, you know, I was very lucky when I was running the museum where I had kind of one foot in TfL and one foot out. I knew lots of people. I was there for a long time, yes, so it was, it was easy to interview about 70 of them.Paul Marden: Right? I guess you've built trust levels, haven't you? Yeah, I don't mean that you don't look like a journalist walking in from the outside with an ax to grind. Sam Mullins: And I'm not going to kind of screw them to the Evening Standard, you know, tomorrow. So it's a book based on interviews, oral reminiscences. It's very much their story. So it's big chunks of their accounts of, you know, the big events in London. So what was it like to be in the network control room on the seventh of July, 2005 when the bombs went off? What was it like to be looking out for congestion charge the day it started? Yep. What was it like to kind of manage the Olympics?Paul Marden: You know? So you're mentioning these things. And so I was 10 years at British Airways. I was an IT project manager, but as well, I was a member of the emergency planning team. Yeah. So I got involved in the response to September the 11th. I got involved in some of the engagement around seven, seven, there's seminal moments, and I can, I can vividly remember myself being there at that time. But similarly, I can remember being there when we won the Olympics, and we were all sat in the staff canteen waiting to hear whether we'd won the Olympics, and the roar that erupted. There's so many of those things that have happened in the last 25 years where, you know, you've got, it's recent history, but it's real interesting events that have occurred that you can tell stories of.Sam Mullins: Yeah. So what I wanted to get in the book was a kind of sense of what it was like to be, really at the heart of those, those stories. And there are, you know, there are, there are people in TfL who made those big things happen? Yes, it's not a big, clumsy bureaucracy. It's a place where really innovative leadership was being exercised all the way through that 25 years. Yes, so it runs up to COVID, and what was it like when COVID struck? So the book's called Every Journey Matters, and it comes out in November.Paul Marden: Amazing, amazing. So we have, we've left the insides of the ship, and we are now under, what's this part of the ship? Sam Mullins: We're under the bow. There we go, and a bow spread that gets above our heads. So again, you've got this great, hulking, cast iron, black hull, beautifully shaped at the bow. Look the way it kind of tapers in and it tapers in and out.Paul Marden: It's a very three dimensional, isn't it? The curve is, is in every direction. Sam Mullins: Yeah,it's a great, great shape. So it's my sort of, I think it's my favourite spot. I like coming to look at this, because this is the kind of, this is the business, yeah, of the ship.Paul Marden: What have we got running along the front here? These these images in in gold.Sam Mullins: This is a figurehead with Victoria's Coat of Arms only sua Kim Ali points on top with it, with a lion and a unicorn.Paul Marden: It's a really, it's not a view that many people would have ever seen, but it is such an impressive view here looking up, yeah, very, very cool. And to stand here on the on the edge of the dry dock. Sam Mullins: Dry Docks in to our right, and the floating harbor is out to our left. Yeah.Paul Marden: And much going on on that it's busy today, isn't it? Sam Mullins: Yeah, it's good. Paul Marden: So we've done full loop, haven't we? I mean, it has been a whistle stop tour that you've taken me on, but I've loved every moment of this. We always ask our guests a difficult question. Well, for some it's a difficult question, a book recommendation, which, as we agreed over lunch, cannot be your own book. I don't think, I think it's a little unfair Sam Mullins: Or anything I've ever written before.Paul Marden: Yes, slightly self serving, but yeah.Sam Mullins: It would be, wouldn't it look the first thing that comes to mind is, I've actually been reading my way through Mick Herron's Slow Horses series, okay, which I'm a big fan of detective fiction. I love Ian Rankin's Rebus. Okay, I read through Rebus endlessly when I want something just to escape into the sloughhouse series Slow Horses is really good, and the books all have a sort of similar kind of momentum to them. Something weird happens in the first few chapters, which seems very inconsequential and. Suddenly it turns into this kind of roller coaster. Will they? Won't they? You know, ending, which is just great. So I recommend Mick Herron's series. That's that's been the best, not best, fiction I've read in a long time.Paul Marden: You know, I think there's something, there's something nice, something comforting, about reading a series of books where the way the book is structured is very similar. You can, you can sit down and you know what's going to happen, but, but there's something interesting, and it's, it's easy. Sam Mullins: It's like putting on a pair of old slippers. Oh, I'm comfortable with this. Just lead me along. You know, that's what, that's what I want. I enjoy that immensely.Paul Marden: And should we be? Should we be inviting our listeners to the first book in the series, or do they need to start once, once he's got his, got his, found his way? Sam Mullins: Well, some people would have seen the television adaptation already. Well, that will have spoilt the book for them. Gary Oldman is Jackson lamb, who's the lead character, okay, but if you haven't, or you just like a damn good read, then you start with the first one, which I think is called Sloughhouse. They're all self contained, but you can work your way through them. Paul Marden: Well, that sounds very good. So listeners, if you'd like a copy of Sam's book, not Sam's book, Sam's book recommendation, then head over to Bluesky and repost the show notice and say, I want a copy of Sam's book, and the first one of you lovely listeners that does that will get a copy sent to you by Wenalyn. Sam This has been delightful. I hope listeners have enjoyed this as much as I have. This is our first time having a @skipthequeue in real life, where we wandered around the attraction itself and hopefully narrated our way bringing this amazing attraction to life. I've really enjoyed it. I can now say that as a West Country lad, I have actually been to the SS Great Britain. Last thing to say for visitor, for listeners, we are currently midway through the Rubber Cheese Annual Survey of visitor attraction websites. Paul Marden: If you look after an attraction website and you'd like to share some information about what you do, we are gathering all of that data together to produce a report that helps people to understand what good looks like for an attraction website. This is our fourth year. Listeners that are interested, head over to RubberCheese.com/survey, and you can find out a little bit more about the survey and some of the some of the findings from the past and what we're looking for for this year. Sam, thank you so very much.Sam Mullins: Enjoyed it too. It's always good to rabbit on about what you do every day of the week, and being here and part of this really great organisation is huge privilege.Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm. The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

When a cyberattack hits your nonprofit, do you know what to do? Cybersecurity expert Michael Nouguier, Partner at Cybersecurity Services at Richey May, walks us through the essential steps every nonprofit must take—before, during, and after a cyber event. As host Julia Patrick notes, it's not a matter of if, but when, and being unprepared is no longer an option.From clarifying what cyber insurance actually covers to practicing realistic incident response exercises, Michael offers a pragmatic and step-by-step guide tailored for nonprofit leaders. He points out, “Failure to plan is planning to fail,” and urges organizations to move beyond hope and into action.The conversation dissects misconceptions, such as thinking IT alone can handle a breach or believing cyber insurance is a comprehensive solution. Instead, Michael recommends building internal resilience with tabletop exercises that include the board, C-suite, legal, and communications staff. These scenario-based run-throughs help teams build muscle memory and prevent panic when disaster strikes.Third-party vendors—often a hidden weak spot—are addressed in detail. Michael reminds us, “You are the trusted data collector,” meaning nonprofits must ensure their vendors share the same security culture, including notification clauses and accountability.What if the worst happens? Michael stresses calm, communication, and preservation of evidence. “Don't delete anything,” he cautions, as doing so can sabotage forensic investigations and potential fund recovery. He also reminds leaders to report incidents to local authorities and the FBI's IC3.gov, reinforcing the legal and ethical responsibility to act swiftly and transparently.Perhaps one of the most human insights is around fostering a blame-free culture. Employees fearing punishment won't report mistakes, making things worse. “Everyone—even me—has clicked a phishing link,” Michael admits, highlighting the importance of openness and psychological safety within teams.This is a call to action for NPO leaders to shift from avoidance to preparedness. Cyberattacks are not just technical disruptions—they can financially and operationally dismantle an organization. With the right mindset, strategy, and comms plan, your nonprofit can weather the storm!00:00:00 Welcome and Episode Overview  00:02:00 The Evolution of Richie May's Cybersecurity Services  00:04:00 What Cyber Insurance Really Covers  00:08:00 Third-Party Vendor Risks and Due Diligence  00:12:00 Real-World Impact of Cyberattacks on Nonprofits  00:15:00 Why Response Planning Beats Hoping for the Best  00:17:00 Tabletop Exercises: Practicing Incident Response  00:20:00 Who to Call When a Breach Happens  00:23:00 First Response Steps: Breathe, Engage, Preserve Evidence  00:26:00 Creating a Culture Where Mistakes Are Reported  00:29:00 Episode Recap and Takeaway #TheNonprofitShow #CyberResilience Find us Live daily on YouTube!Find us Live daily on LinkedIn!Find us Live daily on X: @Nonprofit_ShowOur national co-hosts and amazing guests discuss management, money and missions of nonprofits! 12:30pm ET 11:30am CT 10:30am MT 9:30am PTSend us your ideas for Show Guests or Topics: HelpDesk@AmericanNonprofitAcademy.comVisit us on the web:The Nonprofit Show

Angela de Jong stopt met haar tv-column en daar staat het panel natuurlijk uitgebreid bij stil. Hoe beleefde ze de week nadat haar afscheid bekend werd? Wat gaat ze doen met haar nieuwe column? En zien we haar binnenkort in politiek Den Haag rondlopen?De laatste Renze op zondag werd afgelopen weekend uitgezonden. In het nieuwe seizoen wordt zijn talkshow vervangen door het meer generieke RTL Tonight. Opvallend genoeg was niemand van de RTL-top aanwezig bij de laatste uitzending van de presentator. „Ik durf een fles wijn erop te verwedden dat Renze teruggaat naar de NPO.”Thomas van Groningen debuteerde aan het hoofd van de tafel van De Oranjezomer. Het werd een erg politieke uitzending door de aanwezigheid van VVD-leider Dilan Yesilgöz. Toch is het panel blij dat de plek van Johnny de Mol overgenomen is door iemand met verstand van zaken.Ook wordt de gewijzigde opzet van The Voice of Holland besproken. Suzan & Freek zullen gewoon in de jury zitten, maar de liveshows verdwijnen. De ontknoping van De Verraders wordt gezien als ‘een vreselijk dieptepunt’. En de Flikken-franchise staat onder druk. Angela de Jong zet Andere tijden in haar etalage.Luisteren dus! Naar de wekelijkse AD Media Podcast, waarin tv-columniste Angela de Jong en verslaggever Gudo Tienhooven alle hoofd-, rand-, en bijzaken bespreken op het gebied van media. De presentatie is eenmalig in handen van Mark den Blanken.Support the show: https://krant.nl/See omnystudio.com/listener for privacy information.

【いっしょに新聞、めくりましょう】朝日新聞（デジタル版）が1カ月間無料＋5カ月間月額200円！選挙記事も読み放題。さらに、ニューヨークタイムズの購読権も当たる！※朝ポキはみなさまからの購読料で配信しております… お申し込みはこちら↓↓7月24日締め切りですhttps://digital.asahi.com/pr/cp/2025/smr/?ref=cp2025smr_podcast 【番組内容】「一緒に新聞をめくろう！」今回は、南日慶子や水野梓と一緒に、リスナーさんから届いたリクエスト記事を中心にめくります。となりの外国人のこと、あなたはどれぐらい知っていますか。思い出に残る機内食はありますか。ニュース回避の傾向についても語り合いました。※2025年6月24日に収録しました。 【関連記事】難民キャンプから特定技能で日本へ、NPO「双方にメリット」https://www.asahi.com/articles/AST6L2TRRT6LPTIL00TM.html?iref=omny 機内食、多様な食習慣に対応　ベジタリアンや糖尿病患者向けhttps://www.asahi.com/articles/DA3S16231787.html?iref=omny 「ニュース回避」の傾向、日本は当てはまらず　48カ国・地域中最低https://www.asahi.com/articles/AST6K5V24T6KUHBI03PM.html?iref=omny 【出演・スタッフ】南日慶子（経済部）水野梓（withnews編集長）MC　今永諒音源編集　杢田光 【おねがい】朝日新聞ポッドキャストは、みなさまからの購読料で配信しています。番組継続のため、会員登録をお願いします！ http://t.asahi.com/womz 【朝ポキ情報】アプリで記者と対話 http://t.asahi.com/won1 交流はdiscord https://bit.ly/asapoki_discord おたよりフォーム https://bit.ly/asapoki_otayori 朝ポキTV https://www.youtube.com/@asapoki_official メルマガ https://bit.ly/asapoki_newsletter 広告ご検討の企業様は http://t.asahi.com/asapokiguide 番組検索ツール https://bit.ly/asapoki_cast 最新情報はX https://bit.ly/asapoki_twitter 番組カレンダー https://bit.ly/asapki_calendar 全話あります公式サイト https://bit.ly/asapoki_lp See omnystudio.com/listener for privacy information.

Adelheid Roosen (1958) is actrice, theater- en televisiemaker, maar is vooral 'bruggenbouwer' par excellence. In een gepolariseerde samenleving stelt zij zichzelf steeds ten doel om verschillende groepen bij elkaar te brengen. Ze werkt aan een groot project met de Amsterdamse politie, waarvoor zestig agenten en zestig burgers hun (voor)oordelen met elkaar bespreken. Het resultaat van deze ontmoeting wordt in september openbaar gemaakt. Het is een typisch Roosen-project, altijd is zij op zoek naar de ander. Ze schuwt de confrontatie nooit. Met haar gezelschap Female Economy (1999) weet ze spannende, maatschappelijke onderwerpen te agenderen. Roosen is veel gelauwerd in binnen- en buitenland en ontving in 2023 de Cultuurfonds Prijs voor haar bijzondere betekenis voor cultuur. Lotje IJzermans presenteert voor de VPRO Boeken op NPO 2 en het radioprogramma Nooit Meer Slapen op Radio 1.

De Limburgse Lies wordt in de jaren ‘40 en ‘50 van de vorige eeuw overspoeld door liefdesbrieven. Onder de schrijvers zijn cabaretier Toon Hermans en een enkele vrouw. Allemaal geloven ze dat zij de ware is. Wie was deze mysterieuze vrouw die zoveel verlangen opwekte? Voor wie koos ze – en hoeveel vrijheid had zij in die tijd om te kiezen? In DOCS hoor je de eerste aflevering van de zesdelige podcast Liefste Lies, getiteld Eerste brieven.  Liefste Lies is gemaakt door Heleen Hummelen en Wieky de Boer. De podcast is een coproductie van Autres Directions, Aldus' producties en VPRO's  OVT en is mogelijk gemaakt met financiële steun van het NPO-fonds en het Fonds Bijzondere Journalistieke Projecten. De hele reeks beluister je via NPO Luister. DOCS is de documentaire podcast van de publieke omroep onder eindredactie van NTR en VPRO. Presentatie: Dija Kabba. Meer informatie: 2doc.nl/docs en docs@ntr.nl

De Limburgse Lies wordt in de jaren ‘40 en ‘50 van de vorige eeuw overspoeld door liefdesbrieven. Onder de schrijvers zijn cabaretier Toon Hermans en een enkele vrouw. Allemaal geloven ze dat zij de ware is. Wie was deze mysterieuze vrouw die zoveel verlangen opwekte? Voor wie koos ze – en hoeveel vrijheid had zij in die tijd om te kiezen? In DOCS hoor je de eerste aflevering van de zesdelige podcast Liefste Lies, getiteld Eerste brieven.  Liefste Lies is gemaakt door Heleen Hummelen en Wieky de Boer. De podcast is een coproductie van Autres Directions, Aldus' producties en VPRO's  OVT en is mogelijk gemaakt met financiële steun van het NPO-fonds en het Fonds Bijzondere Journalistieke Projecten. De hele reeks beluister je via NPO Luister. DOCS is de documentaire podcast van de publieke omroep onder eindredactie van NTR en VPRO. Presentatie: Dija Kabba. Meer informatie: 2doc.nl/docs en docs@ntr.nl

Het is vandaag woensdag 1 juli en Tina praat je weer bij over het laatste medianieuws. Met vandaag: er komt geen vervanger voor Loretta Schrijver in The Masked Singer, dat in de tweede helft van dit jaar terugkeert op televisie. Verder is het zomerschema van de NPO bekendgemaakt en dat is toch wel erg karig. Ook zijn er opnieuw problemen bij de producent van Flikken Maastricht en is er weer een hoop te doen over het programma van Yvonne Coldeweijer. Natuurlijk ontbreken de kijkcijfers, kijkersvragen en Tina’s kijktip niet in deze gloednieuwe aflevering van Tina’s TV Update! Wil je adverteren in deze podcast? Neem dan contact op via sales@audiohuis.com.

「【新宿高田馬場】新宿NPO協働推進センターにて『知ろう！学ぼう！出会おう！保護猫譲渡会』が7月12日に開催！」　新宿高田馬場にある新宿NPO協働推進センターでは、『知ろう！学ぼう！出会おう！保護猫譲渡会』が2025年7月12日(土)に開催。詳細をご紹介します。『知ろう！学ぼう！出会おう！保護猫譲渡会』は、新宿区とイオンペットの合同イベントとして開催。

今回のポッドキャスティングは、2025年6月23日〜26日放送分、NPO法人 ウォーターズ・リバイタル・プロジェクト代表の水谷要さん

In de nieuwste aflevering van de podcast Reputatie Inside ontvangt Stef Heutink een prominente gast uit medialand: journalist, columnist en voormalig NPO-directeur Ton F. van Dijk. Een gesprek over vertrouwen, framing, macht, media en de staat van de Nederlandse politiek.

Guest: Roscoe Williams | Programme Director at Read To Rise At Vusizi Primary School in Limpopo, teachers are battling overcrowded classrooms, a critical lack of books, and minimal parental support — all while trying to teach children how to read. With learners expected to switch from Xitsonga to English by Grade 4, the odds are stacked against them. Yet, these educators go above and beyond, creating their own teaching materials, staying after school, and forming reading support groups — all in the hope of breaking the cycle of poverty through literacy. Today, we're joined by an expert working on the frontlines of youth literacy to help us better understand the challenges and solutions in South Africa's ongoing battle against illiteracy. Early Breakfast with Africa Melane is 702’s and CapeTalk’s early morning talk show. Experienced broadcaster Africa Melane brings you the early morning news, sports, business, and interviews politicians and analysts to help make sense of the world. He also enjoys chatting to guests in the lifestyle sphere and the Arts. All the interviews are podcasted for you to catch-up and listen. Thank you for listening to this podcast from Early Breakfast with Africa Melane For more about the show click https://buff.ly/XHry7eQ and find all the catch-up podcasts here https://buff.ly/XJ10LBU Listen live on weekdays between 04:00 and 06:00 (SA Time) to the Early Breakfast with Africa Melane broadcast on 702 https://buff.ly/gk3y0Kj and CapeTalk https://buff.ly/NnFM3N Subscribe to the 702 and CapeTalk daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

世界一ゆるい？SDGs番組「WORLDs SDGs」。今回のゲストは「認定NPO法人very50」代表理事・菅谷亮介さん。「認定NPO法人very50」は、開発途上国を中心とした社会問題解決を目指している起業家を応援（お金の支援など）したり、社会問題解決型の起業家＝チェンジメーカー＝いわゆる未来のチェンジメーカーを増やすために教育事業をおこなっています。今回は、菅谷さんの経歴や事業を始めたきっかけなどを話しています。Website< https://very50.com/> Instagram< https://www.instagram.com/very50__/>

世界一ゆるい？SDGs番組「WORLDs SDGs」。今回のゲストは「認定NPO法人very50」代表理事・菅谷亮介さん。「認定NPO法人very50」の2つ目の事業は「教育事業」。具体的には「修学旅行をプロジェクトベースにして、実践的にビジネスを学び、その地域の文化を学ぶ」を行っています。ただ修学旅行に行ったら遊びたいですよね！そういったいろんなタイプの生徒がいるのに、どうやってこのプロジェクトを実行させているのか？Website< https://very50.com/> Instagram< https://www.instagram.com/very50__/>

The University of Pretoria Youth Choir, a proudly diverse ensemble of 90 young singers, is set to perform and compete in Europe this December. Wasanga Mehana speaks to a 17 year-old member, Onthatile Lebogo. See omnystudio.com/listener for privacy information.

Dit zijn onze shownotes:Wil je ons helpen? Geef ons dan likes en recensies in jouw favoriete podcastapp en deel ons met iedereen die wel wat Ballet Kroket kan gebruiken in het leven!Welkom bij aflevering 37 van het tweede seizoen van Ballet Kroket! We hebben het over alle dingen waarmee je het leven kunt vieren, versieren en verdiepen, kortom over alles op de lijn van ballet tot kroket.Je kunt onze opnames bijwonen, iedere maandagavond van 19:30 - 21 uur in Studio Kookhaven in Amsterdam Oost. Aanmelden kan via de mail: alles@balletkroket.nlHost Francien Knorringa zag de film Kees vliegt echt uit van Monique Nolte op Videoland. https://v2.videoland.com/kees-vliegt-echt-uit-p_4766Host Jannekee Kuijper zag de serie Dept. Q op Netflix. https://www.netflix.com/title/81487660Onze gasten Maartje Paans en Margot Osnabrugge vertellen over dropfudge en trekdrop gemaakt door hun sociale werkproject Mooie D.R.O.P. https://www.mooiemensenwerken.nl/mooiedropMaartje Paans doet ook casting van Mooie Mensen zoals bijvoorbeeld voor het programma Een Buitengewoon Gesprek dat nu te zien is bij de NPO. https://npo.nl/start/serie/een-buitengewoon-gesprek/seizoen-1/youp-van-t-hek_28/afspelenGids Helena Hilgerdenaar zag de voorstelling Tijd voor geluk van ITA. https://ita.nl/nl/voorstellingen/tijd-voor-geluk/3939835/Gids Bart Prinsen las een nieuwsbericht over kunstenaar Marlow Moss en ging op onderzoek. Het zette hem op het spoor van het boek van Florette Dijkstra over haar. De sprong in het licht. https://www.singeluitgeverijen.nl/querido/boek/de-sprong-in-het-licht/Van Florette Dijkstra is er een tentoonstelling in Galerie Sanaa in Utrecht over Marlow Moss. https://www.galeriesanaa.nl/tentoonstellingen.phpEn er is een paar jaar geleden een film gemaakt over Marlow Moss. https://www.destudio.com/nl/project/de-verdwenen-lijnen-van-marlow-mossHij las ook het boek van A.H. Nijhoff Twee meisjes en ik. https://www.uitgeverijcossee.nl/twee-meisjes-en-ik/9789059367920#samenvattingKok van de Week Lone Poulsen liet zich inspireren door drop, stelde een heel dropmenu samen dat je in combinatie met Mooie Mensen Werken kunt boeken als bedrijfsuitje of ander feestelijk samenzijn. Je krijgt dan een meergangen menu met drop en de Mooie Mensen doen de bediening. www.shecamefromnorth.com Onze Adverteerders:Vrouwen in de Keuken, Keuken installeren? Geen stress! Vrouwen in de keuken is het bedrijf om in te schakelen voor het plaatsen van een nieuwe keuken. De vrouwen installeren moeiteloos keukens met onderdelen van verschillende leveranciers, showroommodellen, IKEA, noem maar op. Apparatuur, maatwerkoplossingen, alles is mogelijk. https://vrouwenindekeuken.nlHermit Gin - de lekkerste gin die er is, gemaakt met Oosterscheldewater en nog een trits aan geheime ingrediënten, te koop bij Gall en Gall. www.hermitgin.comSeafarm, voor de lekkerste oesters. https://www.seafarm.nl/producten/oestersDe Kookhaven - te gekke locatie aan de rafelrand van Amsterdam, geschikt voor al uw culinaire uitspattingen, van private dining tot kookworkshop, van vergadering tot culinair feestje. Iedereen viert weleens een feestje dat thuis of op het werk niet past. Bespreek de mogelijkheden met uitbater Dick Ferwerda. www.kookhaven.nlDon Ostra - oestermannen Arend Bouwmeester (de jonge), nieuwe ster Marijn en Dick Ferwerda serveren oesters en gin op geheel eigen wijze. Voor luisteraars van Ballet Kroket geldt een 99% glimlachgarantie. Neem contact op met Dick Ferwerda als je oesters wil bestellen voor pasen, dan kun je ze vlak voor pasen ophalen tijdens een oester pop up in de Kookhaven. www.donostra.nlLone Poulsen, de kok die uit het noorden kwam en private dinings en workshops verzorgt in het teken van de nordic cuisine. Op 13 april kun je de workshop Blad Bloem Bes bij haar volgen. Je kan ook vers Deens roggebrood bij haar bestellen. En ze maakt likeur van de bladeren van je vijgenboom als je dat wil. Op evenement-dagen van Ballet Kroket kun je een crew maaltijd van haar eten. Neem contact op via: www.shecamefromnorth.comJachthaven Bouwmeester, de full service jachthaven in Amsterdam waar je van reparatie, stalling tot volledige botenbouw overal voor terecht kan. https://jachthavenbouwmeester.nlAdverteren in Ballet Kroket? Mail alles@balletkroket.nlBallet Kroket wordt op maandagavond opgenomen in Studio Kookhaven in Amsterdam. Wil je een opname bijwonen? Dat kan iedere maandagavond. Op bepaalde dagen maken we er een heel evenement van. Mail alles@balletkroket.nlKijk op onze insta: https://www.instagram.com/balletkroket/ en stuur ons een DM.Abonneer je via je favoriete podcast-app op onze podcast dan vallen de nieuwe afleveringen vanzelf in je bibliotheek.Reageren? We horen graag van je!www.balletkroket.nlalles@balletkroket.nl

Het panel heeft deze week gekeken naar het nieuwe programma van Raven van Dorst: Parels voor de zwijnen. De meningen over de presentatie zijn verdeeld. Het programma valt in ieder geval niet in de smaak. „Als je echt niks te doen hebt, kun je het kijken op zondag.” Hélène Hendriks is langer afwezig bij De Oranjezomer en dat wordt betreurd door het panel. Johnny de Mol bevalt niet als presentator. Dat hij wordt opgevolgd door Thomas van Groningen wordt dan ook toegejuicht. „Je merkt dat Johnny de Mol al twintig jaar geen krant heeft gelezen.” Angela de Jong reageert op Arjen Lubach, die haar column besprak met Sven Kockelmann, maar dat deed zonder haar naam te noemen. Ze blijft bij haar standpunt: de impact van de komiek is minder geworden. Presentator Manuel Venderbos blijft fan van het programma. Verder is het radiohoekje terug van weggeweest, worden de wijzigingen op Radio 1 besproken en is er een menselijk blokje over Emma Kok. Vanwege het overlijden van tv-hond Nhaan, heeft collega-tv-hond Samson een audio-boodschap. Jessica Villerius staat in Angela’s etalage met haar NPO 3-programma Dubbel gestraft. Luisteren dus! Naar de wekelijkse AD Media Podcast, waarin tv-columniste Angela de Jong, mediaverslaggevers Dennis Jansen en Mark den Blanken onder leiding van presentator Manuel Venderbos alle hoofd-, rand-, en bijzaken bespreken op het gebied van radio en televisie. Vind alle onze podcasts op ad.nl/podcasts. Support the show: https://krant.nl/See omnystudio.com/listener for privacy information.

Het is vandaag dinsdag 17 juni en Tina praat je weer bij over het laatste medianieuws. Met vandaag: Hélène Hendriks zal ook de komende weken ontbreken bij De Oranjezomer en wat betekent dat voor de kijkcijfers? Verder een nieuwe NPO-serie over sextortion, gemaakt door Jojanneke van den Berge, en een podcastfestival van de publieke omroep. Natuurlijk ontbreken de kijkcijfers, kijkersvragen én de kijktip niet in deze gloednieuwe aflevering van Tina’s TV Update! Wil je adverteren in deze podcast? Neem dan contact op via sales@audiohuis.com.

(00:36) De column van Abdelkader Benali.  (4:00) Vooral de foto's van de Japanse bordelen blijken gevoelig liggen in Japan. Wie was verantwoordelijk: Amerika of Japan? En hoe zat het systeem in elkaar? Marianne spreekt een oude zuster, die na de oorlog slachtoffers van dwangprostitutie opving. Wat weet zij over de ervaringen van de vrouwen? Ook ontmoet Marianne de kleinzoon van een Amerikaanse soldaat en een Japanse vrouw. Hij is benieuwd of zij kan helpen zijn Amerikaanse familie te vinden. Terug in Nederland krijgt Marianne een verrassend bericht...  Operatie onthechting  Kunstenaar Marianne Ingleby erft het fotoarchief van haar opa Bruce Elkus, Amerikaans legerfotograaf. In 1944 vertrok hij naar het Japanse eiland Iwo Jima, bekend van een van de bloedigste slagen van de Tweede Wereldoorlog.  Als Marianne na zijn dood door de foto's gaat stuit ze op gruwelijke beelden: soldaten met weggeblazen ledematen, een Japanse schedel op een stok als oorlogstrofee en naakte vrouwen met dronken Amerikanen in bordelen. De foto's blijken destijds nooit gepubliceerd: te ontluisterend. Liever keek men naar de wereldberoemde heroïsche foto 'Raising the Flag on Iwo Jima', hét symbool van de Amerikaanse overwinning in de Pacific.  Marianne blijkt goud in handen te hebben met het zeldzame foto-archief. Ze is benieuwd naar de ervaringen van haar eigenzinnige opa, die naast honderden foto's ook aangrijpende brieven vanaf het front naliet. Wat heeft hij meegemaakt aan het front? Waarom maakte hij foto's buiten zijn opdracht? Welke herinneringen roepen ze op bij de Amerikaanse veteranen? En hoe wordt er in Japan op gereageerd?  Samen met radiomaker Laura Stek reist Marianne vanuit Nederland naar Amerika en Japan, gedreven door de vraag: hoe groot is het gat tussen wat we te zien krijgen en de realiteit van oorlog?  Deel 1 en 2 kwamen in 2020 uit, deel 3 en 4 in 2025.  ‘Operatie Onthechting' is een coproductie van Prospektor en VPRO voor NPORadio1. Narratief en edit: Laura Stek, research: Marianne Ingleby, eindmix: Arno Peeters, creatief producent: Eefje Blankevoort, uitvoerend producent: Laura Verduijn, animatie: Floris Deerenberg, vertaling Japan: Manami Midorikawa en Keimi Yamada. Stemacteurs: Maarten Heijmans, Dafne Holtland, Kai Gotoh en Aki Watano.  Mede mogelijk gemaakt door het Vfonds, het Postcode Loterij Fonds voor journalisten en het NPO-fonds.  Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/15-06-2025.html#  (https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/15-06-2025.html)  

Jelle van Baardewijk, Harm Beertema en Kees de Kort bespreken het nieuws van de week.--Steun DNW en word patroon op http://www.petjeaf.com/denieuwewereld.Liever direct overmaken? Maak dan uw gift over naar NL61 RABO 0357 5828 61 t.n.v. Stichting De Nieuwe Wereld. Crypto's doneren kan via https://commerce.coinbase.com/pay/79870e0f-f817-463e-bde7-a5a8cb08c09f-- Bronnen en links bij deze uitzending: - Jelle in gesprek met Pieter Klok: https://www.youtube.com/watch?v=ntvDhSvHkwo- Marlies, Ad en Jelle over 'Adolescence': https://www.youtube.com/watch?v=vNshM4cJKv8- Programma's van de NPO over pesten: https://npo.nl/collecties/pesten--00:00 Introductie2:28 Israël en Iran19:45 Rellen Los Angeles36:48 Fusie PvdA en GL en de PVV48:10 Wilders, defensie-uitgaven en de NAVO-top1:07:30 Rellen in Noord-Ierland1:15:39 Schietpartij Oostenrijk, Andrew Tate, incels1:32:05 Afronding--De Nieuwe Wereld TV is een platform dat mensen uit verschillende disciplines bij elkaar brengt om na te denken over grote veranderingen die op komst zijn door een combinatie van snelle technologische ontwikkelingen en globalisering. Het is een initiatief van filosoof Ad Verbrugge in samenwerking met anchors Jelle van Baardewijk en Marlies Dekkers. De Nieuwe Wereld TV wordt gemaakt in samenwerking met de Filosofische School Nederland. Onze website: https://denieuwewereld.tv/ DNW heeft ook een Substack. Meld je hier aan: https://denieuwewereld.substack.com/

You'll love this master class on the untapped power of volunteerism—with a call to rethink how we attract, support, and retain volunteers—led by guest expert Kirsten Wantland, Manager of Customer Best Practices and Enablement at Bloomerang,Kirsten, who holds credentials as a Certified Nonprofit Consultant and Certified Development Executive, brings both frontline and strategic expertise. With her deep background in fundraising and nonprofit leadership, she makes a bold case for managing volunteers with the same intentionality as donors. Her rallying cry? “Recognize behaviors over capacity.”Too many nonprofits still treat volunteer management as an afterthought—focused on day-of logistics or generic thank-yous. But Kirsten argues for a proactive, data-informed approach that starts well before a volunteer steps foot on site. From setting clear expectations in role descriptions to acknowledging service hours as contributions worth over $34.79 per hour, this learning session delivers some super strategies that can translate into real organizational value for your NPO.Volunteers aren't just a feel-good bonus; they are a form of human capital that, when properly stewarded, can evolve into loyal donors and long-term advocates. “If you think of someone donating 10 hours,” Kirsten explains, “you're looking at the equivalent of nearly $350 in economic impact. How many of your donors give that much in a single gift?”She encourages nonprofits to:·        Communicate expectations clearly and respectfully.·        Track volunteer hours just like financial contributions.·        Plan intentional follow-ups after service.·        Use personalized recognition—by name, by role, by impact.·        Share volunteer stories in annual reports and community messaging.Kirsten also addresses a long-standing sector taboo: asking volunteers to give financially. Her advice? Let the volunteer decide. Many already feel deeply connected to the mission and are primed for deeper engagement if offered meaningful opportunities.This is a must-watch for anyone building or revamping a volunteer program. 00:00:00 Welcome and guest intro 00:01:40 Kirsten's credentials and new role at Bloomerang 00:03:00 The impact of formal nonprofit education 00:06:20 Defining volunteer clarity and role expectations 00:09:30 Orientation and onboarding strategies 00:11:00 Recognizing volunteers effectively 00:14:20 Tracking volunteer hours and value 00:16:30 Volunteers as non-monetary donors 00:20:00 Creating a follow-up plan post-volunteering 00:22:00 Should volunteers be asked for donations? 00:24:00 Personalized engagement based on behavior 00:27:00 Volunteer storytelling and long-term commitmentFind us Live daily on YouTube!Find us Live daily on LinkedIn!Find us Live daily on X: @Nonprofit_ShowOur national co-hosts and amazing guests discuss management, money and missions of nonprofits! 12:30pm ET 11:30am CT 10:30am MT 9:30am PTSend us your ideas for Show Guests or Topics: HelpDesk@AmericanNonprofitAcademy.comVisit us on the web:The Nonprofit Show

Alexander Dmitrenko is the Managing Partner of Ashurst's Tokyo office and a dear friend Catherine has been wanting to introduce to the Lawyer on Air listeners. Get ready to hear how you can be successful in Japan and being a good person is on top of the list. If you are wondering about the culture and lifestyle of working at a firm such as Ashurst, make sure you catch this episode. If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. Head over to Apple Podcasts to leave a review and we'd love it if you would leave us a message here!In this episode you'll hear:How Alexander's upbringing in the USSR influenced his career choice in the lawHow the transition from New York private practice to Japanese in house changed himBecoming Managing Partner and tips for the recruitment processHis favourite restaurant and other fun facts About AlexanderAlexander Dmitrenko is a partner in Ashurst's Tokyo dispute resolution practice group.He has nearly 20 years of experience specialising in compliance matters, internal investigations, and dispute resolution. He has substantial experience advising Asian and other companies on matters related to sanctions and export controls, anti-bribery and corruption, anti-money laundering, cyber security and cyber fraud, ESG and forced labour and other compliance  related laws and regulations. Alexander has gained particular expertise and client praise for his pragmatic approach to establishing compliance policies and procedures, undertaking due diligence exercises and conducting internal and regulatory investigations.Alexander has conducted over a dozen sensitive internal and regulatory investigations covering allegations of bribery, accounting misconduct, internal violations, harassment and product liability in such jurisdictions as China, Ghana, India, Japan, Kazakhstan, Korea, Russia, United States and Vietnam.Alexander also advises financial institutions and other companies on compliance and risk mitigation measures related to US-China regulatory tensions and potential conflict of laws. He has particular expertise with airspace and the airline industry through his extensive work for Changi Airports International and on Sojitz' airport projects in Russia and Myanmar.He is a member of our firm's specialized Sanctions as well as Corporate Crime groups. Given his unique skillset and expertise, he has been advising on various sanctions targeting Russia, from legal, regulatory and practical perspectives.Alexander teaches, lectures and publishes extensively on various compliance-related topics. He chairs the Japan Subcommittee of Temple Law School's Center for Compliance and Ethics. He is an active member of the NPO community in Japan, particularly through his leadership at LLAN and TELL. Alexander leads our firm's pro bono efforts to provide legal and other assistance to Ukrainian evacuees. He is a true diversity & inclusion champion. Alexander is also a proud honorary Ambassador for the beautiful island of Hachijojima.Alexander is qualified to practice in England & Wales, New York, Russia, and is a registered foreign lawyer (Gaikokuho Jimu Bengoshi) in Japan. He speaks English, French, Japanese, Russian and Ukrainian.In his free time he enjoys spending time with his family, including his dog Mykola (Miki), learning Japanese to which he devotes 45-60 minutes each day, spending time on Hachijojima, including gardening (he even grew a square watermelon a few years ago), tennis, yoga and his latest hobby is sanshin on which he performed at Tama Parthenon during a special fundraising concert for Tohoko & Ukraine.Connect with Alexander LinkedIn: https://www.linkedin.com/in/alexander-dmitrenko/ LinksTwo Rooms: https://tworooms.jp/en/ Connect with Catherine LinkedIn https://www.linkedin.com/in/oconnellcatherine/Instagram: https://www.instagram.com/lawyeronair

Een prachtige en belangrijke serie, over de onverbloemde realitieit van oorlog. Marianne Ingleby erfde het archief van haar opa  die legerfotograaf was op Hisoshima. Marianne blijkt goud in handen te hebben met dit zeldzame foto-archief. Samen met radiomaker Laura Stek reist Marianne vanuit Nederland naar Amerika en Japan, gedreven door de vraag: hoe groot is het gat tussen wat we te zien krijgen en de realiteit van oorlog? Operatie Onthechting' is gemaakt voor VPRO OVT in  coproductie met Prospektor. Narratief en edit: Laura Stek, research: Marianne Ingleby, eindmix: Arno Peeters, creatief producent: Eefje Blankevoort, stemacteurs: Maarten Heijmans, Dafne Holtland, Kai Gotoh en Aki Watano. Mede mogelijk gemaakt door het Vfonds, het Postcode Loterij Fonds voor journalisten en het NPO-fonds.

(01:19) Rond 1730 ontvlucht een zwangere zwarte vrouw de plantage en brengt in het Surinaamse moeras haar zoon Boni ter wereld. Hij wordt Marron-leider en verzetsheld tegen het koloniale gezag. Tessa Leuwsha schreef een boek over zijn leven en denken, en vertelt hoe dat ons beeld van Boni verandert.  (14:53) Het is vijf jaar later. Alle Amerikaanse Iwo Jima veteranen zijn overleden. De wereld is in rap tempo veranderd. De dreiging van oorlog is terug van weggeweest. Marianne gaat op zoek naar de oude vijanden van haar opa en vindt een van de laatste Japanse Iwo Jima veteranen. In hoeverre voldoet hij aan het clichébeeld uit de oorlog? Ook ontmoet ze de kleindochter van een gesneuvelde Japanse Iwo Jima veteraan. Hoe kijkt zij naar de omgang met de oorlog in het huidige Japan?  Operatie onthechting  Kunstenaar Marianne Ingleby erft het fotoarchief van haar opa Bruce Elkus, Amerikaans legerfotograaf. In 1944 vertrok hij naar het Japanse eiland Iwo Jima, bekend van een van de bloedigste slagen van de Tweede Wereldoorlog.  Als Marianne na zijn dood door de foto's gaat stuit ze op gruwelijke beelden: soldaten met weggeblazen ledematen, een Japanse schedel op een stok als oorlogstrofee en naakte vrouwen met dronken Amerikanen in bordelen. De foto's blijken destijds nooit gepubliceerd: te ontluisterend. Liever keek men naar de wereldberoemde heroïsche foto 'Raising the Flag on Iwo Jima', hét symbool van de Amerikaanse overwinning in de Pacific.  Marianne blijkt goud in handen te hebben met het zeldzame foto-archief. Ze is benieuwd naar de ervaringen van haar eigenzinnige opa, die naast honderden foto's ook aangrijpende brieven vanaf het front naliet. Wat heeft hij meegemaakt aan het front? Waarom maakte hij foto's buiten zijn opdracht? Welke herinneringen roepen ze op bij de Amerikaanse veteranen? En hoe wordt er in Japan op gereageerd?  Samen met radiomaker Laura Stek reist Marianne vanuit Nederland naar Amerika en Japan, gedreven door de vraag: hoe groot is het gat tussen wat we te zien krijgen en de realiteit van oorlog?  Deel 1 en 2 kwamen in 2020 uit, deel 3 en 4 in 2025.  ‘Operatie Onthechting' is een coproductie van Prospektor en VPRO voor NPORadio1. Narratief en edit: Laura Stek, research: Marianne Ingleby, eindmix: Arno Peeters, creatief producent: Eefje Blankevoort, uitvoerend producent: Laura Verduijn, animatie: Floris Deerenberg, vertaling Japan: Manami Midorikawa en Keimi Yamada. Stemacteurs: Maarten Heijmans, Dafne Holtland, Kai Gotoh en Aki Watano.  Mede mogelijk gemaakt door het Vfonds, het Postcode Loterij Fonds voor journalisten en het NPO-fonds.  Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/08-06-2025.html#  (https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/08-06-2025.html)  

Op 5 juni gaat de NPO documentaire ‘Ruigoord: een kosmisch lek' in première, waarin regisseur Peter Wingender het kunstenaarsdorp Ruigoord volgt dat al 50 jaar strijdt tegen de oprukkende industrie. De film toont hoe deze culturele vrijplaats blijft vechten voor haar voortbestaan als symbool van creatieve vrijheid en verzet. Peter Wingender maakte eerder bekroonde documentaires zoals ‘Puck & Hans: Made in Holland' en ‘Klasgenoten van Anne Frank'.  Presentatie: Willemijn Veenhoven

Met een kick-off show van Linkin Park voor aanvang van de Champions League finale probeert voetbalbond UEFA de Superbowl naar de kroon te steken. Gaat dat ze lukken? Een aflevering over de kunst van het optreden op de middenstip, van Michael Jackson tot André Rieu. En verder: hoe het gebrek aan online ambities van de NPO ons dwarszit.

Anoek Nuyens maakt met goed ontvangen voorstellingen als De zaak Shell en Beste mensen theater over de klimaatcrisis. Programmamaker Katarina Schul gaat met haar in gesprek over haar methode.Draaien we echt al vijftig jaar in dezelfde rondjes als het gaat om klimaat? Dat wilde Anoek Nuyens onderzoeken met haar nieuwste voorstelling Beste Mensen. Ze onderzocht talloze klimaatspeeches van de afgelopen vijftig jaar en baseerde daarop een indringende theaterperformance (opgevoerd door Hannah Hoekstra).Eerder waagde Nuyens zich met De zaak Shell ook al aan klimaattheater. Waarom blijft zij de klimaatcrisis aangrijpen als onderwerp voor theater? En wat hoopt ze met haar grondige onderzoekende benadering te bereiken? Anoek Nuyens studeerde Theaterwetenschap in Amsterdam en Berlijn en werkt(e) onder andere in Kinshasa, Brussel, Berlijn en Amsterdam. Ze maakt sociaal bewogen, documentair voorstellingen zoals De zaak Shell, waarvoor ze samen met Rebekka de Wit de Regieprijs 2021 (NTF) won. Ze is artistiek leider van Bureau Vergezichten, waar ze samen met onder meer Erik Whien en Rebekka de Wit werkt aan producties als Beste Mensen en de herneming van De Zaal Shell. Dit jaar schrijft ze ook aan NPO-serie over staalfabriek Tata Steel.In deze wekelijkse talkshow van De Balie interviewen programmamakers de makers die hen inspireren. Van cabaretiers tot schrijvers en van theatermakers tot kunstenaars.Interview door programmamaker Katarina Schul. De podcast wordt geïntroduceerd door programmamaker Kees Foekema.Fragment uit: TED talk: The new political story that could change everything | George MonbiotZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

(01:21) Hoe leer je je vader kennen als hij nooit sprak over zijn verleden? Mirjam Rotenstreich volgde het spoor van haar joodse vader Natan — via Oekraïne, het Rode Leger en Berlijn naar Nederland. Ze tekende zijn verzwegen levensverhaal op in het boek ‘Vader zoeken' en is te gast.  (13:47) Marianne reist naar New Orleans, waar de reünie van de laatste Iwo Jima veteranen plaatsvindt. Ze spreekt af met twee stokoude mariniers, in een poging dichter bij de oorlogservaring van haar opa te komen. De mannen vertellen emotioneel over de gruwelen die ze hebben meegemaakt. Marianne toont hen ook de foto's van de Amerikaanse soldaten in de Japanse bordelen. Hoe reageren ze daarop? En zou Bruce de foto's hebben verstopt voor het leger, om censuur te voorkomen?  Operatie onthechting  Kunstenaar Marianne Ingleby erft het fotoarchief van haar opa Bruce Elkus, Amerikaans legerfotograaf. In 1944 vertrok hij naar het Japanse eiland Iwo Jima, bekend van een van de bloedigste slagen van de Tweede Wereldoorlog.  Als Marianne na zijn dood door de foto's gaat stuit ze op gruwelijke beelden: soldaten met weggeblazen ledematen, een Japanse schedel op een stok als oorlogstrofee en naakte vrouwen met dronken Amerikanen in bordelen. De foto's blijken destijds nooit gepubliceerd: te ontluisterend. Liever keek men naar de wereldberoemde heroïsche foto 'Raising the Flag on Iwo Jima', hét symbool van de Amerikaanse overwinning in de Pacific.  Marianne blijkt goud in handen te hebben met het zeldzame foto-archief. Ze is benieuwd naar de ervaringen van haar eigenzinnige opa, die naast honderden foto's ook aangrijpende brieven vanaf het front naliet. Wat heeft hij meegemaakt aan het front? Waarom maakte hij foto's buiten zijn opdracht? Welke herinneringen roepen ze op bij de Amerikaanse veteranen? En hoe wordt er in Japan op gereageerd?  Samen met radiomaker Laura Stek reist Marianne vanuit Nederland naar Amerika en Japan, gedreven door de vraag: hoe groot is het gat tussen wat we te zien krijgen en de realiteit van oorlog?  Deel 1 en 2 kwamen in 2020 uit, deel 3 en 4 in 2025.  ‘Operatie Onthechting' is een coproductie van Prospektor en VPRO voor NPORadio1. Narratief en edit: Laura Stek, research: Marianne Ingleby, eindmix: Arno Peeters, creatief producent: Eefje Blankevoort, uitvoerend producent: Laura Verduijn, animatie: Floris Deerenberg, vertaling Japan: Manami Midorikawa en Keimi Yamada. Stemacteurs: Maarten Heijmans, Dafne Holtland, Kai Gotoh en Aki Watano.  Mede mogelijk gemaakt door het Vfonds, het Postcode Loterij Fonds voor journalisten en het NPO-fonds.  Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/01-06-2025.html#  (https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/01-06-2025.html)      

(01:05) Het is een kleine rel in Italië: de nazaten van het laatste koningshuis willen hun familiejuwelen terug. De sieraden behoren de staat toe, en niet de nazaten van de monarchie die met Mussolini heulden, zo luidde het oordeel in 2022 en zo bevestigde een Romeinse rechtbank vorige week. Maar de familie vecht deze uitspraak aan. De vraag is natuurlijk hoe deze juwelenoorlog afloopt. Historicus en kenner van het Italiaanse koningshuis Frans Willem Lantink vertelt meer.    (11:50) Kunstenaar Marianne Ingleby erft het fotoarchief van haar opa Bruce Elkus, Amerikaans legerfotograaf. In 1944 vertrok hij naar het Japanse eiland Iwo Jima, bekend van een van de bloedigste slagen van de Tweede Wereldoorlog.  Als Marianne na zijn dood door de foto's gaat stuit ze op gruwelijke beelden: soldaten met weggeblazen ledematen, een Japanse schedel op een stok als oorlogstrofee en naakte vrouwen met dronken Amerikanen in bordelen. De foto's blijken destijds nooit gepubliceerd: te ontluisterend. Liever keek men naar de wereldberoemde heroïsche foto 'Raising the Flag on Iwo Jima', hét symbool van de Amerikaanse overwinning in de Pacific.  Marianne blijkt goud in handen te hebben met het zeldzame foto-archief. Ze is benieuwd naar de ervaringen van haar eigenzinnige opa, die naast honderden foto's ook aangrijpende brieven vanaf het front naliet. Wat heeft hij meegemaakt aan het front? Waarom maakte hij foto's buiten zijn opdracht? Welke herinneringen roepen ze op bij de Amerikaanse veteranen? En hoe wordt er in Japan op gereageerd?  Samen met radiomaker Laura Stek reist Marianne vanuit Nederland naar Amerika en Japan, gedreven door de vraag: hoe groot is het gat tussen wat we te zien krijgen en de realiteit van oorlog?  Deel 1 en 2 kwamen in 2020 uit, deel 3 en 4 in 2025.  ‘Operatie Onthechting' is een coproductie van Prospektor en VPRO voor NPORadio1. Narratief en edit: Laura Stek, research: Marianne Ingleby, eindmix: Arno Peeters, creatief producent: Eefje Blankevoort, uitvoerend producent: Laura Verduijn, animatie: Floris Deerenberg, vertaling Japan: Manami Midorikawa en Keimi Yamada. Stemacteurs: Maarten Heijmans, Dafne Holtland, Kai Gotoh en Aki Watano.  Mede mogelijk gemaakt door het Vfonds, het Postcode Loterij Fonds voor journalisten en het NPO-fonds.  (46:47) Raising the flag on Iwo Jima, is de iconische foto die in alle schoolboeken symbool staat voor de Amerikaanse overwinning in de Pacific. Die komt ook voor in het eerste deel van ‘Operatie onthechting' dat deze uitzending te horen is.   En over die beroemde foto is de laatste maanden in Amerika controverse ontstaan. Niet over de foto zelf, maar over het Ministerie van Defensie, dat de foto besloot te cancelen. Fotografie-expert Rutger van der Hoeven, ook te horen in Operatie Onthechting, vertelt.    Meer info: https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/25-05-2025.html#  (https://www.vpro.nl/programmas/ovt/luister/afleveringen/2025/25-05-2025.html)

Meer dan 100.000 mensen liepen mee in een demonstratie die een 'rode lijn' trok tegen het geweld in Gaza en de houding daarin van kabinet-Schoof. Het was de grootste demonstratie die Nederland in 20 jaar heeft meegemaakt. Maar hoe nu verder? Na deze grootste demonstratie in 20 jaar gebeurde er nog steeds veel in Gaza en de Westerlijke Jordaanoever: Zo werd het gebied wederom doelwit van zware Israëlische bombardementen. Probeerde onze minister van Buitenlandse Zaken, Caspar Veldkamp zijn EU-collega's te overtuigen een onderzoek te beginnen naar Israël. En maakten AVROTROS en de NPO bekend in gesprek te willen over Israëlische deelname aan het Songfestival. Te gast: Thomas van Gool, projectleider Israël-Palestina bij vredesorganisatie Pax. En journalist, maker, schrijver Rocher Koendjbiharie

De kogel lijkt door de kerk: DPG Media neemt RTL Nederland over | 13m00 Hoe AVROTROS een ster probeert te maken van Hila Noorzai | 19m25 Hazes & Hoogkamer roepen irritatie op | 26m25 Veel langlopende NPO-titels geschrapt (en de drip-drip-drip-strategie) | 31m30 Spannende VI dinsdag: Gordon schuift aan | 35m50 Bar Laat krijgt nieuwe eindredactie | 42m55 Celebrity Pole Dancing | 46m05 VVD-spindoctor Kees Berghuis nieuwe hoofdredacteur WNL | 58m25 Het touwtje uit de brievenbusTheatershow: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.decommunicados.nl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Heb jij een vraag, idee of tip? Mail ons op ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vraaghetvicenlars@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Adverteren in deze podcast? Neem contact op met Dag en Nacht Media via adverteren@dagennacht.nl

解説：染矢明日香さん（NPO法人「ピルコン」理事長） ▼Daily News Session 2025/5/16/OA 発信型ニュース・プロジェクト「荻上チキ・Session」 ★月～金曜日　17:00～20:00　TBSラジオで生放送 パーソナリティ：荻上チキ、南部広美 番組HP：⁠荻上チキ・Session⁠ 番組メールアドレス：⁠ss954@tbs.co.jp⁠ 番組Xアカウント：⁠@Session_1530⁠ ハッシュタグは ⁠#ss954 Learn more about your ad choices. Visit megaphone.fm/adchoices

2025年 5月8日（木）ニュース ▼アメリカと中国　今週スイスで閣僚級貿易協議へ ▼インドがパキスタン領内で空爆実施　⇒国際政治アナリスト・NPO法人海外安全危機管理の会代表理事　　菅原出さんが解説！ ▼ロシアの対ドイツ戦勝80年記念式典　25か国以上の首脳ら出席へ　 ▼アメリカＦＲＢのパウエル議長が政策金利の据え置きを発表　⇒前日銀副総裁　早稲田大学政治経済学術院教授　若田部昌澄さんが解説！ ▼新たなローマ教皇選ぶ「コンクラーベ」、１回目の投票では決まらず ▼自民・公明、減税も視野にした経済対策を検討 コメンテーター評論家　宮崎哲弥See omnystudio.com/listener for privacy information.

Gaat Gerard Joling een nominatie krijgen voor de Gouden Televizier Ring? Moet aan het format van Play That Song Again nog gesleuteld worden? En is het het heel erg dat het Mooiste Meisje van de Klas van de buis verdwijnt? Angela de Jong: ‘De beslissing om met dit programma te stoppen, komt geen dag te vroeg!’ Vragen genoeg voor de panelleden van de AD Media Podcast deze week, televisiecolumnist Angela de Jong, mediaverslaggever Dennis Jansen en presentator Manuel Venderbos. De drie bespreken tevens de dramaserie over de Vuurwerkramp in Enschede en de exorbitante salarissen van NPO bestuurders. Verder komt het optreden van Bram Moszkowicz in Vandaag Inside ter sprake. De advocaat pakte nogal het podium in de uitzending, of gaven de heren Genee, Derksen en Van der Gijp herm te veel ruimte? Angela de Jong: ‘Het was fascinerend om te zien hoe Wilfred Genee de regie kwijtraakte bij VI!’ En in deze week van de halve finales van de Champions League prijst Manuel Venderbos commentator Wytse van der Goot. Luisteren dus! Naar de wekelijkse AD Media Podcast, waarin tv-columniste Angela de Jong, mediaverslaggever Dennis Jansen en presentator Manuel Venderbos alle hoofd-, rand-, en bijzaken bespreken op het gebied van radio en televisie. Vind al onze podcasts op ad.nl/podcasts.Support the show: https://krant.nl/See omnystudio.com/listener for privacy information.

出演：小早川明子さん（NPO法人「ヒューマニティ」理事長） 2025年5月5日（月）ニュースコーナー「Daily News Session」より 発信型ニュース・プロジェクト「荻上チキ・Session」 ★月～金曜日　17:00～20:00　TBSラジオで生放送 パーソナリティ：荻上チキ、南部広美 番組HP：⁠荻上チキ・Session⁠ 番組メールアドレス：⁠ss954@tbs.co.jp⁠ 番組Xアカウント：⁠@Session_1530⁠ ハッシュタグは ⁠#ss954 Learn more about your ad choices. Visit megaphone.fm/adchoices

Spraakmakende docu: was TMF een seksistische en racistische zender? | 10m50 Gerard Joling | 14m15 Bram Moszkowicz sloopt Johan Derksen (met desinformatie) | 21m45 Helene Hendriks | 23m40 AD trapt in NPO-spin bij einde Mooiste Meisje van de Klas | 28m15 Arjen Lubach | 32m05 Oppervlakkige maar Belangrijke Observaties: welke politiek duider heeft een stylist nodig? | 38m15 Wedden Dat | 42m15 Mark Zuckerberg ontwikkelt AI-vrienden | 55m30 PostcodeloterijSteun de podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.decommunicados.nl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Heb jij een vraag, idee of tip? Mail ons op ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vraaghetvicenlars@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Adverteren in deze podcast? Neem contact op met Dag en Nacht Media via adverteren@dagennacht.nl

Maria Perez is the Cause Marketing Consultant. She specializes in helping organizations grow their sponsor-partner initiatives. Among the questions we tackle: Why cause sponsorship is such an important revenue generation element for NPO's to pursue. Why do NPO's confuse patronage, corporate partnering and sponsorship?  What are the nuances and why are they important? Why do brands and companies sponsor? We welcome support of the Nonprofit SnapCast via Patreon. We welcome your questions and feedback via The Nonprofit SnapCast website. Learn more about Nonprofit Snapshot's consulting services.

How can a quick bedside ultrasound transform patient safety in anesthesia? Today, Sharon and guest co-host Carole Doyscher, CRNA, BSN, MS, APRN explore the growing role of gastric point-of-care ultrasound (PoCUS), a tool helping anesthesia providers assess stomach contents in real time. Joined by Rachel Edgerton, DNAP, MSNA, CRNA, APRN, CHSE and three doctoral students from St. Mary's University - Molly O'Neill, BSN, RN, Hannah Peine, BSN, RN, CCRN, CMC, Alyssa Klein, BSN, RN - the episode dives into their groundbreaking DNP project educating CRNAs on this skill. Here's some of what we discuss in this episode:

In deze speciale aflevering van Podcast De Stemming, LIVE vanaf het podcastfestival van de NPO in Tivoli Vredenburg, een extra-super-speciale aflevering, want dit is de aller-aller-aller-laatste podcast met Xander.

2024 ACC/AHA guideline update, including biomarker testing, MINS, and other consulting tips Master perioperative medicine! Learn when to hold ACE inhibitors, how to manage OSA without delaying surgery, and why "NPO after midnight" is outdated. We're joined by Dr. Avital O'Glasser, our Chief of Perioperative Medicine! Claim CME for this episode at curbsiders.vcuhealth.org! Patreon | Episodes | Subscribe | Spotify | YouTube | Newsletter | Contact | Swag! | CME Show Segments Intro Case Preoperative Assessment & Consulting Tips Risk Calculators Frailty Pulmonary Considerations Cardiovascular Meds & BP Management NPO: Why Are We Still Doing This? Biomarkers & Postoperative Risk MINS Outro Credits Written and produced, show notes, cover art, CME, and infographics: Paul Wurtz MD.  Hosts: Matthew Watto MD, FACP; Paul Williams MD, FACP Reviewer: Molly Heublein MD Showrunners: Matthew Watto MD, FACP; Paul Williams MD, FACP Technical Production: PodPaste Guest: Avital O'Glasser MD Disclosures Dr. O'Glasser reports no relevant financial disclosures. The Curbsiders report no relevant financial disclosures.  Sponsor: EZResus  Listeners of the Cribsiders and Curbsiders podcasts get access to a 2-month free trial,letting them use 100% of the features of the  For more information, www.ezresus.com/curbsiders and Use promo code Curbsiders Sponsor: Freed Visit Freed.ai and Usecode:CURB50 to get $50 off your first month when you subscribe. Sponsor: Mint Mobile Get 3 months of premium wireless service from Mint Mobile for $15 a month.Shop plans at mintmobile.com/curb