Podcast appearances and mentions of chris landon

This week we discuss the new film, Drop, directed by Chris Landon, who also brought us Happy Death Day and Freaky. Did this one live up to his previous movies? Or did it have a huge drop off... PLOT: A widowed mother's first date in years takes a terrifying turn when she's bombarded with anonymous threatening messages on her phone during their upscale dinner, leaving her questioning if her charming date is behind the harassment.

Gossip! Ryan and his guests dissect the recent contradictory statements made by Jenna Ortega and Christopher Landon involving SCREAM 7, as well as Landon's reasons for leaving his role as director for SCREAM 7 after he and his family received death threats following the exit of Melissa Barrera from the franchise. Also in this episode, Ryan pays tribute to one of his favorite podcasts “I've Had It” by discussing what he and his guests have “Had It” with involving Scream 7 and fandom discourse. Specifically, Ryan discusses why Chad and Mindy are more than just “the Core Four.”  What Did Landon and Ortega Say? What Ryan Has Had It With What Really Happened with Jenna Ortega? Toxic Fandom About Melissa Barrera's Exit Chad and Mindy Are More Than The Core Four The Duality of Womanhood in Horror Final Thoughts on Landon and Ortega “Look What You Made Me Do” Subscribe Patreon.com/screamwithrcs Find us on Instagram, Facebook, X, TikTok, BlueSky, and Youtube. Host & CEO: @ScreamWithRCS  Producers: @squirrelandspud9 @ninnetimes @joneshiphop @tjonesfilms Guest: @anthonydapuzzo @NeverSplitUpPod @RavenFX5 Taylor Swift Song of the Day: “Look What You Made Me Do” (Reputation)

Here's a sneak peek at our all new full-length Patreon episode on Chris Landon's new Red Eye-esque thriller, Drop (2025). Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today!  Theme Music: Alexander Nakarada   Learn more about your ad choices. Visit megaphone.fm/adchoices

Writer and director Chris Landon (Happy Death Day, Freaky, We Have a Ghost) joins us to talk about his latest thriller, DROP, a tension-filled ride that turns a simple phone feature into pure terror. We dive into his collaboration with Josh Ruben on Heart Eyes, creating an experience with tension, laughs and a bunch of heart, and the moments that make DROP truly unsettling.But we also dig into the bigger industry conversations...why he parted ways with the Arachnophobia remake, the internet backlash surrounding Scream 7, and Hollywood's ongoing fear of queer horror. Chris opens up about writing a major horror IP with a gay lead only for the project to be shut down..and the frustrating reality of studios playing it safe.Plus, AirDrop horror stories, the therapy hidden in his films, and so much more so...COME HANG OUT!!!Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage on all socialsSean: @hypocrite.ink on IG/TikTok, @hypocriteink on Twitter/XEnjoy this episode? Don't forget to subscribe, rate and leave a review on your favorite podcast platform! For early Access and ad-free episodes, subscribe on Wondery+.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with Chris Landon, the acclaimed writer, director, and producer known for films like Happy Death Day, Freaky, Disturbia, and most recently, Heart Eyes. Son of television legend Michael Landon, Chris has carved his own path in Hollywood, specializing in horror comedy or what he calls "feel-good horror." He candidly shares personal stories about his Hollywood upbringing, coming out, surviving kidney cancer, and the creative approaches that have defined his successful career.Growing Up as Michael Landon's Son (05:04)Landon discusses his childhood as the son of a famous father, his parents' divorce, and how his mother's sudden religious conversion impacted his youth.Facing Personal Challenges (10:56)Chris opens up about his father's untimely death from pancreatic cancer when Chris was just 16, and his own journey as a cancer survivor, sharing an important message about health vigilance.Early Film Influences and Career Beginnings (12:07)Landon talks about his early love for horror films, how watching his father's fulfillment at work influenced him, and his introduction to both horror and emotional films like Terms of Endearment.From Writer to Director's Jail (24:41)Chris details his path from writing Disturbia to joining the Paranormal Activity franchise after boldly speaking up in a meeting, his experience with residuals, and eventually facing "director's jail" after Scouts Guide to the Zombie Apocalypse.Breaking through with Happy Death Day (38:38)Landon shares the story of how he resurrected a shelved script called Half to Death that became Happy Death Day, a $5 million film that grossed around $150 million and revitalized his career.Learning from Test Screenings (43:17)Landon explains key insights gained from audience screenings, including respecting the audience's intelligence and never betraying the rules established in a film.Upcoming Film: Drop (46:48)Landon previews his new edge-of-your-seat thriller Drop (releasing April 11), calling it his "grown-up movie" and a modern-day Hitchcock thriller starring Meagan Fahy.Throughout the conversation, Chris Landon demonstrates his resilience, creative vision, and commitment to authentic storytelling. From navigating Hollywood as the son of a legend to creating his own distinct voice in the horror genre, his journey offers insights into filmmaking, audience engagement, and personal growth.If you enjoyed this episode, please leave us a review or connect on social media. Host: Kevin GoetzGuest: Chris LandonProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, Nick Nunez, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment) For more information about Chris Landon:Wikipedia: https://en.wikipedia.org/wiki/Christopher_Landon_(filmmaker)IMDB: https://www.imdb.com/name/nm0484907/Instagram: https://www.instagram.com/thechrislandon/?hl=en For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Link

Chris Landon, CEO of Natus Neuro, joins us to discuss the challenges and opportunities in neurodiagnostics. Six months since being appointed, Chris shares a clear vision for Natus as he explains the need for improved access to diagnostic tools and the importance of data-driven insights for better patient care.Chris emphasizes the role of technology in addressing these challenges, including artificial intelligence and cloud-based solutions. A focus on patient-centric innovation is a recurring theme throughout the episode as Chris details their commitment to developing solutions that improve clinical workflows and patient outcomes.From winning principles in product development, to developing a global strategy with a new team, this conversation is a fantastic insight into how Chris is leading the Natus vision. If you want to learn about the latest neuro sensor trends, and how to execute a winning game plan to address these, then be sure to tune in so you can be informed and inspired.Be sure to join us on September 25-26 at MEDevice Boston where you can hear from other innovators leading the charge to help improve patient lives (use the code IMPACT to get your free expo pass and 20% conference ticket discount at the checkout).

In this episode of the DeviceTalks Weekly, Chris Landon returns to the podcast but this time as CEO of Natus Neuro, a company building out a monitoring, diagnostics and data collection platform to help diagnose and treat neurological disorders. This episode is sponsored by DeviceTalks West. Host Tom Salemi and Chris Newmarker, editor of MassDevice, review this week's Newmaker's Newsmakers - aka the week's biggest medtech stories. Top newsmakers include Imperative Care, the FDA, neuro start-Ups, Inspire Medical and Edwards Lifesciences. Thanks for listening to this episode of the DeviceTalks Weekly Podcast. Subscribe now to the DeviceTalks Podcast Network.

In the first episode of 2024, Ryan returns from the holiday break covering the news of Christopher Landon's departure as the director from Scream 7 and giving a “thumbs up” or “thumbs down” to the notable horror television shows and films of 2023 with Ryan Young. Then, Ryan is joined by Nick Meece, who runs ScreamThrillogy.com for Scream talk, the history of the Scream website, and discussing the future. Subscribe on Patreon.com/screamwithrcs Introduction Christopher Landon Exits Scream 7 2023 Horror Report Card Scream-Thrillogy.Com Scream Story Speed Round  The Future of Scream Find us on Twitter, Instagram, and Facebook. Host: @ScreamWithRCS  Editor: @albertmpadilla  GIF: @robanthonyyeadon Feat. @ryze_04 @screamthrillogy @nickmeece  

The topic once again turns to 11.22.63, Stephen King's epic time travel story in which an average every day teacher is recruited to travel back in time to stop JFK's assassination. It's a tricky thing, messing with time. Turns out the timestream doesn't want to be tinkered with and all sort of weird things happen to our hapless protagonist as he investigates Oswald and a good many of the conspiracy theories before time runs out.

In this episode, we'll speak with Heather Hudnut Page, vice president and general manager of peripheral vascular at Philips about the company's ongoing efforts to build an image-guided therapy program. Hudnut Page will walk us through the four sizable acquisitions Philips has made to build out its pipeline. We first visited Philips two years ago when we spoke with Chris Landon, Senior Vice President and Business Leader for Image-guided therapy devices. Chris Landon returns to the podcast to share his thoughts on this week's Newsmarker's Newsmakers. This week, Executive Editor Chris Newmarker highlighted the news from Baxter, Shockwave, Smith & Nephew, Medtronic, and Abbott. Subscribe to this podcast on any major podcast channel. You can listen to Chris Landon's interview here. https://www.devicetalks.com/philips-imaged-guided-leader-landon-shares-global-giants-plans-for-minimally-invasive-devices/

Have you ever watched a movie or show, gotten sucked into a mystery and come up with your own idea of what is going to be revealed – only to find out that you're wrong? Do you accept what's now established as canon, or do you get attached to your own “headcanon?” We are living in the golden age of headcanon, especially in sci-fi fantasy, where many storytellers are following the template of J.J. Abrams and his Mystery Box approach. So, we did a call out to our listeners, to find out what headcanons they came up with or heard about, and why they think those headcanons work better than what ended up on screen, or on the page. Featuring Larry Brenner, Mark White, Josh Sawyer, Doug Tricarico, Chris Landon, and Judd Winick, who had the opportunity to turn his headcanon into canon. There aren't major spoilers in this episode, but we discuss plot points in the Star Wars sequel trilogy, The Mandalorian, the first Matrix, Iron Man 2, Hawkeye, Star Trek: Into Darkness, Inspector Gadget, Lost, Citizen Kane, and Batman comics. This episode is sponsored by Inked Gaming and Realm. Our ad partner is Multitude. If you're interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, James Warny takes us into the newest body swappin' adventure with a mini review for director, Chris Landon's ‘FREAKY' film. Tune in also to catch up on pop culture news as well as weekly recommendations for both, TV and film!Podcast music by: Onarres.

This episode originally played 16 Feb 2021. We'll be back in next week with a new episode with Sarah Sudhoff followed by the final episode of the season. This episode's subtitle should be, So many movies, so little time. We start in Chris' childhood where he describes sneaking into his parents' room to watch Hitchcock's "Psycho" around the age of five, making short films in high school with his friends including a zombie sequel to "Xanadu" (which became a cult college favorite), feeling underwater after "Another Day in Paradise", leaving Los Angeles (and writing) before beginning to approach his work "like a job", "Disturbia" as a mix of Hitchcock's "Rear Window" and a John Hughes movie, "Happy Death Day" and "Happy Death Day 2U" as mash-ups of "Groundhog Day" with horror tropes, writing his most recent movie "Freaky" with Michael Kennedy, working on the adaptation of "My Best Friend's Exorcism" by Grady Hendrix, and signing up to help reboot the "Paranormal Activity" franchise. But it's not just movies — though there are a ton of movies that we talk about — it's also about how all horror films aren't all about slash, blood, and gore. Chris talked about one of his aims to use the "genre as a Trojan horse" and how he's going to "smuggle much weightier themes inside of a movie that just looks cute and fun and scary", citing "Get Out". We also get into how 'best of' lists or a list of favorites can be problematic, how there are so many films to choose from. Chris also talks about how he discovered his authentic voice, not taking criticism personally, and focusing on being a better listener which has improved his life as a husband, a father, and made him infinitely happier with his solo and collaborative work. Stay tuned after the outro music to hear Skipper say, "I see" — which kicks off Siri and reaks some frustration. This is a good reminder that voice user interfaces (voice UI) are always listening. And we're talking about you — Siri, Alexa, Cortana, etc. This episode was edited and mastered by Troy Lococo. Special Guest: Chris Landon.

Over banana pancakes, we discuss Vince Vaughn, classic horror tropes, Chris Landon and "Freaky."

Over banana pancakes, we discuss Vince Vaughn, classic horror tropes, Chris Landon and "Freaky."

The beat is dropping and so is the latest of FOUR all new episodes this week on a Boo Crew Wicked Weekend! We are off to the club with Niki Koss, the star of the new EDM-laced slasher film, DREAMCATCHER-in theaters, digital and on demand now! We talk about building this stylish and unique horror flick, overcoming and innovating thru challenges of the indie filmmaking process, franchise possibilities and Niki’s unforgettable and gory experience in Chris Landon’s phenomenal “Scouts Guide To The Zombie Apocalypse”. PLUS look into her journey as a filmmaker herself and the latest in her feature length directorial debut starring legends Tony Todd and Eric Robert’s! Fill your dance card with episode 206 now! See acast.com/privacy for privacy and opt-out information.

This episode's subtitle should be, So many movies, so little time. We start in Chris' childhood where he describes sneaking into his parents' room to watch Hitchcock's "Psycho" around the age of five, making short films in high school with his friends including a zombie sequel to "Xanadu" (which became a cult college favorite), feeling underwater after "Another Day in Paradise", leaving Los Angeles (and writing) before beginning to approach his work "like a job", "Disturbia" as a mix of Hitchcock's "Rear Window" and a John Hughes movie, "Happy Death Day" and "Happy Death Day 2U" as mash-ups of "Groundhog Day" with horror tropes, writing his most recent movie "Freaky" with Michael Kennedy, working on the adaptation of "My Best Friend's Exorcism" by Grady Hendrix, and signing up to help reboot the "Paranormal Activity" franchise. But it's not just movies — though there are a ton of movies that we talk about — it's also about how all horror films aren't all about slash, blood, and gore. Chris talked about one of his aims to use the "genre as a Trojan horse" and how he's going to "smuggle much weightier themes inside of a movie that just looks cute and fun and scary", citing "Get Out". We also get into how 'best of' lists or a list of favorites can be problematic, how there are so many films to choose from. Chris also talks about how he discovered his authentic voice, not taking criticism personally, and focusing on being a better listener which has improved his life as a husband, a father, and made him infinitely happier with his solo and collaborative work. Stay tuned after the outro music to hear Skipper say, "I see" — which kicks off Siri and reaks some frustration. This is a good reminder that voice user interfaces (voice UI) are always listening. And we're talking about you — Siri, Alexa, Cortana, etc. This episode was edited and mastered by Troy Lococo. Special Guest: Chris Landon.

Here's a sneak peak at our all new Patreon episode on Chris Landon and Michael Kennedy's body swap comedy horror Freaky (2020), which is now available on VOD!Like what you hear? Head on over to www.patreon.com/horrorqueers and become a Patron for more exclusive bonus content today! See acast.com/privacy for privacy and opt-out information.

Join The Boo Crew in the makeup chair for Episode 183 with award winning special fx artist Tony Gardner from Alterian Inc! With close to 200 credits to his name he has an unbelievable legacy of work in many of your favorite genre films from The Return of The Living Dead to Aliens, The Lost Boys, Evil Dead 2, Darkman, ZOMBIELAND, Seed Of Chucky to the most recently Happy Death Day and brand new in theaters, the number one movie at the box office, Chris Landon’s FREAKY! Hear about the films that drove his passion and inspired him! The secrets to fx he created for The Addams Family films, Hocus Pocus and more. PLUS on a brand new edition of Horror Homework, your ‘Crew discusses the terrifying 2011 film that is going viral right now-the absolutely shocking, MEGAN IS MISSING and new to streaming, 2020’s CADAVER. Episode 183 is NOW PLAYING! See acast.com/privacy for privacy and opt-out information.

Freaky Friday the 13th You can't keep a good slasher killer down, so we've got even more Freaky Behind the Scenes coming your way! This time I had the opportunity to sit down with co-screenwriter Michael Kennedy, who notoriously teamed up with director and co-writer Chris Landon in a pitch rehearsal turned creative partnership! We sat down to chat about what it means to write an openly queer character in a slasher movie, some fun sequel ideas, and how it feels to have your debut film suddenly become the only film in the back quarter of 2020. I feel like I already expended most of my Freaky analysis in the blog intro to Chris' interview, so it's time to get a glimpse into my glitzy and glamorous Hollywood lifestyle. I first met Michael in the summer of 2018, when I was brought on to produce Attack of the Queerwolf, the queer horror podcast I ended up co-hosting with Michael, Nay Bever, and Mark Fortin. Before and after recordings we would all talk shop and chat about what was going on in our lives. It was a delight to watch Michael go from an elated "I have a meeting with Chris!" to a tight-lipped "I can't say anything at this time" to a boisterous "holy shit, Freaky is actually happening!" Michael's primary goal is to make people laugh and have a good time, and it was an incredible privilege to watch that dream come true and unfold before our eyes (in feature film form at least, he wrote for television before Freaky came together - this isn't his first rodeo). And between you and me, it's always nice when the friend you're supporting turns out work that's actually good and you don't have to fake it, so what a lucky break for me! Freaky is in drive-ins and select theaters Friday, November 13 and on digital VOD December 4th!

On Episode 3 of Fangoria’s COLOR OF THE DARK things are getting FREAKY.  Elric and Bekah dig into a few new releases with 'His House' & 'Antebllum' and rave about the new R-rated Teen slasher 'Freaky' before sitting down with the films director Chris Landon to discuss its origins and influential slasher films. There's also a slasher deep cut and a movie fight between a couple killers deserving of franchise status. 

I have been extremely lucky in my life as an entertainment personality-type person to have already had the chance to podcast with Chris Landon twice before (most recently about the movie Carrie). Not only is Chris the writer-director of Happy Death Day, Happy Death Day 2U, Paranormal Activity: The Marked Ones, and his new upcoming feature Freaky, co-written with Michael Kennedy, but he’s also one of the most genuinely nice guys working in the industry today. He did nothing to dim that impression when we sat down for this interview where we chat about Freaky, how a pitch rehearsal turned into a full-on partnership, the importance of giving a queer character time to shine, how to turn your home into the perfect Freaky viewing environment, and (definitely most importantly) what we’re watching during quarantine. One thing that we hit on in our discussion is the queer element of Freaky, which is certainly foregrounded: one of the lead characters is a queer teen. But that isn't the only way Freaky, which was written by two gay men, is a queer film. At the center of Freaky is the idea of the body swap, a concept that most would look on as fodder for comedy and wacky impressions. And yes, of course it provides that. But for queer audiences in particular, this can resonate more deeply. There's nobody in the world who hasn't wished their body looked different at some point in their life. But the very notion of being queer means rebelling against the strict parameters that society has set for the type of body you live in, from how you look and who you love, all the way on down to little things like what movies you'll like or what color clothes you should wear. Having an identity that doesn't match the body you were born in obviously comes with the territory for trans and nonbinary folks, but even cisgender queer people ("cisgender" means that your gender identity matches your birth sex) feel societal pressure about their behavior not matching the meat puppet they're piloting around. There are few cis gay men who haven't at least once wish they could have been born with a vagina so that they could publicly hold hands with a guy they're dating without fear of blowback. Or cis lesbians who feel it would have been a damn sight more convenient to have been born with a penis so they wouldn't be ostracized for the mere act of loving. These concepts might seem too highbrow for a simple slasher comedy, but I assure you they're not. The body, and all the expectations placed on it, form the backbone of Freaky. Vince Vaughn might not be delivering a Socratic seminar about queer theory in this movie, but the idea that this film is born from would be treated much differently if it were written by a pair of straight, cisgender people. But enough from me! Let’s hear from the man in his own words as we dissect everything that went into making this wild movie a reality!

The Boo Crew gets FREAKY with the creator and star of the new film out Friday the 13th of November, writer/director Chris Landon and the phenomenal Kathryn Newton! Hang out as we “swap” stories of how the whole idea of the story came about, to the journey Kathryn took to embody Vince Vaughn’s character in this gory, hilarious and exhilarating horror adventure! We get into the unique props, the poetry of the writing and so much more! PLUS it’s Horror Homework passing along a recent discovery and a 70’s classic! Lose yourself...in episode 182! Now playing! See acast.com/privacy for privacy and opt-out information.

In this week’s DeviceTalks Weekly podcast, we visit with Chris Landon, senior vice president and business leader of image guided therapy devices at Philips about that company’s plans to build a medtech powerhouse. In this conversation we’ll learn -Why Landon left Medtronic -Where Philips fits into medtech’s future -How Philips hopes to expand -Will Philips invest directly in start-ups? -How did Covid-19 impact Philips? We’ll also get Landon’s stance on pumpkin sausages. Disgusting or delicious? We also welcome back Chris Newmarker, executive editor of Mass Device, who delivers his Newmarker's Newsmakers including news from GE Healthcare, Merit Medical, Pharma, Eurofins (Paris:ERF.PA) and DxTerity Diagnostics and the FDA Subscribe today on your podcast apps!

Have you been trying to grow an engaged Facebook group but are struggling to get people involved? If so-- this is the episode for you.   Landon Stewart & Chris Stapleton have been building client-getting FacebookTM groups together for 4 years. They got their start by consulting with 7 & 8-figure brands - helping them build thriving communities around their programs & generate millions in additional revenue.   Since then, they've branched out to focus on growing their own community & coaching programs. In the past 7 months, they've taken their brand new FacebookTM group from zero to a $4 million/ year run rate.   In today's episode, Chris & Landon give us a sneak peak behind their Facebook secrets and give us insights on Facebook group growth, what type of content to post, and how to convert your group members to paying customers.   Connect With Chris & Landon: https://clientsandcommunity.com/ https://www.facebook.com/clientsandcommunity/

In this episode we are joined by Dr Chris Landon, Founder of the Landon Pediatric Foundation, Uzair Rashid, Director of Innovation at Blue Cross Blue Shield of Massachusetts, Dr Richard Windsor, Founder of Radio Free Mobile and David Box, Managing Director of Health & Wellness at Star to discuss the impact of Covid-19 on Telehealth.

Toby Oliver ACS is an award-winning cinematographer whose career extends from his native Australia to the United States and internationally. Toby now resides in Los Angeles and has forged a remarkable and varied range of credits on feature films, documentaries and television. In the United States Toby shot Jordan Peele's racially-charged thriller horror 'Get Out' in Alabama in early 2016 with Allison Williams and Daniel Kaluuya. 'Get Out' went on to score a rare 100% on Rotten Tomatoes and rank #1 at the US Box Office on it's opening weekend in February 2017. Previously Toby has lensed the Blumhouse Productions' thriller 'The Darkness' (aka 6 Miranda Drive) for director Greg Mclean, starring Kevin Bacon and Radha Mitchell; and in New York he shot the indie fantasy drama 'Wildling' for Maven Pictures and director Fritz Bohm with Liv Tyler, Bel Powley and Brad Dourif. He continued his documentary cinematography work shooting the indie doc 'Roller Dreams' in and around Los Angeles' Venice Beach, and also performed additional photography on the features 'Blood Father' with Mel Gibson, 'Incarnate' for director Brad Peyton (San Andreas) and 'Stephanie' with director Akiva Goldsman (Oscar winner for A Beautiful Mind). Toby finished up a busy 2016 with back to back shoots for Leigh Whannels's 'Insidious: Chapter 4' for director Adam Robitel, followed by writer/director Chris Landon's thriller 'Half To Death' for Universal. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/followingfilms/support

This week the crew is down a Brennan, but up a director Chris Landon and actress Jessica Rothe from HAPPY DEATH DAY and HAPPY DEATH DAY 2U! We're chatting about 1992's DEATH BECOMES HER because we have great taste. Plus, in Tea Time we sip on BIG LITTLE LIES, the “Man in the Window” podcast, SAPIENS, and SCREAM, QUEEN: MY NIGHTMARE ON ELM STREET. Find us on Twitter and Instagram: @queerwolfpod Find Chris Landon: Twitter @creetureshow Insta @thechrislandon Find Jessica Rothe: Twitter and Insta @jessica_rothe You can follow the whole crew here... Nay: Twitter and Insta @blakkcupcake Art Insta @gaudylosangeles Michael: Twitter @michaelkenken Sam: Twitter and Insta @samwineman Plus, if you're missing Brennan this week, check him out on next Monday's Keep Screaming podcast, discussing the obscure French Canadian slasher THE CARPENTER alongside queer Australian horror author Aaron Dries.

This week the crew is down a Brennan, but up a director Chris Landon and actress Jessica Rothe from HAPPY DEATH DAY and HAPPY DEATH DAY 2U! We’re chatting about 1992’s DEATH BECOMES HER because we have great taste.    Plus, in Tea Time we sip on BIG LITTLE LIES, the “Man in the Window” podcast, SAPIENS, and SCREAM, QUEEN: MY NIGHTMARE ON ELM STREET.   Find us on Twitter and Instagram: @queerwolfpod   Find Chris Landon: Twitter @creetureshow Insta @thechrislandon Find Jessica Rothe: Twitter and Insta @jessica_rothe    You can follow the whole crew here...   Nay: Twitter and Insta @blakkcupcake Art Insta @gaudylosangeles Michael: Twitter @michaelkenken  Sam: Twitter and Insta @samwineman    Plus, if you’re missing Brennan this week, check him out on next Monday’s Keep Screaming podcast, discussing the obscure French Canadian slasher THE CARPENTER alongside queer Australian horror author Aaron Dries. 

Our guest on this episode is Dr. Chris Landon, Executive Director of Landon Pediatric Foundation,Director of Pediatrics at Ventura County Medical Center, Director of Pediatric Diagnostic Center and Host of Get Moving TV  

Join Joe and Trace as they relive Happy Death Day, then die.Join Joe and Trace as they relive Happy Death Day, discuss why Jessica Rothe is so great, then die.Join Joe and Trace as they relive Happy Death Day, discuss why Jessica Rothe is so great, review “out” director Chris Landon’s career, then die.Ok, you get the idea. The guys talk about 2017’s fun slasher entry, Joe tries not to laugh over “Baby Face” and Trace uses every opportunity to use Danielle’s acerbic dialogue.Plus: this week’s inane game cribs from the wonderful Kill By Kill Podcast to investigate which of Tree’s many, many deaths the boys would prefer to go out on.Questions? Comments? Snark? Connect with the boys on Twitter using the hashtag #HorrorQueers> Trace: @tracedthurman> Joe: @bstolemyremoteSupport the boys on PatreonCheck out the online articles on Bloody DisgustingShow Notes: Jordan, Waylon. Horror Pride Month: Christopher Landon on Fatherhood, 'Happy Death Day', & So Much More! See acast.com/privacy for privacy and opt-out information.

In this episode, Teri welcomes Dr. Chris Landon, a Clinical Assistant Professor of Family Practice and Pediatrics at the University of California in Los Angeles.Dr. Landon served as a Clinical Assistant Professor of Pediatrics, University of Southern California. He has pioneered device development in the area of pediatric pulmonary medicine. He serves as Director of Pediatrics at Ventura County Medical Center. He also has a TV show and podcast. Key points from Dr. Landon!Innovating healthcare technology through GECKO (Gamification, Education, Communication, Knowledge, and Organization/Ordering)Attending HIMSS 2019Dr. Landon attended the conference in 2018 and gave a lecture on a med-platform that was integrating devices and other technology solutions. He was invited back in 2019. It was his fifth year of attending the conference.He hosts Get Moving TV, a TV show that has done 200 or so episodes on technology in Ventura County, California.He has worked on numerous technology projects. The people that he meets at the HIMSS Conference lead to other projects.They are trying to build up an innovation center in Ventura County. There was an aerospace industry in Ventura a long time ago but they all closed shop. They’re now trying to build that back up.Uses of Voice Technology in Advancing HealthcareThey have been working with Orbiter to develop a voice technology where a person can just say short sentences into a phone for that voice to be analyzed for congestive heart failure, COPD and other diseases.They work on solving bilingual education problems. Being able to deliver language to people who are illiterate is very important to Dr. Landon.They are working on solutions to the opioid use disorder problem in the United States and worldwide. There can be a technology that analyses the voices who call in to report opioid use cases.They also work on the issues of newborns with cystic fibrosis. There can be a voice technology in people’s homes that responds to their questions about such diseases. Links and Resources in this EpisodeGet Moving TV on YouTubeTDC Labs and StudioLandon Pediatric FoundationTDC Labs and Studio PodcastDr. Teri Fisher on TwitterDr. Teri Fisher on LinkedInPlease leave a review on iTunes See acast.com/privacy for privacy and opt-out information.

It’s not deja vu-It’s just The Boo Crew Podcast Episode 34! Get stuck in a SPOILER FREE time loop with writer/director and star of the new Blumhouse film HAPPY DEATH DAY 2U, Jessica Rothe and Chris Landon! This will get you SO excited for the new film opening in theaters everywhere February 13th. Get to know Jessica and Chris unlike ever before and discover the secrets of the HDD franchise. Get a heads up on some things to look out for in the new film in the ultimate easter egg hunt! Learn about the plans to make this a trilogy, the tricks behind the most insane stunts, why you should stay through the credits and more! PLUS the return of the Wheel Of The Damned, where the Crew talks Canadian horror! This is one episode you’ll want to relive over and over and over and over and ov.... See acast.com/privacy for privacy and opt-out information.

This week, the queers are joined by writer-director extraordinaire Chris Landon (Happy Death Day, Happy Death Day 2U, Paranormal Activity: The Marked Ones) to talk a seminal queer classic: It's 1976's CARRIE! In this episode, Nay delights at free tampons, Michael criticizes Chris Hargensen's road head technique, Mark gets saved at a post office, and everybody shares their stories of when they went to prom (or not). Plus, in Tea Time we sip on MANIAC (the TV show), Sylvia Plath, MANDY, THE GOOD PLACE, and more CHILDREN OF THE CORN! Find Chris Landon: Twitter @creetureshow Instagram @thechrislandon Find us on Twitter and Instagram: @queerwolfpod You can follow the whole crew here... Nay: Twitter & Insta @blakkcupcake Art Insta @gaudylosangeles Mark: Twitter @seniorteenager Insta @seniorteen Michael: Twitter @michaelkenken Insta @michaelkenken1 Producer Brennan: Twitter @itsrainingbrens Insta @theburningclem

This week, the queers are joined by writer-director extraordinaire Chris Landon (Happy Death Day, Happy Death Day 2U, Paranormal Activity: The Marked Ones) to talk a seminal queer classic: It’s 1976’s CARRIE!   In this episode, Nay delights at free tampons, Michael criticizes Chris Hargensen’s road head technique, Mark gets saved at a post office, and everybody shares their stories of when they went to prom (or not).   Plus, in Tea Time we sip on MANIAC (the TV show), Sylvia Plath, MANDY, THE GOOD PLACE, and more CHILDREN OF THE CORN!   Find Chris Landon: Twitter @creetureshow   Instagram  @thechrislandon Find us on Twitter and Instagram: @queerwolfpod   You can follow the whole crew here...   Nay: Twitter & Insta @blakkcupcake     Art Insta @gaudylosangeles Mark: Twitter @seniorteenager   Insta @seniorteen Michael: Twitter @michaelkenken   Insta @michaelkenken1 Producer Brennan: Twitter @itsrainingbrens    Insta @theburningclem

Our chat with Toby ranges from his start in Australia, moving to LA in 2013 for his collaborations with Blumhouse Media, unintentionally becoming a Horror film Cinematographer, working on the Academy Award winning film GET OUT with Jordan Peele, and his most recent film Happy Death Day. Bio: Toby Oliver ACS is an award-winning cinematographer whose career extends from his native Australia to the United States and internationally. Named as one of Variety’s 10 Cinematographers to Watch in 2017, Oliver now resides in Los Angeles and has forged a remarkable and varied range of credits on feature films, documentaries and television. In the United States, Oliver most recently shot back-to-back films: Insidious: Chapter 4 for director Adam Robitel, which will be in cinemas Jan. 5, 2018; and writer/director Chris Landon’s comic thriller Happy Death Day for Universal, screening nationwide Oct. 13. Oliver also shot Jordan Peele’s racially-charged comedic thriller horror Get Out in, starring Allison Williams and Daniel Kaluuya. Get Out premiered at a midnight screening at the 2017 Sundance Film Festival, and went on to score a rare 99% on Rotten Tomatoes, ranking #1 at the US Box Office on its opening weekend in February 2017. Loved by audiences and critics alike, Get Out has become a cultural phenomenon and to date it has earned over $200m worldwide. Previously, Oliver lensed Blumhouse Productions’ thriller The Darkness (aka 6 Miranda Drive) for director Greg Mclean, starring Kevin Bacon and Radha Mitchell; and in New York he shot the indie fantasy drama Wildling for Maven Pictures and director Fritz Bohm with Liv Tyler, Bel Powley and Brad Dourif. He continued his documentary cinematography work shooting the indie doc Roller Dreams in and around Los Angeles’ Venice Beach. Oliver’s work on the Australian WWI suspense war drama Beneath Hill 60 earned him his third Australian Academy nomination, and the TV movie Beaconsfield, about a pair of miners trapped over a kilometer underground in a tiny cage, won a number of awards including a Gold ACS Award and the ACS Best in Show.

Toby Oliver ACS is an award-winning cinematographer whose career extends from his native Australia to the United States and internationally. Toby now resides in Los Angeles and has forged a remarkable and varied range of credits on feature films, documentaries and television. In the United States Toby shot Jordan Peele's racially-charged thriller horror 'Get Out' in Alabama in early 2016 with Allison Williams and Daniel Kaluuya. 'Get Out' went on to score a rare 100% on Rotten Tomatoes and rank #1 at the US Box Office on it's opening weekend in February 2017. Previously Toby has lensed the Blumhouse Productions' thriller 'The Darkness' (aka 6 Miranda Drive) for director Greg Mclean, starring Kevin Bacon and Radha Mitchell; and in New York he shot the indie fantasy drama 'Wildling' for Maven Pictures and director Fritz Bohm with Liv Tyler, Bel Powley and Brad Dourif. He continued his documentary cinematography work shooting the indie doc 'Roller Dreams' in and around Los Angeles' Venice Beach, and also performed additional photography on the features 'Blood Father' with Mel Gibson, 'Incarnate' for director Brad Peyton (San Andreas) and 'Stephanie' with director Akiva Goldsman (Oscar winner for A Beautiful Mind). Toby finished up a busy 2016 with back to back shoots for Leigh Whannels's 'Insidious: Chapter 4' for director Adam Robitel, followed by writer/director Chris Landon's thriller 'Half To Death' for Universal.

On this episde of the Cover32 Seahawks Podcast, hosts Kevin Daggett and Lee Vowell discuss the Seattle Seahawks loss to the Arizona Cardinals and look ahead to the game versus the San Francisco 49ers. Also, the guys discuss the college football playoffs with guest Chris Landon of SB Nation's Washington Huskies site, UW Dawg Pound. Thanks for listening!

On this episode of Baseball Beer & BBQ, three liberals, Ted Hicks, Todd Vandenberg and Lee Vowell, take a look back at what used to be a great country, the United States of America. Now as we spring upon a soon-to-be post-Apocolyptic world, the guys discuss how much better life would be if people cared for one another instead of the racist, bigoted bunch that Americans have become. Also, the guys discuss University of Washington football with UW Dawg Pound senior staff member, Chris Landon. Plus and etc. and more and stuff. Enjoy!

Official Cover32 Seahawks Show with Lee Vowell and Kevin Daggett, including our weekly segment with Tim Weaver, managing editor of Cover32 Seahawks. Today we talk with guest Chris Landon, senior staff member at SB Nation's University of Washington Huskies site, UW Dawg Pound.  What happened in the Seahawks 6-6 game versus the Arizona Cardinals? And what will happen this Sunday versus the New Orleans Saints? Find out here. 

On this episode of the Cover 32 Seahawks Show, hosts Kevin Daggett and Lee Vowell discuss the second preseason game for the Seattle Seahawks and more. Guests inculde Cover 32 Seahawks managing editor, Tim Weaver, Chris Landon of SB Nation's University of Washington site, UW Dawg Pound, and Danika Brace of the Seattle Mist. The Mist won their semi-final game and now play in Saturday's championship game, the Legends Cup.  Who separated themselves in Seattle's preseason game. Will the offensive line gel? Did anyone get injured? We discuss here and much much more!