Podcasts about every kinda people

In Part 2, we pick up where we left off in Part 1. Although it made all kinds of sense for Shrey to move halfway around the world to go to art school, he says it was "an uphill battle” convincing his parents of the plan. Still, his mom was and is a champion of her son and his art. It was 2018 and Shrey was 20. We talk about his experience of arriving in San Francisco, a city that was “such a beacon of hope” for him. He dedicated himself to his studies at CCA. He also paid serious attention to the news, and even attempted political art. When that didn't pan out financially, a professor at CCA strongly encouraged Shrey to stay with painting, that it was his lane. This was just before the pandemic. When he got his first stimulus check, Shrey bought an easel and began going out and painting en plein air. He did this so much and promoted his art so well that, by the time he graduated, he had started getting commissions. He was able to become a full-time artist—a dream of his. Shrey is such an artist, through and through, that he even has an art job. Like, a job-job. Four days a week, Shrey works for ArtSpan—a local arts nonprofit possibly best-known for Open Studios. Shrey shares the history of ArtSpan and OpenStudios. What began in 1975 in South of Market as a way for artists shunned by galleries to show their art and sell it today sees around 600 artists opening their studio doors all over The City. Shrey manages the Arts and Neighborhoods program for ArtSpan. That group helps organize exhibitions during Open Studios at non-studio locations. Mission Bowling Club is one such location. In fact, Shrey got his first art show after graduation through help from ArtSpan. It's a beautiful full-circle story. That first show led to other shows. And Shrey credits his entrepreneurial brain for recognizing an opportunity in all of this—if a cafe has suitable walls, you can talk with the owner about hanging art by local artists, promote an opening, and make things happen. And so that's what he did. Partly because putting on one art show, not to mention doing multiple shows at the same, is what the kids refer to as a lot, Shrey focussed his efforts at one location. Ballast Coffee on West Portal became the home of Ingleside Gallery. The first art show at his gallery brought in more than $10,000 in sales. I have to insert some editorial here, so thanks for indulging me. Shrey and I recorded this podcast before our Every Kinda People show. I won't pretend that my own art curation is anywhere close to the level that he (and my friend Anita of KnownSF and countless others around SF, The Bay, and the world) operates on. But Shrey does speak to the nature of both the volume and the intensity of the work that goes into putting on an art show. In my own way, I relate. Back to my and Shrey's conversation, I ask him to talk about how our lives intersected. It was earlier this year after I recorded with Ellen Lo of Ask Me SF. I needed to drop off a Storied: SF hoodie for Ellen, so she asked me to meet her one Saturday morning on Ocean Avenue. She and some friends and community members would be out there painting a mural over a dilapidated street wall in front of a PG&E substation. Sign me up! After politely declining to add my own (attempted) artistic touch to their creation that day, Ellen introduced me to a friend of hers. Right away, I got a sense of that exuberance Shrey embodies, a trait I am now very familiar with. We end the episode with thoughts about the Every Kinda People show, up at Mini Bar through October 19. Follow Shrey on Instagram @shreypurohit and @inglesidegallery.

Shrey Purohit is the kind of person everyone should know. Not know about (although obviously that's what this podcast aims to do), but know personally. In this podcast, Episode 2 of Season 8 of Storied: San Francisco, meet and get to know Shrey. A few of his art pieces are up at Mini Bar through Oct. 19 in our Every Kinda People show. And at the risk of being hyperbolic, through the experience of putting that show together, I am very happy that I've come to know Shrey. We begin with Shrey's birth, which happened in Mumbai, India, in 1997. Both his parents are doctors. Shrey's mom comes from a family of doctors going back four generations. Her dad (Shrey's grandfather) was driven out of what is now Pakistan and went to Mumbai with his possessions in hand to start a new life at just 15 years old. Shrey speaks of how fond he was of that grandfather, even describing some of his hobbies and wardrobe choices (bow ties because regular ties would get in the way of his medical duties). Shrey's family was rooted in the Sindhi culture in India. It's a community steeped in entrepreneurship, and his grandfather was one of the first in his area to be a male gynecologist. His wife was an anesthesiologist and worked with her husband. Shrey jumps ahead to note that his parents, too, worked together in the medical field. His dad specializes in diabetes treatment. The two met when Shrey's dad was treating his mom's aunt. It was what Shrey calls a “semi-arranged marriage,” but to my understanding, more like a “hey, here's someone who might be good for you” type of situation. He says his parents' coming together had some love to it, which is probably more than most arranged marriages. They built a medical practice that became very successful, he says. So successful, in fact, that it allowed both of their children—Shrey and his younger sister—to live abroad. Because his sister was born when he was three or so, he got to help name her. “It was my first creative project,” Shrey says. Shrey lived in Mumbai until he finished school. His formative memories take place in his neighborhood of Colaba in South Mumbai, near the water and the Gateway of India. He says it has “big-town energy with a small-town vibe.” Everyone knows everyone else, and Shrey has brought that same spirit with him halfway around the world. We go on a sidebar about how San Francisco can have that big city/small town feel. Shrey got started doing graphic design while still living in India. He even went to school for it over there. He did well in it, so well that he hired a few employees. But he soon found that people don't take kindly to being bossed around by a 17-year-old. He pivoted from design to art, something he'd always wanted to do. A formative experience for Shrey was going to an event a Kulture Shop in Mumbai, where he met Jas Charanjiva. Jas, who's originally from Napa, helped open Kulture Shop to support Indian artists. He was 15 and had found a mentor in Jas. Shrey has an uncle in Millbrae whom he had visited with family a few years before. His uncle took them to several spots around town, including to AT&T Park for a Giants game. His Indian school credits transferred, and so, when Shrey was 19, he moved to The Bay to attend California College of the Arts and study comics, illustration, and painting. Check back Thursday for Part 2 with Shrey. And on Friday, look for a bonus episode with the 2025 San Francisco Low Rider Parade Grand Marshal, David Gonzales. This episode is brought to you by Standard Deviant Brewing. We recorded this podcast at Root Division in South of Market in August 2025. Photography by Nate Oliveira

Marga Gomez grew up in Washington Heights, New York City, immersed in a family of Spanish-language entertainers. Welcome to Season 8, Episode 1 of Storied: San Francisco. I first learned of Marga more than a decade ago, through comedy and performance circles I was adjacent to. Because I don't have the world's best memory, I cannot recall exactly where or when I saw her perform, but I do remember feeling an immediate pull to her work. In this episode, Marga shares the story of her parents, growing up in NYC, and coming to San Francisco. We begin in Manhattan, where Marga was born to a comedian/producer/screenwriter Cuban-American dad and a dancer/aspiring actor Puerto Rican mom. Marga went to Catholic school as a youngster, which she says was every bit as harsh as folks say. Looking back, Marga thinks the only discipline she got when she was a kid was through school. Her parents, she says, were narcissists. The two met when Marga's mom danced in a show produced by her dad. The shows were varietal in nature, and took place on stages live at theaters showing Spanish-language Mexican movies. Her dad had danced in shows in Havana pre-Castro. Some white American show producer-types with Johnny Walker, the Scotch company, brought him to New York, unaware that he didn't speak English. It was the Fifties—the height of a Spanish entertainment craze (think Ricky Ricardo). Many folks from Latin America were also immigrating to the US, and New York especially, in those days. And they, too, wanted entertainment. Marga's dad found work in that world, first as a performer, then as a producer. Growing up with locally well-known/borderline famous parents instilled in young Marga a sense that she could do anything she wanted. But when they split up, Marga went with her mom to live in a white neighborhood on Long Island. She was one of the only kids of color in an otherwise homogenous, affluent area. No longer in the Spanish-language community that raised her, she lost that sense of becoming a performer in her own right. She just wanted to graduate high school and get out. And that she did. She ended up at a New York State school on the border of Canada, in Oswego near Lake Ontario. It was still the same weather she used to, but it was time to explore—with pot, acid, and women. She got really into “storyteller” musicians around this time, some women, Dylan, that kind of thing. And she met a woman who later was the reason Marga came to San Francisco. Marga's impression of San Francisco before she moved here was shaped by a magazine feature about the Hippies here at that time—the Seventies. She owes that attraction to her mom's strict parenting style—it was a rebellion in every sense. She'd not made it through to graduation (too much acid, she says), but followed her girlfriend across country to this magical new city. It was 1976, the year of the US Bicentennial. Marga's girlfriend did all the driving (she still doesn't have a license), taking the scenic route along Route 66, through the heart of the United States during its 200th birthday celebration. They saw a lot of Americana—the good and the bad (racism, misogyny, homophobia). It made landing in SF all the more poignant. They came up the California coast, saw Big Sur, then arrived in The City. We end Part 1 with Marga's story of the first place in San Francisco she and her then-girlfriend went—Castro Street. That story is also how her upcoming show, Spanish Stew, begins. More on that in Part 2, which drops this Thursday. That's also the date of the Opening Night of Every Kinda People. We hope to see you at Mini Bar that night for an evening of community, art, drinks, laughter, and love. This episode is brought to you by Standard Deviant Brewing. We recorded it at Noe Cafe in Noe Valley in August 2025. Photography by Jeff Hunt

Listen in as I talk all things off-season and the upcoming eighth season of Storied. Topics include: The 2025 Listener Survey, which is up until 9/1/25. Take the survey and you could win a Storied: SF zip hoodie! The “Every Kinda People” art show at Mini Bar. Opening night is 9/4/25. What's new about the podcast? New music by Otis McDonald, shorter episodes, an even sharper focus on artists, activists, and working people I share my thoughts on these hella messed-up times we've all been enduring and how this project flies in the face of everything terrible. Next week's Episode 1 with Marga Gomez The second and third episodes, one with an Every Kinda People artist and the other with the woman foreperson of the Golden Gate Bridge iron workers.

In Part 2, we pick up where we left off in Part 1. Carolyn and I talk about making decisions and intentionality vs. circumstance, need, and necessity. We then go on to talk more about Carolyn's lifelong love of sports. She shares the story of her maternal grandmother coming from The Philippines to live with them and how they'd watch games together. It was the days when, in much of the country, if you wanted to watch Major League Baseball, it was all Atlanta Braves, all the time (thanks to TBS, of course). Carolyn became a Braves fan, especially a fan of Dale Murphy. She watched football, too. She didn't watch the Giants on TV much, because every game wasn't televised in those days. But she could easily hop on Muni to see a game at Candlestick Park. Her dad often picked them up, showing up at the ballpark around the seventh inning, getting in free, and watching the end of the game with Carolyn and her friends and/or sisters. We go on a short sidebar about bundling up in San Francisco—at Candlestick and if you just wanted to go to the beach. In addition to Candlestick, she went to Warriors games a bit and also various sporting events at Cow Palace. Her dad learned how to bowl and would take his kids with him. We fast-forward a bit to hear about Carolyn's years in high school, when she went to the all-girl school Mercy High (which is now closed). Later, she took the same bus, the 29, to SF State that she had taken to Mercy. State was the only college she applied to. We talk a little about her decision not to leave San Francisco for school. In high school, she had decided that she wanted to be a sports writer. In fact, she aimed to become the first woman anchor at ESPN. We rewind a bit to talk about some of the journalism Carolyn did in high school. She had her own column in the school paper called “Off the Bench.” She shares a fun story of calling the Braves' front office to arrange for an interview with her favorite player—Murphy—the next time Atlanta rolled into town. In her third semester at SF State, Carolyn got pregnant. Around this time, she also took her first Asian-American Studies class, something that kicked in for her and stays with her to this day. She dove in head-first. I ask Carolyn whether and how much of that history her parents were aware of. She says that, for them, much of it was just things going on in their lives in the city they came to—things like the strike at SF State or the demonstrations at the I-Hotel in Manilatown. Learning more and more about the history of her people in the US lead Carolyn to confront her dad. “Why did you bring us here?” she'd ask. She ended up raising her first child, a mixed-race kid, as a single parent around this time in her life. She had figured that her son's dad would bring the kid the Blackness in his life, and she'd bring the Filipino-ness. Her own ideas of how best to raise the kid had to evolve, and they did, she says. She eventually returned to State and graduated. She lived in South City for a hot minute, held three jobs, and raised her son. She never felt that she couldn't leave The Bay. It was more, “Why would I?” Then, because if you know Carolyn Sideco, well, you know … then we talk about New Orleans. New Orleans is why and how Carolyn came into my life. My wife is borderline obsessed with The Crescent City. I'd been there some earlier in my life, growing up not too far away and having some Louisiana relatives. Erin and I spent three weeks in fall 2022 in a sublet in Bywater, Ninth Ward. That NOLA fever caught on for me then, and I'm hooked. Back home sometime after that, Carolyn came across Erin's radar. “There's a woman in San Francisco who seems to love New Orleans as much as I do and she has a house there!” Erin would tell me. In 2024, at a vegan Filipina pop-up at Victory Hall, we finally met this enigmatic woman. We ended up spending Mardi Gras this year at Carolyn's house in New Orleans—Kapwa Blue. “New Orleans has been calling me for about 20 years,” Carolyn says. One of her younger sisters lived there awhile. Her oldest son served in AmeriCorps there for three years and kept living in New Orleans four more. Carolyn and other members of her family visited often. This was around the time that Hurricane Katrina hit and devastated Southern Louisiana. A little more than a decade ago, Carolyn learned of the historical markers in the area that told the stories of Filipinos being the first Asians to settle in that part of the world. (Longtime listeners of Storied: SF might recall that Brenda Buenviaje hails from just across the Mississippi River from New Orleans.) As Carolyn learned more and more of the Filipino history in the region, that calling started to make more and more sense. Three years ago or so, her oldest son got married in New Orleans. That visit told Carolyn that she, too, could live there. Her husband devised a plan, and with some of Carolyn's cousins, they bought a house in the Musician's Village part of town, near the Ninth Ward—the aforementioned Kapwa Blue. They intended to bring that same sense of community her parents found and participated in back in San Francisco all those decades ago to their new neighborhood New Orleans. In addition to the house, Carolyn helped found tours of Filipino history in New Orleans and the surrounding area. Find them Bayou Barkada Instagram at @bayoubarkada Back in The City these days, Carolyn has her own sports consultancy called Coaching Kapwa (IG). “I call myself ‘Your sports relationship coach,'” she says. This means that she provides comfort and advice to anyone interacting with any of the various sports ecosystems. She aims to apply the idea of kapwa to an otherwise competition-driven sports landscape. We end the podcast (and the season) with Carolyn's interpretation of the theme of Storied: San Francisco, Season 7: Keep it local. She shares what that idea means for her here as well as how it pertains to her time in New Orleans. We'll be taking August off as far as new episodes go. I'll be busy putting together the first episodes of Season 8 and getting ready for the season launch party/art opening. “Every Kinda People” kicks off at Mini Bar on Sept. 4. That's also the theme of the next 20 or so episodes of this show. As always, thank you deeply and sincerely for listening/reading/sharing/liking/commenting/DMing/emailing/subscribing/rating/showing up and really any type of interaction you do with this passion project of mine. If you're not already, please sign up for our monthly newsletter over on the About page. See you in September!

Recibimos la visita especial de Juan Jordán para presentarnos su disco “Vértigo” que se publica hoy mismo. Estrenamos lo nuevo de London Afrobeat Collective y anunciamos la gira con concierto en León esta noche en la Sala Famol de Joe Tatton Trio, el organista, teclista de The New Mastersounds, incluyendo a Lucas De Mulder y Javi Skunk. Y nuestro Prince que no falte. Hoy Robert Palmer hubiera cumplido 75 años. PROMO BLACK IS BLACK ELÍASDISCO 1 ROBERT PALMER Mercy Mercy Me/I Want You (Medley) (16)SALUDO A JUAN JORDÁN DISCO 1B ROBERT PALMER Every Kinda People) (15) DISCO 3 GO.SOUL.MAP Right Of Me feat. Derane Obika (ESCA) DISCO 3 LONDON AFROBEAT COLLECTIVE Freedom (Patchworks Remix)(ESCA)BLACK ARMONICADISCO 5 PRINCE Wonderful Ass (CD 2 - 7)DISCO 6 KELELA Closure (Flexulant x Bambii ft Brazy) (ESCA)SEP ENTREVISTAS RÁINER + BLACK FRANKDISCO 7 JUAN JORDÁN Actitud (2)ENTREVISTA A JUAN JORDÁNDISCO 8 JUAN JORDÁN & TOSKO La Playa (5)ENTREVISTA A JUAN JORDÁN Acústico SuaveDISCO 9 JUAN JORDÁN PelículasEscuchar audio

The Band was a Canadian-American rock group formed in the mid 60's as the backing band for Bob Dylan when he made his controversial switch from acoustic to electric.  Originally called “The Hawks,” when they toured as the backing band for Ronnie Hawkins, they toured as “Bob Dylan and the Band” when they joined Dylan.  After leaving Bob Dylan to do their own work, they stuck with the generic name “The Band.”  They combined rock, folks, Americana, and other genres of music to create their own influential sound.The Last Waltz is a triple album which documents The Band's farewell concert held on Thanksgiving Day in 1976 at Bill Graham's Winterland Ballroom where The Band debuted back in 1969.  The concert itself was a 5 hour affair for 5,000 spectators and included a Thanksgiving dinner and ballroom dancing.  Over a dozen special guests were involved in the concert including Muddy Waters, Bob Dylan, Eric Clapton, and Joni Mitchell.  Martin Scorsese filmed the concert and turned it into what is considered one of the greatest documentary concert films ever produced. The Band influenced many artists in the rock and folk genre including George Harrison, Elton John, and the Grateful Dead.  They were inducted into the Canadian Music Hall of Fame in 1989 and into the Rock and Roll Hall of Fame in 2004.  Though the original quintet did not tour after this concert, they did produce a seventh studio album entitled “Islands” to fulfill their record contract.  Wayne brings us this iconic live album for the podcast. The Night They Drove Old Dixie DownThis anti-war song written by Robbie Robertson (and perhaps by Levon Helm as well, though uncredited) hearkens back to the Civil War and the devastation inflicted on the American South.  It would be difficult to make this song today, because the subject is a poor white Southerner suffering during the last year of the Civil War. Nevertheless, a number of artists have covered it including Joan Baez, Johnny Cash, John Denver, and the Black Crowes.  Baby Let Me Follow You DownBob Dylan joins The Band onstage on this traditional folk song.  It appeared on Dylan's debut album and was made electric in 1966 with The Band behind him.  In a farewell concert with special guests it would be expected that Bob Dylan would make an appearance due to the connection between him and The Band.Mannish Boy The Band is joined by blues legend Muddy Waters on this classic blues track.  This standard was an "answer song" to Bo Diddley's "I'm a Man," which was in turn inspired by Waters' and Willie Dixon's "Hoochie-Coochie Man."  Muddy Waters is known as the "father of modern Chicago blues," and inspired much of what we know as Rock and Roll today.Up on Cripple CreekOne of the best known songs by The Band, this one reached number 25 on the Billboard Hot 100.  Drummer Levon Helm is on lead vocals for this track about a long-haul trucker who gambles, drinks, listens to music, and spends time with "little Bessie" in Lake Charles, Louisiana. ENTERTAINMENT TRACK:Theme from the prime time drama series “Dallas”We were introduced to J.R. Ewing and the other members of the oil family on this prime time soap opera which debuted as a mini-series in 1978. STAFF PICKS:Lay Down Sally by Eric ClaptonLynch starts of the staff picks with a hit that went to number 3 in the US and number 39 in the UK.  Marcy Levy, one of Clapton's backup singers, wrote this song with Clapton and sings on it.  It is about staying in bed in the morning rather than leaving quickly.  Thank You for Being a Friend by Andrew GoldBruce's staff pick was a hit for Andrew Gold at number 25 on the Billboard Hot 100 long before Cynthia Fee covered it in her re-recording as the theme song for “The Golden Girls.”  Gold referred to this song as “just this little throwaway thing” that took “about an hour to write.”Count on Me by Jefferson Starship Rob brings us the next iteration of Jefferson Airplane, which made it to number 8 on the Billboard Hot 100.  Marty Balin is on lead for this song written by composer and flutist Jesse Barish.  It is off Jefferson Starship's fourth album, “Earth.”Every Kinda People by Robert PalmerWayne features  Robert Palmer from Yorkshire, England, who lived for a time in Malta where his father worked in British naval intelligence.  This reggae-infused song was Palmer's first top 40 hit in the United States, reaching number 16 on the charts.  The upbeat and positive lyrics remind us that everyone is the same inside regardless of skin color. INSTRUMENTAL TRACK:Jam #1 by The BandWe do a little double-dipping on the instrumental this week as we go back to The Last Waltz for this jam.

The late Robert Palmer's classic, "Every Kinda People," implies that we are all created to help "make what life's about." This thought came readily to mind during Michael's recent trip to New York City. Here in Episode 24, Michael talks about seeing people, not just as another body but as a person with a soul.

Andy Fraser was originial member and bassist for the band Free, who were formed in 1968.  He was just 15 years old at the time.  He wrote the mega-hit "All Right Now" for the band and also "Every Kinda People" that Robert Palmer recorded in 1978.  Andy was also briefly in John Mayall and the Bluesbreakers group.  Ray White, multi-award winning program director, reached back in CAT's archives to retrieve our interview with Andy from March of 2010, 5-years before his passing, to share insights from his musical career.  Andy's last album was titled On Assignment.  In our showcase segment we feature two monster bands - Def Leppard whose latest project is Diamond Star Halos and Red Hot Chili Peppers who released Unlimited Love in April of 2022.  Tributes and rock's greatest bands - a super mix on the CAT!

Steven K is a singer/songwriter acoustic project for Steven Kidwell. Steven K, an indie creative who crosses genres ... and many other musical boundaries is a multi-award-winning Country singer/songwriter who tries to change the world, one song at a timeThe L&M Project Band is another musical 'project,' a creation of Larry Gabbert and Mark Ervie DeJesus from the Philippines. A multi-genre award-winning group, they have released 4 singles and an EP and have more coming in the near future, a couple of which you'll hear here.We also feature a new release, "Every Kinda People" from previous TDBA winner David Starr. Listen free anytime and be sure to post the link to your friends so they can listen, too!

One Common Goal: We're all here to get to Oneness, but given our unique gifts and talents, we'll all have different ways of coming into it. But one thing we all have in common is the capacity to realize our fate, which writes that we are here for more than we believe. Once we can grasp that we are the ones who have written our fate, we can really create the lives we want (and start making magic!)

Gerrie van der Klei – Make Someone Happy – 3:14 Nat King Cole – L-O-V-E – 2:35 The Phil Morrison Trio; Joe Watts – Mandela – 4:48 Ellen Pels – Dream On- 3:35 Robert Palmer – Every Kinda People – 3:16 Richard Bona; Michael Brecker – Redemption Song – 4:53 Lee Ritenour; Dave Grusin – […]

Bar-Kays - Certified True Black Sabbath & The Who - Who are you, Paranoid? Heatwave - Boogie Nights Archie Bell - Let's Go Disco Blowfly - Rotten Fish Count Basic - Last Man On Earth James Brown - Keep Keepin' Smoove - Tired Feet The James Taylor Quartet - We Need Each Other Michael Henderson - Make Me Feel better Grant Green - Windjmammer Kool & The Gang - Hollywood Swinging Jimi Hendrix - Rainy Day, Dream Away Melvin Sparks - Cranberry Sunshine NPG - Black MF in the House James Knight and the Butlers - Funky Cat 2 Skinee J's - Wild Kingdom The Meters - I want to be loved by you Primus - Pudding Time Jamiroquai - Love Foolsophy Outkast - Spaghetti Junction Laura Vane & The Vipertones - Did It anyway Raydio - You Can't Change That Robert Palmer - Every Kinda People The Three Degrees - Year Of Decision Teddy Pendergrass - Only You Village People - I'm A Cruiser Santa Esmeralda - Don't Let me be Misunderstood

4Hero – “Universal Love” (Reprise) Lou Rawls – “Pure Imagination” Linda Williams – “Elevate Our Minds” The Five Stairsteps – “O-o-h Child” Eddie Harris – “It’s Alright Now” The Pointer Sisters – “Yes We Can Can” Robert Palmer – “Every Kinda People” (JN Multicultural Multitrack Mix) Sounds Of Blackness – “Everything Is Gonna Be Alright” […] The post The Penthouse Funk Sessions 3rd Jan 2021 appeared first on SSRadio.

A Rochester musician says he was inspired to do something to lift people's spirits during a time of distress and separation. Billy Goodness, drummer and vocalist for the band "The Klick," says the idea came to him in a dream. "I literally woke up one night ... I guess, one morning at about 3 a.m.," he says, "and this whole thing was playing it my head, but I heard it with this choir, this chorus." It was Robert Palmer's 1978 hit, "Every Kinda People." Even though the lyrics are 42 years old, they still resonate in this time of heightened awareness of racial injustice and political division. Ooh, it takes every kind of people To make what life's about, yeah Every kind of people To make the world go 'round Someone's looking for a lead In his duty to a King or creed Protecting what he feels is right Fights against wrong with his life There's no profit in deceit Honest men know that Revenge do not taste sweet Whether yellow, black or white Each and every man's the same inside Goodness

The Main Ingredient – “Work To Do” Robert Palmer – “Every Kinda People” (JN Multicultural Multitrack Mix) The Detroit Spinners – “The Rubberband Man” (Shep’s Extended Version) Marlena Shaw – “California Soul” Arrested Development – “Everyday People” SWV – “Right Here” (Human Nature Mix) Lauren Hill – “Everything Is Everything” Method Man featuring Mary J […] The post The Penthouse Funk Sessions 25th Oct 2020 appeared first on SSRadio.

Canciones melódicas en estado de gracia. El encuentro de Yvonne Elliman y Dr. John o el de la pianista Dianne Schuur y Richard Cocciante. El primer disco en solitario de Neil Larsen, uno de nuestros teclistas favoritos. Artistas del momento como Marcus King, Izo Fitzroy, Wallis Bird o Gary Olson y artistas que no hay que olvidar nunca como Bobby Cadwell, Robert Palmer o Lesley Duncan. Eagles publicarán el próximo octubre un nuevo álbum en directo grabado en 2018 en el Forum de Los Ángeles. DISCO 1 NEIL LARSEN Promenade (ARBRE -18) DISCO 2 IZO FITZROY Blind Faith (4) DISCO 3 ROBERT PALMER Every Kinda People (5) DISCO 4 FREAK POWER Change My Mind DISCO 5 CHINA CRISIS You Did Cut Me (4) DISCO 6 LESLEY DUNCAN The Sky's On Fire (CD 3 -1) DISCO 7 GARY OLSON Navy Boats (1) DISCO 8 XTC The Man Who Sailed Around His Soul DISCO 9 WALLIS BIRD Grace (2) DISCO 10 PETER BRUNTNELL COMBINATION Blue Mouse (10) DISCO 11 YOUNG GUN SILVER FOX Private　Paradise (8) DISCO 12 BOBBY CALDWELL Coming Down From Love (1) DISCO 13 YVONNE ELLIMAN & DR JOHN Hit The Road Jack / Sticks And Stones (Cd 2 - 7) DISCO 11 EAGLES One of These Nights DISCO 12 DIANNE SHUUR & Richard Cocciante I’d Fly (2) DISCO 13 MARCUS KING One Day She’s Here (4) DISCO 14 ALANIS MORISSETTE You Oughta Know (2) Escuchar audio

"New music from Lykke Li & Matty plus my favorite Aretha deep cuts and a rare unreleased disco track!" - Mayer Tracklist: Aretha Franklin "One Step Ahead" Aretha Franklin "Until You Come Back To Me" Aretha Franklin "Jump To It" Aretha Franklin "When You Love Me Like That" Arnie's Love "I'm Out Of Your Life" Robert Palmer "Every Kinda People" Greg Phillinganes "Lazy Nina" Mayer Hawthorne "Kaila" Convertion "Sweet Thing (JM TV Track)" Parliament "Funkentelechy" Lykki Li "Two Nights" Matty "Clear" Curtis Mayfield "Eddie You Should Know Better (Instr)" The Impressions "Gypsy Woman" Milton Henry "Gypsy Woman"

N*hilate has a keen ear for rhythm. One of the country's most diverse DJs - he can effortlessly switch between styles based on the mood of a crowd. From indie and nu disco to deep house and funk, N*hilate always keeps the bevvy of dancing bodies entertained. #127 feels like a classic. A mix that cuts through tracks that a lot of us grew up with, some that we may have even discarded in our angsty teenage years. Tunes like ‘Dance Floor’ by Taste of Honey make you want to clap along to its simple, catchy beat, whilst ‘Every Kinda People’ by Robert Palmer - although remixed - retains much of its original charm only for it to close on Womack & Womack's 'Teardrops'. The mix is a funky, energetic collection of tracks that is the perfect soundtrack to your day. For a tracklist and further info, head over here: http://www.thewildcity.com/EN/music.xhtml/article/11702-wild-city-127-nhilate

Slighted dated episode, but still relevant, since we're hitting up the AL West! Brent threatens to withdraw all his money from the Phillies directly if they re-hire Pete Mackanin (which happened later that day.) AL West Crown comes down to a terrible texas tumble, with the Texas (Dallas) Rangers vs the Houston Astros. Astros are a young team being overtaken by a team of veterans in the Rangers. Metaphor for Texas of old gruff marlboro men vs space age rockets? Angels of Anaheim (Los Angeles, too) with men of Trout, Trout, Trout. Seattle still has a baseball team or has Robinson Cano sunk the entire city? Oakland Athletics has sunk to the bottom of the Coco Crisp cereal bowl. Billy Beane, overrated? And some other topics like Matt Harvey, NFL, hot topics (Sabermetrics as management philosophy? Vin Scully, Rube Waddell), Brent likes the Jets over the Eagles. Draft Kings, not sponsoring us, so we debate the merits of how annoying they are vs gambling joy. Twitter: James: @jgeneric Brenton: @bwalcoff Questions/comments/concerns slidingintofirstpodcast@gmail.com Dick Miller's National Pastime Orchestra "If You Can't Make a Hit in a Ballgame, You Can't Make a Hit With Me" Mad Professor & Prince Fatty "Devil Dub (feat. Winston Francis)" Robert Palmer "Every Kinda People" Big Grams "Fell in the Sun"