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Before there was a “haunted house,” there was a family. And before The Amityville Horror became a pop-culture phenomenon, there was a very real crime scene — six members of the DeFeo family, murdered in their beds on November 13, 1974. In this Hidden Killers deep-dive, Tony Brueski strips away the myth and exposes the true story of Ronald DeFeo Jr. — the 23-year-old son who turned a picture-perfect Long Island home into one of the darkest chapters in American true-crime history. This isn't about ghosts. It's about control, pressure, and collapse inside a family that looked flawless from the outside. Through court records, trial transcripts, and eyewitness accounts, we unravel the DeFeo family's life before the murders — a world of strict rules, generational pride, and a father-son relationship that spiraled from conflict to catastrophe. What happened inside 112 Ocean Avenue wasn't supernatural. It was psychological. A slow burn of resentment, addiction, and identity loss that ended with a rifle and six bodies. Ronald “Butch” DeFeo Jr. claimed he heard voices telling him to kill. The jury didn't believe him. He was convicted on six counts of second-degree murder and sentenced to six consecutive life terms. He died in prison in 2021 — leaving behind a trail of lies, contradictions, and one chilling constant: he never showed remorse. Decades later, the Amityville myth still overshadows the truth. This episode reclaims it. Because before it was a franchise, it was a family. And the real horror wasn't the house — it was what happened inside it.
Hidden Killers With Tony Brueski | True Crime News & Commentary
Before there was a “haunted house,” there was a family. And before The Amityville Horror became a pop-culture phenomenon, there was a very real crime scene — six members of the DeFeo family, murdered in their beds on November 13, 1974. In this Hidden Killers deep-dive, Tony Brueski strips away the myth and exposes the true story of Ronald DeFeo Jr. — the 23-year-old son who turned a picture-perfect Long Island home into one of the darkest chapters in American true-crime history. This isn't about ghosts. It's about control, pressure, and collapse inside a family that looked flawless from the outside. Through court records, trial transcripts, and eyewitness accounts, we unravel the DeFeo family's life before the murders — a world of strict rules, generational pride, and a father-son relationship that spiraled from conflict to catastrophe. What happened inside 112 Ocean Avenue wasn't supernatural. It was psychological. A slow burn of resentment, addiction, and identity loss that ended with a rifle and six bodies. Ronald “Butch” DeFeo Jr. claimed he heard voices telling him to kill. The jury didn't believe him. He was convicted on six counts of second-degree murder and sentenced to six consecutive life terms. He died in prison in 2021 — leaving behind a trail of lies, contradictions, and one chilling constant: he never showed remorse. Decades later, the Amityville myth still overshadows the truth. This episode reclaims it. Because before it was a franchise, it was a family. And the real horror wasn't the house — it was what happened inside it.
If I ask you to think of a famous haunted house, will your mind wander to a white Dutch Colonial house, with quarter-round windows lit from within to look like red eyes? Yes? Then the reputation of 112 Ocean Avenue has done its work, aided and abetted by The Amityville Horror. Even if that wasn't the first house you thought of, Amityville's reputation stretches before it, ready to snag your attention at the first opportunity. After all, the design of the house reappears intermittently, as do elements of the haunting. A presence that hates Christian icons? A child's invisible friend that takes a dislike to a parent? Items going missing around the house, reappearing elsewhere, if at all? The fact the haunting apparently contains ghosts, poltergeist activity, demonic shenanigans and possibly even a portal to hell just adds to Amityville's towering reputation. Let's explore this reputation in this week's episode! I also make a mistake at 10mins 15secs by saying the Lutz family left in March 1976. They left in January, but that's the joy of recording live! Find the images and references on the blog post: https://www.icysedgwick.com/amityville-horror-house/ Get your free guide to home protection the folklore way here: https://www.icysedgwick.com/fab-folklore/ Become a member of the Fabulous Folklore Family for bonus episodes and articles at https://patreon.com/bePatron?u=2380595 Buy Icy a coffee or sign up for bonus episodes at: https://ko-fi.com/icysedgwick Fabulous Folklore Bookshop: https://uk.bookshop.org/shop/fabulous_folklore Pre-recorded illustrated talks: https://ko-fi.com/icysedgwick/shop Request an episode: https://forms.gle/gqG7xQNLfbMg1mDv7 Get extra snippets of folklore on Instagram at https://instagram.com/icysedgwick Find Icy on BlueSky: https://bsky.app/profile/icysedgwick.bsky.social 'Like' Fabulous Folklore on Facebook: https://www.facebook.com/fabulousfolklore/
It's new music for the month of October! Jenn Tully fills in for Sam again this month alongside Matt Sidhom. Together they built a mix that moves from David Byrne's question-rich groove with Ghost Train Orchestra and Hayley Williams to Florence and the Machine's roof-raising declaration of ambition, with plenty of discoveries and nostalgic detours in between. We kick off with What Is the Reason for It, a horn-lit, cinematic opener that doubles as a meditation on love's contradictions. From there, we bend time: Oasis reenters the chat via Don't Look Back in Anger and the 30th anniversary of What's the Story (Morning Glory), a reminder that remasters can be the best kind of rediscovery. Cold War Kids deliver a standout with Hyperempathy—maybe the most accurate song about a long-term couple's fight—before Electric Guest lifts the room with Play Your Guitar and its bassline-as-elevation. We even throw a glam-pop curveball with Foxy Shazam's You Know My Name featuring Corey Feldman, a surprisingly joyful MJ-inspired romp.The middle stretch balances comeback warmth and clever wordplay: Yellowcard's Better Days revisits the hooky honesty that made Ocean Avenue timeless, and Rainbow Kitten Surprise stitches fast-twitch lyrics to an easy, elastic groove. For elegant horror, The Last Dinner Party's This Is the Killer Speaking toggles between sinister verses and pop-bright choruses, while Sloan's Dream Destroyer blends 70s glam swagger with modern edge. We also wrestle with art versus artist through The Lemonheads' The Key of Victory, and tip our hat to familiar architecture with Arthur Buck's Fall in Love With Me, a pop-spooky echo of REM instincts with fresh attitude.We close on Florence and the Machine's One of the Greats, a soaring, razor-sharp statement about the cost and confidence of excellence—complete with a pointed critique of industry double standards. https://music.apple.com/us/playlist/sam-new-music-october-2025/pl.u-pm2jidKjlz1. What is the Reason For It? - David Byrne with Ghost Train Orchestra featuring Hayley Williams2. Don't Look Back in Anger - Oasis3. Hyperempathy - Cold War Kids4. Play Your Guitar - Electric Guest5. You Know My Name - Foxy Shazam featuring Corey Feldman6. Better Days - Yellowcard7. Dang - Rainbow Kitten Surprise8. This is the Killer Speaking - The Last Dinner Party9. Dream Destroyer - Sloan10. The Key of Victory - The Lemonheads 11. Fall in Love With Me - Arthur Buck12. One of the Greats - Florence and the Machine
It's finally that special time of year. This week, we revisit a classic Shocktober episode about the creepy-ass real-life story of the crazy sh*t that occurred at 112 Ocean Avenue in Amityville, NY. There have been two movies produced about it, one with James Brolin & Margot Kidder, and one with Ryan Reynolds & Chloe Grace Moretz. Countless stories have been written including a best-selling book, and now it's time for Nikki to be your personal tour guide to terror. Dim the lights, grab a pumpkin beer, and get ready for some freaky paranormal sh*t. Nikki is now an ambassador for Club WPT Gold! Check out: https://clubwptgold.com and use code NIKKI to sign up! Follow the podcast on Insta: @shttheydonttellyou Follow Nikki on Insta: @NikkiLimo Follow Steve on Insta: @SteveGreeneComedy To visit our Patreon: http://www.patreon.com/stikki To watch the podcast on YouTube: http://bit.ly/STDTYPodYouTube Don't forget to subscribe to the podcast for free wherever you're listening, or by using this link: http://bit.ly/ShtTheyDontTellYou If you want to support the show, and get all our episodes ad-free go to: https://stdty.supercast.tech/ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/ShtTheyDontTellYou To submit your questions/feedback, email us at: podcast@nikki.limo To call in with questions/feedback, leave us a voicemail at: (765) 734-0840 To watch more Nikki & Steve on YouTube: http://www.youtube.com/nikkilimo To watch more of Nikki talking about Poker: https://www.twitch.tv/trickniks To check out Nikki's Jewelry Line: https://kittensandcoffee.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
A planned mental health housing project in Santa Monica has residents up in arms. The 49-bed facility on Ocean Avenue aims to serve people struggling with severe mental illness — but neighbors say they were never informed and fear for safety.
It's new music for the month of October! Jenn Tully fills in for Sam again this month alongside Matt Sidhom. Together they built a mix that moves from David Byrne's question-rich groove with Ghost Train Orchestra and Hayley Williams to Florence and the Machine's roof-raising declaration of ambition, with plenty of discoveries and nostalgic detours in between. We kick off with What Is the Reason for It, a horn-lit, cinematic opener that doubles as a meditation on love's contradictions. From there, we bend time: Oasis reenters the chat via Don't Look Back in Anger and the 30th anniversary of What's the Story (Morning Glory), a reminder that remasters can be the best kind of rediscovery. Cold War Kids deliver a standout with Hyperempathy—maybe the most accurate song about a long-term couple's fight—before Electric Guest lifts the room with Play Your Guitar and its bassline-as-elevation. We even throw a glam-pop curveball with Foxy Shazam's You Know My Name featuring Corey Feldman, a surprisingly joyful MJ-inspired romp.The middle stretch balances comeback warmth and clever wordplay: Yellowcard's Better Days revisits the hooky honesty that made Ocean Avenue timeless, and Rainbow Kitten Surprise stitches fast-twitch lyrics to an easy, elastic groove. For elegant horror, The Last Dinner Party's This Is the Killer Speaking toggles between sinister verses and pop-bright choruses, while Sloan's Dream Destroyer blends 70s glam swagger with modern edge. We also wrestle with art versus artist through The Lemonheads' The Key of Victory, and tip our hat to familiar architecture with Arthur Buck's Fall in Love With Me, a pop-spooky echo of REM instincts with fresh attitude.We close on Florence and the Machine's One of the Greats, a soaring, razor-sharp statement about the cost and confidence of excellence—complete with a pointed critique of industry double standards. https://music.apple.com/us/playlist/sam-new-music-october-2025/pl.u-pm2jidKjlz1. What is the Reason For It? - David Byrne with Ghost Train Orchestra featuring Hayley Williams2. Don't Look Back in Anger - Oasis3. Hyperempathy - Cold War Kids4. Play Your Guitar - Electric Guest5. You Know My Name - Foxy Shazam featuring Corey Feldman6. Better Days - Yellowcard7. Dang - Rainbow Kitten Surprise8. This is the Killer Speaking - The Last Dinner Party9. Dream Destroyer - Sloan10. The Key of Victory - The Lemonheads 11. Fall in Love With Me - Arthur Buck12. One of the Greats - Florence and the Machine Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!
It's not often you get a second chance in life, especially in the music industry, where success - sustained or fleeting - is anything but a given. But that is precisely what has happened for US rock outfit Yellowcard, who return on October 10 with their new album Better Days.After forming in Jacksonville, Florida in 1997, Yellowcard became one of the most influential bands in the 2000's alternative rock scene. Known for blending high-energy pop punk with a signature violin twist, their 2003 breakthrough Ocean Avenue is certified Platinum, with the title track now certified two times Platinum.Despite this early success - or perhaps because of it - Yellowcard disbanded ten years later, making emotional goodbyes to fans all around the world with a farewell tour. It seemed as though the band's decade of dominance would remain at just that, until Yellowcard reunited in 2022 with a fresh outlook and armed with lessons learnt the first time around.Fans and the music scene in general embraced the band's music once more, affirming Yellowcard's decision to return from premature band retirement and solidifying their resolve to make their next album also their best. After signing with Better Noise Music, Yellowcard confirmed the addition of Blink 182's Travis Barker to produce the new material, which he was so impressed with, he also stepped behind the kit to play on the whole album.The result is everything you ever loved about Yellowcard, boosted by musical output from a band that sounds like they have come to terms with their musical status and, more importantly, have rediscovered their zest for life and music.HEAVY recently sat down with frontman Ryan Key, who battled the effects of a cold to talk about the continued rise of Yellowcard. We start with a subtle attempt at humour by asking how he is feeling about the imminent release of the new album and wish him Better Days ahead because of it."It already has, mate," he smiled. "It already has. It's not even out yet, and we're already having the best chapter of this band's career. I think we're right in the middle of it right now. So the fact that the album isn't even out yet and so many amazing things have already happened for us around it and with it, it's pretty mind-blowing."We continue down that line, asking if the feelings and expectations surrounding the new release are different this time around."It feels…," he measured. "We have made a lot of music in our career. We've made a lot of records, and we've written a lot of songs. In 2008, we stepped away from the band - not in the same way that we did in 2016-17 - but in 08 there was this feeling of uncertainty in terms of what was going to come next. We had gone up the first side of the mountain extremely fast. We went from practising in whatever garage we could find to being at the Video Music Awards in two and a half years. It was really rapid. And so we came down the backside of that mountain equally as fast, and we didn't really know what was next."In the full interview, Ryan talks more about the first stage of Yellowcard's career, including the highs and lows. He opened up about the problems the band faced with being part of the industry cog and how it left them disheartened at a time where they should have been riding the crest of a wave.He went deeper into the musical side of Better Days, how it is an improvement on anything they have ever done before, and how it represents Yellowcard in 2025. Ryan also detailed how Travis Barker came on board as producer and what difference it made to the finished product. He told us his feelings on working with Barker and how he came to be their studio drummer, signing with Better Noise Music, reaching Number One on the charts after 22 years and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
"Voces del Misterio" EXPRESS en el que hablamos de Amityville, a su historia de terror muy famosa asociada a esa casa, el número 112 de Ocean Avenue. En 1974, Ronald DeFeo Jr. asesinó a seis miembros de su familia en esa casa, alegando que "voces" en el hogar le ordenaron cometer los crímenes. Esta historia inspiró un libro y una serie de películas de terror, siendo la primera "The Amityville Horror" (1979). Voces del Misterio EXPRESS: Terror en Amityville, con Jose Manuel García Bautista.
Send us a textVideo Version HEREFor decades, the Amityville Horror has been called one of the most notorious hoaxes in paranormal history. Today, many roll their eyes at the story of George and Kathy Lutz fleeing 112 Ocean Avenue after just 28 days...especially when Ed & Lorraine Warren turn up. With endless movies, sequels, and parodies, the case has become a pop-culture joke. But what if we've been too quick to dismiss it?In this feature-length episode of Into the Fog, I strip away the Hollywood dramatics and the exaggerations from Jay Anson's book. Instead, he focuses solely on the eyewitness testimony from the Lutz family and those directly involved: George, Kathy, their children, Father Ray, and close friends who experienced the house firsthand. You may well hear details of the case you've never heard before. When you listen to what these people actually said (not the screenwriters or the tabloids) the picture looks different. The story of Amityville becomes less about a “hoax” and more about a genuinely unsettling haunting that spiralled out of control once the media circus began.Join me as we grapple with the raw testimony at the heart of America's most infamous haunted house and explore Amityville at 50: What if it was REAL after all?And do watch until the end, for some important thoughts on how we should deal with paranormal cases in general. #AmityvilleHorror #IntoTheFog #Paranormal #HauntedHouse #TrueCrime #GeorgeLutz #KathyLutz #DeFeoMurdersHUGE THANKS to all the volunteers who provided the brilliant voicework for this episode:James Andrews as Michael RiceRebekah Humphrey-Bullen as Danae Brook Paul Bullen as Reverend Christopher Neil-Smith Joshua Cerullo as Chris Gugas (Joshua can be contacted at Cerullovoice@gmail.com) Diandre Ruppert as Kathy LutzTony Saade Jr. as George Lutz and Ronnie DeFeoFor more on Peter Laws check out:www.patreon.com/peterlawsor www.peterlaws.co.uk
In Part 2, we pick up where we left off in Part 1. Although it made all kinds of sense for Shrey to move halfway around the world to go to art school, he says it was "an uphill battle” convincing his parents of the plan. Still, his mom was and is a champion of her son and his art. It was 2018 and Shrey was 20. We talk about his experience of arriving in San Francisco, a city that was “such a beacon of hope” for him. He dedicated himself to his studies at CCA. He also paid serious attention to the news, and even attempted political art. When that didn't pan out financially, a professor at CCA strongly encouraged Shrey to stay with painting, that it was his lane. This was just before the pandemic. When he got his first stimulus check, Shrey bought an easel and began going out and painting en plein air. He did this so much and promoted his art so well that, by the time he graduated, he had started getting commissions. He was able to become a full-time artist—a dream of his. Shrey is such an artist, through and through, that he even has an art job. Like, a job-job. Four days a week, Shrey works for ArtSpan—a local arts nonprofit possibly best-known for Open Studios. Shrey shares the history of ArtSpan and OpenStudios. What began in 1975 in South of Market as a way for artists shunned by galleries to show their art and sell it today sees around 600 artists opening their studio doors all over The City. Shrey manages the Arts and Neighborhoods program for ArtSpan. That group helps organize exhibitions during Open Studios at non-studio locations. Mission Bowling Club is one such location. In fact, Shrey got his first art show after graduation through help from ArtSpan. It's a beautiful full-circle story. That first show led to other shows. And Shrey credits his entrepreneurial brain for recognizing an opportunity in all of this—if a cafe has suitable walls, you can talk with the owner about hanging art by local artists, promote an opening, and make things happen. And so that's what he did. Partly because putting on one art show, not to mention doing multiple shows at the same, is what the kids refer to as a lot, Shrey focussed his efforts at one location. Ballast Coffee on West Portal became the home of Ingleside Gallery. The first art show at his gallery brought in more than $10,000 in sales. I have to insert some editorial here, so thanks for indulging me. Shrey and I recorded this podcast before our Every Kinda People show. I won't pretend that my own art curation is anywhere close to the level that he (and my friend Anita of KnownSF and countless others around SF, The Bay, and the world) operates on. But Shrey does speak to the nature of both the volume and the intensity of the work that goes into putting on an art show. In my own way, I relate. Back to my and Shrey's conversation, I ask him to talk about how our lives intersected. It was earlier this year after I recorded with Ellen Lo of Ask Me SF. I needed to drop off a Storied: SF hoodie for Ellen, so she asked me to meet her one Saturday morning on Ocean Avenue. She and some friends and community members would be out there painting a mural over a dilapidated street wall in front of a PG&E substation. Sign me up! After politely declining to add my own (attempted) artistic touch to their creation that day, Ellen introduced me to a friend of hers. Right away, I got a sense of that exuberance Shrey embodies, a trait I am now very familiar with. We end the episode with thoughts about the Every Kinda People show, up at Mini Bar through October 19. Follow Shrey on Instagram @shreypurohit and @inglesidegallery.
Full video episode on YouTube - Link BelowHow have we never covered this!!! This week, we plug into Amityville 4: The Evil Escapes—a made-for-TV horror masterpiece where the murderous spirit of 112 Ocean Avenue gets trapped in a haunted... lamp. Yes, a freaking lamp. Join us as we flip the switch on demonically possessed home décor, clueless priests, and a family that really should've never moved in with grandma. Evil never dies—it just changes bulbs.YouTube: https://www.youtube.com/@wheelofhorrorpodcast1802/videosApple Podcast: https://podcasts.apple.com/us/podcast/wheel-of-horror/id1534102813 Spotify: https://open.spotify.com/show/3HnyAISG8Z8hvMFdSG60tE?si=9b785cf21c7f46a3 Instagram: https://www.instagram.com/wheel_of_horror/ Twitter/X: https://twitter.com/HorrorWheel
The Whine Mamas are fresh off of a girls trip to Nashville, and they've got stories and lots of laughs to share. From honky tonks to hot chicken, Annie and Jimena are spilling all the Broadway tea. Plus, this episode features Artie Bars—the perfect treat for catching up on the chaos! Wine of the Week: Here by Chance Cabernet Sauvignon. Honorable Mentions: Artie Bars, Lip Lab, Posty's, Ocean Avenue, AIM
J: 2/10 M: 1/10 Each week we choose a movie from one of the horror genre to discuss the following week. Follow along each week by keeping up with the movies we are watching to stay in the loop with the movie club! Check out other podcasts, coffee and pins at www.darkroastcult.com ! THANKS TO ANDREW FOR MAKING THE INTRO SONG. (soundcloud.com / andoryukesuta)@andoryukesuta In the early morning hours on November 13, 1974, Ronald DeFeo Jr. murders his entire family with a rifle at their home of 112 Ocean Avenue in Amityville, New York. One year later, middle-class newlyweds George and Kathy Lutz move into the house with Kathy's three children from a prior marriage: Greg, Matt, and Amy. Despite George's irreligiousness, Kathy, a nominal Roman Catholic, requests Jesuit priest Father Frank Delaney to bless the home. Delaney arrives while the family is out boating. Upon entering the house, Delaney is swarmed by flies upstairs and hears a hostile voice ordering him to leave, causing him to flee. The next day, Kathy's aunt Helena, a nun, visits the house but becomes violently ill and leaves abruptly, confounding Kathy. The Lutzes' domestic life begins a sharp decline over the ensuing weeks: George becomes uncharacteristically volatile and abusive, and obsesses over keeping the home warm with firewood, despite Kathy's insistence that it is not cold. George recurrently awakens at 3:15 a.m.—the same time the DeFeos were murdered—while Kathy suffers disturbing nightmares. Before Kathy's brother Jimmy's engagement party one night, $1,500 cash to be paid to the caterer inexplicably goes missing in the house. Meanwhile, Jackie, the babysitter watching Amy for the evening, is locked inside a bedroom closet by an unseen force. Further unexplained incidents occur when one of the two boys suffers a crushed hand when a sash window falls on it, and Amy has an imaginary friend, Jody, who seems to be of a malevolent nature. One night, Kathy glimpses two red, swine-like eyes outside Amy's second-story bedroom window. Delaney makes several attempts to intervene that seem to be thwarted by unusual accidents and occurrences: His phone calls to the home are frequently experienced by Kathy as static noise, and on one occasion his car malfunctions en route to the house, nearly causing a fatal crash. Convinced there are demonic forces at work, Delaney grows frustrated by the lack of support from his superiors in the diocese. Meanwhile, George's land surveying business begins to suffer due to his lack of attendance, concerning his business partner, Jeff. Jeff's wife, Carolyn, who has psychic proclivities, is both repulsed and intrigued by the things she feels when at the house.
Let us know your thoughtsIn this chilling episode of The Horror Cut, we dive into the sinister walls of 112 Ocean Avenue with 'The Amityville Horror ' (1979). Was it truly a house possessed or just a clever con? We break down the film's eerie atmosphere and the real-life case that inspired it. Turn off the lights, lock your doors, and join us... if you dare... unless you're told to GET OUT!!!!!!IG - @thehorrorcutshow | @HewittGPro | @StephenkerrActor_Performer FB - Facebook.com/profile.php?id=61573701383591
On this episode, Tony Brueski digs into the chilling tale of the Amityville Horror House. From the tragic DeFeo family murders that left six people dead to the Lutz family's spine-tingling accounts of demonic hauntings, this story has captivated and terrified audiences for decades. What really happened inside 112 Ocean Avenue? Was it a genuine case of paranormal terror, or was the legend manufactured for fame and fortune? Join Tony as he peels back the layers of truth, exploring the historical facts, psychological theories, and enduring mysteries that keep this story alive in our collective imagination.
On this episode, Tony Brueski digs into the chilling tale of the Amityville Horror House. From the tragic DeFeo family murders that left six people dead to the Lutz family's spine-tingling accounts of demonic hauntings, this story has captivated and terrified audiences for decades. What really happened inside 112 Ocean Avenue? Was it a genuine case of paranormal terror, or was the legend manufactured for fame and fortune? Join Tony as he peels back the layers of truth, exploring the historical facts, psychological theories, and enduring mysteries that keep this story alive in our collective imagination.
Well-rounded multimedia producer and former music journalist Ryan Stephenson Price stops by to continue our journey through the early aughts and to go to where the podcast has never gone before: pop punk! Yellowcard's violin gimmick didn't win them a lot of fans with critics, but they were much loved by sort-of-angry teenagers everywhere – and then they sort of went away, and then came back, and then went away, but not really, and now they're back again! We discuss the commercial rise of pop punk (and where it went), cynicism versus idealism versus the evil pragmatism of wanting to make money as a musician, the technical and theoretical challenge of being a drummer and the millennial obsession with nostalgia.
In this episode of Welcome to Cloudlandia, I reconnect with Dan Sullivan for another wide-ranging conversation that blends current events, history, technology, and human behavior. We start by reflecting on the safety and comfort of life in Canada while discussing the news of missile strikes in Israel. From there, we explore the idea that innovation often advances when entrenched leaders move on—whether in science, business, or geopolitics. Dan brings up Thomas Kuhn's idea that progress happens after the old guard exits, creating room for new ways of thinking. Our conversation shifts into the role of AI as a horizontal layer over everything—similar to electricity. We compare this shift to earlier transitions like the printing press and the rise of coffee culture. Dan shares his belief that while AI will transform systems, the core of human life will still revolve around handled needs and personal desires. We wrap by talking about convenience as the ultimate driver of progress. From automated cooking to frictionless hospitality, we recognize that people mostly want things to be “handled.” Despite how fast technology evolves, it's clear that unless something is of deep personal interest, most people will let it pass by. As always, the conversation leaves room for reflection and humor, grounded in the reality that technological change doesn't always mean personal change. SHOW HIGHLIGHTS Dan and I explore the complexities of living in a "world-class" city like Toronto, discussing its cultural vibrancy against the backdrop of global geopolitical tensions. Dan delves into Toronto's significant role as a financial and technological hub, emphasizing its strategic importance in trade with the United States, where a substantial portion of Canadian exports cross the border. We discuss the transformative potential of AI in today's digital revolution, drawing parallels with historical innovations like Gutenberg's printing press, and how these advancements continuously redefine our society. We examine the evolution of Starbucks, from a unique third space with artisanal baristas to a more automated environment, and ponder the implications of this shift on quality and customer experience. The conversation shifts to the rise of independent coffee shops, highlighting how they meet the demands of discerning customers by offering premium experiences. Dean reflects on our relentless pursuit of convenience in modern urban life, where technological advancements shape our daily routines and enhance our quality of life. We conclude with a discussion on habit formation and the role of technology in reinforcing existing habits, while considering the balance between maintaining old routines and embracing new ones. Links: WelcomeToCloudlandia.com StrategicCoach.com DeanJackson.com ListingAgentLifestyle.com TRANSCRIPT (AI transcript provided as supporting material and may contain errors) Dean: Mr Sullivan, Dan: Mr Jackson, I hope the rest of your day yesterday went well. Dean: Oh, delightful, I learned stuff yesterday. That was a very nice day, beautiful, beautiful weather today. You know what, dan, if you could, as an option at the Hazleton, upgrade to include your perfect weather for $1,000, this is what you'd order, it's this kind of day. Yeah, mid-70s perfect white fluffy clouds. Yes, it's why. Dan: Living in a safe, globally unimportant country. That's exactly right. Holy cow, I don't know if you've seen, yeah, what's uh? I woke up like literally just a few minutes ago seeing all the, uh, the raining missiles on israel right now from Iran. Have you seen that this morning? Dean: Oh yeah, there's a lot of them. Most of them don't hit anything and most of them are shot down, but still it puts some excitement in your day. Dan: I mean really, yeah, these ones look like. They're something unique about these ones that they're supersonicersonic and many of them are hitting, yeah, different than what we've normally seen. Like normally, when you see it, it's the, the iron dome or whatever is, you know, intercepting them, which is always interesting, but these ones are like Direct, like you can see them hitting in inrael that's. I mean, could you imagine, dan, like you, just look at how geographically we are. You know we've won the geographic lottery in where we're positioned here, you know, just realizing that's never. Even though you can, all you know you always take precautions with the umbrella above us, over the outside. Dean: But I mean still that today. I've lived in Toronto for 54 years now, just past the anniversary, the 54th anniversary and I think that, first of all, when you have a really large city like Toronto, the center of a lot of things that go on in Canada, A world-class city like Toronto. Well, it's not a world-class city. But yeah, they have to go five years. I'm putting a new rule in for world-class cities. You have to go five years without ever saying the words. Dan: Yeah, we're a world-class city. Dean: We're a world-class city. And that takes you to stage one probation. Dan: Yeah. Dean: No, that takes you to stage two, probation, and then stage three probation is where all the people who've been saying it's a world-class city have either died or moved, and then it's sort of like science. There was a famous he wasn't a scientist, but he was a, I think, a science historian. Thomas Kuhn K-U-H-N if you ever came across that name wrote in the 1960s and he wrote a very influential book which is called the Structure of Scientific Revolutions, and he was asked many times when you have a sudden series of scientific breakthroughs and we really haven't had any for quite a long time, it's been mostly almost a century since we've had any real scientific revolutions. So all the progress we've made over the last century were for discoveries in physics and magnetism and electricity and uh, you know nuclear but they had already worked out how that was going to happen in the by the 1920s. and he said what when, all of a sudden, when you get a breakthrough, let's say, for example, they discover a new hydrogen atom and it essentially gives everybody free energy? That would be a scientific breakthrough. Do you think that I mean? Would you think? Dan: that would be. Dean: Yeah, yeah. In other words, energy just didn't cost anything anymore, you know, and the price of energy would go down. Dan: That would free up a lot of that, free up a lot of other things energy would go down that would free up a lot of that'd free up a lot of other things, and, uh, and, and he said, the single biggest cause for scientific breakthroughs is the funerals of old scientists. Oh who everybody defers to that you can't first them. Dean: Yeah, well, defers to, but they control promotion of young scientists. They control where the money goes for a scientist and then they die and their control loosens up and to the degree that control disappears. Now you get new. Dan: Yes. Dean: Yeah, so that's a long way around. But I think that in the world today there are people who are basically in control of geopolitical systems, economic systems, you know, cultural systems, and in the next 10 years, I think, a lot of the controllers are going. They'll either die or people will think they've already died. They don't have to actually die, they just have to be in a room somewhere and no one's heard, and no one's heard anything from them recently, and uh and uh, you know, and everything like that, and then things change and then things really shifted. But my sense about Toronto is that it's going to be the Geneva of the Western Hemisphere. Dan: Okay, that's interesting. Dean: Switzerland from a geopolitical standpoint really. I mean, nobody ever talks about well, what do the Swiss think about this? But lots of stuff happens in Geneva. People meet in Geneva. There's tons of money that goes through Geneva and you know, when you know people who hate each other want to talk to each other and feel safe about it, they do it in Geneva that's interesting. Dan: How did Switzerland become its neutrality known for? Is that just because of its positioning between Austria? Dean: and Germany mountains. Yeah, the uh, the germans had given some thought during the second world war to invade switzerland, and switzerland can put into the field in a very short period of time a very big army. I don't know what the numbers are. But the other thing is, uh, for the longest period I know maybe a century long they've been howling out the mountains. So they've got, you know, they've got secret bases inside the mountains, but there's also they've created lots of dams with big reservoirs and if there was ever an invasion they would just blow up the dams and they would flood the entire lowlands of. You know, people are told to the mountains, the entire lowlands of you know, people are told to the mountains, get to your bunker. You know everybody's got a bunker and they've all got guns and they do it. You know they just want to. They're in the middle of one of the most warfare inclined continents in human history. Europe is very warlike. It's always been warlike. Dan: Europe is very warlike. It's always been warlike, but they haven't wanted to be part of the wars, so they've taken the other approach. Dean: Yeah, and Canada is kind of like that, but the US is very uniquely positioned, because a lot of people don't know this. I mean, you come to Toronto and it's big skyscrapers, yeah, you know, and it's a financial center. It's very clearly a big financial center, it's a big communication center, it's a big tech center. But a lot of people don't know it's a big manufacturing center. There's the airport here. Dan: Oh yeah, All around the airport. Dean: Mile after mile of low-rise manufacturing Industrial yeah, all around the airport Mile after mile of low-rise manufacturing Industrial. Yeah Actually, sasha Kurzmer, who you'll see tomorrow, you'll see Sasha says it's the hottest real estate in Toronto right now is industrial space Really Wow, yeah. Yeah, we have enough condos for the next 10 years. I mean most of the condos we got enough. Dan: It's enough already. Yeah, that's true. That's funny right. Dean: I mean the vast number of them are empty. They're just. You know they just built them. Dan: Money lockers. Dean: Right yeah, money lockers right, yeah and uh, but a semi-truck you know like a big semi-truck loaded with industrial products can reach 100 million americans in 24 hours and that's where the wealth. That's where the wealth of toronto comes from. It comes from that distribution. Dan: Access to American market. Dean: Yeah, that's true. So you have the bridge at Buffalo, the big bridge at Buffalo. That goes across to New York and you have the big bridge at Detroit or at Windsor that goes across to Michigan and 80% of all the exports that Canada makes goes over those two bridges. Dan: Wow. Dean: Rapid-fire factoids for our listening audience. Dan: Yeah, absolutely, I mean that's. Dean: I like things like that. I like things like that. Dan: I do too. I always learn. You know, and that's kind of the you think about those as those are all mainland exports physical goods and the like but you know that doesn't. Where the real impact is is all the Cloudlandia transfers. You know, the transfer of digital stuff that goes across the border. There are no borders in Cloudlandia. That's the real exciting thing. This juxtaposition is like nothing else. I mean, you see, navigating this definite global migration to Cloudlandia. That's why I'm so fascinated by it. You know is just the implications. You know and you see. Now I saw that Jeff Bezos is back, apparently after stepping down. He's gotten so excited about AI that's bringing him back into the fold, you know. Dean: What at Amazon? Dan: Yes. Dean: Oh, I didn't know that. Dan: I saw that just yesterday, but he was talking about AI being, you know, a horizontal layer over everything, like electricity was layer over everything. Like electricity was, like the internet is, like AI is just going to be a horizontal, like over everything layer that will there's not a single thing that AI will not impact. It's going to be in everything. And so when you think about it, like electricity, like that I think I mentioned a few weeks ago that was kind of a curiosity of mine Now is seeing who were and what was the progression of electricity kind of thing, as a you know where it, how long it took for the alternate things to come aside from just lighting and now to where it's just everything we take for granted, right, like like you can't imagine a world without electricity. We just take it for granted, it's there, you plug something in and it and it works. Dean: You know, yeah, no, I, I agree, I agree, yeah, and so I wonder who I mean? Dan: do you? Uh and I think I go all the way back to you know that was where, like gutenberg, you know, like the first, the transition there, like when you could print Bibles okay, then you could print, you know, multiple copies and you know, took a vision, applied to it and made it a newspaper or a magazine. You know all the evolution things of it. Who were the organizers of all of these things? And I wonder about the timelines of them, you know? Dean: And I wonder about the timelines of them. You know Well, I do know, because I think that Gutenberg is a real, you know, it's a real watershed and I do know that in Northern Europe so Gutenberg was in Germany, that in Northern Europe, right across the you know you would take from Poland and then Germany, you would take from Poland and then Germany, and then you would take Scandinavia, then the low countries. Lux date that they give for Gutenberg is 1455. That's when you know a document that he printed. It has the year 1455, that within about a 30-year period there were 30,000 working presses in Northern Europe. How many years. That'd be about 30 years after 1455. So by the end of the—you've already surpassed 30,000 presses. Yes, but the vast majority of it wasn't things like Bibles. Dan: The vast majority of it was't things like Bibles. Dean: The vast majority of it was contracts. It was regulations. Dan: It was trade agreements. Dean: It was mostly commercial. It went commercial and so actually maps, maps became a big deal, yeah, yeah. So that made a difference and also those next 150 years were just tumultuous, I mean politically, economically I mean yeah yeah, enormous amount of warfare, enormous amount of became. Dan: Uh, I imagine that part of that was the ability for a precise idea to spread in the way it was intended to spread, like unified in its presentation, compared to an oral history of somebody saying, well, he said this and this was an actual, you know, duplicate representation of what you wanted, because it was a multiplier, really right. Dean: I mean that's, yeah, I'm. It was a bad time for monasteries yeah, exactly. Dan: They started drinking and one of them said you know what? We should start selling this beer. That's what we should be doing. Dean: We should get one of those new printing presses and print ads labels. Dan: Oh, we got to join in. Oh man, it's so funny, dan, that's so true, right? I mean every transition. It's like you know what did the buggy whip people start transitioning into? We're not strangers to entire industries being wiped out, you know, in the progress of things, yeah. Dean: Well, it wasn't until the end of the Second World War that horses really disappeared, certainly in Europe, certainly in Europe. It's. One of the big problems of the Germans during the Second World War is that most of their shipping was still by horses. Throughout the Second World War, you know they presented themselves as a super modern army military. You know they had the Air Force and everything like that, but their biggest problem is that they had terrible logistical systems, because one of the problems was that the roads weren't everywhere and the railroads were different gauges. They had a real problem, and horses are really expensive. I mean, you can't gas up a horse like you can gas up a truck, and you have to take care of them, you have to feed them. You have to use half of them to. You have to use half the horses to haul the food for the other half for all the horses. Dan: It's a self-perpetuating system. Yeah, exactly, that's so funny. Dean: Yeah, it's really an interesting thing, but then there's also a lot of other surprises that happen along the way. You know, happen with electricity and you know everything, but it's all gases and beds. Dan: Well, that's exactly it, and I think that it's clear. Dean: It'd be interesting with Bezos whether he can come back, because he had all sorts of novel ideas, but those novel ideas are standard now throughout the economy. And can he? I don't know how old he is now. Is he 50s? I guess 50s. Dan: Yeah, he might be 60-something. Dean: Yeah, well, well, there's probably some more ingenious 20 year olds that are. Dan: You know that are coming up with new stuff yeah, that were born when amazon already existed, you know I mean, it's like howard schultz with starbucks. Dean: He had the sweet spot for about 10 years, I think, probably from, I would say probably from around 90 to 2000. Starbucks really really had this sweet spot. They had this third space. You know, they had great baristas. Dan: They had. Dean: You walked in and the smell of coffee was fantastic and everything. And then they went public and it required that they put the emphasis on quantity rather than quality, and the first thing they had to do was replace the baristas with automatic machines. Okay, so you know, a personal touch went out of it. The barista would remember your drink. You know, yeah, a personal touch went out of it. The barista would remember your drink you know yeah. Dan: They were artists and they could create you know they punched the buttons and do the things, but they were not really making. Dean: Yeah, and then the other thing was that they went to sugar. They, you know, they brought in all sorts of sugar drinks and pastries and everything else. And now it wasn't the smell of coffee. When you walked in, it was the smell of sugar drinks and pastries and everything else. And now it wasn't the smell of coffee. When you walked in, it was the smell of sugar and uh and uh. So that I mean, people are used to sugar, but it's an interesting you know, and then he also, he trained his competition, you know, if you look at all the independent coffee places that could have a great barista and have freshly ground coffee. He trained all those people and then they went into competition with him. Dan: I think what really you know, the transition or the shift for Starbucks was that it was imagined in a time when the internet was still a place that you largely went to at home or at work, and the third place was a necessary, like you know, a gathering spot. But as soon as I think the downfall for that was when Wi-Fi became a thing and people started using Starbucks as their branch office. They would go and just sit there, take up all their tables all day. Dean: I'm guilty. Dan: I'm guilty, right exactly and that that kind of economically iconic urban locations, you know where you would be a nice little oasis. Yeah, it was exotically, exotically. European, I mean, he got the idea sitting in the. Dean: Grand Plaza in Venice you know that's where he got the idea for it, and yeah, so it was a period in a period in time. He had an era, period in time to take advantage and of course he did. You know he espresso drinks to. Dan: North. Dean: America. We, you know, maxwell House was coffee before Jeff Bezos, you know, and yeah, I think there's just a time. You, you know, I mean one of the things is that we talk about. We have Jeff Madoff and I are writing a book called Casting, not Hiring where we talk about bringing theater into your business and we study Starbucks and we say it's a cautionary tale and the idea that I came up with is that starbucks would create the world's greatest barista school and then you would apply to be, uh, become a barista in a starbucks and you would get a certification, okay, and then they would cream. They would always take the best baristas for their own stores and and. But then other people could buy a license to have a barista licensed, starbucks licensed barista license yes. And that he wouldn't have gone as quickly but he would have made quality brand. Yeah, but I think not grinding the coffee was the big, the big thing, because the smell of coffee and they're not as good. I mean, the starbucks drinks aren't as good as they. They were when they had the baristas, because it was just always freshly ground. You know, and yeah, that that was in the coffee and everything like that. I I haven't been. I actually haven't been to a starbucks myself in about two years that's interesting, we've got like it's very funny. Dan: But the in winter haven there's a independent you know cafe called haven cafe and they have won three out of five years the, the international competition in in Melbourne. Uh. Dean: Australia. Yeah see, that's good, that's fantastic yeah yeah yeah and Starbucks can't get back to Starbucks. Can't get back to that. You know that they're too big right, yeah, we just in winter. Dan: I haven't been yet because I've been up here, but it just opened a new Dutch Brothers coffee, which you know has been they've been more West Coast oriented, but making quite a stir. Dean: West Coast. That's where the riots are right. The riots are in the United. Dan: States. Dean: Oh man, holy cow, riot copy, riot copy. Dan: Yeah, exactly, I mean that's yeah. I can't imagine, you know, being in Los Angeles right now. That's just yeah unbelievable. Dean: Yeah, I think they're keeping it out of Santa Monica. That's all I really care about. Dan: Nothing at shutters right. Dean: Yeah, I mean Ocean Avenue and that. Have that tightly policed and keep them out of there. Dan: Yeah, exactly, it's amazing To protect the business. Yeah, I'm very interested in this whole, you know seeing, just looking back historically to see where the you know directionally what's going to happen with AI as it progresses here. Dean: Yeah, you know like learning from the platforms it's just constant discovery. I mean, you know like learning from that, it's just constant discovery. Dan: I mean uh, you know yeah yeah, I mean it's um. Dean: I had a podcast with mike kanix on tuesday and 60 days ago I thought it was going in this direction. Dan: He says now it's totally changed it and I said, well, that's probably going to be true 60 days from now yeah, I guess that's true, right, layer after layer, because we won't even know what it's going to, uh, what it's going to do. Yeah, I do just look at these uh things, though, you know, like the enabling everything, I'm really thinking more. I was telling you yesterday I was working on an email about the what if the robots really do take over? And just because everybody kind of says that with either fear or excitement, you know, and I think if you take it from. Dean: Well, what does take over mean? I mean, what does the word take over? Dan: mean, well, that's the thing, that's the word, right. That's what I mean is that people have that fear that they're going to lose control, but I think I look at it from that you get to give up control or to give control to the robot. You don't have to do anything. You know, I was thinking with with breakfast, with Chad Jenkins this morning, and we had, you and I had that delicious steak yesterday, we had one this morning and you know just thinking. You know, imagine that your house has a robot that is trained in all of the culinary, you know the very best culinary minds and you can order up anything you want prepared, exactly how it's prepared, you know, right there at your house, brought right to you by a robot. That's not, I mean, that's definitely in the realm of, of realistic here. You know, in the next, certainly, if we, if we take depending on how far a window out you take, right, like I think that things are moving so fast that that's, I think, 2030, you know, five years we're going to have a, even if just thinking about the trajectory that we've had right now yeah, my belief is that it's going to be um 90 of. Dean: It is going to be backstage and not front stage. That's going to be backstage yes, and that's got. You know I use the. Remember when google brought out their glasses, yeah, and they said this is the great breakthrough. You know all new technology does. And immediately all the bars and restaurants in San Francisco barred Google glasses. Dan: Okay, why? Dean: Well, because you can take pictures with them. Oh, I see, okay, and say you're not coming in here with those glasses and taking pictures of people who are having private meetings and private conversations. So yesterday after lunch I had some time to wander around. I wandered over to the new Hyatt. You know they completely remodeled the Hyatt. Dan: Yeah, how is? Dean: that it's very, very nice. It's 10 times better than the Four Seasons. First of all, they've got this big, massive restaurant the moment you walk into the lobby. I mean it probably has 100 seats in the restaurant. Dan: Like our kind of seats yeah. Dean: Yeah, I mean it's nice. I mean you might not like it, but you know you know, you walk into the Four Seasons and it's the most impersonal possible architecture and interior design. This is really nice. And so I just went over there and I, you know, and I just got on the internet and I was, you know, I was creating a new tool, I was actually creating a new tool and but I was thinking that AI is now part of reality. Dan: Yes. Dean: But reality is not part of AI. Dan: Say more about that. Dean: Well, it's not reality, it's artificial, oh it's artificial. Dan: It's artificial. Oh, exactly it's artificial. Dean: I mean, if you look up the definition of artificial, half of it means fake. Dan: Yes, exactly. Dean: Yeah, so part of our reality now is that there's a thing called AI, but AI is in a thing called reality, but reality is not in a thing called AI. Dan: Right. Dean: In other words, ai is continually taking pieces of reality and automating it and everything like that, and humans at the same time are creating more reality. That is not AI. Dan: AI, yeah, and that's I wonder. You know, this is kind of the thing where it's really the lines between. I'd be very interested to see, dan, in terms of the economy, like and I'll call that like a average you know family budget how much of it is spent on reality versus, you know, digital. You know mainland versus cloudlandia. Physical goods, food you know we talked about the different, you know the pillars of spending, mm-hmm and much of it you know on housing, transportation, food, health, kids. You know money and me, all of those things. Much of it is consumed in a. You know we're all everybody's competing outside of. You know, for everybody puts all this emphasis on Cloudlandia and I wonder you know what, how much of that is really? It's digital enabled. I don't know if you know. I just I don't know that. I told you yesterday. Dean: Yeah, but here, how much of it? The better question is. I mean to get a handle on this. How much of it is electricity enabled? Dan: Oh for sure, All of it. Dean: Most of it Well, not all of it, but most of it. I mean conversation, you know when you're sitting in a room with someone is I mean it's electronically enabled in the sense you like. Have it the temperature good and the lighting good and everything like that, but that's not the important thing. You would do it. Great conversations were happening before there was electricity, so yes, you know and any anything, but I think that most humans don't want to think about it. My, my sense is, you know, I don't want to have conversations about technology, except it's with someone like yourself or anything like that, but I don't spend most of my day talking about technology or electricity. The conversation we had last year about AI the conversation we're having about AI isn't much different than the conversation we're going to have about AI 10 years from now Did you? see this Next year. You're going to say did you see this new thing? And I said we were having a conversation like this 10 years ago. Yeah, yeah, that's absolutely true, I don't think it's going to change humanity at all. Dan: Yeah, I'm just going through like I'm looking at something you just said. We don't want to think about these things. Girding of that is our desire for convenience, progressively, you know, conserving energy, right. So it's that we've evolved to a point where we don't have to think about those things, like if we just take the, if we take the house or housing, shelter is is the core thing. That that has done. And our desire, you know, thousands of years ago, for shelter, even hundreds of years ago, was that it was, you know, safe and that it was gave did the job of shelter. But then, you know, when, electricity and plumbing and Wi-Fi and entertainment streaming and comfortable furniture and all these things, this progression, this ratcheting of elevations, were never. I think that's really interesting. We're never really satisfied. We're constantly have an appetite for progressing. Very few things do we ever reach a point where we say, oh, that's good enough, this is great. Like outhouses, you know, we're not as good as indoor plumbing and having, you know, having electricity is much nicer than having to chop wood and carry water. Dean: Yeah, well, I think the big thing is that efficiency and convenience and comfort, once you have them, no longer have any meaning. Dan: Right. But the ratchet is, once we've reached one level, we're ratcheted in at that level of acceptance. Dean: I mean possibly I don't know. I mean I don't know how you would measure this in relationship to everybody's after this. First of all, I don't know how you measure everybody and the big thing. I mean there are certain people who are keenly interested in this. It's more of an intellectual pleasure than it is actually. See that technology is of intellectual interest. You me, you know, you myself and everything else will be interested in talking about this, but I'm going home for a family reunion next weekend in Ohio. I bet in the four or five hours we're together none of us talks about this because it's of no intellectual interest to anyone else. Ok, so you know but it is for us. It's a, you know, and so I was reading. I'm reading a is the observation of the interest and behavior of a very small portion of the population who have freedom and money and that. And the era is defined by the interest of this very, very small portion, the rest of the people probably they're not doing things that would characterize the era. They're doing things that may have lasted for hundreds but it doesn't. It's not interesting to study, it's not interesting to write about, and you know, I mean we look at movies and we say, well, that's like America. No, that's like actors and producers and directors saying this is how we're going to describe America, but that's not how America actually lives. Dan: Yeah, that's interesting, right, movies are kind of holding up a mirror to the zeitgeist, in a way, right. Dean: Like Strategic Coast, is not a description of how the entrepreneurial world operates no, you know the yeah. Dan: The interesting thing thinking about your thinking is is transferable across all. You know it's a durable context. That's kind of the way. That's what I look about. That's what I love about the eight prophet activators. The breakthrough DNA model is very it's a durable context. It's timeless. Dean: Yes, I mean if the Romans had the eight prophet activators, and they did, but they just didn't know they did. Dan: Right. Dean: Yeah, and you go forward to the Star Wars cafe and probably the ones who are buying drinks for the whole house are the ones who know the eight prophet activators. Dan: Secretly, secretly, secretly. Who's that? Dean: weird. Who's that weird looking guy? I don't know if it's a guy. Who is it who you know? Well, I don't know, but buy him a drink oh my goodness, yeah, I'm. Dan: I think this thing that is convenience. We certainly want things to get easier. I mean, when you look at, I'm just looking down no, we want some things to get easier. What things do we not want to get easier? Dean: The things that are handled. We don't want to get easier. Dan: Oh right exactly. Dean: Yeah, for example, if there was a home robot, we would never buy one, because we've got things handled. Dan: Yeah. Dean: Yeah, I have no interest in having a home robot. I have no interest in having a home shop for a cook. I have no interest in everything because it's already handled and it's not worth the thinking it would take to introduce that into my, into our life I mean yeah, and it right like that. So it's. Dan: There are certain things that we'd like to get easier okay, and we're and we're focused on that yeah, yeah, I think about that, like that's I was thinking, you know, in terms of you know the access we have through Cloudlandia is I can get anything that is from any restaurant you know delivered to my house in 22 minutes. You know, that's from the moment I have the thought, I just push the button and so, yeah, I don't have. There's no, no thinking about that. We were talking about being here in the. You know the seamlessness of you know being here at the Hazleton and of you know I love this, uh, environment, I love being right here in this footprint and the fact that you know the hotel allows you to just like, come, I can walk right in step, you know, get all the function of the shelter and the food and being in this environment without any of the concern of it, right? No yeah, no maintenance. No, I never think about it when I leave. Yeah, it's handled. Think about that compared to when I had a house here, you know you have so much. Yeah, that's the thing, that's a good word handled. We just want things handled. You know Our desires. We want our desires handled and our desires are not really. I think our basic desires don't really. Maybe they evolve, it's just the novelty of the things, but the actual verbs of what we're doing are not really. I think you look at, if we look at the health category, you know where you are a you know you are at the apex level of consumer of health and longevity. Consumer of health and longevity. You know all the offerings that are available in terms of you know, from the physio that you're doing to the stem cells, to the work with David Hasse, all of those things. You are certainly at the leading edge and it shows you're nationally ranked, internationally ranked, as aging backwards. Dean: I'm on the chart. You're on the chart exactly, but I got on the chart without knowing it. It's just a function of one of the tests that I take. Somebody created sort of a ranking out of this and I was on it. It's just part of something that I do every quarter that shows up on some sort of chart. They ask you whether you want to be listed or not, and I thought it was good for um, because your doctor is listed on it too, and I. I did it mostly because david hoss he gets credit for it, you know he does it for yeah you know, it's good. It's good for his advertising and you know his marketing and I mean it's just good for. It's just good for his advertising and you know his marketing, I mean it's just good for his satisfaction and everything like that. But you know that's a really good thing because you know I created that. It was like two years I created a workshop called well, it's a lifetime extender, and then I changed it to age reversal future, because not a really interesting term, because it's in the future somewhere. Right but age reversal you can actually see right now it's a more meaningful comparison number and I had hundreds of people. I had hundreds of people on that and to my knowledge nobody's done anything that we talked about which kind of proves to you, unless it's a keen interest you can have the information and you can have the knowledge. But if it isn't actually something of central motivational interest to you, the knowledge and the information just passes by. The knowledge and the information just passes. Dan: Yeah, and I think it goes. If you have to disrupt your established habits, what do you always say? We don't want any habits except for the ones that we have already established. Right, except for the ones that are existing. Dean: Reinforce them, yeah, reinforce them and anyway, today I'm going to have to cut off early because I have, and so in about two minutes I'm going to have to jump, but I'm seeing you tomorrow and I'm seeing you the next day. It's a banner week. It's four days in a row. We'll be in contact, so, anyway, you know what we're doing in context, so anyway you know what we're doing. We're really developing, you know, psychological, philosophical, conceptual structures here. How do you think about this stuff? That's what I think about it a lot. Yeah, yeah, yeah, yeah. It's always pleasurable. Dan: Always, Dan, I will. I'll see you tomorrow At the party. That's right. Have an amazing day and I'll see you tomorrow night okay, thanks, bye.
Ladies and gentlemen, boys and girls --It is my privilege to share with you that Brian Kraemer and Nic Aguero of GFM Recording Studios in Blue Springs joined me for a fine, fine conversation that became Episode No. 172 of this here podcast.Their spot lives online at gfmrecording.com and I encourage you to follow them on Instagram, as well. They are learned (shouts out to Chuck) in the recording arts and geared for creating custom beats, mixing, mastering, and are just the right fit for artists, bands, agencies, and all of your Sync needs.During our conversation, we talked about family, upbringing, serving in the armed forces, faith, trauma, and so much more. And somewhere in the mix we took a peek at a few of their favorite albums, which were these:Pink Floyd's The Wall (1979)Holy Water (1990), Bad CompanySublime's 40 oz. to Freedom (1992)Smash (1994), The OffspringDave Matthews Band's Crash (1996)Ænima (1996), ToolKorn's Life is Peachy (1996)self-titled (1997) Third Eye BlindBlink 182's Enema of the State (1997)Significant Other (1999), Limp BizkitSevendust's Home (1999)Chronic 2001 (1999), Dr. DreDisturbed's The Sickness (2000)Morning View (2001), IncubusKillswitch Engage's Alive or Just Breathing (2002)Ocean Avenue (2003), YellowcardAs I Lay Dying's An Ocean Between Us (2007)It was a short list, but we managed to get through it with ease.So, please consider the fellas at GFM for any and all of your recording needs. You can book with them online, D.M. them on the ol' 'Gram, or give them a buzz if you like at 816-598-8810.Very thankful for the time and talk with Brian and Nic. Fantastic guys.And thank you for your support of the progrum.copyright disclaimer: I do not own the rights to the audio clips contained within this episode. They are snippets I lifted from a Blues Traveler tune called, "Whoops," which can be found on their 1993 release, Save His Soul, c/o A&M Records. Note: I mistakenly spoke about the Grateful Dead's "Scarlet Begonias" opening notes when I was clearly thinking of how the song "Shakedown Street" starts. As John Popper sang, "Whoops."
Cette semaine, découvrez un épisode de CRIMES X PARANORMAL, une collaboration Minuit exclusive !L'affaire d'Amityville est un ensemble d'événements survenus entre 1974 et 1976 et ayant pour théâtre une demeure située au 112 Ocean Avenue, dans la petite ville côtière d'Amityville, sur Long Island, à l'est de New York aux États-Unis. Dans la nuit du 13 novembre 1974, Ronald Junior, fils aîné de la famille DeFeo, y assassine au fusil ses parents et ses frères et sœurs pendant leur sommeil. Cette affaire inspira une série de livres et de films d'horreur américains...
Cette semaine, découvrez un épisode de CRIMES X PARANORMAL, une collaboration Minuit exclusive !
Cette semaine, découvrez un épisode de CRIMES X PARANORMAL, une collaboration Minuit exclusive !
George and Kathy Lutz moved into 112 Ocean Avenue in Amityville, New York, in December 1975, roughly one year after its previous residents were shot and killed in their sleep. They fled less than a month later, leaving behind their belongings and claiming to have been terrorized by demonic forces. This story served as the basis for Jay Anson's 1977 book, which itself spawned nine follow-ups, more than 60 films, and countless parodies and homages. A half a century later, what's it like to revisit the non-fiction (?) book that started it all? The Losers' Club finds that out in the latest episode of their Danse Macabre series, in which they discuss the books and movies recommended by King in his 1981 horror treatise of the same name. Losers Jenn Adams, Randall Colburn, Ashley Casseday, and Ana Marie Cox unpack the disputations, lawsuits, and defenses that color the book's history, as well as whether you can ever read a story as it was originally intended after its been fed through the pop cultural gristmill.
In this compelling episode of Paranormal Activity, host Yvette Fielding re-opens one of the most iconic and controversial chapters in modern ghost lore—the Amityville Demon Boy photograph.New archival images have recently surfaced, offering additional glimpses into the 1976 investigation by Ed and Lorraine Warren.Could these rediscovered shots finally unravel the mystery of that eerie childlike figure captured in the infamous upstairs hallway?Join Yvette as she dissects the evidence, revisits the chilling backstory of 112 Ocean Avenue, and explores why the Demon Boy's unsettling gaze continues to captivate believers and skeptics alike.A Create Podcast Become a member at https://plus.acast.com/s/paranormal-activity-with-yvette-fielding. Hosted on Acast. See acast.com/privacy for more information.
What really happened at the infamous house on Ocean Avenue? Jimmy Akin and Dom Bettinelli unfold the unsettling tale as they analyze the chilling events behind the Amityville Horror through the lenses of faith and reason. Get a compelling look at one of America's most talked-about supernatural cases. The post The Amityville Horror appeared first on StarQuest Media.
What really happened at the infamous house on Ocean Avenue? Jimmy Akin and Dom Bettinelli unfold the unsettling tale as they analyze the chilling events behind the Amityville Horror through the lenses of faith and reason. Get a compelling look at one of America's most talked-about supernatural cases.
#249: Weihnachten steht vor der Tür, als Familie Lutz 1975 ihr neues Haus in der Ocean Avenue 112 im kleinen Ort Amityville bezieht. Die Straßen des Städtchens auf Long Island leuchten in festlicher Pracht. Nach gerade einmal 28 Tagen ziehen die Lutz fluchtartig aus ihrem neuen Zuhause aus – überzeugt davon, dass das Haus von einer dunklen Macht besessen ist. Denn hinter der herrschaftlichen Fassade liegt eine dunkle Vergangenheit. In dieser Folge reisen wir zurück zu den Ereignissen, die Amityville weltberühmt machten. Linn und Leo sprechen über sechsfachen Mord, paranormale Geschehnisse, das sogenannte “Amityville Ghost Boy Photo” und die berühmten Geisterjäger Ed und Lorraine Warren. Und wir schauen uns an, wie viel Wahrheit hinter dem riesigen Horror-Franchise von Amityville steckt. Eine Produktion von Auf Ex Productions. Hosts: Leonie Bartsch, Linn Schütze Recherche: Leonie Bartsch, Susann Beule Redaktion: Antonia Fischer Produktion: Lorenz Schütze Quellen (Auswahl) Doku "The Amityville Horror" Buch "The Amityville Horror“ von Jay Anson Artikel [ABC News](https://www.abc.net.au/news/2024-11-17/amityville-anniversary-1974-defeo-murders/104590164) Artikel [New York Times](https://www.nytimes.com/2021/03/15/nyregion/ronald-defeo-amityville-dead.html) Artikel [Crime + Investigation](https://www.crimeandinvestigation.de/blog/detail/14-oktober-1974-amityville-moerder-vor-gericht.html) Artikel [Vice](https://www.vice.com/de/article/vier-jahre-in-der-warteschlange-mit-dem-schrecken-von-amityville-0000821-v10n9/) Artikel [Der Spiegel](https://www.spiegel.de/panorama/amityville-horror-haus-hat-neuen-eigentuemer-a-1122007.html) Du möchtest mehr über unsere Werbepartner erfahren? [**Hier findest du alle Infos & Rabatte!**](https://linktr.ee/MordaufEx) Du möchtest Werbung in diesem Podcast schalten? [**Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio!**](https://www.seven.one/portfolio/sevenone-audio)
Nato Green started hanging out at San Francisco comedy clubs when he was in eighth grade. Nato's parents met when they both still lived in the suburbs of Chicago. They got married in 1968 and moved to San Francisco soon after that. Nato says that they “were in the counter-culture, but bad at it.” What he means by that is they didn't take their subversive lifestyles all the way like many of their peers did. But they were definitely left-leaning folks. They settled in Noe Valley, which was quite a different neighborhood back then. It was much more working-class than it is today. Think: blue-collar Irish- and Italian-American families. They had their first kid, Nato, and five years later, their second, his younger brother. When Nato was in middle school, his parents split up. He went with his dad to live at 22nd Street and Dolores, and then up to Bernal Hill. He split time between there and his mom's house in Noe Valley. Nato is quick to point out that Bernal Heights was also very different back then. There were even unpaved roads on the hill when he was a kid in the Seventies. Today, Nato uses history and some pop-culture references to date his own memories here in San Francisco. He remembers things like the Mosone/Milk murders and ensuing “White Night” riots, to name just one. The Forty-Niners' string of Super Bowl wins in the Eighties are another. Nato admits that he wasn't the best big brother. He lists off some of the SF schools he attended—Rooftop Elementary, MLK Middle School, and Lick-Wilmerding High School, where he went on a scholarship. His dad worked to the SFUSD for 35 years and worked on desegregation, among other things. He also taught in SF public schools. Nato says he was a “sensitive, depressed kid.” He read a lot, especially comic books. He graduated from high school in 1993, when the local music scene was overtaken by thrash/funk. Bands of that genre were plenty. Nato went to those shows, where he was able to, anyway. He wasn't yet 21. The first indie comic book store in The City was on 23rd Street in the Mission—The SF Comic Company, and two doors down was Scott's Comics and Cards. Nato became a Scott's regular. Others who hung out there a lot became his buddies. The SF band Limbomaniacs lived next to Scott's. Nato goes on a sidebar here about how bands in the thrash/funk scene never really blew up, mostly owing to what a uniquely live experience the music was. In 1990, when the Niners won the Super Bowl in a blowout, the Limbomanics played with guitar amps at the windows of their Victorian on 23rd Street, facing out. As Nato tells it, skater kids poured out of that house, and other neighborhood kids flocked to the scene. A mosh pit soon emerged, of course, on the asphalt. Nato goes on another quick sidebar here about all the different neighborhoods and scenes interacting on a regular basis. At least when he grew up, they did. Nato's main modes of transportation in San Francisco were his feet and Muni. The main bus lines were the 24, the 49, and the 67. His high school was on Ocean Avenue, but he mostly hung out in the Mission. One of his good friends lived in Lower Haight and had a car, so Nato would sometimes take Muni over there. That buddy with a car would also swing by and pick up Nato and his friends. They'd often go to the west side of town and hang out in coffeeshops. Nato rattles off several of those shops, also letting us what occupies those spaces today—Farley's (still there), Higher Grounds in Glen Park (still there), Higher Grounds in The Mission (closed), Café Macondo (Gestalt today), Blue Danube (still there), and the Horse Shoe (empty today). There's another sidebar about Jello Biafra. Nato says, “Don't meet your heroes.” As mentioned up top, he started hanging out at comedy clubs in The City when he was in eighth grade. There was a show on KQED called Comedy Tonight that featured local comics. Originally, the show was shot at Wolfgang's (now Cobb's), but it later moved to Great American Music Hall. Alex Bennet was on Live 105 in the morning and Comedy in the Park was drawing 50,000 people to the Polo Fields. There were five seven-nights-a-week clubs in SF, and at least five more around the Bay. People made a living as regional headliners. Around this time, Nato's eighth grade science teacher's roommate was the doorman at Cobb's. Word got around to that guy that a kid was into comedy, and so he started taking him to that club. He saw comedians such as Greg Proops, Dana Gould, Paula Poundstone, Mark Pitta, Johnny Steele, Will Durst, Greg Behrendt, and Margaret Cho. He watched these folks, some of them anyway, become headliners. Check back next week for Part 2 and the conclusion of our episode on Nato Green. We recorded this episode at Nato's home on Bernal Hill in January 2025. Photography by Nate Oliveira
Demons & Deception We have all heard the story of The Amityville Horror - In this series we are going to take a deep dive into: The events surrounding the Defeo murders The aftermath The Lutz family haunting The Warren investigation Whether the terror was all a hoax? Tonight we continue with part three - The haunting at 112 Ocean Avenue
This is a Grave Talks CLASSIC EPISODE! What really happened on the night of March 6, 1976, at 112 Ocean Avenue? The infamous Amityville Horror drew paranormal experts, sensitives, religious figures, and reporters like moths to a flame, hoping to uncover the truth. But what unfolded during the “psychic sleepover” would leave even the most skeptical shaken. From a Channel 5 camera crew falling mysteriously ill to sensitives fleeing in terror, the night was chaos incarnate. And then there's the photo—the chilling image of a ghostly boy staring back from the shadows. Join us as we unravel the events that turned this investigation into legend. This is Part Two of our conversation. Become a Premium Supporter of The Grave Talks Through Apple Podcasts or Patreon (http://www.patreon.com/thegravetalks) There, you will get: Access to every episode of our show, AD-FREE! Access to every episode of our show before everyone else! Other EXCLUSIVE supporter perks and more!
This is a Grave Talks CLASSIC EPISODE! What really happened on the night of March 6, 1976, at 112 Ocean Avenue? The infamous Amityville Horror drew paranormal experts, sensitives, religious figures, and reporters like moths to a flame, hoping to uncover the truth. But what unfolded during the “psychic sleepover” would leave even the most skeptical shaken. From a Channel 5 camera crew falling mysteriously ill to sensitives fleeing in terror, the night was chaos incarnate. And then there's the photo—the chilling image of a ghostly boy staring back from the shadows. Join us as we unravel the events that turned this investigation into legend. Become a Premium Supporter of The Grave Talks Through Apple Podcasts or Patreon (http://www.patreon.com/thegravetalks) There, you will get: Access to every episode of our show, AD-FREE! Access to every episode of our show before everyone else! Other EXCLUSIVE supporter perks and more!
On this episode, Tony Brueski digs into the chilling tale of the Amityville Horror House. From the tragic DeFeo family murders that left six people dead to the Lutz family's spine-tingling accounts of demonic hauntings, this story has captivated and terrified audiences for decades. What really happened inside 112 Ocean Avenue? Was it a genuine case of paranormal terror, or was the legend manufactured for fame and fortune? Join Tony as he peels back the layers of truth, exploring the historical facts, psychological theories, and enduring mysteries that keep this story alive in our collective imagination.
On this episode, Tony Brueski digs into the chilling tale of the Amityville Horror House. From the tragic DeFeo family murders that left six people dead to the Lutz family's spine-tingling accounts of demonic hauntings, this story has captivated and terrified audiences for decades. What really happened inside 112 Ocean Avenue? Was it a genuine case of paranormal terror, or was the legend manufactured for fame and fortune? Join Tony as he peels back the layers of truth, exploring the historical facts, psychological theories, and enduring mysteries that keep this story alive in our collective imagination.
Tonight, join Mike, Matt, Kat & Andrew as they travel to 112 Ocean Avenue to break down Amityville II: The Possession!Starring Burt Young & James Olson, Amityville II follows the fictional Montelli family (based on the DeFeo family) and the supernatural events that plague them after they buy their dream house in the infamous Long Island suburb. BUT FIRST: TERRIFIER 3 & SMILE 2 are available to stream RIGHT NOW, YELLOWJACKETS season 3 to debut on Valentine's Day 2025, PREDATOR: BADLANDS will feature the Predator as the main character and RIP to the legendary TONY TODD.- LEAVE US A VOICEMAIL at 508-927-1267!- We're now an affiliate of Fangoria! Visit Fangoria's Shop & use code HOMETOWNHORRORPOD for an exclusive 20% discount!- A reminder that we're now a part of Horror Facts Magazine!- All Music, Sound Editing & Audio Production by Shaun O'Loughlin of Sky Wheel Media#amityville2thepossession #amityville2 #theamityvillehorror #112oceanavenue #supernaturalhorror #possessionhorror #burtyoung #terrifier3 #smile2 #yellowjackets #predatorbadlands #riptonytodd #tonytodd #horrormovies #1982horror #1982movies #horrorpodcast #horrorfactsdotcom #fangoria #fango #ahhpod #americashometownhorror #plymouthma
112 Ocean Avenue in Amityville (Long Island) is arguably the most haunted house in America. Inside its walls demonic forces were, allegedly, unleashed. It's a story that is a troubling mixture of real murders and deliberate myth-making. It's also a story that owes a lot to a movie that shaped America in the 1970s in profound ways...The Exorcist.Anthony and Maddy's guest to explore this incredible piece of paranormal history is Professor Joseph Laycock, associate professor of Religious Studies at Texas State University. He's the author of The Exorcist Effect: Horror, Religion, and Demonic Belief and The Penguin Book of Exorcisms.Edited by Freddy Chick and Tomos Delargy. Produced by Freddy Chick. Senior Producer is Charlotte Long.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here.After Dark: Myths, Misdeeds & the Paranormal is a History Hit podcast.
In this episode of Strange Places, we delve into one of the most infamous hauntings in American history: the Amityville Horror. But was it all a hoax? Join us as we sift through the chilling claims of demonic forces, the bloody DeFeo murders, and the controversial role of Ed and Lorraine Warren. With eyewitness accounts, court documents, and shocking contradictions, we explore whether this haunting was a genuine paranormal event or a cleverly orchestrated fabrication. Prepare to question everything you thought you knew about 112 Ocean Avenue. ----------------- Head to the Strange Places home website, asylum817.com to keep up with all things Strange Places, as well as the host. Billie Dean Shoemate III is an author with over 40 novels published, a master-trained painter, host of the No Disclosure Podcast, and multi-instrumentalist musician with multiple albums released. To check out Billie's books, albums, paintings and other artistic ventures, head to asylum817.com. ----------------- This podcast can also be heard on Spotify, Apple Podcasts, iHeart Radio, Pandora, and wherever you get your Podcast listening experience. ----------------- to support the show, check us out on Patreon- http://www.patreon.com/asylum817 ----------------- DISTROKID AFFILIATE LINK: https://www.distrokid.com/vip/seven/3128872 ----------------- Want to promote your brand, YouTube channel, Etsy page, charity, event or podcast on the show? I am selling the show's ad space! Mid roll ads, beginning ads, bottom of the show ads, all of it. Click the link below to get yourself some of that sweet, sweet ad space on the fastest growing paranormal podcast on the planet. If you want to advertise here, click the LINK BELOW! https://www.fiverr.com/share/mgzw1R ----------------- This episode is brought to you by ..... me! And my paintings. Click the link below to check out my artwork: https://www.saatchiart.com/account/artworks/2073801 --- Support this podcast: https://podcasters.spotify.com/pod/show/strangeplacespod/support
Childhood Eyes. Yellowcard vocalist, Star Wars aficionado and never ageing emo, William Ryan Key, is our guest on Episode 313 of Sappenin' Podcast! The mayor of Ocean Avenue reflects on the bands unexpected second chance, unlocking a new mental health mindset and legally secret projects. In this conversation, Ryan Key opens up on his own personal journey back to the fold, rediscovering their pop-punk roots, mending friendships vs forgiving past traumas, playing their biggest international venues, new pressures, real life sacrifices, meditation vs mindfulness, new music plans, why his solo projects helped creative healing, scoring films with Ryan Mendez as 'Jedha', on stage highlights singing for New Found Glory, Third Eye Blind and Linkin Park, crowd surf fails, commercial success battles, the song that could have been their next super single, wine tasting, Emo's Not Dead cruise laughs, how a certified jedi almost married him, skincare routine hacks and more! Turn it up and join Sean and Morgan to find out Sappenin' this week!Follow us on Social Media:Twitter: @sappeninpodInstagram: @sappeninpodSpecial thank you to our Sappenin' Podcast Patreons:Join the Sappenin' Podcast Community: Patreon.com/Sappenin.Kylie Wheeler, Janelle Caston, Paul Hirschfield, Tony Michael, Scarlet Charlton, Dilly Grimwood, Mitch Perry, Nathan Crawshaw, Molly Molloy, James Bowerbank, Amee Louise, Kat Bessant, Kieran Lewis, Alexandra Pemblington, Jonathan Gutierrez, Jenni Robinson, Stuart McNaught, Jenni Munster, Louis Cook, Carl Pendlebury, James Mcnaught, Martina McManus, Jason Heredia, John&Emma, Danny Eaton, RahRah James, Sian Foynes, Evan, Ollie Amesbury, Dan Peregreen, Emily Perry, Kalila Keane, Adam Parslow, Josh Crisp, Vicki Henshaw, Laura Russell, Fraser Cummings, Sophie Ansell, Kyle Smith, Connor Lewins, Billy Hunter, Harry Radford, George Evans, Em Evans Roberts, Thomas O'Neill, Sinead O'Halloran, Kael Braham, Jade Austin, Charlie Wood, Aurora Winchester, Jordan Harris, James Page, Georgie Hopkinson, Helen Anyetta, John Wilson, Lisa Sullivan, Ayla Emo, Kelly Young, Jennifer Dean, Tj Ambler-Shattock, Chaz Howkins, Michael Snowden, Justine Baddeley, David Winchurch, Jim Farrell, Scott Evans, Andrew Simpson, Shaun Croucher, Lewis Sluman, Ellie Gowers, Luke Wardle, Grazyna McGroarty, Nathan Matheson, Matt Roberts, Joshua Lewis, Erin Howard,, Chris Harris, Lucy Neill, Amy Thomas, Jessie Hellier, Stevie Burke, Robert Pike, Anthony Matthews, Samantha Neville, Sarah Maher, Owen Davies, Bethan Downing, Jessica Tiernan, Danielle Oldershaw, Samantha Bowen, Ruby Price, Jule Ferl, Alice Wood, Billy Parmiter, Emma Musgrave, Rhian Friggens, Hannah Kenyon, Patrick Floyd, Hayley Taylor, Loz Sanchez, Cerys Andrews, Dan Johnson, Eva B, Emma Barber, Helen Macbeth, Melissa Mercury, Joshua Ryan, Cate Stevenson, Emily Moorhouse, Jacob Turner, Madeleine Inez, Robert Byrne, Christopher Goldring, Chris Lincoln, Beth Gayler, Lesley Dargie-Walker, Sabina Grosch, Tom Hylands, Andrew Keech, Kerry Beckett, Leanne Gerrard, Ieuan Wheeler, Hannah Rachael, Gemma Graham, Andy Wastell, Jay Smith, Nuala Clark, Liam Connolly, Lavender Martin, Lloyd Pinder, Ghostly Grimoire, Amy Hogg.Diolch and Thank You x Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Darkness Syndicate members get the ad-free version: https://weirddarkness.tiny.us/ytxrmv8cIN THIS EPISODE: In the quiet suburb of Amityville, a horrific crime in 1974 unleashed a chilling series of events that would terrify a nation. When the Lutz family moved into the infamous house at 112 Ocean Avenue, they found themselves trapped in a nightmare of ghostly apparitions, sinister voices, and unexplainable horrors. Was their ordeal a genuine encounter with the supernatural, or a carefully crafted hoax? Or was it, possibly, a little bit of both?SOURCES AND REFERENCES FROM THE EPISODE…“The True Story Behind the Amityville Horror” sources: Margo Margaritoff, All That's Interesting:https://weirddarkness.tiny.us/3yuz4rcr; Shawn Van Horn, Collider: https://weirddarkness.tiny.us/4kv6jx9u; Leah Thomas, Cosmopolitan: https://weirddarkness.tiny.us/rwrj63at; Biography.com: https://weirddarkness.tiny.us/5n92fbwa; Tara Bennett, SyFy: https://weirddarkness.tiny.us/2mfyc8x7Weird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: November 13, 2024CUSTOM LANDING PAGE: https://weirddarkness.com/AmityvilleHorror
Happy Halloween! Welcome to Part Two of our deep dive into the Amityville Horror. Today we conclude our story inside the infamous investigation and seance lead by Ed and Lorraine Warren inside 112 Ocean Avenue. You may think you know this story but have you ever heard it from someone who was actually there? Join us as reporter Laura Didio pulls back the curtain and gives us the inside scoop as we Analyze Amityville.
Send us a textWhat if the voices in your head weren't just figments of your imagination but sinister whispers urging you towards darkness? Join me, psychic medium Jamie Lynn, as we revisit the spine-chilling story of the Amityville Horror. Step into a world where the mere address of 112 or now 108 Ocean Avenue evokes fear, intrigue, and endless fascination. From the tragic 1974 DeFeo family murders to the harrowing experiences of the Lutz family, this episode promises to blur the line between fact and fiction, leaving you questioning the boundaries of the paranormal.Experience the haunted past of the Lutz family as they grapple with the terrifying red eyes peering through their windows and mysterious hoofprints in the snow. Feel the tension rise with chilling encounters and a creeping dread that only escalates with the discovery of a hidden red room. The Lutz's desperate plea for help, and the eerie interference during their calls with Father Mancuso, weave a tale of horror that captivates and horrifies in equal measure. Paranormal legends Ed and Lorraine Warren make their entrance as we explore the darker aspects of the Amityville legend. The Warrens' confrontation with demonic forces adds another layer to this infamous narrative, ensuring that the Amityville Horror continues to captivate ghost hunters and thrill-seekers alike. As we wrap up this hair-raising journey, I invite you to keep your spirit charged and curiosity alive—because in the world of the supernatural, nothing is ever quite as it seems. Don't forget to follow the Electric Spirit Podcast on Instagram for more otherworldly adventures.You can find the host Jamie here:https://www.buymeacoffee.com/jamielynn12Bob Olson Best Psychic Directory:https://bestpsychicdirectory.com/california/Jamie-Lynn-l.htmlwww.electricspiritpodcast.com@electricspiritpodcasthttps://psychicjamie.com/@socalhealerElectric Spirit Podcast YouTube channel:https://youtube.com/@electricspiritpodcastJamie Lynn YouTube Channel (pick a card readings):https://youtube.com/@jamieintuitivereaderElectric Spirit Podcast Facebook Group:https://www.facebook.com/groups/661261524931303/?ref=share_group_linkDisclaimer:https://psychicjamie.com/jdisclaimerPlease note: The opinions stated by the guests are not always the opinions of Jamie Lynn's.By accessing this Podcast, I acknowledge that the entire contents are the property of Psychic Medium Jamie Lynn, or used by Psychic Medium Jamie Lynn, with permission, and are protected under U.S. and international copyright and trademark laws. Except as otherwise provided herein, users of this Podcast may save and use information contained in the Podcast only for personal or other non-commercial, educational purposes. No other use, including, without limitation, reproduction, retransmission or editing, of this Podcast may be made withoutSupport the showSupport the show
Most people have seen or heard of the box-office hit movies covering 'The Amityville Horror'. George and Kathy Lutz moved into their dream home at 112 Ocean Avenue in the quiet town of Amityville, New York. Only 28 days after moving in, the Lutz family would flee the home in the middle of the night. They left all of their worldly possessions inside the house and never returned. Join us as we dig deep into the history of the infamous haunted house, and the real horrors that took place there. Dirtbag, Ronald 'Butch' DeFeo, brutally murdered his entire family, inside the house, on November 13, 1974. Butch claims that a darker force was at play. You be the judge of that! If you enjoy listening, there are a few ways for you to help us out: Buy us a snack, follow us on social media, click 'follow' where ever you're listening from, and give us a rating and review! Thanks for listening! BUY US A SNACK: https://ko-fi.com/buriedmotives Follow us on FaceBook: https://m.facebook.com/Buried-Motives-107918331555188/ Follow us on Instagram: https://instagram.com/buriedmotives Email us: buriedmotives@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
On December 18, 1975, George and Kathy Lutz moved their family into their new house on Ocean Avenue in Amityville, NY, where, just one year earlier, Ronald DeFeo Jr. had murdered all six members of his family. Twenty-eight days later, the Lutz family fled the home, leaving behind all their belongings and vowing never to return again. According to the Lutzes, their time in the house on Ocean Avenue was a nightmare of psychic attacks and demonic activity that put them in fear for their lives.The supposed experience of the Lutz family served as the basis for the iconic haunted house story, The Amityville Horror, and the countless films adapted from or inspired by the original novel. However, unlike most other stories of paranormal experiences, The Amityville Horror became a phenomenon that influenced everything from Ronald DeFeo's criminal defense to the American public's belief in the supernatural. Yet for all their talk of it being a genuine story of demonic activity, in the years since the publication of The Amityville Horror, a large body of evidence from skeptical evaluations to court records and interview transcripts suggest that America's most notorious haunted house might not have been quite so haunted after all.Thank you to the Incredible Dave White of Bring Me the Axe Podcast for research and Writing support!!ReferencesAnsen, Jay. 1978. The Amityville Horror. New York, NY: Bantam Books.Bartholomew, Robert, and Joe Nickell. 2016. "The Amityville Hoax at 40." Skeptic Magazine 8-12.Carter, A.J. 1976. "DeFeo house: legal twist." Newsday, February 17: 3.Drehsler, Alex, and Jim Scovel. 1977. "Fact or fiction." Newsday, November 17: 188.Gelder, Lawrence Van. 1977. "A real-life horror story." New York Times, October 9: L12.Lutz v. Hoffman et al. 1979. 77-032D-T (Southern District of California ).Nickell, Joe. 2003. "Amityville: The Horror of it All." Skeptical Inquirer 13-14.Nickell, Joe. 2009. "The questionable research of Hans Holzer, dean of ghost hunters (1920-2009)." Skeptical Inquirer 5-6.Schemo, Diane Jean. 1992. "'Amityville' prisoner says movie money tained defense." New York Times, June 25: B6.Snider, Jane. 1977. "New owners call house beautiful, not haunted ." Newsday, May 13: 23.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this episode, we speak with producer Oliver Leiber and begin our exploration into the making of The Corrs'' second album, Talk on Corners. Oliver, known for his work with a range of successful artists such as Paula Abdul and Sheena Easton shares unique insights from the production of this beloved album. Ranging from the technical aspects of recording to the personal dynamics in the studio, Oliver offers a fascinating behind-the-scenes look at songs that inspired him and how some of the album's most memorable tracks came to be.A link to images of hand written lyrics to the songs 'Hawaiian High' (Only When I Sleep), 'Love Give and Love Takes' can be seen HERE.A link to images of the dated recording masters produced by Oliver can be seen HERE.At 00:22:50 you can hear a clip of 'Staring At The Sun' by 'U2'. This track inspired Oliver to write an early version of the song that eventually became 'Only When I Sleep'.At 00:29:23 you can hear a clip of the demo for 'Only When I Breath' by Oliver Leiber and John Shanks as handed to Caroline and Sharon.At 00:39:59 you can hear a clip of the 'Hopelessly Addicted' (Working title 'Helpless') work-tape in which Andrea and Oliver can be heard creating the lyrics and melody for the song.At 00:44:05 you can hear a clip of 'Love In The Milky Way'.At 00:51:41 you can hear a clip of the original version of 'Dreams' as recorded on 13/01/98 by Oliver for consideration on 'Legacy: A Tribute to Feetwood Mac's Rumours' album.At 00:55:43 you can hear a clip of 'Wrong' by 'Everything But The Girl' remixed by Todd Terry. This inspired Oliver when producing a less faithful version of 'Dreams'.At 01:07:45 you can hear a clip of the March 97 demo for the song 'So Young'.At 01:26:58 you can hear a clip of 'World Without You' as recorded by Trine Rein. Originally written and produced by Oliver for consideration by The Corrs.The 'Hawaiian High' incense which inspired Andrea while writing in her room at the Georgian hotel (1415 Ocean Avenue, Santa Monica, California 90401) can be sourced from the company Triloka HERESpecial thanks on this episode go to Jessica Kennedy of Windrose Trading and also Rachel Lewis for her continued support and friendship.Extra special thanks goes to Barry Rudolph for mixing down the digitised masters from the original recordings he made in the studio with the band in 1997.The CorrsCast logo uses the font 'Bodhran' and was created by the talented @guillaumelechelon.design and used with kind permission. (Font design based on the original work of Sung Lee Crawforth).This work is licensed under a Creative Commons Attribution 4.0 International License.CorrsCast.comInstagramTwitterFacebookDiscord#CorrsCast on social media.#TheCorrsPlease subscribe, rate and review CorrsCast on iTunes or a platform of your choosing. Hosted on Acast. See acast.com/privacy for more information.
Approaching the release of their third album, we sit down with all 5 members of We're From Antarctica: Paco Brown, Jessie Rae, Jon Blanco, Mac Kressley, and Chris Rauch - who are all...in the band.We discuss their Antarctican origin story as a band, and also how each of them found music and their journey to join forces. We also explore their catalog and touch on their evolution and how their sound has matured at each stage. They recently were a part of a cool project called Ocean Avenue - an Emo/Pop-Punk Musical and how they were hand-picked for that.In addition to great music, they also have some wonderful videos. We specifically spend time with "Misdirection" which is inspired by the wild and amazing show Danger 5, and directed by the incredible talented Haoyan of Americahttp://haoyanofamerica.com/.Take the trip with us to Antarctica (really the Lehigh Valley) and learn why their music has the vibe of what you'd put on while cooking dinner for a friend you've secretly been in love with for 2 years now.Thank you to The Flying V Poutinerie for letting us record up in their Live at the V space for this episode.Text us your thoughts on this episode, and who should be OUR #NextFavBand...As always, our hope is to bring you "your next favorite band". If you tuned in today because you already knew this musician - thank you very much! We hope that you enjoyed it and would consider following us and subscribing so we can bring you your #nextfavband in the future. And check out nextfavband.com for our entire catalog of interviews!If you have a recommendation on who you think OUR next favorite band should be, hit us up on social media (@nextfavband everywhere) or send us an email at nextfavband@stereophiliastudio.com.Thank you to Carver Commodore, argonaut&wasp, and Blair Crimmins for allowing us to use their music in the show open and close. It makes everything sound so much better! Let's catch a live show together soon!#nextfavband #livemusic #music #musicinterview #musician #singer #guitar #song #newmusic #explorepage #instamusic #bestmusic #musicismylife #musicindustry #musiclife #songwriter #musiclover #musicfestival
Chanterria McGilbra is the Executive Director of the Prancing Ponies Foundation whose mission is ‘Creating Women Leaders One Girl at a Time'. This premier women's car show was established in 2017 and is the only show that exclusively focuses on women and their automobiles. The show is a fundraiser to fund opportunities for low-income women to attend leadership conferences to advance their careers and better their family's lives. The women's car show theme is Rhinestone Cowgirls and will honor Women in Automotive. This premier experience takes place during Car Week, with the Prancing Ponies Mixer on Wednesday, Aug 14th at Carmel Plaza and the car show on Thursday, August 15 on Ocean Avenue in Carmel by the Sea.
In today's episode, we explore the terrifying events that plagued the Lutz family after they moved into the infamous house at 112 Ocean Avenue. Discover the dark history, the paranormal phenomena, and the horrifying experiences that forced them to flee in the dead of night. Join me as I delve into one of the most notorious hauntings in American history and try to uncover the truth behind the legend of the Amityville Horror. The Nightmare Collective SUBSCRIBE!! Available on all podcast platforms! Apple https://podcasts.apple.com/us/podcast/the-nightmare-collective/id1707943952 Spotify https://spotify.link/IPUVpAyWcDb YOUTUBE - https://www.youtube.com/@Chris_hAh Want to watch me eat and review it? Talk about ghosts and theme parks? Follow me on TikTok. TikTok- @chris_hah LEAVE A VOICEMAIL - 609-891-8658 Zoning Out- https://open.spotify.com/show/3ZLb8oK5uxgK64GL7vUHwK Draft Class- https://open.spotify.com/show/3BEobZXMT1kiPbffV0VT3F Twitter- @Haunted_A_H Instagram- haunted_american_history email- hauntedamericanhistory@gmail.com Patreon- https://www.patreon.com/hauntedamericanhistory MUSIC Music: Drone in D by Kevin MacLeod Free download: https://filmmusic.io/song/3680-drone-in-d Licensed under CC BY 4.0: https://filmmusic.io/standard-license Nightmare Machine by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4133-nightmare-machine License: http://creativecommons.org/licenses/by/4.0/ Learn more about your ad choices. Visit megaphone.fm/adchoices
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