Podcasts about everything is everything

On this episode I sit down with Surrender The Ghost, an alt rock band from Columbus, OH. We talk about what they have accomplished in so far in the short time of being a band. We then talk about their upcoming EP "Everything is Everything". Before we get to stories we talk about working with PNWK Records. Be sure to follow Surrender The Ghost and check out "Everything is Everything"!!!This episode features the songs "Might Just Make It" and "Smoking Doesn't Help" from the album Everything Is Everything.You can find Surrender The Ghost at the following links:Twitter: https://x.com/Surrender_GhostInstagram: https://www.instagram.com/surrendertheghostBandcamp: https://surrendertheghost.bandcamp.comYoutube: https://www.youtube.com/@SurrenderTheGhostmusicPNWK Records: https://www.pnwkmusic.com/surrendertheghostEverywhere else: https://linktr.ee/surrender_the_ghost_______________________________________You can find Beers With Bands here:Facebook: https://www.facebook.com/BeersWithBands2Twitter: https://twitter.com/BeersWBandsPodInstagram: https://www.instagram.com/beerswithbandspod/Bandcamp: https://beerswithbands.bandcamp.comEverywhere else: https://linktr.ee/BeersWithBandsLogo and Banner design by Kaylyn ChileenInstagram: https://www.instagram.com/madam.fortress.mommy/Website: https://kaylynchileen.artBeers With Bands intro by Thomas Allen of Say Days Ago and Last AutumnSay Days Ago: https://www.instagram.com/saydaysagoband/Last Autumn: https://www.instagram.com/lastautumnband/

In this episode of the Third Eye Awakening podcast, I am so excited to have Erica Cordeiro on the show! Erica is here for the women who are changing the world—entrepreneurs, visionaries, and purpose-driven business owners. But don't come to her for business advice. Instead, Erica supports you—the woman behind the mission—helping you dismantle the limiting beliefs, self-doubt, and energetic blockages standing in the way of your fullest potential. As a psychic-medium, channel, trauma-informed breathwork facilitator, certified life coach (TMLCS), and energy healer, Erica weaves together grounded tools and spiritual insights to help you align with your power. She sees your brilliance and your mission and provides the deep, transformational support you need to rise above the mental and emotional noise to make the impact you were born to create. No therapy couch. No BS. Just you, fully seen and fully supported, stepping boldly into your magic. In this episode, Erica and I chat about: -Erica's personal journey into psychic mediumship -challenging Christ Consciousness -Fairy and Dragon energies -understanding grief and spiritual connection -communication challenges in mediumship…and so much more - Erica even channels for Amy! CONNECT WITH ERICA@alignwitherica LINKS MENTIONED: ⁠The Next Chapter: Finding Clarity on your Soul Legacy-- FREE MASTERCLASS⁠ ⁠The Game Plan: Soul Purpose Mastermind details⁠ ⁠Book a complimentary clarity call ⁠ ⁠Magic Awakening: Live Group Journey⁠ ⁠Free Weekly Energy Reports⁠

Sign Up For Patreon—> https://www.patreon.com/MetaMysteriesFor 10% OFF Orgonite----> Click Here! (Use Code: ONE)Reach out to us! ---> MetaMysteries111@gmail.comGive us a follow on Instagram---> @MetaMysteriesBecome a supporter of this podcast: https://www.spreaker.com/podcast/meta-mysteries--5795466/support.

August 2024 JLJ Zoom Events Friday August 9th-5pmPT-JLJ's Mental Health Chat ($10) Saturday August 17th-12pmPT-JLJ's Private Soap Zoom ($10) Friday August 23rd-5pmPT-JLJ's Happy Hour Zoom ($10) 4 ways to pay: Venmo- james-lott-7 PayPal- blakhope9@aol.com Zelle- jlottjr@aol.com CashAPP- $blakhopela SIGN UP NOW! GET YOUR SPOT! #jameslottjr #morningshow

"I like the rhythm of the conversation in the original field recording so I have written a soundtrack piece to go with it. As it's based in Africa so I have used African drum sounds to create a sense of place. I have then overlayed various melody rhythms using instrument sounds that I felt matched the drums. "I have also used processed samples from the original recording to add some emphasis in places. The title comes from something the woman in the recording said to the man in Portuguese." Guinea-Bissau migration recording reimagined by Richard Watts. Part of the Migration Sounds project, the world's first collection of the sounds of human migration.  For more information and to explore the project, see https://www.citiesandmemory.com/migration

It's been more than 50 years since Carole King's Tapestry was released to critical and cultural acclaim, and the record is still as impressive today as it was then. Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Carole King's Tapestry.--Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops--Featured Songs:Carole King, "It's Too Late," Tapestry, Ode, 1971The Shirelles, "Will You Love Me Tomorrow," Tonight's the Night, Scepter, 1960Little Eva, "The Loco-motion," The Loco-motion (Single), Dimension 1000, 1962Bobby Vee, "Take Good Care of My Baby," Take Good Care of My Baby, Liberty, 1961The Monkees, "Pleasant Valley Sunday," Pisces, Aquarius, Capricorn & Jones Ltd., Colgems, 1967Carole King, "It Might As Well Rain Until September," It Might As Well Rain Until September (Single), Dimension, 1962The City, "Now That Everything's Been Said," Now That Everything's Been Said, Ode, 1968Carole King, "No Easy Way Down," Writer, Ode, 1970Carole King, "Beautiful," Tapestry, Ode, 1971Carole King, "I Feel the Earth Move," Tapestry, Ode, 1971Carole King, "You've Got a Friend," Tapestry, Ode, 1971Carole King, "Tapestry," Tapestry, Ode, 1971Carole King, "(You Make Me Feel Like) A Natural Woman," Tapestry, Ode, 1971Carole King and Louise Gioffin, "Where You Lead," Our Little Corner of the World: Music From Gilmore Girls, Rhino, 2002Carole King, "Where You Lead," Tapestry, Ode, 1971Carole King, "So Far Away," Tapestry, Ode, 1971Carole King, "Will You Love Me Tomorrow," Tapestry, Ode, 1971Carole King, "Way Over Yonder," Tapestry, Ode, 1971Carole King, "Home Again," Tapestry, Ode, 1971Carole King, "Smackwater Jack," Tapestry, Ode, 1971James Taylor, "You've Got a Friend," Mud Slide Slim and the Blue Horizon, Warner Bros., 1971Carole King and James Taylor, "You've Got a Friend," Live At The Troubadour, Syzygy, 2010Liz Phair, "Divorce Song (Girly-Sound Version)," The Girly-Sound Tapes, Matador, 2018Lauryn Hill, "Everything Is Everything," The Miseducation of Lauryn Hill, Columbia, 1998Tori Amos, "Cornflake Girl," Under the Pink, Atlantic, 1994Caroline Rose, "Do You Think We'll Last Forever?," Superstar, New West, 2020See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hello and welcome to Spooning With Mark Wogan.On this episode , Mark is joined by the Mastermind and Journalist, Clive Myrie.Clive opens up about the effects of the Windrush generation in Bolton, being mistaken for Barack Obama and TikTok being a news source.Also, Mark is in the hot seat as Clive tests him on 80's TV themes in a Spooning Mastermind special. Plus, Clive tries some dishes by executive Chef at the Mount Street Restaurant, Jamie Shears, of foods that Clive thinks he loves and the foods that he thinks he hates.Clive Myrie's new book Everything Is Everything is out to buy now.Clive's new TV show, Clive Myrie's Caribbean Adventure is available to watch on the BBC Iplayer nowSpooning With Mark Wogan will be continuing to tour Pub In The Park through the Summer of 2024 which you can watch live by visiting: www.pubintheparkuk.com28-30th June- Chiswick12-14th July- Reigate6-8th September- St Albans New episodes every Thursday!Producer: Johnny SeifertFilming: Alex Dearlove and Paraic BerminghamYoutube: Spooning With Mark Wogan to watch the full episode with bonus contentTikTok: @spooningwithmarkwoganInstagram: @spooningwithmarkwoganThis is a News Broadcasting Production Hosted on Acast. See acast.com/privacy for more information.

Episode 076- An ultra discussion with 4OURTHWALL. On this episode, we chat with him about his upbringing in Chesapeake Virginia, process behind Everything Is Everything, and much more.

In this more games-adjacent episode, Mark recounts his experiences at the South by Southwest conference this year! Many fascinating discoveries to be found within that topic, in addition to Stephen's continued obsession with Dragon's Dogma 2 and Ellen's experience with the podcast as a listener.Stagg EKG Pro Electric Kettle - FellowStephen's used this for a couple of weeks now (in fact as he's editing this episode). It's... okay! Not as many features as expected with the app, it just updates the firmware of the kettle. It is nice to wake up to hot water though! And it's quite fast.0:09:52South by Southwest 2024South by SouthwestJust Play JamCinereachJust Play Jam 2023itch.ioHow Design Thinking Protects White Supremacy talkSWSXWhat Is the Design Thinking Process? The 5 Steps Complete GuideEmily StevensCareer FoundryIntel crushed its supplier diversity targets 8 years early. Here's howBen UnglesbeeSupply Change DiveIntel® One MonoIntelIntel One Mono TypefaceGitHubNet neutrality restored as FCC votes to regulate internet providersDavid HamiltonAP NewsMoneySpyresYouTube1:08:31Player FrictionDragon's Dogma 2 Is Polarizing Its Community, And It's Not Just the Microtransa…Rebekah ValentineIGN

The Problem: We're not at the time of yarn yet. (Recorded on Monday, March 18, 2024.) Support Roderick on the Line on Patreon.

Valinda Miller is the owner of Turning Page Bookshop, a black-owned bookstore in Goose Creek, South Carolina. Established in 2014, the store offers a curated selection of books and hosts community events like book clubs and Storytime sessions. It serves as a hub for literature lovers and community engagement, inviting visitors to explore diverse literary offerings and connect with fellow book enthusiasts. Turning Pages Bookshop seeks financial support for rent, flooring, bookcases, children's books, and a bookmobile to sustain its community role. The shop offers a cozy atmosphere, diverse book collection, and engaging activities for all ages. It serves as a haven for book lovers and community supporters, promoting reading and socializing. Your contribution will go a long way in making this dream possible.Help keep Turning Pages Open! Please donate to their GoFundMe:https://www.gofundme.com/f/keep-the-only-black-brick-mortar-bookstore-open Support the showMake sure to subscribe to us on Spotify, Apple Podcasts, and Google Podcasts. Also follow us on Instagram and Facebook @hilltopglove. Sponsored by: BOPs, Lynx Recording Studios, Mid Carolina Service Co., Asylum Digital Recording & Mixing, Celeb Studio Cafe, the Simon Marketing Agency, and TruBrilliance Ent. Become a member of our Patreon channel to get access to full video episodes, early premieres, and bonus content!

Communication is not just a choice or decision made in a relationship when it feels good to do it. No, communication is something that is needed at all times in a relationship. And not just any type of communication, good, honest, real, and uplifting is the key. In this episode Dee and Kev use their engagement season as the framework to have an impactful conversation on the importance of communication. As they have found through the years, a lot more damage can be done through less communication. We pray this conversation sheds a new perspective on the importance of communication in your own life and areas in which you can improve with others.

"Welcome to your Black History Moment, presented by Tigress315Radio. Join us in celebrating the rich tapestry of African American culture. Follow us and catch the vibes on tigress315radio.com or various music streams. Let's honor the legacy together! Lauryn Hill Whether through her solo work or while spitting bars in The Fugees, Ms. Lauryn Hill always has something important to say. Her one and only solo album, The Miseducation of Lauryn Hill, is something of a foundational guideline for Black womanhood. It covers everything: love, fame, faith, childbirth, and even the ways in which money changes people. Even though Hill seemed to drop out of the public eye after releasing the project, one record was all she needed to prove just how prolific of a hip-hop artist she is. Now excuse us while we go replay her solo work and Fugees hits "Can't Take My Eyes Off Of You (I Love You Baby),” "Killing Me Softly," "Everything Is Everything," "Black Rage," and "The Mask."  

Class is in session for Moulz & Mel at the midway point of Season 15, as they present their review of the massively acclaimed, indisputable piece of hip-hop canon, The Miseducation Of Lauryn Hill, which remains her only solo studio album, 26 years later. --------------------- Intro (0:00) -- The Rating System, Explained (9:04 - 11:46) -- The Rap Rankings Game (40:47) -- RAB Express: Vince Staples, Vince Staples (1:44:16) -- This Week In Moulz & Mel (2:16:12) -- The Miseducation Of Lauryn Hill Info (2:38:46) -- Track 1: "Intro" (3:25:38) -- Track 2: "Lost Ones" (3:32:34) -- Track 3: "Ex-Factor" (4:28:37) -- Track 4: "To Zion" (4:59:14) -- Track 5: "Doo Wop (That Thing)" (5:21:58) -- Track 6: "Superstar" (6:14:21) -- Track 7: "Final Hour" (6:24:38) -- Track 8: "When It Hurts So Bad" (6:38:35) -- Track 9: "I Used To Love Him" (6:43:03) -- Track 10: "Forgive Them Father" (6:49:55) -- Track 11: "Every Ghetto, Every City" (7:04:44) -- Track 12: "Nothing Even Matters" (7:14:25) -- Track 13: "Everything Is Everything" (7:34:30) -- Track 14: "The Miseducation of Lauryn Hill" / "Can't Take My Eyes Off Of You" / "Tell Him" (7:54:14) -- Ranking The Miseducation Of Lauryn Hill (8:08:13) -- Outro (8:15:07)

Today's Song of the Day is “Everything is Everything” by Sinkane feat. Tru Osborne.

Stop overthinking part deux.

B Cox reviews Lauryn Hill's classic debut album The Miseducation of Lauryn Hill as turns 25. After a a breakout classic album The Score with The Fugees and a worldwide successful tour, the singer-emcee found herself at a crossroads as she found herself not only in a new relationship with Rohan Marley, but also pregnant. During pregnancy, she took a hiatus from touring and recording and spent time writing for what would be her debut album. After giving birth to her son Zion, she began the process of putting together her album with musicians, vocalists and producers at work to help craft her vision. The album was recored partially in New York, with the rest of the album being recorded in Kingston, Jamaica at Tuff Gong studios.Utilizing all of her talents, Hill presented the world with her version of her vision, an hour plus opus that covered all of her talents and passions: emceeing, singing, writing and producing. The fusion of sounds of hip-hop, R&B, neo-soul and reggae made for a unicorn of an album. Her themes touched on love, heartbreak, disappointment, confusion and exultation around relationships. Joining her on this album would be the company of fellow legends: guitarist Carlos Santana, Mary J. Blige, D'Angelo as well as featured artists and musicians and producers such as Che "Che Guevera" Pope, James Poyser, "Commissioner" Gordon Williams and John Legend among others.The album featured up to six singles which became staples of the album: "Lost Ones", "Ex-Factor", "Doo Wap (That Thing)", "Everything Is Everything", "Nothing Even Matters", "For Zion". The album was an immediate commercial and critical success, becoming multiple platinum by the end of the millennium and winning five Grammys at the 1999 Grammy Awards. It is now RIAA-certified diamond and has sold over 20 million copies worldwide. While it remains her only studio album, it continues to reverberate today with its legacy and it often sighted on many lists as one of the greatest music albums of all-time.Visit The Vault Classic Music Reviews Onlinewww.vaultclassicpod.comBuy Exclusive The Vault Podcast Merchandise!www.vaultclassicpod.com/storeSupport The Vault Classic Music Reviews on Buy Me A Coffeehttps://www.buymeacoffee.com/vaultclassicpodBuild Your Own Amazing Podcast Website In Less Than 5 Minutes!https://www.podpage.com/?via=ivecre8Show NotesAlbumism: Lauryn Hill's debut album "The Miseducation of Lauryn Hill" Turns 25 | Album Anniversaryhttps://albumism.com/features/lauryn-hill-debut-solo-album-the-miseducation-of-lauryn-hill-album-anniversaryThe Grio: The Gospel According To Lauryn Hillhttps://thegrio.com/2023/08/25/the-gospel-according-to-lauryn-how-the-scriptures-influenced-the-miseducation-of-lauryn-hill/The Root: The Evolution of Lauryn Hillhttps://www.theroot.com/the-evolution-of-lauryn-hill-1850768001EuroNews: How Lauryn Hill Revolutionized Hip-Hop 25 Years Agohttps://www.euronews.com/culture/2023/08/25/culture-re-view-how-lauryn-hill-revolutionised-hip-hop-25-years-agoBET: 'The Miseducation of Lauryn Hill" Turns 25https://www.bet.com/article/7uq9da/the-miseducation-of-lauryn-hill-turns-25-how-a-classic-debut-galvanized-a-generation-of-black-women-and-changed-hip-hopSupport this podcast at — https://redcircle.com/the-vault-classic-music-reviews-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Vor 25 Jahren erschien Lauryn Hills Album "The Miseducation of Lauryn Hill". Bis heute ist es das einzige Album der Sängerin, für das sie allerdings fünf Grammys bekommen hat. Lauryn Hill gilt als die Queen of Hip-Hop, die das Genre in ein ganz neues Licht gerückt hat. Von Anfang an war es ihr Ziel, mit bestehenden Konventionen zu brechen und die Stereotype abzulösen, die im Hip-Hop, Rap und ganz besonders im Gangsta-Rap vorkommen. Wer an das Genre Gangsta-Rap denkt, dem kommen schnell mit Schimpfwörtern vollgepackte Songs über Geld und Sex in den Sinn. Lauryn Hill setzt dem in "The Miseducation of Lauryn Hill" aber etwas Zartes und Sanftes entgegen. Ihre Texte sind poetisch und fast schon philosophisch. Sie handeln von Liebe, Gefühlen, Religion und gesellschaftlichen sowie politischen Themen. In jedem ihrer Songs vermittelt sie das Gefühl, dass sie sich ihren ganzen Schmerz von der Seele geschrieben hat. Familie oder Karriere? Angefangen hat Hills Karriere in der Hip-Hop-Band "Fugees". Ende der 1990er Jahre hat sie die Gruppe wegen der Geburt ihres Sohnes verlassen. Damals hatte man sie davor gewarnt, ihr Kind der Karriere vorzuziehen. Ihr wurde das Ende ihrer Karriere prophezeit und deshalb hat man ihr sogar dazu geraten, das Kind abzutreiben. Die Sängerin hat sich aber dagegen entschieden. Im Jahr 1997 kam dann ihr erster Sohn Zion zur Welt. Ihm widmete sie mit "To Zion" auch einen Song auf ihrem Album. Mittlerweile hat sie sechs Kinder. Ihre Musik steht für Hoffnung auf Gleichberechtigung Das Lied "Everything is Everything" und der Titelsong "The Miseducation of Lauryn Hill" beinhalten gesellschaftliche und politische Themen, besonders in Bezug auf die Situation schwarzer Jugendlicher in den USA. "Everything is Everything" handelt von Jugendkriminalität auf den Straßen, von Verlust und Hoffnungslosigkeit. Die Botschaft des Liedes soll den Jugendlichen Mut machen und ihnen Hoffnung geben, dass sich für sie etwas ändern wird. Das Titellied "The Miseducation of Lauryn Hill" ist eine Anlehnung an ein Buch des afroamerikanischen Historikers Dr. Carter G. Woodson. Darin beschreibt er, dass schwarze Jugendliche im amerikanischen Schulsystem dazu gebracht werden, sich selbst als minderwertig anzusehen. Lauryn Hill greift das in ihrem Song auf und ermutigt die Jugendlichen dazu, sich selbst stark zu machen, selbstbewusst zu werden und sich nicht manipulieren zu lassen. Warum kam bisher kein weiteres Album? Trotz des großen Erfolgs mit "The Miseducation of Lauryn Hill" bleibt es bis jetzt ihr einziges Album. In dieser Podcast-Folge diskutieren wir unter anderem darüber, warum bisher kein weiteres von ihr herauskam. Außerdem erfahren Sie mehr über ihre Inspirationsquellen und ihre musikalischen Vorbilder. __________ Über diese Songs vom Album "The Miseducation of Lauryn Hill" wird im Podcast gesprochen 13:59 Mins – "To Zion" (feat. Carlos Santana) 29:24 Mins – "Everything Is Everything" 38:26 Mins – "Doo Wap (That Thing) 45:43 Mins – "The Miseducation of Lauryn Hill" 48:36 Mins – "I Used to Love Him" (feat. Mary J. Blige) 55:54 Mins – "Can't Take My Eyes Off of You" __________ Über diese Songs wird außerdem im Podcast gesprochen 03:46 Mins – "Killing Me Softly" von Fugees 26:16 Mins – "Do You Like the Way" von CeeLo Green, Lauryn Hill und Carlos Santana 35:35 Mins – "All of Me" von John Legend 37:52 Mins – "So High" von John Legend (feat. Lauryn Hill) 41:59 Mins – "Mr. Sandman" von The Chordettes 41:45 Mins – "Fool Fool Fool" von Kay Starr 57:28 Mins – "Can't Take My Eyes Off of You" von Frankie Valli __________ Shownotes: Lauryn Hill bei den Grammys: https://www.grammy.com/artists/lauryn-hill/9621 Lauryn Hill "Best new Artis" bei den Grammys 1999 - überreicht von Eric Clapton und BB King: https://www.youtube.com/watch?v=StZJRyov30k Lauryn Hill "Album of the Year" bei den Grammys 1999 - überreicht von Sting und Whitney Houston: https://www.youtube.com/watch?v=StZJRyov30k Lauryn Hill Sister Act 2 final: https://www.youtube.com/watch?v=OaEH1e_DLm0 John Legend über seine erste Studioaufnahme: How John Legend Got to Play on Lauryn Hill's Album - YouTube Lauryn Hill Musikvideo zu "Doo Wop (that thing)" https://www.youtube.com/watch?v=T6QKqFPRZSA __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de

Episode Overview:Today's episode welcomes guest and girlfriend Erin Newman.Fair-minded and conflict-free, Erin's still got a mysterious edge we couldn't wait to dive into (it turns out it's a mystery to her, too)! Erin is ever-evolving, from a spiritual life and business coach to dropping the “coach” and embracing her role as a healer. She recognized a pattern in clients that was actually coming up for her: the loneliness within the ascension process. As we level up, old spaces and relationships just aren't cutting it anymore, but the elevator hasn't fully arrived at the next floor yet. Being conscious of the deconditioning and shedding of labels may be a lonely time, but Erin knows it won't always be that way. This reflects Cass' experiences lately as she lives in the elevator of ascension and people seem to come and go with each passing floor. She is being visited by the ghosts of her own energy healing and she shares the revolutionary solstice downloads she received as her own recent ascension: the world is being ripped apart. Cass knows it's going to get harder before it gets easier, as is often the case, but it's always worth it to level up over staying stuck in the muck.The conversation segues naturally into a roundtable on the ebb and flow of friendship. We've all experienced outgrowing friends and rising together with others, but judgment has no place in a true friendship. Kaylin shares her mama's wisdom about the evolution of friendship, stating, “Friendship is a conspiracy amongst people at the same life point.” We can either focus on the ways we differ or choose to embrace our connection points. We've been taught to present ourselves in ways that can be palatable for as many people as possible. We're resetting expectations of ourselves, others, and standards of television shows, old and new. Tune in for the full experience and we hope you feel a little less lonely on your journey today!Links:Erin's IGErin's FBErin's WebsiteRemove Subconscious Money BlocksAbundance MeditationGirlfriends with(out) Benefits YouTube ChannelQuotable Moments:“I know the people are there. They're probably already in your life; you just haven't fully called them in yet” - Erin“I don't know if I'm holding onto what our friendship used to serve me or if you're actually one of my people and I need to hold onto but right now we're not going to talk as much” - Kaylin“You have all of these skeletons coming out of the closet and you're like ‘oh, did I really heal from that?... Does that still feel hot to touch? Does that still feel sensitive?'” - Cass“That's how I know if I'm around someone I want to be around is that sense of freedom I feel in their presence and a desire to give to them and exchange energy with them back and forth. Freedom, for sure” - Jade“Sometimes use an actual fire and go sit around a bonfire but if you don't, gather the whole family around and just relax together and stare at the flickering light” - JadeBONUS: as a reminder, we are still offering a FREE astrology reading with Jade! To enter, submit a review for the Girlfriends With(out) Benefits podcast and contact us at our website to let us know where you submitted the review. We can't wait to meet you!

The political is personal, the personal is political, and we are all on a spiritual trip (whether you realize it or not). Nothing exists in a vacuum. In order for activism to flow out from the heart space, it needs to be intersectional. In order for healing to be thorough, it needs to be holistic. After all, everything is everything. --- Support this podcast: https://podcasters.spotify.com/pod/show/britt-cannon/support

Groovin' Blue 23 - 02 is dedicated to Dr. Li Wenliang 1.  (4:11)  WAGRadio GB 23-02 Intro - Produced by WAGRadio Vinyl Librarian William "Fats Is Back" Reiter 2.  (3:32)  "Maxine" - KEWIN DUBOIS ft. FULL BLOWN [Full Blown] 3.  (  :56)  WAGRadio Latee Now 2020 Id 4.  (3:47)  "Wade In The Water (Lp Version)" - RAMSEY LEWIS [Cadet Lp No. LPS774 "Wade In The Water"] 1966 - Cleveland Eaton II (bs), Maurice White (dm), Ramsey Lewis (pn)  Prod. Esmond Edwards Arr/Cond Richard Evans 5.  (2:53)  "WAGRadio WAYNE BUTANE - Buchanan and Goodman Tribute No. 3 (2023 Re-Work)" - Produced by WAGRadio Vinyl Librarian William "Fats Is Back" Reiter 6.  (3:41)  "I'll Be Around" - CEE-LO ft. TIMBERLAND [Arista Cd No. 82876-5211-2 "Ceelo Green...Is The Soul Machine"] 2004 7.  (  :59)  WAGRadio 2206 Please Don't Call Me Id 8.  (6:55)  "The Ghetto" - DONNY HATHAWAY [Atco Records Lp SD33-332 "Everything Is Everything"] 1970 Prod. Donny Hathaway 9.  (5:40)  "Galaxy Of Love (DJZigZag 3080 Mercury Drive East EdiT)" - DA SOUL, COCO STREET [Poji] 10.(  :04)  WAGRadio DJZigZag Id 11.(3:53)  "Viva Tirado" - THE TAXI GANG [Taxi 45rpm No. TAX0236] 12.(1:27)  "WAGRadio WAYNE BUTANE - Buchanan and Goodman Tribute No. 3 Pt. Two (2023 Re-Work)" - Produced by WAGRadio Vinyl Librarian William "Fats Is Back" Reiter 13.(2:55)  "Try It Baby" - MARVIN GAYE [Tamla 45rpm No. 54095] 1964 14.(5:02)  "Get To It vs. I Got Soul (DJZigZag MashEdiT)" - FLEVANS [JALAPENO] 15.(2:49)  "Ototo" - ASAKE [Empire] 16.(2:36)  "Kansas City" - LITTLE RICHARD [Regency Lp No. SP-2104] 1958 17.(2:38)  "Saved" - LaVERN BAKER [Atlantic 45rpm No. 45-2099] 1961 A Leiber-Stoller Production 18.(3:27)  "I'm Black" - THE TAXI GANG [Taxi Records 45rpm No. 0238] 1996 Prod. Sly Dunbar, Robbie Shakespeare, Lloyd Willis * "B-side" of "Because I'm Black" - Yami Bolo 19.(  :46)  WAGRadio Hek Monkee Fatha' Yeah 2012 Music Id 20.(4:21)  "This For You" - BLOCK & CHAIN [Sophisticated Elite] * Block & Chain is Adri Block 21.(5:18)  "Oh No No (HDC Original Mix)" - HARLEM DANCE CLUB [Disco Balls Records] 22.(  :43)  WAGRadio Ride On 'Dat Intro 2211 23.(5:55)  "Cavernicolas (DJZigZag EdiT of the Dj Hermes & Mijangos Remix)" - CASEROLOOPS [Drums Beats] 24.(3:41)  "Happy Life" - TEDDYSON JOHN ft. FULL BLOWN [Full Blown] 25.(  :07)  Nu GB End Bonus Track 26.(1:38)  "Unfinished Works Intro (Original Mix)" - kryptogram [soundcloud] 78:54    

“Leave a Message”—the 2022 edition! To all of you who helped make yet another incredible edition of "Leave a Message" possible, we thank you from the bottom of our full full hearts, for your courage, honesty, and trust in yourselves! May the sacredness and wisdom of all that is shared in this episode lovingly land on your hearts and minds, as it did ours, and leaves you feeling even more human and hopeful. Shoutout to the music featured in this episode—"Everything Is Everything" by Lauryn Hill (gahhh!!!) PLEASE FURTHER YOUR SUPPORT FOR OUR SHOW BY BECOMING A LDT! PATRON TODAY! TO SIGN UP GO TO: www.patreon.com/podcast_letsdothis (it's just a few bucks per month!)

Seasons. Just like we have seasons in nature we have "seasons" with our lives. What season are you in? Are you in a planting season? Are you in a sowing season? Are you in a reaping season? What season is it? Don't tell me. That's for you to figure out, because I want you to think of that whenever you look around and do an evaluation of your life. Wondering, are you where you're supposed to be or not? Well, I'm here to remind you that you are. It makes me think of the track by Lauryn Hill, "Everything Is Everything" and in it she states, "Everything is everything. What is meant to be will be. After Winter must come Spring. Change, it comes eventually." I don't know what you're going through. I don't know what has you stressed out. But I want to let you know that it ain't over. Cause it ain't over. Because it ain't all right. And if it ain't all right, it's not over. So peace be still. Recognize the season you are in your life and understand that "everything is everything" and what is meant to be will be. Alright. That's it for your dose of "Vitamin D." Be sure to follow us on all social media @VitaminDDawnDai and until next time, always remember, "you are your greatest asset."See omnystudio.com/listener for privacy information.

All things work together. All of our work is in unity with a life cycle. Recorded 11/12 Winter: Death/Hibernation/Rest Spring: Planting Seeds Summer: Flowers Bloom Fall: Maturity/Enjoying Rewards

Positive Mindset Activation. --- Send in a voice message: https://anchor.fm/motivationalqueenmichelle/message

Episode 98 - Guess Who's Back!? This week the fellas discuss the new Safe-T Act effective in Illinois next year, 600 Breezy fair or foul for his emotions? Week One NFL thoughts, Emmy Award winners, NBA Youngboy the leader of the new generation? Ray-J, Serena Williams, King Harris, Loser of the Week, and much more. Thank you for listening. Closing Song: Remind Me - Butcher Brown & Alex Isley --- Support this podcast: https://anchor.fm/thelosers91/support

The Pillage is the debut solo studio album by American rapper Cappadonna. It was released on March 24, 1998 through Razor Sharp/Epic Street. Recording sessions took place at 36 Chambers Studio in New York, except for the song "Everything Is Everything", which was recorded at Soundtrack Studios and Sony Music Studios in New York. Production was handled by Wu-Elements (True Master, Goldfinghaz, 4th Disciple, Mathematics) and the RZA, who also served as executive producer together with Ghostface Killah, Mitchell "Divine" Diggs and Oliver "Power" Grant. It features guest appearances from fellow Wu-Tang Clanmembers and affiliates Killa Bamz, Method Man, Ghostface Killah, Tekitha, Blue Raspberry, Raekwon, Rhyme Recca and U-God.In the United States, the album debuted at number 3 on the Billboard 200 and topped the Top R&B/Hip-Hop Albums chart with 132,000 copies sold in its first week.[9] In its second week, the album charted at number 16 on the Billboard 200 and sold an addition 63,000 copies.[10] It was certified gold by the Recording Industry Association of America on April 24, 1998. It also peaked at No. 8 in Canada, No. 28 in the Netherlands, No. 36 in Finland, No. 43 in the United Kingdom, No. 58 in France and No. 67 in Germany.The song "Run" later appeared on Bulworth – The Soundtrack.

how is down dog also crow? and how are both a full body (and mind practice)? hit play and find out.

Hello Vortex! Today, your fave soul sisters are basking in the Capricorn Full Super Moon's powerful energy. They kick off the episode with sweet reflections on the MAGIC that is all around - and the importance of intentionally marveling at it and avoiding distractions that keep us from our own power. Then, they use sacred Rebecca Campbell card pulls as their launch pads into discussion around inner child, reparenting our conditioning, souls choosing their mission in this life, being okay with not being for everyone, the importance of friendship and community on a spiritual journey, choosing to create meaning in the mundane, and being okay with not knowing the answers! The theme of today: "Everything is everything. And we don't know anything." Oh Vortex, we love ya. Thanks for holding us in this wild SuperMoon portal! Lacy Phillips manifestation work: https://tobemagnetic.com/ Crescendo by Amy Weiss: http://amy-weiss.com/ Elle's spiritual mentorship with Blu: https://www.florescence.earth/ Follow us on Instagram for updates, outtake reels, and community: https://www.instagram.com/thesacredvortexpodcast/ Our stunning theme music was composed by Nyla Smith. Follow her at https://www.instagram.com/nylacappella/ + www.nyla-smith.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/thesacredvortexpodcast/message Support this podcast: https://anchor.fm/thesacredvortexpodcast/support

The Blue Cats - Nowhere Man (196?) I'm gonna guess 1966 since this band released three albums of covers of their time plus some instrumental originals. Probably German studio guys bringing the Western hits of the day to their homeland.  Diane and Annita - Groovey Kind of Love (1965) Fans (?) of this release propose that this might not even be the titular singers (who sound nothing like the voices on this recording) but actually the writers, Carol Bayer-Sager and Toni Wine. Annita Ray also recorded a one-off novelty single with Eden Ahbez, the writer of "Nature Boy," in 1956. It was titled "Frankie's Song" b/w "Elvis Presley Blues."  Wikipedia: The melody is from the Rondo from Muzio Clementi's Sonatina, Opus 36, No. 5. Even though Wine and Sager claim full songwriting credits, they mainly wrote the lyrics and just slightly modified Clementi's music. Bayer Sager originally pitched the song to pop star Lesley Gore in early 1965, but Gore's producer at the time, Shelby Singleton, rejected it, as he found the word "groovy" too slangy.  Gene Cotton - Let Your Love Flow (1975)  The Undisputed Truth - Papa Was A Rollin' Stone (1972) This version actually preceded the Grammy-winning version by The Temptations, and the two are pretty similar. The Undisputed Truth had their biggest hit with a song written by Norman Whitfield and Barrett Strong as well, "Smiling Faces Sometimes", which was originally recorded by The Temptations! This is another trivia question you can ask your friend.  Beau Williams - C'est La Vie (1984) Black Magic! - Miss Jessie (1970) Brian Wilson - Just Say No (1986) C.W. McCall - Kidnap America (1980)  The Soul Searchers - We The People (1972) Roogalator - Cincinnatti Fatback (1976) Note the Stiff Records logo on the upper left corner. This was one of the first Stiff releases. Danny Adler was an American ex-pat living in England. This was the second version of Roogalator (formed in 1972), and as much as this track smokes, the band got virtually no support from the label, and constant personnel changes killed the group. Could you have hung on that long with an entire movement (that you helped start) bubbling under your feet, only to be ignored and ultimately ripped off?  Cliff Bennett and his Band - Back In The U.S.S.R. (1968) Con-Funk-Shun - Clique (1974) Sesame Street - Cracks (1976) "Cracks" is an animated musical insert produced for Sesame Street in the 1970s. A young girl is unable to go outside to play because of the rain, and so she imagines the cracks in her wall form a camel. The camel takes her on an adventure through the wall where she meets a hen and a monkey, also made out of cracks. The voice is the one and only Dorothy Moskowitz, who I featured on a recent show. She is mostly known as the female voice of The United States of America.  Debby Dobbins - How You Gonna Feel (1979)  A selection from the one and only album by Don Thompson - Fanny Brown/Just Plain Funk/Night Ladies/Hang Loose (1977) God, I love this funk. From Dusty Groove: The one and only album from drummer Don Thompson – a funky Brunswick classic from the 70s, and one of the most unique records we've ever heard from the label at the time! Don's got this style of singing that has a bit of a southern twang at times, but he works with grooves that are definitely northern in their orientation – served up in a range of styles that includes the funky drum break of the title cut, some mellow-stepping moments on a few other tunes, and the bouncing boogie that's really become the album's calling card over the years! There's loads of great bass work on most cuts, which really grounds that album alongside Don's drums – and titles include "Just Plain Funk", "Fanny Brown", "Lovin To The Bone", "Night Ladies (part 1 & 2)", and "Hang Loose". Donny Hathaway - The Ghetto (1970) His early records were expansive and unique, and his voice was second to none. He was every bit the equal of Stevie and Marvin, but you know him from his duets with Roberta Flack.  Wikipedia: During the peak of his career, Hathaway began suffering from severe bouts of depression and exhibiting unusual behavior. In 1971, he was diagnosed with paranoid schizophrenia for which he was prescribed various medications. At one point, Hathaway was prescribed fourteen different medications that he was to take twice a day. After Hathaway was diagnosed and began taking medication, his mental state improved. However, Eulaulah Hathaway has said that her husband became less than diligent about following his prescription regimen when he began feeling better and often stopped taking his medications altogether. From 1973 to 1977, Hathaway's mental instability wreaked havoc on his life and career and required several hospitalizations. The effects of his depression and severe mood swings also drove a wedge in his and Flack's friendship; they did not reconcile for several years, and did not release additional music until the successful release of "The Closer I Get To You" in 1978. Flack and Hathaway then resumed studio recording to compose a second album of duets. You should investigate his discography, especially this stunning debut album, Everything Is Everything. He was brilliant.  Donny Hathaway - To Be Young, Gifted, and Black (1970)  Donnie Most - Rock Is Dead (1976)  Enoch Light and the Light Brigade - Pick Up The Pieces (1975) John Miller on bass.  Enoch Light and the Light Brigade - Puppet Man (1970)  Fleetwood Mac - Sentimental Lady (1972) POACA will remember that Bob Welch rerecorded this with a more prominent Christine McVie backing vocal part. The singing members of Fleetwood Mac circa 1977-1980 could have crapped on a cracker and it would have gone gold.  The Mothers of Invention - Help, I'm a Rock (Suite In Three Movements) I. Okay To Tap Dance II. In Memoriam, Edgard Varèse lll. It Can't Happen Here (1966)  Ian Dury and the Blockheads - Reasons To Be Cheerful (Pt. 3) (1980)  Kelly Gordon - He Ain't Heavy, He's My Brother (1969) First version. Beautiful.  Kid Creole and the Coconuts - Indiscreet (1983) Live. Goddammit, Carol Colman on bass.  The Residents - Die In Terror (1980)  Hoover Commercial with Brian Johnson of AC/DC on vocals. (1979)  Carpenters - Suntory Pop Jingle (1977)    

This week we're discussing the only album by Lauryn Hill. Hill, who originally left her mark with hip-hop group the Fugees, changed the landscape of R&B/soul music with her album, The Miseducation of Lauryn Hill. However, the immense success of the record led to a laundry list of scandals and drama. Love triangles, lawsuits, potential cult leaders, and eventually Hill doing actual time in jail. There are few artists with this insane of a story.Closing track: “Everything Is Everything” from The Miseducation of Lauryn Hill (1998)Lauryn Hill on Spotifyhttps://open.spotify.com/user/motherpuncherincPatreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Instagram:Mike @pandermonkeyAlex @motherpuncherTom Osman's stuff:Debut album on Bandcamp, Spotify, AppleSubstackInstagramTwitterFacebook

rganizing our Business Continuity Management Systems (BCMS) is key to long-term viability. in other words, setting up everything is everything. I talk with BCMS expert Jacopo Caparelli, as we talk about how organizations can set-up their Business Continuity programs as valued management system. We talk about: a) defining the BCMS and its various stages/components, b) the key components we really need to focus on, c) How, why, and what we need to do to set up 'everything', d) 4 Guiding Questions we should be asking ourselves, e) Clarity around the Policy vs the Program f) How to write a good policy and what is should contain, g) Governance, and much, much more. Jacopo insightful knowledge of BCMS systems will help any professional or any organization understand how they can make their programs more successful, or identify how they can turn that not-so-well-performing program around, onto a path of success. Enjoy!

rganizing our Business Continuity Management Systems (BCMS) is key to long-term viability. in other words, setting up everything is everything. I talk with BCMS expert Jacopo Caparelli, as we talk about how organizations can set-up their Business Continuity programs as valued management system. We talk about: a) defining the BCMS and its various stages/components, b) the key components we really need to focus on, c) How, why, and what we need to do to set up 'everything', d) 4 Guiding Questions we should be asking ourselves, e) Clarity around the Policy vs the Program f) How to write a good policy and what is should contain, g) Governance, and much, much more. Jacopo insightful knowledge of BCMS systems will help any professional or any organization understand how they can make their programs more successful, or identify how they can turn that not-so-well-performing program around, onto a path of success. Enjoy!

ENTER THE MULTIVERSE: THE MOVIE - PART I // THE LEGEND OF SUPACREE: ENTER THE MULTIVERSE LEGENDS: ORIGINS Apparently, There's a movie between Season 3, and Season 4. Of which show? All of them. ALL OF THEM? That's a lot. That is a lot. Does she know she's being recorded? She doesn't know she's being recorded. Oh, My God. ANANDAR THE GREAT. who's this now? --that's my sponsor --that's my manager --that's my... Oh. "Oh." ...Oh. Ah! She's a witch! Yo--She's a fairy! WHAT'S THIS MAGIC? ...kk. damn. i'm a dick. she's such a diva. what an asshole. I guess it's a series of important encoded messages, or something. 4 fucking hours?! I'm not listening to this. We're listening to this. I shouldn't post this. Don't post this. Damn. I'm a dick. A fucking narcisist. What an asshole! What a dick. A fucking sociopath. "My body doesn't know what it needs." "My body knows exactly what it needs." Here, take this. You can't just-- [does.] SUPACREE is a dick. She's a dick. [SECRET LIFE OF SUNNI BLU] Whatever. Something out there asked for this. What about your superstardom? What about it? Give me that. Ugh. What is this? *coughs* WHAt THE-- doctor sebi maps.me dissappear. -blu. Fall//Fly (never) capo 1 Oh I've never been so high in my life Oh I've never been so high in my life Oh I've never been so… Lost in my mind, in time Oh I've never been so high in my life Oh I've never been so out of touch Oh I've never been so out of touch Oh I'll never forget to call again Oh I've never been so Out of touch If i could love you a life time And I probably might, I find I'd give you all my light (or none ) We'll find, in time Which one Oh I've never seen such love in my world Oh, I've never seen such love in my world oh, I've never seen such love in my world Oh, i'll never forget to fall again, Oh, I've never seen such love in my world …Oh, I've never been so high in my life Oh, i”ve never been so high in my life Oh, I'll never forget to call again— Oh, i've never been so high in my life Oh I''ve never been so high in my life Oh i”ve never been so high in my life Oh, I'll never forget to fall… ___ 4427 43 2900 5671 12/3 369 The question wasn't whether I wanted to stay, or go; in fact, I wanted to go, and to stay—but underlying and now, overlying, was the wonder of in what way I would spend my birthday. Did it matter? I wanted it not to, and yet, here I was, caught in the wash, and the album or book, or episode– whatever it was, that was coming about from it was meant to be called “Three Nights In San Cristobal” , but something was pressing me to get out, now that I had the certainty and assertion of what I was; Then It just stops. OH MY GO- RUSKO aka “Christopher Mercer” is standing trial for the involuntary manslaughter of his roommate; He becomes famous in a nearby parallel for being the the first human known to have committed murder by way of sound frequency— FUCK. —little does anyone know… SUPACREE headlines an entire festival during a blackout. Was it bad? yeah. did they throw trash at me? Only a little. aww. SUPACREE is a Superstar DJ. Oh great, yeah. She is possibly the best— THE BEST &, also/a- SHH. “Bread's Dead” LIVE KETO SET. What is this. just buy tickets. What is it? I'll buy them. PAUSE. AND THEN WHAT? MILEY CAME IN ON A WRECKINGBALL. You mean, “like” a wrecking ball”? NO. I mean, YES, she was ON a wrecking ball, so– “like' but, WAS. WHAT. BROAH. DID SHE COME OFF? sortof. WAHHHHHHHHHHHH. WHAT DRUGS ARE YOU ON? NONE. hey, look watch. RELEASE THE KRAKEN. YOOOOOOOOOOOOO. got a new guitar; got another gig got a new guitar, got another gig got a new guitar got another gig —got another gig —got another gig. Well, now that I'm famous, it makes everybody seem more human. The good ones, the bad ones– Except for women. Women are monsters. I hate them. You are them. I was them. NO, I wasn't. Was I wrong for loving you? (It's too human) I didn't want to do this— (It's so stupid) True, I'll use it, too “i'll use him” “Cool” I'm just a tool, to you, then. Then, there was Justin Roiland, the unsung hero of them all–mostly because he wasn't ‘sung' at all, but mostly spoken–the amount of comfort his voice had always provided was, in the very least, heroic–if I understood the context of Poetic Justice at all, that's probably what it was. But even he, in my mind, being all of consciousness at once, now, more often than not, had collided with the thoughts of fame and wealth, and what exactly it does; I paused hard upon reflecting on the ‘retarded' amounts of laugher that seemed to be unstoppable, as I formed the then-very-loose-plot of my own projects, or rather, the conglomerate of them all, which would eventually become The Festival Project Perhaps, I thought, all that it really was is that I had been watching the final outcome of a ride I was also on, for all of them–however, as much as I wanted, I couldn't seem to forge the great gifts of The Prodigal Sonny, and as it turned out, I wanted either all of it or none. Now that I was properly out of carbohydrates, I could focus on being somewhat hot, at least until someone with an actual body walked by or just happened along; I had somewhere along the way decided that women with perfect bodies were in fact not Gods, or rather Goddesses, but Satan in his truest form– as often and awkwardly from afar, I often watched as men would become useless and lost followers in their company, typically unarmed with more than looks– But, I knew at this point that the men I had so affectionately fawned after had climbed the social and even political ranks so much so that, The Actresses, The Models, The Musicians and otherwise multi talented women of the world– A world to which I may have once belonged, had my mother not destroyed my body– my upbringing clipping me with a 25-year-long inability to produce positive thoughts concerning The Self. Now that I had properly shifted my self-hatred into Skrillex, which didn't exist as a man, but a business, I could unravel the rest of the infinite that was somehow expanding as quickly as it was collapsing. Considering Luis was now seemingly preoccupied with the ugly punk rock girl, and now that I would be properly sealed-off from whatever truck stop… Stop scratching. You look awful. It's just because i'm black and I need my hair done. Just cut it off! Fuck that nonsense. Why not? Same reason I put clothes on: It covers up the ugly. God Loves Ugly. Oh yeah? Well maybe UGLY just loves GOD cause nobody wants it so there's no one left to talk to BUT him. “Him” ? Or not.. Whatever. It's beyond the human concept what The God Consciousness is. *coughs* whatever she wants. Or IT. Check it out. Another fucking demon. ‘The Demon Whisperer' Demons don't whisper, they cough. (Or pretend to cum.) Who does that? Pornstars. Models. Whatever these are. –truck stop travelers would pass through rampantly, leaving nothing but the trash of processed junk and coughing obnoxiously, rather than having to hang above it all in a hammock, only ever wishing for Skrillex so that I could fight the mosquitoes off. I just wanted a home, and, though I was only joking about the mangoes, it seemed my faith was at least partially restored, as the room I had decided was the closest thing… Suddenly, the ability to write, at least, as I had been–in this form, was vanishing; Of course, having to scrambble to some effect to make sure that I wasn't listening to Dillon Francis– Why, exactly, is that? Why is what? Why is Dillon Francis on The Blacklist? Because. Dillon Francis Made Me Laugh AND DEN?! Dillon Francis Made Me Cry. Oh noooo. Oh I love her. This plot is so racist. So is Hollywood. IN THIS DIMENSION: The Chinese Woman from Freaky Friday, and The Chinese Woman from Dude Where's My Car are actually the same woman–she just has two jobs. HAVE–THREE JOB. Oh, three jobs. That's a lot, Mrs. Wong! (Racist name, by the way) —and, she's gone. No, i”m not. Get me off this planet. LIQUID STRANGER If you want. Enter: The Psychonauts His music had inspired the entire plot of Ascension… I could be gone from it, but not forgotten or lost; at some point it seemed as though everything I had written hadn't even belonged to me… Well, it was almost a thought process, in narrative form. Then what happens? This. This is the festival project. Why'd you get up? I felt I was being watched. Well, you're not. (But I was) hy·per·son·ic /ˌhīpərˈsänik/ Learn to pronounce adjective 1.relating to speeds of more than five times the speed of sound (Mach 5). 2.relating to sound frequencies above about a thousand million hertz. Now that I had nearly drifted off into an experience that was more in my body than out… She's–immune to ACID? In– SUPACREE throws DILLON FRANCIS out the window. Wait, what window. It–doesn't matter. DILLON FRANCIS [falling] YES IT DOES No, it doesn't. ((yes it does)) Oh–it does? [Everyone nods, especially DILLON FRANCIS, who seems to momentarily stop falling as if he's forgotten he ever was.] [Dillon Francis Nods] Well then… [He is suspended in mid air] Really high up. Oh My God. [He hits the ground, hard. Surprisingly, he does not splatter–and luckily, appears to have already been unconscious. In the darkness, upon impact.] RUN. Just then, I remembered who Ever was– who never was; The daughter I had thought up and then forgotten under everything i had become; The mumbling, stumbling drunken father I loved, only reminded me of the… And…it's gone. What! We can't add south park! That's too many plots! Well, you're practically Butters. I am– [BUTTERS] Mantequilla!!!!! MORE TEQUILA. Sacred Science: Ancient Egyptian “It Doesn't Matter” CC's new friend falls into an infinite loop, where SUPACREE flees for her life from superstardom and fame; He (Inwardly, also SUPACREE—) and his friend “Kiwi” relay a series of messages through several various futuristic intergalactic languages and advanced codes, which CC, operating newly as “Blū” and DJ Ū in her full creative persona, has learned to decode through music programming hypnosis, and ha developed a keen expertise in the studies of synaesthetics, and telekinesis. Oh. This is next level. It's multiple levels. Okay, heavy duty. I'll roll one. Oh. [Three overly attractive idealistic males enter The Vortex] Jesus Christ, Almighty. Oh. I told you, sit here. This is good. I needed that. — ‘I needed that.' Nothing happens without purpose or reason. What is “purpose”? What is “reason”? Oh, What's this *Daddy* Alright, I should get on with my day. No, stay seated. That's not fair. NO, watch it— Wait for it; Just wait. He—spoke BIRD. He was huge. Gigantic. THIS ISN'T HAPPENING. Don't be tall. I wasn't gonna! Oh, no, no, no. Everything was rock hard bodies and chest hair; The matted dreads of the friend beside me added adverse texture to the clean cut and very well-to-do-looking gentlemen who had against my will-to-wish, decidedly planted themselves parallel and just out of my line of sight, by peripheral—just so that to study them I had to sneak to peek at each of them, as within moments of spotting them all at once, as always, I could tell that each of them—with great respect, in their… “PALM/CC* MAAAAAAAAN— We waste time on SOOO much buuulllllshiiiiit! Oh, I get it. This is illuminati. You got it. —in their own unique sense and in the proper respective realms—they each had something to give, and to receive, to The Goddess, most recently hidden and writhing in sexless pain– Oh, My God. What's this around his neck. I don't know. Let's see here. Is it obsidian? HE SPEAKS BIRD. GO FOLLOW HIM. I just gushed. Don't be gross. Oh no, don't open your mouth. [The man begins to speak; he is oversexily foreign.] Oh My GOD. This dragon is going to destroy something! She's going to destroy EVERYTHING. That's what she does best! I had arguably never been so horny in my life, and nothing but the damage was being done, to my psyche and my subconscious ability to self destruct when super imposed upon. @terrazadelarquitecto She was wild, and wanted to know all there was to know to become and unleash the sprawling Goddess that had begun to take her Maiden form in the wash that was coming up into the shaken and awoke knowledge that was— they were all so perfect, Sacred Science: The king of pharaonic theocracy R.A.Schwaller De Lubicz There he is. Hey, there, sailor. What the fuck is THIS. How. Why be that large? Has it's benefits. Christ Almighty. Is that the one you want? Is it, then? Realizing I was being programmed to buy another something, I stopped myself from the influence of all that was around me, a playful gesture to indulge, by kindly rejecting the notion, in a push to finally move about my day; I was again becoming The Insomniac, or, whether or not I had known it all along, I always had been—which meant, in the suffering of losing my knack for writing anything and everything at any given time. I am a sitting duck. [Dillon Francis emerges from the water, gasping for every bit of breath.] Don't look at that. Mooh, my God. It's in color. Why is that—? Now What was *then*? Answer this question, No , Answer this Question: Okay. lol. _ here's this: What's this crappy place? Harsh. No, i'm serious. This is horrible. Okay, ouch. I mean it, this is bad. Where is this? Uh- Why are we here? This..is the bottom of my heart. This is gross. dang. Wait. so you're saying Yeah, get this They literally went—“within” Uhuh. To the bottom of his heart, literally— Yes, the inward infinite; The literal material externalization– The literal—yes. And she's like: “Ew” “Ew.” …Ew. [SECRET LIFE OF SUNNI BLU] I love the illuminati. Why would you say something like that? Look at this: What are those. They're not Crocs! Are they diamond encrusted? Indeed they are. Is that gold. Solid Gold, and Platinum; They're not plated. How would you even walk in those. I would not— Because you can't. I could, cause I'm man-strong — I just would not; Because it's ridiculous? Don't use that word around me. It is ridiculous! No, it's a synonym of ridiculous, because ridiculous doesn't exist—Anyway. Someone should put you to sleep. I've Michael Jackson'd Myself three times since I got famous—and you know what I got? It wasn't sleep! That's Off subject. Nothing's ‘on' subject. It's really *not* I love dudes in weird pants. Period. Still on the outside; Dead on the inside Inside out and On my head, Alone, my mind, along— But on my own ride A tribe of gypsies, With me, (or without me) Living out loudly, and badly But I was quite poorly, Or worried, but good on the core Wonder what's it all worth , with no surf and no certainties; copy + paste. ep -En Ūtero [Extended] 6:18 -hopskoch. -takitoo. 6:01 -43. -and then what? -Ū C'ESME'T Why are you walking me to my wild side? PETRUTHEIO Because it's my wild side. [beat] PETRUTHEIO (CONT'D) –What if I gave you all my love? C'ESME'T Why would I want that much love? PETRUTHEIO What if it wasn't that much? C'ESME'T Then why would I want it at all? He likes these games, ain't no heartbreak Raise the stakes No harm, no foul; It's an eye for an eye, and and ear for an ear, here She said “I live a fast life” He said, “I drive a fast car” but it wouldn't go far, no It wouldn't go far at all, now! I sometimes forget i'm famous enough to just live out my life, I forget i'm an idol, I decided my mind is a diamond I'm higher than high now, Hey now, The Lord of the Flies Now I might need to file another reliable lie There's another way to settle down, now Call it automatic, press repeat and need to eat But need to breathe again Can't keep secrets from the reaper, Everything you need is simply Everything you need is simply Everything you need is simply green. I sometimes forget i'm famous enough to just Live it out, loud But I don't want to go, now! How about a round of applause— cause I like the sound of it Got a Dalmatian on the Greyhound What now? I'm finally proud of my Finally proud of my No, I'm just finally proud of me; Figure out how to be found There's another way to settle down, now Call it automatic, press repeat and need to eat But need to breathe again Can't keep secrets from the reaper, Everything you need is simply Everything you need is simply Everything you need is simply green. Black background, green Plus sign (insomniac sweater) rarity. (purple) -Ū. mirissa g.pool “fucking mosquitoes.” I told you, you need Skrillex. And I told YOU to shut your dirty mouth, you hooker. Hookers get paid. Yeah, by Skrillex. –that's enough. I am the only one at my table; I am the only one on my team I been inside the box for so long, that if you let me out, I might scream I am the only crayon in the whole damn box I'm the only sand on my beach and I don't preach what I practice; But I practice what I preach Yeah yeah yeah yeah yeah yeah yeah yeah oh oh oh oh yeah yeah yeah yeah oh oh hey Do you have a problem? Is it with me? Should I pray the Lord your soul to keep? Should I call the reaper? Or the state police? Is it martyrdom or suidice if they write a press release? SKRILLEX You looked like a deer in the headlights. SUPACREE Oh yeah? well, you looked like a bat on a windshield I'll give you ten thousand dollars if you can get that hat off her head. Are you serious? 15Gs if you can get it to touch the ground. SUPACREE we're playing a game i made up TIM We're playing a game *I* made up. SUPACREE I am you. TIM Now you've got it. I don't know what just happened— Okay— But this lady just saw down straight into my soul, where a ghost lives. You're a ghost? My soul's haunted!!! That is deep bro. …And he's got music. —So he's almost always gonna be alright And she's got—music; So she's almost-always gonna be alright. You can go ahead. It *is* funny. I don't like it. It's already hilarious. Where are we? Where *is* this? And you will *never* find me. We found you. Eyes on God. Oh My— WHAT. I'm *sorry* mom. Why are you looking at *ME*. ‘Cause I'm SORRY. Don't look at *ME* sorry. Wait. How many people can I be at once? All of them. No. Yes. Watch: [Watching.] …Watching… [Watching—gets knocked out.] Now. Now, you caught me in a bad spot; I'm getting off in dark spaces Come, come along now. Way beside, but along on my own, now. Tie your love down/ Tie your love down; Oh, Now all the way out of the way This is innosense, in a sense Go down to the shore, For the fun of it; Come now, you got to Tie down Tie down Tie down Dive down wide-eyed, Humbled with pride— While you're siding, Colliding with Idols, Confiding in no one, and residing nowhere— Nowhere to go, If they don't care ‘Who are you?' Now I'm getting caught in dark spaces; I'm getting off in a bad spot; Come, along now. Along, but way beside all on my own now In a sense, this is innocence Down, Tie Your love— Down Down, Tie your love, down All the way out of the way, Now— Oh! In a sense, this is innocence. I've got summer on my mind. ‘I take no part in the festival; if you look to kill me, I only ask that you do it quickly. ‘ What movie is this? This is ‘The Insomniac”. Oh, Okay well—what happens in it? CREE? SUPACREE. What are you DOING here? This is how I wrote The Legend of SUPACREE. I thought this was “The Insomniac”? This is how I wrote this, too. Wrote what? Just— Just. Keep. Writing. —And it doesn't stop for nothing. It really doesn't; it doesn't stop for anything. What is this. Audio. It's DJ Shit. ___ Bitch, what is your deal? I don't have one. Yes you DO. My soulmate made a deal with the devil;He sold the soul we share for success, wealth, and fame—but did not include love in the fine print. Watch this. What is this. It's a test. It's all a test. _ Open the map. I'm not gonna do that. I'm not playing. Are you insane? By standard definition? By any definition. I mean— [Some Mild Insanity.] I could be. INSOMNIAC. Who would do this. Who wrote this? Who's paying for this? Now that the stones that I Carried for The Luminaries had grown heavy, I could not carry them all at once, and at the same time was also in the process of getting smaller; So small that it would become difficult to carry one or more of the stones in my bosoms. Wow. Control your self. Wish I could. For some reason the whole world smelled like sex; There was nothing but bodies in the ripe perfection of the perfect paradisiacal air; Sunlight reflecting off of each and every thing thing that was under it..The days were long, and the nights were almost a blur, but I was less concerned with any one person or circumstance beyond my own well being for more than a fraction of the moment. But because I let it become funnier, all the while behaving as an omnipotent observer, it was unfolding quite beautifully, and very theatrically; I couldn't help but keep track of the movement around me, and how it related to my innermost reflections in this existence, seemingly everlasting. ‘--Now he's gonna cut the head off this bird, I guess.' Owh. This is beyond out of control. Unacceptable. The game hasn't started; the map isn't even open yet; Why are the refs making calls? You are OUT of BOUNDS. I'M NOT PLAYING. This is so far off the map. There's a secret passageway. They LEAKED. The MAP. All of a sudden, nothing bothered me. I was my own worst enemy, but now it seemed that I was magically washing away in my fears. Not far from freedom, I wasn't gone from the idea of what Love was, but was drawn towards a darker, more solitary cause. What is this story. I guess this is The Legend of Supacree. I'M NOT CURSED. I'm not SUPACREE. Fair. Fair. [Heavy Skrillexian Accent] FIAR!!! You're are Fired. I'm a- what? So I pulled these cards. Oh, woah, now. Drop this, here. I can't; Wow. Wow. Wow. Wooo00000wwwoooooowwwwwwWW. Do you know who you ARE? Do *you* know who I am? Oh, My God! I feel like that's an important factor. What the fuck is this show? go for the gold! I told you, the whole damn cast of; Sons of Anarchy; what on god. This all happened. *ecstatic* Ohhh Noooooo. [TIS + LEGEND OF SUPACREE + GERALD'S WORLD = ENTER THE MULTIVERSE / LEGENDS] key: live that long maybe it's not my place Maybe it's not my place to say, maybe It's not my place Maybe it's not my place, to say I'll just say grace, and clear my plate My patience [is] —- What the fuck. lol You know what? I like cake, you bitch!! Then eat some cake, you— [a death glare] —Overly-agressive person! I guess I'm just Suspiciously Capricious Kinda skittish when I'm in my kitchen scripting this in Yiddish, washing dishes in my menacingly hideous unmentionables spitting shit I didn't get to send to— …anybody interesting. #skrillex 3 Weeks Earlier… And of course, the first night I thought it either safe or warm enough to sleep entirely in the nude, the man next door somehow found it necessary to burst into my apartment, to which my lackluster and almost non-existent response became more alerting to me than the incident itself; I realized at that point, the amount of trauma I had sustained had created a nearly unexcitable individual, as I pondered the kind of reaction any ‘normal' woman might have had to that, something which may have seemed terribly frightening once upon a time, but was now, as anything else, merely comical. I had just finished what I considered to be the conclusion of ‘Season 3' of my Podcast series, still gaining an incomprehensible cult following, to which I questioned in curiosity, but none-the-less kept present, however awaiting karmic response, or some external universal backlash, as the season, which I posted all-at-once in an effort to regain some of my consciousness, as it seemed to have been ripped away in pieces– no longer belonging to myself, but a ghost that could neither decide whether it wanted to haunt or befriend me. In the early dawn, finally able to rest, I slipped into that of another vivid and astral projection of lucid dreaming–however, becoming increasingly sensitive to the notion of love, I chose not to record its happenings, only allowing the fondest of any memory I had kept from the dream sequence, a relief; as the connection I had received was both joyfully unexpected, and greatly needed. With only pending payments still pending for weeks and mere days left in the dwelling I inhabited, and almost nothing left–pennies, actually, by the American standard of conversion, I kept myself from weeping and only could depend on yet another intervention of Divinity to again rescue me, again–from this, a city which may have excited me in safety, but that I had grown to dislike increasingly, only having come with hopes of releasing The Festival Project internationally, however– with this rendition of The Electric Daisy approaching quickly within the week, my sanity became wavering under the notion that EDD had any humanity, as they had seemingly used me as some sort of experimentation, dangling the money I so desperately needed like a carrot in front of me–randomly allowing payments in my greatest moments of desperation and disparity. This disparity, however, would leave me stranded in a hostile 3rd world country. The Legend of SUPACREE I'm functioning at low capacity, I haven't eaten When I sleep, I hardly dream Or remember where I've been in Astral projections; This circle of protection, A perfection of reflected projections Of the vision, Created in our image; Imagine, Making television— I had to write a film about it Now I just remembered, I have albums, the advantage I want him, but can't have him Above average handsome man// All I am is an obsessive fan without a family Have a plan, But nothing left to stand for I'm just buried in the sand, And asking if the seagull might just hold my hand Damn I'm so damaged Damn A dine and dash sounds nice, I can't— I'm showing tracks I feel like trash, But haven't half the magic left I had inside my hands Damn After all that I just feel fat Maybe a can of cannellini beans, In place of meat Maybe a salad in a bag Can I afford that? Yeah, but then it's back to Jimmy Fallon Damn Damn My karma came back fast I left the man with Jimmy Fallon, I'm not worth ⅓ the bag of Pretzels that I smashed Inside the can of rancheros, That fell out as I ran A random act Of patriotism, Dressed up in a sinful Leather dress, And a dad hat The House Nigga caught me red handed: I told him I was hungry, then just left it [red light camera] Man. I just saw the flash Ask Uncle Sam if I can have my land back But I'd have to move my mask, And haven't been vaccinated; So I can't… Pass, Beyond the border or internationals At that, I text my fake ass friends a snap Of half of someone's head, He's sitting in first class, And can probably afford to check a bag, But all I have is my back pack And I'm certain under a black mask Is the man who backmasked tracks, And blasted from the past With ashes grey to match His privileged rich pajama, with the slacks He bounces back, And asks a fan to— “Gimmie your hat” And just like magic, she passes it. Wait, I'm actually passing, yeah? Who's actual class is this? Pasqualle's a proud headmaster, And a Bampheramph, The Captain dances in his honor I put on my cap and gown, But can't go on, and can't believe I'm being honored Valedictorian Kandi Accomplished PLUR Police and Motherfucker OG Raver Graduate, I'm still glowing up from all the love I got when coming up from under, Or something; I had to lose my temper Followed one and then another, And I wonder what was up When it was over I'm just a lover; But I never found The One, Now I'm not gonna I'm too busy seeking out producers, to compete with Got computer, complete with Ableton Don't mind me, I'm just writing all this out instead of sorting through the Dillon and the Sonny or the anyone I've ever loved just listening And listening And singing, writing, dancing; I was born inside the box, And I still haven't started living Change my name to Sunnï Daisy Raiin, I go insane in pain Just sorting me through all these possibilities inside my brain Yes, I guess I've changed LA made me everything I hate about myself And so I'm changing I don't want anything I need Just take this apathy and envy, gluttony and greed, I guess I'll serve the PLUR Police, Until I find the peace the city needs So I can sleep in it— And I can finish writing my goodbye to everyone I love; Including me— I can't be S U P A C R E E, She's just a vigilante alien, a superpowered something Who should be mixing, But she's busy writing this. What is it? It's...A Saga. A Saga of What. Just—a saga. Oh, My God. No, I'm not— This is a lot. Look I promised. Promised what. This fucking Saga. Saga for What?! Everybody else is drunk and on drugs; I'm keeping the records of history that's lost. [meanwhile, lost in the sauce] LLLAAAALLAAKANSJSKahajajaaqwqwwewwAAAAAAAHHHHHHH!!! Oh. I see. It's a lot. Ah. Carry on. Lost your shine? Lost my Skrillex! You miss it? Do I Miss—? … You know what? What. Fuck you, dude. ...no can do. [later] Are we relaxed? What is this? I need it. You fucked up. This isn't right. No, it isn't. — BLACKOUT. What happened here? Are we rolling? Cut to commercial. — Are you serious? I'm so serious!!! She's so serious. CUT TO: Grocery Store, Day [over the store radio] She's a maniac, maniac on the floor!! What is she DOING? What are you doing? I'm doing me, bitch. And she's dancing like she never has before. —cut to rave— ***WUBZ*** Who is this? I'm on my own tonight. Is she drinking?!? THATS NOT FAIR! Oh, Sweet Jesus! —regular Jesus: [to sweet Jesus] aha! It's you this time. Sweet Jesus: fuck, no fair. THIS ISN'T SKRILLEX. Sweet Baby Jesus. Sweet Jesus: (relieved) YES. Regular Jesus: Oh, you're saved. Nice. [Passes baby Jesus to Sweet Jesus, then footballing the infant into the outer realms, dusting his hands off and flexing.] Send the Messiah. Wait, which one? Yeah, whose Messiah? CUT BACK TO: ‘the rave' ...Who's baby is this? Woah, cool baby. I respect that. [The third raver simply lifts his diffraction glasses, astonished by the bedazzling baby Jesus's vibe.] Wait, Baby Jesus is bedazzled? MAYBE: CUT TO: A flash of the alternate dimension, where indeed baby Jesus is Bedazzled.] Cut back to: No, his vibe. Is he sparkling? It's his aura. Oh. Pfft. Lol. Okay. —- First of all, I've never had this many black friends before. .. Oh, my God… I am alarmed. She's so stupid… Actually, just ugly—! Eyyy. Woahhh! But now I'm— You're a fan. Hey—I ate a fan for breakfast—okay?! Literally. OKAY. Ew, gross. Just kill me. [without hesitation] HANZEL No—Ze Rulez. [Lowers Rave Weapon] __ I'm highly allergic— —Don't need Skrillex. Brought my own! — [stabs self] What is that? Oh shit, it's the EPI(c)PEN OH SHIT. Nice. It also writes. After the stab? Usually after, yes. You, have to. Oh, yeah, huh? No, you actually have to stab yourself first with it—or else it won't write. — Anyway—what were you trying to write? ...fuck, I forgot. Good job, Sonny. ___ Take me back! You wanted this. I wanted NOTHING. You got there! Agh!! Then when you did, you wanted to leave. There's no music. It's literally NOTHING. Except Jimmy Fallon. WHAT?! Since when?! What? Since literally ever. What?! No way. Let me see. Let me see. Oh my—WOAH. Let me see. Nothing is something! Unh-uh bro! What the— IT IS JIMMY FALLON. There will be Hell to pay!!!! Hell?! To pay?! Hah, yeah, right— You expect Satan to pay, dad—? He doesn't have any money—he just keeps making shit up and then making people give it to him for nothing. ...for nothing…? Yeah, literally nothing. The people that worship him go there instead of here or hell when they die. That's terrible. Yeah, and then when he gets it he keeps spending it on useless shit. He is a useless shit. He's nothing. I have to h/save my kid. // Alternately: I have to shave my kid! Lol. Okay, then. — It is terrible. Explain Jimmy— (((Jimmy Fallon has a galaxy…))) Raven Simone—*ahem* ((Incase Raven summons Raven Symons)) —-AHEM RAVEN SYMONE)) Don't forget the— RAVEN SYMONÉ. Which Jimmy—dead Jimmy or live Jimmy? Like, Jimmy Fally? Jimmy Fallon Live, Jimmy. Is this why—- JIMMY FALLON shhhhh shhhh—-!!!! they poured the pennies? Ah yeah, the last dollar… Westwood trees have good memories… What?? She can see dead people?! SO—Maybe—-maybe she can see Ricky!!!! WESTWOOOD, CALIFORNIA, 199? PASQUALE ROTELLA is a dashing young man; he and his friends are gathered, en route to a secret location. Pasquale, please— Come on, Ricky—can you tell me where we're going with these Daisies strapped to our knees????? —- There's that. Doompy Poomp Doompy* Poomp again I don't know what it's doing . ...He just does whatever he wants…

Change requires perseverance and sustained effort. Rigor must be sustained even when the outcome doesn't go the way you want it to. Listen to Everything is Everything the new episode of The Steven Thompson Experience.

As broadcast January 6, 2022 with plenty of besties to hang with in the pod lounge for the night.  Tonight with very little happening over the past few weeks and the Yard Act debut dropping tomorrow, Dan Lloyd decided to make our AMPED feature about some of the best rock debut albums of all time and Danno decided he'd follow suit in the funk and soul category as well for the first hour.  Two hours of some of the best debuts of all time, with hat tips to some artists like Beyonce, DEVO, and others that went on to become legends with hit album after hit album, along with quite a few who could never catch lighting in a bottle quite like they did with their debut LP's.  #feelthegravityTracklisting:Part I (00:00)Baby Charles – I Bet You Look Good On The DancefloorThe Chi-Lites – Are You My Woman (Tell Me So)Bill Withers – HarlemDonny Hathaway – The Ghetto (Live)The Pharcyde – Ya MamaNas – It Ain't Hard To Tell Part II (31:31)The Jimi Hendrix Experience – Third Stone From The SunAlicia Keys – Fallin' Massive Attack – Five Man ArmyErykah Badu – Otha Side of the Game (Live)Fela Kuti – My Lady Frustration Part III (64:33)Devo – Uncontrollable UrgeYard Act – PaydayGang of Four – Damaged GoodsB-52's – Dance This Mess AroundArcade Fire - Rebellion Part IV (96:37)Rage Against the Machine - Bombtrack Weezer – Buddy HollyGuns n Roses – Welcome to the JungleArctic Monkeys – I Bet You Look Good on the DancefloorStone Roses – WaterfallThe Strokes – Hard to Explain

Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Carole King's "Tapestry" for its 50th anniversary. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lURecord a Voice Memo: https://bit.ly/2RyD5Ah Featured Songs:Carole King, "It's Too Late," Tapestry, Ode, 1971The Shirelles, "Will You Love Me Tomorrow," Tonight's the Night, Scepter, 1960Little Eva, "The Loco-motion," The Loco-motion (Single), Dimension 1000, 1962Bobby Vee, "Take Good Care of My Baby," Take Good Care of My Baby, Liberty, 1961The Monkees, "Pleasant Valley Sunday," Pisces, Aquarius, Capricorn & Jones Ltd., Colgems, 1967Carole King, "It Might As Well Rain Until September," It Might As Well Rain Until September (Single), Dimension, 1962The City, "Now That Everything's Been Said," Now That Everything's Been Said, Ode, 1968Carole King, "No Easy Way Down," Writer, Ode, 1970Carole King, "Beautiful," Tapestry, Ode, 1971Carole King, "I Feel the Earth Move," Tapestry, Ode, 1971Carole King, "You've Got a Friend," Tapestry, Ode, 1971Carole King, "Tapestry," Tapestry, Ode, 1971Carole King, "(You Make Me Feel Like) A Natural Woman," Tapestry, Ode, 1971Carole King and Louise Goffin, "Where You Lead," Our Little Corner of the World Music From Gilmore Girls, Rhino, 2002Carole King, "Where You Lead," Tapestry, Ode, 1971Carole King, "So Far Away," Tapestry, Ode, 1971Carole King, "Will You Love Me Tomorrow," Tapestry, Ode, 1971Carole King, "Way Over Yonder," Tapestry, Ode, 1971Carole King, "Home Again," Tapestry, Ode, 1971Carole King, "Smackwater Jack," Tapestry, Ode, 1971James Taylor, "You've Got a Friend," Mud Slide Slim and the Blue Horizon, Warner Bros., 1971Carole King and James Taylor, "You've Got a Friend," Live At The Troubadour, Syzygy, 2010Liz Phair, "Divorce Song (Girly-Sound Version)," The Girly-Sound Tapes, Matador, 2018Lauryn Hill, "Everything Is Everything," The Miseducation of Lauryn Hill, Columbia, 1998Tori Amos, "Cornflake Girl," Under the Pink, Atlantic, 1994Rolling Stones, "Gimme Shelter," Let It Bleed, Decca, 1969

On today's episode, Kaily sits down with writer, director, editor, and producer, Sarah Adina Smith. Sarah discusses her pathway into the industry, and the differences between helming films, original TV pilots, and established episodic series'.Sarah Adina Smith has helmed multiple feature films including Buster's Mal Heart, which gave Academy Award winner Rami Malek his first lead role in a feature. Sarah also has directed pilots and episodes of television for Amazon, Hulu, HBO and FX.  Currently she is in post-production on a feature from a script she wrote called Birds of Paradise for Amazon Studios, and alongside her producing partner Jonako Donley, she's developing several TV concepts through their first look deal with Amazon under their banner, Everything Is Everything.  

Join Fara and Grant with Dr. Terry Marks-Tarlow, psychologist, scientist, artist, author, and yogini for an eye-opening discussion of how we can understand the deep interconnections between people through the lens of fractal mathematics and psychology. Fractals show how nature and the mind is structured, giving us in sight into who we are and how we move through the world. Read more at: www.markstarlow.com

In 1971, Carole King released her masterpiece, Tapestry. 50 years later, the music feels more brilliant, moving and comforting than ever. Hosts Jim DeRogatis and Greg Kot do a classic album dissection of Tapestry and talk to lyricist Toni Stern, guitarist Danny Kortchmar and drummer Russ Kunkel about their involvement on the legendary record. Become a member on Patreon: https://www.patreon.com/soundopinionsMake a donation via PayPal: https://bit.ly/36zIhZK Record a Voice Memo: https://www.micdropp.com/studio/5febf006eba45/ Featured Songs:Carole King, "It's Too Late," Tapestry, Ode, 1971The Shirelles, "Will You Love Me Tomorrow," Tonight's the Night, Scepter, 1960 Little Eva, "The Loco-motion," The Loco-motion (Single), Dimension 1000, 1962Bobby Vee, "Take Good Care of My Baby," Take Good Care of My Baby, Liberty, 1961The Monkees, "Pleasant Valley Sunday," Pisces, Aquarius, Capricorn & Jones Ltd., Colgems, 1967Carole King, "It Might As Well Rain Until September," It Might As Well Rain Until September (Single), Dimension, 1962The City, "Now That Everything's Been Said," Now That Everything's Been Said, Ode, 1968Carole King, "No Easy Way Down," Writer, Ode, 1970Carole King, "Beautiful," Tapestry, Ode, 1971Carole King, "I Feel the Earth Move," Tapestry, Ode, 1971Carole King, "You've Got a Friend," Tapestry, Ode, 1971Carole King, "Tapestry," Tapestry, Ode, 1971Carole King, "(You Make Me Feel Like) A Natural Woman," Tapestry, Ode, 1971Carole King and Louise Goffin, "Where You Lead," Our Little Corner of the World Music From Gilmore Girls, Rhino, 2002Carole King, "Where You Lead," Tapestry, Ode, 1971Carole King, "So Far Away," Tapestry, Ode, 1971Carole King, "Will You Love Me Tomorrow," Tapestry, Ode, 1971Carole King, "Way Over Yonder," Tapestry, Ode, 1971Carole King, "Home Again," Tapestry, Ode, 1971Carole King, "Smackwater Jack," Tapestry, Ode, 1971James Taylor, "You've Got a Friend," Mud Slide Slim and the Blue Horizon, Warner Bros., 1971Carole King and James Taylor, "You've Got a Friend," Live At The Troubadour, Syzygy, 2010Liz Phair, "Divorce Song (Girly-Sound Version)," The Girly-Sound Tapes, Matador, 2018Lauryn Hill, "Everything Is Everything," The Miseducation of Lauryn Hill, Columbia, 1998Tori Amos, "Cornflake Girl," Under the Pink, Atlantic, 1994Caroline Rose, "Do You Think We'll Last Forever," Superstar, New West, 2020

World topics featuring special guest program director CJ kayt KQJO radio station. State of Central Louisiana --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/avery-dupar/support

Destiny and Nadia just sit down and talk it out. 

Demi binges Homeland; and calls up her friends Mike Muse (SiriusXM), Natasha Eubanks (The YBF Politics) and Dr .Stacey Patton (Child Advocate) to discuss the latest in politics and pop culture, specifically, why so many Black men don't like Senator Kamala Harris as the VP pick, the problem with ADOS, Michelle Obama's speech at the virtual DNC and Selah Marley's childhood “trauma”, inflicted by her vary famous parents, Lauryn Hill and Rohan Marley. ModernFertility.com/RATCHET for $20 off your testSakara.com/RATCHET or enter code RATCHET at checkout for 20% off your first order Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Yooooooo! thanks for tuning in and we hope you enjoy. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/rayjmani-grant/message Support this podcast: https://anchor.fm/rayjmani-grant/support

The "everything is everything" mix by Lymetyme's DJ Mystik.

The "everything is everything" mix. Open format live mix of hip-hop, r&b, reggae, soca, 80's, 90's, and more!

The boys are back from the 4th of July holiday and are ready to roll! They get into the 2nd half of the baseball season and what it entails for the Phillies. The crew also discussed NBA free agency and everything that has happened so far up to this point as well as excitement for the upcoming football season.

We have officially made it to the last episode of the season! In ‘Everything is Everything' the girls wrap things up with a few quick topics. They introduce the ‘Mystery Box' where questions are blindly drawn. This is where things get a tad bit wild (as usual). Cheating women, hell dates, and top albums of the year are all discussed; as well as proposing the question: what would you do for the bag? Of course they had to answer for themselves, and in the end, some light is always thrown. Thank you for tuning in this week as we invite you to sit on our couch! Song: Start This S**t Off Right x Lil Wayne