Podcast appearances and mentions of freddie freeloader

En este mes de marzo se cumplen 65 años de la grabación del disco de jazz más vendido (y uno de los más influyentes) de la historia: 'Kind of Blue'. Miles Davis con John Coltrane, Cannonball Adderley, Bill Evans, Wynton Kelly, Paul Chambers y Jimmy Cobb tocando 'So what', 'Freddie Freeloader', 'Blue in green', 'All blues' y 'Flamenco sketches'.Escuchar audio

Join Brent on another exciting episode for a deep dive into jazz solos worth learning. In this special Fast Track Friday edition, he reflects on the week's episodes and shares invaluable insights into the art of storytelling through jazz improvisation. From Miles Davis's iconic solo on "So What" to Chet Baker's emotive vocal solo on "It Could Happen To You," Brent highlights 10 captivating solos that offer valuable lessons in jazz language and storytelling.Discover the melodic richness of Miles Davis's solos on "Freddie Freeloader" and "So What," perfect for beginners looking to delve into jazz improvisation. Explore the bebop brilliance of Charlie Parker's "Now Is The Time" and the thematic approach of Hank Mobley's "Someday My Prince Will Come" solo. From the rhythmic mastery of Wynton Kelly's "Freddie Freeloader" to the raw emotion of Chet Baker's vocal improvisation, these solos offer a diverse range of styles and techniques for musicians of all levels. Don't miss out on this opportunity to expand your jazz vocabulary and enhance your improvisational skills!Important Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastLearn Jazz Standards Inner Circle: Get 50% off your first month! Want to get your jazz question answered on the podcast? Click here.

This week's guest is Evan Woodle. I was turned onto Evan's playing through a previous guest of the podcast, Sheridan Riley of the band Alvvays. Evan got his start in the internationally acclaimed Roosevelt High School jazz program in Seattle before going on to earn a Jazz Studies degree from the University of Washington. Go huskies. Evan has toured the world with countless acts, but remains an ambassador for the Seattle Jazz Scene. He maintains a private drum studio, works with local jazz institution Origin Arts, and is one of the co-founders and current organizers of the Racer Sessions, a bimonthly free-improvisation series and a forum for cutting-edge composers and performers. I am a huge fan of his playing, knowledge, and perspective on music so I hope you enjoy the 5 records that helped shape Evan Woodle into the drummer he is today. Cheers! SUBMIT YOUR LISTENER PICKS HERE YONI'S BIG FAT FIVE

Playlist: Roy Hargrove Quintet: Strasbourg/St. Denis; Mingus Bigband 93: Moanin'; John Coltrane: Equinox; John Coltrane: Giant Steps; Clifford Brown, Max Roach quintet: Cherokee; Dubbelaar: Miles Davis quintet: Freddie Freeloader; Jon Hendricks, Bobby McFerrin, Al Jarreau, George Benson: Freddie Freeloader; Dave Brubeck: Blue Rondo a la Turk. Lees verder →

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Miles Davis is one of the most influential jazz musicians of all time, and his album "Kind of Blue" is widely regarded as a masterpiece. Released in 1959, the album features some of the most iconic and recognizable jazz tunes ever recorded. The album was recorded over two days in March of 1959 and was composed of five tracks, each one a masterpiece in its own right. The album was released by Columbia Records and was an instant success, going on to become the best-selling jazz album of all time. The album is widely regarded as a landmark in the history of jazz, and is often cited as the definitive example of modal jazz. Modal jazz is a style of jazz that focuses on a particular musical mode or scale, rather than traditional chord changes. The first track on the album, "So What," is perhaps the most famous. The tune is based on a simple modal scale and features solos by Davis and saxophonist John Coltrane. The tune is a masterpiece of understated elegance, and showcases Davis' masterful use of space and restraint. The second track, "Freddie Freeloader," features a bluesy solo by tenor saxophonist Hank Mobley. The tune is named after a friend of Davis' who would always show up at gigs without any money. The third track, "Blue in Green," is a hauntingly beautiful ballad that features a muted trumpet solo by Davis. The tune was actually composed by pianist Bill Evans, who also played on the album. The fourth track, "All Blues," is another modal masterpiece that features a memorable bass line by Paul Chambers. The tune is notable for its use of a 6/8 time signature, which was unusual for jazz at the time. The final track, "Flamenco Sketches," is a series of improvisations based on a simple set of chords. The tune features solos by Davis and Coltrane, and is perhaps the most experimental track on the album. "Kind of Blue" is an album that rewards repeated listening, as there is always something new to discover in the intricate interplay between the musicians. It is a timeless masterpiece that continues to inspire and influence musicians to this day. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey Z-town. We've got a swinging show for you today. We've got Zachary's own Satchmo in the booth today, Shawn Gee, and that's Mr. Gee to you students out there.He's chosen the background music by Miles Davis, search it on Alexa by the title Freddie Freeloader.After an absolutely stellar performance from the Northwestern Middle Schoolers last night, we thought it would only be appropriate to invite him to P&P to share the good things going on at Zachary Schools Music Education.

"Kind Of Blue" de Miles Davis es el título en que se centra este episodio, donde revisamos la importancia de esta obra, los músicos participantes en ella y su influencia para la escena del jazz de la época, entre otros aspectos.

Bill Evans – You Must Beleve In Spring Craft Recordings | Feb 2, 1981 1 B Minor Waltz (For Ellaine) 3:12 2 You Must Believe In Spring 5:37 3 Gary's Theme 4:15 4 We Will Meet Again (For Harry) 3:59 5 The Peacocks 6:00 6 Sometime Ago 4:52 7 Theme From M*A*S*H (aka Suicide Is Painless) 5:53 Bonus Tracks 8. Without A Song* 8:05 9. Freddie Freeloader* 7:34 10. All Of You* 8:09 Bill Evans: Piano Eddie Gomez: Bass Eliot Zigmund: Drums *previously unissued recording Engineer – Al Schmitt Liner Notes [Elegy] – Bill Lavatsky Mastered By – Doug Sax Painting – Charles Burchfield Photography By [Back Cover] – Scott Lyons Producer – Helen Keane, Tommy LiPuma Recorded at Capitol Studios, Hollywood, CA, Aug. 23, 24, 25, 1977 ///////////////////////////////////////////////////////// CORTINA FINAL My Foolish Heart Waltz For Debby Bill Evans Trio Riverside Records | Junio 25, 1962 /////////////////////////////////

W odcinku #14 podcastu Pick Please! opowiemy o legendarnej płycie jazzowej, do której Kuba zasypia, a przy dźwiękach której Łukasz… omal nie wzniecił pożaru, paląc na balkonie sziszę z kumplem :) Mowa oczywiście o Kind of Blue autorstwa Milesa Davisa, którą nosimy w sercu. Mamy nadzieję, że nasza miłość do tego krążka zarazi i was, po tym odcinku ! :)muzyka: Łukasz WojciechowskiZachęcamy też do śledzenia naszego profilu na Facebooku - https://www.facebook.com/PickPlease/

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This week is all about, perhaps, the most well known jazz solo of all time. We are taking a looks at Miles' use of negative space on his solo over Freddie Freeloader. Talking about space and resting may seem boring, but don't let this important topic go unaddressed in your playing! WANT THE PDF THAT GOES ALONG WITH THIS EPISODE?? Head over to our Patreon page and when you donate $3 or more a month you get this PDF and every other. We will also be bringing you many extras exclusively to our patrons including transcriptions and a FREE gift  of our latest Ebook, The Diatonic Method. We hope that we bring you value every week here at the 10 Minute Jazz Lesson and we appreciate all of your support!

Cada uno desde su bulín 11:32 Alejandro Dolina, Patricio Barton, Gillespi Segmento Inicial "¡Marquen a los nuestros!" 11:55 El cuidado en la cocina y los errores que cometemos 18:35 Segmento Dispositivo El virrey Ceballos, los ingleses y una novia 1:00:55 "Incurable" ♫ (Carlos Gardel) 1:13:53 Segmento Humorístico "¿Le gustas a tu amigo y tú no lo lo sabes?" 1:19:00 Sordo Gancé / Manuel Moreira 1:43:21 "Sea" ♫ (Jorge Drexler) "La canción de los Magios" ♫ (The Simpsons) "Pa' qué" ♫ (Atahualpa You Punkie Yupanqui) "Pobre corazón" ♫ (Juan Giliberti / Genaro Espósito) "Freddie Freeloader" ♫ (Cientos Miles Davis) "Smoke Gets In Your Eyes" ♫ (The Platers) "La Gallina Turuleca" ♫ (Gaby, Fofó & Miliki.... y Milikito, y Fofito y Gabito)

It's time for the first Strong Songs listener Q&A of 2020, so let's get into it! Kirk answers listener questions on topics like Zeppelin and Cake counting, the decline (and rise) of the saxophone, Muse's approach to vocal processing, whether piano is an "easy" instrument, Bruno Mars's musical magpieism, and in a first, a listener's request that Strong Songs help him solve a mystery. Update 2/25/20: Mystery solved! Fabian's mystery song is "Me, Myself, I" by Joan Armatrading. Thanks to everyone who wrote in with the answer, and thanks as well to Fabian, who did a pretty great job re-creating it from memory. REFERENCED ON THIS EPISODE: “The Ocean” by Led Zeppelin from Houses of the Holy, 1973 “Closer (feat. Halsey)” from Collage - EP by The Chainsmokers, 2016 “What’s Up Danger” by Blackway and Black Caviar from the Spider-Man: Into The Spider-Verse Soundtrack, 2018 “Overture” by Martin O’Donnell and Michael Salvatori from the Halo: Reach soundtrack, 2010 “Married Life” by Michael Giacchino from the Up soundtrack, 2009 “Song For My Father” by Horace Silver from Song for My Father, 1964 “So What” and “Freddie Freeloader” by Miles Davis from Kind of Blue, 1959 “Shake, Rattle and Roll” by Big Joe Turner from Shake, Rattle & Rock, 1958 “Baker Street” by Gerry Rafferty from City to City, 1978 “Run Away” by SunStroke Project & Olia Tira, 2010 “One Shining Soul” by Joshua Redman from Freedom in the Groove, 1996 “Muscle Museum” by Muse from Showbiz, 1999 “Nugget” by Cake from Fashion Nugget, 1996 “Ain’t That Easy” by D’Angelo and the Vanguard from Black Messiah, 2014 “Locked out of Heaven” by Bruno Mars from Unorthodox Jukebox, 2012 “Finesse” by Bruno Mars from 24k Magic, 2016 “Can’t Stand Losing You” by Sting and the Police from Outlandos D'Amor, 1978 “Poison” by Bell Biv DeVoe from Poison, 1990 “On Our Own” by Bobby Brown from the Ghostbusters II soundtrack, 1989 OUTRO SOLOIST: Galen Clark Galen Clark plays keyboard and organ and acts as bandleader for the soul jazz group Trio Subtonic; you can find playing regularly around Portland, Oregon and occasionally on tour. Find more information at their website, https://www.triosubtonic.net. 'GRAM BY 'GRAM If you're interested in occasional music and Portland-related photos and videos, follow Kirk on Instagram @kirk_hamilton. https://www.instagram.com/kirk_hamilton/ NEWSLETTER/MAILING LIST Sign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://tinyletter.com/KirkHamilton STRONG PLAYLISTS You can find playlists containing every Strong Song as well as all of Kirk's weekly music picks from his other podcast, Kotaku Splitscreen, on both Spotify and Apple Music. SUPPORT STRONG SONGS ON PATREON! A huge thank-you to all of Strong Songs's Patreon patrons! If you want to support Kirk making the show, do so here: https://Patreon.com/StrongSongs FEBRUARY 2020 WHOLE-NOTE PATRONS AccessViolation andrew walters CALEB ROTACH Chad Barnard Craig J Covell Dan Apczynski Dave Florey Glenn Jared Norris Mark Schechter Merlin Mann Ryan Torvik FEBRUARY 2020 HALF-NOTE PATRONS AJ Schuster Alex Singer Alexander Polson Amanda Furlotti Andre Bremer Andrew Baker Andrew Lee Arjun Sharma Bill Thornton Brett Douville Brian Amoebas Brooke Wilford Chas Lednicky Chris Brown Christer Lindqvist Cyrus N. White Darryl Stewart David Stroud Earl Lozada Eero Wahlstedt Elliot Jay O'Neill Emily Williams FlSHBONES Forrest Chang Gavin Doig Jacob Dye Jaehoon Jeong James Johnson Jeffrey Olson Jennifer Bush Jeremy Dawson John and Sharon Stenglein Jon O’Keefe joujou Juan Carlos Montemayor Elosua Jules Bailey Justin Liew Justin McElroy Kate Albury Kevin Morrell Kevin Pennyfeather Mark Steen Markus Koester Matt Gaskell Max Schechter Melanie Stivers Michael Blackwell Miriam Juskowicz Mueller Nate from Kalamazoo Nicholas Schechter Richard Toller Robbie Ferrero Sam Fenn samuel gardner Shane DeLeon Shaun Wiese SP Tanner Morton Tom Clewer Tom Lauer Toni Isaacson

Today, Peter and Adam walk you through how to get over any apprehension of one of the best ways to improve your skills: transcription.For an example of what a high-quality transcription looks like, check out our transcription of Wynton Kelly's solo on "Freddie Freeloader" here: https://youllhearit.com/freddie-freeloader-wynton-kelly-transcription/Make your practicing even happier with the official Open Studio Practice Journal! This is the perfect tool to improve your playing, and includes 52 weeks for a full year of notes. Learn more at https://store.openstudiojazz.com/product/practice-journal/28Like those You'll Hear It shirts Peter shows off on the podcast? Want some YHI swag of your own? Take a visit to our store! Just go to https://teespring.com/stores/open-studioLet us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel and leave a comment for this episode.Interested in more jazz advice? Go here to browse our catalog of jazz lessons and courses available for purchase.Follow us on Facebook, Twitter & Instagram at:https://www.facebook.com/heyopenstudiohttps://twitter.com/heyopenstudiohttps://www.instagram.com/heyopenstudio See acast.com/privacy for privacy and opt-out information.

Kirk opens the Strong Songs mailbag to tackle your questions about demonic fiddle playing, lousy sax solos, Led Zeppelin counting, fake-out intros, reverb, children's music, and more. REFERENCED ON THIS EPISODE: "The Devil Went Down to Georgia" by the Charlie Daniels Band from Million Mile Reflections, 1979 "The Eternal Triangle" by Sonny Stitt from Sonny Side Up, 1959 "The Jones Girl" by the Five Satins, 1956 "Stayin' Alive" by the Bee Gees from the Saturday Night Fever soundtrack, 1977 "Hot For The Mountain" and "Never Too Late" by Natalie Prass from The Future and the Past, 2018 "Destination" by Nickel Creek from A Dotted Line, 2014 "My Doorbell" by the White Stripes from Get Behind Me Satan, 2005 "It's All Over Now" by the Rolling Stones, 1964 "For The Love of Money" by the O'Jays, 1974 "Black Dog" by Led Zeppelin from Led Zeppelin IV, 1971 "Gumboots" by Paul Simon from Graceland, 1986 "You Really Got Me" by the Kinks, 1964 "Baby Beluga" by Raffi from Baby Beluga, 1980 "Bananaphone" by Raffi from Bananaphone, 1994 "Here Comes the Sun" by George Harrison from Abbey Road, 1969 "Freddie Freeloader" by Miles Davis from Kind of Blue, 1959 "Searching" by Hanne Hukkelberg from Little Things, 2005 OTHER LINKS Gal Gracen's original Tweet about the Jones Girl sax solo: https://twitter.com/galgracen/status/1176740969988800513 A few studies about the effects of music on people in restaurants OUTRO SOLOIST: Rob Reich This episode's outro soloist is the wonderful bay area pianist/accordionist Rob Reich. Rob performs all over the place with a bunch of different groups, and is a total pleasure to see play. He's got a bunch of albums you can check out and contributes to an array of interesting projects (Live silent-film scores! Circus music!) and experiments. Find more at his website, http://www.robreich.com/. NEWSLETTER/MAILING LIST Sign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://tinyletter.com/KirkHamilton STRONG PLAYLISTS You can find playlists containing every Strong Song as well as all of Kirk's weekly music picks from his other podcast, Kotaku Splitscreen, on both Spotify and Apple Music. SUPPORT STRONG SONGS ON PATREON! A huge thank-you as always to all of Strong Songs's Patreon patrons! The show is nearing its next goal, which will mean a bonus episode all about music terminology. If you want to support the show, here's the link: https://Patreon.com/StrongSongs OCTOBER 2019 WHOLE-NOTE PATRONS andrew walters CALEB ROTACH Chad Barnard Dan Apczynski Dave Florey Glenn Jared Norris Mark Schechter Merlin Mann OCTOBER 2019 HALF-NOTE PATRONS Alex Singer Alexander Polson Andre Bremer Andrew Baker Andrew Lee Arjun Sharma Bill Thornton Brett Douville Brian Amoebas Brooke Wilford Chas Lednicky Chris Brown Cyrus N. White Dominik Schmitt Earl Lozada Eero Wahlstedt Elliot Jay O'Neill Emily Williams FlSHBONES Forrest Chang Jaehoon Jeong James Johnson Jasmine Fellows Jeffrey Olson John and Sharon Stenglein Jon O'Keefe joujou Juan Carlos Montemayor Elosua Jules Bailey Justin Liew Justin McElroy Kate Albury Kevin Morrell Kevin Pennyfeather Matt Gaskell Max Schechter Melanie Stivers Michael Blackwell Miriam Juskowicz Mueller Nate from Kalamazoo Nicholas Schechter Richard Toller samuel gardner Shane DeLeon Shaun Wiese SP Tim Tom Clewer Tom Lauer

Today, Peter and Adam do their weekly breakdown of a classic solo. Today's selection: Wynton Kelly's super-swinging solo on Freddie Freeloader. See acast.com/privacy for privacy and opt-out information.

Fue editado en agosto de 1959 por el sello Columbia y significó un quiebre en su carrera: a partir de este trabajo comenzó su etapa más experimental. En este primer episodio de Grandes Discos del Jazz, “Kind of Blue”, Miles DavisMuchos críticos especializados lo han considerado como el gran álbum de jazz. Pero más allá de esas apreciaciones, no hay dudas de que se trata de un referente del jazz moderno. Y a su genialidad artística hay que sumarle el éxito comercial, ya que "Kind of blue" vendió más de cuatro millones de copias, algo inédito hasta el momento.La banda que acompaña a Miles en este trabajo es sin dudas una selección de grandes intérpretes del jazz. Ahí está el piano de Bill Evans, el contrabajo de Paul Chambers, el saxo tenor de John Coltrane, el saxo alto de Cannonball Adderley y la batería de Jimmy Cobb. Davis convocó a sus músicos en el estudio y apenas si les dio algunas indicaciones antes de comenzar a grabar. Y quizás sólo así, por el enorme talento de estos músicos, pueda entenderse cómo el resultado de la improvisación termine en semejante obra de arte.En primera instancia escuchamos “All blues”. Luego sonó “Freddie Freeloader” y, en el final, “So what”.

It's the small nuances and attention to detail that will take your playing to the next level. What sound are you trying to create? How do you get it? After you've learned the building blocks of jazz improvisation, these transcription analysis will help put you on top.

"Freddie Freeloader" - Miles Davis "Killer Joe" - Quincy Jones "Shulie A Bop " - Sarah Vaughan "The In Crowd" - Ramsey Lewis "Sugar" - Louis Armstrong "Sweet Lorraine" - Nat "King" Cole "Walk On By" - Aretha Franklin "OGD (Road Song)" - Jimmy Smith & Wes Armstrong "Sookie Sookie" - Grant Green "My Baby Just Cares For Me" [Danny Krivit Re-Edit] - Nina Simone "It's Your Thang" - Lou Donaldson "Harlem River Drive" - Bobbi Humphreys "Grazin' In The Grass" - Hugh Masekela "Soulful Strut" - Young Holt Unlimited "Hallelujah, I Just Love Her So" - Ray Charles "Between The Devil & The Deep Blue Sea" - Ella Fitzgerald "Fever" - Little Willie John "Spreadin' Honey" - The Watts 103rd Street Rhythm Band "Mercy Mercy Mercy" - Cannonball Adderley "At Last" - Etta James "Hypnotized" - Linda Jones "Let's Stay Together" - Al Green "Sittin' In The Park" - Billy Stewart "Cowboys and Girls" - The Intruders "'Mo Onions" - Booker T & The M.G.'s "The Way You Do The Things You Do" = The Temptations "I Heard It Through The Grapevine" - Gladys Knight & The Pips "Fafafafafa (Sad Song)" - Otis Redding "634-5789" - Wilson Pickett "Please Mr. Postman" - The Marvellettes "Hold On, I'm Coming" - Sam & Dave "Knock On Wood" - Eddie Floyd "Baby, I Love You" - Aretha Franklin "Your Precious Love" - Marvin Gaye & Tammi Terrell "Express Yourself" - Charles Wright "Jimmy Mack" - Martha Reeves & The3 Vandellas "Shotgun" - Edwin Starr "Tighten Up" - Archie Bell & The Drells

The DJ BILL COLEMAN Podcast - Episode 14: "Whipped Cream: Lounge Sessions vol. 1" 1. "Freddie Freeloader" - Miles Davis 2. "Why Don't You Do Right?" - Peggy Lee 3. "Between The Devil and The Deep Blue Sea" - Ella Fitzgerald 4. "Bring Down The Birds" - Herbie Hancock 5. "Whipped Cream" - Herb Alpert 6. "Watermelon Man" - Mongo Santamaria 7. "Bang Bang" - Joe Cuba Sextet 8. "Sunshine Of Your Love" - Sparky Wilson 9. "Brown Eyed Girl" - Van Morrison 10. "Sweet Caroline" - Neil Diamond 11. "Soul Bossa Nova" - Quincy Jones 12. "Draggin' The Line" - Tommy James 13. "Green Onions" - Booker T. & The MG's 14. "She's A Woman" - The Beatles 15. "Sympathy For The Devil" - The Rolling Stones 16. "I'm A Man" - Jeffrey Wright 17. "I Got A Woman" - Ray Charles 18. "Chain Of Fools" - Aretha Franklin 19. "Knock On Wood" - Eddie Floyd 20. "The Boy From New York City" - The Ad-Libs 21. "Is You Is or Is You Ain't My Baby?" - Dinah Washington peacebisquit.com myspace.com/peacebisquit myspace.com/djbillcoleman facebook.com/djbillcoleman facebook.com/peacebisquit