Podcasts about Jon Hendricks

This episode of The Other Side of the Bell, featuring trumpeter, band leader and iconic plunger mute designer Kenny Rampton, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Kenny Rampton trumpet interview"   About Kenny Rampton:   Trumpeter Kenny Rampton grew up in Las Vegas, and studied music at both the University of Nevada at Las Vegas and the Berklee College of Music. In 1989, he moved to New York, where he quickly established his reputation as a versatile musician, touring and performing with a veritable who's who in jazz.   Kenny's first road gig was a world tour with The Ray Charles Orchestra. He subsequently went on the road with legendary jazz drummer Panama Francis and The Savoy Sultans, and soon thereafter, with The Jimmy McGriff Quartet.   As a sideman, Kenny has also performed with jazz greats Jon Hendricks, Chico OFarrill's Afro-Cuban Jazz Big Band, Lionel Hampton, Charlie Persip and Supersound, Illinois Jacquet, Dr. John, Edy Martinez, Dr. Lonnie Smith, Reuben Wilson, Charles Earland, Tony Monaco, Clark Terry, Slide Hampton, Marcus Roberts, Christian McBride, Geoff Keezer, Richard Bona and a host of others.    Kenny Rampton joined the Jazz at Lincoln Center Orchestra with Wynton Marsalis as a full time member in 2010. He also leads his own groups in addition to performing with the Mingus Big Band, The Mingus Orchestra, The Mingus Dynasty, George Gruntz' Concert Jazz Band, and The Manhattan Jazz Orchestra.   Kenny is also well known as being the trumpet voice on the legendary Sesame Street. Some of his Broadway credits include "Anything Goes" (lead/solo trumpet), "Finian's Rainbow," "The Wiz," "Chicago: The Musical," "In The Heights," "Hair," "Young Frankenstein," and "The Producers," "The Drowsy Chaperone," "Spamalot," "Martin Short: Fame Becomes Me," "The Wedding Singer," "Hot Feet" and several other shows on Broadway.   Finally, in 2020 Kenny started collaborating with Hirschman Mutes to design the innovative KR Indigo plunger mute, which has been a hit ever since its release.   In our conversation today, Kenny shares how he got his start growing up in Las Vegas in a family of entertainers. Studying trumpet at the time largely meant classical trumpet, but Kenny soon developed a deep love for jazz. This took him across the country to Berklee, and the rest is history.   Kenny tells us what it was like getting a sudden call from Ray Charles to join his orchestra, being on-screen on Sesame Street, and working closely with Wynton Marsalis at the Lincoln Center.   And, we learn the story of how he developed the famous KR Indigo plunger mute, in the midst of the pandemic, as not just a useful tool for musicians but a way to stay engaged with the community during that tough time.   Kenny Rampton is brimming with inspiration and heart, and it was a pleasure to have him on the podcast today.   Podcast listeners! Enter code "podcast" at checkout for 15% off any of our guard bags! Visit trumpetmouthpiece.com for more info.   Episode Links: kennyrampton.com National Trumpet Competition YouTube channel International Women's Brass Conference, May 19-24, Hartford, Connecticut. Sign up sheet for valve alignments: bobreeves.com/iwbc International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. Sign up sheet for valve alignments: bobreeves.com/williamadam hirschmanmutes.com   Podcast Credits: “A Room with a View“ – composed and performed by Howie Shear Podcast Host – John Snell Audio Engineer – Ted Cragg

durée : 00:59:24 - " Doodlin' " (Horace Silver) (1954) - par : Laurent Valero - "Thème en forme de simple riff, très swinguant avec une très grande efficacité. Horace Silver pianiste d'origine cap-verdienne a débuté par le saxophone, pionnier du hard bop avec un jeu de piano très caractéristique et reconnaissable par son côté rythmique, spontané et même joyeux." Laurent Valero

durée : 00:59:24 - " Doodlin' " (Horace Silver) (1954) - par : Laurent Valero - "Thème en forme de simple riff, très swinguant avec une très grande efficacité. Horace Silver pianiste d'origine cap-verdienne a débuté par le saxophone, pionnier du hard bop avec un jeu de piano très caractéristique et reconnaissable par son côté rythmique, spontané et même joyeux." Laurent Valero

Larry Vuckovich is an acclaimed Yugoslavian-born, 89 years young, jazz pianist. He achieved fame after immigrating to the United States. He performed with all the jazz greats including Dexter Gordon, Philly Joe Jones, Jon Hendricks, Mel Torme, Tony Bennett, Bobby Hutcherson and Bobby McFerrin. He was the first one to fuse Balkan ethnic music with American jazz. Last year he received a Lifetime Achievement award from his former country which was given to him at the Nisville Jazz Festival in Serbia. And he's got his own YouTube channel too!My featured song is my version of Miles Davis's "All Blues" from the album Miles Behind. Spotify link.    ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“LOVELY GIRLIE” is Robert's new single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Jane Monheit canta con letra suya en inglés 'My Brazil' y 'New Beginning', de Ivan Lins, en su disco 'Jane Monheit' junto a canciones como 'In a world of my own' y 'On a clear day you can see forever' y, Samara Joy, 'No more blues' -que no es otra que 'Chega de saudade' de Jobim con letra en inglés de Jon Hendricks- en el disco 'Portrait' junto a 'Day by day', 'Autumn nocturne' o 'You stepped out of a dream'. Abre y cierra la Orquestra Jazz de Matosinhos con 'Linha de passe', 'Organdi e gomalina' y 'Canto para Nanã'. Escuchar audio

Leslie Uggams' long-standing place in American pop culture matches that of any pop diva of similar longevity, going back all the way to her days as a child star on 1950s television variety and game shows. She won a Tony in 1967 for her performance in the musical Hallelujah, Baby, and she was the first African American woman to host her own variety show, the short-lived Leslie Uggams Show, which I, as a little homo-in-training, soaked up like a sponge! These days she's also celebrated for her participation in the Deadpool franchise and other high-profile projects. Today I've decided to shed some light on her status as a pop icon in the late 1960s, focusing on her three albums for Atlantic Records and subsequent releases in the 1970s on Dionne Warwick's Sonday Records label and Motown Records, in other words, the period from just before Hallelujah, Baby leading up to just before her starring role in the earth-shattering 1977 miniseries Roots. Uggams reveals herself to be a versatile entertainer of the first order, performing songs by everyone from Holland-Dozier-Holland to Burt Bacharach, from Jimmy Webb to Waylon Jennings, from Jon Hendricks to Jackie DeShannon, including the very first official commercial release of the Leiber and Stoller song “Is That All There Is,” a year before it became a massive hit for Peggy Lee. The episode ends with a pair of protest songs recorded in 1968. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary/Neo Jazz/Samba/ Be Bop/ Jazz Crackers From George Cables, Chris Hinze & The Chris Hinze Combination, Egba, Bobbi Humphrey, Nat Adderley, Agua Bella, Fabiano Orchestra, Terumasa Hino, Pharoah Sanders, Gerardo Frisina, Two Banks Of Four, Hugo Fatturuso, Jon Hendricks, Eddie Palmieri & More #originalpirates #JazzMusic #jazzfunk #jazzclub #jazzdance #neojazz #sambajazz #bebop Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm

ARTIST BIOGRAPHY - JON HENDRICKS Jon Hendricks is not only one of the world's favorite jazz vocalists, but is widely considered to be the "Father of Vocalese", the greatest innovator of the art form. Vocalese is the art of setting lyrics to recorded jazz instrumental standards (such as the big band arrangements of Duke Ellington and Count Basie), then arranging voices to sing the parts of the instruments. Thus is created an entirely new form of the work, one that tells a lyrically interesting story while retaining the integrity of the music. Hendricks is the only person many jazz greats have allowed to lyricize their music, for no one writes hipper, wittier, or more touching words, while extracting from a tune the emotions intended by the composer, more sympathetically than Hendricks. For his work as a lyricist, jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz" while Time dubbed him the "James Joyce of Jive." Born in 1921 in Newark, Ohio, young Jon and his fourteen siblings were moved many times, following their father's assignments as an A.M.E. pastor, before settling permanently in Toledo. As a teen Jon's first interest was in the drums, but before long he was singing on the radio regularly with another Toledo native, the extraordinary pianist Art Tatum. After serving in the Army during WWII, Jon went home to attend University of Toledo as a Pre-law major, courtesy of the G.I. Bill. Just when he was about to enter the graduate law program, the G.I. benefits ran out, and he realized he'd have to chart a different course. Recalling that Charlie Parker had, at a stop in Toledo two years prior, encouraged him to come to New York and look him up, Hendricks moved there and began his singing career. In 1957 he teamed with Dave Lambert and Annie Ross to form the legendary vocal trio Lambert, Hendricks, and Ross. With Jon as lyricist, the trio perfected the art of vocalese and took it around the world, earning them the designation of the "Number One Vocal Group in the World" for five years in a row from Melody Maker magazine. After six years the trio disbanded for solo careers, but not before leaving behind a catalog of legendary recordings, most of which have never gone out of print. Countless singers cite the work of LH&R as an influence, from the Manhattan Transfer to Al Jarreau to Bobby McFerrin. Pursuing a solo career, Hendricks moved his young family to London in 1968, partially so that his five children could receive a better education. While based in London he toured Europe and Africa, performed frequently on British television, and appeared in the British film Jazz is Our Religion and the French film Hommage a Cole Porter. His sold-out club dates drew fans such as the Rolling Stones and the Beatles. Five years later the Hendricks family settled in California, where Jon worked as the jazz critic for the San Francisco Chronicle and taught classes at California State University at Sonoma and the University of California at Berkeley. A piece he wrote specifically for the stage about the history of jazz, Evolution of the Blues, ran an unprecedented five years at the Broadway Theatre in San Francisco and another year in Los Angeles. His television documentary, Somewhere to Lay My Weary Head, received Emmy, Iris, and Peabody awards. Hendricks recorded several critically-acclaimed albums on his own, some with his wife Judith and daughters Michele and Aria contributing. He collaborated with old friends The Manhattan Transfer for their seminal 1985 album, Vocalese, which won seven Grammy Awards. He's served on the Kennedy Center Honors committee under Presidents Carter, Reagan, and Clinton. In 2000, Hendricks returned to his hometown to teach at the University of Toledo, where he was appointed Distinguished Professor of Jazz Studies and received an honorary Doctorate of the Performing Arts. He was recently selected to be the first American jazz artist to lecture at the Sorbonne in Paris, a university established in the year 1248. His fifteen voice group, the Jon Hendricks Vocalstra at the University of Toledo, performed to a standing ovation at the Sorbonne earlier this year. As if perfecting one original art form weren't enough, Hendricks now finds himself happily penning lyrics to some of the world's most beautiful classical pieces. The Vocalstra is currently preparing to give the world premiere of a vocalese version of Rimsky-Korsakov's lush "Scheherazade" with the Toledo Symphony in February 2003. Summer of 2003 will find Jon on tour with the "Four Brothers", a quartet consisting of Hendricks and three of the best-known male vocalists in jazz: Kurt Elling, Mark Murphy, and Kevin Mahogany. Next for Dr. Hendricks is lyricizing and arranging Rachmaninoff's 2nd Piano Concerto, as well as work on two books, teaching, and continued touring with his Vocalstra. He also makes an appearance in the upcoming Al Pacino film, People I Know. http://www.harmonyware.com/JonHendricks/bio.html

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Lady Bianca is an American electric blues singer, songwriter and arranger. Lady Bianca has worked as a session singer, depicted Billie Holiday on stage, and since 1995 released six solo albums, three of which were nominated for a Grammy Award. Born Bianca Thornton, in Kansas City, Missouri, her first exposure to music was through gospel, and she studied at the San Francisco Conservatory of Music. Her first professional gig was with Quinn Harris and the Masterminds, when she was aged 17. Harris dubbed her 'Lady Bianca', and the combination contributed two tracks to a compilation album released by Reynolds Records in 1970. In 1972, she played the role of Billie Holiday in the San Francisco stage production of Jon Hendricks' Evolution of the Blues. In the mid 1970s, she worked in various clubs in the San Francisco Bay Area, where she met bass guitarist Henry Oden. They were subsequently married for 15 years. She then joined Sly and the Family Stone as backing vocalist and keyboard player, and appeared on their 1976 album, Heard Ya Missed Me, Well I'm Back. Starting in October the same year, she toured for one month with Frank Zappa in North America, and a recording of her singing "Wind Up Workin' in a Gas Station" appeared in 1992 on You Can't Do That on Stage Anymore, Vol. 6. The complete concert of 29 October 1976 in The Spectrum, Philadelphia (with Lady Bianca singing on several tracks) was published on two CDs by the Zappa Family Trust in 2009, entitled Philly '76, on which she is credited as Bianca Odin. The release included the previously released version of "Wind Up Workin' in a Gas Station," as well as "Dirty Love" and "You Didn't Try To Call Me." She is also heard employing the technique of multi-phonics with her voice on a wordless solo in "Black Napkins." After November 11, she left the band because of conflicts with Zappa. When not touring, she performed locally in the recording studio, backing musicians such as Lee Oskar, Merle Haggard and Taj Mahal. In 1977, she co-founded the short-lived ensemble Vitamin E, and they released the commercially doomed Sharing album on Buddah Records. Lady Bianca then joined another group, Zingara, which was set up by Lamont Dozier in 1980. The trio included James Ingram, Wali Ali and Lady Bianca, but again, it did not have any lasting appeal. Between 1981 and 1986, Lady Bianca toured with and recorded backing vocals for Van Morrison, appearing on recordings such as Beautiful Vision (1982), Inarticulate Speech of the Heart (1983), Live at the Grand Opera House Belfast (1984), A Sense of Wonder (1985), and No Guru, No Method, No Teacher (1986). Lady Bianca also worked with John Lee Hooker and Willie Dixon. In 1984, she met Stanley Lippitt, a songwriter and her eventual husband. She continued to perform locally and undertook more low-key recording work. After recording demos with Lippitt, she was noticed by Joe Louis Walker who helped arrange a recording contract. Her debut solo album, Best Kept Secret was released in 1995 on Telarc Distribution. Her backing vocals work continued in the 1990s, when she worked with Frankie Lee and Maria Muldaur. Lady Bianca's next solo effort was the critically acclaimed Rollin' (2001), which was released on the Rooster Blues label. Bianca formed her own record label, Magic-O Records, and with Lippitt have their own production and publishing company. Further albums were recorded and issued on Magic-O. These included All by Myself (2004), Let Love Have Its Way (2005), Through a Woman's Eyes (2007), and A Woman Never Forgets (2009). In April 2007, at the Bay Area Black Music Awards, Lady Bianca was awarded as Best Blues Performer. In March 2008, she was voted into the West Coast Blues Society Hall of Fame. In 2009, she appeared with Van Morrison at the Royal Albert Hall in London. Lady Bianca and the Magic-O Rhythm Band have appeared at many blues music festivals, including the San Francisco Blues Festival in 1987,

With inspiration from his stylistic ancestors Nat King Cole and Joe Williams, John Dokes brings new life to the deep-souled world of baritone jazz vocals on his elegant new album, Our Day on his Swing Theory Entertainment imprint. In delivering a distinctive post-pandemic outing of classic songs embodied with hopeful passion, Dokes—also promises that his new endeavor is “an album that will make you move.” Our Day features songs associated with Cole (such as the smooth low-toned “Almost Like Being in Love,” the delightful Rodgers and Hart gem, “This Can't Be Love,” the Latin-vibed “L.O.V.E.” that elicits dancing), two vocalese numbers (Jon Hendricks' take on one-time Jazz Messenger composer Bobby Timmons' “Moanin',” Mark Murphy's swinging run through Freddie Hubbard's “Red Clay”), the full-energy pop vibe on Billy Ocean's hit “Suddenly,” the calming Michel Legrand tune “I Will Wait for You” made famous from the Frank Sinatra songbook. “I grew up dancing hip-hop, I made a transition to something that I could do for a longer time in my life,” says Dokes. “I switched to Lindy Hop also known as swing dancing. I came to singing later in my life, but I gravitated to the music I was most passionate about—the eras of the ‘40s, ‘50s, early ‘60s. I started picking songs that really moved me. Dokes' last two albums were quintet affairs. For Our Day, he convened a nonet that includes members of the New York-based George Gee Swing Orchestra where he launched his career as a vocalist. (He documented that with his debut album, John Dokes Sings, George Gee Swings.) Key to the album's success is the arranging of Gee's musical director trombonist David Gibson. “Dave is a great arranger,” Dokes says. “He provides layers for the nonet where everyone has a chance to shine on solos as he fills up the space with his lines.” Now, with his fourth album, Dokes has fully arrived. There's not a dull moment on Our Day. He opens with “Our Day Will Come.” “It's a love song,” Dokes says. but it's also an opening from the past. Now is our time. Now is our day. It's really a song about us as a band coming back together.” Originally, Dokes was in the midst of fashioning a trilogy of quintet recordings (2017's Forever Reasons and 2019's True Love on Ian Hendrickson-Smith's Rondette Jazz label). While the third album is still in the works, a couple of events intervened. “I got derailed,” says Dokes. “First, my drummer Lawrence Leathers died after True Love came out. I moved to Chicago with my wife and two children. Then there was the pandemic that changed how I was looking at the future. I had to restart my brain. I decided to work on some of my material that had never been recorded. I contacted George Gee and he was working on his nonet's Christmas album in May 2023, so we combined that with David arranging my album. It was a back-to-back operation of small big bands.” The nonet comprises saxophonists Anthony Nelson Jr. and Michael Hashim, multi-reeds player Patience Higgins, trumpeters Freddie Hendrix and Andy Gravish, Gibson on trombone. pianist Steve Einerson, bassist Malik McLaurine and drummer Chris Latona. A native of Little Rock, Arkansas who grew up living in Oakland, California, Dokes never dreamed of becoming a professional singer even though he was fascinated by black-and-white reruns of Nat Coles' short-lived 15-minute network television show that ran on NBC in 1956. “I watched them nonstop before I ever thought about singing,“ Dokes says. “But there was his elegance, his smoothness, his ease. That resonated with me. And it informed how I approach my singing today. I don't dive into a lot of vocal acrobatics - but like some of my favorite acrobatic and non-acrobatic singers I like to lean in and tell the story to connect with my audience.” His father was steeped in music while Dokes was growing up. He played Nat King Cole albums in the house, and he was in an r&b band in the Bay Area in the ‘70s that often opened for soul/r&b stars of the day like The Whispers and The Stylistics. He moved to New York and became a regular at swing dance shows including dates by the George Gee Swing Orchestra. One of his dance partners was the legendary Lindy Hopper, cabaret star, alto sax player Dawn Hampton, the cousin of jazz hero Lionel Hampton and sister of legendary trombonist and composer Slide Hampton. She told him that she really liked his voice when he was dancing. “If Dawn likes my voice, I'm going to surprise her one night and sing a couple of songs with George's band. George only knew me as a dancer. He saw my potential and asked me to join the band. That built my confidence and gave me the path to get better.”

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Enjoy a playlist thick with music about the times we live in--courtesy of Jamie Baum, Black Lives and Ben Sidran--, the new album by Italian singer Gegè Telesforo [pictured], and two album by, and featuring, Dayna Stephens. The playlist also features Kokayi, Aubrey Johnson; Christian Mascetta; Clark Terry, Jon Hendricks; Alexis Valet Detailed playlist at https://spinitron.com/RFB/pl/18809727/Mondo-Jazz [from "Sorrow Song" to "Ups and Downs"]. Happy listening! Photo credit: Gianluca di Santo.

Brent, Nate, and Kate leap into the 1992 American sports comedy film White Men Can't Jump starring: Woody Harrelson as Billy HoyleWesley Snipes as Sidney DeaneRosie Perez as Gloria ClementeTyra Ferrell as Rhonda DeaneCylk Cozart as RobertKadeem Hardison as JuniorErnest Harden, Jr. as GeorgeNigel Miguel as Dwight "The Flight" McGheeDuane Martin as Willie LewisFreeman Williams as Duck JohnsonLouis Price as Eddie "The King" FarooMarques Johnson as RaymondEloy Casados as Tony StucciBill Henderson, Sonny Craver & Jon Hendricks as the Venice Beach BoysAlex Trebek as HimselfAllan Malamud as Rocket Scientist Hosted on Acast. See acast.com/privacy for more information.

Councilwoman Cerssandra McPherson and Mayor Kapszukiewicz ring in Black History Month talking about Toledo's Jazz History. Listen along as they discuss Toledo legends like Art Tatum, Jon Hendricks, and Rusty's Café. Glass City Jazz Fest comes back in August, but the spirit of Jazz is present year-round in Toledo!

We're back! Our spring season ('spring' is a bit 'hopeful' at the moment and also autumn for southern hemisphere listeners) opens with a look at vocal jazz in the cool company of the sextet, STANDARD DEVIATION. Ever tried it yourself and wondered just how it works? Now you can. Robert is joined by Tegan Eldridge, Olivia Hugh-Jones, Nell Norman, Hugh Beckwith, Harry Baker and Tom Lowen.TRACK LISTING :Swingin' Till The Girls Come HomeOscar Pettiford & Jon Hendricks, arr. Harry BakerA Red Red Rosetrad./Burns, arr. Edward Randell (ex-Swingle)I Know You KnowEsperanza Spalding, arr. Aled WalkerSupport this show http://supporter.acast.com/choral-chihuahua. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:59:46 - Banzzaï du mardi 02 janvier 2024 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.

Here's another great compilation album from my father's collection. It's filled with music from some pretty big names in the music world. And every tune swings…hard. There is some serious 1950s grooving going on within these recordings. And it was put together to promote pens. And not the ballpoint kind. So, get ready to hear some of the most uptempo music you'll find on this show with Volume 154: Swingin' Sounds. Credits and copyrights Various – Swingin' Sound! Label: Columbia Special Products – XTV-8229 and 30 (each side has a number) Format: Vinyl, LP, Compilation, Limited Edition, Stereo Nobody seems to know when this ablum was released, it's not even listed on the CSP discography with a date, but I'm going with about 1961 or 62.  Genre: Jazz, Classical Dave Brubeck - I'm in a Dancing Mood written by Al Hoffman, Al Goodhart, and Maurice Sigler recorded at Newport Jazz Festival July 6, 1956. Duke Ellington - Perdido written by Juan Tizol First recorded on January 21, 1942. Ellington went on to record this song many times and I'm not sure when the version you just heard was recorded. Buddy Greco - The Lady Is A Tramp written by Richard Rodgers, and Lorenz Hart recorded at Le Bistro, on Rush Street in Chicago some time in 1959. André Previn, His Piano And Orchestra - Like Love written by André Previn, and Dory Previn Released in 1960 Lambert, Hendricks & Ross - Cloudburst written by Jon Hendricks, Leroy Kirkland, and Jimmy Harris Dave Lambert, Jon Hendricks and Annie Ross Recorded that in 1959 The Dave Brubeck Quartet With Carmen McRae - Paradiddle Joe Written by John Morris Recorded in New York City on September 9, 1960 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

A jazz musician since the 1970s, Keith Oxman, toured with the Buddy Rich big band in 1986 and has played with artists including Art Blakey, Sonny Stitt, Red Holloway, Pete Christlieb, Jack McDuff, Phil Woods, Dave Brubeck, Jon Hendricks, Pete Christlieb, Louis Bellson, Pearl Bailey, The Temptations and The Fifth Dimension. He has eleven CDs on the Capri Records label. Two of his CDs were with John Coltrane's trombonist Curtis Fuller, one with liner notes written by Benny Golson. Keith is also a sideman on two of Curtis Fuller's CDs and a CD by Charles McPherson, and he has been a sideman on other recordings that have come out commercially but are not on the Capri label. His 2020 CD release with Houston Person, Two Cigarettes In The Dark (liner notes by Charles McPherson), was widely reviewed and was on the National Top 50 Jazz Week Chart for over two months. It received a 4-star review in the June 2020 issue of DownBeat magazine. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

On the show this week I'll be joined by two guests who are part of the headliners for this years Cambridge Jazz Festival, I'll be speaking to both Cleveland Watkiss MBE about his biographical tribute show around Jon Hendricks and Bluey from Incognito talking all about their Cambridge show alongside the new albumTune into new broadcasts of Lock And Stock, Friday from 8 – 10 AM EST / 1 - 3 PM GMT.For more info visit: https://thefaceradio.com/lock-and-stock//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Playlist: Roy Hargrove Quintet: Strasbourg/St. Denis; Mingus Bigband 93: Moanin'; John Coltrane: Equinox; John Coltrane: Giant Steps; Clifford Brown, Max Roach quintet: Cherokee; Dubbelaar: Miles Davis quintet: Freddie Freeloader; Jon Hendricks, Bobby McFerrin, Al Jarreau, George Benson: Freddie Freeloader; Dave Brubeck: Blue Rondo a la Turk. Lees verder →

This is the last of my 4 part series on folk songs ‘jazzified’. I also introduce you to some Western Swing—which combines so many different genres. I play jazz recordings by The Stanley Clarke Trio with Hiromi, John Coltrane, Vince Guaraldi, Big Miller with Jon Hendricks, Seattle’s Floyd Standifer, and the wonderful Icelandic pianist Sunna…Continue reading Episode 242: More Folk ‘n Jazz.

For many black musicians, jazz was more than a gig and a way to make bread. Cecil McBee, Jon Hendricks, Rashied Ali, Doug Carn and Vincent Pelote speak about the importance of this music in their lives and its role in bridging the distance between races, on and off the bandstand.

Jazz is one of America's most original art forms. Its origins are well documented but controversy regarding ownership and race vs. skill persist. The opinions that matter most are offered by the practitioners. Jon Hendricks, Frank Foster, Lionel Hampton, Clark Terry and Louis Bellson weigh in on the topic of jazz and race.

Sintonía: "Halloween Spooks""Main Stem", "I Don´t Know What Kind Of Blues I´ve Got", "Things Ain´t What They Used To Be", "What Am I Here For?", "In A Mellow Tone", "Caravan", "Come On Home", "The New ABC", "Hi-Fly", "Popity Pop", "Mr. PC", "A Good Git Together" y "All Too Soon". Todas las canciones interpretadas por Lambert, Hendricks & RossTodas las canciones extraídas del CD 2 de la recopilación "The Hottest New Group In Jazz" (1959-1961) (Jazz Images, 2018)La 1ª parte de este díptico se emitió el 01/06/2023El E.P. de 4 canciones de Jon Hendricks se emitió en el programa "Detroit Jazz City, Workshop Jazz Singles", emitido el 20/06/2023Escuchar audio

This example of a “sunny song” is a little different from the previous ones because what makes me happy when I hear it is not the message itself. Or, rather, the medium is the message. The message is under the surface, or perhaps on the surface, or threaded throughout it. It's a message about team work - a premier example of interracial / inter-gendered cooperative, coming together to create a mosaic masterwork of such intricacy that you can't tell with whom it begins or ends. Jon Hendricks, the master of vocalese, the “James Joyce of Jive”, wrote the lyrics to this1945 Woody Herman instrumental rhumba, and L,H,&R revivify it with breathy delicacy. There is a fractured story about a guy searching Istanbul for a dancing girl, “Bijou” (his jewel)  that has captured his imagination. But, it's really just the repetition of that name, Bijou, bouncing back and forth from voice to voice, that crochets the musical magic into an unforgettable fabric. I first became aware of Lambert, Hendricks, and Ross, and the vocalese technique, through the unpredictable medium of Joni Mitchell, who covered Annie Ross's “Twisted” on one of her albums. And that rendition led me to this cut, whose brilliant shards of musical and lyrical data immediately shot into my brain, implanting an ear worm that still brings a smile as it plays in my head 50 years later.  And, when I was creating my list of sunny songs, it was right there, just like the memory of a perfect, perfumed summer evening. 

Sintonía: "Interlude" - Bobbie Gentry "I Remember You" - Hank & Carol Diamond; "Opus No.3" y "March Lightly" - Earl Washington All Stars; "Late Freight" y "Mellow In Coli" - Dave Hamilton; "I´mi See You Later" y "I Did" - Johnny Griffith Trio; "Bobbie" y "El Rig" - George Bohannon Quartet. Todas las músicas extraídas del álbum "Detrot Jazz City: Workshop Jazz Singles 1962-63" (Honey Pie Records) "I´m Gonna Shout", "I´ll Die Happy", "Minor Catastrophe" y "Feed Me", compuestas e interpretadas por Jon Hendricks, y extraídas de la recopilación de Lambert, Hendricks & Ross, "The Hottest New Group In Jazz" (Jazz Images, 2014) "Summertime" - Lambert, Hendricks & Ross Escuchar audio

Matt & Rich are joined by guest presenter Dr Zoot this week as Blow Up celebrates International Jazz Day. We've got some latin flavoured jazz from Tito Puente, classic instrumentals from Jimmy Smith and Tubby Hayes, plus of course plenty of mod jazz from Mose Allison, Jon Hendricks, Jimmy Drew and Mark Murphy.Tune into new broadcasts of Blow-Up, Sunday from 8 - 10 AM EST / 1 PM - 3 PM GMT, in association with Brisbane's 4ZZZ.For more info visit: https://thefaceradio.com/blow-up///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Len and Beave talk through the latest Facebook bracket, which asks the Diamond Listeners to pick the best singer of all time. What constitutes a great singer? Is Bob Dylan a great singer? Why aren't Kenny Rogers or Huey Lewis in this bracket? Beave struggles to name the #1 seeds in the bracket, while guessing the #2 seeds instantly. The studio audience in Woodridge, IL heckles some of the omissions from the bracket, to everyone's surprise. Len makes some last-second switches to the bracket, and the singers who were cut express their displeasure through multiple faxes to Beave. Tune in for musical learnings.

Jazz keyboardist, owner of the new club -- Keys Jazz Bistro -- Simon Rowe discusses the club's programming, the pool of local and national musicians he's drawing from, his own roots as a musician, the venue's food and beverage menu, and more. Along the way we cover some North Beach jazz history and touch on the musics of David Crosby and Jon Hendricks. Keys is at the corner of Kearny and Broadway, once the site of the El Matador jazz club. The website is keysjazzbistro.com.

Hoy es el último Vinilos para Gatos de este año razón por la cual nos ha apetecido mucho acercarnos un disco que consideramos muy especial. Y decimos que es especial porqué consigue unir la música de los de los más grandes artistas del jazz de todos los tiempos. El nombre del trabajo lo dice todo: Carmen Sings Monk, es decir, la vocalista, pianista y compositora Carmen McRea interpretando brillantes versiones de temas del genio Thelonius Monk, algunos de ellos tan conocidos como Round Midnight, Straight no Chaser o We’ll You Needn’t se combinan con composiciones que no han tenido tanta difusión pero que son igualmente hermosas, como la maravillosa Ruby, my Dear o Ugly Beauty. Un larga duración impresionante que va a ser nuestro ilustre invitado en el programa de hoy. TRACKS: Todos los temas originalmente compuestos por Thelonius Monk. Entre paréntesis os ofrecemos primero el titulo original del tema y a continuación el nombre del/la letrista. 1-"Get It Straight" ("Straight, No Chaser") (Sally Swisher) – 3:58 2-"Dear Ruby" ("Ruby, My Dear") (Swisher) – 6:01 3-"It's Over Now" ("Well, You Needn't") (Mike Ferro) – 5:28 4-"Monkery's the Blues" ("Blue Monk") (Abbey Lincoln) – 4:56 5-"You Know Who" ("I Mean You") (Coleman Hawkins, Jon Hendricks) – 3:31 6-"Little Butterfly" ("Pannonica") (Hendricks) – 5:15 7-"Listen to Monk" ("Rhythm-a-Ning") (Hendricks) – 3:05 8-"How I Wish" ("Ask Me Now") (Hendricks) – 4:56 9-"Man, That Was a Dream" ("Monk's Dream") (Hendricks) – 2:55 10-"'Round Midnight" (Monk, Cootie Williams, Bernie Hanighen) – 6:32 11-"Still We Dream" ("Ugly Beauty") (Ferro) – 3:27 12-"Suddenly" ("In Walked Bud") (Hendricks) – 3:41 13-"Looking Back" ("Reflections") (Hendricks) – 5:35 Tracks en el CD original pero que no aparecían en el LP (por cuestiones relativas a la duración del formato) 14-"Suddenly" – 3:13 15-"Get It Straight" – 3:26 Versiones añadidas en la reedición del disco del año 2001. "'Round Midnight" (Alternate Version) – 7:11 "Listen to Monk" (Alternate Take) – 2:59 "Man, That Was a Dream" (Alternate Take) – 3:23 CREDITS Carmen McRae - vocals Clifford Jordan - soprano saxophone, tenor saxophone Eric Gunnison - piano George Mraz - double bass Al Foster - drums Live at Great American Music Hall on January 30 & February 1, 1988 (tracks 1 & 12) Charlie Rouse - tenor saxophone Larry Willis - piano George Mraz - double bass Al Foster - drums

What's so funny about Larry Goldings?  He has been such a major musical force for so long, it's hard to remember a time when he was not around. He's one of the most accomplished, respected and admired hammond organ players alive and much of his career has been devoted to that instrument.  The trio he formed in the early 90s with guitarist Peter Bernstein and Bill Stewart has been one of the pillars of his musical life for over 30 years, and the three have remained United for decades. Their most recent record, Perpetual Pendulum, was released earlier this year. The recording session for the album marked the 30th anniversary of the release of their first record together - the 1991 album The Intimacy of the Blues. Larry eventually moved to the West Coast and carved out a reputation as not only a jazz musician but also a highly sensitive session player, sideman, collaborator, songwriter, and film composer.  Goldings is also no stranger to social media: For years he has posted clips of himself - not only musical, but also what you might describe as schtick or comedy. His alter ego, Hans Groiner, for example, claims to be an Austrian accordion player, pianist, educator and Thelonious Monk specialist who has  improved Monk's music by making it "more relaxing, and less offensive to the ear." In recent years he's also become a regular fixture with Scary Pockets, the LA based YouTube famous funk collective. Larry Goldings and Scary Pockets even have their own side project called Scary Goldings, they've recorded a bunch of albums and videos together, and over time have brought in Larry's longtime friend John Scofield to join them, as well as other viral superstars like MonoNeon and Louis Cole.  In this conversation, originally recorded in 2016, Larry talks about his early development and influences, his ongoing relationship with Peter Bernstein and Bill Stewart, working with John Scofield, James Taylor, Maceo Parker, Jon Hendricks, the New York - LA thing, his approach to accompaniment, organ playing and telling jokes on the bandstand.  www.third-story.comwww.patreon.com/thirdstorypodcast https://www.wbgo.org/podcast/the-third-story Music in this episode:  John Scofield “Do Like Eddie”Goldings, Bernstein, Stewart “United”James Taylor “School Song”Johnny Bowtie Barstow “First Noel” Hans Groiner - YoutubeLarry Goldings “Ivermectin”Scary Goldings “Larry Pockets”Jon Hendricks “Freddie Freeloader”Christopher Hollyday “No Second Quarter”Larry Goldings Trio “The Intimacy of The Blues”Jaco Pastorious “Word Of Mouth”Dave McKenna “C Jam Blues”Jimmy Smith and Wes Montgomery “James and Wes”Peter Bernstein (feat. Larry Goldings) “While We're Young”Chris Anderson “The Folks Who Live On The Hill”Jim Hall (feat. Larry Goldings) “Somewhere”Larry Young “Back Up”Billy Preston “Will It Go Round In Circles”Goldings, Bernstein, Stewart “Reflections In D”Weather Report “In A Silent Way”Jimmy Smith “The Sermon”Abdullah Ibrahim “Carnival”Maceo Parker “Shake Everything You Got”Maceo Parker “Pass The Peas”James Taylor “Country Road”  

Just shouting we're number one doesn't necessarily make it so. But when year after year, your peers say you are number one at what you do, everyone should listen. So get ready for a musician whose style was as unique as his visage and the horn he played with Volume 102: The Greatest Trumpet. Credits and copyrights The Dizzy Gillespie Octet Featuring Benny Golson – The Greatest Trumpet Of Them All Label: Verve Records – MG V-8352, Verve Records – MG V 8352 Format: Vinyl, LP, Album Released: 1959 but it was recorded December 17, 1957 in New York City Genre: Jazz Alto Saxophone – Gigi Gryce Baritone Saxophone – "Pee-Wee" Moore* Bass – Tommy Bryant Drums – Charlie Persip Piano – Ray Bryant Tenor Saxophone – Benny Golson Trombone – Henry Coker Trumpet – Dizzy Gillespie We'll hear 5 of the 8 tunes on the record. Blues After Dark Benny Golson 1957 Shaboz Gigi Gryce 1952 Out Of The Pas written by Jon Hendricks, Benny Golson 1958 A Night At Tony's written by Gigi Gryce 1957 Smoke Signals written by Gigi Gryce 1955 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

durée : 00:59:18 - Main dans la main - par : Nathalie Piolé -

Good News: A new skin-swab test can detect Parkinson’s Disease! Link HERE. The Good Word: Wonderful words from Henry David Thoreau. Good To Know: Some fun and fascinating information about some very particular words! Good News: The Selfridge’s chain of shops is moving toward the circular economy, Link HERE. Wonderful World: Explore the phenomenal Australia […]

It all starts somewhere, and often early on. Jazz Backstory begins with tales of childhood inspiration, moments that in retrospect, launched careers. Interviewees include Jon Hendricks. Sherrie Maricle, Dave Valentin and Ed Shaughnessey.

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Antonio Carlos Jobim & Elis Regina, Ella Fitzgerald, Antonio Carlos Jobim & Astrud Gilberto, Oscar Peterson, Dizzy Gillespie, Airto Moreira, Gilberto Gil, Banda Black Rio, Azymuth, Elis Regina, Osmar Milito, Flora Purim, Jon Hendricks y Herbie Mann. Escuchar audio

John Pizzarelli ('Soares samba', 'One nota samba', 'Waters of march', 'Estate'), João Gilberto ('Bésame mucho'), Joyce ('Chansong', 'Caymmis', 'Taxi driver' -con Jon Hendricks-), Jon Hendricks ('The duck'/'O pato', 'Outra vez') y Clélya Abraham ('The river'). Escuchar audio

Yacht Rock! Love Is A Drag! Foreign affairs! Bandleader and trumpeter, Mike Sailors fires on all cylinders as the consummate jazz musician. In our chat, we discuss our mutual admiration for curating involved shows for an audience, a record off the beaten path with a fascinating history, and a castle gig that needed more than a little magic to satisfy the guests. FEATURED RELEASE:The New Alchemy Jazz Orchestra“Let's Duel” (2019) Getting to Know: Mike Sailors Mike Sailors has performed around the world in Japan and Europe, as well as throughout the United States and Canada. He has appeared at venues such as the Blue Note (Tokyo, Sapporo and New York), Dizzy's Club Coca Cola, The Jazz Standard, Yoshi's, The Jazz Standard, The Jazz Kitchen, Carnegie Hall, Lincoln Center, Symphony Space, the Bowery Ballroom, Smalls Jazz Club as well as the Tokyo Blue Note Jazz Festival, the EFG London Jazz Festival, the Detroit Jazz Festival and the Montreal Jazz Festival. Mike was also a featured guest artist at the 2015 North Carolina Music Educators Conference, as well as a featured guest artist and composer at the 2013 Brevard Music Festival. Sailors has worked as a sideman for bands and artists including the Birdland Big Band, Bobby Sanabria and The Multiverse Big Band, the Fat Cat Big Band, the Baby Soda Jazz Band, the Hot Sardines, the Captain Black Big Band led by Orrin Evans, The Jason Marshall Big Band, Cynthia Sayer and The Mingus Jazz Orchestra. His past experience also includes performances with The Gerald Wilson Orchestra, Jon Hendricks, McCoy Tyner, Marcus Belgrave, Willie Nelson, Dale Watson, Rodney Whitaker and John Clayton. He's also appeared as a featured soloist with the Cincinnati Symphony Orchestra, the Gulf Coast Symphony Orchestra and the Jacksonville Symphony Orchestra. Mike also was an active Trumpet player in the NYC Broadway scene. Past shows include Beautiful - The Carole King Story, Be More Chill and The Prom. Along with an active performing career, Sailors has maintained a busy career in composition. His first commission, dating back to 2005, came from the North American Saxophone Alliance (N.A.S.A). The piece featured the late Dewey Redman and was later recorded and featured on Redman's last commercial recording “Live with Dewey Redman”. Since then, Sailors has been hired by the likes of Mack Avenue Records, Decca Records, the Columbus Jazz Orchestra, the Lincoln Center Jazz Orchestra, Arturo O'Farrill and the Afro Latin Jazz Orchestra as well as a host of internationally known musicians including Ryan Kisor, Sean Jones, Rodney Whitaker, Pete Bernstein, Jimmy Cobb and many others. He has also written for TV, most recently for TD Ameritrade. His band, The New Alchemy Jazz Orchestra, recently released an album featuring his compositions. The self-tilted album features originals penned by Sailors, and is distributed by Outside In Music.Originally from Charleston, South Carolina Mike grew up playing in his local church. He went on to attend the University of North Carolina at Greensboro in 2001, Michigan State University in 2007 and The University of Texas in 2010. In 2019, Sailors joined the faculty of The University of Texas Butler School of Music, where he leads the Jazz Trumpet Studio and mentors young artists looking to build careers in music. He currently splits his time between New York City and Austin, Texas. In Austin, he spends his time leading bands for a variety of different occasions, as well as touring nationally and internationally. Watch the full interview on our YouTube channel here!

My guest is an example of industrious musician. He grew up in Utah will music all around him. His father was a prolific multiple-instrumentalist who would not let his son play his trumpet because he thought his son would blow "bad-air" into the horn. Well what did my guest do? He created a makeshift trumpet that he used to serenade girls and it worked. His first live musical exhibition was. In the traveling Jewkes family band playing in the mountain west in front of native americans and farmers. At a certain point he believed that in order to grow musically he had to move to the bay area and stretch out. What followed and continues today is a musician who has broaden people's beliefs in spontaneity, orchestration, amalgamations and smelling the roses. He has played with Jon Hendricks, Jerry Hahn, Ron Stallings, Michael Bloomfield, Ed Neumeister, Jack DeJohnette. He has been instrumental in creating jazz workshops and educating a younger cadre of musicians to swing. So much to talk about with bay area saxophonist Noel Jewkes welcome to the JFS

"Moanin'" Lambert Hendricks and Ross: The Hottest New Group in Jazz (Columbia, 1960) Dave Lambert, Jon Hendricks, Annie Ross, Harry Edward Edison, Gildo Mahones, Charles "Ike" Isaacs, Walter Lee Bolden. El tema es una composición de Bobby Timmons. Tomajazz: © Pachi Tapiz, 2021 ¿Sabías qué? El disco tiene por título Lambert, Hendricks & Ross, pero también se le conoce como The Hottest New Group in Jazz, o por su título al completo Lambert, Hendricks, & Ross!: "The Hottest New Group in Jazz". Estos dos últimos incluyen una cita de Downbeat.  Es el cuatro disco del grupo y fue grabado y editado en 1960. El disco original no llegaba a los 30 minutos de duración. Lambert, Hendricks & Ross ganaron las votaciones de los lectores de Down Beat como mejor grupo vocal entre 1959 y 1963.  Annie Ross dejó el grupo en 1962.  Lambert, Hendricks & Ross son uno de los mejores intérpretes de lo que se conoce como "vocalesse", que consiste en cantar, con una letra escrita previamente, una composición instrumental de jazz. Un ejemplo es la versión del clásico "Moanin'" de Art Blakey and the Jazz Messengers. En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos... https://www.tomajazz.com/web/?p=59703 Lambert Hendricks and Ross en Tomajazz https://www.tomajazz.com/web/?s=lambert+hendricks+ross&submit=Search Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Antonio Carlos Jobim & Joâo Gilberto & Stan Getz, Joâo Gilberto, Antonio Carlos Jobim & Elis Regina, Jon Hendricks, Eddie Cano & Nino Tempo & Aprin Stevens, Louie Ramírez & His Orchestra, A Cor Do Som, Pepeu Gomes, Tim Maia, Marcos Valle, Maurício Maestro & Naná Vasconcelos, Rubens Bassini, Banda Black Rio, Maurício Maestro, Eliana Pittman, Cláudio Zoli, Fernanda Abreu & Herbert Vianna, Funk’n’Lata, Cassiano & Ed Motta, Leo Maia, Wilson Simoninha, Bid & Carlos Dafé, Paula Lima & Ed Motta, Ritchie y Djavan. Escuchar audio

In this archive edition of Jazz Unlimited with Paul Anthony recorded 20 years ago this week we'll be featuring a lot of people you haven't heard of and some you still hear frequently. They include Eric Alexander, Sonny Rollins, and Jon Hendricks and the not so familiar Wayne Wallace, Mark Towns and Monica Mancini. Join me this week for our Thanksgiving Special 2021 on Jazz Unlimited with Paul Anthony. 

For this week, MDetroit is featuring the great pianist and educator Scott Gwinnelll. Scott has played with top vocalists such as Aretha Franklin and Jon Hendricks to instrumentalists such as Joe Lovano and Karriem Riggins as well as having his own big band the Scott Gwinnell Jazz Orchestra. In this episode we talk about his musical upbringing, his work as an educator, music and business relationship and much more. Please enjoy and as always please consider liking, sharing, and subscribing!

Sweet, peppy, and cheerful, the showman Jon Hendricks keeps the jam going on this short but sweet record.

Edited by Thomas Lahren (https://www.thomaslahrenmusic.com/) Aaron and Drew sat down for a lengthy discussion with legendary composer, arranger, saxophonist, and educator Andy Farber, who has been a leading writer in the NYC and international jazz scene for many years. His many collaborations include Wynton Marsalis, Jon Hendricks, Shirley Horn, Bobby Short, Michael Feinstein, Catherine Russell, Frankie Laine, Alan Harris, Cynthia Scott, Billy Stritch, B.B. King, Ray Charles, and more. He has also composed music for a number of film and media projects, including Star Trek Continues. Find out more about Andy at his website: www.andyfarber.com

Edited by Thomas Lahren (https://www.thomaslahrenmusic.com/) Aaron and Drew sat down for a lengthy discussion with legendary composer, arranger, saxophonist, and educator Andy Farber, who has been a leading writer in the NYC and international jazz scene for many years. His many collaborations include Wynton Marsalis, Jon Hendricks, Shirley Horn, Bobby Short, Michael Feinstein, Catherine Russell, Frankie Laine, Alan Harris, Cynthia Scott, Billy Stritch, B.B. King, Ray Charles, and more. He has also composed music for a number of film and media projects, including Star Trek Continues. Find out more about Andy at his website: www.andyfarber.com

Thelonious Monk had a long and productive contract with Columbia records but in 1968 it was coming to an end. Soon after his saxophonist of 11 years, Charlie Rouse was leaving and Monk's health was a bit fragile as well. This was the penultimate Columbia album and the final documentation of Monk's working Quartet. The album was called "Underground" and it's iconic cover won more awards and attention than the fine music therein. The album featured some brand new compositions by Monk and 3 delightful trio tracks without Rouse. One rare track was with vocalist Jon Hendricks who sung his words to Monk's tune "In Walked Bud". That in itself was something very new for Monk. The 3 full Quartet tracks with Charlie Rouse on tenor saxophone, Larry Gales on bass and Ben Riley on drums are superb and the 3 tracks are all brand new Monk compositions. "Boo Boo's Birthday" is for Monk's daughter Barbara and a wonderful ballad in 3/4 time (Monk's only waltz) is called "Ugly Beauty" and the best is "Green Chimneys" in which the band stretches out for 13 minutes.This is one fine album and was recorded in December 1967 to February 1968. Check it out this evening or when you have time...it's worth it!

Michael Weiss is a pianist and composer. His most recent album is Soul Journey. In this interview, Weiss talks about his often challenging music and how he revisits compositions for each performance; his years with jazz masters such as Jon Hendricks, Junior Cook and Johnny Griffin; and how listening to Wayne Shorter gave him the green light to try more adventurous writing. Learn more at michaelweiss.info. Sean H. Doyle is a writer and recovering musician from Brooklyn. Following up on a conversation on Twitter, Sean and I talk about attitude in music and why it attracts him. Sean also gives listeners several suggestions on bands from the punk and noise worlds, and talks about the similarities they share with improvised music. Learn more at seanhdoyle.com and follow him on Twitter at @seanhdoyle.

Michael Weiss is a pianist and composer. His most recent album is Soul Journey. In this interview, Weiss talks about his often challenging music and how he revisits compositions for each performance; his years with jazz masters such as Jon Hendricks, Junior Cook and Johnny Griffin; and how listening to Wayne Shorter gave him the green light to try more adventurous writing. Learn more at michaelweiss.info. Sean H. Doyle is a writer and recovering musician from Brooklyn. Following up on a conversation on Twitter, Sean and I talk about attitude in music and why it attracts him. Sean also gives listeners several suggestions on bands from the punk and noise worlds, and talks about the similarities they share with improvised music. Learn more at seanhdoyle.com and follow him on Twitter at @seanhdoyle.