Podcasts about Nickel Creek

(Editor's Note: Welcome to our Reissue series! For the next several weeks, Basic Folk is digging back into the archives and reposting some of our favorite episodes alongside new introductions commenting on what it's like to listen back. Enjoy!This episode featuring Cindy Howes interviewing Chris Thile was originally posted on September 9, 2021 after Chris released his solo album, 'Laysongs.')Chris Thile (Nickel Creek, Punch Brothers) has been making music nonstop since he was 5 years old. His musical parents found him a mandolin and he started taking lessons and jamming at nearby Southern California pizza shops. He met Sara and Sean Watkins when he was 12 and they started Nickel Creek. In the meantime, Chris' parents moved the family from California to Murray, Kentucky and really started getting serious about evangelical Christianity. This would have a huge impact on Chris; his record, 'Laysongs,' asks a lot of questions surrounding his experience with religion as a young kid. He talks about the transition from being a family with no religion in their routine to being enveloped so intensely in faith.Another important aspect that comes along on the album is Chris' striking love for classical music. His grandparents gave him some pieces by Bach and set him up for a lifetime of studying and playing classical. Elsewhere in our Basic Folk conversation he also gets into what it was like to grow up alongside Sara and Sean as bandmates, friends, and fellow Christians. One of the themes of the new album is about community, namely, engaging in a community that you love. Chris recognized that he dissented from Christian community in his young adult life where everyone was thinking the same way – Chris felt excluded, so he left. Now, in music, he's found a new community where everyone thinks the same, so still certain people are excluded. He talks about how the pandemic helped further shape those feelings about exclusionary community. We also get into a riveting conversation about Chris' thoughts on writing simple pop music and one of his deepest passions: wine.Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

This is an encore presentation of a previous episode, originally airing in April 2021. --- Over the last twenty-five years with acclaimed acts like Nickel Creek, I'm With Her and Watkins Family Hour (as well as her own solo material), Sara Watkins has become one of the most prolific musicians in folk and bluegrass. Dig into your record collection, and you'll also find her work on albums from Steve Earle, The Decemberists, Mandy Moore, Kris Kristofferson, Lyle Lovett and Father John Misty, to boot. Today, Sara discusses how vinyl has played a major factor in her life, right down to how her dad crafted a makeshift turntable out of a sewing needle and paper. Find Sara's socials, upcoming live dates and more info at SaraWatkins.com.

Sara Watkins joins Basic Folk to talk about 'Wild and Clear and Blue,' the new album from I'm With Her, her band with Sarah Jarosz and Aoife O'Donovan. The new LP was inspired by looking back on your life in order to move forward, with a very witchy manner of speaking that encompasses the ancient, mysterious, and spiritual. Sara shares insights into the unique telepathic connection they feel within the band, which was palpable from their first public appearance in 2014. Watkins is at it again with her incredible vocal performances on this album, bringing to mind Fiona Apple – especially on the "Sisters of the Night Watch."A longtime Angeleno, Sara gets into the meaning of another song, “Standing on the Fault Line,” which finds her reconsidering what's safe, what's permanent, and what is essential in order to remain in California. She also explains how the group's tight-knit sisterhood and collaborative efforts have strengthened over the years. Elsewhere, we also talk about the meaning of a "supergroup" versus a cohesive band, artistic processes, and how personal history and motherhood have impacted their music. Additionally, we explore the challenges of balancing life on tour, the importance of small talk, the necessity of doing music as a hobby for personal fulfillment, and the massive annual band party that inspired "Year After Year." Thanks to Sara, who you might also know from Nickel Creek and The Watkins Family Hour!!Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

In between seasons, Kirk re-ran a bunch of old episodes and prefaced each one with a new music recommendation. He's taking those down recasts in preparation for season seven, but it seemed like a good idea to put all the music recommendations in one place. So that's what this episode is!DISCUSSED AND RECOMMENDED:"The Meadow" by Nickel Creek from Celebrants, 2023"Chip Monkey" by Kick the Cat from Weirdo, 2002"Fade to Black" by Howard Levy and Chris Siebold from Art + Adrenaline, 2018"Disco Snails" and "Hit the Target" by Vulfmon and Theo Katz from Dot, 2024Various tracks from Delicious in Dungeon, composed by Yasunori Mitsuda and Shunsuke Tsuchiya"Party" by Ryokushoku Shakai from Party! EP, 2024Sumika - "Unmei" from Unmei EP, 2024"Duck Ankles" by David Sanborn from Taking Off, 1975"Young Americans' by David Bowie (feat. Sanborn) from Young Americans, 1975"The Night Owl" by Anat Cohen from Quartetinho: Bloom, 2024"Stranded" by Sierra Hull from Weighted Mind, 2016"Samba Party" and "Drop D" by Matteo Mancuso from The Journey, 2023"Nite Crawler" by Larry Carlton from Larry Carlton, 1978----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAInsta: @Kirk_Hamilton | Bluesky: @Kirkhamilton.comNEWSLETTERnewsletter.kirkhamilton.comJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube MusicSHOW ARTTom Deja, Bossman GraphicsJANUARY 2025 WHOLE-NOTE PATRONSElizabeth CulverMeryl AllisonRobyn MetcalfeCesarCorpus FriskyBen BarronCatherine WarnerDamon WhiteJay SwartzRushDaniel Hannon-BarryChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshMelanie AndrichJenness GardnerNathaniel BauernfeindPaul DelaneyDave SharpeSami SamhuriJeremy DawsonAccessViolationDave FloreyJANUARY 2025 HALF-NOTE PATRONSWiggy HashWhit SidenerJulie KellmanSimon HellmanClaudia CartyDaniGlenn JacksonChristopher Selby SpinkPhilip KellyDaniel NervoKevin StaffordLawrenceSy JacobsirritableIan PiddAndrew HoferJordan GatenbyMelissa KuhnsAshleySeattleTransAndNonbinary ChoralEnsembleKevin MarceloSamantha CoatesJamesMark NadasdiJeffDan CutterJoseph RomeroOl ParkerJohn BerryDanielle KrizClint McElroyMordok's Vape PenInmar GivoniMichael SingerMerv AdrianJoe GalloLauren KnottsDave KolasHenry MindlinMonica St. AngeloStephen WolkwitzRand LeShayMaxeric spMatthew JonesAnthony MentzJames McMurryEthan LaserBrian John PeterChris RemoMatt SchoenthalAaron WilsonDent EarlCarlos LernerMisty HaisfieldAbraham BenrubiLee R.Chris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinGrettir AsmundarsonSean MurphyRandal VegterKaya WoodallRobert Granatdave malloyTim RosenwongAlan MaassNick GallowayHeather Jjohn halpinPeter HardingDavidJohn BaumanMartín SalíasStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJeff UlmDavid FutterJamieDeebsPortland Eye CareRichard SneddonJanice BerryDoreen CarlsonDavid McDarbyWendy GilchristLisa TurnerPaul WayperMiles FormanBruno GaetaKenneth JungZak RemerRishi SahayJeffrey BeanJason ReitmanAilie FraserRob TsukNATALIE MISTILISJosh SingerAmy Lynn ThornsenAdam WKelli BrockingtonVictoria Yumino caposselaSteve PaquinDavid JoskeBernard KhooRobert HeuerDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanLinda DuffyLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNell MorseNathan GouwensLauren ReayEric PrestemoncbalmainAngela LivingstoneDiane HughesMichael CasnerLowell MeyerStephen TsoneffJoshua HillGeoff GoldenPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanDhu WikMelmaniacEric HelmJonathan DanielsCaro FieldNaomi WatsonDavidAlexanderChris KGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudBrad CallahanAmanda FurlottiAndrew BakerAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

The cool morning begins with Molly discovering an unpleasant surprise. The girls set out and are thankful to find a small water source before beginning a long, dry stretch of trail. The girls contemplate a “universal truth” which occurs whenever you haven't seen a person a trail all day. They ascend into the clouds, facing some unfortunate realities when they get cell service. Forging on, the sisters admire the beauty of Indian Bar in the fall. Molly is reminded of the importance of paying attention to the trail, and is left with a bloody knee. That evening's menu includes hot electrolytes and the return of Rachel's fateful chocolate cheesecake.

The girls hit the trail for the longest day on their trek around Mount Rainier. Right away, Carrie is met with an unwelcome surprise. The girls cross Kautz Creek and arrive in Longmire, where they complete their first resupply and sneak a little laundry. Back on the trail, the sisters recount a humorous encounter and their surprising company at lunch. The girls navigate a trail reroute and finally make it to Nickel Creek Camp, where they pass the evening with laughter and storytelling.

Send us a textFrom their humble beginnings in Southern Ohio, Pure Prairie League (PPL) has evolved into one of the enduring icons of country rock. The band, which started as a group of friends playing cover tunes, continues to enchant audiences with their rich legacy and vibrant performances. As they approach their 50th anniversary, Pure Prairie League is set to celebrate their storied career with a high-profile appearance at the Legends of Country Rock show in St. Charles, MO, on Saturday, September 28th, 2024.The Legends of Country Rock show will be a significant event for fans and a testament to PPL's enduring influence in the genre. Featuring founding member and pedal-steel innovator John David Call, drummer Scott Thompson, keyboard master Randy Harper, and new members Jared Camic on bass and lead guitar ace Jeff Zona, the band remains as dynamic as ever. Their performance is anticipated to showcase a blend of their classic hits and contemporary sound that has kept them relevant over the decades.Pure Prairie League's self-titled debut album, renowned for its Norman Rockwell/Saturday Evening Post cover and the iconic cowpoke “Sad Luke,” laid the groundwork for their success in the country rock arena. Their second album, Bustin' Out, introduced fans to the timeless Craig Fuller-penned classic "Amie" and solidified their status as pioneers of the genre. With subsequent releases like "Two Lane Highway" and numerous albums throughout the ‘70s and ‘80s, PPL's legacy has been further enriched by contributions from notable members such as George Powell, the Goshorn Brothers, and Country Music Hall of Famers like Gary Burr and Vince Gill.As they enter their sixth decade, Pure Prairie League continues to inspire a new generation of country rockers. Bands such as Keith Urban, Nickel Creek, and Wilco have all cited PPL as a major influence. Their sound, described as combining “sweet memories with edgy, contemporary muscle,” remains as captivating today as it was in their early years.To complement their live performance, Pure Prairie League also appeared on the Midwest Mixtape Podcast, brought to you by The Barn. This special appearance promises an in-depth look into the band's history, their current projects, and what lies ahead as they celebrate their remarkable 50-year journey.http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn

Send us a Text Message.The River Arkansas initially formed when frontman Mike Clark (guitar, banjo, and singer-songwriter) and Macon Terry (bass) met as members of other bands in 2014, and realized soon after that they both lived in Colorado Springs. Clark and Terry ended up performing in the studio together and releasing the band's debut album, Golden Light.Terry then brought players from his own band Clouds and Mountains, Robin Chestnut (drums) and Rachel Sliker (violin), and toured the West Coast for a month before releasing the second River Arkansas album, You Animal. They've since released a third album, Any Kind of Weather, and three EPs, “Damn Good Dog,” “Waiting on the Rain,” and “Green Bridge”.Before Clark became a musician, he started as a semi-professional trials bike rider, taking his first big road trip across the West Coast at the age of 27 with a friend of his to ride their bikes and meet other riders to compete with. Clark's friend, Patrick, would play his guitar many times throughout the trip (Clark didn't know he had a guitar before this trip), and Patrick's playing inspired Clark enough that he bought a harmonica during a stop at a Seattle music shop. He practiced during the rest of the trip, and that was his first venture into music.Jack Cloonan's grandfather and father played accordion, and his father also played tenor banjo. Cloonan started playing accordion at seven years old and violin at nine, focusing on traditional Irish jigs. Around the age of fourteen, he picked up a guitar and started playing more contemporary rock tunes, such as those by Led Zeppelin. He picked up a mandolin for the first time during high school, and eventually, he found bands such as Leftover Salmon and String Cheese Incident, who took Irish tunes and fused them with American stylings. At around nineteen, he started writing his own songs, with some of his guitar influences including Doc Watson, Clarence White, Tony Rice, Larry Keel, and Jake Workman.Cloonan has also been able to spend time with banjo influence Andy Thorn from Leftover Salmon, as well as perform many times with Silas Herman, son of Vince Herman, founding member of the iconic band. Silas Herman, while also performing many times with his dad, has performed in dozens of music festivals and has shared the stage and recorded with groups and individuals such as Drunken Hearts, Terrapin Family Band with Peter Rowan, Sam Bush, Chris Thile of Nickel Creek and Punch Brothers, and The Kitchen Dwellers (just within the last couple of months). Thank you for listening to The Mountain-Ear podcast featuring the news and culture from peak to peak. If you would like to be featured in the podcast, contact the host at media@themountainear.com!SUBSCRIBE ONLINE and use the COUPON CODE PODCAST FOR A 10% Discount for ALL NEW SUBSCRIBERS https://www.themtnear.com/subscribe/ You can find us online by visiting https://www.themtnear.com/Find us on Facebook @mtnearShare this podcast around wherever you've found it or by sharing the link https://themtnearpodcast.buzzsprout.com/ or https://www.themtnear.com/the-mountain-ear-podcast/You can contact our editor at info@themountainear.com.Thank you for listening.

MDJ Script/ Top Stories for July 18th               Publish Date:  July 18th      Commercial: GON :30 From the Ingles Studio, Welcome to the Marietta Daily Journal Podcast.    Today is Thursday, July 18th and Happy heavenly Birthday to astronaut John Glenn. ***07.18.24 – BIRTHDAY – JOHN GLENN*** I'm Dan Radcliffe and here are the stories Cobb is talking about, presented by Credit Union of Georgia.  Cobb County and Six Cities Enter Historic Mediation at Marietta Hilton Cobb School Board to Set Millage Rate Cobb Denies Austell Man Selling Antiques from Home   Plus, Bruce Jenkins sits down with Leah McGrath from Ingles Markets on seedless watermelons.   All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe!    BREAK: CU of GA STORY 1: ‘Historic': Cobb County and Cities Enter Mediation   In a historic development, Cobb County and its six cities are undergoing formal mediation for the first time under state law regarding Service Delivery Strategy Agreements. Held at the Marietta Hilton, the mediation aims to resolve disputes over how services and funding are distributed between the county and cities, crucial for state compliance. Issues include differing interpretations of duplicate services and fiscal responsibilities, with potential consequences like loss of state funding if no agreement is reached by October 31. Mableton, transitioning to cityhood, observes closely as its services depend on the mediation's outcome. STORY 2: Cobb Scholl Board to Set Milage Rate   The Cobb County Board of Education is set to decide on maintaining a flat millage rate of 18.7 mills for 2024, despite rising property values expected to bring in an additional $54.96 million in tax revenue, a 7.32% increase from last year. While this won't increase taxes, homeowners could see an average increase of $255.17 in property taxes for a $450,000 home. Debate among board members includes potential implications of rolling back the millage rate to mitigate tax hikes, amid community concerns over tax burdens and budget allocations already in place. Public input will influence the final decision at tonight's meeting. STORY 3: Cobb Denies Austell Man Selling Antiques from Home This week, the Cobb Board of Commissioners rejected Edwin Stafford's request to operate an antique store and yard sale from his home on Austell Powder Springs Road. Stafford sought a 24-month permit to sell antiques on weekends after complaints from neighbors and businesses about his previous unauthorized sales. Despite Stafford's plea that this business was his livelihood, Commissioner Monique Sheffield cited ongoing violations of county codes and noted that Stafford's activities didn't fit the area's development plans, which aim to attract more structured businesses. The board unanimously denied Stafford's application, leaving him to consider alternatives for sustaining his business. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info. We'll be right back  Break: DRAKE STORY 4: Proposed East Cobb Whataburger Deferred The Cobb Board of Commissioners voted 4-0 to extend Whataburger's request for a site plan change for a new restaurant at the former O'Charley's location in east Cobb. The fast-food chain, aiming to establish its fifth Cobb County location, faced delays due to incomplete architectural landscaping plans. Issues arose regarding compliance with Cobb County Tree Ordinance parking lot tree standards, requiring adjustments such as additional parking lot peninsulas. The proposed site plan conflicts with prior land-use restrictions prohibiting fast-food restaurants and drive-thru services, stipulated in a settlement with Sembler Retail and Sembler Family Partnership in 1999. The matter will be reconsidered at the next zoning hearing on August 20. STORY 5: OUT AND ABOUT: 5 Things to do This Weekend in Cobb County—July 19-21 The Southern-Fried Gaming Expo, Atlanta's 11th annual gaming convention, takes place at the Cobb Galleria Centre and Renaissance Waverly Hotel & Convention Center this weekend. Attendees can enjoy free play on over 500 arcade games, pinball machines, and video game consoles, alongside celebrity guests and hundreds of tabletop games and events. Hours are Friday 3-11:45 p.m., Saturday 10 a.m.-11:45 p.m., and Sunday 10 a.m.-4 p.m. Swiftie Night at Jennie T. Anderson Theatre offers karaoke, trivia, and music bingo this Saturday from 5 to 8 p.m., featuring activities and themed attire for Taylor Swift fans. Kennesaw presents an outdoor movie screening of "Top Gun: Maverick" at Swift-Cantrell Park on Friday, starting with family activities at 6 p.m. and the movie at sundown. Nickel Creek and Andrew Bird perform at Coca-Cola Roxy on Friday at 7 p.m. Tickets range from $61 to $181 for VIP, celebrating Nickel Creek's new album. Black Violin celebrates 20 years of music at Mable House Barnes Amphitheatre on Saturday at 8 p.m., with ticket prices from $39 to $200 for VIP table seating, featuring a blend of classical and hip-hop violin music. We'll be back in a moment    Break: INGLES 8 – SEVEN GUITARS   And now here is Bruce Jenkins' conversation with Leah McGrath on seedless watermelons.   LEAH INTERVIEW   We'll have closing comments after this.   Break: GON :60   Signoff-   Thanks again for hanging out with us on today's Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at mdjonline.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network   Show Sponsors: ingles-markets.com cuofga.org drakerealty.com mariettatheatresquare.com gon.com   #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversationsSee omnystudio.com/listener for privacy information.

Sara + Sean Watkins are Grammy winning musicians that are 2/3 of Nickel Creek (which they started with Chris Thile as kids), The Watkins Family Hour (which features Fiona Apple, Benmont Tench, Jon Brion, John C Riley, and rotating cast of incredible musicians), their own solo records, Sara is in I'm With Her (with Sara Jarosz & Aiofe O'Donovan), as well as collaborations with Jackson Browne, John Mayer, Blake Mills, Dawes, and many others. We talk about the power in diverse skillsets we gain both touring in a large variety of situations as well as various levels of business responsibilities, authenticity and humbleness (versus the emperors new clothes), never taking situations for granted, faking it, and a whole lot of laughs.Get more access and support this show by subscribing to our Patreon, right here.Links:Sara WatkinsSean WatkinsWatkins Family HourNickel CreekI'm With HerDan WilsonBryan SuttonLargoEp 45 - Glen Phillips'Let's Go (So We Can Get Back)' - Jeff TweedyVince GillThe Station InnJenny LewisChris ThileMichael DavesBenmont TenchThe DecemberistsJohn PrineEp 5 - Shovels & RopeClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Host Carmel Holt takes SHEROES on the road to Brandi Carlile's Mothership Weekend in Miramar Beach, Florida. Through conversations with Sara Watkins of Nickel Creek, S.G. Goodman, and Brandi's co-curators and festival organizers, Topeka, we continue the ongoing conversation and inquiry into lack of inclusion on festival lineups (see last week's episode with Book More Women), discussion about touring artists who are mothers and how to make working conditions better for them, and what queer identity and visibility means in both music spaces and to the artists themselves.

In this episode of the Turn On the Music Podcast, we dive into the captivating sounds and intricate storytelling of Nickel Creek, a band that effortlessly blends bluegrass, folk, and contemporary elements into their music. Join us as we journey through their discography, tracing the evolution of their sound from their self-titled debut album to their latest releases. From their virtuosic instrumental prowess to their heartfelt lyrics, we'll unravel the magic behind their harmonies and melodies, exploring how they've carved a unique niche in the modern music landscape. So grab your headphones and prepare to be swept away by the enchanting world of Nickel Creek.Discussed in this episode:Played in this episodeOde to A ButterflyThe Lighthouse's TaleWhen You Come Back DownSmoothie SongThis SideHouse CarpenterJealous of the MoonScotch and ChocolateStumptownDestinationRest of My Life21st of MayElephant in the CornThe FoxCelebrantsStrangersTo the AirportLinksNickel Creek LinksWebsiteApple MusicSpotifyQobuzSara Watkins WebsiteApple MusicSpotifyQobuzSean WatkinsWebsiteApple MusicSpotifyQobuzChris ThileWebsiteApple MusicSpotifyQobuzLinks:Ryan Hall y'allNickel Creek Tiny DeskNickel Creek KidsSocial Media Links:https://linktr.ee/turnonthemusicWelcome to Turn On the Music Podcast, where we dive deep into the world of music and explore its many facets. Whether

This week we feature bass player March Schatz.  For anyone who has been around bluegrass music for a while, Mark is no stranger.  Throughout his career he has played with many of the top bluegrass artists.  He started with bands like Tasty Licks and Spectrum and also spent time with Tony Rice, Tim O'Brien, Nickel Creek and Claire Lynch.  Most recently he has been out on the road with Bela Fleck as part of the My Bluegrass Heart tour.  

Grammy winners and astonishingly fabulous musicians Chris Thile, Sean Watkins, and Sara Watkins of Nickel Creek join us to chat about their fresh approach to songwriting on their most recent album, Celebrants. PART ONEPaul and Scott chat about musical virtuosity, Beyonce, Ricky Skaggs, and the blending of musical genres. PART TWOOur in-depth conversation with Nickel CreekABOUT NICKEL CREEKGRAMMY Award-winning trio Nickel Creek—mandolinist Chris Thile, violinist Sara Watkins, and guitarist Sean Watkins—formed a group as young children in Southern California and honed their chops on the bluegrass circuit for a decade before signing with Sugar Hill Records. Their platinum-selling debut self-titled album was produced by Alison Krauss in 2000 and revolutionized bluegrass and folk music, helping usher in a new era of what we now know as Americana. The genre-bending group has earned nine Grammy nominations across categories in bluegrass, country, folk, contemporary folk, Americana, and American Roots.    Each member of Nickel Creek has taken part in a number of outside projects over the years. Thile is a 2012 recipient of a MacArthur Fellowship and served as the host of the radio show Live from Here (formerly known as A Prairie Home Companion) from 2016 to 2020. He has also released collaborative albums with world-renowned musicians as well as six studio albums with his Grammy-winning band Punch Brothers. Sean Watkins is a co-founder of Watkins Family Hour alongside Sara, which has released three albums and maintains a long-running collaborative show in Los Angeles. Sean has also released a string of solo albums, while Sara's extracurricular projects include the aforementioned Watkins Family Hour, as well as the Grammy-winning roots trio I'm With Her. Sara has released four studio albums and has contributed fiddle to recordings by artists such as Phoebe Bridgers, the Killers and John Mayer.The Grammy-nominated Celebrants, Nickel Creek's fifth studio album and first project in nine years, was recorded at Nashville's historic RCA Studio A and released to overwhelming critical acclaim in 2023.  

Episode 275: This week's show begins with an ode to the studio and stage musicians who come up with parts and make the singers and stars sound great, while being relegated to the sexist, ungenerous title of “sidemen.” Recently, I got to thinking about a musician - a bass player - who's been on more big sessions and done time with more impactful artists than most in roots/Americana music over the past 35 years, including the Chicks, Robert Plant, Nickel Creek and Kathy Mattea. So I invited Byron House on to the program. Joining the conversation is his old friend and fellow immigrant from Bowling Green, KY, Kyle Frederick. Kyle has turned to Byron as his producer for most of his albums as a Nashville based singer songwriter.

A nature-filled place somewhere between escapist fantasy and self-care. This week we're talking about Cottagecore. Music credits: "Out of the Woods" (Nickel Creek) 'Simple Gifts" (performed Joyce Merman, attributed to Elder Joseph Brackett), "Oo-de-lally" (Roger Miller). ©2020 The Furious Curious, Britton Rice

Transfiguration Sunday | Mark 9: 2-9    Rev. Andrew Chappell asks this of his congregation: Are you prepared to allow God to change you in such important and intense ways that he might be able to use you for peace?  Are you ready to allow God to transfigure your life?  Are you ready to live a life of dynamic faith?   The Transfiguration. I've always viewed the transfiguration of Jesus as this weird, hard to fathom thing. When I think of the idea of transfiguration, I immediately think of the moment in Beauty and the Beast, when the beast transfigures back into a human…OR in Harry Potter's Transfiguration class, when he transfigures animals into goblets. I have memories when I was young of asking my father (who is a pastor) what the transfiguration meant…and he didn't say it was magic or that it involved anything to do with Disney. He just said this: “It's a mystery. No one really knows what this scene is or what Jesus became at that moment. But we do know that it was a response to a protest and a glimpse into the future.” Let me explain. Answer to a Question. In chapter 8, after Jesus feeds four thousand with a few fish and heals a blind man, he goes to Caesarea Philippi (on the northern end of present day Israel) and asks his disciples, “Who do you say that I am?”  Of course, Peter is the one to respond (confidently, as he often does), “I'll tell you who you are…you are the Christ, the Messiah.”  And then Jesus goes on to tell them about the suffering and death that is in store for him. He shares word for word what is coming his way. And Peter, always a hot head, grabs Jesus and protests, “This can't be! We won't let you go this way! Don't talk like this! We will protect you!”  That's when Jesus exclaims, “Get behind me Satan.” And he then calls out to the crowd, but we all know he's saying these things to Peter, “If you are going to follow me, then follow me! And let me lead! Indeed the kingdom is coming…the day is coming when the world shall see what I'm talking about, the world shall witness true glory, the splendor of God, an army of angels, the Son of Man…” And not a week later, Mark says, they SEE a glimpse of what Jesus is talking about. And all of it occurs when they climb the mountain and three disciples have this mountain top experience. Mountain Tops Have you ever experienced something like that? A mountain top experience I mean? An moment between you and God that changed you? And it is seared into your brain? It's interesting, in film and literature, in our cultural stories, whenever there is a mountain, something big is happening, something that will change the course of the story. (My favorite marvel movie is Iron Man, and if you remember that story)...Weapons manufacturer Tony Stark (after being injured by his own weapons), creates his first prototype of the Iron Man suit and begins a deep philosophical change of how he sees his life in the mountains of Afghanistan. The mountains are present in the Lord of the Rings as well. Throughout and at the end of the story, Frodo Baggins contends with the destruction of evil, which has to occur at Mt. Doom, in the mountains of Mordor, and such an experience transforms Frodo in the process. In Frozen, Elsa sings Let it Go and finally allows herself to become who she is in the mountains of Arendell. Authors and filmmakers love to have big moments set near or on or in the mountains. Scripture is no different. The authors of Scripture continually depict God as someone who loves the mountain top. Exodus 19-20 - God descends on Mount Sinai in fire and thunder to meet Moses and share ten commandments.  1 Kings 19 - God meets Elijah on Mount Horeb in a gentle whisper and offers renewal and strength. Zechariah 14 - Zechariah is given a prophecy that one day, God will descend upon the Mount of Olives and establish justice and the reign of God's kingdom. (Which is why you see graves on the Mount of Olives today - people want to be close to the action). God loves a mountain top…and more often than not, mountain top moments are transitional experiences. They are important moments in which God introduces a change that has consequences for the future. The Transfiguration Jesus and his three friends go up to the mountain top, and we are told that while there, Jesus is transfigured before their very eyes. The Greek there is metamorphoo - where we get the word metamorphosis.  What does that mean? It means Jesus looks different. It means his form changes. His clothes shimmer, they glisten white. In Luke's, the appearance of his face is altered. And not only that, but Moses of the Torah and Elijah of the prophets appear too. Jesus and these two legendary figures of the Hebrew faith are there, right before their eyes! And the disciples are amazed. They cannot believe what is occurring, what they are being allowed to see. Talk about a mountain top experience.  And naturally, what happens? Whenever we experience something amazing and wondrous, whenever human beings have a mountain top experience, we want to figure out how to keep that feeling, don't we? We try to figure out how to experience that same thing again. That's exactly what Peter wants to do here. He wants to build them each a place on the ground, to keep them physically present, to maintain that amazing experience… Poet Jan Richardson writes about the desires of Peter and the others in her poem “Dazzling”:  We could build walls Around this blessing, Put a roof over it. We could bring in  A table, chairs,  Have the most amazing meals. We could make a home. We could stay. I'm reminded of the title of the band Nickel Creek's second album,  “Why Should the fire die?” Peter doesn't want the fire to die. He wants to nail down this experience, so that he can experience it again! But it doesn't happen. And then, responding to Peter's previous protest from chapter eight, in which Jesus demonstrates that the end is coming, the glory of God is near…a voice from the cloud echoes onto the mountain top, “This is my Son, marked by my love. Listen to him!” (MSG).  In other words, God says, “This IS the Christ. The kingdom IS coming. This is my guy. Hear him when he says this stuff. Don't brush it off. Trust me. Elijah and Moses are here, but he is greater than they. So you disciples (and Peter). Listen to him. And trust him.” But the transfiguration is not simply an answer to a dialogue between Jesus and Peter. It is much more than that. The Transfiguration Stuff Because for me, the climax of the story is not when God speaks. It's the transfiguration part. It's the metamorphosis, the actual change in form that Jesus undergoes.  Now…this story is so wild, it's so weird, some scholars think that Mark accidentally put this story in the wrong spot. Some think that this actually happened after the resurrection, and Mark just forgot where it needed to go. Why? Because the Jesus we find here is a lot like the post-resurrection Jesus. I mean it sort of makes sense on one level. Jesus WAS different after the resurrection. His form was not as it was before. It was new. It was different. And it's true that transfiguration Jesus and post-resurrection Jesus have a lot in common.  But I think it's in the right place, because it seems to have a pre-resurrection purpose. And its purpose is to give us a glimpse of what the future form/glory will look like.  My favorite scholar and preacher of the 20th century, Leslie Weatherhead (you've heard me quote him all the time) used to get questions about Jesus' divinity and humanity. Someone would ask, “How can Jesus be fully human and fully divine?” Remember, that is essential Christian doctrine, and has been for a very long time. But it is hard to explain and understand. And Weatherhead would answer like this: “Jesus contained as much of God as can be poured into a man without disrupting his humanity (and making him a monstrosity).” I've always liked that.  You see, in the transfiguration, I believe that God gives us a glimpse, a vision of the fully realized Christ, on full display. This is a vision of the future Christ of glory, of wonder and splendor, this is sitting-on-the-throne Jesus. And Jesus does this, he transfigures, he changes, I think, to show us what the end will be like. And in seeing the end, his purpose becomes clear. HOPE.  AFTER ALL, Peterson, Hope is the activity of love that reaches into the future. That to me is the deeper meaning of the transfiguration, the metamorphosis, the change of Jesus of Nazareth to Jesus the Christ. It is that he already has the future in his hands. He already knows the end result. And he's willing to show us a glimpse, he's willing to transfigure, to transform, to change. To give us hope. In all aspects of our lives. Hope that the end is not the end, that the hardship will not win, that suffering will have meaning, that though we may go through hell, we will bring something back with us, that death cannot ultimately be stronger than love. HOPE. Our Future There is, I think, one more thing to be gained from this story. Because Jesus is doing more than just responding to Peter. He is doing more than simply giving us a glimpse into HIS future, with the purpose of granting hope. I think Jesus, in this magnificent transformation and change is giving us a glimpse into OUR future.  I think Jesus is sharing with us that we too will be transfigured, that we too will undergo a metamorphosis of sorts, that we too will change. In fact, I believe that he is already in the process of changing us. If you are seeking to follow closely behind Jesus today, you are being transfigured. You are being changed! Wesley called it sanctifying grace - the process by which God is working to renew the image of God in you that has been there since the beginning.  Paul confirms it when he writes in his second letter to the church in Corinth, (MSG) “And so we are transfigured much like the Messiah, our lives gradually becoming brighter and more beautiful as God enters our lives and we become like him.” It seems that in the end, Jesus is not the only one who changes…we change too.  But I'm not sure our change process will be as sudden and abrupt. Rather I think it will likely occur over time, over experience, over life, over trials, over joys, over suffering, in low valleys and in mountain top experiences. Change Is Hard  Gardener and poet Luci Shaw says it like this in her book Water My Soul. She says:  …I've been…astonished at how [God] can transmute experiences that we can only look at with revulsion or disappointment into good use. He allows us to learn from our mistakes; just because we stumble and fall, God doesn't disqualify us from further enterprises. Though we often have to live with the consequences of our choices, those consequences are illuminating, providing us with the wisdom and experience for future decisions. On occasion, the Lord has had to let me hit rock bottom, in enough despair that life seemed to hold nothing of value for me any more. But distressing as this was, it had a clarifying effect. In the pit of desperation I could see that many of the minor issues that had so obsessed me were just that-minor. That out of the grave where I had to die to those things, God was going to resurrect me, purged clean and more prepared to face his priorities for me. Do you know what Luci Shaw is talking about?  She's talking about transfiguration.  She's talking about transformation.  She's talking about sanctification.  She's talking about God's incredible ability to reach into our lives and invite us to CHANGE. And change is hard. Change is difficult and painful. When I think of the change that God invites us into, I think of Scrooge's response to the ghost of Jacob Marley, who when invited on a journey that will inevitably lead to change, Scrooge's reply is simply: “I think I'd rather not.” And if I am honest, (maybe it's just me) but I think sometimes I'd rather not. And I don't think I'm the only one! I think that sometimes we Christians can be known more for our immovable nature than our desire to be changed. Sometimes I think that as a faith group we would rather check the box next to Christ-follower than truly be transformed. I see the evidence all the time, in myself, in others, and in an American church that occasionally seems more concerned with being wrapped up and soaked in the partisan political games of our nation, rather than seeking to be transfigured by the grace and love and forgiveness of Jesus Christ. And all the while, the world is in need now more than ever. And do you know what the world needs? I think the world needs a savior. I think the world needs hope and healing. I think the world needs care and compassion. I think the world needs to know that our cultural or political identifiers are surface level compared to our original identifier, that each of us is first and foremost a child of the living God.  And I hope that anyone who walks in those doors finds exactly what they need. I hope that anyone who is in here today finds a community ready to offer those things. I hope that anyone who walks in here meets a group of people willing to say, “We don't have it all together, but we sure are open and willing and ready for God's Holy Spirit to shift and change and transform and transfigure us so that we might continue to look a little more like Jesus every day.”  That's what a life of faith is. A life of faith, of following Jesus, a life lived under the Lordship of Christ is one of growth, it's one of shedding old parts and gaining new parts. A life of faith is all about not conforming to the patterns of this world, but rather being transfigured, being transformed, being changed by the renewing of our minds. And we certainly don't do the changing. As LaDon Denham told me this past week, “Only God can do that.” And that's true. But we can certainly open ourselves up to the Spirit, to God, we can unclench our fists and hold loosely the non essentials, and have willing hearts and minds, willing to let God guide and direct and do some transfiguring work within us for the sake of Jesus Christ in the world.  Leadership Morning A few weekends ago, we held a leadership retreat on a Saturday morning for all of our folks that are on administrative committees of our church. We had a room of about 60 of our church leaders. And we spent the morning dreaming about the future of the church. It was a pretty mountain top-y experience for me at least.  At the end of the morning, I asked everyone in the room to take a sticky note and write a one word prayer. {explain I used to do this with youth} After we were done I went through the prayers that next week. Here is some of what was written down, here are some of the one-word prayers that the leadership of this church prayed for you and for Newnan First UMC:  Unity Growth Relationships Wisdom Guidance Joy Strength Health Inclusion Stay United Thankfulness Passion Grace Peace Hope I'm so proud of the words our leadership offered to God on behalf of this church. What An amazing group of folks. And I think those are great prayers, necessary prayers. God knows we need peace in our communities, unity in our churches, wisdom in our states, grace in our nations, and guidance in our world.  But if we really want to pray for those things, I wonder, then do we know who God's instruments of peace on earth are going to be? Do you know who God will use to be the peace-makers? Do you know who he will call to be the hope-bringers, and the unity-sewers, and the grace-givers and the includers and the strengtheners and the growers? You. And me. And if you and I really want to be a community that exhibits those things, I wonder today what might need to change in us, that God might be able to do some of that work THROUGH us. I'll finish with a question: Are you prepared to allow God to change you in such important and intense ways that he might be able to use you for peace?  Are you ready to allow God to transfigure your life?  Are you ready to live a life of dynamic faith? After all, a life of dynamic faith is a life filled with change. Amen.

Although clearly born out of the folk and Americana tradition, guitarist and singer-songwriter Sarah Jarosz brings a modern pop sensibility to her work, while also remaining true to the American songbook that values the tenets of both simple harmonies as well as strong melody. In this episode, she talks about how songs by Nickel Creek, James McMurtry and Paul Simon shaped her work. Essential Tremors is produced by Matt Byars and Lee Gardner and distributed by Your Public Studios.See omnystudio.com/listener for privacy information.

Catch up with one of your favorite bluegrass bands! Sara Watkins, Sean Watkins, and Chris Thile discuss breathing new life into classic tunes, what their kids really think of their music, and a whole lot more.This episode is sponsored by ToneWoodAmp, a magnetically attached game-changing multi-effects device for acoustic guitars. Get reverb, delay, and more—no amp required! Learn more at tonewoodamp.com.Additional resources:Access Part 2 of this episode on Patreon.Listen to Celebrants via Amazon, Bandcamp, or others.Jeffrey Pepper Rodgers teaches you how to play guitar like Nickel Creek's Sean Watkins and interviewed the band for the July-August 2023 issue of Acoustic Guitar magazine. You'll find music to play for "This Side" in our 2002 Digital Archive and Chris Thile's "On Ice" in our 2005 Digital Archive.Read a profile of the Watkins Family Hour on the site of our sister publication, Strings magazine.The Acoustic Guitar Podcast theme music is composed by Adam Perlmutter and performed for this episode by Jeffrey Pepper Rodgers.This episode is hosted by Nick Grizzle and Jeffrey Pepper Rodgers, produced by Tanya Gonzalez, and directed and edited by Joey Lusterman. Executive producers are Lyzy Lusterman and Stephanie Campos Dal Broi.The Acoustic Guitar Podcast is produced by the team at Acoustic Guitar magazine, including:Publisher: Lyzy LustermanEditorial Director: Adam PerlmutterManaging Editor: Kevin OwensCreative Director: Joey LustermanDigital Content Director: Stephanie Campos Dal BroiDigital Content Manager: Nick GrizzleMarketing Services Manager: Tanya GonzalezSupport the show

Is AMMO Write For You?If you're an author with a handful of books published (or you've published nonfiction and have one book with a great program to help clients), AMMO is unlike any other program on the market. You're going to have to work the program to find success, and bestseller status likely won't hit in weeks of joining the program, but for many authors, AMMO is the beginning of a lucrative career that puts books first. Learn more here.THIS IS THE LINK TO MY SUBSTACK if you're listening elsewhere.The WildwoodsComprised of husband and wife team Noah (guitar) and Chloe Gose (violin), as well as Andrew Vaggalis (bass), The Wildwoods draw inspiration from a wide range of influences including the styles of: Watchhouse, The Decemberists, Gillian Welch & David Rawlings, Peter, Paul, & Mary, Nickel Creek, Joni Mitchell, and Gregory Alan Isakov. The folk/Americana trio work to harmoniously and delicately blend their voices to create a sound so nostalgic that you may find yourself dreaming and longing for those sweet memories from your former days.Listen to their music here. Connect with them on Instagram here, Twitter here, and TikTok here. Support them and let their music heal your soul.You can buy my novels here.Or get a great deal of 7 of my ebooks here.Or basically steal 2 paperbacks and 2 audiobooks from me here. Get full access to TRBM at jodyjsperling.substack.com/subscribe

Nickel Creek, American bluegrass trio Nickel Creek play the National Concert Hall in Dublin next week - Deep Fake at the Civic Theatre, from playwright Niall Austin - Jack Nicholson, 65 Years In Film with Steven Benedict.

We sit down with Communications Manager at Birthplace of Country Music , Charlene Baker to preview Bristol Rhythm & Roots Reunion 2023. The award-winning Bristol Rhythm & Roots Reunion is a celebration of that great legacy and is renowned for its diverse headliners, established touring acts, up-and-coming artists, and some of the Appalachian regions finest music across a wide variety of roots genres. It is also noted for its unique downtown setting along State Street, where Virginia and Tennessee meet to form the twin cities of Bristol. Bristol Rhythm & Roots Reunion's has a long tradition of female inclusivity within its lineup. Approximately 46% of the acts booked in 2023 are women or include bands with at least one female. This year's lineup includes: Nickel Creek, Bruce Hornsby & The Noisemakers, Watchhouse, The Mavericks, Larkin Poe and friends of our show like Sierra Hull, 49 winchester and Margo Price among many more. Weekend passes to Bristol Rhythm & Roots Reunion are on sale now at BristolRhythm.com

One of the most ambitious string bands to emerge in the early 21st century, Punch Brothers built their sound on a platform of virtuosic instrumentalism and dazzling arrangements. The GRAMMY Award-winning band consisting of Chris Thile, Chris Eldridge, Paul Kowert, Noam Pikelny, and Gabe Withcer, has spent more than a decade changing the face of acoustic music, stretching the limitations of instruments, and influencing a generation of young musicians. Formed in the late 2000s, Punch Brothers' amalgam of bluegrass energy, classical complexity, and jazzy improvisation have earned them numerous accolades and garnered a dedicated following. Staples of the label, all but one of the band's albums have topped the Billboard Bluegrass charts while also making strong crossover showings on the pop, rock, and folk charts. This episode features recordings from their August 2022 performance under the tent.     First broadcast in 1994, Tent Show Radio is a weekly one-hour radio program showcasing the best live recordings from acclaimed music acts and entertainers who grace the Big Top Chautauqua stage each summer in beautiful Bayfield, WI. In the program's nearly 30-year history it has featured artists like Johnny Cash, B.B King, Brandi Carlile, Willie Nelson, Don McLean, and many more. Hosted by celebrated New York Times best-selling author Michael Perry-who weaves stories and humor throughout each episode - Tent Show Radio features performances from renowned national & regional artists, with regular appearances featuring Big Top's own unique brand of shows that feature songs and stories performed by its acclaimed house band, The Blue Canvas Orchestra. Tent Show Radio is independently produced by Big Top Chautauqua, a non-profit performing arts organization, with a mission to present performances and events that celebrate history and the environment - along with their annual summer concert series - nestled in the woods on the shores of Lake Superior and the Apostle Islands.   EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Matt Jugenheimer - Engineer & Producer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUA https://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2023 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/  Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/  Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism  The Bayfield Inn - https://bayfieldinn.com/  Cable Area Chamber of Commerce - https://www.cable4fun.com/  Washburn Area Chamber of Commerce - https://washburnchamber.com/ SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/ 

Wanna get away? The summer season has begun and traveling is close to being as it was pre-pandemic. John and Sarah from Bella Travel check in with Mike and Mike and review the many great options for having an unbelievable vacation at a reasonable cost. All this, along with Angela's A Geek Girl's Take and Shout Outs. We want to hear from you! Feedback is always welcome. Please write to us at feedback@earthstationone.com and subscribe and rate the show on Apple Podcast, Stitcher Radio, Google Play, Spotify, Pandora, Amazon Music, wherever fine podcasts are found, and now we can be found on our own YouTube Channel. Links The Earth Station One Website Earth Station One on Apple Podcasts The New Earth Station One YouTube Channel Earth Station One on Stitcher Radio Earth Station One on Spotify Past Episodes of The Earth Station One Podcast Angela's A Geek Girl's Take Ashley's Box Office Buzz Michelle's Iconic Rock Talk Show Bella Travel and Adventures Cruise Brothers Hamilton v Burr: A Werewolf Tale Nickel Creek Promos Tifosi Optics Modern Musicology The ESO Network Patreon ESO Network Tee-Public If you would like to leave feedback or a comment on the show please feel free to email us at feedback@earthstationone.com Special Guests: John Burroughs and Sarah Burroughs.

Driven by their message of "radical love," hear how Doni Zasloff and Eric Lindberg, the husband and wife duo behind the renowned bluegrass band Nefesh Mountain, combat antisemitism within the music industry and beyond. Join us as we delve into their remarkable journey of representing Jewish-American culture, tradition, values, and spirituality through bluegrass and Americana music. The band also treats us to intimate performances from their latest album, "Songs for the Sparrows." *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  ___ Episode Lineup:  (0:40) Doni Zasloff and Eric Lindberg ___ Show Notes: Learn more about:  Nefesh Mountain Take our quiz: Jewish American Heritage Month Quiz Test your knowledge of the rich culture and heritage of the Jewish people and their many contributions to our nation! Start now. Read: What is Jewish American Heritage Month? Jewish American Heritage Month Resources Faces of American Jewry Amazing Jewish Americans Listen: 8 of the Best Jewish Podcasts Right Now Sen. Jon Ossoff on Jewish Resilience Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've enjoyed this episode, please be sure to tell your friends, tag us on social media with #PeopleofthePod, and hop onto Apple Podcasts to rate us and write a review, to help more listeners find us. __ Transcript of Interview with Doni Zasloff and Eric Lindberg: Manya Brachear Pashman:     Nefesh Mountain arrived on the bluegrass and American music scene in 2014. The husband and wife duo of Eric Lindbergh and Doni Zasloff have since performed in hundreds of synagogues in the United States and around the world, representing Jewish American culture, tradition, values and spirituality in the world of bluegrass. Bluegrass Today magazine has described the duo as what happens when bluegrass and Jewish traditions meet and fall madly in love. In honor of Jewish American Heritage Month, Doni and Eric are with us now. Or I should say–we are with Doni and Eric now in their home in northern New Jersey, Doni, Eric, thank you for welcoming “People of the Pod.” Doni Zasloff:    Thank you for coming. We're so excited to have you. Eric Lindberg:     What a treat.  Manya Brachear Pashman:    So please share with our listeners how the two of you got together. Did you have individual musical pursuits? Or did you not really find your groove until you were together as a duo. Eric Lindberg:     We're both pointing at each other. You tell it. Doni Zasloff:    You tell it. Eric Lindberg:   Well, we both had individual pursuits. We met playing music in the New York kind of North Jersey area. Years ago, we met back in 2010. And we were playing music in various fashions. And the quick story is that our band is a love story. And we fell in love a few years later, and it became apparent to each of us that we were head over heels crazy about each other. And that we also had all of this stuff that needed to come out that we kind of needed the other person to help kind of embolden our feelings of Americana music and of Jewish life and of culture and all this stuff.  So I grew up in Brooklyn. And so much of my life as a kid was part of the synagogue, my after school program, and my camp, and of course, synagogue and I had a Bar Mitzvah and I grew up with this big Jewish life in Brooklyn. But at a certain point, I became kind of just a musician, I didn't know where to put this Jewish side of myself. I went to study jazz in college and all this stuff.  So when I met Doni, she kind of brought me back to this feeling of, well, you can be proud of this and you can be excited about it. And you can live a fully Jewish life, you don't have to do it, any which way. You don't have to be a quote unquote, good or bad Jew, which, we hate those terms, but people tend to use them. Even Jewish people, of course, to show how religious or observant they're being at a certain time. So she had this completely unbridled kind of cowgirl way of looking at being wild and Jewish and proud and being yourself. And ultimately, I think that is pretty much the core of our message as a band. But I guess we'll get to that a little bit later. But she brought me back to this place of really just being proud of who I was. And that was the little germ that started this band. And then I brought kind of this musical sensibility in Americana music, with the banjo, and fiddle, and all this stuff.  Manya Brachear Pashman:   And Doni, how about you? What was your journey? Doni Zasloff:    I've always loved all different kinds of music. And I've always been very, as Eric was describing, just having a very strong Jewish spirit. And I think what Eric you know, it's exactly right. When Eric and I fell in love and started to really kind of get real with ourselves and we wanted to kind of express ourselves in the most authentic way. And I think my Jewish spirit and his massive knowledge of all kinds of music, and he just kept throwing CDs into my car–listen to this, listen to this, listen to this. And he just kind of opened my mind and my heart to so many styles of music that I--some of which I loved already, some of which I learned. It was just something about the stars aligning for Eric and I that the music that we started to write from our truest selves in that moment, came out in this Nefesh Mountain kind of a way. And it turns out, it's exactly our truth. And it's exactly the thing that we were looking for, this idea of our relationship, our connection. It is our truth and it's become our whole adventure. Manya Brachear Pashman:   And are you talking about the genre of music when you say that the Nefesh Mountain sound, or something else you're referring to? Doni Zasloff:    It's not, it's like our language. It's the type of music that we play. It's the stories that we tell, it's the perspective that we have. A lot of people say, you know, where is Nefesh Mountain? Is that a place? And we always say it's a place. We made it up. But it's a place that we kind of, it's like a little dream world, that bubble that Eric and I have sort of dreamt up. Where, you know, it is a little like, the free to be you and me vibes of like, just be yourself. And it's infused with this huge range of musical styles. And Eric brings that to the table.  Manya Brachear Pashman:     Would you describe your genre or style as bluegrass? Or would you describe it as something else? I call it bluegrass. But what do you call it? Eric Lindberg:   That's a great question. Because we're right now kind of, you're catching us in the throes of exploring that. And we have been this whole time. I'm a huge fan of bluegrass music. But when I say that, like that means something to me. And it doesn't necessarily mean the same thing to everybody. Of course, it's a word out there that means different things, like being Jewish means something different to everybody. You know, is it a religion? Is it a culture? And bluegrass has the same kind of thing where there's a purest form of bluegrass, which when you're talking about Bill Monroe, Flatt and Scruggs, Stanley Brothers, etc, you know. And then you also have the Bluegrass that I grew up with, which was more of a quote, newgrass thing, and also really just ended up being kind of very fancy folk music with the likes of you know, people like Béla Fleck and Nickel Creek, and Punch Brothers and Sarah Jarosz. All these singer songwriters that are starting to write music with bluegrass instruments, and also improvising on a very high level. So bluegrass has become something that is actually more Americana. So these days, we're kind of using Americana. Manya Brachear Pashman:   Talk a little bit about the original purpose of your music, or message that you wanted to convey with your music together. Or the one that's evolved over time, perhaps? Eric Lindberg:   Well, the original purpose. I'll say, it was all an accident. You know, we fell in love. That's always an accident. A beautifully happy, you know, accident that is ever evolving and beautiful. We, um...sorry. Manya Brachear Pashman:   Stop making lovey dovey eyes at each other. Actually, you can continue, I just wanted our listeners to know. Eric Lindberg: No, no. It's a big story. We fell in love. Your question was…say it again.  Manya Brachear Pashman:  You talked about wanting to be authentic, wanting to express yourselves originally. But has that purpose or intended message of your music evolved over time? Eric Lindberg: Yes, it has evolved and the purpose in the beginning, I noticed something when we first started making this music. As a fan of course, Americana, bluegrass, all this stuff. I noticed that so many artists could go out and sing songs about, about Jesus, about Christianity, about their spirituality. And it's not necessarily called religious or overtly Christian, or anything. It's just Americana. Because they are kind of synonymous.  And the fact that gospel music is kind of at the core and like in the bedrock of what has laid the foundation for Americana music, it goes without saying. So any secular artists can go out there and kind of be themselves in all of that. If they want to sing a gospel tune, well, let's do Will the Circle Be Unbroken, everyone will love it, you know, even though it's a gospel song. Or even songs that we've kind of turned on their ear a little bit like Wayfaring Stranger or Down to the River to Pray, I Fly Away, gospel songs that we love.  So this was our answer to that– we're gonna bring a sense of Jewish spirituality to the Americana table. And our first records, or really our first record. And then a little bit into the second dealt with some of our liturgy with some of the prayers that we had grown up singing, which, for us, meant a lot. Songs, like Henei Mah Tov, which is a whole song about how great it is to have friends and be together and, you know, celebrate each other's uniqueness and beauty. To songs like, Oseh Shalom, prayer for peace, or something like that.  Through the years, we found a new purpose. And we've also, you know, been a band through a very trying time in this country. You know, no matter what side of the political fence you're on, it's been, we're all living in a world where we pretty much don't agree. And it's kind of de facto, now, that we don't agree, and we're gonna fight. And unless you see exactly eye to eye with me, I'm your enemy. And we have now kind of taken a stance, we're not politicians by any stretch. But Doni has kind of created this term that I love, and it's called radical love, which is to, regardless of our backgrounds, regardless of, our opinion on this, that, or the other, we are going to look at people in the eye and embrace them, and to put love out, because that's what the world is clearly lacking.  And it's definitely a kind of hippie sentiment, peace and love, man. But we're fighting all the same things now that everyone was in the 60s, that everyone was in the 70s and 80s. And before that, and probably beyond. And we're challenged with the same issues. We're challenged with racism, antisemitism, a lack of empathy and diversity in neighborhoods and school systems and in cities and the world is still, we want to be happy. So we pretend that it's better than it is sometimes, but it's not great for so many people. And it is a Jewish ideal that I grew up with, this idea of Tikkun Olam, to make the world a little bit better. That's what we want to do through our music.   Manya Brachear Pashman: Do you feel like you have had opportunities to share and communicate that radical love? Are you getting through to people?  Doni Zasloff:   I think every time we get on a stage that is, in front of anyone really, whether it's a Jewish crowd in front of us, or whether it's a you know, a secular, diverse crowd of people, we don't know what their backgrounds are, we really are kind of stepping into a space where we are putting out this radical love. And I think that we have been blessed with an amazing response to it. People are skeptical about a lot of things. There are Jewish communities that were very skeptical about the banjo and very skeptical about the bluegrass thing. The amount of people that come up to us at a synagogue and say, I thought I hated bluegrass. I had no interest in bluegrass, I love it. Or I thought I was gonna hate you guys. Like I didn't understand what you guys were all about. But it turns out I really love it. So we're getting a lot of love wherever we go, which is kind of why no matter what's going on, we just keep doing it because, you know, we've also had responses from people of all backgrounds just hugging us, thanking us for sharing this, you know, culture with them. People have come up to me crying like thank you I, I've never met anybody Jewish, I just didn't know, I didn't know.  I think that music is so powerful, that it can break down so many walls and just shift people's ideas. And so I do think that the response to our radical love has been great. It's not easy, it's a little scary sometimes. It's not always been embraced. There are a lot of bluegrass festivals that wouldn't put us on their stages, because they don't want a Jewish band up there. They don't know what their crowd's gonna think or how that would affect their bottom line, or I don't know. Manya Brachear Pashman:   Do they come right out and say that?  Doni Zasloff:   Pretty much, yeah, we've definitely gotten that feedback. It's hard to hear, as you can imagine, it's painful. But it's the truth, that there is antisemitism everywhere. Eric Lindberg:   Yeah, it used to be–we've been a band since about late 2014. And now, we're knee deep in 2023. And in the beginning stages maybe I was more naive. And I used to kind of think, because, again, the bluegrass world I had in my head was that of progressive music. But I will say that there is a flaw in the bluegrass world and some of the people who want to keep bluegrass being a certain way. And that explains part of our, you know, we will always play bluegrass. So it's not that we won't depart from the genre, but are exploring other areas as well, because we've had clear cut answers of: No, you will never be on this radio station. No, you will not be at this bluegrass festival. We don't have room for people that preach Jewish things. Which is not what we do at all. We have a big show,  I think we're a good band. We've done a lot. I'm proud of what we've done. You know, if the answer was no, because we don't believe you're good enough, then that'd be one thing. But the answer is clearly a Jewish issue. It's a tough thing to live with. So a little bit of me is, it's one of those things you hope as a little kid growing up, who loves music, who is crying and dancing and laughing and learning it and loving it. And it's the most exciting thing in your life, you hope that when you grow up, that it's not going to turn around and kind of kick you in the ass. And you're not going to see some of the dark underbelly of the world that you love. And unfortunately, some of that has happened. At the same time, I've gotten to play with my heroes, our heroes, Sam Bush and Jerry Douglas and Bryan Sutton. The people, the people that I've loved as musicians have all been the most beautiful, like creatures on planet Earth. They are very much beloved to us and our family.  Manya Brachear Pashman:   I'm not totally surprised. We love bluegrass as a family. But my kids do call it Jesus music occasionally. And we make sojourns to bluegrass jam sessions. There's one in Little Silver, New Jersey once a month that we've made the sojourn to at the little Methodist church there in town and I sing along with I Saw the Light. My eight year old wants to play the banjo, that's the musical instrument he has settled on to learn. That's why you guys stand out so much is that you have given to us, a sense of belonging. That like we belong in this world too, we belong in those seats as well. And so I'm not surprised that you have experienced that, but my heart is breaking a little as you talk. Eric Lindberg:   And I want to add that there's nothing wrong at all with bluegrass music, with celebrating Christianity and that spirituality, at all. And I just want to be really clear, because that's the music that I love. And I'll sing along with those songs, too. I love those songs. And it's not, as Doni was saying before, it's not like we haven't, we're playing a lot where there are folks that are saying yes, that are embracing us. But there is something about, you know, when you're Jewish, and when you get that kind of feedback, because it speaks more to antisemitism than I think the musical world or the culture that we live around us in, in this country. I hope that I am being clear in that, the music is beautiful, and the heritage is beautiful. And we're not saying we should be like, we love bluegrass culture, bluegrass music, Americana culture, all that stuff. We love our Jewish culture. And we only want to do right by both sides of that equation, you know, make sure that they're balanced and treated with love. Doni Zasloff:  But just like the world, there is, a little bit of a, not a little bit. I mean, the antisemitism that we're seeing, right now, in this country, it's everywhere, including what Eric was talking about. It doesn't just go away. We were at a big conference, and somebody came up to me, and I tell this story a lot, this guy came over to me in a big cowboy hat. And he just looked at me and he said, Why do you have to be here? Why do you have to play this music?  Eric Lindberg:   He actually said, you actually don't belong.  Doni Zasloff: Y'all don't belong here. This Jewish thing, just basically, get out. And I remember just like, taking a deep breath, walking outside, I think I cried a little bit. I think I called my dad. You know, I was just like, What am I doing here? Like, this is nuts. You know, but then I walked back in and I'm getting, hugs and like, a lot of love. So, you know, this is part of being outwardly Jewish, I think right now. Like, it's just kind of what happens. Eric Lindberg:   And that's the phrase that we haven't, we haven't said yet, because it seems like kind of a strange thing, to be outwardly Jewish. What does that mean? And I didn't grow up in a world where, where people did this, you know, and it kind of boils down to, there's a decision that we have to make that I had to make, and Doni, as musicians that are we going to be a band that is just about the music. And largely we are, actually we want to make good music first and foremost. And we also want to be a band that is, we live in this world, and we are seeing a rise in antisemitism, and we are scared about it. It troubles us and it makes my blood pressure rise and it's terrifying. And if we don't say anything about it, if we're not outwardly Jewish, if we're not openly wearing the star on our chest, you know, so to speak, or on our shoulders. I don't think we're doing ourselves a service. I think we're hiding behind something. For better or worse we're openly going out there and talking about this stuff all the time, because, you know, it won't get better if we don't. Manya Brachear Pashman:  You have recorded three albums, you're getting ready to release a fourth. Is that correct? Eric Lindberg:   Yeah, we actually have four albums out. One is a live one that we kind of snuck out at the end of 2021. Okay. But yeah, there's four that you can stream or buy or any of that stuff, and we have some new music coming out that we're really excited about. Manya Brachear Pashman: If you could talk a little bit about the inspiration behind those albums, because I know that they tell stories. And I'm curious if you could, you could share with our listeners.  Eric Lindberg:   “Songs for the Sparrows” is the most personal and adventurous recording that we've done, it was a huge undertaking. But maybe Doni, you want to tell them a little bit about the inspiration behind that record. Doni Zasloff: That record was inspired by a trip that Eric and I took with our older kids and my mother. My mom did all of this research about our family history, in Eastern Europe, and found all of this information and was able to locate the town that our families we're from. And so we did this big roots trip. It turns out I'm from Ukraine, I thought I was from Poland, but now it's Ukraine. And so we went on this trip, and we saw the town that my family was from and then we saw the forest outside of this town where some of my ancestors, we believe, were shot.  We saw so many things, this trip really kind of just rocked us. I mean, it's everything that we've learned about. But to go there and to see it, it's not in a book, it's not in black and white. It's there and to see that the history was kind of almost trying to be erased, in modern times. It was hiding, we had to dig it up to even know that it had happened. Eric Lindberg:   Literally hiding like we'd get there, we were in Lviv, this is of course before current day, this is back in 2018. And we were in this kind of great shopping area and parking lot and our tour guide had to say, you know, this was a cemetery. This was one of our flea markets. It was like a flea market and it was like what's going on? And there's vibrant life happening but at the same time, no one was… Doni Zasloff: Everything was destroyed, everything, you know, everything hundreds and hundreds of synagogues. I mean almost all of our ancestors, you know, this is where it all was at. But anyway, so we were on this trip. And while we were there I posted a picture on Facebook saying you know I'm on this roots trip. And then one of Eric's cousins like a distant cousin Reuvain, who had also done a lot of research on his family history, started sending email after email to Eric saying, Eric Eric, you are from six hours south of Lviv, you are from the Carpathian Mountains, that's where our family is from, you should go. So we turn the bus around, we ended up going six hours south to the Carpathian Mountains, so that we could see where Eric's family was from the next day. Eric Lindberg:   And just like you thought your family was from Poland, I thought my family's from Austria-Hungary. But in '91, the borders all shifted. And so my grandma grew up, you know, grandma, where we from, she spoke a little Hungarian and, and Yiddish too. It was always Austria-Hungary. That's where we were from. And now of course, it's present day Ukraine. Doni Zasloff:   Right, so we take this six hour drive south, and through the help of Reuvain, were able to find the cemetery where Eric's great grandfather was buried. Hours of looking, and we finally get there, and it had been destroyed. But somebody actually was trying to restore it. But it was little bits and pieces of stones everywhere. But at least it was kind of marked as something. So we went in there and looked for hours, we spent hours trying to find a little evidence of something with his great-grandfather's name on it. We never found anything.  But there was a moment when we were walking around the cemetery that we looked up and saw all of these little birds flying above us, these tiny little sparrows. And there was just something that kind of was very breathtaking about the whole experience and kind of weird. We went through this whole trip, kind of taking it all in. It was a very emotional as you can imagine, like, just very intense trip. We got home and we're trying to like process it six weeks after we returned home was the tree of life shooting in Pittsburgh. So it was like, you know, part of our brains would like you know, that was the past that when it happened over there, this was a terrible thing. It happened over there. Then suddenly we come home and it's happening here. And there's this hate and there's this violence and so it was just like all swirling in our heads and we just kept thinking we have to do something we have to like we just felt compelled to make Now we'll basically or to do something, we didn't know what it was gonna be, we just had to write. But then we kept coming back to that moment with the bird with the sparrows, when we were walking around the cemetery. And Eric and I had this thought, well, maybe those sparrows were our ancestors. And maybe the and then the sparrow, maybe the sparrow. And we learned that sparrows live all over the world. They're small and mighty, and they live and their sparrows everywhere, there's sparrows outside of this house, there are sparrows in Ukraine, there's sparrows everywhere. So the sparrow has become, you know, became a symbol or a totem for anyone who has been discriminated against and hated for just being themselves. You know, whether it's our ancestors, or anyone, right now who's just not being accepted for the person that they were born to be.  Manya Brachear Pashman:   Unbelievable. I want to ask you about your upbringing. And I know Eric grew up in Brooklyn, but where did you grow up? Did you have a bat mitzvah? What's your spiritual journey? Doni Zasloff:  I was born in New York. And then I lived a little bit in Boston and then I grew up in DC in the DC area and then Philadelphia and then I moved to New York so it's been you know, East Coasty.  So I grew up going to Jewish camps and Jewish schools and I had this very intense connection to my Jewish spirituality. Like, I hated it, I loved it, I challenged it. It was like, I needed it. I didn't want it, you know, it was but I was in it. You know, I had this relationship with my Jewish identity. Even as a little kid, like a little girl, I remember, I wrapped to fill in when I you know, in a Jewish Day School setting, and like the rabbis were like, you know, angry at me, you know, things like that. Like, I was just like, really rebellious in my relationship with my Jewish self and going to Jewish schools and things like that. So I don't know, I felt like a Jewish cowgirl really my whole life.  Manya Brachear Pashman:   You have a film crew that has been shadowing you for quite a while now. Six months. And tell us a little bit about “We Sing Nonetheless.” Which is the title of an upcoming documentary. Eric Lindberg:   Yeah, it's really exciting. We met this awesome gentleman, Adam, up in Boston, we were playing a show, I believe that was at his synagogue. But we were, you know, it was just after the show, and I'm like, kind of sweaty, over by the merch or something, and I just start talking to this guy. And he's like, I'm a documentary filmmaker. Little did I know, he's an Emmy award winning documentary filmmaker, and his last project,  Dawnland with the--Upstander Project is the name of the organization. And we became really kind of fast friends, so much in common. And we just kind of started texting a little and throwing around some, could this work.I'm kinda like, there's gonna be a documentary about us? I mean, what we do is really important, but I kind of forget that we're the ones that do it sometimes. And I'm like, You're gonna follow us around and, and do this thing. And he was serious about it. And it's turned into, it's happening. It's a project. It's gonna be a movie.  And the working title is We Sing Nonetheless, which is borrowed from one of our lyrics. It's from this song called Tree of Life. It's a bigger story, because we wrote it the day of the Pittsburgh shooting. But the refrain in that song is this lyric, but we sing nonetheless. Despite this pain that we've gone through with everything we've talked about with the sparrows and all this stuff, we sing nonetheless. And it's a lyric that we of course, we love, we wrote it. But when Adam came to us and said, that could be a theme. I was kind of blown away, because that's kind of one of the core messages of the band, which is that, despite history, and what history tells us and what we've learned, we are here, so we have to sing, we have to make that choice to sing. Doni Zasloff: And it's so Jewish. I mean, it's just such a Jewish like, that's what we do. So it just feels –actually he came up with the title. And I just burst out crying. I was just like, oh, yeah, that's kind of, that's just how my life has been. It's just always that, you know. Manya Brachear Pashman: I want to talk about one of my favorite songs of yours, and one of the most calming: tell us about the inspiration behind Evermore (Hashkiveinu), which is another song off your album Song For the Sparrows. Doni Zasloff: Oh, yeah. I love the gosh, every song's like another one of our babies but the song that we wrote called, Hashkiveinu, the Hashkiveinu prayer that was inspired. Eric started writing that, I think because I was having a hard time sleeping. And I think you wrote that one to try to help me get through the night.  Eric Lindberg: Yeah. Doni Zasloff:  When I was like, I just have a hard, sometimes I just can't, not sometimes, most times. Eric Lindberg:   Still some days you're just like, I didn't sleep. That's actually a great one to bring up because it's based on this ancient prayer, Hashkiveinu. It's based on this ancient idea. And then when really reading the text and we looked through a lot of different translations and it's just beautiful that we would you know, that moment at night before sleep, first of all, we all have it's universal. And the idea that these angels come and like take us to this land and like golden shores and all this kind of like cool imagery.  Doni Zasloff:   [singing, acapella] Shelter, oh shelter as night... Doni Zasloff and Eric Lindberg:   [singing, acapella] Shelter, oh shelter as night settles in  Lay us down beside tranquil shores  So we can dream of the wings  That'll bring us home again  For now, and evеrmore Eric Lindberg:   Something like that.  Manya Brachear Pashman:   Beautiful.  Eric Lindberg:   Yeah, I mean, but that's our task. You know, sometimes if we are looking at a song from a prayer, I'm glad you brought it up because, while we're not like, the word religious can mean something different to everybody, but these prayers are based in also our culture and our heritage. And it's all one if you're living a Jewish life, and I think that this is one of these beautiful, poetic, whimsical, magical prayers, that is, that is a part of our culture that we're super proud of. And we kind of wrote this folk song around it, about being able to get yourself to sleep, despite the day you've had. Manya Brachear Pashman:   Beautiful. Would you mind closing us out with another song? Doni Zasloff:   [guitar playing] This song's called Where Oh Where, it was intended to be a song of hope, inspired by nature. And it's a response to all of the not so great things that we're seeing around us, to try to comfort ourselves really. But it's called Where Oh Where. Doni Zasloff and Eric Lindberg: [singing, with guitar]  Where oh where are the sweetest songs Of Miriam and her daughters? They were sung beside the seas and tides So still must be out on the waters Still on the waters   Where oh where is the wisdom Sung by the many before us? She was there inside the tree of life So still must reside in the forest Still in the forest   Yai da dai da dai dum dai dai Dum dai ya da dum dai Ya da dai da dai dum dai dai Dum dai ya da dum dai   Where oh where is the innocence From our first days in Eden? They used to rest their heads on the flowerbeds So still must be there in the gardens Still in the gardens   Yai da dai da dai dum dai dai Dum dai ya da dum dai Ya da dai da dai dum dai dai Dum dai ya da dum dai   Where oh where's the forgiveness From the age of the flood so long ago? Under all the rain the earth remained So it's still in the fields and the meadows In the fields and the meadows   Yai da dai da dai dum dai dai Dum dai ya da dum dai Ya da dai da dai dum dai dai Dum dai ya da dum dai   Where oh where's our compassion Is it somewhere we can discover? It's never too far, it's right where you are It's always been in the arms of each other Manya Brachear Pashman:   Thank you so much.  Eric Lindberg:  Sure thing.  Manya Brachear Pashman:   It's been a jam-packed Jewish American Heritage Month here on People of the Pod: we kicked off with AJC CEO Ted Deutch, popped into the kitchen with Busy in Brooklyn food blogger and cookbook author Chanie Apfelbaum, and last week, we heard from from Georgia Senator Jon Ossoff. Thank you for joining us to close out the month with Nefesh Mountain. Tune in later this week for our sit-down with House Minority Leader Hakeem Jeffries.

The Seattle musician performs songs from his latest album, which features Lucius, Guy Garvey of Elbow, and Sara Watkins of Nickel Creek.

FTB podcast #533 features 2 new albums, Doug Paisley's Say What You Like and When The Trouble's All Done by Ellie Turner. Also fine new tunes from Eric Bibb, Jono Manson, Dom Flemons, Nickel Creek, The Band Of Heathens and more. Full playlist: http://ftbpodcasts.com/?p=9129

New security footage shows security guards walking away as migrants bang on a cell door during the deadly fire in Ciudad Juarez. Marisa Limón Garza of Las Americas Immigrant Advocacy Center talks about conditions for migrants in the city. And, after massive protests in Israel over a push by Israeli Prime Minister Benjamin Netanyahu to remake the judiciary, he is temporarily holding off on the plan. Protester Yochai Gross talks about what comes next. Then, the trio Nickel Creek is back with a new album, "Celebrants." Chris Thile and Sara and Sean Watkins join us.

Nickel Creek's Sara Watkins, Sean Watkins, and Chris Thile discuss their brand new album Celebrants (Thirty Tigers) Record Store Day co-founder Carrie Colliton talks with Paul about more titles from the upcoming Record Store Day 2023 list. Record Store Day is April 22, 2023, go to RecordStoreDay.com for the list and the latest information from the Record Store Day world. Sponsored by Tito's Handmade Vodka, Dogfish Head Craft Brewery, and Crosley turntables.  Written, produced, engineered and hosted by Paul Myers, with theme and select interstitial music by Paul Myers. Please rate us, review us, and subscribe to us, wherever you get your podcasts.  

“Celebrants” is their first in nine years and only their fifth album going back to their 2000 breakthrough. It's not a reunion album, it's a continuation of what they started

Plus, Chris Thile and Sara Watkins join World Cafe to talk about the making of and meaning behind Celebrants.

Nickel Creek, the bluegrass trio who's been in existence for almost 35 years, returns with their first original release in nine years. It's brainy, it's theatrical, its twists and turns are not predictable from its authors, who have entered mid-life. To that point, there is lots of middle on this album. The middle's not the most exciting or thrilling part (see: beginning or ending), but there is plenty happening and plenty to celebrate. The band says that's the feeling they want to convey through the record. Lucky us, we get to crawl into the band's history and approach to the new music via folk fashion icon, Sara Watkins.Despite the focus on the middle, Sara gets into the beginning of her musical experience, talking of her practicing habits, musical summer camp, and being friends with 70 year old bluegrass players at the local pizza parlor. She also talks about her vocal prowess, particularly on "Where The Long Line Leads," where she blazes; singing on the very edge of her voice and it's so exciting. Of course we talk about her history of stage outfits, from mid-length skirts to fashionable jumpsuits, she's done a lot of fashion in the folk world over the course of her career. Sara Watkins is a dream: From Nickel Creek, to I'm With Her and The Watkins Family Hour! Enjoy this wonderful person! Go get that Nickel Creek record - holy cow!Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/Advertising Inquiries: https://redcircle.com/brands

Okay fans, strap on your suspenders, throw back a mason jar full of moonshine, and get ready for some stomp-clapping, because this week we're talking about Americana. More specifically, we're listening to the bluegrass-adjacent 2010 album “Antifogmatic” by Punch Brothers. But while this record features classic bluegrass instrumentation, the band's music stretches way beyond the genre, incorporating elements of jazz, country, and chamber music. The guys discuss the band's unique blend of experimentation and virtuosic musicianship, mixed with dynamic and accessible songwriting. Brandon also shares his early appreciation of lead singer Chris Thile's previous band, Nickel Creek, and hypothesizes about the fundamental role of the O Brother, Where Art Thou? soundtrack in early 2000s pop culture. Plus, Joe breaks down before he can even introduce himself, and Matthew admits how much he loves big round bottoms.This is our final episode of season 2, meaning we'll be taking a short break. Thanks everybody for listening along with us this season. Make sure to keep following us on Instagram and we'll be back before you know it. Stay Frosti!Be sure to support the artists by purchasing "Antifogmatic" on iTunes or wherever you get your music.

So much more to Celtic music than St. Patrick's Day. He was a missionary after all and probably would frown on green beer and plastic shamrocks. Sample this week's cool Celtic including debuts from La Bastringue, the Murphs, Nickel Creek and House of Hamill. Seiva - Debaixo da Terra Oysterband - streams Of Innocence Melisande - Degenerations CANCON The Mahones - Freeway Toll CANCON Youthi & Macca Dread - Celtik Mode INST Dropkick Murphys - I Know How It Feels La Bastringue - La grande Gigue Simple Tau & The Drones Of Praise - It Is Right To Give Drones And Praise Yoko Pwno - The Black Cat (feat. Acolyte) The Real McKenzies - Leave Her Johnny CANCON Moira Smiley - Wise Man (feat. Sam Lee)Mouth Music - Manitoba Nickel Creek - Strangers House Of Hamill - Superb Owl INST Grumpy O Sheep - Highway To Sheep INST 59:29

Toad the Wet Sprocket is an American alternative rock band formed in Santa Barbara, California, in 1986. The band at the time consisted of vocalist/guitarist Glen Phillips, guitarist Todd Nichols, bassist Dean Dinning, and drummer Randy Guss, who stopped touring in 2017 and left the band in 2020. Guss was replaced by drummer Josh Daubin, who had been supporting them as their drummer on recent tours. They had chart success in the 1990s with singles that included "Walk on the Ocean," "All I Want," "Something's Always Wrong," "Fall Down," and "Good Intentions."  The band broke up in 1998 to pursue other projects. Although re-united periodically for short tours. In December 2010, the band announced their official reunion as a full-time working band and started writing songs for their first studio album of new material. That album would become New Constellation, followed by The Architect of the Ruin.   Toad the Wet Sprocket's most recent full-length album, Starting Now, was released on August 27, 2021. As a solo artist, Glen Phillips released Abulum in 2000.  In 2004, he released a long-awaited collaboration with Nickel Creek under the Mutual Admiration Society. The self-titled album was recorded in 2000 and featured songs written by Phillips alone and collaborative efforts with Sean and Sara Watkins, released on Sugar Hill Records. In 2005, Phillips released the critically acclaimed Winter Pays For Summer. The album included the radio single "Duck and Cover," but Phillips and the label would part ways due to creative differences.  A compilation of six outtakes from that album was published as an EP titled Unlucky 7, the first track ("The Hole") featured in the second episode of the AMC television series Breaking Bad. Phillips released his third proper solo album, Mr. Lemons, in the spring of 2006.  In January 2008, it was reported by Billboard that a new supergroup had formed. The ensemble gathered in Jim Scott's recording studio, and by September 2008, the collective settled upon the name Works Progress Administration (W.P.A.). In its octet configuration, WPA features Phillips, Sean Watkins (guitar), his sister Sara Watkins (fiddle), Benmont Tench (piano), Luke Bulla (fiddle), Greg Leisz (various), Pete Thomas (drums), and Davey Faragher (bass). The group also performs as a quintet featuring Phillips, Watkins, Bulla, and bassist Sebastian Steinberg. The results of the 2008 recording sessions were released as an album on September 15, 2009. Phillips has also completed an album with Neilson Hubbard and Garrison Starr under the band name, Plover, released on October 23, 2008. In 2009, Phillips was involved in the soundtrack of the film Imagine That. He covers The Beatles' song "I'll Follow the Sun." On April 5, 2018, Glen Phillips signed with Compass Records Group. His 2016 album, Swallowed by the New, was followed by There Is So Much Here in 2021. Keith & Geoff welcomed Toad the Wet Sprocket frontman Glen Phillips to Thunderlove Studio and had a delightful conversation about, but not limited to, disco, hippies, and mental health.  Go figure.   Toad the Wet Sprocket is hitting the road this summer. LINKS Toad the Wet Sprocket Glen Phillips Toad the Wet Sprocket Tour Dates W.P.A. on Spotify Mutual Admiration Society on Spotify  Compass Records Remote Tree Children - one of Glen's side projects Dystopia Tonight Podcast Heisenberg Uncertainty Principle Reinhold Niebuhr Serentity Parallel Worlds, Parallel Lives The Langley Schools Music Project - “Space Oddity” Snot (band) Angus Cooke  4AD Records Envelope 23 Design Gabrile the Traveler - Santa Barbara Antic Disco Melee Largo - LA Club 99% Invisible Podcast - The Day the Music Stopped

As an artist, to grow and achieve success, it is important to put yourself out there, focus on developing yourself, and create what you want without worrying about peoples' opinion. Pursuing your passion with dedication and staying true to yourself is the key factor. Don't just dream but take action towards what you want and make sure it makes you feel fulfilled at the same time. Doing so can reward you in a number of ways.No one ever becomes a professional artist overnight. It takes time, patience, and tenacity to learn the tricks of the trade. You will make mistakes and some of your work may not turn out as expected - that's okay! The only way to get better is to experiment with new approaches, seek feedback from peers and mentors, and keep challenging yourself. If you are starting from scratch, give yourself a break - everyone starts as a beginner. Have faith in yourself and don't be too hard on yourself.In this episode, Wildwoods, a husband and wife duo (Noah and Chloe Gose) along with Andrew Vaggalis on bass, share their story of rebranding. They also share the value of collaboration in creating music and content, as well as their transition from college to the real world. They emphasize the importance of pursuing your own dreams while taking risks to create exactly what you want out of your career.Let's jump in!Snapshot of the Key Points from the Episode:[02:29] How Wildwood's got started and where they are in their journey. [06:08] The instrument side, how the Wildwood plays them in their performance.[12:12] Putting yourself out there and giving yourself a chance to grow on social media.[12:58] Wildwoods' favorite and memorable performances. [17:53] Wildwoods' superpower that has helped them in their journey. [20:28] How Wildwoods navigate the creativity and the business side of their career.[27:02] How to engage with and grow your fan base. [32:21] What does working from your happy place mean to Wildwoods?[36:12] Wildwood's advice to young artists who want to pursue their passion.[41:38] Ending the show with one of the Wildwood's newest releases, West Virginia Rain About Wildwoods: - The Wildwoods are an enchanting Folk/Americana trio based in Lincoln, Nebraska, whose flowing songwriting tandem has been praised by Paste Magazine as "focused and charmingly human." The Wildwoods' delicate melodies and descriptive lyrics come from nature, love, experiences from the road, and growing up in Nebraska.The band released their debut album, Sweet Nostalgia, followed by a duo EP, Birdie & Goose, in 2017 and quickly established themselves as a creative, harmonious, and instrumental force in their local music scene. Since then, The Wildwoods have released another full-length record, Across A Midwest Sky (2019), as well as a handful of singles, Little Home (2020) and Like My Old Man (2021), and have supported touring acts such as Elephant Revival, Arts Fishing Club, The Accidentals, The Way Down Wanderers, and Jamie Wyatt.Along with performing several Sofar concerts in cities such as London, Brooklyn, and St. Louis, as well as a European tour in 2019, the group has performed at several festivals, including Summerfest, The Nebraska Folk and Roots Festival, Wakarusa, and the Flatwater Music Festival.In 2016, 2017, 2018, and 2021 The Wildwoods were nominated by the Omaha Arts and Entertainment Awards as a top Americana/Folk artist in Nebraska, and in 2022 they were named “Best Band” by the Lincoln Journal Star's ‘Lincoln's Choice Awards.' The group's musical momentum continues into 2022 with their latest single release, Thirteen Sailboats, in anticipation for the release of their new full-length LP, Foxfield St. John, scheduled for release in February of 2023.Comprised of husband and wife team Noah (guitar) and Chloe Gose (violin), as well as Andrew Vaggalis (bass), The Wildwoods draw inspiration from a wide range of influences, including the styles of Watchhouse, The Decemberists, Gillian Welch & David Rawlings, Peter, Paul, & Mary, Nickel Creek, Joni Mitchell, and Gregory Alan Isakov. The folk/Americana trio work to harmoniously and delicately blend their voices to create a sound so nostalgic that you may find yourself dreaming and longing for those sweet memories from your former days. How to connect with Wildwoods:Facebook: https://www.facebook.com/TheWildwoodsband/Instagram: https://www.instagram.com/thewildwoodsTikTok: https://www.tiktok.com/@thewildwoodsbandYouTube: https://www.youtube.com/@thewildwoodsbandSpotify: https://open.spotify.com/artist/2wPWBhOid8BNr5lgEf8GKe?si=ICSE4xCyR2u4gIokKThhTAWebsite: https://www.thewildwoodsband.com/About the Host -Belinda Ellsworth is a Speaker, Trainer, Best-Selling Author, and PodcasterShe has been a professional speaker, mover, and shaker for more than 25 years. Having built three successful companies, she has helped thousands of entrepreneurs make better decisions, create successful systems, and build business strategies using her "Four Pillars of Success" system.Belinda has always had a passion and zest for life with the skill for turning dreams into reality. How to Connect with Belinda:Facebook -https://www.facebook.com/workfromyourhappyplaceLinkedIn - https://www.linkedin.com/in/belindaellsworthInstagram -https://www.instagram.com/workfromyourhappyplace/Website - www.workfromyourhappyplace.comQuotes:“You have to put yourself in a position that gives you a chance for something to happen.”“Even though it can be overwhelming to go through every comment, it's worth it to build your connection with your fan base.”

I first interviewed Sara Watkins of Nickel Creek in 2013, and this latest conversation reminded me why she is one one of my favorite interviews. The thoughtfulness and introspection she brings to this discussion are wonderful.No matter the art you create, this episode is for you. We didn't focus on the practical aspects of the songwriting process nearly as much as we talked about Creativity (with a capital C): why we create and what it does to us when we do. Where does the urge come from? When is the drive the strongest? For Watkins, the ideal place to write from is curiosity. "The end goal is not to write songs. The end goal is to figure out my stuff, how to be me, how to work through stuff," she told me. Nickel Creek's first album in nine years, Celebrants, comes out March 24. 

It's a big weekend with lots of things happening; Raven's main complaint about air travel; Rich is looking for someone to go drug shopping for him in Mexico; Why Feeney wears his crappy glasses; Feeney has become funnier and better thanks to Raven; Sean Ross Sapp and Disco are fighting online; The greatness of Nicolas Cage; Rich shares the tale of "Fear of a Black Hat" and other great black films; Raven Karaoke coming to the 2024 Jericho Cruise; UFC 284 preview and betting strategies; Raven has the best marketing idea for the show; The difference between Nickelback and Nickel Creek; Are there any real fans of Gigi Allin? Ridiculous song titles; Rich's pretentious taste in music; Adventures on ecstacy; Fanmail, and of course, all the usual perversions. Follow the guys on Twitter!Raven - @theRavenEffectRich - @RichBocchiniFeeney - @jffeeney3rdGet Raven trading cards by going to beaujay.com - buy early and oftenAsk Danna on ebay is selling a bunch of Raven's old comics and other goods, go buy Raven's stuff. Check out the store at https://www.ebay.com/str/askdannaHave Raven say things that you want him to say, either for yourself or for someone you want to talk big-game shit to by going to www.cameo.com/ravenprime1If you want all the uncensored goodness AND watch The Raven Effect, sign up for Patreon by going to www.patreon.com/TheRavenEffect it's only $5 a month!

On this week's show, we... bid adieu to David Crosby & Tom Verlaine spend quality time with the new Joe Henry record spin fresh tracks from boygenius, Fucked Up & Nickel Creek  all this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Our featured interview tonight is with pipe maker Scott Thile. Scott has been making pipes since 2004. In addition to making pipes, Scott is a piano tuner and re-builder, and a bass player. Scott also founded Pipedia.org, and he was on the show way back in 2012 on Episode 10. Scott's son, Chris is also a musician, and his band, Nickel Creek will be our featured music with their Platinum record, "In The House Of Tom Bombadil". At the top of the show, Brian will be answering a listener question related to other collectibles in the pipe and tobacco world.

Clive Anderson and Arthur Smith are joined by Layton Williams, Catherine Cohen, Steve Bugeja and Damian Dibben for an eclectic mix of conversation, music and comedy. With music from Nickel Creek and Sacha T.

Episode Notes Support the Mandolins and Beer Podcast at my Patreon page! My guest this week is Lawrence Smart. Lawrence is a great luthier that lives in Idaho. If you own any recordings by Nickel Creek, Chris Thile, Joe K. Walsh, John Reischman, or Mike Marshall…just to name a few, than you have heard some of his incredible instruments. Head on over to Lawrence's Website HERE! Also, be sure to go support the great Jake Howard's newest project with Westbound Situation Here!   Clip referenced in interview: https://www.youtube.com/watch?v=BoqzDiMG7oI&t=384s&loop=0   New Shirts on the website!!! As Always…..thank you to my sponsors! Peghead Nation Northfield Mandolins Pava Mandolins  Ellis Mandolins Siminoff Books Straight Up Strings Elderly Instruments Grace Design

One of the most ambitious string bands to emerge in the early 21st century, Punch Brothers built their sound on a platform of virtuosic instrumentalism and dazzling arrangements. The GRAMMY Award-winning band consisting of Chris Thile, Chris Eldridge, Paul Kowert, Noam Pikelny, and Gabe Withcer, has spent more than a decade changing the face of acoustic music, stretching the limitations of instruments, and influencing a generation of young musicians. Formed in the late 2000s, Punch Brothers' amalgam of bluegrass energy, classical complexity, and jazzy improvisation have earned them numerous accolades and garnered a dedicated following. Staples of the label, all but one of the band's albums have topped the Billboard Bluegrass charts while also making strong crossover showings on the pop, rock, and folk charts. This episode features recordings from their August 2022 performance under the tent.   First broadcast in 1994, Tent Show Radio is a weekly one-hour radio program showcasing the best live recordings from acclaimed music acts and entertainers who grace the Big Top Chautauqua stage each summer in beautiful Bayfield, WI. In the program's nearly 30-year history it has featured artists like Johnny Cash, B.B King, Brandi Carlile, Willie Nelson, Don McLean, and many more. Hosted by celebrated New York Times best-selling author Michael Perry-who weaves stories and humor throughout each episode - Tent Show Radio features performances from renowned national & regional artists, with regular appearances featuring Big Top's own unique brand of shows that feature songs and stories performed by its acclaimed house band, The Blue Canvas Orchestra. Tent Show Radio is independently produced by Big Top Chautauqua, a non-profit performing arts organization, with a mission to present performances and events that celebrate history and the environment - along with their annual summer concert series - nestled in the woods on the shores of Lake Superior and the Apostle Islands. EPISODE CREDITSMichael Perry - Host Phillip Anich - Announcer Matt Jugenheimer - Engineer & Producer Gina Nagro - Marketing Support FOLLOW BIG TOP CHAUTAUQUAhttps://www.facebook.com/bigtopchautauqua/ https://www.instagram.com/bigtopchautauqua/ https://www.tiktok.com/@bigtopchautauqua https://twitter.com/BigBlueTent FOLLOW MICHAEL PERRYhttps://sneezingcow.com/ https://www.facebook.com/sneezingcow https://www.instagram.com/sneezingcow/ https://twitter.com/sneezingcow/ 2023 TENT SHOW RADIO SPONSORSAshland Area Chamber of Commerce - https://www.visitashland.com/  Bayfield Chamber and Visitor Bureau - https://www.bayfield.org/  Bayfield County Tourism - https://www.bayfieldcounty.wi.gov/150/Tourism  The Bayfield Inn - https://bayfieldinn.com/  Cable Area Chamber of Commerce - https://www.cable4fun.com/  Washburn Area Chamber of Commerce - https://washburnchamber.com/ SPECIAL THANKSWisconsin Public Radio - https://www.wpr.org/ 

I met Shane McLaughlin at FARM (Folk Alliance Midwest) just outside of Chicago back in October. I was blown away by the performance of his band, Buffalo Rose. Reminiscent of Nickel Creek or Punch Brothers, the 6-piece group is a feel good, high energy group that puts on a theatrical live performance. On top of releasing a group of songs as a collaboration with Tom Paxton back in February, Buffalo Rose just released their newest full length effort, "Again Again Again" on November 18. You can find it in all the usual places. In our conversation, we chat about growing up in Virginia, how Buffalo Rose came to be, music conferences, and of course their new album. If you enjoy the podcast, please let others know, subscribe or write a review. 5 star ratings and reviews on Apple Music as well as subscribing to my YouTube Channel help out the most! IF YOU'D LIKE TO SUPPORT THE PODCAST IN A MONETARY WAY, I'M NOW ON PATREON! www.patreon.com/andysydow Guest Links: https://linktr.ee/buffalorosemusic?utm_source=linktree_profile_share<sid=d5c1efe5-8869-40b7-afac-a8d88d02554d Episode Music: Original music by Andy Sydow Sponsors: A huge thanks to our sponsor, Narrator Music. For any sponsorship inquiries, shoot me an email at middleclassrockstar@gmail.com narratormusic.com

We had the pleasure of interviewing Glen Phillips of Toad The We Sprocket from The Twisted Wool Lounge at the historic Woolworth Theatre in Nashville! During his years as lead singer and main songwriter of Toad the Wet Sprocket, Glen Phillips helped to create the band's elegant folk/pop sound with honest, introspective lyrics that forged a close bond with their fans. When Toad went on hiatus, he launched a solo career with Abulum, and stayed busy collaborating with other artists on various projects including Mutual Admiration Society, with members of Nickel Creek and Remote Tree Children, an experimental outing with John Morgan Askew. Phillips' previous solo record, Swallowed by the New, was a post-divorce outing about grief, while There Is So Much Here finds Phillips writing love songs again focusing on gratitude, beauty and staying present. “Looking at this batch of songs, I realized I'd turned a corner. I noticed that I was in a state of being that wasn't all about loss. Things felt doable and hopeful again. There's no pure happy ending - the world is a mess, the future is uncertain - but I started to internalize poet Mary Oliver's words: ‘Attention is the beginning of devotion.' I'm paying better attention. I'm getting more devoted.” The 11 tracks on the album move between quiet love songs and outright rockers that consider the multi-faceted meanings hidden in our everyday lives. “Stone Throat” is a midtempo rocker that looks at a couple in a new relationship, trying to find the balance between desire and responsibility, or as Phillips sings, “trying to find the balance, between the sacred and the street.” There's a hint of new wave ska in the rhythm of “I Was a Riot,” a song that casts a compassionate eye on the end of a relationship. “The arrangement nods to Joe Jackson's Look Sharp,” Phillips says. “Graham Maby is one of the greatest bass players of all time, so we had him in mind when laying down the bass part.”  The COVID lockdown-inspired “The Sound of Drinking,” is an appreciation of the familiar things in life, like drinking a glass of water on your back porch. Sean Watkins (Nickel Creek) plays soft acoustic guitar and Glen sighs a lyric of gratitude for simple pleasures. “Call The Moondust” is the most metaphysical song in the set. There's a dash of secular gospel in Depper's piano, and ambient effects that suggest the vastness of the cosmos. Phillips delivers an emotional performance over a tense arrangement that hints at the wonders of the universe. “The beauty of life is in its mystery,” Phillips states. “If we think we have an answer, we're deluding ourselves. My dad was a physicist and was reading about string theory on his death bed. He found God in all those extra folded dimensions, and left this world with a sense of wonder. I hope I can do the same.” Ultimately, as Phillips reflects on the album, he shares: “This is an album about showing up for what is and letting it be enough.” We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #GlenPhillips #TOADTheWetSprocket #WoolworthTheatre #TheTwistedWool #TheTwistedWoolLounge #NewMusic Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

Chris Thile was born to play music! He began playing the mandolin at 5 years old and by 8 was in the popular bluegrass band, Nickel Creek. He went on to start the band Punch Brothers and to take the reins of Prairie Home Companion and reinvent it as his own ‘Live from Here with Chris Thile'. The conversation dives into what it was like growing up in church, making room for healthy debates, and the life-changing experience of having Alison Krauss as your producer. This episode is a wild card when it comes to music, as Chris suggests that he and Norah not only dig into his catalog, but also play some killer songs by Radiohead and Judee Sill. Recorded on 10/26/2021 Learn more about your ad choices. Visit megaphone.fm/adchoices

Intro song: Runnin' Down a Dream by Tom Petty & the Heartbreakers (requested by Colter)Guitar solo request: Smoothie Song by Nickel Creek (requested by Marian)Guitar solo request: Crazy Train by Ozzy Osbourne (requested by Cody AND Dave AND Bo)Outro song: Straight by A Place to Bury Strangers (requested by Greg)Vote for your favorite guitarist from the Final RoundAlso in the show:Ranking our Top Ten Guitar Solos

Sean Watkins (Nickel Creek) joins us this week to talk about his new album, 'Watkins Family Hour, Volume 2.' This project, inspired by the Watkins Family Hour monthly shows at Los Angeles' Largo club, features Sean and Sara Watkins in a studio setting alongside the likes of Lucius, Madison Cunningham, Jon Brion, Jackson Browne, Benmont Tench, Fiona Apple, and others. We talk about the magic of Largo and the community that surrounds it; Sean's favorite guitars (and keyboards); his work as a soundtrack composer; and much more. Listen to the album here: https://orcd.co/volii Learn more about Largo here: https://largo-la.com Love our podcast and magazine? Our Chicago Fretboard Summit takes place August 25-27 at the Old Town School of Folk Music. We have concerts with Molly Tuttle, Julian Lage, and the Milk Carton Kids, live podcast tapings, and a 50-exhibitor handmade guitar show. Go here for details: https://fretboardsummit.org  This episode is sponsored by Peghead Nation (use the promo code FRETBOARD and get your first month free or $20 off any annual subscription); Izotope (use the coupon code FRET10 to save 10% off their plug-ins); Retrofret Vintage Guitars; Izotope (use the discount code FRET10 to save 10% off your Izotope purchase); and Calton Cases.

Stuart Harshaw, CEO of Nickel Creek Platinum (TSX:NCP – OTCQB:NCPCF) joins us to provide an overview of the drill plans this year at the Nickel...

In 2003 Britney Spears released “Toxic,” a song that would make converts out of pop skeptics, be named one of the greatest tracks of the 21st century by multiple publications, and become a personal favorite of Switched on Pop. Despite its success, when “Toxic” was released as the second single from Spears's fourth album, In the Zone, even the song's writers thought it was too “weird” to become a hit. But thanks to the new iTunes platform, which was just gaining traction in 2013, audiences kept buying the track and helped push it to the top of the charts.  For many listeners, your hosts included, hearing “Toxic” for the first time was a moment of epiphany, an opportunity to rethink one's views on the expressive power and musical invention of Top 40 pop. And almost twenty years after its release, “Toxic” is still rippling through the culture. It's been covered as a jazz-noir ballad by Yael Naim, a screamo anthem by A Static Lullaby, and a bluegrass burner by Nickel Creek. In 2022, the song enjoyed yet another revival in the form of DJ duo Altego's viral TikTok mash-up of the song with Ginuwine's “Pony.” What makes “Toxic” so enduring? For one, it's the pull of Spears' voice, as she moves from her chest voice in the verse to an eloquent falsetto in the pre-chorus, then combines the two techniques in the chorus. It's the way the song's producers, Bloodshy and Avant, combine a matrix of sounds that should not go together—a 1981 Bollywood love song, electric surf guitar, and funky synthesized bass—into an unforgettable melange. And it's the lasting power of Cathy Dennis's lyrics, which spins a universal tale of trying to resist temptation…and ultimately failing. Songs Discussed Britney Spears - Toxic Lata Mangeshkar and S. P. Balasubrahmanyam - Tere Mere Beech Mein Kylie Minogue - Can't Get You Out of My Head Katy Perry - I Kissed A Girl Yael Naim - Toxic A Static Lullaby - Toxic Nickel Creek - Toxic Mark Ronson - Toxic Altego - Toxic/Pony Mashup Learn more about your ad choices. Visit podcastchoices.com/adchoices