Podcasts about Kind of Blue

Two great music writers - James Kaplan and Paul Alexander - join Joe for a War of the Words. Joe gets excited and takes a deep dive into both of their brilliant books, which are both about America in the 40s and 50s, both about the jazz music scene, but follow very different subjects. 'Three Shades Of Blue' by James Kaplan is biography of Miles Davis, John Coltrane and Bill Evans - and how those three extraordinary musicians made one of the greatest jazz albums of all time: Kind Of Blue. 'Bitter Crop' by Paul Alexander is a biography of the great Billie Holiday, but told through the last year of her life - 1959 - which coincidently is when Kind Of Blue came out. Both books are brimming with great stories and accounts from the time - they are meticulously researched - snd Joe asks both authors how immersed they get in their subjects when writing. They also give us some brilliant book recommendations as well! THE BOOK OFF 'In Cold Blood' by Truman Capote VS'Last Train To Memphis' by Peter Guralnick We hope you enjoy the chat - which we've kept a little long - which may well inspire you to put on some jazz after listening!? :-)Oooooh and get this!For a limited time, you can get £100 off off any HD light and free UK delivery. Just visit seriousreaders.com/bookoff to claim your discount! Hosted on Acast. See acast.com/privacy for more information.

There were several exciting jazz record announcements last week, with the most anticipated being the 2025 Blue Note Tone Poet release schedule. Not expected was the simultaneous reveal of a new subscription service dubbed the Tone Poet Society. In this episode of the eCoustics podcast, Mitch Anderson and Eric Pye break down the different service features and tiers, the pros and cons of the Society, and share both their own and social media reactions to the announcement.Thank you to our sponsors SVS and Q Acoustics!Links for further information:Blue Note Tone Poet Society WebsiteJapanese Jazz Kissa and the Art of the Piano Trio: Exit to Vintage StreetJazz Kissa Culture Goes Global: Exit to Vintage StreetIn the Episode:Eric Pye, Vintage Audio ColumnistMitch Anderson, Podcast ProducerCredits:Original intro music by The Arc of All.Voice Over Provided by Todd Harrell of SSP Unlimited.Production by Mitch Anderson, Black Circle Studios.Keep up-to-date with all the latest Hi-Fi, Music, Home Theater, and Headphone news by visiting:https://www.ecoustics.com#hifi #audiophile #vintageaudio #jazzkissa  #vinylcommunity #ecoustics #bluenotetonepoet #tonepoetsociety #bluenoterecords #musicsubscriptionservice #vinylsubscriptionservice #musicindustrynews 

In this episode Listen to a conversation between your host Vivienne Aerts and Brooklyn based composer, violinist and educator from Japan Tomoko Omura as we talk about how she discovered playing Jazz on the violin, the way she finds inspiration for her composition, and balancing her art's life and motherhood. About Tomoko Omura Tomoko Omura is a composer, violinist and educator. Named #1 Rising Star Violinist by Downbeat Magazine's Critics Poll in 2021, she has released six albums as a leader.“Branches Vol. 2” (2021) was named Bandcamp's “Best Jazz of 2021”. She has been featured on major publications, including Grammy.com, WBGO Jazz United and The Pulse, Strings magazine, Jazz Sessions, AllAboutJazz. Originally from Shizuoka, Japan, she started violin under her mother's instruction. Almost quitting the violin in her teens, she discovered jazz when her brother was listening to "Kind Of Blue" by Miles Davis and fell in love with it. She moved to the U.S. to study at Berklee College of Music and relocated to New York after to pursue her dream of jazz violin. She became a mother in 2020 and is living in Brooklyn with her son, her partner and a pianist, Glenn Zaleski and her cat. She is a faculty member at Jazz House KiDS, leading the new String program. ⁠Instagram⁠ ⁠Website⁠ About ViviTalks - Interviews with the Women Behind Typuhthâng. Introducing ViviTalks, a podcast hosted by Dutch New York-based musician Vivienne Aerts. Join us as we celebrate 100 talented female musicians from Vivienne's latest album "Typuhthâng," with a mission to empower female cacao farmers in the Virunga State Park of Congo and contribute to rainforest restoration. We delve into the musical journeys, creative processes, and unique perspectives of these talented women, seeking to bring greater balance to the music industry. It's a safe space for honest and authentic conversations with artists and trailblazers. Let's amplify the voices of remarkable women in music and stay tuned for inspiring stories and meaningful dialogues on ViviTalks. ⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠ ⁠Stream⁠⁠⁠⁠⁠⁠⁠⁠⁠ the Album Buy it on Bandcamp⁠⁠⁠⁠⁠⁠⁠⁠⁠ and get the chocolate! ⁠⁠⁠⁠⁠⁠⁠⁠⁠More about Vivienne here Follow the podcast on your favorite platform

Seven musicians, two recordings, five songs: musical magic. This week marks the 65th anniversary of “Kind of Blue,” the iconic album recorded and performed by a young group of talented rising stars – John Coltrane, Julian “Cannonball” Adderly, Bill Evans, Paul Chambers, Jimmy Cobb and Wynton Kelly – before they were jazz legends, all under the leadership of the visionary trumpeter Miles Davis. “Kind of Blue” remains a treasured classic recording and is still selling copies, still taught in music classrooms, still covered by jazz musicians and still deconstructed by cultural critics. So why has Kind of Blue endured as the top classic jazz album for 65 years? We speak with three jazz experts to learn more about the revolutionary album.

Es gilt als das berühmteste, einflussreichste und kommerziell erfolgreichste Jazz-Album: Die Platte "Kind of Blue" des Jazz-Trompeters Miles Davis erscheint am 17.8.1959. Von Thomas Mau.

Nick and Simon present one of their jazz book reviews.Kind of Blue : Miles Davis and the making  of a masterpiece. Ashley Kahn Granta 2001 is an in-depth look at the legendary album its creation and its legacy.  Ashley Kahn has written much about jazz and his books on A Love Supreme and Impulse Records : the house that Trane built [ Simon got that title slightly wrong in the podcast] in December 1999 Kahn got to hear the master tapes of the sessions including the false starts etc and the 50th anniversary release contains those so you can hear them too. the Cd release also included a DVD including a documentaryMiles Davis-Kind of Blue-Celebrating a masterpieceThe Legacy edition is on Apple Music and other streaming platforms.Simon has written a blog post on the book and 2 other related books on the podcast website. The book is available in Print and E-Book format but not as an audio book. This is our website This is our InstagramThis is our Facebook group

Kind of Blue is one of the most iconic albums in the jazz idiom. It's inspired so many of us that we even use it as the modern standard for a great album. Join Adam and Peter as they breakdown what exactly makes this album so great. Unlock your FREE Open Studio trial to become a better player today.Have a question for us? Leave us a SpeakPipeCheckout courses from Adam, Peter and more at Open Studio

De Miles Davis à Patrick Verbeke. 

In a world with lots of content noise, play to the silences. Let your messaging be simple and clear, and even short. In this episode, we're learning from the musician who let there be simplicity and space. Who played his trumpet in a sparse style so that each note was beautiful and carefully chosen. That's Miles Davis.And with our special guest, Ben Lempert, Director of Content & Web at Heap, we're talking about creating simple messaging, capturing different voices, leaving room for spontaneity, and the importance of feeling in your marketing.About our guest, Ben LempertBen Lempert is Director of Content & Web at Heap. He has been there for over 4 years, having joined in August 2019 as Head of Corporate Marketing. During his time in his current role, Ben has built a Thought Leadership Content Hub to curate all of Heap's content and facilitate the stages of the buyer's journey, created the Heap Digital Insights Report, which generated thousands of leads and a 50% increase in content downloads, created the Digital Experience Insights Report series, which generated 6000+ downloads and bylines in Forbes and VentureBeat, developed creative initiatives including the Heap Comic Book and the Heap Explainer video series,  grew SEO traffic from 0 to 29,000+ visitors/month, increased social media followers by 100% over three successive years, and grew PR SOV 25% QoQ for nine successive quarters. He has over 10 years of experience in content strategy, brand, comms, creative, editing, and leadership.What B2B Companies Can Learn From Kind of Blue:Create simple messaging. Distill your message into plain but pointed language directed at your particular audience. Ben says, “What people respond to in Kind of Blue, and I think what people often respond to best in good content, is a simple, clear, open, direct message. I think a lot of companies get very complex in talking about the nuances of their solution and the technical advantages their product offers. I think it's worth it in the content world for most companies to think about what your fundamental message is, whether that's one sentence or one paragraph or four words. What's the thing that people will respond to that explains what you do and why it matters in a unique way? It's very hard to get to. I don't think many companies do it well. It's very easy to come up with something that's too abstract to be meaningful.”Capture different voices. Feature quotes from both your customers and colleagues in your content. Gather info and input from all of them and work it into your content. You don't have to operate all alone on a marketing island. Ben says, “Jazz, like content, is a team activity. I think one of the great things about Kind of Blue is that there's room for lots of individual voices. When we think about representing our company through our content, it's worth recognizing that there are plenty of voices across the company. And they all have different ways of expressing what's important. So it's okay to vary the voice and story you're telling, as long as you have a fundamental story that is simple and clear. What's on top of it involves orchestrating these different voices in a way that hits people in different ways and allows for nuance and complexity to be added to your story.”Leave room for spontaneity. Yes, get your work done. But then leave a little time to experiment and play. Ben says, “We are all extraordinarily busy. But sometimes the best marketing comes from carving out time for free form group thinking. Brainstorming, coming up with ideas that are new and off the wall, having that be a prompt.”Mood and feeling matter. Instead of getting into the nitty gritty technical details, focus on how you make the customer feel. Ben says, “Kind of Blue has that impact on you because of the way it sounds. You're not listening to every single note and you're not listening to Coltrane saying, ‘Oh, he played a flat 13 there. Whoa, that's wild!' It impacted you on a deeper, more emotional level. And we often forget that as content writers, that our audience are not robotic automatons. They're people. And we want to hit their emotions. That's where you reach people.” So ask yourself, “How do I want to make my audience feel?”Quotes*”[Kind of Blue] is one of the very few jazz records that most people who are not jazz fans own and listen to actively. And I think there are lots of reasons for that. And I think that gives us a pretty interesting lens for thinking about how content works, given that lots of content is directed towards people who may not be aware of the intricacies of your technical solutions, but still want to be compelled by what you have to say and want to be interested in it.” - Ben Lempert*”Miles was famous for having a very sparse style, very much interested in playing space. And for him, he was very actively thinking about how to play the silence and the space between notes as much as he was playing the actual notes. So he was super minimalist, would play one or two notes, but they would be absolutely beautiful and absolutely brilliant and took a sort of courage to play those one or two notes that very few musicians have. It's much easier to play a lot of notes and hope you get something right. It's much harder to have that one pithy statement and let it hang there.” - Ben Lempert*”Always strive to create a simple, communicable foundation that ideally everyone in the company can embody. And when the audience receives it, they understand right away. And then you build complexity on top of that.” - Ben LempertTime Stamps[0:55] Meet Ben Lempert, Director of Content & Web at Heap[4:37] Ben Lempert's Journey from Jazz Musician to Director of Content[8:47] The Making of Kind of Blue: A Revolutionary Jazz Album[10:20] Miles Davis' Vision and the Birth of Modal Jazz[23:59] Kind of Blue's Legacy and Impact on Jazz and Beyond[28:24] Exploring the Creative Process and Expectations[29:51] The Power of Minimalism in Music and Marketing[33:44] Improvisation: Jazz Lessons for Conversational and Creative Skills[36:12] Marketing Wisdom from Jazz: Simplicity, Emotion, and Spontaneity[48:38] Heap's Content Strategy: Blending Business Goals with Creative Storytelling[55:12] Embracing Experimentation and Spontaneity in Content CreationLinksListen to Kind of BlueConnect with Ben on LinkedInLearn more about HeapAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Senior Producer). Remarkable was produced this week by Meredith Gooderham, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

Grandma sings the blues. Neither one of us were real born smokers but we did our best to learn. Happy 4/20 everyone, from me and grandma and the ash in the cracks of the Casio keyboard. --- Send in a voice message: https://podcasters.spotify.com/pod/show/highanxiety/message

Listener Jonathan returns to the podcast (as all Supporters are welcome to do) to take an in-depth review of perhaps the most influential jazz album of all time: Miles Davis's 1959 masterpiece “Kind of Blue.” What's the story? What makes this recording so groundbreaking and so influential?  What is modal music? What does the track-by-track analysis reveal? What are the connections to yacht rock?  Why were so many yacht rockers so enamored with the jazz convention? How does all of this lead to Steely Dan (in more ways than one!) Listen and Subscribe: ⁠Find the podcast platform of your choice here⁠. References and Related: ⁠⁠Playlist of songs featured on Out of the Main⁠⁠ ⁠John's Spotify Yacht Rock Playlist⁠⁠ ⁠⁠Tom's Spotify Yacht Rock Playlist⁠⁠⁠⁠ Intro/outro: Stock Music “We're Here” composed by John H. Nixon (BMI) Find and Follow: The Mainland: ⁠OutoftheMain.com⁠ Facebook: ⁠https://www.facebook.com/yachtrockpodcast⁠ Twitter: ⁠https://twitter.com/outofthemain⁠ YouTube: ⁠https://www.youtube.com/@outofthemain⁠ Support the Podcast: ⁠https://podcasters.spotify.com/pod/show/outofthemain⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/outofthemain/support

In this conversation hosted by Reaction, Political Reporter and Podcast Editor Max Mitchell speaks to author and journalist James Kaplan about his new book 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool. They discuss the genius of Miles Davis, how these musicians came together to create the best-selling jazz album of all time, the economic and social conditions that affected mid-20th century jazz and Kind of Blue's lasting power.

Join Scott Kummer, Josh Hohbein, Chris Prairie and Justin Burton for a discussion of Bruce Springsteen: Born to Run and Miles Davis: Kind of Blue. It's never too late to fill out the poll.  PLEASE!!  The data is interesting to us: https://forms.gle/in4VmaRsPvcPY9jf9 In the "I've Got That On Vinyl" Facebook Group: https://www.facebook.com/groups/684186180585840 On Twitter: @IGTOVPodcast On Instagram: https://www.instagram.com/igtovpodcast/ Or email us anytime at IGTOVpod@gmail.com Intro and Outtro music by MIshka Shubaly: http://www.mishkashubaly.com

Hay pocos artistas que hayan tenido la habilidad, la capacidad y el talento para cambiar el rumbo de la música. Entre 1959 y 1960 Miles Davis, Bill Evans y John Coltrane y lo hicieron dos veces. Juntos con Kind of Blue y por separado. Coltrane con Giant Steps y Evans con sus Portrait in Jazz.  Ocho meses del monumental Kind Of Blue, Bill Evans volvió a un estudio de grabación junto a al bajista Scott LaFaro y él batería Paul Motian e hicieron un disco mágico en el que cabe todo y que retrata todo.  ¡El pianista reinventó el sonido del trío en el jazz poniendo todos los instrumentos en primer plano y con un peso equitativo, un experimento sonoro que nació sin ensayos y que se basa en el enorme talento de los músicos y en su capacidad de conectar, responder y conectarse al sonido que iban creando. Por desgracia el trío de Evans no duró mucho, poco después de empezar a rodar, en julio de 1961, Scott LaFaro murió prematuramente. A pesar de ello el legado sonoro de estos tres músicos es enorme y figura entre lo más destacado de la apabullante discografía de Bill Evans, protagonista del episodio de esta semana al que invitamos al periodista Fernando Navarro. APÚNTATE AL CANAL DE WHATSAPP DE SOFÁ SONOROEnlace: https://whatsapp.com/channel/0029VaMe1UfH5JM7mh1YQo24

En este mes de marzo se cumplen 65 años de la grabación del disco de jazz más vendido (y uno de los más influyentes) de la historia: 'Kind of Blue'. Miles Davis con John Coltrane, Cannonball Adderley, Bill Evans, Wynton Kelly, Paul Chambers y Jimmy Cobb tocando 'So what', 'Freddie Freeloader', 'Blue in green', 'All blues' y 'Flamenco sketches'.Escuchar audio

On this edition of The Arts Section, host Gary Zidek catches up with the new artistic director of Lookingglass Theater to talk about the company's plans for the future, after taking an almost year-long pause. The Dueling Critics, Kerry Reid and Jonathan Abarbanel, join Gary to review a play about the origins of Alcoholics Anonymous. Later in the show, Gary chats with the author of a new book that dives into the history Miles Davis' landmark album KIND OF BLUE. And we'll hear about an exhibit that celebrates a nostalgic piece of local history.

James Kaplan returns to discuss his new book, 3 Shades Of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool.

In the Sunday Book Review, I consider books that would interest the compliance professional, the business executive, or anyone who might be curious. It could be books about business, compliance, history, leadership, current events, or anything else that might interest me. Over the month of March, we will review some of the best books in various categories. In today's edition of the Sunday Book Review, we look at some of the best new books and best jazz albums ever recorded. Kind of Blue by Ashley Kahn The Making of Kind of Blue by Eric Nisenson The Blue Moment by Richard Williamson 3 Shades of Blue by James Kaplan For more information on Ethico and a free White Paper on ROI for your compliance program, click here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Мне нравится, как джаз воздействует на наши эмоции так, как никакая другая музыка не может: он может легко успокоить вашу душу или побудить вас танцевать, - заявляет композитор и пианистка Lisa Hilton в аннотации к своему новому альбому Coincidental Moment. Музыка здесь отражает энергию и историю кул-джаза, но определенно звучит по современному. Девять оригинальных композиций и две кавер-мелодии пронизаны насыщенными холодными тонами, дополненными ладовыми полетами, все они мерцают и свингуют под выразительным прикосновением пианистки к игре на фортепиано. Состав квартета уже знакомый и похож на предыдущий альбом More Than Anothe Day, который я обозревал. Но, здесь есть звуки замечательной трубы, держит которую Igmar Thomas. И это напоминает Майлза Дэвиса, кавер которого есть на альбоме. Если честно, не думал услышать от ребят аранжировку самого крутого его альбома Kind Of Blue, который наверняка есть в коллекции каждого джаз-мена. Явно женский взгляд на эту тему заслуживает внимания, но оригиналы, написанные автором, не менее интересны. И если альбом начинается с латинских ритмов, то дальше слышны модальные аккорды, бибоп и разумеется уже упомянутый кул-джаз. В общем я назвал это лаунджем, который преобладает в этом альбоме и мне бы очень хотелось слушать такие приятные композиции в ресторане, на берегу моря, и не только. А еще она просто красавица и обложка именно такая, как мне нравится - это автор и инструмент. © 2023 Lisa Hilton & Ruby Slippers Productions Igmar Thomas - trumpet Luques Curtis - bass Rudy Royston - drums Lisa Hilton - piano СЛУШАТЬ АЛЬБОМ - https://album.link/i/1706162632 ПРЕДЫДУЩИЙ АЛЬБОМ - https://t.me/discor/5921 Лучший трек альбома в плей-листе JAZZ по-русски 7 на AppleMusic и Spotify Поставь лайк ❤️ и подпишись на канал JAZZ по-русски https://t.me/discor #lounge --- Send in a voice message: https://podcasters.spotify.com/pod/show/konstantins/message

Singer-songwriter Danny O'Keefe, whose songs (including his Top 10 hit, “Goodtime Charlie's Got the Blues”) have been covered by Jackson Browne, Elvis Presley, Glen Campbell, Judy Collins, Willie Nelson, Allison Krauss and many others, joins Al to get him better acquainted with Miles Davis' 1959 classic, Kind of Blue. Danny talks about how he was introduced to the album, why it has been the album he has listened to the most in his life and which parts he particularly enjoys. Danny and Al also get into a Steely Dan discussion, as a result of Al comparing some sax solos. Danny recounts his relationship with Ahmet Ertegun and discusses his recently-released album, Circular Turns.Be sure to follow Danny on Facebook and visit his website, dannyokeefe.com!Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/1:20 Danny joins the show1:50 Danny talks about his introduction to Kind of Blue5:26 How important is it to know music theory as a musician and as a listener?10:01 How does Kind of Blue transport Danny?11:39 Danny identifies a couple of features of the album that he looks forward to14:08 Al is accustomed to the structure of rock music15:40 Danny talks about some of the solos from the album17:27 How has Kind of Blue influenced Danny's work?19:13 Danny walks through his songwriting process22:23 Danny explains the significance of Kind of Blue25:05 Danny talks about the allure of the folk revolution26:35 Do you have to connect with an album right away to enjoy it?30:00 Al did an experiment to try to figure out why he didn't connect more with Kind of Blue35:27 Danny talks about his relationship with Ahmet Ertegun and Atlantic Records43:15 Danny explains how his new album, Circular Turns, came about45:02 Danny identifies some covers of his songs that he particularly enjoys48:27 Danny talks about his upcoming plansOutro music is from “The Road” by Danny O'Keefe.Support the show

This week we continue a segment which began this year and that is out album special. Tonight taking a look at the Miles Davis album Kind Of Blue, and a new single from Mark Riddle on the way.   www.cocktailnation.net Tiki Creeps-Dr. Z's Prophecy Tikiyaki Orchestra- Space Tango Miles Davis- Blue in Green The Martini Kings -  Taboo Mark Riddle- House of Bamboo The Crawdaddy-Clean Caper J Barthel-Cocktail Jazz Piano Tiki Vibes-Miracle of the Mermaid The jazz Bistro- Instrumental Saxophone Jazz Song Tiki Delights-A Blossom Fell  Honolulu Transport- Marvellous Rose Sinclair- Perdido Don tiki-Hot Like Lava Tikiyaki-Pearl Diver The Swongos -  Shayla Shadows Tim Mayer- Crime Jazz Henchmen  

Blue Mo Info: https://bluemissouri.org/about/Jess Piper is @piper4missouri@TheHeartlandPOD on Twitter and Threadshttps://heartlandpod.com/JOIN PATREON FOR MORE - AND JOIN OUR SOCIAL NETWORK!“Change The Conversation”Jess Piper is joined by Michele Hornish with Blue Missouri. Michele is a lawyer, highly sought-after communications consultant, and the Executive Director of It Starts Today. She founded Small Deeds Done, a political action site featured in the New York Times bestseller Good And Mad: The Revolutionary Power of Women's Anger. Since 2017 she has focused on It Starts Today‘s state-based projects, culminating in the development of Blue Ohio.

Es ist weltweit das meistverkaufte Album in der Geschichte des Jazz: Miles Davis‘ "Kind of Blue". Und in diesem Fall entsprechen die Verkaufszahlen der künstlerischen Bedeutung. Dieser Meilenstein der Musikgeschichte wurde in gerade mal zwei Sessions aufgenommen, bevor es zur "Bibel des Jazz" wurde.

We discuss the best and worst songs from "Kind of Blue" by Miles Davis. Let us know your thoughts about these songs and follow us on Facebook, Instagram, and Twitter.  Please support the Miles Davis estate by purchasing and streaming this album wherever you pay for music! We have a Spotify playlist containing this album and all albums discussed on The Album Argument Podcast: https://spoti.fi/3ddbwaL.   

Join the band for a dive into Jazz, Quantum Mechanics, and the White Sands campground test site!website: actonmusicproject.comemail: music@actonmusicproject.comCraig's phone number: ‪(978) 310-1613‬

Shane Lee and Dan McHugh bring you a sports bulletin leading into the weekend: The Ashes approaches, Ange Postecoglou Spurs contender, the wrong kind of Blue for NSW, Jy Simpkin and the Monaco Grand Prix Learn more about your ad choices. Visit megaphone.fm/adchoices

Caleb Clark and Keyona Shabazz discuss modal jazz bandleader Miles Davis. --- Support this podcast: https://podcasters.spotify.com/pod/show/caleb-clark6/support

El 2 de marzo de 1959 comenzó a grabarse Kinf of Blue, un disco clásico del Jazz de Miles Davis y su banda, el que finalmente fue publicado el 17 de agosto de 1959.

Je dagelijkse portie muzikale verwondering. Welkom in mijn wonderkamer, vol muziek, verhalen en voorwerpen. Een muzikale reis door eeuwen, windstreken en genres. ‘Kind of Blue in Green' Enkele piano-akkoorden, nauwelijks beweging en dan een streep trompet – Blue in Green van het zeer succesvolle album Kind of Blue van Miles Davis. Op 2 maart 1959 opgenomen. Meer zien? Klik hier (https://www.nporadio4.nl/klassiek/podcasts/bdc98b87-1f66-4425-a91b-edfff663627d/dit-hoor-je-deze-week-in-franks-klassieke-wonderkamer-week-9-27-t-m-3-maart) Miles Davis & Bill Evans Blue in Green Miles Davis, trompet Bill Evans, piano John Coltrane, saxofoon Paul Chambers, bas Jimmy Cobb, drums (album: Kind of Blue) Franks Klassieke Wonderkamer is straks niet meer via de Bach van de Dag feed te beluisteren. Niks missen? Abonneer je dan op de podcast Franks Klassieke Wonderkamer.

Miles Davis had finally ventured out of his drug den for an interview with Julie Coryell, which leads to an unexpected turn of events. Unexpected, especially to Miles himself.  The unique combination of embarrassment, shame, and having literally run out of drugs on that night eventually led to Miles sobering up. But not before he almost drugged himself to sleep for good. When Miles begins again, he tries to start new, and lead a simple life, but new challenges emerge when he is made to face his inner demons. Will He break the evil cycle?   Music Legends on Instagram Music Legends on Facebook Follow Britt on Tiktok! Follow Caleb on Soundcloud Interview with Eleana Steinberg (Source) Miles Davis & Larry Coryell- Miss Last Summer (officially unissued studio recordings), March 2, 1978

Dan Wilson of Debunk the Funk joins TWiV to explain why he decided to take on science misinformation and how he critiques people who promulgate incorrect information. Hosts: Vincent Racaniello, Dickson Despommier, Rich Condit, and Brianne Barker Guest: Dan Wilson Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode Support MicrobeTV with a Spike t-shirt (Vaccinated.us) with promo code MicrobeTV International Scientific Coordinator Position (agajewski at icsnicaragua.org for more info) Debunk the Funk (YouTube) Letters read on TWiV 960 Timestamps by Jolene. Thanks! Weekly Picks Dickson – Jazz Project:  InstrumentalTrumpet: Clifford Brown/Miles Davis/Winton Marsalis. Clifford Brown: Signature album: Study In Brown, Signature song: Sandu; Miles Davis: Signature albums: Kind Of Blue; Sketches Of Spain; Porgy And Bess; Miles. Signature song: Time After Time. Wynton Marsalis: Signature album: Standard Time. Signature song: Do You Know What It Means To Miss New Orleans Brianne – Physicists Create a Wormhole Rich – Dec 1 APOD: Artemis 1 Flight Day 13 Vincent – An Ancient Language, Once on the Brink, Is a British Isle's Talk of the Town Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv

Michael Tau had spent years obsessed by the extremes of musical expression. “Extreme Music: Silence to Noise and Everything In Between” is the culmination of decades of research into the sounds (and silences) that comprise the outer limits and conceptual expressions that stretch the definition of music. Tau defines and categorizes these recorded sounds into sections that allow fans and newcomers to explore the fascinating world of musicians who defy convention. He explores a wide range of extremes including volume, speed, and vulgarity to packaging, recording methods, unplayable media, outdated technologies, and digital pioneers. He asks and answers the questions: Are all sounds music? Is silence music? Does a plate of rotting food once cataloged, packaged and sold by a distributor qualify as music?“Extreme Music” includes over 100 interviews with makers and musicians as Tau uses his background in psychiatry to help readers understand what motivates people to create and listen to non-mainstream music. As a fan of multiple avant-garde musical genres, Tau uncovers the pleasures (and sometimes pain and frustration) found at the outré fringes of music.“Extreme Music” is the ideal guide for curious seekers, die-hard fans, and cultural investigators. Michael Tau was born and raised in Toronto, Canada. As a teenager, he was introduced to bizarre and adventurous music via the after-hours CBC radio program, Brave New Waves, which he recorded onto cassette to listen to the next day. In university, he attended noise shows in lofts in Montreal's quasi-industrial districts, to the detriment of his hearing. He has since written for numerous underground music publications and has authored several music zines. When he isn't listening to the Merzbow boxset, he works as a physician.Purchase a copy of “Extreme Music: From Silence to Noise and Everything In Between” through Feral House: https://feralhouse.com/extreme-music/Listen to a playlist of some the music discussed in this episode: https://open.spotify.com/playlist/0pTeMurVDluqaY0txFEPF0?si=de95b551eb3d4ebbMusic Not Available Through Spotify Playlist:Jem Finer's “Longplayer”: https://longplayer.org/ or www.trinitybuoywharf.com/whats-on/longplayer8-Bit Tribute to Miles Davis' ‘Kind Of Blue' called ‘Kind Of Bloop' by Andy Baio: https://kindofbloop.comVulfpeck's ‘Sleepify' album: www.youtube.com/watch?v=kTE2UdbmDw4Hantasi ‘Vacant Places': www.youtube.com/watch?v=_qut4OjmBS0 Visit Michael Tau's website: https://anomalyindex.com/The Booked On Rock Website: https://www.bookedonrock.comFollow The Booked On Rock with Eric Senich:FACEBOOK: https://www.facebook.com/bookedonrockpodcastTWITTER: https://twitter.com/bookedonrockINSTAGRAM: https://www.instagram.com/bookedonrockpodcastSupport Your Local Bookstore! Find your nearest independent bookstore here: https://www.indiebound.org/indie-store-finderContact The Booked On Rock Podcast:thebookedonrockpodcast@gmail.comThe Booked On Rock Music: “Whoosh” & “Nasty” by Crowander (https://www.crowander.com)

When it comes to jazz, great musicianship is the standard. But there's a bright line between virtuosity, power, and technical complexity, and the slow, modal, atmospheric lyricism of beloved artists like pianist BILL EVANS and trumpeter MILES DAVIS, on his classic album KIND OF BLUE. Quiet. Subtle. Spacious. It's not about how many notes you play, but how beautifully you play them. As one musician says, it's about "loving every note." On this transmission of HEARTS of SPACE, lyrical, atmospheric European jazz from the German ECM label, on a program called SPACEJAZZ 9: RESTRAINED. Music is by the TORD GUSTAVSEN TRIO, the SOKRATIS SINOPOULOS QUARTET, the MATS EILERSEN TRIO, GIOVANNI GUIDI, ELENI KARAINDROU, and DOMINIC MILLER. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Chorus'un yeni bölümü, hiç beklenmeyen iki farklı türün birbirine geçmesiyle oluştu. Ant Arın Şermet'in bu bölümdeki konuğu Yeni Haller podcastinden Eray Özer oldu. Eray Özer'in ilk gençlik döneminde yer eden İzzet Altınmeşe'nin Avare albümü ve üniversite dönemlerine iz bırakan Miles Davis'in Kind of Blue albümü; Chorus'un albüm skalasını genişleten iki yapım olarak öne çıktı. Hayatın birçok yerine iz bırakan albümlerin podcasti Chorus'un 36. bölümü yayında!

Quando um álbum fala tanto ao coração, quando embala tantas melancolias, tantas solidões a um, a dois, a três, quando um álbum de 1971 de uma canadense que poetizou tão bem seu país, seus desamores, seu Canadá de origem, a contracultura no país em que residia (EUA), os desencontros e reencontros armazenados nessa memória tão anárquica que fazem da poesia da Joni essa dialética entre passagem e retorno dolorida, quando reúne tanta coisa junto, é difícil transpor em palavras a força de uma obra assim. Eu digo que esse álbum é como o "Kind of Blue" do Miles Davis, mas é um disco cem por cento preso ao folk. Mas de certa forma está tudo dentro do lugar, é um sussurro, um pequeno gosto amargo e doce ao mesmo tempo que fica na voz de Joni, no violão, na melodia e, principalmente, nas letras. Eu falo aqui de uma poeta que transformou sua vida em matéria-prima de sua obra e vice-versa. Bora, lá, vamos falar de "Blue/Joni Mitchell/1971".Músicas A case of You CaliforniaRiverAll I WantThe LastTtime I Saw RichardBlueCareyProdução: Baioque ConteúdoRoteiro e apresentação: Pedro SchwarczDireção: Newman CostaEdição: Felipe CaldoRedação: Luiz Fujita e Paulo BorgiaArte: Juliana BarbosaSegue a gente lá no insta: @umpaposobresom Produção: Baioque ConteúdoRoteiro e apresentação: Pedro SchwarczDireção: Newman CostaEdição: Felipe CaldoRedação: Luiz Fujita e Paulo BorgiaArte: CRIO.LAH

In this episode, Doug Slater joins me to discuss one of the seminal jazz albums of all time, Kind Of Blue by Miles Davis. This was my first time listening to this album, so I knew nothing going in. It's a fascinating episode and Doug is an excellent guide. Download Album014.mp3 Doug Slater on Twitter

TWiV reviews the genetic characterization of a new strain of type 2 oral polio vaccine and its implications for eradication, and how a polymorphism in humans comprising a single amino acid change in an antibody molecule regulates vaccine elicitation of broadly neutralizing antibodies against influenza virus HA. Hosts: Vincent Racaniello, Dickson Despommier, Alan Dove, Kathy Spindler, and Brianne Barker Subscribe (free): Apple Podcasts, Google Podcasts, RSS, email Become a patron of TWiV! Links for this episode Characterization of novel OPV2 from humans (MMWR) Engineering nOPV2 (TWiV 756) Genome sequence of Rockland County NY OPV2 isolate (Genbank) Allelic polymorphism and vaccine induction of influenza virus bnAbs (Immunity) Letters read on TWiV 931 Timestamps by Jolene. Thanks! Weekly Picks Dickson – Small groups: 1.  Miles Davis Quintet: Miles Davis, trumpet, John Coltrane, Tenor saxophone; Cannonball Adderley, Alto saxophone; Winton Kelly*, Bill Evans*, Piano; Paul Chambers, Bass; Jimmy Cobb, Drums. Signature album: Kind Of Blue. Signature song: So What. Many jazz enthusiasts think this is the best jazz album ever recorded. *performed on separate tracks Brianne – World Excel Championships Kathy – yre bird background and video Alan – The Kissing Bug, by Daisy Hernandez Vincent -Five top detective fiction writers. #1 Martin Beck by Maj Sjöwall and Per Wahlöö Listener Picks John – Fevers, Feuds and Diamonds: Ebola and the Ravages of History by Paul Farmer Carol – The Social Dilemma Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv

This was recorded during the 50th anniversary of this Masterpiece.  It's 63 years old now and still sounds amazing!

"Kind Of Blue" de Miles Davis es el título en que se centra este episodio, donde revisamos la importancia de esta obra, los músicos participantes en ella y su influencia para la escena del jazz de la época, entre otros aspectos.

Hey peeps! We're back this week talking Miles Davis' "Kind of Blue." Listen in to learn the history of this influencial jazz album and why it's still so popular today. As a bonus - take a drink every time Amanda gets mad at Evan! Find us on Twitter and Instagram @worstpodonmars Send us an email at worstpodonmars@gmail.com Stop by and say hi!

durée : 00:29:07 - La Série musicale - par : Fred Charbaut - En 1959, Miles Davis a trente-trois ans et convie ses musiciens en studio pour enregistrer le chef d'œuvre, le mot est faible, "Kind of Blue". Considéré comme un des plus grands albums de tous les temps, et encore aujourd'hui une des meilleures ventes de disques de jazz, quelle en est la magie ?

How do we have better ears for jazz? Whether you're an introductory or a seasoned veteran, we could all be better active listeners. Howard Mandel, President of the Jazz Journalists Association, shares how to better listens to jazz. Even as a fan of improvisational music, sometimes I struggle to properly digest jazz. Howard shares his expertise in having better ears for jazz comprehension.More: yesterdaysconcert.com/listen

Celeste and Teddy's car is a steaming wreck on the side of the road, putting their entire journey in jeopardy. Just as they were starting to see eye to eye, the accident threatens to tear them apart all over again.Listen ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App. https://wondery.app.link/trueloveSupport us by supporting our sponsors!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

May 26th is the birthday anniversary of Miles Dewey Davis, the legendary trumpeter and bandleader and Jazz Unlimited with Paul Anthony will celebrate with a special show devoted to his music. We will highlight a few albums which are considered Milestone albums in the jazz world including work from his two great quintets, his collaboration with Gil Evans on Birth of the Cool which ushered in the advent of the cool jazz movement. We'll also listen to his groundbreaking albums which led to Miles immersion into electronic fusion music on In a Silent Way and Bitches Brew and, of course, no survey, would be complete without a cut from in my estimation the greatest album ever recorded…KIND OF BLUE. Join me this week for a birthday tribute to Miles Davis on Jazz Unlimited with Paul Anthony

Albums discussed are Warrant's ‘Cherry ‘Pie (16:01) and Miles Davis' ‘Kind ‘Of Blue (45:26). Get tickets to see Mutlu and Spike for CLRC Live (with a full Mutlu show as well) on 5/20 at World Cafe Life here: https://bit.ly/CLRCTickets This week's listener album suggestion came from Apple Podcast user 19BenJAMMIN79.  To suggest an album for CLRC, leave a review on Apple Podcasts with the artist and title (five stars always helps). For playlists and podcasts, visit us on the web atcarllandryrecordclub.com and on Twitter @CLRCPod.  The theme song for Carl Landry Record Club is "I Should Let You Know" by Marian Hill. This is CLRC episode #69.

Enjoy our discussion of this jazz classic! --- Support this podcast: https://podcasters.spotify.com/pod/show/three-different-ones/support

In this episode of Space Time Music, Lyd the SBW will be interviewing…herself, giving y'all the music/soul profile you've been waiting for. There's a lot of 70s and 80s goodness in here kids.The SpaceTimeMusic theme music is a sample of the Ana-Tole x Jonah Christian Remix of Ready or Not by the Fugees.LINKS:A Sample, A Cover playlistThe Raisin at the Hot Dog's End music episodeDJ LeGoomDJ Lil' PurseFacebookMerchEmail: spacetimemusicpodcast@gmail.comSONG CREDITS:In order of appearanceI Want You BackJackson 51969 (You're the) Devil in DisguiseElvis Presley1968ControlNastyControlJanet Jackson1986CandyWord UpCameo1986ExcursionsCheck the RhimeThe Low End TheoryCrazy in LoveDangerously in LoveBeyonce2003Ntaba ezikudeAfrica to the WorldSun-El Musician feat. Simmy2018Flamenco SketchesKind of BlueMiles DavisThe Nearness of YouElla and LouisElla Fitzgerald and Louis ArmstrongAndurilThe Lord of the Rings: Return of the King SoundtrackHoward Shore2003For the Love of YouTony Toni Toné–Who?Tony! Toni! Toné!1988Strawberry Letter 23Freedom FlightShuggie Otis1971Right on TimeBrothers Johnson1977

Frizz and Bob talk about Bob's all time favorite album while enjoying a celebratory pour and talking about jazz history, legendary musicians, and the classic film, Runaway Bride.

Good News: A newly-discovered species of fish in the Maldives has been named for that country’s national flower, Link HERE. The Good Word: An important quote from the great Winston Churchill. Good To Know: A surprising fact about a New York City ant… Good News: Floating solar panels in South Korea are a brilliant innovation, […]